Pocketbook Quotes

I needed her to stop. Needed not to hear the pain in her voice--to see the way she was twisting the pocketbook strap. If she kept talking, she might break down and tell me everything.

The truth is not in the commercial media because the truth is a dagger pointed at its heart, which is its pocketbook.

Shit, it was so damn girly. Next thing you knew, she was going to start crying at TV ads and doing her nails. And getting a frickin' pocketbook.

I checked my pocketbook to make sure I had the essentials... beeper, tissues, hair spray, flashlight, cuffs, lipstick, gun with bullets, recharged cell phone, recharged stun gun, hairbrush, gum, pepper spray, nail file. Was I a kick-ass bounty hunter, or what?"(Three to get deadly)Janet evanovich

THE GOOD LIFE requires that we take pleasure in new things; A GOOD LIFE requires that we take pleasure in moments. To enjoy THE GOOD LIFE we have to get ahead; to enjoy A GOOD LIFE we have to make the trip worthwhile. THE GOOD LIFE is supported by feeding our pocketbooks; A GOOD LIFE is supported by feeding our souls.

A genuine leader will never exploit your emotions or your pocketbook.

I want to be your first choice. And maybe I’ve never made it clear that I am a choice for you. I like you, and if you let me, I know I could love you. My title might not be as fancy as Kallias’s, nor my pocketbook quite as deep, nor my estate quite so large. “But my heart is bigger, Alessandra. And I would love you completely, wholly, as a woman ought to be loved. I won’t hide behind shadows. I won’t love you from afar. I won’t only take parts of you. I want all of you. Mind, body, soul. I want to be with you. Always.

Why do we refuse to have these conversations, asking our family and friends what they want done with their body when they die? Our avoidance is self-defeating. By dodging the talk about our inevitable end, we put both our pocketbooks and our ability to mourn at risk.

Time is a thief, but he's not subtle. He's a thug. And youth is a little old lady walking through the park with a pocketbook full of cash. You want to avoid being like youth? You want to keep time from robbing you? Hold on for dear life, boys. When time tries to snatch something from you, just grab tighter. Don't let go. That's what memory is. Not letting go.

It is an unfortunate human failing that a full pocketbook often groans more loudly than an empty stomach.

One way to hurt Barrington is to beat the crap out of him in your lawsuit. Hurt him in the pocketbook.

There is no easy formula for determining right and wrong livelihood, but it is essential to keep the question alive. To return the sense of dignity and honor to manhood, we have to stop pretending that we can make a living at something that is trivial or destructive and still have sense of legitimate self-worth. A society in which vocation and job are separated for most people gradually creates an economy that is often devoid of spirit, one that frequently fills our pocketbooks at the cost of emptying our souls.

A society in which vocation and job are separated for most people gradually creates an economy that is often devoid of spirit, one that frequently fills our pocketbooks at the cost of emptying our souls.

For her, this was one of the happiest things on earth--to be in love with someone who is more in love with you.

holding tight / to their pocketbooks / at the pearly gates / just in case.

We settled Mama into the wheelchair and loaded her down with both our pocketbooks and a vase of flowers I had picked to present to our host in hopes of softening the effects of any opinions Mama might vent during the evening.

I am fat with love! Husky with ardor! Morbidly obese with devotion! A happy, busy bumblebee of marital enthusiasm. I positively hum around him, fussing and fixing. I have become a strange thing. I have become a wife. I find myself steering the ship of conversations- bulkily, unnaturally- just so I can say his name aloud. I have become a wife, I have become a bore, I have been asked to forfeit my Independent Young Feminist card. I don't care. I balance his checkbook, I trim his hair. I've gotten so retro, at one point I will probably use the word pocketbook, shuffling out the door in my swingy tweed coat, my lips red, on the way to the beauty parlor. Nothing bothers me. Everything seems like it will turn out fine, every bother transformed into an amusing story to be told over dinner. 'So I killed a hobo today, honey...hahahaha! Ah, we have fun

It all happened in a second. The three of them reached Baby at the same time. She lay crumpled down on the dirty sidewalk. Her skirt was over her head, showing her pink panties and her little white legs. Her hands were open—in one there was the prize from the candy and in the other the pocketbook. There was blood all over her hair ribbon and the top of her yellow curls. She was shot in the head and her face was turned down toward the ground.

All I’m saying is that your happiness is in your hands and those of your nearest and dearest. And if you think I’m going to show up two decades or so down the line to collect your soul in my moldy old pocketbook, you’d better think again. The souls of humans have become poor and transparent things.

