β
We loved with a love that was more than love.
β
β
Edgar Allan Poe
β
From childhood's hour I have not been. As others were, I have not seen. As others saw, I could not awaken. My heart to joy at the same tone. And all I loved, I loved alone.
β
β
Edgar Allan Poe
β
Years of love have been forgot, In the hatred of a minute.
β
β
Edgar Allan Poe (The Complete Stories and Poems)
β
Deep in earth my love is lying
And I must weep alone.
β
β
Edgar Allan Poe
β
And so being young and dipped in folly I fell in love with melancholy.
β
β
Edgar Allan Poe
β
And all I loved, I loved alone.
β
β
Edgar Allan Poe
β
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
β
β
Edgar Allan Poe
β
Tell me every terrible thing you ever did, and let me love you anyway.
β
β
Edgar Allan Poe (Collected Poems)
β
But our love was stronger by far than the love
Of those who were older than we
Of many far wiser than we
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
β
β
Edgar Allan Poe (Annabel Lee)
β
I am no king, and I am no lord,
And I am no soldier at-arms," said he.
"I'm none but a harper, and a very poor harper,
That am come hither to wed with ye."
"If you were a lord, you should be my lord,
And the same if you were a thief," said she.
"And if you are a harper, you shall be my harper,
For it makes no matter to me, to me,
For it makes no matter to me."
"But what if it prove that I am no harper?
That I lied for your love most monstrously?"
"Why, then I'll teach you to play and sing,
For I dearly love a good harp," said she.
β
β
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
β
From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.
β
β
Edgar Allan Poe (Alone)
β
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but i feel the bright eyes
Of the beautiful Annabel Lee.
β
β
Edgar Allan Poe (Annabel Lee)
β
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
β
β
Edgar Allan Poe (Annabel Lee)
β
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
β
β
Edgar Allan Poe
β
From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
β
β
Edgar Allan Poe (The Poetry of Edgar Allan Poe, Vol. 2)
β
When I was young and filled with folly, I fell in love with melancholy
β
β
Edgar Allan Poe
β
Imperceptibly the love of these discords grew upon me as my love of music grew stronger.
β
β
Edgar Allan Poe
β
There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man." ~ 'The Black Cat.
β
β
Edgar Allan Poe
β
I have been happy, though in a dream.
I have been happy-and I love the theme:
Dreams! in their vivid colouring of life
As in that fleeting, shadowy, misty strife
β
β
Edgar Allan Poe
β
Let me glimpse inside your velvet bones.
β
β
Edgar Allan Poe
β
Yet we met; and fate bound us together at the alter,and I never spoke of passion nor thought of love. She, however shunned society, and, attaching herself to me alone rendered me happy. It is a happiness to wonder; it is a happiness to dream.
β
β
Edgar Allan Poe (Morella)
β
And so, being young and dipt in folly
I fell in love with melancholy,
And used to throw my earthly rest
And quiet all away in jestβ
I could not love except where Death
Was mingling his with Beauty's breathβ
Or Hymen, Time, and Destiny
Were stalking between her and me.
β
β
Edgar Allan Poe (The Complete Stories and Poems)
β
Yes," I said, "for the love of God!
β
β
Edgar Allan Poe (The Cask of Amontillado)
β
We had always dwelled together, beneath a tropical sun, in the Valley of the Many Colored Grass.
β
β
Edgar Allan Poe
β
And so being young
and dipped in folly,
I fell in love
with melancholy.
β
β
Edgar Allan Poe
β
I heed not that my earthly lot
Hath - little of Earth in it -
That years of love have been forgot
In the hatred of a minute: -
I mourn not that the desolate
Are happier, sweet, than I,
But that you sorrow for my fate
Who am a passer by.
β
β
Edgar Allan Poe
β
In the Heaven's above, the angels, whispering to one another, can find, among their burning terms of love, none so devotional as that of 'Mother.
