Plum Face Quotes

How many times have I told you not to hit people in the face. You kick them in the body where it doesn't show.

She'll be back," Ranger said. "But not tonight." [Stephanie] "How'd you get her to leave?" "Told her I was gonna spend the next twelve hours ruining you for all other men, and so she might as well go home." I could feel the heat rush to my face. Ranger gave me the wolf smile. "I lied about it being tonight," he said.

It was the face of spring, it was the face of summer, it was the warmness of clover breath. Pomegranate glowed in her lips, and the noon sky in her eyes. To touch her face was that always new experience of opening your window one December morning, early, and putting out your hand to the first white cool powdering of snow that had come, silently, with no announcement, in the night. And all of this, this breath-warmness and plum-tenderness was held forever in one miracle of photographic is chemistry which no clock winds could blow upon to change one hour or one second; this fine first cool white snow would never melt, but live a thousand summers.

Okay, Kate, first of all, you’re touching me,” Vincent said for the room to hear. “So I’m not a ghost.” “And we’re not true zombies,” Charles said with a grin, “or he would have already eaten your face off.

And I've got THIS," I pulled out the signum and held it up for him to see, "that says I'm kindred. And I've got THIS," I pointed at my head, "that says I'm as smart as you. And I have THIS," I held up my middle finger, "that says go to hell, you immortal bigot." And with that I spun around and stomped out the door, filing the expression on Arthur's face in a mental folder labeled "Kate's Proudest Moments".

From the look on your face, I'd say you know him." I nodded. "Sold him a cannoli when I was in high school." Connie grunted. "Honey, half of all the women in New Jersey have sold him their cannoli

Are we fighting?" I asked Morelli. "No. Were discussing." "Are you sure?" "Am I yelling?" Morelli asked. "Is my face purple? Are the cords on my neck standing out? Am I waving my arms around?" "No." "The were not fighting.

May I guess this has something to do with the particularly hot undead guy you suck face with on a regular basis?

Any intelligent woman would have made a dignified retreat, but this was New Jersey, where dignity always runs a poor second to the pleasure of getting in someone's face.

How about I take you to my studio? Much less dangerous. Plus, I need a model and you could sit for me." "You want me to sit for a portrait?" I asked stunned. "Actually, at the moment I'm concentrating on full-length nudes, in the spirit of Modigliani," Jules said. He was making an effort to keep a straight face. "Just kidding, Kates. You're a lady." Jules was trying the guilt-trip method of attack. And it was working. "Ok I'll pose for you," I conceded. "But under no circumstances will any article of clothing leave my body whilst I am in your studio." "And if you're elsewhere?" he asked, breaking into a sly smile. I rolled my eyes.

I find myself wishing that I could work that magic for her. That I could bring the smile back to her face. But I slap at those thoughts as if they were mosquitoes. What am I doing, caring so much about my best friend's love? I deny my feelings for her because they shouldn't exist.

Ranger cradled my face in his hands, using his thumbs to wipe the tears from my eyes. "The ceremony is over. Can you make it back to the car?" I nodded. "I'm okay now. Am I red and blotchy from crying?" "Yes," Ranger said, brushing a kiss across my forehead. "I love you anyway." "There's all kinds of love," I said. Ranger took me by the hand and led me back to the SUV. "This is the kind that doesn't call for a ring. But a condom might come in handy." "That's not love," I told him. "That's lust.

Just then the door flew open, and Ambrose burst through, yelling like a madman and swinging a battle-ax in one hand. His other arm was torn by a mean gash, and his shredded clothes were stained crimson. A rivulet of blood ran down his face from a scalp wound. His crazed eyes fixed on Lucien's decapitated body and then swung toward Vincent's body, lying in a heap next to the fireplace. He looked at me, standing a few feet away, holding an enormous sword effortlessly in one hand and Lucien's head in the other. He nodded silently, and I nodded back.

Bearing my mother's face was a daily reminder that I could be as strong as she had been. And fighting for what I wanted most in life was the best way to keep her alive in my heart.

Kate is right there, ready to be scooped up and loved. And I'm so tempted. She is beautiful; not just her face-her entire being is lovely. I see why Vincent is drawn to her.

A uniform cordoned off the area with crime scene tape. The M.E. pulled in and parked. There were two EMT trucks idling at the edge of the lot. I’d stayed close to the back door, and one of the Rangeman guys had taken a position two feet from me, standing at parade rest. No doubt in my mind he’d take a bullet for me rather than face Ranger over a dead Stephanie.

Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!

Their poses are all different but the face is the same. Painted from memory in scene after scene is the fresh-faced beauty. Kate. It's the bargain I've made with myself. If I can't caress her body with my hands, I paint it with my brushes. Use my fingers to trace her lines.

On either side the wild roses, their pink dewy faces turned to the sun, tumbled over the fences, sprawled on the ground and filled the air with their pure summery smell.

You’re late.” Fang stepped out of the shadows, eating an apple. He was dressed in black, as usual, and his face looked like a lumpy plum pie. But his eyes shone as he came toward me, and then I was running to him over the sand, my wins out in back or me. We smashed together awkwardly, with fang standing stiffly for a moment, but then his arms slowly came around me, and he hugged me back. I held him tight trying to swallow the lump of cotton in my throat, my head on his shoulder, my eyes squeezed shut. Don’t ever leave me again,” I said in a tiny voice. I won’t,” he promised into my hair, most un-fang like. I won’t. Not ever.” And just like that, a cold shard of ice that had been inside my chest ever since we’d spilt up – well, it just disappeared. I felt myself relax for the first time in I don’t know how long. The wind was chilly, but the sun was bright, and my whole flock was together. Fang and I were together. “Excuse me? I’m alive too.” Iggy’s plaintive voice made me pull back.

I know what's coming next. I look at Giulianna's expertly made-up face, sink into her catlike beauty, and then close my eyes and I'm kissing Kate. I don't even try to stop it anymore-this happens every time. With every girl.

And carefully... tenderly... taking my time with every brushstroke, I sketch the curve of her neck, apply the crimson of her lips, form her face into a two-dimensional tribute to her beauty.

Opening my door to Dillon Ruddick, my bulding super. I handed him a cup of coffee. "Sorry about the blood." "What was it this time?" No one reported gunfire." "I hit a guy in the face with a hair dryer." "Whoa." Dillon said. "It wasn't my fault," I told him. "Maybe we should lay down some linoleum here. It would make things easier for clean up.

The multicolored leaves were softly glowing against the black sky, creating an untimely nocturnal rainbow which scattered its spectral tints everywhere and dyed the night with a harvest of hues: peach gold and pumpkin orange, honey yellow and winy amber, apple red and plum violet. Luminous within their leafy shapes, the colors cast themselves across the darkness and were splattered upon our streets and our fields and our faces. Everything was resplendent with the pyrotechnics of a new autumn.

He interrupts her again. "I will stay without complaining..." "You have no choice!" "...if you'll do two things." The teasing has long left his face. He is dead serious. I should leave but I can't. I know I'm about to witness a historic event, and I lurk next to the door, my eyes glued to Charlotte and Ambrose. "Okay," Charlotte says, matching his gravity. "Promise me you'll come back." Charlotte is silent. "And give me a kiss good-bye." "What?" Charlotte blurts. "You heard me." She stands stock-still for a good couple of seconds before raising her fingertips to her mouth. Her eyes glitter with tears as she sits back down on the side of his bed. And taking his good hand in hers, she leans forward and kisses him. It is a slow kiss. It is a lingering kiss. It's the kiss she's been waiting for for years.