Will any of those men under you ever really understand all this? They're professional cynics, and it's too late for them. Why do you want to go back with them? So you can keep up with the Joneses? To buy a gyro just like the Smith has? To listen to music with your pocketbook instead of your glands?

The three branches of government number considerably more than three and are not, in any sense, "branches" since that would imply that there is something they are all attached to besides self-aggrandizement and our pocketbooks.

For the life of me, I don’t understand these bumper stickers. I would think, the more you believe in something, the less you’d want to stick it on your car. Just ridiculous the way people flaunt beliefs like they’re pocketbooks.

I rooted through my pocketbook and did a fast paraphernalia inventory. I was carrying defense spray, which was a big no-no in a crowded mall. And I carried a stun gun, which on close examination turned out to need a new battery. My two pairs of cuffs were in working order, and I had an almost full can of hair spray. Okay, probably I wasn't the world's best-equipped bounty hunter. But then what did I really need to bring in an old guy with a nose that looked like a penis and a loser hot dog vendor?

It’s better to end something and start another than to imprison yourself in hoping for the impossible. Life can never promise to always be happy but life gets better after you accept things you just can’t change. For you Jelle, from me.. with luv. He-he!

A woman in her late sixties described her new iPhone: "it's like having a little time square in my pocketbook. All lights. All the people I could meet.

I picked up my pocketbook and started back over the cold stones to where my shoes kept their vigil in the violet light.

I know the Press only too well. Almost all editors hide away in spider-dens, men without thought of Family or Public Interest or the humble delights of jaunts out-of-doors, plotting how they can put over their lies, and advance their own positions and fill their greedy pocketbooks by calumniating Statesmen who have given their all for the common good and who are vulnerable because they stand out in the fierce Light that beats around the Throne. Zero Hour, Berzelius Windrip.

Jelle, if you really love Guji, you’d be willing to let him go and allow him to be happy with the woman he loves. Walang problema kung nais mong ipaglaban ang feelings mo pero dapat alam mo rin kung paano sumuko lalo na kung alam mong talo ka na.

I dried my hands and took out my pocket-book from the inside of my tunic hanging on the wall. Rinaldi took the note, folded it without rising from the bed and slid it in his breeches pocket. He smiled, "I must make on Miss Barkley the impression of a man of sufficient wealth. You are my great and good friend and financial protector." "Go to hell," I said.

I knew that my trauma, no matter what it was, was not unique. I knew that pain was the universal driving force of so many people—I knew that only in the details was it specific, and I just found it urgent to cut right to the chase and get right to the point.

Don't you believe in nonviolence?' I asked. "'Yes,' said Miss Minnie, 'when the other parties are nonviolent, too. But when I have just come out of a funeral parlor from looking at a little small black boy shot three times by a full-grown cop, I think it is about time I raised my pocketbook and strike at least one blow for freedom.

Outright speculation is neither illegal, immoral, nor (for most people) fattening to the pocketbook. More than that, some speculation is necessary and unavoidable, for in many common-stock situations there are substantial possibilities of both profit and loss, and the risks therein must be assumed by someone.* There is intelligent speculation as there is intelligent investing. But there are many ways in which speculation may be unintelligent. Of these the foremost are: (1) speculating when you think you are investing; (2) speculating seriously instead of as a pastime, when you lack proper knowledge and skill for it; and (3) risking more money in speculation than you can afford to lose.

Can you imagine anything uglier than manipulating people's sincere belief in God to convince them you're genuine--the real, honest-to-Jesus ticket-when you're just about to scheme as many dollars as you can out of their pocketbooks? It's disgusting.

Poetry, I tell my students, is idiosyncratic. Poetry is where we are ourselves, (though Sterling Brown said "Every 'I' is a dramatic 'I'") digging in the clam flats for the shell that snaps, emptying the proverbial pocketbook. Poetry is what you find in the dirt in the corner, overhear on the bus, God in the details, the only way to get from here to there. Poetry (and now my voice is rising) is not all love, love, love and I'm sorry the dog died. Poetry (here I hear myself loudest) is the human voice, and are we not of interest to each other?

When he was dressed, Stepan Arkadyevitch sprinkled some scent on himself, pulled down his shirt-cuffs, distributed into his pockets his cigarettes, pocketbook, matches, and watch with its double chain and seals, and shaking out his handkerchief, feeling himself clean, fragrant, healthy, and physically at ease, in spite of his unhappiness, he walked with a slight swing on each leg into the dining-room, where coffee was already waiting for him, and beside the coffee, letters and papers from the office.

If there would have been a bomb thrown, I surely would have been blamed for it

Nothing like an endangered pocketbook to help a businessman find his conscience.