β
β
Edgar Allan Poe
β
I was a child and she was a child,
In this kingdom by the sea,
But we loved with a love that was more than loveβ
I and my Annabel Leeβ
β
β
Edgar Allan Poe (Annabel Lee)
β
I have no words β alas! β to tell
The loveliness of loving well!
β
β
Edgar Allan Poe (Edgar Allan Poe: Selected Poems)
β
We grew in age - and love - together
Roaming the forest, and the wild;
My breast her shield in wintry weather -
And, when the friendly sunshine smil'd,
And she would mark the opening skies,
I saw no Heaven - but in her eyes.
β
β
Edgar Allan Poe (The Complete Poetry)
β
We loved with a love that was more than love.ββEdgar Allen Poe
β
β
Kate Stewart (The Finish Line (The Ravenhood, #3))
β
And a funeral, I found out, is like a wedding in reverse, with less time to plan.
β
β
J. Lincoln Fenn (Poe)
β
No murmur arose from its bed, and so gently it wandered along, that the pearly pebbles upon which we loved to gaze, far down within its bosom, stirred not at all, but lay in a motionless content, each in its own old station, shining on gloriously forever.
β
β
Edgar Allan Poe
β
Science! true daughter of Old Time thou art!
Who alterest all things with thy peering eyes.
Why preyest thou thus upon the poet's heart,
Vulture, whose wings are dull realities?
How should he love thee? or how deem thee wise?
Who wouldst not leave him in his wandering
To seek for treasure in the jewelled skies,
Albeit he soared with an undaunted wing?
Hast thou not dragged Diana from her car?
And driven the Hamadryad from the wood
To seek a shelter in some happier star?
Hast thou not torn the Naiad from her flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind tree?
β
β
Edgar Allan Poe
β
I have no wordsβalas!βto tell
The loveliness of loving well!
β
β
Edgar Allan Poe (The Collected Tales and Poems of Edgar Allan Poe)
β
Yes I now feel that it was then on that evening of sweet dreams- that the very first dawn of human love burst upon the icy night of my spirit. Since that period I have never seen nor heard your name without a shiver half of delight half of anxiety.
β
β
Edgar Allan Poe
β
Where was your all-loving god when he was really needed?
β
β
Edgar Allan Poe
β
Dreams! in their vivid coloring of life,
As in that fleeting, shadowy, misty strife
Of semblance with reality, which brings
To the delirious eye, more lovely things
Of Paradise and Love- and all our own!
Than young Hope in his sunniest hour hath known.
β
β
Edgar Allan Poe (The Complete Stories and Poems)
β
Two weeks. Everything you love, own, and cherish, can be gone, liquidated, and lost forever in two weeks. Give or take a day.
β
β
J. Lincoln Fenn (Poe)
β
First you must believe there is a soul."
"Do you?"
"If by a soul one means the creature who lives within each of us, a creature born loving, born joyful, but who with each wordly blow shrinks more deeply into its shell until at last, the poor desiccated thing is unrecognizable, even to its own self, yes. I do.
β
β
Lynn Cullen (Mrs. Poe)
β
But we loved with a love that was more than love, I and my Annabel Lee.
β
β
Edgar Allan Poe (Annabel Lee)
β
Alas! for that accursed time
They bore thee o'er the billow,
From love to titled age and crime,
And an unholy pillow!
From me, and from our misty clime,
Where weeps the silver willow!
β
β
Edgar Allan Poe (The Complete Poetry)
β
From the dim regions beyond the mountains at the upper end of our encircled domain, there crept out a narrow and deep river, brighter than all save the eyes of Eleonora; and, winding stealthily about in mazy courses, it passed away, at length, through a shadowy gorge, among hills still dimmer than those whence it had issued. We called it the "River of Silence"; for there seemed to be a hushing influence in its flow. No murmur arose from its bed, and so gently it wandered along, that the pearly pebbles upon which we loved to gaze, far down within its bosom, stirred not at all, but lay in a motionless content, each in its own old station, shining on gloriously forever.
