Pocket Knife Quotes

We've searched our database for all the quotes and captions related to Pocket Knife. Here they are! All 100 of them:

I should probably be afraid. But instead a hysterical laugh bubbles inside me, because I just remembered something: Maybe I can’t hold a gun. But I have a knife in my back pocket.
Veronica Roth (Insurgent (Divergent, #2))
You have a house if not a home," she spat. "You have people who care for you if not about you. You may not have everything you want, but I'd wager you have everything you could ever need, and you have the audacity to claim it all forfeit because it is not love." "I--" "Love doesn't keep us from freezing to death, Kell," she continued, "or starving, or being knifed for the coins in our pocket. Love doesn't buy us anything, so be glad for what you have and who you have because you may want for things but you need nothing.
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
I mean, I wanted to shove a pocket knife into each of his tires within the first fifteen minutes of meeting him.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
Do all lovers feel helpless and valiant in the presence of the beloved? Helpless because the need to roll over like a pet dog is never far away. Valiant because you know you would slay a dragon with a pocket knife if you had to.
Jeanette Winterson (The Passion)
The stars are duller than an old pocket knife, they used to sparkle like five-carat diamonds.
Lisa Schroeder (I Heart You, You Haunt Me)
Kaz had taught her to crack a safe, pick a pocket, wield a knife. He'd gifted her with her first blade, the one she called Sankt Petyr - not as pretty as wild geraniums, but more practical, she supposed.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Sophos, you sleep with a knife under your pillow? I'm hurt." "I'm sorry," said Sounis, afraid that he had made contact with his wild swing. "I was joking. Wake up the rest of the way, would you?" "Gen, it's the middle of the night." "I know," said the king of Attolia. Sounis tried to rub the sleep out of his eyes. He was sitting up in his bed. The sky was still entirely dark, and he couldn't have been asleep for long. He suspected that he had just dropped off. The bare knife was still in his hand, he realized, and he rooted under his pillow for the sheath. "Don't you trust my palace security?" "Yes, of course," Sounis said, trying to think of some other reason besides mistrust to sleep with a knife. He heard Eugenides laugh. "My queen and I sleep with a matched set under our pillows, as well as handguns in pockets on the bedposts. Don't be embarrassed.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
Love doesn’t keep us from freezing to death, Kell,” she continued, “or starving, or being knifed for the coins in our pocket. Love doesn’t buy us anything, so be glad for what you have and who you have because you may want for things but you need for nothing.
V.E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
A woman who goes around wearing a knife is obviously looking for trouble." She reached deep into her pocket and brought out a long, slender piece of metal, glittering all along one edge. "However a woman who carries a knife is ready for trouble. Generally speaking, it's easier to appear harmless. It's less trouble all around.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I don't know if you've ever had a crush on somebody that bad, but Hades became obsessed. He kept sketches of Persephone in his pocket. He carved her name on his obsidian table with a knife-which took a lot of work. He dreamed about her and had imaginary conversations with her where he admitted his love and she confessed that she had always had a thing for creepy older guys who lived in caves full of dead people.
Rick Riordan (Percy Jackson's Greek Gods)
A man on a mission would bring his heaviest artillery, and it looked like this guy hadn’t even packed a pocket knife.
Angela Richardson (Pieces of Truth (Pieces of Lies, #2))
The kid pulled a Buck knife out of his pants pocket. "How about giving me your purse, bitch?" Sally hiked up his skirt, reached into his briefs and pulled out a Glock. "How about using that knife to slice off your balls?" Lula whipped a gun out of her red satin purse and Grandma hauled out her .45 long-barrel. "Day my make, punk," Grandma said. "Hey, I don't want any trouble," the kid said. "We were just having some fun." "I want to shoot him," Sally said. "Nobody'll tell, right?" "No fair," Lula said. "I want to shoot him." "Okay," Grandma said. "On the count of three, we'll all shoot him.
Janet Evanovich (Four to Score (Stephanie Plum, #4))
Kaz took a handkerchief from his coat pocket and carefully wiped his face clean. He thought of Inej lying still on the table, her slight weight in his arms. "Hold him," he told Jesper and the Fjerdan. Kaz flicked his coat sleeve, and an oyster shucking knife appeared in his hand. At any given time he had at least two knives stashed somewhere in his clothes. He didn't even count this one, really -- a tidy, wicked little blade.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Karou was mysterious. She had no apparent family, she never talked about herself, and she was expert at evading questions--for all that her friends knew of her background, she might have sprung whole from the head of Zeus. And she was endlessly surprising. Her pockets were always spilling out curious things: ancient bronze coins, teeth, tiny jade tigers no bigger than her thumbnail. She might reveal, while haggling for sunglasses with an African street vendor, that she spoke fluent Yoruba. Once, Kaz had undressed her to discover a knife hidden in her boot. There was the matter of her being impossible to scare and, of course, there were the scars on her abdomen: three shiny divots that could only have been made by bullets.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Soon the Boggy Mun would open up shop. I wore no cloak and had no pockets. I carried my knife and salt in a basket. Little Red Riding Hood, skipping off into the woods. And whom will she meet? Why, her own self, of course: the wolf.
Franny Billingsley (Chime)
Like Wendy, John, and Michael Darling on the night Peter Pan taught them how to fly - I think one happy thought. In my pocket, I have a knife.
Jess Rothenberg (The Kingdom)
With a heavy heart, I pulled out my own pocket knife, and carved three little words beneath Archer’s. A plea and a wish, in a form I could never take back. Return to me.
Ashleigh Z. (Under The Cypress Tree (Love in Belle Pont #1))
I think the best life would be one that's lived off the grid. No bills, your name in no government databases. No real proof you're even who you say you are, aside from, you know, being who you say you are. I don't mean living in a mountain hut with solar power and drinking well water. I think nature's beautiful and all, but I don't have any desire to live in it. I need to live in a city. I need pay as you go cell phones in fake names, wireless access stolen or borrowed from coffee shops and people using old or no encryption on their home networks. Taking knife fighting classes on the weekend! Learning Cantonese and Hindi and how to pick locks. Getting all sorts of skills so that when your mind starts going, and you're a crazy raving bum, at least you're picking their pockets while raving in a foreign language at smug college kids on the street. At least you're always gonna be able to eat.
Joey Comeau
So John took out of his pocket A knife both long and sharp, And stuck it through his brother's heart, And the blood came pouring down. Says John to William, "Take off thy shirt, And tear it from gore to gore, And wrap it round your bleeding heart, And the blood will pour no more.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
The weight in my pocket nudges my thigh, suddenly becomes my knife. I put my hand to its unforgiving outline and can't stop crying years of tears because if I don't stab my father with my weapon, then he is going to stab me with his.
Laura Wiess (Such a Pretty Girl)
PROSPERO THE ENCHANTER uses a pocket knife to slit his daughter’s fingertips open, one by one, watching wordlessly as she cries until calm enough to heal them, drips of blood slowly creeping backward. The skin melds together, swirls of fingerprint ridges finding one another
Erin Morgenstern (The Night Circus)
Apples Ma's apple blossoms have turned to hard green balls. To eat them now, so tart, would turn my mouth inside out, would make my stomach groan. But in just a couple months, after the baby is born, those apples will be ready and we'll make pies and sauce and pudding and dumplings and cake and cobbler and have just plain apples to take to school and slice with my pocket knife and eat one juicy piece at a time until my mouth is clean and fresh and my breath is nothing but apple. June 1934
Karen Hesse (Out of the Dust)
I suppose every one must have reflected how primeval and how poetical are the things that one carries in one's pocket; the pocket-knife, for instance, the type of all human tools, the infant of the sword. Once I planned to write a book of poems entirely about things in my pockets. But I found it would be too long; and the age of the great epics is past.
G.K. Chesterton (A Short History of England)
The blue-backed notebooks, the two pencils and the pencil sharpener (a pocket knife was too wasteful) the marble-topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed. For luck you carried a horse chestnut and a rabbit's foot in your right pocket. The fur had been worn off the rabbit's foot long ago and the bones and the sinews were polished by wear. The claws scratched in the lining of your pocket and you knew your luck was still there.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
The door refused to open. It said, “Five cents, please.” He searched his pockets. No more coins; nothing. “I’ll pay you tomorrow,” he told the door. Again he tried the knob. Again it remained locked tight. “What I pay you,” he informed it, “is in the nature of a gratuity; I don’t have to pay you.” “I think otherwise,” the door said. “Look in the purchase contract you signed when you bought this conapt.” In his desk drawer he found the contract; since signing it he had found it necessary to refer to the document many times. Sure enough; payment to his door for opening and shutting constituted a mandatory fee. Not a tip. “You discover I’m right,” the door said. It sounded smug. From the drawer beside the sink Joe Chip got a stainless steel knife; with it he began systematically to unscrew the bolt assembly of his apt’s money-gulping door. “I’ll sue you,” the door said as the first screw fell out. Joe Chip said, “I’ve never been sued by a door. But I guess I can live through it.