DeAngelo blew up my bus, so I filled his car with shit. Genius, right?" "DeAngelo didn't blow up the bus," Connie said. "I just got the report from the fire marshal. The coffeemaker shorted out and started the fire." Some of the color left Vinnie's face. "Say what?" "Oh man," Lula said. "DeAngelo is gonna be pissed. Least he won't know who did it." "I left a note," Vinnie said. Lula gave a hoot of laughter and fell off her chair.

Sorry about Bender," Lula said, letting the Trans Am idle at the curb. "Maybe we could tell Vinnie he died. We could say we were all set to bring Bender in, and he died. Bang. Dead as a doorknob." "Better yet, why don't we just go back and kill him," I said. I opened the door to leave, caught my toe in the floor mat, and fell out of the car, face first. I rolled onto my back and stared up at the stars. "I'm fine," I said to Lula. "Maybe I'll sleep here tonight.

He says you don't often find angels in places like happy homes and rich people's backyard parties. He says that angels flock to places like hospitals and homelss shelters and jails, because those people realize they need help. And do they are able to believe in strange phenomena. Funny how the world is backward. The really comfortable people don't always see much supernaturally, and to the ones who have to struggle, it's, like, breathing in their faces. The first are last... and the last are first.

I know how ineffectual my actions are, but I do them on purpose--to punish myself. I deserve the pain that closeness to her brings. I want to hold her like this every day. I want to be the focus of her radiant smile. I let myself pretend for the duration of the song, and when its over I touch her face again and imagine that we are together.

Do you see that man in the black Porsche?" I asked the women. They squinted out at Ranger. "Yes," they said."Your partner." "He's homeless. He's looking for a place to stay and he might be interested in renting Singh's room." Mrs.Apusenja's eyes widened. "We could use the income."She looked at Nonnie and then back at Ranger. "Is he married?" "Nope. He's single. He's a real catch." Connie did something between a gasp and a snort and buried her head back behind the computer. "Thank you for everything." Mrs.Apusenja said. "I suppose you are not such a bad slut. I will go talk to your partner.: "Omigod," Connie said, when the door closed behind the Apusenja's. "Ranger's going to kill you." The Apusenjas stood beside the Porsche, talkig to Ranger for a few long minutes, giving him the big sales pitch. The pitch wound down, Ranger responded, and Mrs. Apusenja looked disappointed. The two women crossed the road and got into the burgundy Escort and quickly drove away. Ranger turned his head in my direction and our eyes met. His expression was still bemused, but this time it was the sort of bemused expression a kid has when he's pulling the wings off a fly. "Uh-Oh,"Connie said. I whipped around and faced Connie. "Quick, give me an FTA. You're backed up, right? For God's sake, give me something fast. I need a reason to stand here until he calms down!" Connie shoved a pile of folders at me. "Pick one. Any one! Oh shit, he's getting out of his car.".... He leaned into me and his lips brushed the shell of my ear. "Feeling playful?" "I don't know what you're talking about." "Watch your back babe. I will get even." -Ranger and Stephanie

I'm going to die and my son farts in my face... what a waste!

Ambrose's eyes shoot back to Charlotte and he nods. "She's changed, hasn't she? Charlotte, I mean." "Um, besides growing her hair long she doesn't seem to have changed much to me," I say, trying not to smile. "Why?" "It's just that she seems so... in charge. I mean, she's always had her act together, but ever since she's been back she's seemed more confident or something. And now that she's Vincent's second... I guess I've always thought of her as a little sister. You know, the huggable kind you want to take care of. But now that I see her working with him and taking control... I mean... the girl is fierce." Ambrose's face shines with respect and a sort of curious awe, and I have to restrain myself from jumping up and cheering for the fact that it has finally happened. He has finally noticed what was right under his nose.

I like looking at his face when he speaks. Sometimes he spit, actually he spits all the time, but I think that's passionate. He loves words and he rolls them around in his mouth like a luscious plum, slobbering on the sides, and then he'll use his hands, touching his mouth as if he's taking the words out throwing them to us.

I woke up wrapped in Ranger’s arms, our legs entwined, my face snuggled into his neck. He smelled nice, and he felt even better . . . warm and friendly. I enjoyed it for a moment before reality took hold.

It would take more than long-stemmed roses to change my view that you're a despicable cowardy custard and a disgrace to a proud family. Your ancestors fought in the Crusades and were often mentioned in despatches, and you cringe like a salted snail at the thought of appearing as Santa Claus before an audience of charming children who wouldn't hurt a fly. It's enough to make an aunt turn her face to the wall and give up the struggle.

My big move was to get out of my underpants without snagging my foot and falling on my face.

After repeating almost everything I said, I excused my accent and told them that I knew I spoke like I had plums in my mouth. I then had to explain that was a British expression, as their faces read as though I was saying I’d had their brother-in-law’s balls on my tongue.

Vincent gestures toward Gaspard, who steps forward to face us. "We say good-bye to our longtime leader, Jean-Baptiste Alexandre Balthazar Grimod de la Reynière," Gaspard says in a wavering voice. "He died sacrificing his life for another on the battlefield in Borodino, September 7, 1812. Jean-Baptiste was dedicated to the preservation of his kindred, willing to do anything to ensure their survival." Gaspard's face twists with emotion when he says this, but he forces his shoulders back and raises his chin. He pulls something from his belt, and I recognize Jean-Baptiste's beloved sword-cane topped with its carved wooden falcon's head. Facing the fire, Gaspard says, "My dear Jean-Baptiste. My love. I will mourn your loss until we are reunited in the next life." And he throws the cane onto the fire.

We laughed a lot, to hide it from each other. But fear always finds an out. If you control your face, it slips into your voice. If you manage to keep a grip on your face and your voice, as if they were dead wood, it will slip out through your fingers. It will pass through your skin and lie there. You can see it lying around on objects close by.

My mother was about three feet from Pooka. She threw herself forward, grabbed hold of his shirt, and they both went down to the ground. They rolled around a little and by the time I reached them, my mother was on top, punching Pooka in the face. “She’s beating the crap out of him,” Lula said. “Way to go, Mrs. P.

She begins walking toward the door. "Violette?" I call, craning my head so I can see her. "Yes, Kate?" she asks, looking curious. "I hope I'm not the Champion," I say, my voice dead calm now, "because I would hate to give you any additional satisfaction. But if I am, I hope you have to chop off an entire hand this time and eat a raw cat in order to absorb me. And I hope you choke on it." Her creepily calm demeanor finally shatters. Making a noise between a growl and a scream, she stomps over to the bed and slaps my face as hard as she can. Then, spinning on her heels, she races out of the room, slamming the door behind her. I lay my head back down and taste blood in my mouth. And smile.

As he spoke, the edges of the clay man began shimmering, like air does in intense heat, and the lumpen form gradually became more manlike. "Something's happening!" I cried. I was paralyzed by shock and hope. "Please let it work. Come back, Vincent. You have to come back, I whispered, pleading. Red clay became olive-toned skin, and the bald head became waves of raven black hair. The face that Jules had carefully sculpted became a real nose and mouth and eyes, closed as if in sleep. But it lay there, still unmoving, until, focusing on the air just above, Bran yelled, "Come, bardia spirit, inhabit this body!" He made one final sweeping gesture, as if pulling the aura downward, and touching his fingers to the body's side. The eyes flew open and Vincent took a great gulping gasp, as if trying to swallow all of the oxygen in the room. "Vincent," I said, my heart in my throat. His eyes flew to mine. He reached toward me, and I took his hand and pressed it to my cheek. His skin was burning hot, like with a fever. I kissed his fingers, and his skin smelled like fire and rain-soaked earth. Like the boy I thought I would never touch again.

Men!" "At least we don't fake it." "Listen, it was your uncle. And we were late, remember? So I made the sacrifice and got us there in time for dessert. You should be thanking me." Morelli's mouth was open slightly and his face was registering a mixture of astonished disbelief and wounded, pissed-off male pride. Okay, it wasn't that much of a sacrifice at the time, and I knew he shouldn't be thanking me, but give me a break here... this wasn't famine in Ethiopia

I looked down at my bloody shirt and jeans. “My face hurts all over,” I said to Ranger. “Where’s all the blood coming from?” “You’re getting a bruise on your cheek. You have a small cut on your lower lip. You were bleeding from your nose, but that seems to have stopped. You have a puncture wound on your neck.” “I’m a mess!” Ranger wrapped his arms around me and held me close. “You’re beautiful. You evacuated the hotel and you delivered Vlatko.

Occasionally a yellow leaf fell from the tree. Then one or the other of us would turn up his eyes as though to see the leaf fall once again. We didn’t wait for the next leaf, which fell a little later. Out eyes lacked the patience. We didn’t commit ourselves to leaves. Only to flying splashes of yellow that distracted our faces from one another’s

Every evening, they enjoyed the moonlit streams, and in the day they explored the valleys, searching for plum blossoms. When they happened upon a sheer cliff face they would compose poems and play the lute in the shade of the pine trees.

Hey!" Lula yelled, back in Ranger's face. "You look at me when I'm having a breakdown. And don't pull that mysterio silent shit on me. I don't take that bus, you see what I'm saying?

Rincewind sighed. “Look,” he said. “No self-respecting High Priest is going to go through all the business with the trumpets and the processions and the banners and everything, and then shove his knife into a daffodil and a couple of plums. You’ve got to face it, all this stuff about golden boughs and the cycles of nature and stuff just boils down to sex and violence, usually at the same time.

“Shut up!” I say, laughing hysterically. Alice transforms back to an inanimate jade piece as I toss her. My aim is off and she plops into Morpheus’s tea, splattering him and the chessboard. With a graceful sweep of his hand, he retracts his magic. Tea drizzles down his face as his inky eyes turn up to mine, alight with something both dangerous and daring, shifting moods faster than I can blink. “Careful, plum.” It’s his deep cockney accent now. He wipes his face with a napkin. “Don’t start something you have no intention of finishing.” “Oh, I’ll finish it,” I say—spurred by the dark confidence fluttering at the edge of my psyche. The side of me that knows I’m his match in every way. “And you know I’ll win.” I rise from my chair to scope out the room for weapons, vaguely aware of the prisms of glittery light reflected off my skin onto the surroundings. “I know I’ll let you win,” Morpheus says, standing up. “I won’t even put up a fight.” His white-toothed smile spans to something forebodingly provocative, as though mimicking the spread of his wings. “Well, perhaps a small one, just for sport.”

Slanders, sir. For the satirical rogue says here that old men have gray beards, that their faces are wrinkled, their eyes purging thick amber and plum-tree gum, and that they have a plentiful lack of wit, together with most weak hams—all which, sir, though I most powerfully and potently believe, yet I hold it not honesty to have it thus set down; for yourself, sir, should be old as I am, if like a crab you could go backward.

There would be plump artichokes ready for him in the garden, trees heavy with plums, soft roses, the river flowing, and between the crab-Apple trees the hammock hanging like a smile in a landscape as familiar to him as the face of his mother.

Lula was blank faced. “Say what?” Marjorie rolled her eyes. “His wiggle stick, baloney pony, wrinkle beast, tadger.” “His dick,” I said to Lula. Lula went wide-eyed at Marjorie. “Seriously? Where’d you learn all those words for a dick?” “I was a librarian,” Marjorie said. “Well, I was a ho,” Lula said. “And we never called it any of those things.

Pikey Thomas dreamed of plums and caramel apples the night the faery-with-the-peeling-face stole his right eye.

warm wind stroked Tristran’s face: it smelled like peppermint, and blackcurrant leaves, and red, ripe plums;

Love is always the first thing that’s sacrificed when faced with reality and ideas split. Since that’s so, it’s better to live without it to begin with.

Uh oh,” Lula said. “Here comes Officer Hottie, and he don’t look happy.” Morelli moved behind me and curled his fingers into the back of my jacket collar. “I need to talk to you . . . outside.” “I wouldn’t go if I was you,” Lula said to me. “He’s wearing his mad cop face. At least you should make him leave his gun here.” Morelli shot Lula a look, and she buried her head in the chicken bucket.

Kvothe?” Auri said softly. I clenched my teeth against the sobbing and lay still as I could, hoping she would think I was asleep and leave. “Kvothe?” she called again. “I brought you—” There was a moment of silence, then she said, “Oh.” I heard a soft sound behind me. The moonlight showed her tiny shadow on the wall as she climbed through the window. I felt the bed move as she settled onto it. A small, cool hand brushed the side of my face. “It’s okay,” she said quietly. “Come here.” I began to cry quietly, and she gently uncurled the tight knot of me until my head lay in her lap. She murmured, brushing my hair away from my forehead, her hands cool against my hot face. “I know,” she said sadly. “It’s bad sometimes, isn’t it?” She stroked my hair gently, and it only made me cry harder. I could not remember the last time someone had touched me in a loving way. “I know,” she said. “You have a stone in your heart, and some days it’s so heavy there is nothing to be done. But you don’t have to be alone for it. You should have come to me. I understand.” My body clenched and suddenly the taste of plum filled my mouth again. “I miss her,” I said before I realized I was speaking. Then I bit it off before I could say anything else. I clenched my teeth and shook my head furiously, like a horse fighting its reins. “You can say it,” Auri said gently. I shook again, tasted plum, and suddenly the words were pouring out of me. “She said I sang before I spoke. She said when I was just a baby she had the habit of humming when she held me. Nothing like a song. Just a descending third. Just a soothing sound. Then one day she was walking me around the camp, and she heard me echo it back to her. Two octaves higher. A tiny piping third. She said it was my first song. We sang it back and forth to each other. For years.” I choked and clenched my teeth. “You can say it,” Auri said softly. “It’s okay if you say it.” “I’m never going to see her again,” I choked out. Then I began to cry in earnest. “It’s okay,” Auri said softly. “I’m here. You’re safe.

God is unkind to gardeners and reapers. Slanted rain coils and falls from up high And the wide raincoats catch water, That once had reflected the sky. In underwater realm are fields and meadows And the free currents sing a lot, Plums rupture on bloated branches And grass strands, lying down, rot. And through the dense and watery net I see your darling face, A quiet park, a round porch And a Chinese arbour-place.

It was the face of spring, it was the face of summer, it was the warmness of clover breath. Pomegranate glowed in her lips, and noon sky in her eyes. To touch her face was that always new experience of opening your window one December morning, early, and putting out your hand to the first white cool powdering of snow that had come, silently, with no announcement, in the night. And all of this, this breath-warmness and plum-tenderness was held forever in one miracle of photographic chemistry which no clock winds could blow upon to change one hour or one second; this fine first cool white snow would never melt, but live a thousand summers.

I was ready when Quentin approached me after school the following day. “Genie,” he said. “Please. Let me expl—moomph!” “Stay away,” I said, mashing the bulb of garlic into his face as hard as I could. I didn’t have any crosses or holy water at home. I had to work with what was available. Quentin slowly picked the cloves out of my hand before popping them into his mouth. “That’s white vampires,” he said, chewing and swallowing the raw garlic like a bite of fruit. “If I was a jiangshi you should have brought a mirror.” I wrinkled my nose. “You’re going to stink now.” “What, like a Chinese?” He pursed his lips and blew a kiss at me. Instead of being pungent, his breath was sweet with plum blossoms and coconut. Like his body magically refused to be anything but intensely appealing to me, even on a molecular level. I tried to swat away his scent before it made me drunk.

My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.

When I was a schoolgirl my safe haven was a place at the uninhabited part of my parents’ house. I used to climb up to the large windowsill that was facing a spreading plum-tree in the garden. Reading books, or penning my own stories, diaries and poems, it was especially fun to rest there during the warmer seasons of the year with an open window, when the tree was all covered with tender, odorous blossom in spring, and with rich purple fruitage in summer.

How'd you get her to leave?" "Told her I was gonna spend the next twelve hours ruining you for all other men, and so she might as well go home." I could feel the heat rush to my face. Ranger gave me the wolf smile. "I lied about it being tonight," he said.

Very few people know where they will die, But I do; in a brick-faced hospital, Divided, not unlike Caesarean Gaul, Into three parts; the Dean Memorial Wing, in the classic cast of 1910, Green-grated in unglazed, Aeolian Embrasures; the Maud Wiggin Building, which Commemorates a dog-jawed Boston bitch Who fought the brass down to their whipcord knees In World War I, and won enlisted men Some decent hospitals, and, being rich, Donated her own granite monument; The Mandeville Pavilion, pink-brick tent With marble piping, flying snapping flags Above the entry where our bloody rags Are rolled in to be sponged and sewn again. Today is fair; tomorrow, scourging rain (If only my own tears) will see me in Those jaundiced and distempered corridors Off which the five-foot-wide doors slowly close. White as my skimpy chiton, I will cringe Before the pinpoint of the least syringe; Before the buttered catheter goes in; Before the I.V.’s lisp and drip begins Inside my skin; before the rubber hand Upon the lancet takes aim and descends To lay me open, and upon its thumb Retracts the trouble, a malignant plum; And finally, I’ll quail before the hour When the authorities shut off the power In that vast hospital, and in my bed I’ll feel my blood go thin, go white, the red, The rose all leached away, and I’ll go dead. Then will the business of life resume: The muffled trolley wheeled into my room, The off-white blanket blanking off my face, The stealing secret, private, largo race Down halls and elevators to the place I’ll be consigned to for transshipment, cased In artificial air and light: the ward That’s underground; the terminal; the morgue. Then one fine day when all the smart flags flap, A booted man in black with a peaked cap Will call for me and troll me down the hall And slot me into his black car. That’s all.

Facing Wine Never refuse wine. I'm telling you, people come smiling in spring winds: peach and plum like old friends, their open blossoms scattering toward me, singing orioles in jade-green trees, and moonlight probing gold winejars. Yesterday we were flush with youth, and today, white hair's an onslaught. Bramble's overgrown Shih-hu Temple, and deer roam Ku-su Terrace ruins: it's always been like this, yellow dust choking even imperial gates closed in the end. If you don't drink wine, where are those ancient people now?

was standing facing my car, and behind me, I could hear windows being thrown open in my apartment building. It was Lorraine in her nightie and Mo in his cap. They’d just settled their brains for a long winter’s nap in front of the television. When out in the lot there arose such a clatter, they sprang from their recliners to see what was the matter. Away to the window they flew like a flash, tore open the blinds and threw up the sash. And what to their wondering eyes should appear, but Stephanie Plum and yet another of her cars burning front to rear.

You have a mouth made for kissing," he murmured, angling her to face him. "Did you know that?" She shook her head. "So soft and generous." Leaning in, he tipped her chin with the heel of his hand. "Sweet." "No man's ever called me sweet." "Has any other man kissed you?" Again, she gave a little shake of the head. "Well, then. That's why." He brushed his lips over hers, just lightly, sending pure sensation frizzing through her veins. He hummed with satisfaction. "You taste of ripe plums." She couldn't help it. She laughed. "Now that's just absurd." "Why?" "Because it's too early in the year for ripe plums." His husky chuckle shook them both. "You're entirely too logical for your own good. A thorough kissing can mend that." "I don't want mending." "Perhaps not. But I think you do want kissing." He nuzzled the curve of her cheek, and his voice dropped to a sensual whisper. "Don't you?" She did. Oh, she did.

There was only one way I could see managing this. I got out, ran around the car, opened his door, and straddled him with one leg outside and one foot on the console. Beeeeeep! My ass was on the horn. Beeeep, beeeep, beeeep, beepbeepbeepbeepbeep! A bead of sweat streaked down the side of Ranger’s face. “Babe.

No one wanted the job. What had seemed one of the least challenging tasks facing Franklin D. Roosevelt as newly elected president had, by June 1933, become one of the most intransigent. As ambas-sadorial posts went, Berlin should have been a plum—not London or Paris, surely, but still one of the great capitals of Europe, and at the center of a country going through revolutionary change under the leadership of its newly appointed chancellor, Adolf Hitler. Depending on one’s point of view, Germany was experiencing a great revival or a savage darkening. Upon Hitler’s ascent, the country had undergone a brutal spasm of state- condoned violence. Hitler’s brown- shirted paramilitary army, the Sturmabteilung, or SA—the Storm Troopers—had gone wild, arresting, beating, and in some cases murdering communists, socialists, and Jews. Storm Troopers established impromptu prisons and torture stations in basements, sheds, and other structures. Berlin alone had fi fty of these so- called bunkers. Tens of thousands of people were arrested and placed in “protective custody”— Schutzhaft—a risible euphemism. An esti-mated fi ve hundred to seven hundred prisoners died in custody; others endured “mock drownings and hangings,” according to a police affi davit. One prison near Tempelhof Airport became especially no-torious: Columbia House, not to be confused with a sleekly modern new building at the heart of Berlin called Columbus House. The up-heaval prompted one Jewish leader, Rabbi Stephen S. Wise of New York, to tell a friend, “the frontiers of civilization have been crossed.

Jilted My thoughts are crabbed and sallow, My tears like vinegar, Or the bitter blinking yellow Of an acetic star. Tonight the caustic wind, love, Gossips late and soon, And I wear the wry-faced pucker of The sour lemon moon. While like an early summer plum, Puny, green, and tart, Droops upon its wizened stem My lean, unripened heart.

I am plum tuckered on Monday morning. I face ample temptation to wallow. But Jesus promises rest. I may be a shell of a pastor at this time each week, but God is no less God. His might is no less mighty. His gospel is no less power. His reach is no less infinite. His grace is no less everlasting. His lovingkindness is no less enduring.

What’s the most basic freedom we have?” Witzbold asked. An earnest expression dominated his face. Zeiger extended a hand and fished another dried plum from the bag. He chewed, reflecting. “To end our lives when we want to,” he said. “Even that can be controlled,” Witzbold said. “No, it’s the freedom to feel what we feel. You’re right in this preface. Infants know only what their parents want them to know. They would remain infants for eternity if they couldn’t self-determine. True existence begins when we can make choices. Feel what we must and think what we may. Men stripped of that are nothing but children, as you say. When was the last time you had your own feelings?

After splashing icy water on their faces and rubbing them fiery red with one of the rough sweet-smelling towels, they came in and took their places at the big kitchen table. This morning the table wore a bright red-and-white checked cloth and a pot of red geraniums. Mrs. Campbell handed the girls their plates, each with a slice of ham and half of a crisp, tan waffle.

Jess and Polly stood without speaking, letting the sounds of the garden resettle. A flock of tiny fairy wrens darted busily in and around the base of a nearby plum tree, crickets ticked in the long grass, and a sense of timelessness, of nature, older and more pervasive than anything human beings and their histories could generate, grew thick and warm around them. "Shall we take a walk down together?" said Polly. Jess noticed a new note of self-possession in her mother's voice. Summery air threaded across the back of her neck, and she felt a pull, suddenly, deep inside her. She didn't know whether it was being here, in this place, or the beautiful weather that evoked long childhood days in which the hours stretched away to be filled only with pleasure, or the fact that it was Christmas Eve, or that her mother was standing here with her, solid and present in a way she hadn't been before, so that Jess was seeing her as if for the first time. But she felt a sensation in her chest that was quite the opposite of loneliness. "Are you with me?" Polly was searching Jess's face, waiting for an answer. Jess gave a nod and smiled. "I am.

My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. It was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. These were fragrant, colorless alcohols served from cut-glass carafes in small glasses and whether they were quetsche, mirabelle or framboise they all tasted like the fruits they came from, converted into a controlled fire on your tongue that warmed you and loosened your tongue. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern Italian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.

He shook his head, disgusted like. “You’re impossible. You’re not worth the effort.” I curled my fingers into the front of his T-shirt and hauled him closer. “Not even in your dreams could you imagine how impossible I can be.” We were toe to toe with my br**sts skimming his chest, our eyes locked. “I’ll drink to that,” Morelli said. The third schnapps went down smooth as silk. I gave the empty glass to Morelli and licked my lips. Morelli watched the lip licking, and his eyes darkened and his breathing slowed. Aha! I thought. This was more like it. Got him interested with the old lip-licking routine. “Shit,” Morelli said. “You did that on purpose.” I smiled. Then he smiled. It looked to me like his “gotcha” smile. Like the cat that just caught the canary. Like I’d been had…again. Then he closed the space between us, took my face in his hands and kissed me

Try it! You might like it !! I wrote this letter to tell you that I am very, very sorry. When you are mad at me, your face looks like Daddy’s when he smelled that skunk that was hiding in the garage. And this made me very sad. Your face, not the smelly skunk. Are you still mad? Pleeze circle one: YES NO If you are still mad, pleeze accept my sorryness for taking your clock, calling you a sandwich stealer, playing games on your phone and drawing my very cute face on it, and trying to call Price Princess Sugar Plum. I did not reech her. But I did reech a guy named Moe by mistake, and he was not very polite at all. He said if I reech him again he will call the cops. That would be very bad becuz I do not think they serve chicken nuggets in jail. Then I would starve to death, which would not be a very fun time . Anyway, I made this sandwich just for you because I really care about you. I hope you love it! You are my very best friend! After Miss Penelope and Princess Sugar Plum.

Slung on a stage over the gunwale of an old felucca, the Peri. A storm had just passed, rushing away toward the land in a great slope of clouds; already turning yellowish from the desert. The sea there is the color of Damascus plums; and how quiet. Sun was going down; not a beautiful sunset, more a gradual darkening of the air and that storm’s mountainside. The Peri had been damaged, we hove to alongside and hailed her master. No reply. Only the sailor—I never saw his face—one of your fellahin who abandon the land like a restless husband and then grumble for the rest of their term afloat. It’s the strongest marriage in the world. This one wore a kind of loincloth and a rag round his head for the sun which was almost gone. After we’d shouted in every dialect we had among us, he replied in Tuareg: ‘The master is gone, the crew is gone, I am here and I am painting the ship.’ It was true: he was painting the ship. She’d been damaged, not a load line in sight, and a bad list. ‘Come aboard,’ we told him, ‘night is nearly on us and you cannot swim to land.’ He never answered, merely continued dipping the brush in his earthen jar and slapping it smoothly on the Peri’s creaking sides. What color? It looked gray but the air was dark. This felucca would never again see the sun. Finally I told the helmsman to swing our ship round and continue on course. I watched the fellah until it was too dark: becoming smaller, inching closer to the sea with every swell but never slackening his pace. A peasant with all his uptorn roots showing, alone on the sea at nightfall, painting the side of a sinking ship.

Oh my God. You're going to Julie Morelli's wedding! It's true about you and Joe." "What about me and Joe?" "I heard you were living with him." "I had a fire in my apartment, and I rented a room from him for a short time." Sandy's face scrunched up in disappointment. "You mean you weren't sleeping with him?" "Well, yeah, I guess I was sleeping with him." "Oh my God. I knew it! I just knew it! What's he like? Is he excellent? Is he ... you know, big? He doesn't have a little twinkie, does he? Oh, God, don't tell me if he has a little twinkie.

Let's face it, we all got issues. Most of the time we can deal with our own overstuffed luggage, but every once in a while a few marbles bust out of the bag, go rolling down the aisle, and we got no choice but to chase after them. Chasing after our lost marbles is like an out-of-body experience. For a while it's like we become somebody else—someone we don't recognize. It scares us and gives us new and bigger headaches...They got shrinks to analyze why we do weird crap. Sometimes they tell us it's all because of our parents, which makes us happy, because we all want to blame our parents for everything, right?...No one ever seems to take responsibility themselves—because if we don't blame it on our parents, or the devil, or the government, or the freaking position of Venus in relation to Mars, then we're still left with that big ugly 'why?' Most of the time we know for sure what we did, when we did it, and where it happened. Which means we're not playing Boggle anymore; now it's Clue. But does anyone ask why Colonel Mustard killed Professor Plum with the lead pipe in the ballroom? No. When we look at our own lead pipes and ask ourselves why, the answer never really comes, so we find someone or something to blame, because 'I don't know' is not an acceptable answer.

I once read that most people are afraid to live alone because to live alone means to die alone. They have visions of themselves eating their breakfast, enjoying the dripping sluice of a ripe plum, and then suddenly the lights go out and they fall face-first into their pancakes. People, it seems, are less afraid of loneliness than worrying about what other people will think when they’re found in some unappealing, disintegrating state, tongue out, one leg curled underneath the other, internal fluids in a puddle on the floor, etcetera. Most people are afraid that if left alone, they will not be found. Being found is apparently of the utmost importance to people.

...I drag the kids to the farmers' market and fill out the week's cheap supermarket haul with a few vivid bunches of organic produce...Once home, I set out fresh flowers and put the fruit in a jadeite bowl. A jam jar of garden growth even adorns the chartreuse kids' table...I found some used toddler-sized chairs to go around it...It sits right in front of the tall bookcases...When the kids are eating or coloring there, with the cluster or mismatched picture frames hanging just to their left, my son with his mop of sandy hair, my daughter just growing out of babyhood...they look like they could be in a Scandinavian design magazine. I think to myself that maybe motherhood is just this, creating these frames, the little vistas you can take in that look like pictures from magazines, like any number of images that could be filed under familial happiness. They reflect back to you that you're doing it - doing something - right. In my case, these scenes are like a momentary vacation from the actual circumstances of my current life. Children, clean and clad in brightly striped clothing, snacking on slices of organic plum. My son drawing happy gel pen houses, the flourishing clump of smiley-faced flowers beneath a yellow flat sun. To counter the creeping worry that I am a no-good person, I must collect a lot of these images, postage-stamp moments I can gaze upon and think, I can't be fucking up that bad. Can I?

She was crouched in the corner of the room, eating something off the floor. It was the old woman dressed in endless black. When she looked up this time there was no question she was there for me. She had the face of my mother but much older, her ancient decayed mouth coming closer for her good-night kiss. I steeled myself against her putrid smell, the mouthful of bitter dust, but as her lips touched mine it was like biting into a purple black plum whose fruit was brilliant red, like an explosion of intense joy. Its childhood smell wrinkled my nose with pleasure, its sweet juices ran down my chin, turning into a beautiful black ocean where I floated safely, not lost as I had imagined, but securely tucked away deep in space.

When I see the expression ' as cruel as a tiger' and ' as bloodthirsty as a tiger' in print, I think of a small boy armed with an old muzzle-loading gun—the right barrel of which was split for six inches of its length, and the stock and barrels of which were kept from falling apart by lashings of brass wire—wandering through the jungles of the terai and bhabar in the days when there were ten tigers to every one that now survives; sleeping anywhere he happened to be when night came on, with a small fire to give him company and warmth, wakened at intervals by the calling of tigers, sometimes in the distance, at other times near at hand; throwing another stick on the fire and turning over and continuing his interrupted sleep without one thought of unease; knowing from his own short experience and from what others, who like himself had spent their days in the jungles, had told him, that a tiger, unless molested, would do him no harm; or during daylight hours avoiding any tiger he saw, and when that was not possible, standing perfectly still until it had passed and gone, before continuing on his way. And I think of him on one occasion stalking half-a-dozen jungle fowl that were feeding in the open, and on creeping up to a plum bush and standing up to peer over, the bush heaving and a tiger walking out on the far side and, on clearing the bush, turning round and looking at the boy with an expression on its face which said as clearly as any words, 'Hello, kid, what the hell are you doing here?' and, receiving no answer, turning round and waiting away very slowly without once looking back.

It wasn't tuna ventresca that drew diners to this community over others, nor was it heritage beef. It was the final bottle of a 1985 Cannonau, salt-crusted from its time on the Sardinian coast. Each diner had barely a swallow. My employer bid us not to swallow, not yet, but hold the wine at the back of the throat till it stung and warmed to the temperature of blood and spit, till we wrung from it the terroir of fields cracked by quake and shadowed by smog; only then, swallowing, choking, grateful, did we appreciate the fullness of its flavor. His face was ferocious and sublime in this moment, cracked open; I saw it briefly behind the mask. He was a man who knew the gradations of pleasure because he knew, like me, the calculus of its loss. To me that wine was fig and plum; volcanic soil; wheat fields shading to salt stone; sun; leather, well-baked; and finally, most lingering, strawberry. Psychosomatic, I'm sure, but what flavor isn't? I raised my glass to the memory of my drunk in the British market. I imagined him sat across the table, calmed at last, sane among the sane. He would have tasted in that wine the starch of a laundered sheet, perhaps, or the clean smooth shot of his dignity. My employer decanted these deepest longings, mysterious to each diner until it flooded the palate: a lost child's yeasty scalp, the morning breath of a lover, huckleberries, onion soup, the spice of a redwood forest gone up in smoke. It is easy, all these years later, to dismiss that country's purpose as decadent, gluttonous. Selfish. It was those things. But it was, also, this connoisseurship of loss.

I Have Seen Bengal’s Face - Poem by Jibanananda Das Autoplay next video I have seen Bengal’s face, that is why I do not seek Beauty of the earth any more: I wake up in the dark And see the dawn’s magpie-robin perched under the parasol-like huge leaf Of the fig tree – on all sides I see mounds of leaves of Black plum – banyan – jackfruit – oak – pipal lying still; Their shadows fall on the spurge bushes on zedoary clumps; Who knows when Chand near Champa from his madhukar boat Saw such oaks – banyans – gamboge’s blue shades Bengal’s beauty incomparable. Behula too someday floating on raft on Gangur’s water – When the fullmoon of the tenebrous twelfth night died on the river’s shoal – Saw countless pipals and banyans beside the golden corn, Alas, heard the tender songs of shama – and one day going to Amara. When she danced like a torn wagtail in Indra’s court Bengal’s river field, wild violets wept at her feet like anklet bells.

Mae?” Mom’s voice rises over the noise. “Mm?” I look up, realizing again that everyone is watching me. Apparently, I’ve missed a direct question. Her brows furrow. “Are you okay, honey?” With horror, I realize my entire face and neck are flushed. “Yeah, sorry, was just chowing on my dinner.” Theo leans on his elbows. “I called Professor Plum, and you didn’t even blink.” “Oh.” I wave my fork. “I’ll be whoever’s left.” I can feel the ripples of shock make their way around the table. I am laid-back about few things, it’s true, and none of those things are Professor Plum. Like any self-respecting woman of twenty-six, I take my Clue very seriously. And yet. “What’s the big deal, guys?” I ask. “Sometimes a little change is good.” • • • I’ll have you know that Colonel Mustard won Clue tonight, and Professor Plum is already off to bed, pouting that not only did I take the good luck juju with me to a new character, but Professor Plum himself was the murderer, in the conservatory, with the rope. I don’t think Theo enjoys my victory dance, but Andrew sure seems to.

The day after he had proposed to Beatrix, Christopher had reluctantly gone to talk to Prudence. He was prepared to apologize, knowing that he had not been fair in his dealings with her. However, any trace of remorse he might have felt for having deceived Prudence vanished as soon as he saw that Prudence felt no remorse for having deceived him. It had not been a pleasant scene, to say the least. A plum-colored flush of rage had swept across her face, and she had stormed and shrieked as if she were unhinged. "You can't throw me over for that dark-haired gargoyle and her freakish family! You'll be a laughingstock. Half of them are Gypsies, and the other half are lunatics- they have few connections and no manners, they're filthy peasants and you'll regret this to the end of your days. Beatrix is a rude, uncivilized girl who will probably give birth to a litter." As she had paused to take a breath, Christopher had replied quietly, "Unfortunately, not everyone can be as refined as the Mercers." The shot had gone completely over Prudence's head, of course, and she had continued to scream like a fishwife.

As America’s diplomats face budget cuts, China’s coffers are more flush with each passing year. Beijing has poured money into development projects, including a $1.4-trillion slate of infrastructure initiatives around the world that would dwarf the Marshall Plan, adjusted for inflation. Its spending on foreign assistance is still a fraction of the United States’, but the trend line is striking, with funding growing by an average of more than 20 percent annually since 2005. The rising superpower is making sure the world knows it. In one recent year, the US State Department spent $666 million on public diplomacy, aimed at winning hearts and minds abroad. While it’s difficult to know exactly what China spends on equivalent programs, one analysis put the value of its “external propaganda” programs at about $10 billion a year. In international organizations, Beijing looms large behind a retreating Washington, DC. As the US proposes cuts to its UN spending, China has become the second-largest funder of UN peacekeeping missions. It now has more peacekeepers in conflicts around the world than the four other permanent Security Council members combined. The move is pragmatic: Beijing gets more influence, and plum appointments in the United Nations’ governing bodies.

CHANGGAN MEMORIES When first my hair began to cover my forehead, I picked and played with flowers before the gate. You came riding on a bamboo horse, And circled the walkway, playing with green plums. We lived together, here in Changgan county, Two children, without the least suspicion. When I was fourteen, I became your wife, So shy that still my face remained unopened. I bowed my head towards the shadowed wall, And called one thousand times, I turned not once. At 15 I began to lift my brows, And wished to be with you as dust with ashes. You always kept your massive pillar faith, I had no need to climb the lookout hill. When I was sixteen, you went far away, To Yanyudui, within the Qutang gorge. You should not risk the dangerous floods of May, Now from the sky, the monkeys cry in mourning. Before the gate, my pacing's left a mark, Little by little, the green moss has grown. The moss is now too deep to sweep away, And leaves fall in the autumn's early winds. This August, all the butterflies are yellow, A pair fly over the western garden's grass. I feel that they are damaging my heart, Through worrying, my rosy face grows old. When you come down the river from Sanba, Beforehand, send a letter to your home. We'll go to meet each other, however far, I'll come up to Changfengsha.

He lay under the great bearskin and stared out of the window at the stars of spring, no longer frosty and metallic, but as if they had been new washed and had swollen with the moisture. It was a lovely evening, without rain or cloud. The sky between the stars was of the deepest and fullest velvet. Framed in the thick western window, Alderbaran and Betelgeuse were racing Sirius over the horizon, the hunting dog-star looking back to his master Orion, who had not yet heaved himself above the rim. In at the window came also the unfolding scent of benighted flowers, for the currants, the wild cherries, the plums and the hawthorn were already in bloom, and no less than five nightingales within earshot were holding a contest of beauty among the bowery, the looming trees...He watched out at the stars in a kind of trance. Soon it would be the summer again, when he could sleep on the battlements and watch these stars hovering as close as moths above his face and, in the Milky Way at least, with something of the mothy pollen. They would be at the same time so distant that unutterable thoughts of space and eternity would baffle themselves in his sighing breast, and he would imagine to himself how he was falling upward higher and higher among them, never reaching, never ending, leaving and losing everything in the tranquil speed of space.

She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered. For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet. That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic....

Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.

Plum’s handsome mouth curved into a smile. “Oh, yes. It’s slipped your mind, dearest, but the year is 1889—and that means Twelfth Night falls in 1890.” I buried my face in my hands. “No.” Brisbane stirred himself. “What is the significance of 1890?” I peeped over my fingertips. “The Twelfth Night mummers’ play. Every year the villagers put on a traditional mummers’ play.” Brisbane groaned. “Not one of those absurdities with St. George and the dragon?” “The very same.” I exchanged glances with Plum. His smile sharpened as he picked up the story. “I am sure Julia told you Shakespeare once stayed as a guest of the Marches at Bellmont Abbey. There was apparently a quarrel that ended with the earl’s wife throwing Shakespeare’s only copy of the play he was writing into the fire. They patched things up, and—” “And to demonstrate he bore no ill will, Shakespeare himself wrote our mummers’ play,” I finished. “Once every decade, instead of the villagers of Blessingstoke performing the traditional play, the family perform the Shakespearean version for the local folk.” “Every ten years,” Brisbane said, his black brows arched thoughtfully. “Yes. The men in the family act out the parts and the women are a sort of chorus, robed in white and singing in the background.” “It is great fun, really,” Plum put in. “Father always plays the king who sends St. George to kill the dragon and the rest of the parts always seem to go to the same people. Except for St. George. That one always falls to the newest male to marry into the family.” I busied myself with tearing a muffin to bits while Plum’s words registered with Brisbane. “Absolutely not.” I turned to him. “But dearest, it is tradition.” “I am not an enthusiast of tradition.

This was a new way to do it. We’d just discovered it. Staring into each other’s eyes was another way of keeping them closed, or off the details at hand, anyway. We locked onto each other. Meanwhile the Object was very subtly flexing her legs. I was aware of the mound beneath her cutoffs rising toward me, just a little, rising and suggesting itself. I put my hand on the Object’s thigh, palm down. And as we continued to swing, looking at each other while crickets played their fiddles in the grass, I slid my hand sideways up toward the place where the Object’s legs joined. My thumb went under her cutoffs. Her face showed no reaction. Her green eyes under the heavy lids remained fastened on mine. I felt the fluffiness of her underpants and pressed down, sliding under the elastic. And then with our eyes wide open but confined in that way my thumb slipped inside her. She blinked, her eyes closed, her hips rose higher, and I did it again. And again after that. The boats in the bay were part of it, and the string section of crickets in the baking grass, and the ice melting in our lemonade glasses. The swing moved back and forth, creaking on its rusted chain, and it was like that old nursery rhyme, Little Jack Horner sat in the corner eating his Christmas pie. He stuck in his thumb and pulled out a plum . . . After the first roll of her eyes the Object resettled her gaze on mine, and then what she was feeling showed only there, in the green depths her eyes revealed. Otherwise she was motionless. Only my hand moved, and my feet on the rail, pushing the swing. This went on for three minutes, or five, or fifteen. I have no idea. Time disappeared. Somehow we were still not quite conscious of what we were doing. Sensation dissolved straight into forgetting.

The store smells of roasted chicken and freshly ground coffee, raw meat and ripening stone fruit, the lemon detergent they use to scrub the old sheet-linoleum floors. I inhale and feel the smile form on my face. It's been so long since I've been inside any market other than Fred Meyer, which smells of plastic and the thousands of people who pass through every day. By instinct, I head for the produce section. There, the close quarters of slim Ichiban eggplant, baby bok choy, brilliant red chard, chartreuse-and-purple asparagus, sends me into paroxysms of delight. I'm glad the store is nearly empty; I'm oohing and aahing with produce lust at the colors, the smooth, shiny textures set against frilly leaves. I fondle the palm-size plums, the soft fuzz of the peaches. And the berries! It's berry season, and seven varieties spill from green cardboard containers: the ubiquitous Oregon marionberry, red raspberry, and blackberry, of course, but next to them are blueberries, loganberries, and gorgeous golden raspberries. I pluck one from a container, fat and slightly past firm, and pop it into my mouth. The sweet explosion of flavor so familiar, but like something too long forgotten. I load two pints into my basket. The asparagus has me intrigued. Maybe I could roast it with olive oil and fresh herbs, like the sprigs of rosemary and oregano poking out of the salad display, and some good sea salt. And salad. Baby greens tossed with lemon-infused olive oil and a sprinkle of vinegar. Why haven't I eaten a salad in so long? I'll choose a soft, mild French cheese from the deli case, have it for an hors d'oeuvre with a beautiful glass of sparkling Prosecco, say, then roast a tiny chunk of spring lamb that I'm sure the nice sister will cut for me, and complement it with a crusty baguette and roasted asparagus, followed by the salad. Followed by more cheese and berries for dessert. And a fruity Willamette Valley Pinot Noir to wash it all down. My idea of eating heaven, a French-influenced feast that reminds me of the way I always thought my life would be.

You cannot defeat me,” the doppler snarled. “Because I am you, Geralt.” “You are mistaken, Tellico,” the Witcher said softly. “Drop your sword and resume Biberveldt’s form. Otherwise you’ll regret it, I warn you.” “I am you,” the doppler repeated. “You will not gain an advantage over me. You cannot defeat me, because I am you!” “You cannot have any idea what it means to be me, mimic.” Tellico lowered the hand gripping the sword. “I am you,” he repeated. “No,” the Witcher countered, “you are not. And do you know why? Because you’re a poor, little, good-natured doppler. A doppler who, after all, could have killed Biberveldt and buried his body in the undergrowth, by so doing gaining total safety and utter certainty that he would not be unmasked, ever, by anybody, including the halfling’s spouse, the famous Gardenia Biberveldt. But you didn’t kill him, Tellico, because you didn’t have the courage. Because you’re a poor, little, good-natured doppler, whose close friends call him Dudu. And whoever you might change into you’ll always be the same. You only know how to copy what is good in us, because you don’t understand the bad in us. That’s what you are, doppler.” Tellico moved backwards, pressing his back against the tent’s canvas. “Which is why,” Geralt continued, “you will now turn back into Biberveldt and hold your hands out nicely to be tied up. You aren’t capable of defying me, because I am what you are unable of copying. You are absolutely aware of this, Dudu. Because you took over my thoughts for a moment.” Tellico straightened up abruptly. His face’s features, still those of the Witcher, blurred and spread out, and his white hair curled and began to darken. “You’re right, Geralt,” he said indistinctly, because his lips had begun to change shape. “I took over your thoughts. Only briefly, but it was sufficient. Do you know what I’m going to do now?” The leather witcher jacket took on a glossy, cornflower blue colour. The doppler smiled, straightened his plum bonnet with its egret’s feather, and tightened the strap of the lute slung over his shoulder. The lute which had been a sword a moment ago. “I’ll tell you what I’m going to do, Witcher,” he said, with the rippling laughter characteristic of Dandelion. “I’ll go on my way, squeeze my way into the crowd and change quietly into any-old-body, even a beggar. Because I prefer being a beggar in Novigrad to being a doppler in the wilds.

Spinach Rollups This recipe is from my friend Susan Zilber. Susan moved away to New York, but I bet she still makes these.   5 to 8 flour tortillas (the large burrito size) 16-ounce package frozen chopped spinach ¼ cup mayonnaise ½ cup softened cream cheese ¼ cup sour cream 1/8 cup dried chopped onion ¼ cup bacon bits 1 Tablespoon Tabasco sauce   Cook the spinach and drain it, squeezing out all the moisture. (Cheesecloth inside a strainer works well for this.) Mix together all ingredients except the tortillas. Spread small amount of spinach mixture out on the face of a tortilla. Roll it up and place it in a plastic freezer bag. Continue spreading and rolling tortillas until the spinach mixture is gone. Fold the plastic bag over when all the rollups are inside to make sure they stay tightly rolled. Refrigerate for at least 4 hours. (Overnight is best.) Slice with a sharp knife, arrange on a platter, and serve as appetizers. Susan says to tell you that once she started to make these and found that she was out of sour cream. She used all cream cheese instead, and they were delicious. Hannah’s Addition to Susan’s Rollups 5 to 8 flour tortillas (the large burrito size) 6 ounces chopped smoked salmon (or lox) 1 cup (8 ounces) softened cream cheese ¼ cup dried chopped onions 1 teaspoon freshly ground black pepper 1 teaspoon dill weed (of course fresh is best)   Mix all the ingredients except the tortillas together in a bowl. Spread small amount of the salmon mixture out on the face of a tortilla. Roll it up and place it in a plastic freezer bag. Continue spreading and rolling tortillas until the salmon mixture is gone. Fold the plastic bag over when all the rollups are inside to make sure they stay tightly rolled. Refrigerate for at least 4 hours. (Overnight is best.) Slice with a sharp knife, arrange on a platter, and serve as appetizers. I made Susan’s Spinach Rollups too, and after I cut them the next day, I arranged both kinds on the platter in contrasting rings. It looked gorgeous.

Yes! No! How necessary it is to have opinions! I think the spotted trout lilies are satisfied, standing a few inches above the earth. I think serenity is not something you just find in the world, like a plum tree, holding up its white petals. The violets, along the river, are opening their blue faces, like small dark lanterns. The green mosses, being so many, are as good as brawny. How important it is to walk along, not in haste but slowly, looking at everything and calling out Yes! No! The swan, for all his pomp, his robes of glass and petals, wants only to be allowed to live on the nameless pond. The catbrier is without fault. The water thrushes, down among the sloppy rocks, are going crazy with happiness. Imagination is better than a sharp instrument. To pay attention, this is our endless and proper work.

Is RECON another acronym?” asked Mudflap. (RECON is not an acronym. It’s short for reconnaissance, because reconnaissance is a tough word to spell correctly.) “Um,” said Josh. “Yes. Yes, RECON is an acronym. Now—” “What does it stand for?” asked Splinters. Josh sighed. “Well . . . it . . . stands for . . .” Josh stared at the ceiling of his barracks. He felt instinctively that this was an important test of his leadership. Josh firmly believed that good leaders never admit when they don’t know something. And the fact was, Josh didn’t know what this acronym stood for. (Again, it wasn’t an acronym.) He began to blush a pale plum color. This was a tough spot. What could he do? “RECON stands for . . . Really . . .” He was off to a good start! “Enormous . . . Counterstrike . . .” O. O. O. “On . . .” Aha! Josh was almost there. He screwed up his eyes and willed all his blood to his brain. Josh’s face darkened and became the shade of a turnip. Just one letter left! His eyes lit up. The word came to him like a gift from his ancestors, inscribed in his mind with the ballpoint pen of principals past. “NIMBUSES!