Pocket Full Quotes

We've searched our database for all the quotes and captions related to Pocket Full. Here they are! All 200 of them:

From his inside jacket pocket he produces a ring and gazes up at me, his eyes bright gray and raw, full of emotion. "Anastasia Steele, I love you. I want to love, cherish and protect you for the rest of my life. Be mine. Always. Share my life with me. Marry me".
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I wish I could stuff my mouth full of raindrops and fill my pockets full of snow. I wish I could trace the veins in a fallen leaf and the feel the wind pinch my nose.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Ring around the rosie. A pocket full of posie. Ashes ashes, we all fall down. Some people say that this poem is about the Black Death, the fourteenth-century plague that killed 100-million people... Sadly, though, most experts think this is nonsense... How can I be so sure about this rhyme when all the experts disagree? Because I ate the kid who made it up.
Scott Westerfeld (The Last Days (Peeps, #2))
Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I've a pocket full of dreams to sell," said Teddy, whimsically,... "What d'ye lack? What d'ye lack? A dream of success--a dream of adventure--a dream of the sea--a dream of the woodland--any kind of a dream you want at reasonable prices, including one or two unique little nightmares. What will you give me for a dream?
L.M. Montgomery (Emily Climbs (Emily, #2))
I thought the earth remembered me, she took me back so tenderly, arranging her dark skirts, her pockets full of lichens and seeds. I slept as never before, a stone on the river bed, nothing between me and the white fire of the stars but my thoughts, and they floated light as moths among the branches of the perfect trees. All night I heard the small kingdoms breathing around me, the insects, and the birds who do their work in the darkness. All night I rose and fell, as if in water, grappling with a luminous doom. By morning I had vanished at least a dozen times into something better.
Mary Oliver
It’s remarkable that a device, which fits in your pocket, can hold thousands of books. But a room full of books is an entirely different kind of remarkable.
Brandt Legg
I'll have a cup full of Happiness and a pocket full of Rainbows to go.
Stanley Victor Paskavich
Listen to me,” he hissed, his face inches from Oomen’s. “You have two choices. You tell me what I want to know, and we drop you at our next port with your pockets full of enough coin to get you sewn up and buy you passage back to Kerch. Or I take the other eye, and I repeat this conversation with a blind man.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Fairy tales give it to us straight. They tell us something profound and essential - that the woods are real, and dark, and full of wolves. That we will, at times, find ourselves hopelessly lost in them. But these tales also tell us that we are all that we need, that we have all we need - guts, smarts, and maybe a pocketful of breadcrumbs - to find our way home.
Jennifer Donnelly (Stepsister)
So, so you made a lot of mistakes Walked down the road a little sideways Cracked a rib when you hit the wall Yeah, you've had a pocket full of regrets Pull you down faster than a sunset Hey, it happens to us all When the cold hard rain just won't quit And you can't see your way out of it You find your faith has been lost and shaken You take back what's been taken Get on your knees and dig down deep You can do what you think is impossible Keep on believing, don't give in It'll come and make you whole again It always will, it always does Love is unstoppable
Rascal Flatts
Nobody believes in magicians any more, nobody believes that anyone can come along and wave a wand and turn you into a frog. But if you read in the paper that by injecting certain glands scientists can alter your vital tissues and you'll develop froglike characteristics, well, everybody would believe that.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #6))
Sleeping In The Forest I thought the earth remembered me, she took me back so tenderly, arranging her dark skirts, her pockets full of lichens and seeds. I slept as never before, a stone on the river bed, nothing between me and the white fire of the stars but my thoughts, and they floated light as moths among the branches of the perfect trees. All night I heard the small kingdoms breathing around me, the insects, and the birds who do their work in the darkness. All night I rose and fell, as if in water, grappling with a luminous doom. By morning I had vanished at least a dozen times into something better.
Mary Oliver (Twelve Moons)
I know I'm supposed to be the new Mistress of Revels! But that doesn't mean I have pockets full of muffins!
Lisa Mantchev (Perchance to Dream (Théâtre Illuminata, #2))
Time to cash in your chips put your ideas and beliefs on the table. See who has the bigger hand you or the Mystery that pervades you. Time to scrape the mind's shit off your shoes undo the laces that hold your prison together and dangle your toes into emptiness. Once you've put everything on the table once all of your currency is gone and your pockets are full of air all you've got left to gamble with is yourself. Go ahead, climb up onto the velvet top of the highest stakes table. Place yourself as the bet. Look God in the eyes and finally for once in your life lose.
Adyashanti
This is my last letter There will be no others. This is the last grey cloud That will rain on you, After this, you will never again Know the rain. This is the last drop of wine in my cup There will be no more drunkenness. This is the last letter of madness, The last letter of childhood. After me you will no longer know The purity of youth The beauty of madness. I have loved you Like a child running from school Hiding birds and poems In his pockets. With you I was a child of Hallucinations, Distractions, Contradictions, I was a child of poetry and nervous writing. As for you, You were a woman of Eastern ways Waiting for her fate to appear In the lines of the coffee cups. How miserable you are, my lady, After today You won't be in the blue notebooks, In the pages of the letters, In the cry of the candles, In the mailman's bag. You won't be Inside the children's sweets In the colored kites. You won't be in the pain of the letters In the pain of the poems. You have exiled yourself From the gardens of my childhood You are no longer poetry.
نزار قباني (Arabian Love Poems: Full Arabic and English Texts)
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
Paul Simon
Don't you think it's strange that life, described as so rich and full, a camel-trail of adventure, should shrink to this coin-sized world? A head on one side, a story on the other. Someone you loved and what happened. That's all there is when you dig in your pockets. The most significant thing is someone else's face. What else is embossed on your hands but her?
Jeanette Winterson (Written on the Body)
As the days piled up into weeks, and the weeks turned into months, and fall slid into winter, I realized one of the great truths about tragedy: You can dream of disappearing. You can wish for oblivion, for endless sleep or the escape of fiction, of walking into a river with your pockets full of stones, of letting the dark water close over your head. But if you've got kids, the web of the world holds you close and wraps you tight and keeps you from falling no matter how badly you think you want to fall.
Jennifer Weiner
A handful of friends are worth more than a pocket full of cash.
Nova McBee (Calculated)
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I don't know if you've ever had a crush on somebody that bad, but Hades became obsessed. He kept sketches of Persephone in his pocket. He carved her name on his obsidian table with a knife-which took a lot of work. He dreamed about her and had imaginary conversations with her where he admitted his love and she confessed that she had always had a thing for creepy older guys who lived in caves full of dead people.
Rick Riordan (Percy Jackson's Greek Gods)
Have you ever made her angry?" If the cop said that he and his wife lived in a state of constant connubial bliss, Andrew decided he'd have full cause to throw a punch. Max raised an eyebrow. "Sure, I'm human." He slid the phone into the pocket of his suit pants and rose to his feet with a distinctly amused glint in his eyes. "Making up is the fun part, in case you haven't figured that out yet.
Nalini Singh (Play of Passion (Psy-Changeling, #9))
Null Spot the Destroyer still had an imagination full of bad ideas and a pocket full of stupid to spend.
Bobby Adair (Destroyer / Dead Fire (Slow Burn, #3-4))
I’ve got a pocket full of cash, and a condom full of erection.
Jarod Kintz (So many chairs, and no time to sit)
It is a great thing when I discover I am no longer my own but His. If the ten shillings in my pocket belong to me, then I have full authority over them. But if they belong to another who has committed them to me in trust, then I cannot buy what I please with them, and I dare not lose them. Real Christian life begins with knowing this.
Watchman Nee (The Normal Christian Life)
But you have no house and no courtyard to your no-house, he thought. You have no family but a brother who goes to battle tomorrow and you own nothing but the wind and the sun and an empty belly. The wind is small, he thought, and there is no sun. You have four grenades in your pocket but they are only good to throw away. You have a carbine on your back but it is only good to give away bullets. You have a message to give away. And you're full of crap that you can give to the earth, he grinned in the dark. You can anoint it also with urine. Everything you have is to give. Thou art a phenomenon of philosophy and an unfortunate man, he told himself and grinned again.
Ernest Hemingway (For Whom the Bell Tolls)
Children born of fairy stock Never need for shirt or frock Never want for food or fire Always get their heart's desire Jingle pockets full of gold Marry when they're seven years old Every fairy child may keep Two strong ponies and ten sheep All have houses, each his own Built of brick or granite stone They live on cherries, they run wild I'd love to be a fairy's child
Robert Graves
Val smiled evilly at the child and reached into his pocket. “Do you,” he asked, “like kittens?” And he held out a black, fluffy kitten with a white chest. Annalise blinked at the kitten’s green eyes. The kitten blinked back. “Oh, yes!” said Annalise. Val deposited the kitten into the plump little arms and strolled to the kitchens, where Hecate and her kittens were in residence, swinging his gold walking stick. There were seven more kittens remaining and a garden full of his enemies’ children…
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
Michael Ondaatje (The English Patient)
I'm so full of power, I feel like I can see without opening my eyes. Like I could go nova if I wanted to and have my own galaxy. Is this what it's like to be Simon Snow? To have infinity in your chest pocket?
Rainbow Rowell (Carry On (Simon Snow, #1))
Answer, if you hear the words under the words- otherwise it is just a world with a lot of rough edges, difficult to get through, and our pockets full of stones.
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East – A Collection About Arab-American Family Life in Jerusalem and the West Bank)
With a ring around the rosary And a pocket full of crosses Ashes to ashes They'll all fall down
Matthew Fitzpatrick (Monsters & Men: An Anthology)
When Pidge wakes up, let me know, okay?” he said in a soft voice. “I got spaghetti, and pancakes, and strawberries, and that oatmeal shit with the chocolate packets, and she likes Fruity Pebbles cereal, right, Mare?” he asked, turning. When he saw me, he froze. After an awkward pause, his expression melted, and his voice was smooth and sweet.“Hey, Pigeon.” I couldn’t have been more confused if I had woken up in a foreign country. Nothing made sense. At first I thought I had been evicted, and then Travis comes home with bags full of my favorite foods. He took a few steps into the living room, nervously shoving his hands in his pockets. “You hungry, Pidge? I’ll make you some pancakes. Or there’s uh…there’s some oatmeal. And I got you some of that pink foamy shit that girl’s shave with, and a hairdryer, and a… a….just a sec, it’s in here,” he said, rushing to the bedroom. The door opened, shut, and then he rounded the corner, the color gone from his face. He took a deep breath and his eyebrows pulled in. “Your stuff’s packed.” “I know,” I said. “You’re leaving,” he said, defeated.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
For the first time since he showed up in my checkout lane, I let my eyes wander the full length of his body. The bulge in his running down the side of his pants leg is quite noticeable; either he has a banana in his pocket, or he’s happy to see me. Then I notice a similar bulge running down the side of his other pants leg. Either he has two bananas in his pockets, or he has two erections.
Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
I’m burning all the time. My pockets full of matches and lighters, the blue smoke crawling out like a skinny ghost from between my lips. My lungs on fire, the wings of them falling from the open sky.
Matthew Dickman
Kitay’s Sinegard was full of wonders, completely accessible, and crammed with things that belonged to him. Kitay’s Sinegard wasn’t terrifying, because Kitay had money. If he tripped, half the shop owners on the street would help him up, hoping for a handsome tip. If his pocket were cut, he’d go home and get another purse. Kitay could afford to be victimized by the city because he had room to fail.
R.F. Kuang (The Poppy War (The Poppy War, #1))
[Stephanie] "This won't be so bad," I said to her, making an effort at convincing myself. "How about your blanket? We could wrap him up in the blanket. Then we could pick him up without actually touching him." "I suppose that'd be all right," Lula said. "We could give it a try" I spread the blanket on the ground beside Elliot Harp, took a deep breath, hooked my fingers around his belt and rolled him onto the blanket. I jumped back, squeezed my eyes closed tight and exhaled. No matter how much violent death I saw, I would never get used to it. "I'm gonna definitely have the runs," Lula said. "I can feel it coming on." "Forget about the runs and help me with this body!" Lula grabbed hold of the head end of the blanket, and I grabbed hold of the foot end. Harp had full rigor and wouldn't bend, so we put him in the trunk headfirst with his legs sticking out. We carefully closed the lid on Harp's knees and secured the lid with a piece of rope Lula had in her trunk. "Hold on," Lula said, pulling a red flowered scarf from her coat pocket, tying the scarf on Harp's foot like a flag. "Don't want to get a ticket. I hear the police are real picky about having things sticking out of your trunk." Especially dead guys.
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
When I try to picture heaven, I see a place where it's always December, every radio station plays hair bands, and every time I check my pockets they're full of Hershey's Kisses. There's a Christmas parade on every street, every day is my birthday, and the sun always sets at 4:58 p.m.
Damien Echols (Life After Death)
He, of course, is a liar, but that doesn't really matter because, if you know liars are liars, it comes to the same thing.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #6))
Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
I constantly pack my pockets full of worthless trinkets, and in such misguided gorging I leave my heart empty and my soul emaciated because I have forgotten everything but trinkets.
Craig D. Lounsbrough
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt. He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...] He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences: Kill me. If you’ve ever been my friend, kill me. Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank. And Thomas had failed him. [...] “Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!” Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.” “Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.” The words horrified Thomas. “Newt, maybe we can—” “Shut up! Just shut up! I trusted you! Now do it!” “I can’t.” “Do it!” “I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends? “Kill me or I’ll kill you. Kill me! Do it!” “Newt …” “Do it before I become one of them!” “I …” “KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.” With his heart falling into a black abyss, Thomas pulled the trigger.
James Dashner (The Death Cure (The Maze Runner, #3))
Trouble fell like rain from the heavens, and we just couldn't get enough of it. We went around picking up the stuff and cramming our pockets full of it. Even now I can't figure out why we persisted in doing that. Maybe we mistook it for something else.