Philip K. Dick (Ubik)
he said he hoped you had deep pockets.” “How fortunate that I do.” And whether that meant it held coins, my fist, or a knife, I’d yet to decide.
Shannon Chakraborty (The Adventures of Amina al-Sirafi (Amina al-Sirafi #1))
He’s sitting casually at my kitchen table peeling the skin off an apple with a pocket knife, a red apple that he has quite obviously appropriated from my fruit bowl, might I add.
L.H. Cosway (Tegan's Blood (The Ultimate Power, #1))
What a lark! What a plunge! For so it had always seemed to her, when, with a little squeak of the hinges, which she could hear now, she had burst open the French windows and plunged at Bourton into the open air. How fresh, how calm, stiller than this of course, the air was in the early morning; like the flap of a wave; the kiss of a wave; chill and sharp and yet (for a girl of eighteen as she then was) solemn, feeling as she did, standing there at the open window, that something awful was about to happen; looking at the flowers, at the trees with the smoke winding off them and the rooks rising, falling; standing and looking until Peter Walsh said, "Musing among the vegetables?"—was that it?—"I prefer men to cauliflowers"—was that it? He must have said it at breakfast one morning when she had gone out on to the terrace—Peter Walsh. He would be back from India one of these days, June or July, she forgot which, for his letters were awfully dull; it was his sayings one remembered; his eyes, his pocket-knife, his smile, his grumpiness and, when millions of things had utterly vanished—how strange it was!—a few sayings like this about cabbages.
Virginia Woolf (Mrs. Dalloway)
There are those who believe knowledge is something that is acquired - a precious ore hacked, as it were, from the grey strata of ignorance. There are those who believe that knowledge can only be recalled, that there was some Golden Age in the distant past when everything was known and the stones fitted together so you could hardly put a knife between them, you know, and it's obvious they had flying machines, right, because of the way the earthworks can only be seen from above, yeah? and there's this museum I read about where they found a pocket calculator under the altar of this ancient temple, you know what I'm saying? but the government hushed it up... Mustrum Ridcully believed that knowledge could be acquired by shouting at people, and was endeavouring to do so.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
Ariadne gagged but held onto her stomach contents as she relieved the bodies of their guns, a large hunting knife, and two extra bullet magazines that she shoved down the front of her bra. "Should I ask why hide them there?" Asterion said as he watched her. Ariadne gestured to her blood-splattered sundress. "I have no pockets because of the patriarchy, so where else am I going to put them?
Alessa Thorn (Asterion (The Court of the Underworld #1; The Gods Universe #1))
Magic,” he said. Black magic. Strong magic. Dead magic. “Bad magic.” Finally, Lila slipped. For the briefest moment, her eyes flicked to a chest along the wall. Kell didn’t hesitate. He lunged for the top drawer, but before his fingers met the wood, a knife found his throat. It had come out of nowhere. A pocket. A sleeve. A thin blade resting just below his chin. Lila’s smile was as sharp as its metal edge. “Sit down before you fall down, magic boy.” Lila
V.E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
Mallor reached into a pocket and tossed a pair of hazel eyeballs onto the table. They bounced softly and wobbled to a bloody stop next to the butcher's knife. "Go untie the man in my room, and see to it that he gets those back.
Shawn Wickersheim (The Penitent Assassin)
Straightening himself and stealthily fingering his pocket-knife he started after her to follow this woman, this excitement, which seemed even with its back turned to shed on him a light which connected them, which singled him out, as if the random uproar of the traffic had whispered through hallowed hands his name, not Peter, but his private name which he called himself in his own thoughts.
Virginia Woolf (Mrs. Dalloway)
He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up. "All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?" He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words: Do not fear that which cannot be seen. For they are lost in between. 'Tis the ones who come alive That your blood will allow to thrive. Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question." His blood crawled over to the next page. Answer, answer, you always say, But it doesn't work that way. In time, the truth you shall find. And then you will understand my rhyme. "I'm such a masochist to even try talking to you" Underneath the words, a picture of an obscene gesture formed. "Oh very nice, Nashira. Very nice. Wherever did you learn that?" In your pocket I reside. Ever privy to your deride. But more than that, I can see. And that includes bathroom stall graffiti Nick screwed his face up in distaste. "Oh my God, no. Tell me you haven't been spying on me in the rest room. You perv!" Calm yourself, you evil troll. My job is not to console. But if it is privacy you seek, Leave me in your backpack so I can't peek. Now he understood why other people got so aggravated with his attitude disorder. He wanted to strangle his book.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
He put the fork, knife, and spoon back in his pocket and tucked the flower behind his ear, then walked to the door, reaching it right before that butler did. He gave the man a glare—it was only a matter of time before he cracked and tried to kill them all—then pulled open the door. (...) “Nice flower,” the kandra said. “Can I have your skeleton when you’re dead?” “My…” Wayne felt at his head. “You’re a Bloodmaker, correct? Can heal yourself? Bloodmaker bones tend to be particularly interesting, as your time spent weak and sickly creates oddities in your joints and bones that can be quite distinctive. I’d love to have your skeleton. If you don’t mind.” Taken aback by this request, Wayne stopped in place. Then he ran past him, pushing into the room where Wax and Steris were talking. “Wax,” he complained, pointing, “the immortal bloke is being creepy again.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
I turn off my cell phone and reluctantly slide it down my pocket. My hands are shaking. A large knife appears in his hand.” William Wilson in the short story 'Metro' by Steen Langstrup
Steen Langstrup (Metro)
Quietly, Winnie thought that he should have paid a great deal of respect to the wicked silver pocket knife visible upon her chatelaine - but men rarely did notice the important details.
Olivia Atwater (The Witchwood Knot (Victorian Faerie Tales #1))
The cold stream of visual impressions failed him now as if the eye were a cup that overflowed and let the rest run down its china walls unrecorded. The brain must wake now. The body must contract now, entering the house, the lighted house, where the door stood open, where the motor cars were standing, and bright women descending: the soul must brave itself to endure. He opened the big blade of his pocket-knife.
Virginia Woolf (Mrs. Dalloway)
On the upside, yesterday I taped a Ziploc bag to the inside of my skirt so I’d have someplace to store my everything-that-didn’t-fit-in-my-bra and it worked really well, so now I’m working on a cape made solely from stapled-together Ziploc bags. It’ll be awesome because I’ll be able to see all the stuff in my Ziploc pockets (unlike my purse, which just eats everything, like a tiny black hole). And it’ll also double as a rain poncho. And I can put a stiletto knife and a “How to Stab People” pamphlet in it so assholes know not to fuck with me and I don’t even have to pull it out and threaten them. There is no downside to this.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
There is no doubt in my mind that he means it, no doubt at all.Gasping, I pull the knife from my little pocket and stab him in the side. Right between the ribs. If my knife had been longer, I would have punctured his lung. His eyes go wide with shock. His grip on me loosens. I know what Madoc would say-to push the blade higher. Go for an artery. Go for his heart. But if I mange it, I will have murdered one of the favoured sons of Faerie. I cannot even guess my punishment. You're no killer.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Plenty of patrons had asked me strange things, but this was the first who asked me where my car was parked. It was almost comical to look at the man, because he actually thought I was going to tell him. I struggled to come up with a reply, but the best I could muster was, "That's personal." What I meant to say was, "Sir, the fact that I work in a public library doesn't make me stupid, it just makes me poor. There's no way I'm going to tell you—a psychotic person who could very well have a knife in his pocket—where I have parked my car.
Scott Douglas (Quiet, Please: Dispatches From A Public Librarian)
I have imagined him in my mind for so long, my imagination creating a monster of grotesque features and proportions. But standing before me, his head tilted and eyes sharp, is just a man. Slightly balding, twenty pounds too heavy, whose mouth is turning into a sneer. Whose eyes are narrowing, stance strong, the combined effect sinister. This man, this balding thick man, has whispered in my ear, poured out the disgusting thoughts in his soul, showed me the dark evil in his heart. And now he is stepping closer, the excitement radiating from his body like a foul smell. He thinks I am weak. He thinks he can manipulate me and subdue me. Kill me. He has no idea that my small frame and delicate features contain an evil that rivals his own. I finger the knife in my pocket and fight to keep a grin off my face. This is it. This is my time.
Alessandra Torre (The Girl in 6E (Deanna Madden, #1))
Mini seemed to think about it. He pulled out a pocket knife, flipped it open, and handed it to Trinket. “For the packing tape,” he said, rolling his eyes at Trinket’s expression. “Not for stabbing the fish. Jesus.” Trinket knelt by the first box, took the knife, and slit the tape.
Daniel May (A Darker Palette (A Taste of Ink, #5))
Once he had found his seat he removed his shoe and discovered a flattened black mass of chewing gum embedded deep in the zigzag tread of the sole. Upper lip arched in disgust, he was still picking, cutting, and scraping away with a pocket knife as the train began to move. Beneath the patina of grime, the gum was still slightly pink, like flesh, and the smell of peppermint was faint but distinct. How appalling, the intimate contact with the contents of a stranger’s mouth, the bottomless vulgarity of people who chewed gum and who let it fall from their lips where they stood.