It's far too easy to tote around a pocketbook of virtues when people are around but the truth always claws its way out in silence. This business of quiet and aloneness is working me through and through.

1. Why should poor conservatives vote against their financial interests? Because they are voting their moral identities, not their pocketbooks. They are voting for people who believe in what they believe, and they want to see a world in which their moral principles are upheld 2. Why do Tea Party members of Congress obstruct even the workings of an overwhelmingly conservative Congress? Because they believe that compromising with progressive positions is immoral on the grounds that it weakens and undermines the authority of conservatism. It would be like a strict father giving in and compromising his authority in the family. ·

Political bodies endlessly debate the pros and cons of every action that will improve the lives of the weak and the oppressed. The resulting legislation is usually a watered down version of charitable actions directed at uplifting the poor. Any government invariably tailors its allocation of resources and alignment of power to protect the pocketbooks of the wealthy and powerful. Consequently, the true benefactors of any government’s socioeconomic programs are prominent people and rich corporations. Thomas Jefferson said, ‘I predict future happiness for Americans, if they can prevent the government from wasting the labors of the people under the pretense of taking care of them.

I will read you their names directly; here they are in my pocket-book. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time. ' '...but are they all horrid? Are you sure they are all horrid?' 'Yes, quite sure; for a particular friend of mine, a Miss Andrews, a sweet girl, one of the sweetest creatures in the world, has read every one of them.

Conservatives understand that politics simply reflect underlying values. That’s why they are passionate. They don’t vote their pocketbooks. They vote their guts, and their guts tell them that leftism is immoral on the most basic level.

He about deadcentered your pocketbook didnt he? Yeah, said Rawlins. He lifted up his glass and they drank. Rawlins stood thoughtfully. I dont know what that shit is, he said. But it tastes pretty good to a cowboy. Let us have three more here.

Look. You are playing poker (I assume you know poker, or at least—like a lot of people—anyway play it.) You draw cards. When you do that, you affirm two things: either that you have something to draw to, or are willing to support to your last cent the fact that you have not. You dont draw and then throw the cards in because they are not what you wanted, expected, hoped for; not just for the sake of your own soul and pocket-book, but for the sake of the others in the game, who have likewise assumed that unspoken obligation.

Maybe you ask, what has this all got to do with popularity? The answer is that popularity depends on your ability to get along with people, all kinds of people, and the better you learn to adjust to each situation the more easily you will make friends. You will find that you can make those adjustments more successfully if you have yourself well in hand. And the only way to get yourself in hand is to know yourself, to analyze yourself, to turn yourself inside and out as you would an old pocketbook--shake out the dust and tidy up the contents.

In the first two decades of this century, people and their political leaders, prodded by the quisling scientists, acted as though they could enjoy the benefits of modern science while rejecting any scientific findings that they found inconvenient to their ideology or their pocketbook.

Bilbo and Frodo overcome the objections of the Baggins side of themselves in order to embrace the Quests that await them. Sometimes we have the same struggles as they do. The Took in us wants to pursue dreams, and the Baggins part wants to stay safe and conventional. Too often we heed the negative thinking that convinces us that we do not have the time, money, energy, or opportunity to make our desires come true. We think we have too many other obligations blocking our way. Sometimes we also saddle ourselves with the false guilt that tells us it is not right to do anything for ourselves, especially if we have a family to take care of first. We must not abandon our true responsibilities, of course, but would it not be better if we could fulfill them in a way that fed our soul and not just our pocketbook and got us excited about going to work rather than dreading the drudgery?

Every time she took it out it was because she meant to get rid of it once and for all. But then she would think, why not read it one more time, and when she was done, she would look down and see her hands putting the letter safely away, back in her pocketbook. This time she promised herself to throw it away for sure.

MR. DOMBEY’S offices were in a court where there was an old-established stall of choice fruit at the corner: where perambulating merchants, of both sexes, offered for sale at any time between the hours of ten and five, slippers, pocket-books, sponges, dogs’ collars, and Windsor soap; and sometimes a pointer or an oil painting.

As he noted in his pocketbook, Although they are destitute of Taverns, yet have they Coffa-houses, which something resemble them. There sit they chatting most of the day; and sippe of a drinke called Coffa (of the berry that it is made of) in little China dishes, as hot as they can suffer it: blacke as soote, and tasting not much unlike it.

The form of coercion that the proletarian vanguard finds itself forced to exercise against counter-revolutionaries is of so fundamentally different a nature from the past forms of oppression, and it is compensated for by so advanced a degree of democracy for the formerly oppressed, that the word dictatorship clashes with that of proletariat.