β
β
Edgar Allan Poe (Eleonora)
β
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me
β
β
Edgar Allan Poe
β
At three in the morning the gaudy paint is off that old whore, the world, and she has no nose and a glass eye. Gaiety becomes hollow and brittle, as in Poe's castle surrounded by the Red Death. Horror is destroyed by boredom. Love is a dream.
β
β
Stephen King (βSalemβs Lot)
β
Because it was my crime to have no one on Earth who cared for me, or loved me.
β
β
Edgar Allan Poe
β
Thou wouldst be loved?βthen let thy heart From its present pathway part not; Being everything which now thou art, Be nothing which thou art not. So with the world thy gentle ways, Thy grace, thy more than beauty, Shall be an endless theme of praise. And love a simple duty.
β
β
Edgar Allan Poe (Edgar Allan Poe's Complete Poetical Works)
β
The Lake
In spring of youth it was my lot
To haunt of the wide world a spot
The which I could not love the less-
So lovely was the loneliness
Of a wild lake, with black rock bound,
And the tall pines that towered around.
But when the Night had thrown her pall
Upon that spot, as upon all,
And the mystic wind went by
Murmuring in melody-
Then-ah then I would awake
To the terror of the lone lake.
Yet that terror was not fright,
But a tremulous delight-
A feeling not the jewelled mine
Could teach or bribe me to define-
Nor Love-although the Love were thine.
Death was in that poisonous wave,
And in its gulf a fitting grave
For him who thence could solace bring
To his lone imagining-
Whose solitary soul could make
An Eden of that dim lake.
β
β
Edgar Allan Poe (The Complete Stories and Poems)
β
All these years, whenever I thought of him, I'd think either of B. or of our last days in Rome, the whole thing leading up to two scenes: the balcony with its attendant agonies and via Santa Maria dell' Anima, where he'd pushed me against the old wall and kissed me and in the end let me put one leg around his. Every time I go back to Rome, I go back to that one spot. It is still alive for me, still resounds with something totally present, as though a heart stolen from a tale by Poe still throbbed under the ancient slate pavement to remind me that, here, I had finally encountered the life that was right for me but had failed to have.
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
Zonder poes komt het nooit helemaal goed
β
β
Midas Dekkers
β
I am love. But no one has ever said that love is easy.
β
β
Mark Andrew Poe
β
I am Rabbit. I can be anywhere. I can be everywhere. I am outside time. I am outside dimension.
β
β
Mark Andrew Poe (Ending Easter)
β
I am Rabbit. I can be anywhere. I can be everywhere. I am outside time. I am outside dimension. Do you want me? I am yours.
β
β
Mark Andrew Poe (Ending Easter)
β
One morning, in cool blood, I slipped a noose about its neck and hung it to the limb of a tree; β hung it with the tears streaming from my eyes, and with the bitterest remorse at my heart; β hung it because I knew that it had loved me, and because I felt it had given me no reason of offence; β hung it because I knew that in so doing I was committing a sin β a deadly sin that would so jeopardize my immortal soul as to place it β if such a thing were possible β even beyond the reach of the infinite mercy of the Most Merciful and Most Terrible God.
β
β
Edgar Allan Poe (The Black Cat)
β
But our love it was stronger by far than the love
Of those who were older than weβ
Of many far wiser than weβ
And neither the angels in Heaven above
Nor the demons down under the sea
Can ever dissever my soul from the soul
β
β
Edgar Allan Poe (Annabel Lee)
β
I saw thee once - only once - years ago:
I must not say how many - but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared stir, unless on tiptoe -
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death -
Fell on the upturn'd faces of these roses
That smiled and died in the parterre, enchanted
By thee, and by the poetry of thy presence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell upon the upturn'd faces of the roses,
And on thine own, upturn'd - alas, in sorrow!
Was it not Fate, that, on this July midnight -
Was it not Fate, (whose name is also Sorrow,)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footsteps stirred: the hated world all slept,
Save only thee and me. (Oh, Heaven! - oh, G**!