Ian McEwan (Amsterdam)
rumors. I’ll not say more on the subject. Cheese in your eggs?” “Yes, please.” * * * With Kendra gone, Seth got out the equipment he had bundled in his towel, including his emergency kit and the jar he had smuggled from the pantry. The jar was now empty, washed clean in the bathroom sink. Taking out his pocket knife, Seth used the awl to punch holes in the lid. Unscrewing the top, he gathered bits of grass, flower petals, a twig, and a pebble, and placed them in the jar. Then he wandered across the garden from the pool, leaving the skimmer behind. If skill failed, he would resort to cunning. He found a good spot not far from a fountain, then took the small mirror from his
Brandon Mull (Fablehaven (Fablehaven, #1))
The maltster, after having lain down in his clothes for a few hours, was now sitting beside a three-legged table, breakfasting off bread and bacon. This was eaten on the plateless system, which is performed by placing a slice of bread upon the table, the meat flat upon the bread, a mustard plaster upon the meat, and a pinch of salt upon the whole, then cutting them vertically downwards with a large pocket-knife till wood is reached, when the severed lump is impaled on the knife, elevated, and sent the proper way of food.
Thomas Hardy (Far from the Madding Crowd)
Cavanaugh's knife, Ernest Emerson's CQC-7W. The hook at the top opens the blade as the knife is drawn from a pocket. (Emersonknives.com)
David Morrell (The Naked Edge: A Cavanaugh/Protector Novel)
Although I carried lipstick and a comb in my purse, I also always had a Swiss Army knife in my pocket.
Colleen Cambridge (Mastering the Art of French Murder (An American In Paris, #1))
He looked at them and saw their faces did not fit. The skin on the skulls crawled and twitched like half-solid paste. All the heads in his angle of vision seemed irregular lumps, like potatoes but without a potato’s repose: potatoes with crawling surfaces punctured by holes which opened and shut, holes blocked with coloured jelly or fringed with bone stumps, elastic holes through which air was sucked or squirted, holes secreting salt, wax, spittle and snot. He grasped a pencil in his trouser pocket, wishing it were a knife he could thrust through his cheek and use to carve his face down to the clean bone. But that was foolish. Nothing clean lay under the face. He thought of sectioned brains, palettes, eyeballs and ears seen in medical diagrams and butcher’s shops. He thought of elastic muscle, pulsing tubes, gland sacks full of lukewarm fluid, the layers of cellular and fibrous and granular tissues inside a head. What was felt as tastes, caresses, dreams and thoughts could be seen as a cleverly articulated mass of garbage.
Alasdair Gray (Lanark)
I came to feel a tenderness for them all. This was something new to me. It gave me a curious pleasure to touch them, to help them in and out of the chair, to shave their weather-toughened old faces. They had known hard use, nearly all of them. You could tell it by the way they held themselves and moved. Most of all you could tell it by their hands, which were shaped by wear and often by the twists and swellings of arthritis. They had used their hands forgetfully, as hooks and pliers and hammers, and in every kind of weather. The backs of their hands showed a network of little scars where they had been cut, nicked, thornstuck, pinched, punctured, scraped, and burned. Their faces told that they had suffered things they did not talk about.Every one of them had a good knife in his pocket, sharp, the blades whetted narrow and concave, the horn of the handle worn smooth.
Wendell Berry (Jayber Crow)
warm, the sky above a deep and cloudless cobalt. The man checked the pockets of his slacks, and then of his single-breasted coat. No wallet. No money clip. No ID. No keys. No phone. Just a small Swiss Army knife in one of the inner pockets. *
Blake Crouch (Pines (Wayward Pines, #1))
Love doesn’t keep us from freezing to death, Kell,” she continued, “or starving, or being knifed for the coins in our pocket. Love doesn’t buy us anything, so be glad for what you have and who you have because you may want for things but you need for nothing.
V.E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
He was outfitted for the occasion with his broadsword, long knife, several throwing knives tucked in his boots, the dragon pistol, and a pocket pistol in his waistcoat. "You are a walking armory," Father Jacob observed. "Because you are a walking target," said Sir Ander.
Margaret Weis
You have a house if not a home," she spat. "You have people who care for you, if not about you. You may not have everything you want, but I'd wager you have everything you could ever need and you have the audacity to claim it all forfeit because it is not love." "I---" "Love doesn't keep us from freezing to death, Kell," she continued, "or starving, or being knifed for the coins in our pocket. Love doesn't buy us anything so be glad for what you have and who you have because you may want for things but you need nothing. A Darker Shade of Magic
V.E. Schwab
(...) [H]e removed his shoe and discovered a flattened black mass of chewing gum embedded deep in the zig-zag tread of the sole. Upper lip arched in disgust, he was still picking, cutting and scraping away with a pocket knife as the train began to move. Beneath the patina of grime, the gum was still slightly pink, like flesh, and the smell of peppermint was faint but distinct. How appalling, the intimate contact with the contents of a stranger's mouth, the bottomless vulgarity of people who chewed gum and who let it fall from their lips where they stood.
Ian McEwan (Amsterdam)
Rucksacks. What do people whose life stops here take with them? Makina could see their rucksacks crammed with time. Amulets, letters, sometimes a huapango violin, sometimes a jaranera harp. Jackets. People who left took jackets because they’d been told that if there was one thing they could be sure of over there, it was the freezing cold, even if it was desert all the way. They hid what little money they had in their underwear and stuck a knife in their back pocket. Photos, photos, photos. They carried photos like promises but by the time they came back they were in tatters.
Yuri Herrera (Signs Preceding the End of the World)
Our town, Kasrilevke - that's where I'm from, you know - is a small town, and a poor one. There is no thievery there. No one steals anything for the simple reason that there is nobody to steal from and nothing worth stealing. And besides, a Jew is not a thief by nature. That is, he may be a thief, but not the sort who will climb through a window or attack you with a knife. He will divert, pervert, subvert, and contravert as a matter of course, but he won't pull anything out of your pocket. He won't be caught like a common thief and led through the streets with a yellow placard on his back. ("A Yom Kippur Scandal")
Sholom Aleichem
His hand over her mouth. I open the screen door. His arm wrapped around her chest. I pound my fist against the warped wood. Pinning her to him. I pull the knife from my pocket. Her eyes wide with fear. I flip the blade. Her cries. Her pleas. Her whimpers of pain. My fingers flex around the handle. His laughter.
Cheryl McIntyre (Dirty: The Five-Part Serial Bundle (Dirty, #1-5))
But Thomas didn’t have time to finish his thought. Gally reached behind himself, pulled something long and shiny from his back pocket. The lights of the chamber flashed off the silvery surface—a wicked-looking dagger, gripped tightly in his fingers. With unexpected speed, he reared back and threw the knife at Thomas. As he did so, Thomas heard a shout to his right, sensed movement. Toward him. The blade windmilled, its every turn visible to Thomas, as if the world had turned to slow motion. As if it did so for the sole purpose of allowing him to feel the terror of seeing such a thing. On the knife came, flipping over and over, straight at him. A strangled cry was forming in his throat; he urged himself to move but he couldn’t. Then, inexplicably, Chuck was there, diving in front of him. Thomas felt as if his feet had been frozen in blocks of ice; he could only stare at the scene of horror unfolding before him, completely helpless.
James Dashner (The Maze Runner (Maze Runner, #1))
Look, Bob, what part of this don't you understand, eh? It's a matter of style, okay? A proper brawl doesn't just happen. You don't just pile in, not anymore. Now, Oyster Dave here--put your helmet back on, Dave--will be the enemy in front, and Basalt, who, as we know, don't need a helmet, he'll be the enemy coming up behind you. Okay, it's well past knuckles time, let's say Gravy there has done his thing with the Bench Swipe, there's a bit of knife play, we've done the whole Chandelier Swing number, blah blah blah, then Second Chair--that's you, Bob--you step smartly between their Number Five man and a Bottler, swing the chair back over your head, like this--sorry, Pointy--and then swing it right back onto Number Five, bang, crash, and there's a cushy six points in your pocket. If they're playing a dwarf at Number Five, then a chair won't even slow him down, but don't fret, hang on to the bits that stay in your hand, pause one moment as he comes at you, and then belt him across both ears. They hate that, as Stronginthearm here will tell you. Another three points. It's probably going to be freestyle after that but I want all of you, including Mucky Mick and Crispo, to try for a Double Andrew when it gets down to the fist-fighting again. Remember? You back into each other, turn around to give the other guy a thumping, cue moment of humorous recognition, then link arms, swing round and see to the other fellow's attacker, foot or fist, it's your choice. Fifteen points right there if you get it to flow just right. Oh, and remember we'll have an Igor standing by, so if your arm gets taken off do pick it up and hit the other bugger with it, it gets a laugh and twenty points. On that subject, do remember what I said about getting everything tattooed with your name, all right? Igors do their best, but you'll be on your feet much quicker if you make life easier for him and, what's more, it's your feet you'll be on. Okay, positions, everyone, let's run through it again...