Haruki Murakami (Pinball, 1973 (The Rat, #2))
What's that you're doing, Sassenach?" "Making out little Gizmo's birth certificate--so far as I can," I added. "Gizmo?" he said doubtfully. "That will be a saint's name?" "I shouldn't think so, though you never know, what with people named Pantaleon and Onuphrius. Or Ferreolus." "Ferreolus? I dinna think I ken that one." He leaned back, hands linked over his knee. "One of my favorites," I told him, carefully filling in the birthdate and time of birth--even that was an estimate, poor thing. There were precisely two bits of unequivocal information on this birth certificate--the date and the name of the doctor who's delivered him. "Ferreolus," I went on with some new enjoyment, "is the patron saint of sick poultry. Christian martyr. He was a Roman tribune and a secret Christian. Having been found out, he was chained up in the prison cesspool to await trial--I suppose the cells must have been full. Sounds rather daredevil; he slipped his chains and escaped through the sewer. They caught up with him, though, dragged him back and beheaded him." Jamie looked blank. "What has that got to do wi' chickens?" "I haven't the faintest idea. Take it up with the Vatican," I advised him. "Mmphm. Aye, well, I've always been fond of Saint Guignole, myself." I could see the glint in his eye, but couldn't resist. "And what's he the patron of?" "He's involved against impotence." The glint got stronger. "I saw a statue of him in Brest once; they did say it had been there for a thousand years. 'Twas a miraculous statue--it had a cock like a gun muzzle, and--" "A what?" "Well, the size wasna the miraculous bit," he said, waving me to silence. "Or not quite. The townsfolk say that for a thousand years, folk have whittled away bits of it as holy relics, and yet the cock is still as big as ever." He grinned at me. "They do say that a man w' a bit of St. Guignole in his pocket can last a night and a day without tiring." "Not with the same woman, I don't imagine," I said dryly. "It does rather make you wonder what he did to merit sainthood, though, doesn't it?" He laughed. "Any man who's had his prayer answered could tell yet that, Sassenach." (PP. 841-842)
Diana Gabaldon (Drums of Autumn (Outlander, #4))
The universe has more than enough business and wealth for everyone—way more than enough.
David Cameron Gikandi (A Happy Pocket Full of Money: Infinite Wealth and Abundance in the Here and Now)
When entering a room full of soldiers who fear hearts you put your heart in your back pocket.
Cherríe L. Moraga
It's better to have a pocket full of regrets than to never have lived.
Johnny Rzeznik
Girls like her are a dime a dozen, and I happen to have a pocket full of dimes.
Lois Duncan (I Know What You Did Last Summer)
A dagger of ambition in the sheath of a generous uncle with a pocket full of sweets.
Adrian Tchaikovsky (City of Last Chances (The Tyrant Philosophers, #1))
Strive to infinity, for no thing is impossible. The world is at your feet, and to accomplish your dreams takes nothing but a pocket full of determination and maybe a few coffee's...
Heather Mitchell
Special interest politics is a simple game. A hundred people sit in a circle, each with his pocket full of pennies. A politician walks around the outside of the circle, taking a penny from each person. No one minds; who cares about a penny? When he has gotten all the way around the circle, the politician throws fifty cents down in front of one person, who is overjoyed at the unexpected windfall. The process is repeated, ending with a different person. After a hundred rounds everyone is a hundred cents poorer, fifty cents richer, and happy.
David D. Friedman (The Machinery of Freedom: Guide to a Radical Capitalism)
As any bank robber can tell you (Nell would say), the best thing to do when running away is not to run. Just walk. Just stroll. A combination of ease and purposefulness is desirable. Then no one will notice you're running. In addition to which, don't carry heavy suitcases, or canvas bags full of money, or packsacks with body parts in them. Leave everything behind you except what's in your pockets. Lightest is best.
Margaret Atwood (Moral Disorder and Other Stories)
That gimcrack little desk, probably sham antique Louis XIV. She had said something to him once about there being a secret drawer in it. Secret drawer! That would not fool the police long.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #7))
Give a man with a death wish a bottle of whisky and a loaded gun, you get a dead body. Give a martyr a quote from scripture and a pocket full of prayers and you get a room full of corpses.
Kevis Hendrickson
My grandfather always told me, "Go through life with your hands in your pockets, making fists so everyone will think that they're full of money." What he meant was that you should never let people see you down.
Ricky Martin (Me)
I am shocked to find that some people think a 2 star 'I liked it' rating is a bad rating. What? I liked it. I LIKED it! That means I read the whole thing, to the last page, in spite of my life raining comets on me. It's a good book that survives the reading process with me. If a book is so-so, it ends up under the bed somewhere, or maybe under a stinky judo bag in the back of the van. So a 2 star from me means,yes, I liked the book, and I'd loan it to a friend and it went everywhere in my jacket pocket or purse until I finished it. A 3 star means that I've ignored friends to finish it and my sink is full of dirty dishes. A 4 star means I'm probably in trouble with my editor for missing a deadline because I was reading this book. But I want you to know . . . I don't finish books I don't like. There's too many good ones out there waiting to be found. Robin Hobb, author
Robin Hobb
I had a lovely childhood in Ireland, riding, hunting, and a great big, bare, draughty house with lots and lots of sun in it. If you’ve had a happy childhood, nobody can take that away from you, can they? It was afterwards—when I grew up—that things seemed always to go wrong.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #7))
You think he is marrying her for money?' 'Yes, I do. Don't you think so?' 'I should say quite certainly,' said Miss Marple. 'Like young Ellis who married Marion Bates, the rich ironmonger's daughter. She was a very plain girl and absolutely besotted about him. However, it turned out quite well. People like young Ellis and this Gerald Wright are only really disagreeable when they've married a poor girl for love. They are so annoyed with themselves for doing it that they take it out of the girl. But if they marry a rich girl they continue to respect her.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #6))
She is a silhouette on the windowsill, an apparition in the alley, a woman there and gone again. She is a pocket full of witch-ways and a voice whispering the right words to the right woman, the clack of a cane against cobbles.
Alix E. Harrow (The Once and Future Witches)
Oh! We have our pockets full, we poets, of love-letters, writ to Chloes, Daphnes--creation of our noddle-heads. Our lady-loves,--phantasms of our brains. --Dream-fancies blown into soap-bubbles! Come! Take it, and change feigned love words into true; I breathed my sighs and moans haphazard-wise; Call all these wandering love-birds home to nest. You'll see that I was in these lettered lines, --Eloquent all the more, the less sincere! --Take it, and make an end!
Edmond Rostand (Cyrano de Bergerac)
Empty pocket teaches you a Million things in Life, But full pocket spoils you in a Million ways....
Suraj Mhetri
Natural affection is one thing,” said Miss Ramsbottom, “and I hope I’ve got as much of it as anyone. But I won’t stand for wickedness. Wickedness has to be destroyed.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #7))
What sculpture is to a block of marble, education is to the soul.” -Joseph Addison
Angela Roquet (Pocket Full of Posies (Lana Harvey, Reapers Inc. #2))
No one likes to be reminded of how stupid they were once upon a time.
Angela Roquet (Pocket Full of Posies (Lana Harvey, Reapers Inc. #2))
Is no one incapable of murder?
Agatha Christie (Hickory Dickory Death / The Mystery of the Blue Train / A Pocket Full of Rye / Murder on the Orient Express)
He stood with a pocketful of diamonds and a heart full of death,
Kate Quinn (The Diamond Eye)
To build external wealth, build internal value and then exercise it.
David Cameron Gikandi (A Happy Pocket Full of Money, Expanded Study Edition: Infinite Wealth and Abundance in the Here and Now)
-the half-grasped but never spoken idea that maybe, when you got right down to the place where the cheese binds, there is no such thing as marriage, no such thing as union, that each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (Rarely, thank god) you ran into a full-fledged pocket of alien turblence that can buffet an airliner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seamed nearly psychotic.
Stephen King (Pet Sematary)
A much more interesting, kind, adventurous, and joyful approach to life is to begin to develop our curiosity, not caring whether the object of our inquisitiveness is bitter or sweet. To lead a life that goes beyond pettiness and prejudice and always wanting to make sure that everything turns out on our own terms, to lead a more passionate, full, and delightful life than that, we must realize that we can endure a lot of pain and pleasure for the sake of finding out who we are and what this world is, how we tick and how our world ticks, how the whole thing just is.
Pema Chödrön (The Pocket Pema Chodron)
Hey, Zee,” I said. “I take it that you can fix it, but it’ll be miserable, and you’d rather haul it to the dump and start from scratch.” “Piece of junk,” groused Zee. “What’s not rusted to pieces is bent. If you took all the good parts and put them in a pile, you could carry them out in your pocket.” There was a little pause. “Even if you only had a small pocket.” I patted the car. “Don’t you listen to him,” I whispered to it. “You’ll be out of here and back on the road in no time.” Zee propelled himself all the way under the car so his head stuck out by my feet. “Don’t you promise something you can’t deliver,” he snarled. I raised my eyebrows, and said in dulcet tones, “Are you telling me you can’t fix it? I’m sorry. I distinctly remember you saying that there is nothing you can’t fix. I must have been mistaken, and it was someone else wearing your mouth.” He gave a growl that would have done Sam credit, and pushed himself back under again, muttering,“Deine Mutter war ein Cola-Automat!” “Her mama might have been a pop machine,” I said, responding to one of the remarks I understood even at full Zee-speed. “Your mama . . .” sounds the same in a number of languages. “But she was a beauty in her day.” I grinned at Gabriel. “We women have to stick together.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
What i realise now is that the story actually did have a happy ending: the children came back. In spite of everything the adults did to them, the children found their own way home, their pockets full of precious stones and pearls that gleamed and shone in the light.
Julia Green (Drawing with Light)
The fatal combination of indulgence without feeling disgusts me. Strange to be both greedy and dead. For myself, I prefer to hold my desires just out of reach of appetite, to keep myself honed and sharp. I want the keen edge of longing. it is so easy to be a brute and yet it has become rather fashionable. Is that the consequence of leaving your body to science? Of assuming that another pill, another drug, another car, another pocket-sized home-movie station, a DNA transfer, or the complete freedom of choice that five hundred TV channels must bring, will make everything all right? Will soothe the nagging pain in the heart that the latest laser scan refuses to diagnose? The doctor's surgery is full of men and women who do not know why they are unhappy. "Take this", says the Doctor, "you'll soon feel better." They do not feel better, because, little by little, they cease to feel at all.
Jeanette Winterson (Art and Lies)
Children born of fairy stock Never need for shirt or frock Never want for food or fire Always get their heart's desire Jingle pockets full of gold Marry when they're seven years old Every fairy child may keep Two strong ponies and ten sheep All have houses, each his own Built of brick or granite stone They live on cherries, they run wild I'd love to be a fairy's child
Robert Graves
The gentleness, the sentimentality, of many Soviet troops toward small children in Prussia was noted at the time. A woman with a baby, local people learned, was practically immune to rape. But even sentimental troops, the men who kept their pockets full of sweets for hungry German kids, worried about their families back home. It was a long time since any had seen their children.
Catherine Merridale (Ivan's War: Life and Death in the Red Army, 1939–1945)
when the Lord built the world he furrowed his brow calculated calculated calculated that is why the world is perfect and uninhabitable instead the world of the painter is good and full of mistakes the eye wanders from one color to another one fruit to another the eye mumbles the eye smiles remembers the eye says it is bearable only if one could enter inside there where the painter was without wings in slippers that fall off without Virgil with a cat in the pocket a benevolent fantasy and a hand that unknowingly corrects the world
Zbigniew Herbert (Elegy for the Departure and Other Poems)
When you got right down to the place where the cheese binds, there was no such thing as marriage, no such thing as union - each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (rarely, thank God) you ran into a full fledged pocket of alien strangeness, something like the clear-air turbulence that can buffet an air-liner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seemed nearly psychotic. And then you tread lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such discovery was the province of fools who really believed it was possible for one mind to really know another.
Stephen King (Pet Sematary)
The challenge, then, is to turn your hobbies, interests, and talents into a long-term, sustainable career. The overlap among all those things is your latent superpower. Tap into this well of strength, and you’ll soar in ways that you’ve only dreamt possible.
Chris Do (Pocket Full of Do)
It is a common saying that a man needs only six feet of land. But surely a corpse wants that, not a man. And I hear that our intellectuals have a longing for the land and want to acquire farms. But it all comes down to the six feet of land. To leave town, and the struggle and the swim of life, and go and hide yourself in a farmhouse is not life -- it is egoism, laziness; it is a kind of monasticism, but monasticism without action. A man needs, not six feet of land, not a farm, but the whole earth, all Nature, where in full liberty he can display all the properties and qualities of the free spirit.
Anton Chekhov (Gooseberries and Other Stories (The Greatest Short Stories, Pocket Book))
If our shallow, self-critical culture sometimes seems to lack a sense of the numinous or spiritual it’s only in the same way a fish lacks a sense of the ocean. Because the numinous is everywhere, we need to be reminded of it. We live among wonders. Superhuman cyborgs, we plug into cell phones connecting us to one another and to a constantly updated planetary database, an exo-memory that allows us to fit our complete cultural archive into a jacket pocket. We have camera eyes that speed up, slow down, and even reverse the flow of time, allowing us to see what no one prior to the twentieth century had ever seen — the thermodynamic miracle of broken shards and a puddle gathering themselves up from the floor to assemble a half-full wineglass. We are the hands and eyes and ears, the sensitive probing feelers through which the emergent, intelligent universe comes to know its own form and purpose. We bring the thunderbolt of meaning and significance to unconscious matter, blank paper, the night sky. We are already divine magicians, already supergods. Why shouldn’t we use all our brilliance to leap in as many single bounds as it takes to a world beyond ours, threatened by overpopulation, mass species extinction, environmental degradation, hunger, and exploitation? Superman and his pals would figure a way out of any stupid cul-de-sac we could find ourselves in — and we made Superman, after all.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
The Return of the Rivers All the rivers run into the sea; yet the sea is not full; unto the place from whence the rivers come, thither they return again. It is raining today in the mountains. It is a warm green rain with love in its pockets for spring is here, and does not dream of death. Birds happen music like clocks ticking heaves in a land where children love spiders, and let them sleep in their hair. A slow rain sizzles on the river like a pan full of frying flowers, and with each drop of rain the ocean begins again.
Richard Brautigan (The Pill vs. the Springhill Mine Disaster)
She looks like the type to wear a garter full of knives. She may even have a few stuffed up her vagina.” Women do love their pockets.
C. Rochelle (Gentlemen Prefer Villains (Villainous Things, #2))
Sylvie was composed of question marks and feelings that she didn’t know what to do with, as if her hands were full and she was wearing pants with no pockets.
Ann Napolitano (Hello Beautiful)
Yew berries?” “Berries or leaves. Highly poisonous. Taxine, of course, is the alkaloid.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #7))
May God have mercy upon my enemies, because I won’t.” -George Patton
Angela Roquet (Pocket Full of Posies (Lana Harvey, Reapers Inc. #2))
Women were all the same. They promised to burn things and then didn’t.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #7))
Snobbery here raised its hideous head and marooned her on a permanent island of loneliness.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #6))
Stop waiting. Better to act on a poor idea than to never act on a great idea. Shut up and start!
Chris Do (Pocket Full of Do)
All other things held constant, to the extent that an individual or society sees, believes in, and acts in abundance, so will it have wealth and happiness.
David Cameron Gikandi (A Happy Pocket Full of Money: Infinite Wealth and Abundance in the Here and Now)
You have more potential in you than you can possibly use up in an entire lifetime or even in several lifetimes. Stop making up excuses and believing in limits.