The rule of thumb for all news operations is that stories are assigned their importance on the basis of what affects or interests the greatest number of one's readers or viewers. Depending on the nature of the newspaper or broadcast, the balance between what "affects" and what "interests" is quite different. The first criteria of a responsible newspaper such as The New York Times is going to be that which their readers need to know about their world that day — those developments that in one way or another might affect their health, their pocketbooks, the future of themselves and their children. The first criterion of the tabloid is that which "interests" its readers — gossip, sex, scandal.

So, okay ka na? Aba, dapat lang ‘no? Pagkatapos mong basain ang polo shirt ko at pagkatapos kitang yakapin, dapat lang na maging okay ka na.

be my sonata, my cantata, my love sing me something sweet but not too sweet (or i may grow deaf to our harmony as we decrescendo into silence)

Marriage and love have nothing in common; they are as far apart as the poles; are, in fact, antagonistic to each other.

pocket-book packetboat, gapman gunrun;

It must then have been nearly midnight: but so slowly did I creep along, that I heard a clock in a cottage strike four before I turned down the lane from Slough to Eton.

With a frown, Amanda held up her right hand, index finger raised, the way a mother would silence an interrupting child. With her other hand she fished around in her pocketbook and finally yanked out an oversize makeup mirror. Faith thought about holding up her own hand with a different finger raised, but decided against it—she needed to get her paper signed for her probation officer.

Presently the yellow-jacked handed the half dime back to me and told me I ought to keep my money in my pocket-book instead of in my soul, and then I wouldn't get it cramped and shriveled up so!

A man who steals my pocketbook loses much more than I do. I can afford to let him have my pocketbook more than he can afford to take it. Consider how much he loses. Perhaps he will get a few dollars, or he may steal my coat, but he does not get much. See how much he has lost. Take an inventory of what that man loses if he loses heaven. Think of it. No thief shall inherit the kingdom of God.

Sa nakikita ko sa’yo, nauntog ka na at na-realize mo nang infatuated ka lang sa kanya. Alam mo kasi Jelle, kapag nagkagusto ka sa isang lalaki o kapag mahal mo ang isang lalaki, wala ang standard-standard na ‘yan.

I was supposed to be having the time of my life. I was supposed to be the envy of thousands of other college girls jut like me all over America who wanted nothing more than to be tripping bout in those same size seven patent leather shoes I'd bought in Bloomingdale's one lunch hour with a black patent leather belt and black patent leather pocket-book to match. And when my picture came out in the magazine the twelve of us were working on - drinking martinis in a skimpy, imitation silver-lamé bodice stuck on to a big, fat cloud of white tulle, on some Starlight Roof, in the company of several anonymous young men with all-American bone structures hired or loaned for the occasion - everybody would think I must be having a real whirl

Many times we insist on having all the best things because that’s the only way we can ensure “quality of life” for ourselves. I can neglect myself in every other way, but if I have the best watch or pocketbook or car or square footage, I get to tell myself I’m the best and how much I deserve to have even more of the best. What I know for sure: Having the best things is no substitute for having the best life. When you can let go of the desire to acquire, you know you are really on your way.

As for “Forgive us our trespasses,” the original was most likely “Forgive us our debts” (as the Sermon on the Mount puts it in Matt. 6:12). The line does not promote some vague notion that God should forgive us for the occasional taking of the divine name in vain or for yelling at the cat. It goes directly to the pocketbook; it says, “Don’t hold a debt. If someone needs, you give.” The call is for economic justice. As Habakkuk laments, “Alas for you who heap up what is not your own! How long will you load yourselves with goods taken in pledge?” (2:6).

Almsgiving, fasting and prayer are all ways to empty ourselves, to create a space in our lives where God can do what he wants with us. When we give alms, we not only help the poor; we also create an empty space in our pocketbooks. With less money, we are less free to follow our own designs and more open to search for God’s will for us. When we fast, we create a space in our bodies, a void in our stomachs. Emptying ourselves physically leaves us more attuned to God Spiritually. When we pray, we empty our minds and hearts and give God time and space to fill us with his grace.

I believe by Elizabeth Alexander Poetry, I tell my students, is idiosyncratic. Poetry is where we are ourselves, (though Sterling Brown said “Every ‘I’ is a dramatic ‘I’”) digging in the clam flats for the shell that snaps, emptying the proverbial pocketbook. Poetry is what you find in the dirt in the corner, overhear on the bus, God in the details, the only way to get from here to there. Poetry (and now my voice is rising) is not all love, love, love, and I’m sorry the dog died. Poetry (here I hear myself loudest) is the human voice, and are we not of interest to each other?