How my heart beats in coupling those two words!)
Save only thee and me. I paused - I looked -
And in an instant all things disappeared.
(Ah, bear in mind the garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All - all expired save thee - save less than thou:
Save only divine light in thine eyes -
Save but the soul in thine uplifted eyes.
I saw but them - they were the world to me.
I saw but them - saw only them for hours -
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a wo! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition! yet how deep -
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go - they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me - they lead me through the years.
They are my ministers - yet I their slave.
Their office is to illumine and enkindle -
My duty, to be saved by their bright fire,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope,)
And are far up in Heaven - the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still - two sweetly scintillant
Venuses, unextinguished by the sun!
β
β
Edgar Allan Poe (The Raven and Other Poems)
β
THOU wast all that to me, love,
For which my soul did pine:
A green isle in the sea, love,
A fountain and a shrine
All wreathed with fairy fruits and flowers,
And all the flowers were mine.
Ah, dream too bright to last!
Ah, starry Hope, that didst arise
But to be overcast!
A voice from out the Future cries,
"On! on!"βbut o'er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast.
For, alas! alas! with me
The light of Life is o'er!
No moreβno moreβno moreβ
(Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree,
Or the stricken eagle soar.
And all my days are trances,
And all my nightly dreams
Are where thy gray eye glances,
And where thy footstep gleamsβ
In what ethereal dances,
By what eternal streams.
β
β
Edgar Allan Poe
β
PβJamie!β I called.
He waded back toward me. βIβm starting to think my name is Pajamie.β
βYour name should be Pajerky. You said it wasnβt deep.β
βPajerky?β He gave me a skeptical look. βThatβs Pathetic.β
βWeβll see how smug you are once Iβm on dry land.
β
β
Diana Peterfreund (Rites of Spring (Break) (Secret Society Girl, #3))
β
And thus thy memory is to me
Like some enchanted far-off isle
In some tumultuous sea β
Some ocean throbbing far and free
With storms β but where meanwhile
Serenest skies continually
Just o'er that one bright island smile.
β
β
Edgar Allan Poe (Edgar Allan Poe: Selected Poems)
β
But we loved with a love that was more than love
β
β
Edgar Allan Poe
β
I love me a good sheep.
β
β
Edgar Allan Poe
β
Have you been in love.β
βSure.β
βHowβd it end.β
There was a pause before Doyle answered, βIt hasnβt started.
β
β
C.S. Poe (Subway Slayings (Memento Mori, #2))
β
It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture βa pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees β very gradually βI made up my mind to take the life of the old man, and thus rid myself of the eye forever.
β
β
Edgar Allan Poe (The Tell-Tale Heart and Other Writings)
β
To Helen
I saw thee once-once only-years ago;
I must not say how many-but not many.
It was a july midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe-
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light
Thier odorous souls in an ecstatic death-
Fell on the upturn'd faces of these roses
That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell on the upturn'd faces of the roses
And on thine own, upturn'd-alas, in sorrow!
Was it not Fate that, on this july midnight-
Was it not Fate (whose name is also sorrow)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred; the hated world all slept,
Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)
Save only thee and me. I paused- I looked-
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out;
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All- all expired save thee- save less than thou:
Save only the divine light in thine eyes-
Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me.
I saw but them- saw only them for hours-
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition!yet how deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go- they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me- they lead me through the years.
They are my ministers- yet I thier slave
Thier office is to illumine and enkindle-
My duty, to be saved by thier bright light,
And purified in thier electric fire,
And sanctified in thier Elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in heaven- the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!
β
β
Edgar Allan Poe
β
That she loved me I should not have doubted; and I might have been easily aware that, in a bosom such as hers, love would have regained no ordinary passion. But in death only was I fully impressed with the strength of her affection.
β
β
Edgar Allan Poe (Ligeia)
β
Most people would live in an outhouse in Bangladesh before they would voluntarily move to Nebraska.