David Cameron Gikandi (A Happy Pocket Full of Money: Infinite Wealth and Abundance in the Here and Now)
Oude zonden hebben lange schaduwen.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #6))
a pocket full of spare change and anger unlimited, what more does a 30-year-old innocent need to make his way in the city?
Thomas Pynchon (Gravity's Rainbow)
Full of meal plans today. Lunch?” “Sorry? Oh, yes. Apparently Magdelana remembered I’m an early riser.” He slipped the date book he had on his desk into his pocket as he got to his feet. “We’ll have lunch.” “So I heard. You’re going to want to be careful there, pal.” “Of what?” “It wouldn’t be the first old friend you’ve had come around hoping you’d dip back into the game for old times’ sake. You might want to remind her you’re sleeping with a cop these days.
J.D. Robb (Innocent in Death (In Death, #24))
A harmonica is easy to carry. Take it out of your hip pocket, knock it against your palm to shake out the dirt and pocket fuzz and bits of tobacco. Now it’s ready. You can do anything with a harmonica: thin reedy single tone, or chords or melody with rhythm chords. You can mold the music with curved hands, making it wail and cry like bagpipes, making it full and rounds like an organ, making it as sharp and bitter as the reed pipes of the hills. And you can play it and put it back in your pocket. It is always with you, always in your pocket. And as you play, you learn new tricks, to pinch the tone with your lips, and no one teaches you. You feel around—sometimes in the tent door after supper when the women are washing up. Your foot taps gently on the ground. Your foot taps gently on the ground. Your eyebrows rise and fall in rhythm. And if you lose it or break it, why, it’s no great loss. You can buy another for a quarter.
John Steinbeck (The Grapes of Wrath)
Instructions for a Broken Heart I will find a bare patch of earth, somewhere where the ruins have fallen away, somewhere where I can fit both hands, and I will dig a hole. And into that hole, I will scream you, I will dump all the shadow places of my heart—the times you didn’t call when you said you’d call, the way you only half listened to my poems, your eyes on people coming through the swinging door of the café—not on me—your ears, not really turned toward me. For all those times I started to tell you about the fight with my dad or when my grandma died, and you said something about your car, something about the math test you flunked, as an answer. I will scream into that hole the silence of dark nights after you’d kissed me, how when I asked if something was wrong—and something was obviously so very wrong—how you said “nothing,” how you didn’t tell me until I had to see it in the dim light of a costume barn—so much wrong. I will scream all of it. Then I will fill it in with dark earth, leave it here in Italy, so there will be an ocean between the hole and me. Because then I can bring home a heart full of the light patches. A heart that sees the sunset you saw that night outside of Taco Bell, the way you pointed out that it made the trees seem on fire, a heart that holds the time your little brother fell on his bike at the fairgrounds and you had pockets full of bright colored Band-Aids and you kissed the bare skin of his knees. I will take that home with me. In my heart. I will take home your final Hamlet monologue on the dark stage when you cried closing night and it wasn’t really acting, you cried because you felt the words in you and on that bare stage you felt the way I feel every day of my life, every second, the way the words, the light and dark, the spotlight in your face, made you Hamlet for that brief hiccup of a moment, made you a poet, an artist at your core. I get to take Italy home with me, the Italy that showed me you and the Italy that showed me—me—the Italy that wrote me my very own instructions for a broken heart. And I get to leave the other heart in a hole. We are over. I know this. But we are not blank. We were a beautiful building made of stone, crumbled now and covered in vines. But not blank. Not forgotten. We are a history. We are beauty out of ruins.
Kim Culbertson (Instructions for a Broken Heart)
Regret nothing. Not the cruel novels you read to the end just to find out who killed the cook. Not the insipid movies that made you cry in the dark, in spite of your intelligence, your sophistication. Not the lover you left quivering in a hotel parking lot, the one you beat to the punchline, the door, or the one who left you in your red dress and shoes, the ones that crimped your toes, don’t regret those. Not the nights you called god names and cursed your mother, sunk like a dog in the livingroom couch,b chewing your nails and crushed by loneliness. You were meant to inhale those smoky nights over a bottle of flat beer, to sweep stuck onion rings across the dirty restaurant floor, to wear the frayed coat with its loose buttons, its pockets full of struck matches. You’ve walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You’ve traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don’t bother remembering any of it. Let’s stop here, under the lit sign on the corner, and watch all the people walk by.
Dorianne Laux (The Book of Men)
I told my plan to Fritz once, and he said it was just what he would like, and agreed to try it when we got rich. Bless his dear heart, he's been doing it all his life—helping poor boys, I mean, not getting rich, that he'll never be. Money doesn't stay in his pocket long enough to lay up any. But now, thanks to my good old aunt, who loved me better than I ever deserved, I'm rich, at least I feel so, and we can live at Plumfield perfectly well, if we have a flourishing school. It's just the place for boys, the house is big, and the furniture strong and plain. There's plenty of room for dozens inside, and splendid grounds outside. They could help in the garden and orchard. Such work is healthy, isn't it, sir? Then Fritz could train and teach in his own way, and Father will help him. I can feed and nurse and pet and scold them, and Mother will be my stand-by. I've always longed for lots of boys, and never had enough, now I can fill the house full and revel in the little dears to my heart's content. Think what luxury— Plumfield my own, and a wilderness of boys to enjoy it with me.
Louisa May Alcott (Little Women)
So here we are, in the family planning aisle with a cart full of sports drinks and our hands full of . . . “Trojans, Ramses, Magnum . . . Jeez, these are worse than names for muscle cars,” Jase observes, sliding his finger along the display. “They do sound sorta, well, forceful.” I flip over the box I’m holding to read the instructions. Jase glances up to smile at me. “Don’t worry, Sam. It’s just us.” “I don’t get what half these descriptions mean . . . What’s a vibrating ring?” “Sounds like the part that breaks on the washing machine. What’s extra-sensitive? That sounds like how we describe George.” I’m giggling. “Okay, would that be better or worse than ‘ultimate feeling’—and look—there’s ‘shared pleasure’ condoms and ‘her pleasure’ condoms. But there’s no ‘his pleasure.’” “I’m pretty sure that comes with the territory,” Jase says dryly. “Put down those Technicolor ones. No freaking way.” “But blue’s my favorite color,” I say, batting my eyelashes at him. “Put them down. The glow-in-the-dark ones too. Jesus. Why do they even make those?” “For the visually impaired?” I ask, reshelving the boxes. We move to the checkout line. “Enjoy the rest of your evening,” the clerk calls as we leave. “Do you think he knew?” I ask. “You’re blushing again,” Jase mutters absently. “Did who know what?” “The sales guy. Why we were buying these?” A smile pulls at the corners of his mouth. “Of course not. I’m sure it never occurred to him that we were actually buying birth control for ourselves. I bet he thought it was a . . . a . . . housewarming gift.” Okay, I’m ridiculous. “Or party favors,” I laugh. “Or”—he scrutinized the receipt—“supplies for a really expensive water balloon fight.” “Visual aids for health class?” I slip my hand into the back pocket of Jase’s jeans. “Or little raincoats for . . .” He pauses, stumped. “Barbie dolls,” I suggest. “G.I. Joes,” he corrects, and slips his free hand into the back pocket of my jeans, bumping his hip against mine as we head back to the car.
Huntley Fitzpatrick (My Life Next Door)
I was crazy about goal keeping. In Russia and the Latin countries, that gallant art had been always surrounded with a halo of singular glamour. Aloof, solitary, impassive, the crack goalie is followed in the streets by entranced small boys. He vies with the matador and the flying ace as an object of thrilled adulation. His sweater, his peaked cap, his kneeguards, the gloves protruding from the hip pocket of his shorts, set him apart from the rest of the team. He is the lone eagle, the man of mystery, the last defender. Photographers, reverently bending one knee, snap him in the act of making a spectacular dive across the goal mouth to deflect with his fingertips a low, lightning-like shot, and the stadium roars in approval as he remains for a moment or two lying full length where he fell, his goal still intact.
Vladimir Nabokov (Speak, Memory)
The Reason for Skylarks It was nearly morning when the giant Reached the tree of children. Their faces shone like white apples On the cold dark branches And their dresses and little coats Made sodden gestures in the wind. He did not laugh or weep or stamp His heavy feet. He set to work at once Lifting them tenderly down Into a straw basket which was fixed By a golden strap to his shoulder. Only one did he drop - a soft pretty child Whose hair was the color of watered milk. She fell into the long grass And he could not find her Though he searched until his fingers Bled and the full light came. He shook his fist at the sky and called God a bitter name. But no answer was made and the giant Got down on his knees before the tree And putting his hands about the trunk Shook Until all the children had fallen Into the grass. Then he pranced and stamped Them to jelly. And still he felt no peace. He took his half-full basket and set it afire, Holding it by the handle until Everything had been burned. He saw now Two men on steaming horses approaching From the direction of the world And taking a little silver flute Out of his pocket he played tune After tune until they came up to him.
Kenneth Patchen
Abracadabra," Roarke stated, and opened it. "Now that's more like it." Hunkered down beside him, Eve studied the neat stacks of cash. "This is how he stayed out of a cage so long. No credit, no e-transfers. Cash on the line. And a file box, loaded with discs and vids." "Best of all." Roarke reached in, took out a PPC. "His personal palm, very likely uninfected and chock-full of interesting data." "Let's load it up, get it in." She pulled out her memo book. "What're you doing?" "Logging the entry. I better not see any of that green stuff or those baubles go into your pockets, Ace." "Now I'm offended." He straightened, brushed at his shirt. "If I nipped anything, you can bet your ass you wouldn't see me do it.
J.D. Robb (Purity in Death (In Death, #15))
The fastest way to create is simply to be, right now, whatever you wish to create. Then do not negate it by thought. Do not think about it. Just be. All your thoughts, words, and actions after that should be of the new state you chose to be.
David Cameron Gikandi (A Happy Pocket Full of Money, Expanded Study Edition: Infinite Wealth and Abundance in the Here and Now)
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Take a plunge, take a plunge . . . they’re all crooks and gamblers anyway . . . take a plunge and come up with your hands full, pockets full, bankaccount full, vaults full of money. If I only dared take the risk. Fool to waste your time fuming about it.
John Dos Passos (Manhattan Transfer: A Novel)
Let her go in with him." (...) "Actually, I feel quite endangered by her presence. Dont you, Lila?" "Absolutely," said Lila. "She terrifies me. Right Sean?" "Shit." Sean wiped a hand over his face. (...) Lila raised her eyebrows and the Viking groaned in defeat. "Never been so scared in my life. She's so small and ...wounded." "Please, Finn," said Ali, her eyes full of warmth and good humor. "Save us. You're our last hope." "F***ing ridiculous." Finn pulled a set of keys out of his pocket and shoved one into the lock.
Kylie Scott (Skin (Flesh, #2))
half-blood of the eldest gods . . . shall reach sixteen against all odds . . .” I hesitated, staring at the next lines. A cold feeling started in my fingers as if the paper was freezing. “And see the world in endless sleep, The hero’s soul, cursed blade shall reap.” Suddenly Riptide seemed heavier in my pocket. A cursed blade? Chiron once told me Riptide had brought many people sorrow. Was it possible my own sword could get me killed? And how could the world to fall into endless sleep, unless that meant death? “Percy,” Chiron urged. “Read the rest.” My mouth felt like it was full of sand, but I spoke the last two lines. “A single choice shall . . . shall end his days. Olympus to per—pursue—” “Preserve,” Annabeth said gently. “It means to save.” “I know what it means,” I grumbled. “Olympus to preserve or raze.” The room was silent. Finally Connor Stoll said, “Raise is good, isn’t it?” “Not raise,” Silena said. Her voice was hollow, but I was startled to hear her speak at all. “R-a-z-e means destroy.” “Obliterate,” Annabeth said. “Annihilate. Turn to rubble.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
You have like … seven pockets in those pants. Imagine carrying seven pockets with you at the carnival. You can’t. You’d need a purse. Then you’d get on the Zipper and it’d be fine for a minute until your purse popped open and all of your stuff was being poltergeisted around the cage at you like you were a kitten in a dryer full of batteries, and then your phone gave you a black eye. This is all based on real life, by the way.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Louis stared at her, nonplussed. He more than half suspected that one of the things which had kept their marriage together when it seemed as if each year brought the news that two or three of their friends' marriages had collapsed was their respect of the mystery--the half-grasped but never spoken idea that maybe, when you got right down to the place where the cheese binds, there was no such thing as marriage, no such thing as union, that each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (rarely, thank God) you ran into a full-fledged pocket of alien strangeness, something like the clear-air turbulence that can buffet an airliner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seemed nearly psychotic. And then you trod lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such a discovery was the province of fools who really believed it was possible for one mind to know another.
Stephen King (Pet Sematary)
He looked at them and saw their faces did not fit. The skin on the skulls crawled and twitched like half-solid paste. All the heads in his angle of vision seemed irregular lumps, like potatoes but without a potato’s repose: potatoes with crawling surfaces punctured by holes which opened and shut, holes blocked with coloured jelly or fringed with bone stumps, elastic holes through which air was sucked or squirted, holes secreting salt, wax, spittle and snot. He grasped a pencil in his trouser pocket, wishing it were a knife he could thrust through his cheek and use to carve his face down to the clean bone. But that was foolish. Nothing clean lay under the face. He thought of sectioned brains, palettes, eyeballs and ears seen in medical diagrams and butcher’s shops. He thought of elastic muscle, pulsing tubes, gland sacks full of lukewarm fluid, the layers of cellular and fibrous and granular tissues inside a head. What was felt as tastes, caresses, dreams and thoughts could be seen as a cleverly articulated mass of garbage.
Alasdair Gray (Lanark)
Paul felt an incisive critique of capitalism coming on and ordered an expensive latte as a distraction. When he tried to pay for the latte, the counter girl waved his money away. This, though Paul, buoyed, will be my city. He left the full price of the drink in the tip jar, $91 left in his pocket.
Andrea Lawlor (Paul Takes the Form of a Mortal Girl)
For them it means something different. They have aged differently. They live in the midst of legacies, gifts, each piece of furniture holds a memory. Clocks, medallions, portraits, shells, paperweights, screens, shawls. They have closets full of bottles, stuffs, old clothes, newspapers; they have kept everything. The past is a landlord's luxury. Where shall I keep mine? You don't put your past in your pocket; you have to have a house. I have only my body: a man entirely alone, with his lonely body, cannot indulge in memories; they pass through him. I shouldn't complain: all I wanted was to be free.