Jealousy is obsessed by the sense of possession and vengeance. (...). In the past, when men and women intermingled freely without interference of law and morality, there could be no jealousy, because the latter rests upon the assumption that a certain man has an exclusive sex monopoly over a certain woman and vice-versa.

But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.

The new economy also generated a bloated bureaucratic class. The number of state functionaries employed by the government rose from 720,000 in 1949, to 3.3 million in 1952, to 8.09 million in 1957.21 In Shanghai, the number of workers of all kinds grew by 1.2 percent from 1949 to 1957, while government staff grew by 16 percent.

Her college was so fashion-conscious, she said, that all the girls had pocket-book covers made out of the same material as their dresses, so each time they changed their clothes they had a matching pocket-book. This kind of detail impressed me. It suggested a whole life of marvellous, elaborate decadence that attracted me like a magnet.

How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.

To his horror he recollected that he had left both coat and waistcoat behind him in his cell, and with them his pocket-book, money, keys, watch, matches, pencil-case -- all that makes life worth living, all that distinguishes the many-pocketed animal, the lord of creation, from the inferior one-pocketed or no-pocketed productions that hop or trip about permissively, unequipped for the real contest.

When legislators, after having ruined men by war and taxes, persevere in their idea, they say to themselves, “If the people suffer, it is because there is not money enough. We must make some.” And as it is not easy to multiply the precious metals, especially when the pretended resources of prohibition have been exhausted, they add, “We will make fictitious money, nothing is more easy, and then every citizen will have his pocket-book full of it, and they will all be rich.

When do you wish to go?” “Early to-morrow morning, sir.” “Well, you must have some money; you can’t travel without money, and I daresay you have not much: I have given you no salary yet. How much have you in the world, Jane?” he asked, smiling. I drew out my purse; a meagre thing it was. “Five shillings, sir.” He took the purse, poured the hoard into his palm, and chuckled over it as if its scantiness amused him. Soon he produced his pocket-book: “Here,” said he, offering me a note; it was fifty pounds, and he owed me but fifteen. I told him I had no change. “I don’t want change; you know that. Take your wages.” I declined accepting more than was my due. He scowled at first; then, as if recollecting something, he said— “Right, right! Better not give you all now: you would, perhaps, stay away three months if you had fifty pounds. There are ten; is it not plenty?” “Yes, sir, but now you owe me five.” “Come back for it, then; I am your banker for forty pounds.” “Mr. Rochester, I may as well mention another matter of business to you while I have the opportunity.” “Matter of business? I am curious to hear it.” “You have as good as informed me, sir, that you are going shortly to be married?” “Yes; what then?” “In that case, sir, Adèle ought to go to school: I am sure you will perceive the necessity of it.” “To get her out of my bride’s way, who might otherwise walk over her rather too emphatically? There’s sense in the suggestion; not a doubt of it. Adèle, as you say, must go to school; and you, of course, must march straight to—the devil?” “I hope not, sir; but I must seek another situation somewhere.” “In course!” he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. “And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?” “No, sir; I am not on such terms with my relatives as would justify me in asking favours of them—but I shall advertise.

I saw and heard all sorts of things in my fever; I was riding a merry-go-round, I wanted to get off but I couldn’t. I was one of many little children sitting in fire engines and hollowed-out swans, on dogs, cats, pigs, and stags, riding round and round. I wanted to get off but I wasn’t allowed to. All the little children were crying, like me they wanted to get out of the fire engines and hollowed-out swans, down from the backs of the cats, dogs, pigs, and stags, they didn’t want to ride on the merry-go-round any more, but they weren’t allowed to get off. The Heavenly Father was standing beside the merry-go-round and every time it stopped, he paid for another turn. And we prayed: “Oh, our Father who art in heaven, we know you have lots of loose change, we know you like to treat us to rides on the merry-go-round, we know you like to prove to us that this world is round. Please put your pocket-book away, say stop, finished, fertig, basta, stoi, closing time—we poor little children are dizzy, they’ve brought us, four thousand of us, to K"asemark on the Vistula, but we can’t get across, because your merry-go-round, your merry-go-round…” But God our Father, the merry-go-round owner, smiled in his most benevolent manner and another coin came sailing out of his purse to make the merry-go-round keep on turning, carrying four thousand children with Oskar in their midst, in fire engines and hollowed-out swans, on cats, dogs, pigs, and stags, round and round in a ring, and every time my stag—I’m still quite sure it was a stag—carried us past our Father in heaven, the merry-go-round owner, he had a different face: He was Rasputin, laughing and biting the coin for the next ride with his faith healer’s teeth; and then he was Goethe, the poet prince, holding a beautifully embroidered purse, and the coins he took out of it were all stamped with his father-in-heaven profile; and then again Rasputin, tipsy, and again Herr von Goethe, sober. A bit of madness with Rasputin and a bit of rationality with Goethe. The extremists with Rasputin, the forces of order with Goethe.

In my opinion the basic cause for the relative failure of the two greatest revolutions in history resides not, to borrow again from Voline, in "historic inevitability," or simply in the subjective "errors" of revolutionary actors. The revolution bears within itself a serious contradiction (a contradiction which fortunately—and we will return to the subject —is not irremediable and is attenuated with time): it can only arise, it can only vanquish if it issues from the depths of the popular masses, from their irresistible spontaneous uprising; but although the class instinct drives the popular masses to break their chains, they are yet lacking in education and consciousness. And since, in their formidable but tumultuous and blind drive towards liberty, they run up against privileged, conscious, educated, organized, and tested social classes, they can only vanquish the resistance they meet if they succeed in obtaining in the heat of the struggle, the consciousness, the science, the organization, and the experience they lack. But the very fact of forging the weapons I have just listed summarily, and which alone can ensure their superiority over the enemy, bears an immense peril within it: that of killing the spontaneity that is the very spirit of the revolution; that of compromising freedom through organization; that of allowing the movement to be confiscated by an elite minority of more educated, more conscious, more experienced militants who, to begin with, offer themselves as guides in order, in the end, to impose themselves as chiefs and to subject the masses to new forms of the oppression of man by man.

My take on the various components of Maoist politics varies, depending on the philosophical, theoretical, strategic, or methodological element in question. In general, I consider Maoism to be an internal critique of Stalinism that fails to break with Stalinism. Over many years, Mao developed a critical understanding of Soviet society, and of the negative symptoms it displayed. But at the same time, he failed to locate the cause of these symptoms in the capitalist social relations of the USSR and so retained many shared assumptions with the Stalinist model in his own thinking.

Libertarian communism is a communism that rejects determinism and fatalism, which gives space to individual will, intuition, imagination, the rapidity of reflexes, the profound instinct of the large masses, who are wiser at moments of crisis than the reasonings of the "elite," who believe in the element of surprise and provocation, in the value of audacity, who do not allow themselves to be encumbered and paralyzed by a weighty, supposedly "scientific" ideological apparatus, who do not prevaricate or bluff, who avoid both adventurism and fear of the unknown. Libertarian communists have learned from experience how to set about things: they hold in contempt the impotent shambles of disorganization as much as the bureaucratic ball and chain of over-organization.

Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.

Speaking of Puritanism in relation to American art, Mr. Gutzon Borglum said: “Puritanism has made us self-centered and hypocritical for so long, that sincerity and reverence for what is natural in our impulses have been fairly bred out of us, with the result that there can be neither truth nor individuality in our art.” Mr. Borglum might have added that Puritanism has made life itself impossible. More than art, more than estheticism, life represents beauty in a thousand variations; it is, indeed, a gigantic panorama of eternal change. Puritanism, on the other hand, rests on a fixed and immovable conception of life; it is based on the Calvinistic idea that life is a curse, imposed upon man by the wrath of God. In order to redeem himself man must do constant penance, must repudiate every natural and healthy impulse, and turn his back on joy and beauty.

1. Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By the most astounding stroke of luck an infinitesimal portion of all the matter in the universe came together to create you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist. For endless eons there was no you. Before you know it, you will cease to be again. And in between you have this wonderful opportunity to see and feel and think and do. Whatever else you do with your life,nothing will remotely compare with the incredible accomplishment of having managed to get yourself born. Congratulations. Well done. You really are special. 2. But not that special. There are five billion other people on this planet, every one of them just as important, just as central to the great scheme of things, as you are. Don't ever make the horrible, unworthy mistake of thinking yourself more vital and significant than anyone else. Nearly all the people you encounter in life merit your consideration. Many of them will be there to help you-to deliver your pizza, bag your groceries, clean up the motel room you have made such a lavish mess of. If you are not in the habit of being extremely nice to these people, then get in the habit now. Millions more people, most of whom you will never meet or even see, won't help you, indeed can't help you, may not even be able to help themselves. They deserve your compassion. We live in a sadly heartless age, when we seem to have less and less space in our consciences and our pocketbooks for the poor and lame and dispossessed, particularly those in far-off lands.

45 Mercy Street In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign - namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids sucked up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down - I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.

Allan found his place for the second time, and fell headlong into the bottomless abyss of the English Law. “Page 280,” he began. “Law of husband and wife. Here’s a bit I don’t understand, to begin with: ‘It may be observed generally that the law considers marriage in the light of a Contract.’ What does that mean? I thought a contract was the sort of a thing a builder signs when he promises to have the workmen out of the house in a given time, and when the time comes (as my poor mother used to say) the workmen never go.” “Is there nothing about Love?” asked Neelie. “Look a little lower down.” “Not a word. He sticks to his confounded ‘Contract’ all the way through.” “Then he’s a brute! Go on to something else that’s more in our way.” “Here’s a bit that’s more in our way: ‘Incapacities. If any persons under legal incapacities come together, it is a meretricious, and not a matrimonial union.’ (Blackstone’s a good one at long words, isn’t he? I wonder what he means by meretricious?) ‘The first of these legal disabilities is a prior marriage, and having another husband or wife living — ’“ “Stop!” said Neelie; “I must make a note of that.” She gravely made her first entry on the page headed “Good,” as follows: “I have no husband, and Allan has no wife. We are both entirely unmarried at the present time.” “All right, so far,” remarked Allan, looking over her shoulder. “Go on,” said Neelie. “What next?” “‘The next disability,’“ proceeded Allan, “‘is want of age. The age for consent to matrimony is, fourteen in males, and twelve in females.’ Come!” cried Allan, cheerfully, “Blackstone begins early enough, at any rate!” Neelie was too business-like to make any other remark, on her side, than the necessary remark in the pocketbook. She made another entry under the head of “Good”: “I am old enough to consent, and so is Allan too. Go on,” resumed Neelie, looking over the reader’s shoulder. “Never mind all that prosing of Blackstone’s, about the husband being of years of discretion, and the wife under twelve. Abominable wretch! the wife under twelve! Skip to the third incapacity, if there is one.” “‘The third incapacity,’“ Allan went on, “‘is want of reason.’“ Neelie immediately made a third entry on the side of “Good”: “Allan and I are both perfectly reasonable. Skip to the next page.” Allan skipped. “‘A fourth incapacity is in respect of proximity of relationship.’“ A fourth entry followed instantly on the cheering side of the pocketbook: “He loves me, and I love him — without our being in the slightest degree related to each other. Any more?” asked Neelie, tapping her chin impatiently with the end of the pencil. “Plenty more,” rejoined Allan; “all in hieroglyphics. Look here: ‘Marriage Acts, 4 Geo. IV., c. 76, and 6 and 7 Will. IV., c. 85 (q).’ Blackstone’s intellect seems to be wandering here. Shall we take another skip, and see if he picks himself up again on the next page?

Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.

Сколько психологов нужно, чтобы сменить перегоревшую лампочку? Неважно, сколько, но лампочка должна очень-очень-очень сильно хотеть, чтобы ее сменили!

And so each of the passersby on this corner, every scruffy, oversize, undersize, weird, fat, or bony or limping or muttering or foreign-looking, or green-haired punk-strutting, threatening, crazy, angry, inconsolable person I see . . . is a New Yorker, which is to say as native to this diaspora as I am, and part of our great sputtering experiment in a universalist society proposing a world without nations where anyone can be anything and the ID is planetary.Not that you shouldn't watch your pocketbook, lady.

Where we spend the fruit of our hard labor should more than meet our basic need of filling a pantry shelf; it should also reflect our values. Because ultimately, giving someone your business implicitly articulates this message: “Your store satisfies all my needs and I want you to flourish.” We can vote with our pocketbooks by avoiding wasteful packaging and privileging local and organic products.

Edgar Wallace Four Just Men Table of Contents Thery's Trade A Newspaper Story The Faithful Commons One Thousand Pounds Reward Preparations The Outrage at the 'Megaphone' The Clues The Messenger of the Four The Pocket-Book The Cupidity of Marks Three Who Died A Newspaper Cutting Conclusion Prologue: Thery's Trade If you leave the Plaza del Mina, go down the narrow street, where, from ten till four, the big flag of the United States Consulate hangs lazily; through the square on which the Hotel de la France fronts, round by the Church of Our Lady, and along the clean, narrow thoroughfare that is the High Street of Cadiz, you will come to the Cafe of the Nations.

You cannot let this destroy you,” he said. Finally Gloria showed up and gave me one of those “nerve pills” that all mothers stash in their pocketbooks. Long story short: I slept it off, whatever possessed me. I recovered and went to my opening at the Hammonds House the next day.

I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.

The fresher the corpse, the better the pay. This led to burking—the murderous practice of clapping a pitch plaster over a victim’s nose and mouth, ensuring a speedy death that left few or no signs of the violence responsible. It also produced the freshest corpse possible. Burking was named for William Burke, an Irish ne’er-do-well who, between 1827 and 1828, with his accomplice William Hare, murdered 16 people in Scotland and sold their bodies to an esteemed Edinburgh anatomist, Dr. Robert Knox. The doctor escaped prosecution, Hare turned King’s evidence, and Burke was hanged for the crimes in 1829. In a pitiless twist of lex talionis, Burke’s body was then dissected at the University of Edinburgh, and his skin was made into pocket-books and other macabre trophies. His skeleton still hangs in the college’s medical school today. Horrors

She might’ve been rich in the pocketbook, but Rock was tired of listening to the old hag write checks with her mouth that her ass couldn’t cash.

From it stem all forms of spiritual disease, for we have been not only mentally and physically ill, we have been spiritually sick. When the spiritual malady is overcome, we straighten out mentally and physically. In dealing with resentments, we set them on paper. We listed people, institutions or principles with whom we were angry. We asked ourselves why we were angry. In most cases it was found that our self-esteem, our pocketbooks, our ambitions, our personal relationships (including sex) were hurt or threatened. So we were sore. We were “burned up.

In 2018, the average annual pay raise per employee in the US was about 3 percent (5 percent for top performers). For an employee quitting her job and joining a new company, the average raise was between 10 percent and 20 percent. Staying in the same job is bad for your pocketbook.

If it’s such a fine place, why did Basanti build his own?” “The Old Pearl is perfectly adequate,” said Moncraine. “Basanti built to flatter his self-regard, not fatten his pocketbook.” “Because businessmen like to spend lots of money to replace perfectly adequate structures they can use for nearly nothing, right?

The physicist can investigate the nature of the atom, at least in the modern age, without having to meet the opposition of anyone who is interested in perpetuating certain strongly held ideas about its structure. The research worker in medicine and the psychologist can investigate the operation of the human body and mind without having to be concerned about the prejudices of the rest of the community. There is no pressure in these sciences to make the results conform to someone else's prejudices and preconceptions. But the economist is not so fortunate. His investigations touch the pocketbook, always a sensitive spot. Consequently, he is exposed to all kinds of pressures: the pressure of those who want him to prove the free trade is the only way to prosperity, and of those who want him to show that without protective tariffs, the American worker will be deprived of his job. To satisfy one vocal group he must prove that high wages are the cause of unemployment; to satisfy another, he must show that unemployment is bound to grow unless wages are raised. He must prove that the gold standard should be maintained; likewise he must show that it ought to be abolished. The difficulties of being objective in such an atmosphere are, of course, enormous. The economist must seek truth, when from all sides he is under pressure to defend causes.

Chanel would come to be known for a fashion sensibility distinguished by modern, airy lightness, crisp lines, and sparse adornments, but under Boy’s guidance (and with the help of his pocketbook), she indulged a somewhat different aesthetic sense at home. The avenue Gabriel apartment reflected Coco and Boy’s love of deep, golden tones, ornate lacquered furniture, mirrors in gilt frames, floral designs, English silver, Oriental vases, white satin bedding, and sofas piled with soft, puffy cushions—all enclosed by those dark folding screens.

The secret to creating a career that is both nurturing to the soul and the pocketbook is, as theologian Frederick Buechner said, to find where “your deep gladness and the world’s deep hunger meet.”1 There you will find a job, a career, a business, and a life worth living. We cannot talk ourselves into doing something we do not inherently enjoy, no matter how spiritual that something may appear to those around us.

MAXIMUM STRENGTH – ERIC CRESSEY

The water stands so high in the paths that I cannot walk dryshod, and I found in the large bougas or prairies in front, that it lay knee deep, so I sent on two men to go to the first villages of Matipa for large canoes to navigate the Lake, or give us a guide to go east to the Chambezé, to go round on foot. It was Halima who informed on Chirango, as he offered her beads for a cloth of a kind which she knew had not hitherto been taken out of the baggage. This was so far faithful in her, but she has an outrageous tongue. I remain because of an excessive hæmorrhagic discharge. [We cannot but believe Livingstone saw great danger in these constant recurrences of his old disorder: we find a trace of it in the solemn reflections which he wrote in his pocket-book, immediately under the above words:—] If the good Lord gives me favour, and permits me to finish my work, I shall thank and bless Him, though it has cost me untold toil, pain, and travel; this trip has made my hair all grey.