β
β
Poe Ballantine (Love and Terror on the Howling Plains of Nowhere: A Memoir)
β
no man can consider himself entitled to complain of Fate while in his adversity he still retains the unwavering love of woman.
β
β
Edgar Allan Poe (The Poetic Principle)
β
Our ability to choose is sacred. Itβs what makes humans special.
β
β
Mark Andrew Poe (Ending Easter)
β
Love is at the very root of having a positive attitude.
β
β
Mark Andrew Poe (The Scary Smart House)
β
Don't write your child's pages. Turn them with love.
β
β
Mark Andrew Poe (Halloween Nightmares)
β
The days have never been when thou couldst love meβbut her whom in life thou didst abhor, in death thou shalt adore.
β
β
Edgar Allan Poe (Morella (Annotated))
β
We loved with a love that was more than love
β
β
Edgar Allan Poe
β
And so being young and dipped in folly,
I fell in love with melancholy.
β
β
Edgar Allan Poe
β
I could not love except where Death Was mingling his with Beautyβs breath
β
β
Edgar Allan Poe (Complete Works of Edgar Allan Poe)
β
Is it sympathy for the sheep you wish to excite? I love a sheep from the bottom of my heart...
β
β
Edgar Allan Poe (The Fall of the House of Usher and Other Tales)
β
And all I loved, I loved alone
β
β
Edgar Allan Poe
β
Poe is missing out on love. Because he's afraid. Afraid to go the distance. Afraid to fully let someone into all the crap we have to live with. I know what it's like to have that fear. But that fear didn't stop the scary shit from happening.
β
β
Rachael Lippincott (Five Feet Apart)
β
I read to him from his mother's Bible the first line of Genesis: 'In the beginning God created the heavens and the earth.' It says nothing about hell, Tom. That came later with the membership drive.
β
β
Poe Ballantine (Love and Terror on the Howling Plains of Nowhere: A Memoir)
β
There are all kinds of love. We place too much emphasis on romantic love as the be-all and end-all. But there is brotherly love. Sisterly love. Love for mom. Love for dad. And naturally, vice-versa. Even with our enemies, we should try to turn them into friends through love.
β
β
Mark Andrew Poe
β
She was a maiden of rarest beauty, and not more lovely than full of glee. And evil was the hour when she saw, and loved, and wedded the painter. He, passionate, studious, austere, and having already a bride in his Art; she a maiden of rarest beauty, and not more lovely than full of glee; all light and smiles, and frolicsome as the young fawn; loving and cherishing all things; hating only the Art which was her rival;
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Edgar Allan Poe
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In visions of the dark night
I have dreamed of joy departed-
But a waking dream of life and light
Hath left me broken-hearted.
Ah! what is not a dream by day
To him whose eyes are cast
On things around him with a ray
Turned back upon the past?
That holy dream- that holy dream,
While all the world were chiding,
Hath cheered me as a lovely beam
A lonely spirit guiding.
What though that light, thro' storm and night,
So trembled from afar-
What could there be more purely bright
In Truth's day-star?
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Edgar Allan Poe (A Dream Within a Dream)
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After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement.
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Jules de Goncourt (Journal des Goncourt, tome 2)
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if passion it can properly be called, was of the most thoroughly romantic, shadowy, and imaginative character. It was born of the hour, and of the youthful necessity to love. It had no peculiar regard to the person, or to the character, or to the reciprocating affection... Any maiden, not immediately and positively repulsive,
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Edgar Allan Poe (Edgar Allan Poe's Complete Poetical Works)
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But our love was stronger by far than the love
Of those who were older than we
Of many far wiser than we
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
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Edgar Allan Poe
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And I lie so composedly, Now in my bed (Knowing her love) That you fancy me deadβ And I rest so contentedly, Now in my bed, (With her love at my breast) That you fancy me deadβ That you shudder to look at me. Thinking me dead. But my heart it is brighter Than all of the many Stars in the sky, For it sparkles with Annieβ It glows with the light Of the love of my Annieβ With the thought of the light Of the eyes of my Annie.