Jean-Paul Sartre (Nausea)
better?' 'Don't be impatient,' said Snow-white, 'I will help you,' and she pulled her scissors out of her pocket, and cut off the end of the beard. As soon as the dwarf felt himself free he laid hold of a bag which lay amongst the roots of the tree, and which was full of gold, and lifted it up, grumbling
Jacob Grimm (Grimm's Fairy Tales (Annotated))
There will come a time when a person you most likely pushed out through your vagina and nursed from your nipples, whose bottom you wiped, and whose snot and spit you cleaned up over several sleep-starved years will apprehend you with a mixture of boredom and irritation and say, ‘Get a life, Mum.’ This would be a good time to remember that a) violence never solved anything; b) teenagers don’t have a full brain yet – the prefrontal cortex that controls the ability to make important distinctions, like who controls the pocket money, only kicks in around the age of twenty-four; and c) you are, in fact, the adult.
JOANNE FEDLER
A Christian people doesn't mean a lot of goody-goodies. The Church has plenty of stamina, and isn't afraid of sin. On the contrary, she can look it in the face calmly and even take it upon herself, assume it at times, as Our Lord did. When a good workman's been at it for a whole week, surely he's due for a booze on Saturday night. Look: I'll define you a Christian people by the opposite. The opposite of a Christian people is a people grown sad and old. You'll be saying that isn't a very theological definition. I agree... Why does our earliest childhood always seem so soft and full of light? A kid's got plenty of troubles, like everybody else, and he's really so very helpless, quite unarmed against pain and illness. Childhood and old age should be the two greatest trials of mankind. But that very sense of powerlessness is the mainspring of a child's joy. He just leaves it all to his mother, you see. Present, past, future -- his whole life is caught up in one look, and that look is a smile. Well, lad, if only they'd let us have our way, the Church might have given men that supreme comfort. Of course they'd each have their own worries to grapple with, just the same. Hunger, thirst, poverty, jealousy -- we'd never be able to pocket the devil once and for all, you may be sure. But man would have known he was the son of God; and therein lies your miracle. He'd have lived, he'd have died with that idea in his noddle -- and not just a notion picked up in books either -- oh, no! Because we'd have made that idea the basis of everything: habits and customs, relaxation and pleasure, down to the very simplest needs. That wouldn't have stopped the labourer ploughing, or the scientist swotting at his logarithms, or even the engineer making his playthings for grown-up people. What we would have got rid of, what we would have torn from the very heart of Adam, is that sense of his own loneliness... God has entrusted the Church to keep [the soul of childhood] alive, to safeguard our candour and freshness... Joy is the gift of the Church, whatever joy is possible for this sad world to share... What would it profit you even to create life itself, when you have lost all sense of what life really is?
Georges Bernanos (The Diary of a Country Priest)
If you use your mind to constantly ramble on inside your head thinking about the past and future, all you do is live in the past, worry about the future, and lose the joy of Now. And anyway, that is not a good formula for creating a future. All problems exist only in the mind; they cannot exist in Now. In Now, you always pass. You cannot fail Now. Not two seconds from now, or five hours from now, but right Now. All problems exist outside of Now, in your mind; they arise when you use your mind incorrectly.
David Cameron Gikandi (A Happy Pocket Full of Money, Expanded Study Edition: Infinite Wealth and Abundance in the Here and Now)
You need not predict exactly how things will work out; all you need to do is desire, intend, and know it's possible—and it will be arranged to come to you.
David Cameron Gikandi (A Happy Pocket Full of Money, Expanded Study Edition: Infinite Wealth and Abundance in the Here and Now)
The mills of God grind slowly, but they grind exceeding small—
Agatha Christie (A Pocket Full of Rye (Miss Marple, #7))
After all, my father, with all his brilliance, was wallowing in poverty. I shuddered at the thought of ending up like him - full brain, empty pocket.
Adaobi Tricia Nwaubani (I Do Not Come to You by Chance)
Time is self absorbed, takes what it wants and doesn't return the favor. It is greedy, its pockets full of the lives of those left behind. It is a magician and a thief.
Leigh Hershkovich (Shattered Illusions)
When your pockets are empty, go where your heart is full.
Dragos Bratasanu (The Pursuit of Dreams: Claim Your Power, Follow Your Heart, and Fulfill Your Destiny)
You are truly rich when your heart is full of joy, even if your pockets are empty.
Matshona Dhliwayo
The gods offer no reward for intellect. There was never one yet that showed any interest in it.” -Mark Twain
Angela Roquet (Pocket Full of Posies (Lana Harvey, Reapers Inc. #2))
I have to believe that if we didn't need to protect ourselves, we wouldn't be so prone to avoiding rest. When fear enters the story, something changes. In response to the risk and need around us, we have constructed systems around labor that leave even the hardest workers vulnerable, in deficit. Labor is no longer a gift. How could it be when one is withering from hunger? Labor instead becomes a means to an end, not an avenue for flourishing but a transaction for survival. This is a grim human development, for no one wants to spend their days merely surviving. And this transaction is nearly always incongruent with the amount of labor one does. You can work, as my gramma did in California, for a full month just to be able to finally move from the shelter into low-income housing. Meanwhile, the powerful convince us that there is not enough while their pocket spill out in the open. They distract us from this by dangling opportunity in the opposite direction. They appear as rescuers, demanding ceaseless labor from us but presenting it as a gift. We are expected to feel deeply lucky and even indebted to a society that allows us to work, even if that work cannot satisfy our most basic needs.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all. "How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever." "Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn). "Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again. "Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish. "Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs." "Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then." "But it hardly seems worth while," said Milo softly. "WORTH WHILE!" the man roared indignantly. "All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite. "Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant. "Then why bother?" asked Tock, whose alarm suddenly began to ring. "Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh. "Then you must -----" gasped Milo. "Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.
Norton Juster (The Phantom Tollbooth)
Sing a song of sixpence, A pocket full of rye. Four and twenty blackbirds, Baked in a pie. When the pie was opened The birds began to sing; Wasn't that a dainty dish, To set before the king. The king was in his counting house, Counting out his money; The queen was in the parlour, Eating bread and honey. The maid was in the garden, Hanging out the clothes, When down came a blackbird And pecked off her nose.
Agatha Christie (A Pocket Full of Rye (Miss Marple, #6))
When I was packing those, I caught myself taking all the important, profound, and indispensable titles I could – nearly filled the box. But one of the more eccentric librarians at the internment compound I’d gotten permission to riffle had put up a whole shelf full of cubes of women writers or texts about women. She was convinced nobody could be truly educated unless they’d read them – though nobody I ever met had, except her, maybe. […]
Samuel R. Delany (Stars in My Pocket Like Grains of Sand)
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
The officer stopped his car and got out. ‘Papers, please,’ he said. ‘Really?’ said the man, in perfect English with the accent Lady Thorton used. ‘Why ever for?’ ‘Routine,’ the officer said. The man raised his eyebrow as if it were all a joke, but reached into his pocket readily enough. He pulled his identity card out of a battered leather wallet. ‘I’m just on a bit of a walking holiday,’ he said, indicating the rucksack on his back. ‘My ration card’s in there if you want me to fish it out.’ He could not sound more English. He could not look more English. And yet— ‘Sir,’ I said to the officer. He came over to the window on the passenger side, and leaned in. ‘I’m sorry, miss,’ he said, shaking his head, ‘but I think you’ve—’ I said, ‘His trouser cuffs are wet. And they’re full of sand.’ No one went on the beaches anymore. No one ever. It wasn’t allowed. The officer’s smile disappeared.
Kimberly Brubaker Bradley (The War that Saved My Life (War 1))
This fucking city is full of nothing but thugs, money grubbing porn-bitches, and hustlers. I’m calling the police.” Ex fumed as he struggled to pull his cell from his pocket. If Syn weren't so damn angry it would’ve been funny as shit the way the man’s jaw dropped when God and Day both pulled their gold badges out from under their shirts. Day smiled that sinister grin and kneeled in front of them, speaking in an official tone, “911, what is your emergency?
A.E. Via
Hanna kept her words to herself because they gave her power. Inside her, they retained their purity. She scrutinized Mommy and other adults, studied them. Their words fell like dead bugs from their mouths. A rare person, like Daddy, spoke in butterflies, whispering colors that made her gasp. Inside, she was a kaleidoscope of racing, popping, bursting exclamations, full of wonder and question marks. Patterns swirled, and within every secret pocket she’d stashed a treasure, some stolen, some found.
Zoje Stage (Baby Teeth)
The Humvee came to a stop right in front of me and I tracked around to the driver’s window. Summer took up station on the passenger side, standing easy. The driver rolled his glass down. Stared out at me. “I’m looking for Major Marshall,” I said. The driver was a captain and his passenger was a captain too. They were both dressed in Nomex tank suits, with balaclavas and Kevlar helmets with built-in headphones. The passenger had sleeve pockets full of pens. He had clipboards strapped to both thighs. They were all covered with notes. Some kind of score sheets. “Marshall’s not here,” the driver said. “So where is he?” “Who’s asking?” “You can read,” I said. I was wearing last night’s BDUs. They had oak leaves on the collar and Reacher on the stencil.
Lee Child (The Enemy (Jack Reacher, #8))
The most direct path to Party was raising pigs. The company had several dozen of these and they occupied an unequaled place in the hearts of the soldiers; officers and men alike would hang around the pigsty, observing, commenting, and willing the animals to grow. If the pigs were doing well, the swine herds were the darlings of the company, and there were many contestants for this profession. Xiao-her became a full-time swineherd. It was hard, filthy work, not to mention the psychological pressure. Every night he and his colleagues took turns to get up in the small hours to give the pigs an extra feed. When a sow produced piglets they kept watch night after night in case she crushed them. Precious soybeans were carefully picked, washed, ground, strained, made into 'soybean milk," and lovingly fed to the mother to stimulate her milk. Life in the air force was very unlike what Xiao-her had imagined. Producing food took up more than a third of the entire time he was in the military. At the end of a year's arduous pig raising, Xiao-her was accepted into the Party. Like many others, he put his feet up and began to take it easy. After membership in the Party, everyone's ambition was to become an officer; whatever advantage the former brought, the latter doubled it. Getting to be an officer depended on being picked by one's superiors, so the key was never to displease them. One day Xiao-her was summoned to see one of the college's political commissars. Xiao-her was on tenterhooks, not knowing whether he was in for some unexpected good fortune or total disaster. The commissar, a plump man in his fifties with puffy eyes and a loud, commanding voice, looked exceedingly benign as he lit up a cigarette and asked Xiao-her about his family background, age, and state of health. He also asked whether he had a fiance to which Xiao-her replied that he did not. It struck Xiao-her as a good sign that the man was being so personal. The commissar went on to praise him: "You have studied Marxism-Leninism-Mao Zedong Thought conscientiously. You have worked hard. The masses have a good impression of you. Of course, you must keep on being modest; modesty makes you progress," and so on. By the time the commissar stubbed out his cigarette, Xiao-her thought his promotion was in his pocket.
Jung Chang (Wild Swans: Three Daughters of China)
I passed burnt-out stores with walls like broken teeth. ... I passed a woman with a shopping cart full of children. . . . Pockets of peace, then full-out soldiers in battle gear. ... I passed a popcorn store that was open and I stopped to buy popcorn. The popcorn smell modified the smell of spent tear gas — sour, musky chalk. ... I got stopped by a cloud when I was nearly home. It was a cloud of emotion. I came to a halt and tried to breathe my way through the mist. It was cleared by the loud curfew alert on my phone.
Louise Erdrich (The Sentence)
Any chance of a beverage?’ asked Ruby. ‘I’ll call for my house servant,’ said Clancy, picking up the phone. ‘Olive,’ he said dramatically, ‘do you want to know how it feels to have twenty cents in your pocket. . .? Very good, well, bring up two iced Coca-colas and the money will be yours.’ He replaced the receiver. ‘Nice going,’ said Ruby, nodding. Five-year-old Olive tottered into the room twenty minutes later with two less than full glasses of Coca-cola. It was clear that she had been sampling the drinks during the long journey to the third floor.
Lauren Child (Catch Your Death: An Intense Spy Thriller About an Undercover Girl Agent (Ruby Redfort Book 3))
the way I could tell today that yesterday is dead is that the little gray bird that sat in the empty tree yesterday is gone: yesterday and bird are gone: I know there's no use to look for either of them, bird running from winter, yesterday running downstream to some ocean-pocket of rest whence it may sometime come again (changed), new as tomorrow: how like a gift the memory of bird and empty tree! how precious since we may not have that configuration again: today is full of things, so many, how can they be managed, received and loved in their passing?
A.R. Ammons
Mark Twain was neither an anarchist nor a radical. By 1900, at sixty-five, he was a world-acclaimed writer of funny-serious-American-to-the-bone stories. He watched the United States and other Western countries go about the world and wrote in the New York Herald as the century began: “I bring you the stately matron named Christendom, returning bedraggled, besmirched, and dishonored from pirate raids in Kiao-Chou, Manchuria, South Africa, and the Philippines, with her soul full of meanness, her pocket full of boodle, and her mouth full of pious hypocrisies.
Howard Zinn (A People's History of the United States)
There is a glimmer of metal that wavers between his thighs. He turns to face me. The balls of his large gauge nipple rings catch my eye as they glint in the light of the room. But, it is the tintinabular rings below that cause my eyes to descend to his shining metallic beacon of love. I feel my jaw slightly drop open and a small puff of air escapes over my lips. I am wildly transfixed. What is that? What will he do with it? I nervously wonder without a solution. He moves toward me with the sound of pockets full of change, and I know my life will never be the same.
Anastasia
The prince tilts his head to study me. 'Tell me what you dream of, Jude Duarte, if that's your true name. Tell me what you want.' ... 'To resist enchantments,' I say, trying to will myself in to stillness. Trying not to fidget. I want to seem like a serious person who makes serious bargains. He regards me steadily. 'You already have True Sight, given to you as a child. Surely you understand our ways. You know the charms. Salt our food and you destroy any ensorcellment on it. Turn your stockings inside out and you will never find yourself led astray. Keep your pockets full of dried rowan berries and your mind won't be influenced.' The last few days have shown me how woefully inadequate those protections are. 'What happens when they turn out my pockets? What happens when they rip my stockings? What happens when they scatter my salt in the dirt?
Holly Black (The Cruel Prince (The Folk of the Air, #1))
We must give up many things to which we are addicted, considering them to be good. Otherwise, courage will vanish, which should continually test itself. Greatness of soul will be lost, which can’t stand out unless it disdains as petty what the mob regards as most desirable. —SENECA, MORAL LETTERS, 74.12b–13 What we consider to be harmless indulgences can easily become full-blown addictions. We start with coffee in the morning, and soon enough we can’t start the day without it. We check our email because it’s part of our job, and soon enough we feel the phantom buzz of the phone in our pocket every few seconds. Soon enough, these harmless habits are running our lives. The little compulsions and drives we have not only chip away at our freedom and sovereignty, they cloud our clarity. We think we’re in control—but are we really? As one addict put it, addiction is when we’ve “lost the freedom to abstain.” Let us reclaim that freedom. What that addiction is for you can vary: Soda? Drugs? Complaining? Gossip? The Internet? Biting your nails? But you must reclaim the ability to abstain because within it is your clarity and self-control.