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
Let's put our weapons down, okay?" He raises his hands to show he's unarmed. His hands are big enough to encircle my ankles. I swallow. To hide my awkwardness, I mime taking a gun out of my pocket and toss it aside. He reaches into an imaginary shoulder holsters and takes out a gun, putting it on his planner. I unsheathe an invisible knife from my thigh. "All of them." I indicate under the desk. He reaches down to his ankle and pretends to take a handgun out of an ankle holster. "That's better." I sink into my chair and close my eyes. "You're deeply weird, Shortcake." His voice is not unkind. I force my eyes open and the Staring Game almost kills me. His eyes are the blue of a peacock's chest. Everything is changing.
Sally Thorne (The Hating Game)
In the summer of 1914, he had headed to France in the company of his only son, Alistair. They were driving at high speed through woodland in Northern France when Alistair lost control of the wheel. The car spun into a roadside tree and flipped upside down. Alistair was flung from the vehicle and landed on his head. Cumming was trapped by his leg in a tangle of smouldering metal. ‘The boy was fatally injured,’ wrote Compton Mackenzie in his account of the incident, ‘and his father, hearing him moan something about the cold, tried to extricate himself from the wreck of the car in order to put a coat over him; but struggle as he might, he could not free his smashed leg.’ If he was to have any hope of reaching his son, there was only one thing to do. He reached for his pocket knife and hacked away at his mangled limb ‘until he had cut it off, after which he had crawled over to the son and spread a coat over him.’ Nine hours later, Cumming was found lying unconscious next to his son’s dead body. His recovery was as remarkable as his survival. He was back at his desk within a month, brushing aside any outer shows of mourning for his son. Cumming had the ramrod emotional backbone that so typified the gentlemen of his social class and era. Just a few months after his accident, one of his operatives visited him at his offices on the top floor of Whitehall Court. Cumming, who had not yet received his artificial leg, was inching his substantial frame down six flights of stairs: ‘two sticks, and backside, edging its way down one step at a time.’ Little wonder that his friends described him as ‘obstinate as a mule.
Giles Milton (Russian Roulette: How British Spies Thwarted Lenin's Plot for Global Revolution)
The defendant removed his gloves and started toward the victim. Mr. Farley, still teasing, said: “Ooo, he's taking his gloves off.” The defendant then pulled a knife from his pocket and stabbed the victim in the neck. He also stabbed Mr. Farley in the arm as he fell to the floor. Mr. Farley looked up and cried: “Man, I was just kidding around.” The defendant responded: “Well, man, you should have never hit me in my face.
Franklin Cleckley
We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.
Hilary Mantel (An Experiment in Love: A Novel)
The reflection was that of a putrefying corpse. By some trick of the light, her face seemed sallow and slipping, the patches of darkness giving the appearance of skin sloughing off in small pockets. I’d almost forgotten the knife in my panic; the woman was far more dangerous than the weapon. Blood drizzled down the blade, obscuring the macabre reflection of Natalya’s face and suddenly I was transfixed by a thought that should have been immediate: Whose blood is that?
Hazel Butler (Chasing Azrael (Deathly Insanity #1))
No one mentions that now, and I suppose no one is inclined to bring it up, particularly not my father, who in other matters loves those things most that he can no longer touch or see, things washed clean of flaws and ambiguity by the years he has held them in his memory, reshaping them as he brings them out, again and again, telling his stories until finally the stories, and the things in them, are as perfect and sharp as the edge of the knife he keeps in his pocket.
Pete Dexter (The Paperboy)
Good Mistake" Blood on your hands And your hands still roam But your secret is safe with the garden gnome Those marks on your neck never seem to fade Bring a marching band For the masquerade Oh lonely man You know you can A pocket knife Will serve you well Remember what you're good for There's much more to life Under the sun It's not what they can see Until it's done Your secret's safe with me Blow out the candles on your cake It's another year due with the same mistakes Blind like a bat When you hit that wall Now who's gonna come Who you gonna call Oh lonely man You know you can A pocket knife Will serve you well Remember what you're good for There's much more to life Under the sun It's not what they can see Until it's done Your secret's safe with me I can see you run I can see you're undone Shadow to the sun Shadow to the sun See a rule to break See another rule to make It's a good mistake Shadow next to none Broken bones in a walking man It's a trick to the eye It's a rubber band Don't let it go Let it fall a part It's a heavy load For a tender heart
Mr. Little Jeans
A Dauntless soldier with an arm in a sling approaches us, gun held ready, barrel fixed on Tobias. “Identify yourselves,” she says. She is young, but not young enough to know Tobias. The others gather behind her. Some of them eye us with suspicion, the rest with curiosity, but far stranger than both is the light I see in some of their eyes. Recognition. They might know Tobias, but how could they possibly recognize me? “Four,” he says. He nods toward me. “And this is Tris. Both Dauntless.” The Dauntless soldier’s eyes widen, but she does not lower her gun. “Some help here?” she asks. Some of the Dauntless step forward, but they do it cautiously, like we’re dangerous. “Is there a problem?” Tobias says. “Are you armed?” “Of course I’m armed. I’m Dauntless, aren’t I?” “Stand with your hands behind your head.” She says it wildly, like she expects us to refuse. I glance at Tobias. Why is everyone acting like we’re about to attack them? “We walked through the front door,” I say slowly. “You think we would have done that if we were here to hurt you?” Tobias doesn’t look back at me. He just touches his fingertips to the back of his head. After a moment, I do the same. Dauntless soldiers crowd around us. One of them pats down Tobias’s legs while the other takes the gun tucked under his waistband. Another one, a round-faced boy with pink cheeks, looks at me apologetically. “I have a knife in my back pocket,” I say. “Put your hands on me, and I will make you regret it.” He mumbles some kind of apology. His fingers pinch the knife handle, careful not to touch me. “What’s going on?” asks Tobias. The first soldier exchanges looks with some of the others. “I’m sorry,” she says. “But we were instructed to arrest you upon your arrival.
Veronica Roth (Insurgent (Divergent, #2))
Did she deserve this, Asala wondered? Did Ekrem? Did Cynwrig? Did Hafiz? The engineers who had first proposed the solar harvest? The politicians who favored whichever cause lined their pockets most? Did the flag-wavers, the finger-pointers, the us-versus-thems—did any of them, for all their greed and hate and folly, deserve punishment on this scale? Punishment in general, they deserved, herself included. A slap in the face, a knife to the throat. But not a whole world. Not every world. Their crimes, even in aggregate, did not warrant extinction. Even if it was their own fault.
Becky Chambers (The Vela)
Sometimes organizations get confused about this, sending out messages that backfire. I was once in a dining hall at the University of Chicago and saw a sign: 'Do you realize that more than 1,000 dishes and utensils are taken from this dining commons each quarter?' Presumably the intention of the sign was the shock the students into compliance—that's terrible, I didn't know it was so bad, I'd never do that!—but for me, at least, the effect was to make me want to slip a knife and fork into my jacket pocket. If you want people to stop doing something, don't tell them that everyone does it.
Paul Bloom (Against Empathy: The Case for Rational Compassion)
He drew up for a minute, threw a rapid glance around him, and then his hand fell instantly into his pocket, where it began playing with a pistol. But, meanwhile, Caderousse, who had never taken his eyes off his companion, passed his hand behind his back, and opened a long Spanish knife, which he always carried with him, to be ready in case of need. The two friends, as we see, were worthy of and understood one another. Andrea's hand left his pocket inoffensively, and was carried up to the red moustache, which it played with for some time. "Good Caderousse," he said, "how happy you will be.
Alexandre Dumas (The Count of Monte Cristo)
Newt thought that it was Charlie who was beating his wife to death, instead of the other way around, . . .. So he reached into his overalls pocket, fished out his pocketknife and flicked out a blade long enough to cut watermelon. Ava took one look at that knife and flung her body across her husband, to shield him. Then she looked up at Newt, and when she spoke there were spiders and broken glass in her voice. "Don't you touch him," she hissed. . . . Everybody has a moment like it. If they never did, they never did love nobody truly. People who have lived a long, long time say it, so it must be so.