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Edgar Allan Poe (Edgar Allan Poe's Complete Poetical Works)
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I would like that very much. You have a bargain, lady. I will find you here among the lost souls, trapped women, and birds. I find that my own state has improved, if only slightly. Where I was once likely to travel in the presence of a murder of crows, I find I will only be burdened by an unkindness of ravens. It gives me heart." - A. E. Poe in Nevermore
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David Niall Wilson (Nevermore - A Novel of Love, Loss, & Edgar Allan Poe)
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my life comes apart like a love letter in the rain.
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Will Christopher Baer (Kiss Me, Judas (Phineas Poe, #1))
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And they hated her for her pride βBut she grew in feeble health, And they love her βthat she died.
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Edgar Allan Poe (Edgar Allan Poe: The Complete Tales and Poems (The Classics Collection))
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It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea."
"It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
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Edgar Allan Poe
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When trying to fathom an immense, intricate system, drawing direct arrows of causality between micro and macro-components is perilous. Which stock caused the crash of β29? Which person triggered the outbreak of World War I? Which word of Poeβs βThe Raveβ suffuses it with an atmosphere of brooding melancholy?
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Thomas Lewis (A General Theory of Love)
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Realize that people are idiots. The sooner you accept this fact the better. Most people are going to doubt you. Even the people closest to you will doubt you. There's a misconception that if you personally know the writer that means they're not a good writer; If they haven't sold a million copies, that means they're not a good writer. Many of the authors I love most died destitute with little notoriety, Anne Frank and Edgar Alan Poe, just to name a couple. Jane Austin's books received little attention while she was alive. Now you can't turn on a tv without seeing some variation of her work. Sometimes an artist is ahead of their time, but no less an artist.
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Catalina DuBois
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In the mystery and the energy of loving, we all view time's shadow upon the beloved as wretchedly as any of Poe's narrators. We do not think of it every day, but we never forget it: the beloved shall grow old, or ill, and be taken away finally. No matter how ferociously we fight, how tenderly we love, how bitterly we argue, how pervasively we berate the universe, how cunningly we hide, this is what shall happen. In the wide circles of timelessness, everything material and temporal will fail, including the manifestation of the beloved. In this universe we are given two gifts: the ability to love, and the ability to ask questions. Which are, at the same time, the fires that warm us and the fires that scorch us. This is Poe's real story. As it is ours. And this is why we honor him, why we are fascinated far past the simple narratives. He writes about our own inescapable destiny.
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Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
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He admitted but four elementary principles, or more strictly, conditions of bliss. That which he considered chief was (strange to say!) the simple and purely physical one of free exercise in the open air. "The health," he said, "attainable by other means is scarcely worth the name." He instanced the ecstasies of the fox hunter, and pointed to the tillers of the earth, the only people who, as a class, can be fairly considered happier than others. His second condition was love of woman. His third, and most difficult of realization, was the contempt of ambition. His fourth was an object of unceasing pursuit; and he held that, other things being equal, the extent of attainable happiness was in proportion to the spirituality of this object.
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Edgar Allan Poe (The Domain of Arnheim)
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Deep in the collective psyche, religious sectors, beset by morality and tormented by their own inner shadows, issue a silent plea to the great system that rules our lives. They desperately seek to avoid the incandescent glare of truth, fearing that its revealing light will free them from the chains they themselves have forged. Thus they remain in a state of denial. Thus they live, clinging like sows to the gestation of their perversities, as if in that fertile soil they would find the seed of their salvation."--From the book The Devil's Writer
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Marcos Orowitz (Talent for Horror: Homage to Edgard Allan Poe ("Talent for Horror" Series book revelation 2022))
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A singularity apart from the others.
Another more beautiful singularity.
Found love between the two. Love that exceeds the capacity of comprehension.
But it just wasn't meant to last. Some times one just has to die for villains to come to light. And when they do, it's in a beautiful blaze of darkness.