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
He was full of ironical admiration of his childishness and innocence in letting a wandering and characterless and scandalous American load him up with deceptions of so transparent a character that they ought not to have deceived the housecat. On the other hand, he was remorselessly severe upon me for beguiling him, by studied and discreditable artifice, into bragging and boasting about his poor game in the presence of a professional expert disguised in lies and frauds, who could empty more balls in billiard pockets in an hour than he could empty into a basket in a day.
Mark Twain (Autobiography of Mark Twain, Volume 2: The Complete and Authoritative Edition (Autobiography of Mark Twain series) (Volume 11))
It has happened to all of us. One day, one ordinary day when we imagine we're making our routine rounds in the world with ticket stubs and tobacco shreds in our pockets, our heads full of news items, traffic noise, troublesome monologues, we suddenly realize we are already someplace else, that we are not actually where our feet have taken us. I had long slipped away, I had melted into a color paler than pale when I stood behind the windowpane made of ice. If you are to come down to earth, or any kind of reality, you must then hold a girl, that girl, hold on to her and win her love.
Orhan Pamuk (The New Life)
Language offers us a surprising, savage terrain full of pockets and peaks. Shakespeare invented words like crazy. Mark Twain wrote in dialect. Muhammad Ali rapped in rhythmic sentences. Junot Diaz mixes Spanish into his sentences like rum into fruit juice. Nicki Minaj spices her lyrics with slang.
Constance Hale (Sin and Syntax: How to Craft Wickedly Effective Prose)
I drive back into town with the two crinkly notes in my pocket and wonder if I could support a family this way, doomed to play dinner dances until I too have one foot in the grave. I shudder at the possibility, and think about poor Meg in her sickbed. What am I going to do? On the way back I pass a big roundabout at the end of the Coast Road. It is March, and the roundabout is covered in daffodils. I circle it twice, an idea forming in my head. I park in a nearby street. It is early morning and there is no one around. I check for police cars and head across the road to the roundabout. Half an hour later I let myself into Megan’s flat and slowly open her bedroom door. My arms are full of daffodils, maybe a hundred all told, their drooping yellow trumpets lighting up the entire room. Meg starts to cry, and so do I. The next morning our prayers are answered, but our relief is mixed with a subtle, unspoken regret.
Sting (Broken Music: A Memoir)
i am constantly reminded that life is full of both good and bad surprises. like finding money in your pocket you did not know was there. while simultaneously finding your car with a flat tire. i am constantly reminded that life is a balancing act. you cannot only have the good without getting some bad back.
Jennae Cecelia (healing for no one but me)
At the south-eastern corner of the physical domain, near to the Centre of the Land, is to be found a gaming hall wherein the Master Angles play at Trilliards, this being what their Awe-full game is rightly called. The intricacies of their play determine the trajectories of lives in the First Borough, such lives being subject to the four eternal forces that the Angles represent. These are Authority, Severity, Mercy and Novelty, as symbolised respectively by Castle, Death’s-head, Cross and Phallus. The Arch-Builder Gabriel governs the Castle pocket, Uriel the Death’s-head, Mikael the Cross and Raphael the Phallus.
Alan Moore (Jerusalem)
They stood in the courtyard of Swangard Palace, too cold to be comfortable despite the sun, and they looked fully on one another, knowing that they were friends, and would always be. A lot of water under this bridge too, Mark thought, with something like awe. He was growing older. Old enough to feel the current of what had been flowing under him, leading to his future. Old enough to look back over his shoulder, and see his past behind him, and grieve for what was gone, and honour its memory. He felt, suddenly, how much it would hurt him if Val died; felt an echo of that pain, knowing that the Valerian he had known, fluffy and peering and hapless and altogether wonderful: this Valerian was already dying. Not physically, of course, but the man he remembered from that first night in Swangard Palace would be gone the next time they met, though his ghost would linger on in Val forever, and in their memories. Three cheers for ghosts, Mark thought. Three cheers for the dead. Of course Val would be much the same: better, even. As full of wonder and delight, with big pockets full of puzzles and fascinating stories about the lives of ants and ingenious designs for windmills that would do your washing. And they would still be friends, excellent friends. It could even be better next time. But it would never be the same.
Sean Stewart (Nobody's Son)
I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark. First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched. Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good. Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste. I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!” I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.
Cicely Tyson (Just as I Am)
My sisters don’t be afraid of the words “old maid,” for it is in your power to make this a term of honor, not reproach. It is not necessary to be a sour, spiteful spinster, with nothing to do but brew tear, talk scandal and tend a pocket handkerchief. No, the world is full of work, needing all the heads, hearts, and hands we can bring to do it. Never was there so splendid an opportunity for women to enjoy their liberty and prove that they deserve it by using it wisely. If love comes as it should come, accept it in God’s name and be worthy of His best blessing. If it never comes, then in God’s name, reject the shadow of it, for that can never satisfy a hungry heart. Do not be ashamed to own the truth—do not be daunted by the fear of ridicule and loneliness, nor saddened by the loss of a woman’s tenderest ties. Be true to yourself; cherish whatever talent you possess, and in using it faithfully for the good of others, you will most assuredly find happiness for yourself, and make of life no failure, but a beautiful success.
Louisa May Alcott
Max rocked back on his heels, shoving his hands into his pockets, and said, 'So. Juliet Cavanaugh. I assume my parents have been talking your ear off for the last however many months, telling you how awesome I am, and filling your head full of stories of my impressive talents in the kitchen.' 'Um. Not so much,' Jules said, shooting a glance at Danny, who shook his head and went back to his prep work. 'No? I should take this opportunity to set the record straight, then.' Max heaved a deep sigh. 'It's all true.' 'What?' 'Everything they should've told you about me,' Max explained. 'And I don't know why they didn't, because it's all true. No exaggeration or family bias plays into it at all--I am the best chef in the entire world.
Louisa Edwards (Too Hot To Touch (Rising Star Chef, #1; Recipe for Love, #4))
Salt reached into his pocket and took out his matte black gun, pointing it directly at Charlie. “You have made a very bad mistake crossing me, Charlatan—” Charlie froze. Vicereine’s shadow cat roared as three shadows spread from Malik, their mouths full of teeth. Bellamy drew a sword of shadow. “Lionel,” Malik said. “There’s no need for this.” Behind Salt, Vince lifted his wrists and the cuffs came away, falling to the ground. He stepped forward with inhuman swiftness, pressing the point of a letter opener to Salt’s throat. Adeline made a sharp sound that was almost a scream. The sounds of the party seemed very far away. “You said I was a creature of hate.” Vince spoke into Salt’s ear. “And I do hate you. For Remy, whose blood is my blood, whose flesh is my flesh, and whose hate is my hate. For Char, who will survive tonight. Aim that gun somewhere else, or I will hurt you and go on hurting you until there is nothing but pain.” “You can’t—” Salt began, voice trembling. “I’m sorry, Char.” Vince wore a small, sad smile. “It was always going to happen like this. I knew he’d let me get close to him, and it’d give me a chance.
Holly Black (Book of Night (Book of Night, #1))
Marissa Theodora took out her journal, put it on her lap so Mr. Alva would not see. She penciled thoughts as they came. ‘Picture the classroom plunged into dark,’ she wrote. A touchable darkness, like the fur of a black cat. A thick fog of ink. You can move through it; just not quickly. Can’t shout through it; only talk in low soft tones.’ She frowned. Why ‘plunged into dark’? Why not ‘opened’? Darkness was already everywhere. Under the floor, between the walls. Up in space and below the earth. Everyone’s pockets were full of Dark. Our heads? Stuffed with the stuff. Close your eyelids and roll your eyes inward, and gaze into the cavern of your skull. Behold: your secret vault of Dark. Marissa considered writing that. Decided not. It sounded gloomy, even creepy.
Raymond St. Elmo (In Theory, it Works (Texas Pentagraph #5))
The evangelist was preaching "sin and redemption," the infinite grace of God and His pardon for human frailty. He was very much in earnest, and he meant well, but Jurgis, as he listened, found his soul filled with hatred. What did he know about sin and suffering—with his smooth, black coat and his neatly starched collar, his body warm, and his belly full, and money in his pocket—and lecturing men who were struggling for their lives, men at the death grapple with the demon powers of hunger and cold!—This, of course, was unfair; but Jurgis felt that these men were out of touch with the life they discussed, that they were unfitted to solve its problems; nay, they themselves were part of the problem—they were part of the order established that was crushing men down and beating them! They were of the triumphant and insolent possessors; they had a hall, and a fire, and food and clothing and money, and so they might preach to hungry men, and the hungry men must be humble and listen! They were trying to save their souls—and who but a fool could fail to see that all that was the matter with their souls was that they had not been able to get a decent existence for their bodies? At
Upton Sinclair (The Jungle)
Near Taksim he suddenly found himself inside a crowd of people leaving a movie theater. They were staring straight ahead, as if in a trance, walking down the stairs arm in arm or with their hands plunged in their pockets, and Galip was so overwhelmed by what he read in their faces and that his own nightmare faded into the background. What he read in their faces was peace: these people had been able to forget their own sadness by immersing themselves in a story. They were here, on this wretched street, but at the same time they were there, inside the story to which they'd so eagerly given themselves over. They had gone into theater with minds sucked dry by pain and defeat,but now their minds were full again with rich story that gave meaning to their memories and their melancholy. They can believe they're someone else! thought Galip longingly. For a moment he was tempted to go in to watch the film they'd just seen,to lose himself in the same story and become someone else. As they wandered down the street, stopping now and again to gaze into boring shop windows, Galip watched the return to the dull and dreary world they knew so well. They don't make much effort! Thought Galip.
Orhan Pamuk (The Black Book)
When Toad found himself immured in a dank and noisome dungeon, and knew that all the grim darkness of a medieval fortress lay between him and the outer world of sunshine and well-metalled high roads where he had lately been so happy, disporting himself as if he had bought up every road in England, he flung himself at full length on the floor, and shed bitter tears, and abandoned himself to dark despair. 'This is the end of everything' (he said), 'at least it is the end of the career of Toad, which is the same thing; the popular and handsome Toad, the rich and hospitable Toad, the Toad so free and careless and debonair! How can I hope to be ever set at large again' (he said), 'who have been imprisoned so justly for stealing so handsome a motor-car in such an audacious manner, and for such lurid and imaginative cheek, bestowed upon such a number of fat, red-faced policemen!' (Here his sobs choked him.) 'Stupid animal that I was' (he said), 'now I must languish in this dungeon, till people who were proud to say they knew me, have forgotten the very name of Toad! O wise old Badger!' (he said), 'O clever, intelligent Rat and sensible Mole! What sound judgments, what a knowledge of men and matters you possess! O unhappy and forsaken Toad!' With lamentations such as these he passed his days and nights for several weeks, refusing his meals or intermediate light refreshments, though the grim and ancient gaoler, knowing that Toad's pockets were well lined, frequently pointed out that many comforts, and indeed luxuries, could by arrangement be sent in—at a price—from outside.
Kenneth Grahame (The Wind in the Willows)
Sittin’ in a café in dark glasses sippin’ coffee dunkin’ doughnuts while it’s sunny thinking guns guns guns and I’ve got pockets full of bullets and a suitcase full of money and a fuckin’ awful headache and a police rifle that fires dummies and I’m listening to Barney because she really wants to tell me all the fifty million reasons why she’s feelin’ fuckin’ funny and she wants to kill her mummy and she wants me to kill her daddy but there really is no logic to the way we’re spending Sunday because we don’t know where we’re going and we’ve been drinking since last Monday and Booga’s sharpening sticks and he’s looking like a monkey and I’m waiting for my tank and I know it will look chumly because Dobson is my man and he’s part of my fuckin’ family and when I see him next I’m gonna buy him half a shandy.
Alan C. Martin (Tank Girl Armadillo!: A Novel)
I was just curious.” She shoved her hands into her pockets and gave Noah what she hoped was a sweet smile. “Just tell me what he did and I’ll leave. Are you going to fire him? Can I watch?” “Fine.” Rory didn’t look happy, that was odd enough. He looked angry at her, and he was never angry with her. And his smile. It was tight. All teeth. When had he turned into a full-grown man on her? He wasn’t a kid brother any longer. “He was staring at your ass! Now you deal with it.” He turned and slammed out of the office, leaving her to stare at him in shock before she turned to meet Noah’s amused gaze. “He was lying to me,” she said. He grinned. Noah was absolutely entranced. Once again, he had to ask, though, what had happened to the Sabella he had known six years before. The one who never chipped a nail, and would have never, under any circumstances, butted into a male/male confrontation. “You have a fine ass,” he stated, and knew she wasn’t buying it. Her eyes narrowed. “And you’re not going to tell me what he was chewing your ass over?” Noah had to chuckle. “It was more in the way of a warning.” He was treading a fine line. Nathan wasn’t as dead as Noah might wish; he still had habits that had once been ingrained. One of those habits? Twirling that damned wrench as he tried to figure out a particular problem beneath the hood of a vehicle. She sniffed at his response. “Piss him off too far and I’ll convince him to finally fire you.” He had to grin at that one as he sauntered to the door. Before passing her, he stopped, lowered his head, and whispered, “And I caught you looking at my ass too. Maybe I should tell Rory on you.
Lora Leigh (Wild Card (Elite Ops, #1))
It’s been published elsewhere, and I am not ashamed to say it: I came to the United States illegally. I now have my residence card, have paid a large fine for crossing illegally, and am applying for full citizenship status. There’s no country I’d rather live in than the United States. I truly believe it is the greatest country in the world. I feel blessed to be living and raising my kids here. However, for the poor and working class of Mexico, there is no other way to come to America except illegally. It’s impossible. The Mexican government is about who you know and how much money you have. You have to pay enormous amounts to officials in order to get a legal visa. My family had no way to get their hands on that kind of money. So, with just one hundred dollars in my pocket, I set out for Tijuana to figure out how to get across the border.
Cesar Millan (Cesar's Way: The Natural, Everyday Guide to Understanding and Correcting Common Dog Problems)
In the Man Mall there’s a shop that sells fireworks, another that sells guns, a liquor store, a tattoo parlor, and an adult-toy shop with a peep show in the back. With forty dollars in your pocket, you can hit the Man Mall on a Friday night, get shitfaced, get blown by a stripper, get her name tattooed on your arm, celebrate by launching a bottle rocket over the interstate, and pick up a .38 so you’ll have an easy way to kill yourself in the morning.