Rick Bragg (Ava's Man)
Iain MacGregor,” she whispered longingly, looking up. The woods were quiet. Strips of moonlight shone through tree limbs that reached like surreal black fingertips across her vision. A single tear slid down her cheek. She touched her mouth, imagining his kiss. Taking a small pocket knife out of her cargo pants, she looked about. A mystic had once told her that if she left pieces of herself around while she lived, it would expand her haunting territory when she died. Jane wasn’t sure she believed in sideshow magic tricks—or the Old Magick as the mystic had spelled it on her sign. She had no idea what had possessed her to talk to the palm reader and ask about ghosts. Still, just in case, she was leaving her stamp all over the woods. She cut her palm and pressed it to a nearby tree under a branch. Holding the wound to the rough bark stung at first, but then it made her feel better. This forest wouldn’t be a bad eternity. The sound of running feet erupted behind her and she stiffened. No one ever came out here at night. She’d walked the woods hundreds of times. Her mind instantly went to the creepy girl ghosts chanting by the stream. “Whoohoo!” Jane whipped around, startled as a streak of naked flesh sprinted past her. The Scottish voice was met with loud cheers from those who followed him. “Water’s this way, lads, or my name isn’t Raibeart MacGregor, King of the Highlands!” Another naked man dashed through the forest after him. “It smells of freedom.” Jane stayed hidden in the branches, undetected, with her hand pressed to the bark. “Aye, freedom from your proper Cait,” Raibeart answered, his voice coming through the dark where he’d disappeared into the trees. “Murdoch, stop him before he reaches town. Cait will not teleport ya out of jail again,” a third man yelled, not running quite so fast. “Raibeart, ya are goin’ the wrong way!” “Och, Angus, my Cait canna live without me,” Murdoch, the second streaker, answered. “She’ll always come to my rescue.” “I said stop him, Murdoch, we’re new to this place.” Angus skidded to a stop and lifted his jaw, as if sensing he was being watched. He looked in her direction and instantly covered his manhood as his eyes caught Jane’s shocked face in the tree limbs. “Oh, lassie.” “Oh, naked man,” Jane teased before she could stop herself. “That I am,” Angus answered, “but there is an explanation for it.” “I don’t think some things need explained,” Jane said.
Michelle M. Pillow (Spellbound (Warlocks MacGregor, #2))
Urgency threaded her voice as she offered her hand. It was gloved, but I could feel the warmth of it still, and thrilled to her touch before seeing that she regretted the gesture. She recoiled, and put the hand in her pocket. At the time, I thought she regretted touching me because a show of kindness could compromise her standing with colleagues like Elma. Years later, I would realize her sorrow arose from taking care of the children that Uncle claimed for his own. It must have been like stringing a harp for someone who played his harp with a knife, or binding a book for someone whose idea of reading was feeding pages to a fire.
Affinity Konar (Mischling)
Are you certain it was Woody who stole the knife?” “Fifteen minutes ago I found him sneaking about the Tigers’ clubhouse,” said Bugs. “He picked up Excalibur—it’s a purple knife and my name is cut into it. He saw me and ran—we bumped as he got out the door. He shoved Excalibur into the pocket of his green pants as he got outside and kept running.” “You didn’t chase him?” “Naw, Woody broke his arm last week, and I don’t fight one-armed kids,” said Bugs. He rolled his eyes toward heaven. “Anyhow, his mother will be my math teacher next year.” “You want me to get the knife back without anyone knowing Woody stole it, is that the idea?” asked Encyclopedia.
Donald J. Sobol (Encyclopedia Brown and the Case of the Secret Pitch (Encyclopedia Brown, #2))
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?” Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back. “Fuck,” he said. “I thought that was one-way glass.” “It is.” Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me. “What did he say?” LeBlanc asked. “Wait for me.” “What?” “It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.” “Are you going to?” LeBlanc asked. Marsten’s lips curved in a smile. “He didn’t invite me.” LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.” “I’m not.” “You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.” “Really? Huh.” LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.” “Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it." “I don’t need to prove anything. Certainly not to a smart-mouthed—” He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away. “You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.” “So I win.” His face purpled. “You smug—” “Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
Kelley Armstrong (Bitten (Otherworld, #1))
He stroked the filly's neck, and she sniffed at the pouch on his belt, then turned her head away. "She wants to let me know she doesn't care that I've apples in here.No, doesn't matter a bit to her." He looped the line around the fence and took an apple and his knife from his pocket. Idly he cut it in half. "Maybe I'll just offer this token to this other pretty lady here." He held out the apple to Keeley, and Betty gave him a solid rap with her head that rammed him into the fence. "Now she wants my attention. Would you like some of this then?" He shifted, held the apple out. Betty nipped it from his palm with dignified delicacy. "She loves me." "She loves your apples," Keeley commented. "Oh,it's not just that. See here." Before Keeley could evade-could think to-he cupped a hand at the back of her neck, pulled her close and rubbed his lips provocatively over hers. Betty huffed out a breath and butted him. "You see?" Brian let his teeth graze lightly before he released Keeley. "Jealous.She doesn't care to have me give affection to another woman." "Next time kiss her and save yourself a bruise." "It was worth it.On both counts." "Horses are more easily charmed than women, Donnelly." She plucked the apple out of his hand, bit in. "I just like your apples," she told him, and strolled away. "That one's as contrary as you are." He nuzzled Betty's cheek as he watched Keeley walk to her stables. "What is it that makes me find contrary females so appealing?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
They worked at the ivy with their hands and with Peter’s pocket-knife till the knife broke. After that they used Edmund’s. Soon the whole place where they had been sitting was covered with ivy; and at last they had the door cleared. “Locked, of course,” said Peter. “But the wood’s all rotten,” said Edmund. “We can pull it to bits in no time, and it will make extra firewood. Come on.” It took them longer than they expected and, before they had done, the great hall had grown dusky and the first star or two had come out overhead. Susan was not the only one who felt a slight shudder as the boys stood above the pile of splintered wood, rubbing the dirt off their hands and staring into the cold, dark opening they had made. “Now for a torch,” said Peter. “Oh, what is the good?” said Susan. “And as Edmund said--” “I’m not saying it now,” Edmund interrupted. “I still don’t understand, but we can settle that later. I suppose you’re coming down, Peter?” “We must,” said Peter. “Cheer up, Susan. It’s no good behaving like kids now that we are back in Narnia. You’re a Queen here. And anyway no one could go to sleep with a mystery like this on their minds.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
Lew had never seen a dead man before. He just stood there, and looked and looked. Then he went a step closer, and looked some more. 'So that's what it's like!' he murmured inaudibly. Finally Lew reached out slowly and touched him on the face, and cringed as he met the clammy feel of it, pulled his hand back and whipped it down, as though to get something off it. The flesh was still warm and Lew knew suddenly he had no time alibi. He threw something over that face and that got rid of the awful feeling of being watched by something from the other world. After that Lew wasn't afraid to go near him; he just looked like a bundle of old clothes. The dead man was on his side, and Lew fiddled with the knife-hilt, trying to get it out. It was caught fast, so he let it alone after grabbing it with his fingers from a couple of different directions. Next he went through his pockets, thinking he'd be helping to identify him. The man was Luther Kemp, forty-two, and he lived on 79th Street. But none of that was really true any more, Lew thought, mystified; he'd left it all behind. His clothes and his home and his name and his body and the show he'd paid to see were here. But where the hell had he gone to, anyway? Again that weird feeling came over Lew momentarily, but he brushed it aside. It was just that one of the commonest things in life - death - was still strange to him. But after strangeness comes familiarity, after familiarity, contempt. ("Dusk To Dawn")
Cornell Woolrich
remember the evening as a wonderful blur of warm emotion, tinged in bitter. Fiddles, lutes, and drums, everyone played and danced and sang as they wished. I dare say we rivaled any faerie revel you can bring to mind. I got presents. Trip gave me a belt knife with a leather grip, claiming that all boys should have something they can hurt themselves with. Shandi gave me a lovely cloak she had made, scattered with little pockets for a boy’s treasures. My parents gave me a lute, a beautiful thing of smooth dark wood. I had to play a song of course, and Ben sang with me. I slipped a little on the strings of the unfamiliar instrument, and Ben wandered off looking for notes once or twice, but it was nice. Ben opened up a small keg of mead he had been saving for “just such an occasion.” I remember it tasting the way I felt, sweet and bitter and sullen. Several people had collaborated to write “The Ballad of Ben, Brewer Supreme.” My father recited it as gravely as if it were the Modegan royal lineage while accompanying himself on a half harp. Everyone laughed until they hurt, and Ben twice as much as everyone else. At some point in the night, my mother swept me up and danced around in a great spinning circle. Her laughter sang out like music trailing in the wind. Her hair and skirt spun around me as she twirled. She smelled comforting, the way only mothers do. That smell, and the quick laughing kiss she gave me did more to ease the dull ache of Ben’s leaving than all the entertainments combined.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Someone shakes my shoulder. I jerk awake, my eyes wide and searching, and I see Tobias kneeling over me. He wears a Dauntless traitor jacket, and one side of his head is coated with blood. The blood streams from a wound on his ear--the top of his hear is gone. I wince. “What happened?” I say. “Get up. We have to run.” “It’s too soon. It hasn’t been two weeks.” “I don’t have time to explain. Come on.” “Oh God. Tobias.” I sit up and wrap my arms around him, pressing my face into his neck. His arms tighten around me and squeeze. Warmth courses through me, and comfort. If he is here, that means I’m safe. My tears make his skin slippery. He stands and pulls me to my feet, which makes my wounded shoulder throb. “Reinforcements will be here soon. Come on.” I let him lead me out of the room. We make it down the first hallway without difficulty, but in the second hallway, we encounter two Dauntless guards, one a young man and one a middle-aged woman. Tobias fires twice in a matter of seconds, both hits, one in the head and one in the chest. The woman, who was hit in the chest, slumps against the wall but doesn’t die. We keep moving. One hallway, then another, all of them look the same. Tobias’s grip on my hand never falters. I know that if he can throw a knife so that it hits just the tip of my ear, he can fire accurately at the Dauntless soldiers who ambush us. We step over fallen bodies--the people Tobias killed in the way in, probably--and finally reach a fire exit. Tobias lets go of my hand to open the door, and the fire alarm screeches in my ears, but we keep running. I am gasping for air but I don’t care, not when I’m finally escaping, not when this nightmare is finally over. My vision starts to go black at the edges, so I grab Tobias’s arm and hold on tight, trusting him to lead me safely to the bottom of the stairs. I run out of steps to run down, and I open my eyes. Tobias is about to open the exit door, but I hold him back. “Got to…catch my breath…” He pauses, and I put my hands on my knees, leaning over. My shoulder still throbs. I frown, and look up at him. “Come on, let’s get out of here,” he says insistently. My stomach sinks. I stare into his eyes. They are dark blue, with a patch of light blue on his right iris. I take his chin in hand and pull his lips down to mine, kissing him slowly, sighing as I pull back. “We can’t get out of here,” I say. “Because this is a simulation.” He pulled me to my feet with my right hand. The real Tobias would have remembered the wound in my shoulder. “What?” He scowls at me. “Don’t you think I would know if I was under a simulation?” “You aren’t under a simulation. You are the simulation.” I look up and say in a loud voice, “You’ll have to do better than that, Jeanine.” All I have to do now is wake up, and I know how--I have done it before, in my fear landscape, when I broke a glass tank just by touching my palm to it, or when I made a gun appear in the grass to shoot descending birds. I take a knife from my pocket--a knife that wasn’t there a moment ago--and will my leg to be hard as diamond. I thrust the knife toward my thigh, and the blade bends.
Veronica Roth (Insurgent (Divergent, #2))
He took a napkin-wrapped package out of the bag and offered it to her. “Also,” he added, “I make a mean cheese sandwich. Try one.” Clary smiled reluctantly and sat down across from him. The stone floor of the greenhouse was cold against her skin, but it was pleasant after so many days of relentless heat. Out of the paper bag Jace drew some apples, a bar of fruit and nut chocolate, and a bottle of water. “Not a bad haul,” she said admiringly. The cheese sandwich was warm and a little limp, but it tasted fine. From one of the innumerable pockets inside his jacket, Jace produced a bone-handled knife that looked capable of disemboweling a grizzly. He set to work on the apples, carving them into meticulous eighths. “Well, it’s not birthday cake,” he said, handing her a section, “but hopefully it’s better than nothing.” “Nothing is what I was expecting, so thanks.” She took a bite. The apple tasted green and cool. “Nobody should get nothing on their birthday.” He was peeling the second apple, the skin coming away in long curling strips. “Birthdays should be special. My birthday was always the one day my father said I could do or have anything I wanted.” “Anything?” She laughed. “Like what kind of anything did you want?” “Well, when I was five, I wanted to take a bath in spaghetti.” “But he didn’t let you, right?” “No, that’s the thing. He did. He said it wasn’t expensive, and why not if that was what I wanted? He had the servants fill a bath with boiling water and pasta, and when it cooled down …” He shrugged. “I took a bath in it.” Servants? Clary thought. Out loud she said, “How was it?” “Slippery.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Rider scooped Willow into his arms and carried her outside to the nearest tree, Miriam right behind him. Awkwardly shifting his burden, he sat in the shade and settled Willow in his lap. "Mrs. Brigham, could you lend me a hand?" he asked anxiously. "I think we should loosen her clothing or something." Rider propped Willow's limp form over one arm, giving Miriam access to the back of the girl's dress. As the corset came into view, he snorted in disgust. "Unlace that contraption, too. No wonder she fainted; she can't breathe." Miriam looked aghast. "Oh, but I can't do that! It wouldn't be decent." "She's wearing something under it, isn't she?" "Well, yes, but--" "Good God, I'll do it myself!" His free hand produced a small knife from his pants pocket. The blade flashed and before Miriam could stop him, the corset ribbons were severed. Immediately, Willow inhaled deeply. Rider shifted her back into the bend of his arm and gently patted her cheeks. "Come on, little girl, open those big blue eyes." Inhaling another deep breath, Willow gradually came around. She blinked at the leafy roof overhead, then focused a confused gaze on Rider's smiling face. "What happened? How did I get out here?" Glancing around, she impatiently brushed a few errant strands of hair from her eyes. "Oh, my dear, you fainted," Miriam fussed. "Fainted! I've never fainted in my life. I'm not the fainting kind." "Maybe not under normal circumstances," Rider contradicted, "but you did faint. And it's little wonder, trussed up in that ridiculous corset. Wearing that thing in this heat is insane!" "Really, Mr. Sinclair." Miriam scowled. "I hardly think this is an appropriate subject in mixed company." "I'm sorry, Mrs. Brigham, but it's the truth." "I don't care what either one of you says," Willow broke in. "I did not faint." Rider grimaced in disgust. "Just dozed off again, huh?
Charlotte McPherren (Song of the Willow)
I ran. It was fantastic how far I ran without stopping to rest. I can't even remember what places I passed. I must have left by the back gate next to the Kyohoku Tower in the north of the temple precincts, then I must have passed by the Myoo Hall, run up the mountain path that was bordered by bamboo grass and azalea, and reached the top of Mount Hidari Daimonji. Yes, it was surely on top of Mount Hidari Daimonji that I lay down on my hack in the bamboo field in the shadow of the red pines and tried to still the fierce beating of my heart. This was the mountain that protected the Golden Temple from the north. The cry of some startled birds brought me to my senses. Or else it was a bird that flew close to my face with a great fluttering of its wings. As I lay there on my back I gazed at the night sky. The birds soared over the branches of the redpines in great numbers and the thin flakes from the fire, which were already becoming scarce, floated in the sky above my head. I sat up and looked far down the ravine towards the Golden temple. A strange sound echoed from there. It was like the sound of crackers. It was like the sound of countless people's soul joints all cracking at once. From where I sat the Golden Temple itself was invisible. All that I could see was the eddying smoke and the great fire that rose into the sky. The flakes from the fire drifted between the trees and the Golden Temple's sky seemed to be strewn with golden sand. I crossed my legs and sat gazing for a long time at the scene. When I came to myself, I found that my body was covered in blisters and scars and that I was bleeding profusely. My fingers also were stained with blood, evidently from when I had hurt them by knocking against the temple door. I licked my wounds like an animal that has fled from its pursuers. I looked in my pocket and extracted the bottle of arsenic, wrapped in my handkerchief, and the knife. I threw them down the ravine. Then I noticed the pack of cigarettes in my other pocket. I took one out and started smoking. I felt like a man who settles down for a smoke after finishing a job of work. I wanted to live.
Yukio Mishima
The picture of human life in the market-place, though its general tint was the sad gray, brown, or black of the English emigrants, was yet enlivened by some diversity of hue. A party of Indians—in their savage finery of curiously embroidered deerskin robes, wampum-belts, red and yellow ochre, and feathers, and armed with the bow and arrow and stone-headed spear—stood apart with countenances of inflexible gravity, beyond what even the Puritan aspect could attain. Nor, wild as were these painted barbarians, were they the wildest feature of the scene. This distinction could more justly be claimed by some mariners—a part of the crew of the vessel from the Spanish Main—who had come ashore to see the humours of Election Day. They were rough-looking desperadoes, with sun-blackened faces, and an immensity of beard; their wide short trousers were confined about the waist by belts, often clasped with a rough plate of gold, and sustaining always a long knife, and in some instances, a sword. From beneath their broad-brimmed hats of palm-leaf, gleamed eyes which, even in good-nature and merriment, had a kind of animal ferocity. They transgressed without fear or scruple, the rules of behaviour that were binding on all others: smoking tobacco under the beadle's very nose, although each whiff would have cost a townsman a shilling; and quaffing at their pleasure, draughts of wine or aqua-vitae from pocket flasks, which they freely tendered to the gaping crowd around them. It remarkably characterised the incomplete morality of the age, rigid as we call it, that a licence was allowed the seafaring class, not merely for their freaks on shore, but for far more desperate deeds on their proper element. The sailor of that day would go near to be arraigned as a pirate in our own. There could be little doubt, for instance, that this very ship's crew, though no unfavourable specimens of the nautical brotherhood, had been guilty, as we should phrase it, of depredations on the Spanish commerce, such as would have perilled all their necks in a modern court of justice. But the sea in those old times heaved, swelled, and foamed very much at its own will, or subject only to the tempestuous wind, with hardly any attempts at regulation by human law. The buccaneer on the wave might relinquish his calling and become at once if he chose, a man of probity and piety on land; nor, even in the full career of his reckless life, was he regarded as a personage with whom it was disreputable to traffic or casually associate. Thus the Puritan elders in their black cloaks, starched bands, and steeple-crowned hats, smiled not unbenignantly at the clamour and rude deportment of these jolly seafaring men; and it excited neither surprise nor animadversion when so reputable a citizen as old Roger Chillingworth, the physician, was seen to enter the market-place in close and familiar talk with the commander of the questionable vessel.
Nathaniel Hawthorne (The Scarlet Letter)
His choice had to be swift as the wind. Should he take cover behind the row in front of him and toss the bit of metal in the snow (it'd be noticed but they wouldn't know who the culprit was) or keep it on him? For that strip of hacksaw he could get ten days in the cells, if they classed it as a knife. But a cobbler's knife was money, it was bread. A pity to throw it away. He slipped it into his left mitten. At that moment the next row was ordered to step forward and be searched. Now the last three men stood in full view-- Senka, Shukhov, and the man from the 32nd squad who had gone to look for the Moldavian. Because they were three and the guards facing them were five, Shukhov could try a ruse. He could choose which of the two guards on the right to present himself to. He decided against a young pink-faced one and plumped for an older man with a gray mustache. The older one, of course, was experienced and could find the blade easily if he wanted to, but because of his age he would be fed up with the job. It must stink in his nose now like burning sulfur. Meanwhile Shukhov had removed both mittens, the empty one and the one with the hacksaw, and held them in one hand (the empty one in front) together with the untied rope belt. He fully unbuttoned his jacket, lifted high the edges of his coat and jacket (never had he been so servile at the search but now he wanted to show he was innocent--Come on, frisk me!), and at the word of command stepped forward. The guard slapped Shukhov's sides and back, and the outside of his pants pocket. Nothing there. He kneaded the edges of coat and jacket. Nothing there either. He was about to pass him through when, for safety's sake, he crushed the mitten that Shukhov held out to him--the empty one. The guard crushed it in his band, and Shukhov felt as though pincers of iron were crushing everything inside him. One such squeeze on the other mitten and he'd be sunk--the cells on nine ounces of bread a day and hot stew one day in three. He imagined how weak he'd grow, how difficult he'd find it to get back to his present condition, neither fed nor starving. And an urgent prayer rose in his heart: "Oh Lord, save me! Don't let them send me to the cells." And while all this raced through his mind, the guard, after finishing with the right-hand mitten, stretched a hand out to deal with the other (he would have squeezed them at the same moment if Shukhov had held them in separate hands). Just then the guard heard his chief, who was in a hurry to get on, shout to the escort: "Come on, bring up the machine-works column." And instead of examining the other mitten the old guard waved Shukhov on. He was through. He ran off to catch up with the others. They had already formed fives in a sort of corridor between long beams, like horse stalls in a market, a sort of paddock for prisoners. He ran lightly; hardly feeling the ground. He didn't say a prayer of thanksgiving because he hadn't time, and anyway it would have been out of place. The escort now drew aside.
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
he was so focused on watching where Presley went that she almost didn’t see the man he was with until they stopped beneath a security light, their backs to her. She first noticed the other man then, and was shocked at his size. Then her gaze moved to the thick bush of curly hair pulled into a pony tail at the back of his neck, and she wondered how he ever got something that unruly washed and dried. It wasn’t until he turned sideways that she got a momentary glimpse of his profile. As she did, a strange, anxious feeling skittered through her belly, then quickly disappeared. The stranger didn’t matter. He couldn’t matter. It was time to make her move. She had to stop Presley now, before he went any farther. She reached toward the glove box for her handgun and taser, slipped the taser in her pocket and was reaching for the door latch when the big man turned and faced her. For a full fifteen or twenty seconds, Cat had a clear and unfettered view of his face, and in those seconds, the world fell out from under her. She didn’t know that she started moaning, or that she’d broken out in a cold sweat. All she knew was that she was no longer in her car in a San Antonio parking lot but back in her childhood home, trying to run from the intruder who’d come out of their bathroom. She was screaming for her father when the intruder’s arm slid around her chest and lifted her off her feet. She saw the strange geometric designs on his arm, then on the side of his face, as the cold slash of steel from his knife suddenly slid against her throat. The coppery scent of her own blood was thick in her nose as he dropped her to the floor, leaving her to watch as he slammed the same knife into her father over and over again. She tried to scream, but the sounds wouldn’t come. The last things she saw before everything went black were the look of sorrow on her father’s face and the demon who’d killed them running out the front door.
Sharon Sala (Nine Lives (Cat Dupree, #1))
She removed a knife from the pocket of her skirt and swiftly cut the umbilical cord. She ripped off the remaining portion of her petticoat, wrapping it tightly around her newborn son with instructions that Aunt Mabel was to take him to the cabin and to stay with him until she returned. As she walked up the hill to the cabin, she looked back to see her mother returning to the field to finish her days work. Her father had not once looked up from his work and apparently unaware of the birth of his son.
Lisa V. Proulx (Weedmonkey: Mama, Mother, Whore)
OK, so this is what’s going to happen, Felipe. You’re going to tell me exactly what I want to know or things are going to get… interesting.” He took a syringe out of his pocket and removed the safety cap. He showed it to the policeman then slid it into his arm and depressed the plunger. Felipe fought against the tape. “What the hell is that?” “Don’t worry, it’s nothing dangerous. Just a muscle relaxant and some Viagra.” Bishop leaned in close. “You can feel it can’t you? A warm fuzzy feeling, all your muscles relaxing, except one. But that’s not a muscle is it?” “What, what are you doing to me?” “I’m not going to do anything to you. But my friend is. I’m just going to video it and send it to all your police buddies. Or maybe I’ll just put it on the internet for all the perverts to jack off to.” He opened the door. It took every ounce of his discipline not to burst out laughing. “Tell me, Felipe, are you familiar with the expression, I’m going to make a playground out of your ass?” Mitch stood in the doorway wearing a gimp mask and a pair of cut-off denim shorts. His muscular, hairy chest was strapped into a harness with a steel ring in the middle. He was holding a giant black rubber dildo. “What the hell?” screamed the bound man. Bishop used his knife to cut the tape holding him to the chair. “It’s OK, Felipe. You seem to be already enjoying this.” The policeman looked down at his raging boner. “Nooo, you can’t do this. You can’t.” Already his voice was slurring as the drugs kicked in.
Jack Silkstone (PRIMAL Reckoning (PRIMAL #5))
Maybe I can’t hold a gun. But I have a knife in my back pocket.
Veronica Roth (Insurgent (Divergent, #2))
Linda recognized the car next to it as Höglund’s. Linda fingered the Swiss army knife in her pocket, but this was not a night for slashing tires.
Henning Mankell (Before the Frost (Linda Wallander #1))
Levering himself upward, Swift reached for her hair, which had begun to fall from its pins. His fingers were gentle as he pulled feathers from the glinting black strands. For a silent minute or two they worked on each other. Daisy was so intent on the task that the impropriety of her position didn’t occur to her at first. For the first time she was close enough to notice the variegated blue of his eyes, ringed with cobalt at the outer edge of the irises. And the texture of his skin, satiny and sun-hued, with the shadow of close-shaven stubble on his jaw. She realized that Swift was deliberately avoiding her gaze, concentrating on finding every tiny piece of down in her hair. Suddenly she became aware of a simmering communication between their bodies, the solid strength of him beneath her, the incendiary drift of his breath against her cheek. His clothes were damp, the heat of his skin burning through wherever it pressed against hers. They both went still at the same moment, caught together in a half-embrace while every cell of Daisy’s skin seemed to fill with liquid fire. Fascinated, disoriented, she let herself relax into it, feeling the throb of her pulse in every extremity. There were no more feathers, but Daisy found herself gently lacing her fingers through the dark waves of his hair. It would be so easy for him to roll her beneath him, his weight pressing her into the damp earth. The hardness of their knees pressed together through layers of fabric, triggering a primitive instinct for her to open to him, to let him move her limbs as he would. She heard Swift’s breath catch. He clamped his hands around her upper arms and unceremoniously removed her from his lap. Landing on the grass beside him with a decisive thump, Daisy tried to gather her wits. Silently she found the pen-knife on the ground and handed it back to him. After slipping the knife back into his pocket, he made a project of brushing feathers and dirt from his calves. Wondering why he was sitting in such an oddly cramped posture, Daisy struggled to her feet. “Well,” she said uncertainly, “I suppose I’ll have to sneak back into the manor through the servants’ entrance. If Mother sees me, she’ll have conniptions.” “I’m going back to the river,” Swift said, his voice hoarse. “To find out how Westcliff is faring with the reel. And maybe I’ll fish some more.” Daisy frowned as she realized he was deliberately avoiding her. “I should think you’d had enough of standing up to your waist in cold water today,” she said. “Apparently not,” Swift muttered, keeping his back to her as he reached for his vest and coat.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
The New Dog I. “I’m intensely afraid of almost everything. Grocery bags, potted poinsettias, bunches of uprooted weeds wilting on a hot sidewalk, clothes hangers, deflated rubber balls, being looked in the eye, crutches, an overcoat tossed across the back of a chair (everybody knows empty overcoats house ghosts), children, doorways, music, human hands and the newspaper rustling as my owner, in striped pajamas, drinks coffee and turns its pages. He wants to find out where there’ll be war in the mid-east this week. Afraid even of eating, if someone burps or clinks a glass with a fork, or if my owner turns the kitchen faucet on to wash his hands during my meal I go rigid with fear, my legs buckle, then I slink from the room. I pee copiously if my food bowl is placed on the floor before the other dogs’. I have to be served last or the natural order of things - in which every moment I am about to be sacrificed - (have my heart ripped from my chest by the priest wielding his stone knife or get run out of the pack by snarling, snapping alphas) - the most sacred hierarchy, that fated arrangement, the glue of the universe, will unstick. The evolution will never itself, and life as we know it will subside entirely, until only the simplest animal form remain - jellyfish headless globs of cells, with only microscopic whips for legs and tails. Great swirling arms of gas will arm wrestle for eons to win cosmic dominance. Starless, undifferentiated chaos will reign. II. I alone of little escaped a hell of beating, neglect, and snuffling dumpsters for sustenance before this gullible man adopted me. Now my new owner would like me to walk nicely by his side on a leash (without cowering or pulling) and to lie down on a towel when he asks, regardless of whether he has a piece of bologna in his pocket or not. I’m growing fond of that optimistic young man in spite of myself. If only he would heed my warnings I’d pour out my thoughts to him: When panic strikes you like a squall wind and disaster falls on you like a gale, when you are hunted and scorned, wisdom shouts aloud in the streets: What is consciousness? What is sensation? What is mind? What is pain? What about the sorrows of unwatered houseplants? What indoor cloudburst will slake their thirst? What of my littler brothers and sisters, dead at the hands of dirty two legged brutes? Who’s the ghost in the universe behind its existence, necessary to everything that happens? Is it the pajama-clad man offering a strip of bacon in his frightening hand (who’ll take me to the park to play ball if he ever gets dressed)? Is it his quiet, wet-eyed, egg-frying wife? Dear Lord, Is it me?
Amy Gerstler (Ghost Girl)
I knew I had determination and the ability and drive to work hard. I was smart and had an aptitude for retaining information. Those were things had I focused on. My whole life I’d fought to be the best at everything I did, but I never felt good about myself. It always seemed to be an uphill battle because I considered myself fundamentally flawed, like I wasn’t properly equipped. It was like I was going to war with a pocket knife when others around me had machine guns and heavy artillery. This
Lisa Eugene (Keeping Secrets)
He could be merciless when he encountered vanity. Merciless. The knife opened in his pocket. It’s an unrecognized form of stupidity, he would say, you have to forget the cosmic meaninglessness of all our acts to be able to be vain and that’s a glaring form of stupidity.
Pascal Mercier (Night Train to Lisbon)
As their uncle, Earl Spencer, says their characters are very different from the public image. “The press have always written up William as the terror and Harry as a rather quiet second son. In fact William is a very self-possessed, intelligent and mature boy and quite shy. He is quite formal and stiff, sounding older than his years when he answers the phone.” It is Harry who is the mischievous imp of the family. Harry’s puckish character manifested itself to his uncle during the return flight from Necker, the Caribbean island owned by Virgin airline boss Richard Branson. He recalls: “Harry was presented with his breakfast. He had his headphones on and a computer game in front of him but he was determined to eat his croissant. It took him about five minutes to manoeuvre all his electronic gear, his knife, his croissant and his butter. When he eventually managed to get a mouthful there was a look of such complete satisfaction on his face. It was a really wonderful moment.” His godparent Carolyn Bartholomew says, without an ounce of prejudice, that Harry is “the most affectionate, demonstrative and huggable little boy” while William is very much like his mother, “intuitive, switched on and highly perceptive.” At first she thought the future king was a “little terror.” “He was naughty and had tantrums,” she recalls. “But when I had my two children I realized that they are all like that at some point. In fact William is kind-hearted, very much like Diana. He would give you his last Rolo sweet. In fact he did on one occasion. He was longing for this sweet, he only had one left and he gave it to me.” Further evidence of his generous heart occurred when he gathered together all his pocket money, which only amounted to a few pence, and solemnly handed it over to her. But he is no angel as Carolyn saw when she visited Highgrove. Diana had just finished a swim in the open air pool and had changed into a white toweling dressing gown as she waited for William to follow her. Instead he splashed about as though he were drowning and slowly sank to the bottom. His mother, not knowing whether it was a fake or not, struggled to get out of her robe. Then, realizing the urgency, she dived in still in her dressing gown. At that moment he resurfaced, shouting and laughing at the success of his ruse. Diana was not amused. Generally William is a youngster who displays qualities of responsibility and thoughtfulness beyond his years and enjoys a close rapport with his younger brother whom friends believe will make an admirable adviser behind the scenes when William eventually becomes king. Diana feels that it is a sign that in some way they will share the burdens of monarchy in the years to come. Her approach is conditioned by her firmly held belief that she will never become queen and that her husband will never become King Charles III.
Andrew Morton (Diana: Her True Story in Her Own Words)
There was little conversation between them, just an oddly companionable silence. “What time is it?” Daisy would ask every now and then, and he would produce a pocket watch. Mildly intrigued by the jangle of objects in his coat pocket, Daisy demanded to see what was inside it. “You’ll be disappointed,” Swift said as he unearthed the collection of items. He dumped the lot into her lap while Daisy sorted through it all. “You’re worse than a ferret,” she said with a grin. There was the folding knife and the fishing line, a few loose coins, a pen nib, the pair of spectacles, a little tin of soap— Bowman’s, of course— and a slip of folded waxed paper containing willowbark powder. Holding the paper between thumb and forefinger, Daisy asked, “Do you have headaches, Mr. Swift?” “No. But your father does whenever he gets bad news. And I’m usually the one who delivers it.” Daisy laughed and picked up a tiny silver match case from the pile in her lap. “Why matches? I thought you didn’t smoke.” “One never knows when a fire will be needed.” Daisy held up a paper of straight pins and raised her brows questioningly. “I use them to attach documents,” he explained. “But they’ve been useful on other occasions.” She let a teasing note enter her voice. “Is there any emergency for which you are not prepared, Mr. Swift?” “Miss Bowman, if I had enough pockets I could save the world.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
A second man appeared at the top of the stairs. Milton recognised him from the crack house. He squeezed the trigger and shot him in the chest, the impact peppering him from his navel to his throat. He staggered, his hand pointlessly reaching for the knife in his pocket. Milton fired a second spread. Spit and blood foamed at the man’s lips as he pirouetted back into the room above, dropping to the floor.
Mark Dawson (The Cleaner (John Milton, #1))
window. ‘If this is your way of getting me to quit, it’s not going to work.’ She could almost see her dad standing on the pavement next to the car, taking inhumanly long drags on a cigarette. He shrugged at her, like, what’re you gonna do? She rolled her own window up and killed the engine, getting out of the car to look at the shelter. The building was sixties brutalist. A slab of concrete that looked like it would have been a chic and modern looking community centre six decades ago. Now it just looked like a pebble-dashed breeze block with wire-meshed vertical windows that ran the length of the outside.  Wide steps with rusty white rails led up to the main doors, dark brown stained wooden things with square aluminium handles, the word ‘pull’ etched into each one.  There was a piece of paper taped to the right-hand one that said ‘All welcome, hot food inside’ written in hand-printed caps.  There were five homeless people on the steps — three of them smoking rolled cigarettes. Two of those were drinking something out of polystyrene cups. The fourth was hunched forward, reading the tattiest looking novel Jamie had ever seen cling to a spine. His eyes stared at it blankly, not moving, his pupils wide. He wasn’t even registering the words. The last one was curled up into a ball inside a bright blue sleeping bag, his arms and legs folding the polyester into his body, just a pockmarked forehead peeking out into the November morning. Had they slept there all night on that step waiting for the shelter to open? She couldn’t say. Jamie and Roper crossed the road and the folks on the steps looked up. They were of varying ages, in varying states of malnutrition and addiction. The smell of old booze and urine hung in the alcove. Jamie wasn’t sure if you could tell they were police by the way they looked or walked, but the homeless seemed to have a sixth sense about it. Two of the three who were smoking clocked them, lowered their heads, and turned to face the wall. The third kept looking and held his hand out. The one with the novel didn’t even register them. Jamie knew that if they searched the two that turned away, they would have something on them they shouldn’t — drugs, needles, a knife, something stolen. That’s why they’d done it — to become invisible. The one who held out a hand would be clean. Wouldn’t risk chancing it with a police officer otherwise. She’d worked enough uniformed time on the streets of London to know how their minds worked.  She took a deep breath of semi-clean air and mounted the steps, looking down at the mid-thirties guy with the stretched-out beanie and out-stretched hand.  ‘We’re on duty,’ Roper said coldly, breezing past. Jamie gave him a weak smile, knowing that opening her pockets in a place like this would get them mobbed. If they needed to question anyone
Morgan Greene (Bare Skin (DS Jamie Johansson #1))