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Edgar Allan Poe
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THE LAKE IN youth's spring it was my lot To haunt of the wide earth a spot The which I could not love the less; So lovely was the loneliness Of a wild lake, with black rock bound, And the tall pines that tower'd around. But when the night had thrown her pall Upon that spotβas upon all, And the wind would pass me by In its stilly melody, My infant spirit would awake To the terror of the lone lake. Yet that terror was not frightβ But a tremulous delight, And a feeling undefined, Springing from a darken'd mind. Death was in that poison'd wave And in its gulf a fitting grave For him who thence could solace bring To his dark imagining; Whose wildering thought could even make An Eden of that dim lake. Β
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Edgar Allan Poe (Tamerlane & Other Poems: A Collection of Poems)
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I am about to reveal to you an arcane, unfathomable mystery that has never been whispered by mortal lips or displayed on the hallowed shelves where the venerable masters of science discuss their theories with uncompromising rigour. I am about to entrust you with a secret that will drastically alter your perception of existence, a knowledge so potent that upon its discovery, your human essence will resist its comprehension, fearful of the overwhelming luminosity and its permanence on this earthly plane; When, as if by magic, these words pass through the barrier of your heart and establish a link with your mind to revitalise your consciousness, it will be time to cast off the chains of moral slavery and tear your soul into a thousand fragments, allowing the divine light to recompose and transform it, Do you long to know the secret? Well, place your hand on the centre of your chest, inhale deeply at a slower than usual pace and whisper to your heart: "I AM FREE"--From The Devil's Writer
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Marcos Orowitz (Talent for Horror: Homage to Edgard Allan Poe ("Talent for Horror" Series book revelation 2022))
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In Letters to a Young Poe, Rilke says, 'The highest form of love is to be the protector of another person's solitude.' That's what I want. For other people to love each other without having to partake in them, to possess them, to allow them to be their own inside their solitude, to protect that. I wish people respected each other's aloneness. I wish I could write something very beautiful and erotic without worrying about people wanting to use me to fulfill some fantasy--which I have no control over, and often, has nothing to do with me--inside themselves.
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Kristen Kosmas
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In the mystery and the energy of loving, we all view time's shadow upon the beloved as wretchedly as any of Poe's narrators. We do not think of it every day, but we never forget it: the beloved shall grow old, or ill, and be taken away finally. No matter how ferociously we fight, how tenderly we love, how bitterly we argue, how pervasively we berate the universe, how cunningly we hide, this is what shall happen. In the wide circles of timelessness, everything material and temporal will fail, including the manifestation of the beloved. In this universe we are given two gifts: the ability to love, and the ability to ask questions. Which are, at the same time, the fires that warm us and the fires that scorch us. This is Poe's real story. As it is ours. And this is why we honor him, why we are fascinated far past the simple narratives. He writes about our own inescapable destiny. His
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Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
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On a spring day in 1988β¦a Massachusetts man who collected books about local history was rummaging through a bin in a New Hampshire antiques barn when something caught his eye. Beneath texts on fertilizers and farm machines lay a slim, worn pamphlet with tea-colored paper covers, titled Tamerlane and Other Poems, by an unnamed author identified simply as βa Bostonian.β He was fairly certain he had found something exceptional, paid the $15 price, and headed home, where Tamerlane would spend only one night. The next day, he contacted Sothebyβs, and they confirmed his suspicion that he had just made one of the most exciting book discoveries in years. The pamphlet was a copy of Edgar Allan Poeβs first text, written when he was only fourteen years old, a find that fortune-seeking collectors have imagined happening upon probably more than theyβd like to admit. The humble-looking, forty-page pamphlet was published in 1827 by Calvin F.S. Thomas, a relatively unknown Boston printer who specialized in apothecary labels, and its original price was about twelve cents. But this copy, looking good for its 161 years, most of which were probably spent languishing in one dusty attic box after another, would soon be auctioned for a staggering $198,000.
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Allison Hoover Bartlett (The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession)