Plotting Evil Quotes

Dan, I'm not a Republic serial villain. Do you seriously think I'd explain my master-stroke if there remained the slightest chance of you affecting its outcome? I did it thirty-five minutes ago.

Evil turned out not to be a grand thing. Not sneering Emperors with their world-conquering designs. Not cackling demons plotting in the darkness beyond the world. It was small men with their small acts and their small reasons. It was selfishness and carelessness and waste. It was bad luck, incompetence, and stupidity. It was violence divorced from conscience or consequence. It was high ideals, even, and low methods.

Mize knew that the outcome of today’s hearing was all about politics. Lady Justice wasn’t blind. She was wearing see-no-evil lenses and had been cursed with a more troubling disability—muteness. There existed no doubt in his mind that political machinations had suffocated legal precedent on this day.

Better that right counsels be known to enemies than that the evil secrets of tyrants should be concealed from the citizens. They who can treat secretly of the affairs of a nation have it absolutely under their authority; and as they plot against the enemy in time of war, so do they against the citizens in time of peace.

If perchance a friend should betray you; if he forms a subtle plot to get hold of what is yours; if people should try to spread evil reports about you, would you tamely submit to all this without flying into a rage?

Calliope, a thing of evil, sat on the edge of his bed, black tail twitching as she watched him with bright green eyes. She started purring. In most cats, it would be a soothing sound. In Calliope, it indicated devious plotting involving nefarious deeds.

Here's some more stuff we're going to need." 1 pair coveralls 1 extension ladder (30 foot) 1 glass cutter 1 artist's portfolio (large) 1 water pistol 1 bottle india ink 1 portable trampoline (collapsible) 1 bicycle w/basket 4 pizza boxes Jonah whistled. "I hope you've got some crazy evil-genius strategy, 'cause–straight up–I don't get it.

May I be an enemy to no one and the friend of what abides eternally. May I never quarrel with those nearest me, and be reconciled quickly if I should. May I never plot evil against others, and if anyone plot evil against me, may I escape unharmed and without the need to hurt anyone else. May I love, seek and attain only what is good. May I desire happiness for all and harbor envy for none. May I never find joy in the misfortune of one who has wronged me. May I never wait for the rebuke of others, but always rebuke myself until I make reparation. May I gain no victory that harms me or my opponent. May I reconcile friends who are mad at each other. May I, insofar as I can, give all necessary help to my friends and to all who are in need. May I never fail a friend in trouble. May I be able to soften the pain of the grief stricken and give them comforting words. May I respect myself. May I always maintain control of my emotions. May I habituate myself to be gentle, and never angry with others because of circumstances. May I never discuss the wicked or what they have done, but know good people and follow in their footsteps. [Prayer to practice the Golden Rule]

We're all a bit bad. We all have things in our lives that bring us shame and regret. Things that have hurt our souls or hurt the people we love. But 're all a bit good too. i reckon we're mostly good actually. And life is about trying to learn the balance, plot our place on the continuum... We're not just made up of good and bad: we're everything else too.

J.R.R.Tolkien has confessed that about a third of the way through The Fellowship of the Ring, some ruffian named Strider confronted the hobbits in an inn, and Tolkien was in despair. He didn't know who Strider was, where the book was going, or what to write next. Strider turns out to be no lesser person than Aragorn, the unrecognized and uncrowned king of all the forces of good, whose restoration to rule is, along with the destruction of the evil ring, the engine that moves the plot of the whole massive trilogy, The Lord of the Rings.

I did it thirty-five minutes ago.

Ay, that I had not done a thousand more. Even now I curse the day—and yet, I think, Few come within the compass of my curse,— Wherein I did not some notorious ill, As kill a man, or else devise his death, Ravish a maid, or plot the way to do it, Accuse some innocent and forswear myself, Set deadly enmity between two friends, Make poor men's cattle break their necks; Set fire on barns and hay-stacks in the night, And bid the owners quench them with their tears. Oft have I digg'd up dead men from their graves, And set them upright at their dear friends' doors, Even when their sorrows almost were forgot; And on their skins, as on the bark of trees, Have with my knife carved in Roman letters, 'Let not your sorrow die, though I am dead.' Tut, I have done a thousand dreadful things As willingly as one would kill a fly, And nothing grieves me heartily indeed But that I cannot do ten thousand more.

Shortly after we were in bed I began my story, but made it so absurd, so long, and so tiresome, that, as my intention was, I sent her to sleep, and should have gone to sleep myself - but dark plots are ever wakeful. (“The Story of Prince Barkiarokh”)

Every book has at least one good thing…Love stories and bad news and evil masterminds, plots as thick as sludge, places and people she wishes she could know in real life, and words whose loveliness and music make her want to cry when she says them aloud.

Shaking my head, I watched the cat run under the van and stare at us with black eyes. I wasn’t a cat person. They always seemed like they were secretly plotting the destruction of the human race. And despite the cutesy name Zoe had given it, this one struck me as slightly evil.

Perfect. Then imagine that you started reading the most interesting and fascinating comic book ever created. You fell in love with some characters, you hated others. Endless plots unfolded and every one was an emotional page-turner you couldn't read fast enough because you had to know what was going to happen next. You felt like the world would end if you didn't find out how the story ended. But then you get to the end and there was no end. The author didn't finish it. You don't know if good or evil won. You don't know if the guy got the girl. You don't know any of the answers to all your important questions

You know what you stupid fucking conspiracy assholes just don’t get? No one is that well organized. There is no big Deep State evil, no Corporate Earth Plot to Enslave Humanity. It’s just a bunch of conflicting interests making a fucking mess wherever they go.

Andre had been telling her an ancient legend of the fall of man into evil. It came about, he said, by the hand of a woman, Eve, who gave man forbidden fruit. "And how was this woman to know that the fruit was forbidden?" Madame Wu had inquired. "An evil spirit, in the shape of a serpent, whispered it to her," Andre had said. "Why to her instead of to the man?" she had inquired. "Because he knew that her mind and her heart were fixed not upon the man, but upon the pursuance of life," he had replied. "The man's mind and heart were fixed upon himself. He was happy enough, dreaming that he possessed the woman and the garden. Why should he be tempted further? He had all. But the woman could always be tempted by the thought of a better garden, a larger space, more to possess, because she knew that out of her body would come many more beings, and for them she plotted and planned. The woman thought not of herself, but of the many whom she would create. For their sake she was tempted. For their sake she will always be tempted.

For each one of us and at some lost moment of life—is a mission announced that we must accomplish? I however refuse any mission. I won’t accomplish anything: I just live. [...] Do I not have a plot to my life? for I am unexpectedly fragmentary. I am piecemeal. My story is living. And I have no fear of failure. Let failure annihilate me, I want the glory of falling. My crippled angel who contorts all elusive, my angel who fell from the heavens to the hell where he lives savoring evil.

All the other Circles wanted you,” Arthur murmured to him, “but you’re mine. My greatest achievement. Do you want to know why?” “Yeah,” Nick said. “I’d like you to explain your entire evil plot in detail. Don’t forget the bit where you tell me your one weakness.

It has been the one song of those who thirst after absolute power that the interest of the state requires that its affairs should be conducted in secret... But the more such arguments disguise themselves under the mask of public welfare, the more oppressive is the slavery to which they will lead... Better that right counsels be known to enemies than that the evil secrets of tyrants should be concealed from the citizens. They who can treat secretly of the affairs of a nation have it absolutely under their authority; and as they plot against the enemy in time of war, so do they against the citizens in time of peace.

I don’t know if any plot involving Spencer would be good versus evil, more like evil versus slightly less evil.

What the tanuki doesn’t realize is that people who affect to believe all our nonsense often harbor evil and insidious plots in their hearts

What if there existed a dark kingdom forged on a web of evil spells, with a conniving king plotting to infiltrate the dreams of children all over the world?

Evil exists in this world because you exist in this world.

Yellow journalism should be illegal. They invade the lives of innocent people and evoke inexistent situations with the aim to preserve evil for profit. They can’t find anything and they construct.

When evil men plot, good men must plan. When evil men burn and bomb, good men must build and bind. When evil men shout ugly words of hatred, good men must commit themselves to the glories of love. —Dr. Martin Luther King Jr.

Justice delayed is not necessarily justice denied. There will come a day when God will settle accounts and people will be held responsible for the evil they’ve perpetrated and the suffering they’ve caused. Criticizing God for not doing it right now is like reading half a novel and criticizing the author for not resolving the plot. God will bring accountability at the right time—in fact, the Bible says one reason he’s delaying is because some people are still following the clues and have yet to find him.15 He’s actually delaying the consummation of history out of his great love for them.

People in his everyday – cashiers, bus drivers, teachers – were always much cooler or more evil in his memories. His mind had no time for the mundane – adding creative character and plot embellishments to everyone and everything for his sanity’s survival.

Outside of Piers Morgan’s home is a sign strategically positioned in the front of his property by the walkway. Its bold red-and-white typeface is a warning to all passersby: “Protected By Armed Response Security Systems.” James O’Keefe of Project Veritas discovered the sign as he sought signatures for a petition seeking to rid Hollywood films of all firearms. He took a photo of the sign and asked Morgan via Twitter “Hey, @piersmorgan, can you explain these signs on your Beverly Hills property?” Morgan could not, so he ignored it. While Morgan snores soundly in his bed, he has a security firm keep watch with a firearm and rush to Morgan’s defense if Morgan finds himself under threat. This way Morgan can pretend that he’s against firearms when, really, he’s just outsourced his gun. He is a royalist: He believes that commoners shouldn’t possess firearms, especially Americans. It’s the ultimate hypocrisy: Progressives view firearms as only situationally evil. They’re evil in the hands of anyone other than themselves or their security firms. Don

In the moments after she spoke I remember thinking that if she was in some way correct she was, however, not right. That of course life is random, a series of coincidences, etc., but that to live you must attempt to make sense of it, and that's what narrative's for. I believe this, people of a certain sensibility believe this. Mostly it's harmless. Though perhaps sometimes you find yourself doing things because you think the narrative arc calls for it, or because you've grown bored with your own plot, things you shouldn't do because they will, these things, hurt the other characters in your story, who are not characters after all, but people. But then people do evil often and with less elaborate justifications.

And this is the result. Millions of small sins, billions of tiny evils--twisting, twining, groping, consuming...Till they become a great serpent...a blight on humanity...that rises from the collective unconscious towering over the world...Blocking out the light. It is so convenient to blame it all on some sneering, arrogant Satan--sitting on a fiery throne, plotting to corrupt our souls. But if there is a devil--he's just another projection of our own sins.

Demonic spirits never sleep or take a vacation, always plotting and waiting for the next offensive.

We need to teach our nation to detest any form of plots, insinuations, evil intrigues and violence.

Evil exists in the world because

Silence in the face of evil is itself evil,” he would later write. “Not to speak is to speak. Not to act is to act.”2

The good versus evil plot has always been bogus. The drama unfolding in the universe—in our psyches—is not good against evil but new against old, or, more precisely, destined against obsolete.

This world is erected upon the principle of reciprocity. Neither a drop of kindness nor a speck of evil will remain unreciprocated. Fear not the plots, deceptions, or tricks of other people. If somebody is setting a trap, remember, so is God. He is the biggest plotter. Not even a leaf stirs outsides God's knowledge. Simply and fully believe in that. Whatever God does, He does beautifully.

The Devil's minions worked his treacherous plot through the hearts of men, possessing them, ruling them. These hounds of hell ran wild these days through their human hosts, working greater and greater abominations.

No evil equals no plot equals no movie equals no money. Thus the paradox: while we convince ourselves we are good (or at least not depraved), our most powerful art form is built upon the revelation that this is a lie.

How do you accept that tragic irony is a cruelty reserved not merely for Shakespearean plot twists? How do you admit to your son that monsters exist outside of fairy tales? How do you explain to a child something you can't understand yourself?

What happened? Stan repeats. To us? To the country? What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have. What happened? Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear. What happened? You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what Happened? Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what Happened? Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day we are responsible for ourselves. We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't Who we wanted to be.

IN THE GREAT DICTATOR’S CLOSING SCENES, CHARLIE CHAPLIN’S timid Jewish barber is, through a complicated plot twist, mistaken for the film’s Hitler-like character, also played by Chaplin. Clad in a German military uniform, he finds himself standing before a microphone, expected to address a mammoth party rally. Instead of the rapid-fire invective the crowd anticipates, Chaplin delivers a homily about the resilience of the human spirit in the face of evil. He asks soldiers not to give themselves to “men who despise you, enslave you . . . treat you like cattle, use you as cannon fodder . . . unnatural men—machine men with machine minds and machine hearts. You are not machines! You are not cattle! You are men! You have the love of humanity in your hearts. “Even now my voice is reaching millions throughout the world,” the humble barber tells the crowd, “millions of despairing men, women, and little children—victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say—do not despair. . . . The hate of men will pass, and dictators die, and the power they took from the people will return to the people. . . . Liberty will never perish.” Chaplin’s words are sentimental, maudlin, and naïve. I cannot listen to them without wanting to cheer.