Joe Hill (Full Throttle)
For a moment I felt a vicious hatred for him and his quiet ways, his mundane stroll through the summer, his ordinariness, the banality of everything he had become. He should have been a hero or a seer. He should have told me some incredible story that I could carry with me forever. After all, he had been the one who had run along the beach parallel to a porpoise, who filled his pockets full of pebbles, who could lift the stray orange cat in his fingers.
Colum McCann (Fishing the Sloe-Black River)
St. Clair tucks the tips of his fingers into his pockets and kicks the cobblestones with the toe of his boots. "Well?" he finally asks. "Thank you." I'm stunned. "It was really sweet of you to bring me here." "Ah,well." He straightens up and shrugs-that full-bodied French shrug he does so well-and reassumes his usual, assured state of being. "Have to start somewhere. Now make a wish." "Huh?" I have such a way with words. I should write epic poetry or jingles for cat food commercials. He smiles. "Place your feet on the star, and make a wish." "Oh.Okay,sure." I slide my feet together so I'm standing in the center. "I wish-" "Don't say it aloud!" St. Clair rushes forward, as if to stop my words with his body,and my stomach flips violently. "Don't you know anything about making wishes? You only get a limited number in life. Falling stars, eyelashes,dandelions-" "Birthday candles." He ignores the dig. "Exactly. So you ought to take advantage of them when they arise,and superstition says if you make a wish on that star, it'll come true." He pauses before continuing. "Which is better than the other one I've heard." "That I'll die a painful death of poisoning, shooting,beating, and drowning?" "Hypothermia,not drowning." St. Clair laughs. He has a wonderful, boyish laugh. "But no. I've heard anyone who stands here is destined to return to Paris someday. And as I understand it,one year for you is one year to many. Am I right?" I close my eyes. Mom and Seany appear before me. Bridge.Toph.I nod. "All right,then.So keep your eyes closed.And make a wish." I take a deep breath. The cool dampness of the nearby trees fills my lungs. What do I want? It's a difficult quesiton. I want to go home,but I have to admit I've enjoyed tonight. And what if this is the only time in my entire life I visit Paris? I know I just told St. Clair that I don't want to be here, but there's a part of me-a teeny, tiny part-that's curious. If my father called tomorrow and ordered me home,I might be disappointed. I still haven't seen the Mona Lisa. Been to the top of the Eiffel Tower.Walked beneath the Arc de Triomphe. So what else do I want? I want to feel Toph's lips again.I want him to wait.But there's another part of me,a part I really,really hate,that knows even if we do make it,I'd still move away for college next year.So I'd see him this Christmas and next summer,and then...would that be it? And then there's the other thing. The thing I'm trying to ignore. The thing I shouldn't want,the thing I can't have. And he's standing in front of me right now. So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have? Screw it.Let the fates decide. I wish for the thing that is best for me. How's that for a generalization? I open my eyes,and the wind is blowing harder. St. Clair pushes a strand of hair from his eyes. "Must have been a good one," he says.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.' Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.
Jeanine Cummins (American Dirt)
It strikes Werner just then as wondrously futile to build splendid buildings, to make music, to sing songs, to print huge books full of colorful birds in the face of the seismic, engulfing indifference of the world—what pretensions humans have! Why bother to make music when the silence and wind are so much larger? Why light lamps when the darkness will inevitably snuff them? When Russian prisoners are chained by threes and fours to fences while German privates tuck live grenades in their pockets and run?
Anthony Doerr (All the Light We Cannot See)
in Howard was in one of those moods during which crazy ideas sound perfectly sensible. A bullish, handsome man with decisive eyebrows and more hair than he could find use for, Lin had a great deal of money and a habit of having things go his way. So many things in his life had gone his way that it no longer occurred to him not to be in a festive mood, and he spent much of his time celebrating the general goodness of things and sitting with old friends telling fat happy lies. But things had not gone Lin’s way lately, and he was not accustomed to the feeling. Lin wanted in the worst way to whip his father at racing, to knock his Seabiscuit down a peg or two, and he believed he had the horse to do it in Ligaroti.1 He was sure enough about it to have made some account-closing bets on the horse, at least one as a side wager with his father, and he was a great deal poorer for it. The last race really ate at him. Ligaroti had been at Seabiscuit’s throat in the Hollywood Gold Cup when another horse had bumped him right out of his game. He had streaked down the stretch to finish fourth and had come back a week later to score a smashing victory over Whichcee in a Hollywood stakes race, firmly establishing himself as the second-best horse in the West. Bing Crosby and Lin were certain that with a weight break and a clean trip, Ligaroti had Seabiscuit’s measure. Charles Howard didn’t see it that way. Since the race, he had been going around with pockets full of clippings about Seabiscuit. Anytime anyone came near him, he would wave the articles around and start gushing, like a new father. The senior Howard probably didn’t hold back when Lin was around. He was immensely proud of Lin’s success with Ligaroti, but he enjoyed tweaking his son, and he was good at it. He had once given Lin a book for Christmas entitled What You Know About Horses. The pages were blank. One night shortly after the Hollywood Gold Cup, Lin was sitting at a restaurant table across from his father and Bing Crosby. They were apparently talking about the Gold Cup, and Lin was sitting there looking at his father and doing a slow burn.
Laura Hillenbrand (Seabiscuit: An American Legend)
It matters whether the government blows tens of billions of dollars on tax loopholes for billionaires or whether that same money is used to lower costs for students who have to borrow money to go to college. It matters whether Wall Street can pocket billions of dollars by cheating people on mortgages and tricking them on credit cards or if there’s a cop on the beat to keep them honest. It matters whether the minimum wage is set so low that a full-time worker still lives in poverty or if minimum wage also means a livable wage. When
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
The breath had become as much a trick as breathing. Things were not dual merely, but multiple. I had become a cage of mirrors reflecting vacuity. But vacuity once stoutly posited I was at home and what is called creation was merely a job of filling up holes. The trolley conveniently carried me about from place to place and in each little side pocket of the great vacuum I dropped a ton of poems to wipe out the idea of annihilation. I had ever before me boundless vistas. I began to live in the vista, like a microscopic speck on the lens of a giant telescope. There was no night in which to rest. It was perpetual starlight on the arid surface of dead planets. Now and then a lake black as marble in which I saw myself walking amidst brilliant orbs of lights. So low hung the stars and so dazzling was the light they shed, that it seemed as if the universe were only about to be born. What rendered the impression stronger was that I was alone; not only were there no animals, no trees, no other beings, but there was not even a blade of grass, not even a dead root. In that violet incandescent light witihout even the suggestion of a shadow motion itself seemed to be absent. It was like a blaze of pure consciousness, thought become God. And God, for the first time in my knowledge, was dean-shaven. I was also clean-shaven, flawless, deadly accurate. I saw my image in the marble black lakes and it was diapered with stars. Stars, stars... like a clout between the eyes and all remembrance fast run out. I was Samson and I was Lackawanna and I was dying as one being in the ecstasy of full consciousness.
Henry Miller (Tropic of Capricorn (Tropic, #2))
The street that ran down from the poorhouse into the metropolis was chock-full of destinies. In that street there were many thousands of heads, which appeared in the window frames every morning, young heads and old ones, blond ones and brunette ones; and in each of these heads something was happening... and so nobody was very much surprised when every now and then one of these people went and emptied his bucket of water on to the head of one of the others, threw down his pickaxe, pocketed his pay packet and vanished; when one fine day he resurfaced with his body sun-brazened and battered beyond belief, with wildly unkempt hair and a mind sorely unhinged by the world, and with thousands and thousands of worthy thoughts that he could never give vent to, because he was despised—and he walked, onwards and onwards—and finally jumped into some sewer somewhere amid the gray rows of houses, so that nobody could ever discover a trace of him again, apart perhaps from a waterlogged shoe, a shirt, some paper on which he had written what he was called, what was depressing him, and what, in his heart of hearts, he actually was…
Thomas Bernhard
Nevertheless, scholars keep obsessing about selfish motives, simply because both economics and behaviorism have indoctrinated them that incentives drive everything that animals or humans do. I don’t believe a word of it, though, and a recent ingenious experiment on children drives home why. The German psychologist Felix Warneken investigated how young chimpanzees and children assist human adults. The experimenter was using a tool but dropped it in midjob: would they pick it up? The experimenter’s hands were full: would they open a cupboard for him? Both species did so voluntarily and eagerly, showing that they understood the experimenter’s problem. Once Warneken started to reward the children for their assistance, however, they became less helpful. The rewards, it seems, distracted them from sympathizing with the clumsy experimenter.50 I am trying to figure how this would work in real life. Imagine that every time I offered a helping hand to a colleague or neighbor—keeping a door open or picking up their mail—they stuffed a few dollars in my shirt pocket. I’d be deeply offended, as if all I cared about was money! And it would surely not encourage me to do more for them. I might even start avoiding them as being too manipulative. It is curious to think that human behavior is entirely driven by tangible rewards, given that most of the time rewards are nowhere in sight. What are the rewards for someone who takes care of a spouse with Alzheimer’s? What payoffs does someone derive from sending money to a good cause? Internal rewards (feeling good) may very well come into play, but they work only via the amelioration of the other’s situation. They are nature’s way of making sure that we are other-oriented rather than self-oriented.
Frans de Waal (Mama's Last Hug: Animal Emotions and What They Tell Us about Ourselves)
Exactly, Hastings. And that is where the gambler (and the murderer, who is, after all, only a supreme kind of gambler since what he risks is not his money but his life) often lacks intelligent anticipation. Because he has won he thinks he will continue to win! He does not leave the tables in good time with his pockets full. So in crime the murderer who is successful cannot conceive the possibility of not being successful! He takes to himself all the credit for a successful performance--but I tell you, my friends, however carefully planned no crime can be successful without luck!
Agatha Christie (The A.B.C. Murders (Hercule Poirot, #13))
If any of them give you trouble,” Ethan said to West as the three of them walked out to the front drive where the family carriage awaited, “use this.” He handed him the Bull Dog pocket revolver. “It’s a double-action model. You only need to cock the hammer once, and it will fire a round with every pull of the trigger.” West regarded the gun dubiously. “If any of those louts give me trouble, I have a shed full of farming implements to use on them. You’ll need this if you’re planning to confront Jenkyn.” “We’ll be armed with something far more powerful than bullets,” Garrett told him. West looked at Ethan with mock alarm. “You’re taking the spoon?” Reluctant amusement tugged at the corner of Ethan’s lips. “No. Dr. Gibson means we’ll be armed with words.” “Words,” West repeated doubtfully, pocketing the revolver. “I’ve always been skeptical when people say ‘The pen is mightier than the sword.’ It’s only true if the pen is glued to the handle of a German steel cutlass.” “The words will be printed in a newspaper,” Garrett said. “We’re going to the Times office.” “Oh. That’s fine, then. The Times is mightier than the pen, the sword, and Her Majesty’s entire Royal Army.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
But the truth about quarantines was that you could never catch everyone in your net, not even if you tagged and tracked every person who’d come in contact with the Typhoid Mary. And in this case, there didn’t seem to be a Typhoid Mary. Instead, pockets of sickness had just bloomed up like hideous flowers in several places at once, and then spread so fast that tracing the vectors was something like impossible. And “the government”—well, Red had zero confidence that the government would be able to do anything. Not because it was full of bad people or there was a giant conspiracy or anything like that.
Christina Henry (The Girl in Red)
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved)
[...] The moon passes into clouds so hurt by the streetlights of your glance oh my heart The act of love is also passing like a subway bison through the paper-littered arches of the express tracks the sailor sobers he feeds pennies to the peanut machines Though others are in the night far away lips upon a dusty armpit the nostrils are full of tears High fidelity reposed in a box a hand on the windowpane the sweet calm the violin strings tie a young man's hair the bright black eyes pin far away their smudged curiosity Yes you are foolish smoking the bars are for rabbits who wish to outlive the men
Frank O'Hara (Lunch Poems (City Lights Pocket Poets Series))
Please,' she says, her head bent. 'Please. You must try to break the curse. I know that you are the queen by right and that you may not want him back, but-' If anything could have increased my astonishment, it was that. 'You think that I'd-' 'I didn't know you, before,' she says, the anguish clear in her voice. There is a hitch in her breath that comes with weeping. 'I thought you were just some mortal.' I have to bite my tongue at that, but I don't interrupt her. 'When you became his seneschal, I told myself that he wanted you for your lying tongue. Or because you'd become biddable, although you never were before. I should have believed you when you told him he didn't know the least of what you could do. 'While you were in exile, I got more of the story out of him. I know you don't believe this, but Cardan and I were friends before we were lovers, before Locke. He was my first friend when I came here from the Undersea. And we were friends, even after everything. I hate that he loves you.' 'He hated it, too,' I say with a laugh that sounds more brittle than I'd like. Nicasia fixes me with a long look. 'No, he didn't.' To that, I can only be silent. 'He frightens the Folk, but he's not what you think he is,' Nicasia says. 'Do you remember the servants that Balekin had? The human servants?' I nod mutely. Of course I remember. I will never forget Sophie and her pockets full of stones. 'They'd go missing sometimes, and there were rumours that Cardan hurt them, but it wasn't true. He'd return them to the mortal world.' I admit, I'm surprised. 'Why?' She throws up a hand. 'I don't know! Perhaps to annoy his brother. But you're human, so I thought you'd like that he did it. And he sent you a gown. For the coronation.' I remember it- the ball gown in the colours of the night, with the stark outlines of trees stitched on it and the crystals for stars. A thousand times more beautiful than the dress I commissioned. I had thought perhaps it came from Prince Dain, since it was his coronation and I'd sworn to be his creature when I'd joined the Court of Shadows. 'He never told you, did he?' Nicasia says. 'So see? Those are two nice things about him you didn't know. And I saw the way you used to look at him when you didn't think anyone was watching you.' I bite the inside of my cheek, embarrassed despite the fact that we were lovers, and wed, and it should hardly be a secret that we like each other. 'So promise me,' she says. 'Promise me you'll help him.' I think of the golden bridle, about the future the stars predicted. 'I don't know how to break the curse,' I say, all the tears I haven't shed welling up in my eyes. 'If I could, do you think i would be at this stupid banquet? Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.' My voice breaks. She gives me a steady look. Whatever else I might think of her, she really does care for Cardan. And as tears roll down my cheeks, to her astonishment, I think she realises I do, too. Much good it does him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
That’s where she saw Matt. It couldn’t be him, she reasoned. He was in New York. Yet, it was him, she was sure. Same height, same broad shoulders, same mid-length, dark blonde hair. He dug an item out of his jean’s pocket, crouched and looked around furtively. That’s when he saw her. Putting the item back into his pocket, he rose, and walked to her slowly. “Am I dreaming?” she asked, barely breathing. He stopped inches from her. “We must be sharing the same dream.” He bent and kissed her. It was a kiss full of longing after a difficult absence, full of love, warmth, and delicacy. She let him go and rested her head against his chest. “I
Anna Adams (A French Voice in New York (The French Girl #5))
and we ran down the street, laughing in the dark, out of breath when we finally reached his car. He hadn’t been lying about it. It was a Honda Civic, although it was a newer model, so that counted for something. He pushed me against the passenger door, dropped my shoes on the concrete, and then swept a hand into my hair. I looked over my shoulder at the car we were leaning against. “Is this really your car?” He smiled as he reached into his suit pocket and pulled out his key fob. He unlocked the doors to prove it was his, which made me laugh. He stared down at me, our mouths thisclose, and I could swear he was already imagining what life with me would be like. You can’t look at someone the way he looked at me—with the entirety of his past—without also imagining the future. He closed his eyes and kissed me. The kiss was full of both desire and respect—two things a lot of men didn’t seem to know could go hand in hand. His fingers felt good in my hair, and his tongue felt good in my mouth. I felt good to him, too. I could feel how good I felt to him in the way he kissed me. We knew very little about each other in that moment, but it was almost better that way. Sharing a kiss that intimate with a stranger was like saying, “I don’t know you, but I believe I would like you if I did.
Colleen Hoover (Verity)
One of single moms’ biggest challenges is finding time to do it all. If you have a co-parent, it can be tempting to use those hours and days your kids are with their dad to catch up on housework or professional work. Don’t go down that rabbit hole. Use this time to prioritize self-care. Later, you will read from several women who so appreciate the time afforded by co-parenting to exercise, build businesses, catch up on TV and movies, nurture their social and dating lives, or just read a book. Do not squander those hours by doing laundry! Despite how full (and crazy) your days can be, there are always pockets of time you can dedicate to self-care.
Emma Johnson (The Kickass Single Mom)
operations, trying to get things straight. He now had so much metal in his pelvis that he carried a TSA Notification Card just to get on an airplane. Despite the lingering disability, he’d gone back to full-time in April. He sat back down again. “I found Brett Givens working as a sign man for a real estate dealership over in Edina,” he said. “He drives a pickup, goes around putting up signs, or taking them down.” Lucas knew Givens: “Better than working at the chop shop.” “Yeah. Anyway, he says Cory is definitely back, because he saw him up in Cambridge last week, at Kenyon’s. He said Cory didn’t see him, because he ducked out—I think he was afraid that Cory might try to talk him into something. He likes the sign job.” “Givens didn’t know where Cory’s living?” “No. But he said there were random people in the bar who seemed to know Cory, like he might be a regular. He said Cory doesn’t look especially prosperous, so he might still have the safe. I thought I’d go up this afternoon, have a few beers.” “All right. Take care. Jenkins and Shrake are out of pocket. If you need backup, call me, and I’ll either come up or get Jon to send somebody.” Dale Cory was believed to be in possession of a safe that contained two million dollars in diamond jewelry, at wholesale prices, taken from a jewelry store in St. Paul
John Sandford (Gathering Prey (Lucas Davenport, #25))
When we have to pay a lot for something nice, we appreciate it to the full. Yet as its price in the market falls, passion has a habit of fading away. Why, then, do we associate a cheap price with lack of value? Our response is a hangover from our long preindustrial past. For most of human history, there truly was a strong correlation between cost and value: The higher the price, the better things tended to be, because there was simply no way both for prices to be low and for quality to be high. It is not that we refuse to buy inexpensive or cheap things. It's just that getting excited over cheap things has come to seem a little bizarre. How do we reverse this? The answer lies in a slightly unexpected area: the mind of a four-year-old. Children have two advantages: They don't know what they're supposed to like and they don't understand money, so price is never a guide to value for them. We buy them a costly wooden toy made by Swedish artisans who hope to teach lessons in symmetry and find that they prefer the cardboard box that it came in. If asked to put a price on things, children tend to answer by the utility and charm of an object, not its manufacturing costs. We have been looking at prices the wrong way. We have fetishised them as tokens of intrinsic value; we have allowed them to set how much excitement we are allowed to have in given areas, how much joy is to be mined in particular places. But prices were never meant to be like this: We are breathing too much life into them and thereby dulling too many of our responses to the inexpensive world. At a certain age, something very debilitating happens to children. They start to learn about "expensive" and "cheap" and absorb the view that the more expensive something is, the better it may be. They are encouraged to think well of saving up pocket money and to see the "big" toy they are given as much better than the "cheaper" one. We can't directly go backwards; we can't forget what we know of prices. However, we can pay less attention to what things cost and more to our own responses. We need to rethink our relationship to prices. The price of something is principally determined by what it cost to make, not how much human value is potentially to be derived from it.
Alain de Botton (The School of Life: An Emotional Education)
A perfect birthday poem called ‘When You Are Old.’” Everyone chortled, and Eoin looked confused. “Are you old, Mother?” he asked. “No, darling boy. I’m ageless,” I answered. Everyone laughed again, but the O’Toole sisters urged Thomas on, pleading for the poem. Thomas stood, and with his hands in his pockets and his shoulders slightly hunched, he began. “When you are old and grey and full of sleep . . .” Thomas enunciated “old and grey,” and everyone tittered again, but I knew the poem well, knew every word, and my heart had turned to liquid in my chest. “When you are old and grey and full of sleep,” he repeated over the chuckling, “and nodding by the fire, take down this book, and slowly read, and dream of the soft look your eyes had once, and of their shadows deep; how many loved your moments of glad grace, and loved your beauty with love false or true, but one man loved the pilgrim soul in you, and loved the sorrows of your changing face.” The room had grown quiet, and Maggie’s lips trembled, the soft sweetness of memory gleaming in her eyes. It was the kind of poem that made old women remember how it felt to be young. As he spoke, Thomas looked at everyone in turn, but the poem was for me; I was the pilgrim soul with a changing face. He finished, reflecting on how love fled and “paced upon the mountains overhead and hid his face amid a crowd of stars.” Everyone clapped and stamped their feet, and Thomas bowed jauntily, accepting the praise. But he met my gaze before taking his seat. When I dragged my eyes away, I found Brigid
Amy Harmon (What the Wind Knows)
RULES TO TEACH YOUR SON 1. Never shake a man’s hand sitting down. 2. Don’t enter a pool by the stairs. 3. The man at the BBQ Grill is the closest thing to a king. 4. In a negotiation, never make the first offer. 5. Request the late check-out. 6. When entrusted with a secret, keep it. 7. Hold your heroes to a higher standard. 8. Return a borrowed car with a full tank of gas. 9. Play with passion or don’t play at all… 10. When shaking hands, grip firmly and look them in the eye. 11. Don’t let a wishbone grow where a backbone should be. 12. If you need music on the beach, you’re missing the point. 13. Carry two handkerchiefs. The one in your back pocket is for you. The one in your breast pocket is for her. 14. You marry the girl, you marry her family. 15. Be like a duck. Remain calm on the surface and paddle like crazy underneath. 16. Experience the serenity of traveling alone. 17. Never be afraid to ask out the best looking girl in the room. 18. Never turn down a breath mint. 19. A sport coat is worth 1000 words. 20. Try writing your own eulogy. Never stop revising. 21. Thank a veteran. Then make it up to him. 22. Eat lunch with the new kid. 23. After writing an angry email, read it carefully. Then delete it. 24. Ask your mom to play. She won’t let you win. 25. Manners maketh the man. 26. Give credit. Take the blame. 27. Stand up to Bullies. Protect those bullied. 28. Write down your dreams. 29. Take time to snuggle your pets, they love you so much and are always happy to see you. 30. Be confident and humble at the same time. 31. If ever in doubt, remember whose son you are and REFUSE to just be ordinary! 32. In all things, give glory to God.
Bryan Migot
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Ricky Marigold was his name up at the commune. He was seventeen, had run away from home in Pacoima and was a righteous grasshead. He wasn't a bad kid, just fucked up. He was for: love, truth, gentleness, getting high, staying high, good sounds, pleasant weather, funky clothes and rapping with his friends. He was against: Viet Nam, the Laws with their riot sticks, violence, bigotry, random hatred, nine-to-five jobs, squares who tried to get you to conform, grass full of seeds and stems, and bringdowns in general. He met Jack Gardiner on the corner of Laurel Canyon and Sunset, across from Schwab's where the starlets went to show off their asses. He saw Jack Gardiner as a little too old to be making the scene, but the guy looked flaky enough: lumberjack shirt, good beard, bright eyes; and he seemed to be friendly enough. So Ricky invited him to come along. They walked up Laurel Canyon, hunching along next to the curb on the sidewalkless street. "Gonna be a quiet scene," Ricky said. "Just a buncha beautiful people groovin' on themselves, maybe turning on, you know." The older man nodded; his hands were deep in his pants pockets. They walked quite a while, finally turning up Stone Canyon Road. A mile up the twisting road. Jack Gardiner slipped a step behind Ricky Marigold and pulled out the blade. Ricky had started to turn, just as Connie's father drove the shaft into Ricky's back, near the base of the spine. Ricky was instantly paralyzed, though not dead. He slipped to the street, and Jack Gardiner dragged him into the high weeds and junk of an empty lot. He left him there to die. Unable to speak, unable to move, Ricky Marigold found all the love draining out of him. Slowly, for six hours, through the small of his back.
Harlan Ellison (The Deadly Streets)
I am an urchin, standing in the cold, elbowed aside by the glossy rich visitors in their fur coats and ostentatious jewellery, being fussed into the hotel by pompous-looking doormen. 'No problem. I'd better get home, actually Mr – Gustav. A drink is very tempting, but maybe not such a good idea after all.' I pat my pockets. 'And I'm skint.' 'Pavements not paved with gold yet, eh?' He moves on along the facade of the grand hotel to the corner, and waits. He's staring not back at me but down St James Street. I wage a little war with myself. He's a stranger, remember. The newspaper headlines, exaggerated by the time they reach the office of Jake's local rag: Country girl from the sticks raped and murdered in London by suave conman. Even Poppy would be wagging her metaphorical finger at me by now. Blaming herself for not being there, looking out for me. But we're out in public here. Lots of people around us. He's charming. He's incredibly attractive. He's got a lovely deep, well spoken voice. And he's an entrepreneur who must be bloody rich if he owns more than one house. What the hell else am I going to do with myself when everyone else is out having fun? One thing I won't tell him is that my pockets might be empty, but my bank account is full. 'One drink. Then I must get back.' He doesn't answer or protest, but with a courtly bow he crooks his elbow and escorts me down St James. We turn right and into the far more subtle splendour of Dukes Hotel. 'Dress code?' I ask nervously, wiping my feet obediently on the huge but welcoming doormat and drifting ahead of him into the smart interior where domed and glassed corridors lead here and there. The foyer smells of mulled wine and candles and entices you to succumb to its perfumed embrace.
Primula Bond
I wish the Macready would hurry up and take all these people away,” said Susan presently. “I’m getting horribly cramped.” “And what a filthy smell of camphor!” said Edmund. “I expect the pockets of these coats are full of it,” said Susan, “to keep away moths.” “There’s something sticking into my back,” said Peter. “And isn’t it cold?” said Susan. “Now that you mention it, it is cold,” said Peter, “and hang it all, it’s wet too. What’s the matter with this place? I’m sitting on something wet. It’s getting wetter every minute.” He struggled to his feet. “Let’s get out,” said Edmund. “They’ve gone.” “O-o-oh!” said Susan suddenly. And everyone asked her what was the matter. “I’m sitting against a tree,” said Susan, “and look! It’s getting lighter--over there.” “By Jove, you’re right,” said Peter, “and look there--and there. It’s trees all round. And this wet stuff is snow. Why, I do believe we’ve got into Lucy’s wood after all.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
I’d go with him. We’d be old enough. We’d make a whole new life together, a normal one. Ever since that bus ride, I’d been carrying my love for him around in my pocket. I should have handed it to him then and there in exchange for the gloves, but the briars and brickles of shame had been too sharp. By the time they receded, it felt stupid to bring it up. Then that faded, and all I could do was wait for an opening, some situation where he and I were hanging out and shooting love darts at each other. When it arrived, I’d say, all joshing, Hey, you remember when you thought I needed gloves? Yeah, he’d laugh. I’ve wanted to give you my paper airplane necklace ever since. And our relationship would bloom from there. Every day, I looked for this opening. It could be tomorrow. “Time to go,” Dad said, finally. His face was glistening. Me and Sephie’s pops and quarters were long gone and our stomachs were growling. We’d been sitting near the door, wishing Dad would take the hint and leave, but he’d kept up at that hot conversation with Bauer. We followed him outside. “Keep your friends close and your enemies closer,” Dad said when we finally slid inside the van, his voice full of bravado. Except I could tell he was scared. Mom wasn’t going to be happy that we were out so late on a school night and that Dad was driving drunk, but that wasn’t it. No, he looked jumping-ghost scared, and that made me uneasy. It did even worse to Sephie. It must have. That’s the only explanation for why she broke the rule about inviting conversation with Dad when he’d been drinking. “Are you okay, Daddy?” She hardly ever called him that anymore. I didn’t think he was going to respond, but he finally did, his voice all bluster. “As okay as a man can be in a country where nothing’s sacred.” I wondered what he meant. He and Bauer had talked about so many things. Well, I wasn’t going to
Jess Lourey (Unspeakable Things)
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?” “Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.” “Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe. “I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.” Oh, I’m worried . . . that he plans on using the other one. “Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.” I know. I really know. “Are you good? Am I allowed to leave now?” “I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.” “I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.” My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?” “Do you mind sharing underwear with another man? Because I’m game.” My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.” “Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up. Ridiculous. Hilarious. When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.” With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
Meghan Quinn (The Lineup)
Anne, did you ever get on a street car and then discover that you hadn’t any money with you to pay your fare? I did, the other day. It’s quite awful. I had a nickel with me when I got on the car. I thought it was in the left pocket of my coat. When I got settled down comfortably I felt for it. It wasn’t there. I had a cold chill. I felt in the other pocket. Not there. I had another chill. Then I felt in a little inside pocket. All in vain. I had two chills at once. “I took off my gloves, laid them on the seat, and went over all my pockets again. It was not there. I stood up and shook myself, and then looked on the floor. The car was full of people, who were going home from the opera, and they all stared at me, but I was past caring for a little thing like that. “But I could not find my fare. I concluded I must have put it in my mouth and swallowed it inadvertently. “I didn’t know what to do. Would the conductor, I wondered, stop the car and put me off in ignominy and shame? Was it possible that I could convince him that I was merely the victim of my own absentmindedness, and not an unprincipled creature trying to obtain a ride upon false pretenses? How I wished that Alec or Alonzo were there. But they weren’t because I wanted them. If I HADN’T wanted them they would have been there by the dozen. And I couldn’t decide what to say to the conductor when he came around. As soon as I got one sentence of explanation mapped out in my mind I felt nobody could believe it and I must compose another. It seemed there was nothing to do but trust in Providence, and for all the comfort that gave me I might as well have been the old lady who, when told by the captain during a storm that she must put her trust in the Almighty exclaimed, ‘Oh, Captain, is it as bad as that?’ “Just at the conventional moment, when all hope had fled, and the conductor was holding out his box to the passenger next to me, I suddenly remembered where I had put that wretched coin of the realm. I hadn’t swallowed it after all. I meekly fished it out of the index finger of my glove and poked it in the box. I smiled at everybody and felt that it was a beautiful world.
L.M. Montgomery (Anne of the Island: Book 3 in the Anne of Green Gables Series)
He more than half suspected that one of the things which had kept their marriage together when it seemed as if each year brought the news that two or three of their friends’ marriages had collapsed was their respect of the mystery—the half-grasped but never spoken idea that maybe, when you got right down to the place where the cheese binds, there was no such thing as marriage, no such thing as union, that each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (rarely, thank God) you ran into a full-fledged pocket of alien strangeness, something like the clear-air turbulence that can buffet an airliner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seemed nearly psychotic. And then you trod lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such a discovery was the province of fools who really believed it was possible for one mind to know another.
Stephen King (Pet Sematary)
Pack what you need for the divination,” he said. Relieved that he believed me capable, I walked to his desk. A detailed map of Hereswith was spread over the wood, river rocks pinning down the four corners. It was a map I had memorized with its crooked, winding streets. Above the desk, shelves lined the walls, burdened with leather-bound spell books, stacks of paper, jars brimming with crushed flowers and salt crystals and swan quills, ornate ink pots, cast-iron spoons with jewels embedded in the handles, silver bowls nestled into each other, a potted fern whose wilting leaves dangled like unrequited love. I gathered what I needed: a bowl that shone like a full moon, pink salt, dried gardenias, a spoon with an emerald chip, a pitcher full of water, a swan quill, a silver inkwell that was crafted as an octopus, its tentacles holding a vial of walnut ink. I charmed them all beneath my breath with a shrinking cantrip—a spell my mother had taught me—until the objects could sit cradled in my palm, and I slipped them into my pocket, where the remedies waited. The objects clinked like musical notes when they met, weightless as air.
Rebecca Ross (Dreams Lie Beneath)
Then she had noticed that Arin’s fingernails were blackened, and how he kept reaching into his pocket as if to reassure himself that something was there. She had told herself not to guess. But she could never help guessing. A smile warmed her face. He shut his eyes in mock chagrin. “Gods, can I keep nothing from you?” “I didn’t mean to.” “Devious thing. I won’t give it to you yet. It’s for Ninarrith.” Time seemed strange; it was as if the ring were already on her smallest finger, the most vulnerable one. “It’s simple,” Arin had hastened to say. “I will love it.” “Will you wear it?” “Yes.” “Always?” “Yes,” she had said, “if you show me how to make one for you, too.” Kestrel gave her horse a final caress. It was full night. She left the stables. Fireflies spangled the black lawn. She thought about Arin’s expression when she’d asked if he would teach her how to forge a ring for him, and the whole conversation glowed within her like one of those fireflies. Watching them, you’d almost think that a firefly winks out of existence, then comes to life, vanishes again, returns. That when it’s not lit, it’s not there at all. But it is.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I fumbled in my pockets for my father’s map. I stared and rubbed the paper between my fingers. I read the sightings’ dot’s dates with my wormed eyes, connecting them in order. There was the first point where my father felt sure he’d seen mother digging in the neighbor’s yard across the street. And the second, in the field of power wires where Dad swore he saw her running at full speed. I connected dots until the first fifteen together formed a nostril. Dots 16 through 34 became an eye. Together the whole map made a perfect picture of my mother’s missing head. If I stared into the face, then, and focused on one clear section and let my brain go loose, I saw my mother’s eyes come open. I saw her mouth begin to move. Her voice echoed deep inside me, clear and brimming, bright, alive. She said, “Don’t worry, son. I’m fat and happy. They have cake here. My hair is clean.” She said, “The earth is slurred and I am sorry.” She said, “You are OK. I have your mind.” Her eyes seemed to swim around me. I felt her fingers in my hair. She whispered things she’d never mentioned. She nuzzled gleamings in my brain. As in: the day I’d drawn her flowers because all the fields were dying. As in: the downed bird we’d cleaned and given a name. Some of our years were wall to wall with wonder, she reminded me. In spite of any absence, we had that. I thought of my father, alone and elsewhere, his head cradled in his hands. I thought of the day he’d punched a hole straight through the kitchen wall, thinking she’d be tucked away inside. All those places he’d looked and never found her. Inside their mattress. In stained-glass windows. How he’d scoured the carpet for her stray hair and strung them all together with a ribbon; how he’d slept with that one lock swathed across his nostrils, hugging a pillow fitted with her nightshirt. How he’d dug up the backyard, stripped and sweating. How he’d played her favorite album on repeat and loud, a lure. How when we took up the carpet in my bedroom to find her, under the carpet there was wood. Under the wood there was cracked concrete. Under the concrete there was dirt. Under the dirt there was a cavity of water. I swam down into the water with my nose clenched and lungs burning in my chest but I could not find the bottom and I couldn’t see a thing.
Blake Butler (Scorch Atlas)
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky. Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air. The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up. The screams went on and on. And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
Dad takes a step back, one hand still on my shoulder, and reaches into his pocket. He draws out a little blue capsule, and I feel every molecule in my body screaming to run. Dad must catch the panic in my eyes - he squeezes my shoulder and holds out the capsule. "Cas, it's fine. It's going to be fine. This is just in case." Just in case. Just in case the worst happens. The ship falls. Durga fails, I fail, and the knowledge I carry as a Reckoner trainer must be disposed of. That information can't fall into the wrong hands, into the hands of people who will do anything to take down our beasts. So this little capsule holds the pill that will kill me if it comes to that. "It's waterproof," Dad continues, pressing it into my hand. "The pocket on the collar of your wetsuit, keep it there. It has to stay with you at all times." It won't happen on this voyage. It's such a basic mission, gift-wrapped to be easy enough for me to handle on my own. But even holding the pill fills me with revulsion. On all my training voyages, I've never had to carry one of these capsules. That burden only goes to full-time trainers. "Cas." Dad tilts my chin up, ripping my gaze from the pull. "You were born to do this. I promise you, you'll forget you even have it." I suppose he ought to know - he's been carrying one for two decades. It's just a right of passage, I tell myself, and throw my arms around his neck once more.
Emily Skrutskie (The Abyss Surrounds Us (The Abyss Surrounds Us, #1))
A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door. Wendy was so delighted tears sprang to her eyes. It was her Imaginary House! They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself. She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off. Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut. She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter. "Luna!" Wendy cried in joy. The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face. "Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp. Although... "You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy." Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used. You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!" As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home. The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior. Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket. "This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside. "Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.
Liz Braswell (Straight On Till Morning)
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
The Man-Moth Man-Moth: Newspaper misprint for “mammoth.” Here, above, cracks in the buildings are filled with battered moonlight. The whole shadow of Man is only as big as his hat. It lies at his feet like a circle for a doll to stand on, and he makes an inverted pin, the point magnetized to the moon. He does not see the moon; he observes only her vast properties, feeling the queer light on his hands, neither warm nor cold, of a temperature impossible to record in thermometers. But when the Man-Moth pays his rare, although occasional, visits to the surface, the moon looks rather different to him. He emerges from an opening under the edge of one of the sidewalks and nervously begins to scale the faces of the buildings. He thinks the moon is a small hole at the top of the sky, proving the sky quite useless for protection. He trembles, but must investigate as high as he can climb. Up the façades, his shadow dragging like a photographer’s cloth behind him he climbs fearfully, thinking that this time he will manage to push his small head through that round clean opening and be forced through, as from a tube, in black scrolls on the light. (Man, standing below him, has no such illusions.) But what the Man-Moth fears most he must do, although he fails, of course, and falls back scared but quite unhurt. Then he returns to the pale subways of cement he calls his home. He flits, he flutters, and cannot get aboard the silent trains fast enough to suit him. The doors close swiftly. The Man-Moth always seats himself facing the wrong way and the train starts at once at its full, terrible speed, without a shift in gears or a gradation of any sort. He cannot tell the rate at which he travels backwards. Each night he must be carried through artificial tunnels and dream recurrent dreams. Just as the ties recur beneath his train, these underlie his rushing brain. He does not dare look out the window, for the third rail, the unbroken draught of poison, runs there beside him. He regards it as a disease he has inherited the susceptibility to. He has to keep his hands in his pockets, as others must wear mufflers. If you catch him, hold up a flashlight to his eye. It’s all dark pupil, an entire night itself, whose haired horizon tightens as he stares back, and closes up the eye. Then from the lids one tear, his only possession, like the bee’s sting, slips. Slyly he palms it, and if you’re not paying attention he’ll swallow it. However, if you watch, he’ll hand it over, cool as from underground springs and pure enough to drink.
Elizabeth Bishop (The Complete Poems 1927-1979)
You and Patrick looked awfully cozy,” Ryder says, setting Mama’s note back on the counter. So I was right--he had been watching us. “So?” “So, nothing.” He shrugs. “Just making an observation.” “Yeah, you never just make an observation. Oh, and you and Rosie looked pretty cozy, too. I sure hope you’re not leading her on. You know she likes you.” A muscle in his jaw works furiously as he shoves his cell phone back into his pocket. “That’s the kind of guy you think I am? Seriously, Jem?” I swallow hard, unable to reply. Because the truth is, I don’t know. “I’ll see you later,” he says, his voice cold and clipped. He turns and stalks out. For some unknown reason, I follow him--down the hall, out the front door. “Don’t walk out on me,” I holler as he rounds the Durango and opens the driver’s-side door. “If you have something to say to me, then say it.” He gets in and slams the car door shut, but I throw it open again. “C’mon,” I taunt, motioning with one hand. I’m totally losing it now--white spots dancing before my eyes, tears streaking down my cheeks. I can barely catch my breath, like I’m about to hyperventilate. This isn’t about Ryder, I realize. It’s about Nan. The sudden realization hits me hard. What if I never see her again? My knees buckle, and I start to go down. Somehow, Ryder manages to catch me just before I hit the ground. “Shit, Jemma! What’s the matter with you?” He drags me to my feet and presses me against the side of his truck. “Take a deep breath. Jesus!” I do what he says. By the third, I’ve slowed my heart rate to something nearing normal. Only, my cheeks are burning with mortification now. This is the second time I’ve broken down in front of Ryder. He must think I’ve lost my mind--that I’ve totally gone off the deep end. “Just go,” I say, my voice shaking. He rakes both hands through his hair. “Are you kidding me? I can’t leave you alone like this.” “Go,” I repeat, more forcefully this time. “Just get in your car and leave, okay?” “C’mon, Jemma. You know I can’t.” “I swear I’m okay.” I straighten my spine and lift my chin, trying my best to look calm, collected, and reasonably sane. “Seriously, Ryder. I just need to be alone right now.” “Fine,” he says, shaking his head. “If you say so.” I step away from the car, feeling queasy now as he slips inside and starts the engine. But before he pulls out, he rolls down his window and meets my gaze. His dark eyes look intense, full of conflict. For a split second, I wonder what’s going on inside his head--if he’s judging me. If he has any idea what I’m going through. If he even cares. “She’s going to be okay, Jemma,” he says, then slides his sunglasses on and drives away. I guess he does get it, after all.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Chapter One Vivek Ranadivé “IT WAS REALLY RANDOM. I MEAN, MY FATHER HAD NEVER PLAYED BASKETBALL BEFORE.” 1. When Vivek Ranadivé decided to coach his daughter Anjali’s basketball team, he settled on two principles. The first was that he would never raise his voice. This was National Junior Basketball—the Little League of basketball. The team was made up mostly of twelve-year-olds, and twelve-year-olds, he knew from experience, did not respond well to shouting. He would conduct business on the basketball court, he decided, the same way he conducted business at his software firm. He would speak calmly and softly, and he would persuade the girls of the wisdom of his approach with appeals to reason and common sense. The second principle was more important. Ranadivé was puzzled by the way Americans play basketball. He is from Mumbai. He grew up with cricket and soccer. He would never forget the first time he saw a basketball game. He thought it was mindless. Team A would score and then immediately retreat to its own end of the court. Team B would pass the ball in from the sidelines and dribble it into Team A’s end, where Team A was patiently waiting. Then the process would reverse itself. A regulation basketball court is ninety-four feet long. Most of the time, a team would defend only about twenty-four feet of that, conceding the other seventy feet. Occasionally teams played a full-court press—that is, they contested their opponent’s attempt to advance the ball up the court. But they did it for only a few minutes at a time. It was as if there were a kind of conspiracy in the basketball world about the way the game ought to be played, Ranadivé thought, and that conspiracy had the effect of widening the gap between good teams and weak teams. Good teams, after all, had players who were tall and could dribble and shoot well; they could crisply execute their carefully prepared plays in their opponent’s end. Why, then, did weak teams play in a way that made it easy for good teams to do the very things that they were so good at? Ranadivé looked at his girls. Morgan and Julia were serious basketball players. But Nicky, Angela, Dani, Holly, Annika, and his own daughter, Anjali, had never played the game before. They weren’t all that tall. They couldn’t shoot. They weren’t particularly adept at dribbling. They were not the sort who played pickup games at the playground every evening. Ranadivé lives in Menlo Park, in the heart of California’s Silicon Valley. His team was made up of, as Ranadivé put it, “little blond girls.” These were the daughters of nerds and computer programmers. They worked on science projects and read long and complicated books and dreamed about growing up to be marine biologists. Ranadivé knew that if they played the conventional way—if they let their opponents dribble the ball up the court without opposition—they would almost certainly lose to the girls for whom basketball was a passion. Ranadivé had come to America as a seventeen-year-old with fifty dollars in his pocket. He was not one to accept losing easily. His second principle, then, was that his team would play a real full-court press—every game, all the time. The team ended up at the national championships. “It was really random,” Anjali Ranadivé said. “I mean, my father had never played basketball before.” 2. Suppose you were to total up all the wars over the past two hundred years that occurred between very large and very small countries. Let’s say that one side has to be at least ten times larger in population and armed might
Malcolm Gladwell (David and Goliath: Underdogs, Misfits and the Art of Battling Giants)