The vast growth of the proletariat, the concentration of ownership into the hands of a few owners, and the exploitation by those owners of the mass of the community, had no fatal or necessary connection with the discovery of new and perpetually improving methods of production. The evil proceeded in direct historical sequence, proceeded patently and demonstrably, from the fact that England, the seed-plot of the Industrial System, was already captured by a wealthy oligarchy before the series of great discoveries began.

I hadn’t actually thought about that. I did use the concept of the Way and foundlings from Mandalorian, but I haven’t consciously included any other plot ideas from the show.  That said, your idea is an interesting one.…. But, Winter is too nice to be evil, right?

This is indeed one of the true tragedies of lycanthropy, that the subject of such evil pacts and nefarious deeds is ignorant of his place in the plot that besieges this humble hamlet.” – Aleister Creed, Witchfinder The Trial of John Goode by Gabriel Salmon and Thome Ward

... the reader is probably wondering that if Tolkien did indeed fashion two of his heroic characters from Catholic prophecies, what about the evil protagonists? Were any of them inspired by these little-known revelations concerning future times? The answer is yes, but to discover the links between the myth and the prophecies, we must venture not only into the realm of unnerving revelations, but also into the murky world of secret sects, dark plots, occult signs, bloody revolutions and conspiracy theories ~ we must probe deep into the burning Eye of Sauron.

Shawshank’s good,” he says. “But you can’t beat the way Woody Harrelson kills zombies. He takes such joy in it.” “Uh-huh,” I say, making a face. “I’ve always found zombies to be the least threatening of the scary monsters. I mean, come on. They’re slow. They’re brain-dead. They don’t plot evil or try to take over the world. They just—” I put my arms out in front of me and give him my best zombie groan. I shake my head. “So not scary.” “But they just. Keep. Coming,” Christian says. “You can run, you can kill them, but more of them always pop up, and they never stop.” He shudders. “And they try to eat you, and if you get bitten, that’s it—you’re infected. You’re doomed to become a zombie yourself. End of story.” “Okay,” I concede, “they’re kind of scary,” and now I’m vaguely disappointed that we’re not here to watch a zombie movie.

The Killer Inside Me is a chilling first-person story of an evil lawman, while Pop. 1280 is a strangely funny version of the same plot. Of all the noir writers, Thompson is the most popular today, in part because several of his novels, including The Grifters, were successfully adapted for film.

In the late-day sun, the square had become a hive of preparation for the School Master’s arrival. The men sharpened swords, set traps, and plotted the night’s guard, while the women lined up the children and went to work. Handsome ones had their hair lopped off, teeth blackened, and clothes shredded to rags; homely ones were scrubbed, swathed in bright colors, and fitted with veils. Mothers begged the best-behaved children to curse or kick their sisters, the worst were bribed to pray in the church, while the rest in line were led in choruses of the village anthem: “Blessed Are the Ordinary.

Their quarry had been cornered in his defenses and their bloodlust was such that they were likely to pay top Julep to watch him escape, so that he might be brutalized and killed before their very eyes, as this was much more gratifying to them than simply watching justice be enacted. They, too, understood that societal constructs for justice were moderate gratification, at best, as they were empty and subject to contradictions and compromises steeped in moral relativism and an unconditional dependence upon overblown semantics that made the law a mockery of itself. As for the ideologies that these hollow systems of jurisprudence sought to define and uphold: these could easily be subjugated through a meticulous analysis of the trivial components of one statute or another. The rule of law had failed them. What the people wanted, in its stead, was rather simple: moral absolutes. Good versus evil. And evil was not to be simply prevailed over. Evil was to be dominated and effectively eliminated, because as long as it was able to while away the time somewhere—in some sweaty prison cell, far away, staring out the barred window with a wry smile, as it plotted its next offensive on the Common Good, a sense of wholeness could not be achieved.

It has been the one song of those who thirst after absolute power that the interest of the state requires that its affairs should be conducted in secret . . . . But the more such arguments disguise themselves under the mask of public welfare, the more oppressive is the slavery to which they will lead . . . . Better that right counsels be known to enemies than that the evil secrets of tyrants should be concealed from the citizens. They who can treat secretly of the affairs of a nation have it absolutely under their authority; and as they plot against the enemy in time of war, so do they against the citizens in time of peace.

Imagine the same scene in HAMLET if Pullman had written it. Hamlet, using a mystic pearl, places the poison in the cup to kill Claudius. We are all told Claudius will die by drinking the cup. Then Claudius dies choking on a chicken bone at lunch. Then the Queen dies when Horatio shows her the magical Mirror of Death. This mirror appears in no previous scene, nor is it explained why it exists. Then Ophelia summons up the Ghost from Act One and kills it, while she makes a speech denouncing the evils of religion. Ophelia and Hamlet are parted, as it is revealed in the last act that a curse will befall them if they do not part ways.

Back in Poplar, everyone had known that the King was being led astray by evil advisers and Catholic plots, and the Parliament was full of brave, honest, clear-sighted men who wanted the best for everybody. It had been so obvious! It had been common sense! . . . But here in Grizehayes, it was just as obvious to everybody that a power-hungry Parliament driven to frenzy by crazy Puritans was trying to steal power from the rightful King. Neither side seemed to be stupid, and both were equally certain. Was I raised by Puritans? I believed what they believed back then. Were we all frothing mad? Or was I right then, and am I mad now?

When evil men plot, good men must plan. When evil men burn and bomb, good men must build and bind. When evil men shout ugly words of hatred, good men must commit themselves to the glories of love. Where evil men would seek to perpetuate an unjust status quo, good men must seek to bring into being a real order of justice.2

Saint Michael the Archangel, defend us in battle. Be our protection against the wickedness and snares of the Devil. May God rebuke him, we humbly pray, and do thou, O Prince of the heavenly hosts, by the power of God, cast into hell Satan and all the evil spirits, who prowl about the world seeking the ruin of souls. Amen.20

In this recording, she’s just accused by one of her best friends of plotting to murder her husband, who was in fact murdered, and she never says, ‘Oh no I didn’t.’ What she says is, ‘Wait, Marcus is involved?’” Fuchs urged jurors to listen to the entire audio recording between Denise and Kathy because “it lays out this entire case without Brian.

He began as a minor imitator of Fitzgerald, wrote a novel in the late twenties which won a prize, became dissatisfied with his work, stopped writing for a period of years. When he came back it was to BLACK MASK and the other detective magazines with a curious and terrible fiction which had never been seen before in the genre markets; Hart Crane and certainly Hemingway were writing of people on the edge of their emotions and their possibility but the genre mystery markets were filled with characters whose pain was circumstantial, whose resolution was through action; Woolrich's gallery was of those so damaged that their lives could only be seen as vast anticlimax to central and terrible events which had occurred long before the incidents of the story. Hammett and his great disciple, Chandler, had verged toward this more than a little, there is no minimizing the depth of their contribution to the mystery and to literature but Hammett and Chandler were still working within the devices of their category: detectives confronted problems and solved (or more commonly failed to solve) them, evil was generalized but had at least specific manifestations: Woolrich went far out on the edge. His characters killed, were killed, witnessed murder, attempted to solve it but the events were peripheral to the central circumstances. What I am trying to say, perhaps, is that Hammett and Chandler wrote of death but the novels and short stories of Woolrich *were* death. In all of its delicacy and grace, its fragile beauty as well as its finality. Most of his plots made no objective sense. Woolrich was writing at the cutting edge of his time. Twenty years later his vision would attract a Truffaut whose own influences had been the philosophy of Sartre, the French nouvelle vague, the central conception that nothing really mattered. At all. But the suffering. Ah, that mattered; that mattered quite a bit.

This world is erected upon the principle of reciprocity. Neither a drop of kindness nor a speck of evil will remain unreciprocated. Fear not the plots, deceptions, or tricks of other people. If somebody is setting a trap, remember, so is God. He is the biggest plotter. Not even a leaf stirs outside God's knowledge. Simply and fully believe in that. Whatever God does, He does beautifully.

The truth of the matter was, that whether a person did good or committed evil was rarely ever due to their inherent nature. Each person was like a plot of farmland; some were lucky, their fields sprinkled with seeds of grains, bearing an abundant harvest come autumn, paddies wafting with the soft fragrance of rice and fields of wheat dancing in the wind like waves, and everything would be good and praise-worthy. But some were not so lucky. Their fields were planted with the seeds of poppy flowers, and the spring breeze brought only the sin of intoxicated dissipation and euphoric decadence, filling the skies and covering the lands with that vile, bloody red and gold. The people abhorred it, cursed it, feared it, even as they indulged in its blissful stupor, rotted away in its filthy stench.

The Caitlin books, which ran as a set of three trilogies (Loving, Promises, and Forever) published between 1985 and 1988, chart a decade or so in the life of the beautiful, terrible poor little rich girl as she repeatedly breaks up and makes up with her first love, Montana-based hunk Jed (Jed!), rides many horses, drives many luxury cars, is emotionally neglected by her family, accidentally lets an elementary schooler eat poison (it’s okay, he survives, everyone calm down!), gets trapped in a mine, reconnects with her long-lost father, goes to college, is forced against her will to become a successful model, gets trapped in a barn fire, is forced against her will to become the head of a successful mining company, and is the subject of numerous unsuccessful plots by evil men who wish to “ruin” her.

Evil turned out not to be a grand thing. Not sneering Emperors with world-conquering designs. Not cackling demons plotting in the darkness beyond the world. It was small men with their small acts and their small reasons. It was selfishness and carelessness and waste. It was bad luck, incompetence and stupidity. It was violence divorced from conscience or consequence. It was high ideals, even, and low methods.

It would not take much to have the throats of every Abolitionist cut. —Preston Brooks of South Carolina, 1856 Judge Taney can do many things, but he cannot perform impossibilities….He cannot change the essential nature of things—making evil good, and good evil. —Frederick Douglass, on the Dred Scott decision, 1857 I clearly see, as I think, a powerful plot to make slavery universal and perpetual in this nation. —Abraham Lincoln, 1858

In my lands night is where people to evil to enemies they call friends in the day. It's when sihrs and jinns come play, and people scheme and plot. Children grow to fear it because they think there be monsters . They build a whole thing about it, about night and dark and even the colour black, which is not even a colour here. Not here. Here evil has no qualm with striking at noon. But it leaves night beautiful in look and cool of feel.

Her mother had certainly made her childhood interesting. In those days, the castle was always crowded with soldiers in spiked armor and creatures that scurried through shadows and hissed at her. Quality time with Mother had included sitting on her lap while the queen met with her generals and hatched plots to kill, conquer, and rule, orspending hours in the dungeon workshop, coughing on smoke and helping Mother make toxic potions and evil spells.

Such was the bridal-hour of Genius and Humanity. Who shall rehearse the tale of their after-union? Who shall depict its bliss and bale? Who shall tell how He, between whom and the Woman God put enmity, forged deadly plots to break the bond or defile its purity? Who shall record the long strife between Serpent and Seraph? How still the Father of Lies insinuated evil into good - pride into wisdom - grossness into glory - pain into bliss - poison into passion? How the 'dreadless Angel' defied, resisted, and repelled? How, again and again, he refined the polluted cup, exalted the debased emotion, rectified the perverted impulse, detected the lurking venom, baffled the frontless temptation - purified, justified, watched, and withstood? How, by his patience, by his strength, by that unutterable excellence he held from God - his Origin - this faithful Seraph fought for Humanity a good fight through time; and, when Time's course closed, and Death was encountered at the end, barring with fleshless arms the portals of Eternity, how Genius still held close his dying bride, sustained her through the agony of the passage, bore her triumphant into his own home - Heaven; restored her, redeemed, to Jehovah - her Maker; and at last, before Angel and Archangel, crowned her with the crown of Immortality. Who shall, of these things, write the chronicle?

Nor did I affirm it openly, in so many words. I did not deny it, true. Who am I to express judgments on the plots of the Evil One, especially,” he added, and seemed to want to insist on this reason, “in cases where those who had initiated the inquisition, the bishop, the city magistrates, and the whole populace, perhaps the accused themselves, truly wanted to feel the presence of the Devil? There, perhaps the only real proof of the presence of the Devil was the intensity with which everyone at that moment desired to know he was at work. . . .” “Are

Rona soon picked out her own plot of land - one hundred eighty acres that stretched along the bottom of a rocky hill and only a stone's through from the shoreline. Quickly, much more quickly than natural for a man much less a woman - even one of Rona Blackburn's stature - a house appeared. She filled her new home with reminders of her previous one on the Aegean island she had loved so much: pastel seashells and a front door painted a deep cobalt blue - a color the yiayias always claimed had the power to repel evil. Then she set up her bed, made a pit for her fire, and erected two wooden tables. One table she kept bare. The other she covered in tinctures and glass jars of cut herbs and other fermented bits of flora and fauna. On this table, she kept a marble mortar and pestle, the leather sheath in which she wrapped her knives, and copper bowls - some for mixing dry ingredients, some for liquid, and a few small enough to bring to the mouth for sipping. And when the fire was stoked and the table was set, she placed a wooden sign - soon covered in a blanket of late December snow - outside that blue front door. It read one world: Witch.

Raquel laughed, and David joined her. They sounded slightly manic. “You’re free now,” he said. “Of all of it,” she answered, and I looked up to see them locked in a gaze I’d previously only observed between actors on Easton Heights—one filled with all the things unspoken over the years, all the betrayals and fears and pain left behind in favor of overwhelming love. It was beautiful. Oh, who am I kidding, it was awkward as all heck and I didn’t have time for it. “Okay! So, you may have noticed Lend is in the kitchen.” “Mmm hmm,” Raquel answered, reaching up to smooth down a stray piece of David’s hair. “Yeah, that’d be the big faerie curse.” “Farie curse?” She actually turned toward me; David took both her hands in his. “Yup. Really funny one, too. See, any time Lend and I are in the same room or can see each other or could actually, you know, touch, he falls fast asleep.” “Oh,” Raquel frowned. “So I need your help. You know all the names of the IPCA controlled faeries, right?” She nodded, her frown deepening. “Well, it was a dark faerie curse, so I figure we need a dark faerie to undo it. So you call an Unseelie faerie, we give him or her a named command to break the curse, ta-da, we can double-date!” “Wait, who can double-date?” Lend asked. “I’ll let your dad tell you. So. Faerie?” Raquel heaved a sigh, along the lines of her famous things never get easier, do they? sign, and, boy, I agreed with her. “To be honest, I don’t know which court most of the faeries belong to.” “You don’t? How can you not know? It seems like pretty vital information to me. You know, ‘Are you a member of the evil court kidnapping humans and plotting world domination, or a member of the moderately less evil court who just wants to get the crap off the planet?’ sort of a survey when you get them.

She’s certain that I intend to lure Lilly into the debauched harem that I maintain in the opium dens of Paris.” He turned her toward the lane. “Be so good as to thwart me from this evil scheme. You can begin by distracting me with a walk to the post office.” She smiled, though it was slightly watery. “I see that it’s my Christian duty, when you put it so. I only hope I may not succumb to your wicked plot myself.” “Oh, I have far more sinister plans for you. I mean to entice you to a dish of tea in the public parlor at the Antlers. I will certainly set a chair for you, and possibly I may even speak French.

This is not more cultural happenstance. It is a blitzkrieg from the darkness—a frontal attack of calculated and evil dimensions plotted by the adversary of God, man and all that is good, and being advanced by cunning, demonic hordes who can only be blocked in one way: prayer. Call the people to pray. Teach them to counterattack. Unveil My Word to them so that, by calling on Me through the grace I readily give when they invoke the name of My Son, they may unleash My power. As they accept this partnership I call them to, praying that My Kingdom may enter the world of those they love “on earth,” I will answer them by My Spirit’s power—working My will “as it is in heaven.” Well, that is really what happened. I don’t mean, of course, that God stepped into my office in the sense of physical appearance. Rather He made His presence and will known by the means He has revealed in His eternal Word of truth—the Holy Bible. In that book, which is the ultimate authority on all life’s issues, both eternal and temporal, He says that He will speak at times to people by “prophecy.” In this use, prophecy is not a reference to anything arbitrary or arcane—God is never random; nor is He weird. (Toss out the pundits who publish cleverly

In literature, plays, and cinema, substitutionary sacrifice is always the most riveting and moving plot point. In the movie The Last of the Mohicans, British major Duncan Heyward asks his Indian captors if he might die in the flames so that Cora, whom he loves, and Nathaniel can go free. When, as he is being dragged away, Duncan cries, “My compliments, sir! Take her and get out!” we are electrified by his unflinching willingness to die to save others, one of whom has been his rival. He dies with his arms bound and stretched out, as if he were on a cross. In Ernest Gordon’s memoir of being a prisoner of the Japanese during World War II, he recounts how at the end of a day of forced labor the guards counted the shovels, and one was apparently missing. A furious guard threatened the British POWs that unless the guilty person confessed, he would kill them all. He cocked his gun to start shooting them one by one. At that moment, one prisoner stepped forward calmly and said, “I did it.” He stood quietly at attention, and “he did not open his mouth” (Isaiah 53: 7) as he was beaten to death. When they all got back to the camp and counted the shovels again, it turned out that they were all there. The man had sacrificed himself to save them all. In the first Harry Potter novel, the evil Lord Voldemort can’t touch Harry without being burned. Later Dumbledore explains it to him. “Your mother died to save you. . . . Love as powerful [as that] . . . leaves its own mark. . . . [T]o have been loved so deeply . . . will give us some protection forever.” Why do these stories move us? It’s because we know from the mundane corners of life to the most dramatic that all life-changing love is substitutionary sacrifice. We know that anybody who has ever done anything that really made a difference in our lives made a sacrifice, stepped in and gave something or paid something or bore something so we would not have to.

The next time you make a donation to charity, don’t just think about the good turn you’re doing, but take a moment to consider that one day you may need to receive charity yourself. As far as we know, Seneca truly lived these words. Just a year or so after writing this letter, he was falsely accused of plotting against Nero. The price? Seneca was sentenced to commit suicide. As the historian Tacitus relates the scene, Seneca’s closest friends wept and protested the verdict. “Where,” Seneca asked them repeatedly, “are your maxims of philosophy, or the preparations of so many years’ study against evils to come? Who knew not Nero’s cruelty?” That is: he knew it could happen to him too, and so he was prepared for it.

Okay,” I finally said. “Can we all agree that this is maybe the most screwed-up situation we’ve ever found ourselves in?” “Agreed,” they said in unison. “Awesome.” I gave a little nod. “And do either of you have any idea what we should do about it?” “Well, we can’t use magic,” Archer said. “And if we try to leave, we get eaten by Monster Fog,” Jenna added. “Right. So no plans at all, then?” Jenna frowned. “Other than rocking in the fetal position for a while?” “Yeah, I was thinking about taking one of those showers where you huddle in the corner fully clothed and cry,” Archer offered. I couldn’t help but snort with laughter. “Great. So we’ll all go have our mental breakdowns, and then we’ll somehow get ourselves out of this mess.” “I think our best bet is to lie low for a while,” Archer said. “Let Mrs. Casnoff think we’re all too shocked and awed to do anything. Maybe this assembly tonight will give us some answers.” “Answers,” I practically sighed. “About freaking time.” Jenna gave me a funny look. “Soph, are you…grinning?” I could feel my cheeks aching, so I knew that I was. “Look, you two have to admit: if we want to figure out just what the Casnoffs are plotting, this is pretty much the perfect place.” “My girl has a point,” Archer said, smiling at me. Now my cheeks didn’t just ache, they burned. Clearing her throat, Jenna said, “Okay, so we all go up to our rooms, then after the assembly tonight we can regroup and decide what to do next.” “Deal,” I said as Archer nodded. “Are we all going to high-five now?” Jenna asked after a pause. “No, but I can make up some kind of secret handshake if you want,” Archer said, and for a second, they smiled at each other. But just as quickly, the smile disappeared from Jenna’s face, and she said to me, “Let’s go. I want to see if our room is as freakified as the rest of this place.” “Good idea,” I said. Archer reached out and brushed his fingers over mine. “See you later, then?” he asked. His voice was casual, but my skin was hot where he touched me. “Definitely,” I answered, figuring that even a girl who has to stop evil witches from taking over the world could make time for kissage in there somewhere. He turned and walked away. As I watched him go, I could feel Jenna starting at me. “Fine,” she acknowledged with a dramatic roll of her eyes. “He’s a little dreamy.” I elbowed her gently in the side. “Thanks.” Jenna started to walk to the stairs. “You coming?” “Yeah,” I said. “I’ll be right up. I just want to take a quick look around down here.” “Why, so you can be even more depressed?” Actually, I wanted to stay downstairs just a little longer to see if anyone else showed up. So far, I’d seen nearly everyone I remembered from last year at Hex Hall. Had Cal been dragged here, too? Technically he hadn’t been a student, but Mrs. Casnoff had used his powers a lot last year. Would she still want him here? To Jenna, I just said, “Yeah, you know me. I like poking bruises.” “Okay. Get your Nancy Drew on.

The resort to stereotype is the first refuge and chief strategy of the bigot. Though this is a matter that ought to concern everyone, it should be of particular concern to Negroes. For their lives, as far back as we can remember, have been made nightmares by one kind of bigotry or another. This urge to stereotype groups and deal wtih them accordingly is an evil urge. Its birthplace is in that sinister back room of the mind where plots and schemes are hatched for the persecution and oppression of other human beings. It comes out of many things, but chiefly out of a failure or refusal to do the kind of tough, patient thinking that is required of difficult problems of relationship. It comes, as well, out of a desire to establish one's own sense of humanity and worth upon the ruins of someone else's.

No story is more beautiful than the Gospel, even though it is a story full of pain and nails and hate and blood and sin and murder and betrayal and forsakenness and unimaginable agony and death. It is the story of what happens to the most beautiful thing, Perfect Love, when it enters our world: it comes to a Cross, to the crossroad between good and evil. All our most beautiful stories are like the Gospel: they are tragedies first, and then comedies; they are crosses and then crowns. They are crosses because they are conflicts between good and evil. That is the fundamental plot of every great story. To say "that story is beautiful" means "that story resembles the Gospel." If you are bored by the Gospel, that puts no black eye on the Gospel, but on you. Most likely, it means you have never listened to it. You must have heard it, but hearing is far from the same thing as listening...

The fact was, as a story—even leaving out the supernatural, especially leaving out the supernatural, taking it all as metaphor, I mean—the Bible made perfect sense to me from the very beginning. I saw a God whose nature was creative love. He made man in his own image for the purpose of forming new and free relationships with him. But in his freedom, man turned away from that relationship to consult his own wisdom and desires. The knowledge of good and evil was not some top-secret catalogue of nice and naughty acts that popped into Eve’s mind when a talking snake got her to eat the magic fruit. The knowledge was built into the action of disobedience itself: it’s what she learned when she overruled the moral law God had placed within her. There was no going back from that. The original sin poisoned all history. History’s murders, rapes, wars, oppressions, and injustices are now the inescapable plot of the story we’re in. The

Frey goes on to elaborate, “a thriller is a story of a hero who has a mission to foil evil. Not just a hero—a clever hero. Not just a mission—an ‘impossible’ mission. An ‘impossible’ mission that will put our hero into terrible trouble.” According to International Thriller Writers, a thriller is characterized by “the sudden rush of emotions, the excitement, sense of suspense, apprehension, and exhilaration that drive the narrative, sometimes subtly with peaks and lulls, sometimes at a constant, breakneck pace.” ITW defines thrillers as a genre in which “tough, resourceful, but essentially ordinary heroes are pitted against villains determined to destroy them, their country, or the stability of the free world.” Part of the allure of thrillers, they say, comes from not only what their stories are about but also how they are told. “High stakes, nonstop action, plot twists that both surprise and excite, settings that are both vibrant and exotic, and an intense pace that never lets up until the adrenaline-packed climax.

MARCH 4 YOU WILL PURSUE YOUR ENEMIES AND OVERTAKE THEM MY PRECIOUS CHILD, you do not need to be filled with terror and fear when your enemies plot against you and pursue you. Trust instead in Me, for indeed I am Your God, and your times are indeed in My hands. In the shelter of My presence you are hidden from your enemies and from the intrigues of evil men. Do not be afraid of your enemies. I have given them into your hand. Not one of them will be able to withstand you. But don’t stop—pursue your enemies. Attack them from the rear, for I, the Lord your God, have given them into your hand. I will remove your enemies from your land just as I would remove savage beasts, and the sword will not pass through your country. PSALM 31:14–15, 20; JOSHUA 10:8, 19; LEVITICUS 26:6–8 Prayer Declaration I trust You, Lord. I celebrate and shout because You are kind. You saw all my suffering, and You cared for me. You kept me from the hands of my enemies, and You set me free. I will praise You, Lord, for showing great kindness when I was like a city under attack. You answered my prayer when I shouted for help.

Note: I won’t be considering any theologically based Judeo-Christian views about these subjects beyond this broad summary here. As far as I can tell, most of the theological discussions center around omniscience—if God’s all-knowingness includes knowing the future, how can we ever freely, willingly choose between two options (let alone be judged for our choice)? Amid the numerous takes on this, one answer is that God is outside of time, such that past, present, and future are meaningless concepts (implying, among other things, that God could never relax by going to a movie and being pleasantly surprised by a plot turn—He always knows that the butler didn’t do it). Another answer is one of the limited God, something explored by Aquinas—God cannot sin, cannot make a boulder too heavy for Him to lift, cannot make a square circle (or, as another example that I’ve seen offered by a surprising number of male but not female theologians, even God cannot make a married bachelor). In other words, God cannot do everything, He can just do whatever is possible, and foreseeing whether someone will choose good or evil is not knowable, even for Him. Related to this all, Sam Harris mordantly notes that even if we each have a soul, we sure didn’t get to pick it.

To understand President Obama’s second term, however, all you need to know are the following three: First, the Country Clubbers. Guardians of the GOP’s upper-crust traditions, they believed in lower taxes, less regulation, and being polite. They were led in Congress by Speaker John Boehner. They held out hope for the resurrection of Mitt Romney. Their fortunes were not on the rise. Second, the Flat Earth Society, with Sarah Palin as its patron saint. These were the hard-core conspiracy theorists. They insisted that President Obama had faked his long-form birth certificate. They were certain that bike-share programs were a world-domination plot fostered by the UN. Finally, the Holy Warriors. Some of these crusaders were, in fact, religious. Others were more likely to quote The Lord of the Rings than Matthew or Luke. But regardless of where they spent their Sundays, what they shared was a worldview. Where traditional Republicans saw a debate between liberal and conservative, Holy Warriors saw an existential battle between good and evil. They warned endlessly of appeasement. They spoke of “defeating the Left” as though Satan’s minions were amassed along the Pacific coast. The Holy Warriors pursued Romneyite goals with Palinite fervor. For this reason, they were ascendant in 2013.

By definition, conspiracy theories imply a coordinated plot by a hostile group. But the most successful conspiracy theories also imply the existence of another group: victims. Theorists become more devout when they identify as part of population under attack, the researchers noted. The more a person identifies with a persecuted "ingroup," the more likely they are to suspect evil deeds by a threatening "outgroup" with which they do not identify. In a 2015 study, for example, Indonesian students were more likely to believe conspiracy theories about Western countries staging terror attacks if researchers first emphasized the students' Muslim faith and described the West as a threat to Muslims. Americans are no more immune than Indonesians. In the 1980s, the Soviet Union's KGB spread rumors throughout the United States that the CIA had engineered the HIV virus to wipe out the country's Black and gay populations. Often, groups that have been dealt a bad hand can be more likely to perceive the world in a conspiratorial light due to past suffering, be it the result of a deliberate conspiracy or passive societal failings. So while the anti-Black HIV rumors were false, the theory took off with some Black Americans who remembered the country's history of documented medical plots against people of color.

Can anything possibly be salvaged from it?” Wherever you are right now in the story, I am going to interrupt you with Isaiah 35. The wilderness and the dry land shall be glad, the desert shall rejoice and blossom; like the crocus it shall blossom abundantly, and rejoice with joy and singing. (verses 1–2) There is nothing wrong with a desert that a little rain can’t fix. Dry land is not inherently barren; the dirt itself is not evil. We are after all “formed…of dust from the ground” (Genesis 2:7). And no one’s life is apart from that basic ground from which God can bring his purposes to blossom. There are stretches of time when nothing is growing, but all the while nutrients are in the soil and seeds embedded just beneath the surface. A moment will come when the necessary moisture will bring faith to flower. Strengthen the weak hands, and make firm the feeble knees. Say to those who are of a fearful heart, “Be strong, fear not! Behold, your God will come with vengeance, with the recompense of God. He will come and save you.” (verses 3–4) You think that you have all you can take? That you can’t lift another burden? That you can’t manage another challenge? Well, “Be strong…! Behold, your God.” God comes. He comes in “vengeance.” He will take care, decisively and completely, of all that is wrong with the story. He comes with “recompense.” He will provide everything to make you whole and mature. The word recompense has a root meaning of “weaning from the mother’s breast.” A happy time, for it means you are making a transition from being a weak and dependent infant, but it’s a terrifying time too, for it means you are no longer treated indulgently as an innocent. “He will come and save you.” Everything God does is woven into the plot for your salvation—the judgments on your sin, the weaning from your innocence, the gifts of maturity. At the end of the story, for you who choose to be his people, you will have a put-together life, a life vibrant with health, a life whole and solid in love.

So you’re saying,” I interjected, “that there is no organized, conspiratorial evil in the world, no satanic plot to which we fall prey?” “None. There is only human fear and the bizarre ways that humans try to ward it off.” “What about the many references in sacred texts and scriptures to Satan?” “This idea is a metaphor, a symbolic way of warning people to look to the divine for security, not to their sometimes tragic ego urges and habits. Blaming an outside force for everything bad was perhaps important at a certain stage in human development. But now it obscures the truth, because blaming our behavior on forces outside ourselves is a way of avoiding responsibility. And we tend to use the idea of Satan to project that some people are inherently evil so we can dehumanize the ones we disagree with and write them off. It is time now to understand the true nature of human evil in a more sophisticated way and then to deal with it.” “If there is no satanic plot,” I said, “then ‘possession’ doesn’t exist.” “That’s not so,” Wil said emphatically. “Psychological ‘possession’ does exist. But it is not the result of a conspiracy of evil; it is just energy dynamics. Fearful people want to control others. That’s why certain groups try to pull you in and convince you to follow them, and ask you to submit to their authority, or fight you if you try to leave.” “When I was first drawn into that illusory town, I thought I had been possessed by some demonic force.” “No, you were drawn in because you made the same mistake you made earlier: you didn’t just open up and listen to those souls; you gave yourself over to them, as if they automatically had all the answers, without checking to see if they were connected and motivated by love. And unlike the souls who are divinely connected, they didn’t back away from you. They just pulled you into their world, the same way some crazy group or cult might do in the physical dimension if you don’t discriminate.” Wil paused as if in thought, then continued. “All this is more of the Tenth Insight; that’s why we’re seeing it. As communication between the two dimensions increases, we’ll begin to have more encounters with souls in the Afterlife. This part of the Insight is that we must discern between those souls who are awake and connected with the spirit of love and those who are fearful and stuck in an obsessive trance of some kind. But we must do so without invalidating and dehumanizing those caught in such fear dramas by thinking they are demons or devils. They are souls in a growth process, just like us.

The Pakistani film International Gorillay (International guerillas), produced by Sajjad Gul, told the story of a group of local heroes - of the type that would, in the language of a later age, come to be known as jihadis, or terrorists - who vowed to find and kill an author called "Salman Rushdie" . The quest for "Rushdie" formed the main action of the film and "his" death was the film's version of happy ending. "Rushdie" himself was depicted as a drunk, constantly swigging from a bottle, and a sadist. He lived in what looked very like a palace on what looked very like an island in the Philippines (clearly all novelists had second homes of this kind), being protected by what looked very like the Israeli Army (this presumably being a service offered by Israel to all novelists), and he was plotting the overthrow of Pakistan by the fiendish means of opening chains of discotheques and gambling dens across that pure and virtuous land, a perfidious notion for which, as the British Muslim "leader" Iqbal Sacranie might have said, death was too light a punishment. "Rushdie" was dressed exclusively in a series of hideously coloured safari suits - vermilion safari suits, aubergine safari suits, cerise safari suits - and the camera, whenever it fell upon the figure of this vile personage, invariably started at his feet and then panned [sic] with slow menace up to his face. So the safari suits got a lot of screen time, and when he saw a videotape of the film the fashion insult wounded him deeply. It was, however, oddly satisfying to read that one result of the film's popularity in Pakistan was that the actor playing "Rushdie" became so hated by the film-going public that he had to go into hiding. At a certain point in the film one of the international gorillay was captured by the Israeli Army and tied to a tree in the garden of the palace in the Philippines so that "Rushdie" could have his evil way with him. Once "Rushdie" had finished drinking form his bottle and lashing the poor terrorist with a whip, once he had slaked his filthy lust for violence upon the young man's body, he handed the innocent would-be murderer over to the Israeli soldiers and uttered the only genuinely funny line in the film. "Take him away," he cried, "and read to him from The Satanic Verses all night!" Well, of course, the poor fellow cracked completely. Not that, anything but that, he blubbered as the Israelis led him away. At the end of the film "Rushdie" was indeed killed - not by the international gorillay, but by the Word itself, by thunderbolts unleashed by three large Qurans hanging in the sky over his head, which reduced the monster to ash. Personally fried by the Book of the Almighty: there was dignity in that.

a serious contender for my book of year. I can't believe I only discovered Chris Carter a year ago and I now consider him to be one of my favourite crime authors of all time. For that reason this is a difficult review to write because I really want to show just how fantastic this book is. It's a huge departure from what we are used to from Chris, this book is very different from the books that came before. That said it could not have been more successful in my opinion. After five books of Hunter trying to capture a serial killer it makes sense to shake things up a bit and Chris has done that in best possible way. By allowing us to get inside the head of one of the most evil characters I've ever read about. It is also the first book based on real facts and events from Chris's criminal psychology days and that makes it all the more shocking and fascinating. Chris Carter's imagination knows no bounds and I love it. The scenes, the characters, whatever he comes up with is both original and mind blowing and that has never been more so than with this book. I feel like I can't even mention the plot even just a little bit. This is a book that should be read in the same way that I read it: with my heart in my mouth, my eyes unblinking and in a state of complete obliviousness to the world around me while I was well and truly hooked on this book. This is addictive reading at its absolute best and I was devastated when I turned the very last page. Robert Hunter, after the events of the last few books is looking forward to a much needed break in Hawaii. Before he can escape however his Captain calls him to her office. Arriving, Hunter recognises someone - one of the most senior members of the FBI who needs his help. They have in custody one of the strangest individuals they have ever come across, a man who is more machine than human and who for days has uttered not a single word. Until one morning he utters seven: 'I will only speak to Robert Hunter'. The man is Hunter's roommate and best friend from college, Lucien Folter, and found in the boot of his car are two severed and mutilated heads. Lucien cries innocence and Hunter, a man incredibly difficult to read or surprise is played just as much as the reader is by Lucien. There are a million and one things I want to say but I just can't. You really have to discover how this story unfolds for yourself. In this book we learn so much more about Hunter and get inside his head even further than we have before. There's a chapter that almost brought me to tears such is the talent of Chris to connect the reader with Hunter. This is a character like no other and he is now one of my favourite detectives of all time. We go back in time and learn more about Hunter when he was younger, and also when he was in college with Lucien. Lucien is evil. The scenes depicted in this book are some of the most graphic I've ever read and you know what, I loved it. After five books of some of the scariest and goriest scenes I've ever read I wondered whether Chris could come up with something even worse (in a good way), but trust me, he does. This book is horrifying, terrifying and near impossible to put down until you reach its conclusion. I spent my days like a zombie and my nights practically giving myself paper cuts turning the pages. If when reading this book you think you have an idea of where it will go, prepare to be wrong. I've learnt never to underestimate Chris, keeping readers on their toes he takes them on an absolute rollercoaster of a ride with the twistiest of turns and the biggest of drops you will finish this book reeling. I am on a serious book hangover, what book can I read next that can even compare to this? I have no idea but if you are planning on reading An Evil Mind I cannot reccommend it enough. Not only is this probably my book of the year it is probably the best crime fiction book I have ever read. An exaggeration you might say but my opinion is my own and this real

So far, we’ve discussed how you start with a germinal idea and what makes a good one; then we discussed the villain profile and how to create a villain with a dark mission, who will take actions to get what he wants. These actions are the plot behind the plot. The hero’s job in a thriller, remember, is to foil evil. The villain’s plot behind the plot is the evil the hero must foil. These actions the hero and others take to counter the plot behind the plot make up the plot of your thriller. Simple, no?

I’m a descendant of an ancient, dead culture. I am currently attempting to stop a plot constructed by members of an evil faction of this same society.” “With all of you people running around,” Hamilton said, “it does not sound like a dead culture to me.

His features were Middle Eastern, his eyes haunted but also defiant. They were all defiant, Gray had found. When he looked at someone like al-Omari, Gray couldn’t help but think of a Dostoyevsky creation, the displaced outsider, brooding, plotting and methodically stroking a weapon of anarchy. It was the face of a fanatic, of one possessed by a deranged evil. It was the same type of person who’d taken away forever the two people Gray had loved most in the world. Though al-Omari was thousands of miles away in a facility only a very few people even knew existed, the picture and sound were crystal clear thanks to the satellite downlink. Through his headset he asked al-Omari a question in English. The man promptly answered in Arabic and then smiled triumphantly. In flawless Arabic Gray said, “Mr. al-Omari, I am fluent in Arabic and can actually speak it better than you. I know that you lived in England for years and that you speak English better than you do Arabic. I strongly suggest that we communicate in that language so there is absolutely no misunderstanding between us.” Al-Omari’s smile faded, and he sat straighter in his chair. Gray explained his proposal. Al-Omari was to become a spy for the United States, infiltrating one of the deadliest terrorist organizations operating in the Middle East. The man promptly refused. Gray persisted and al-Omari refused yet again, adding that “I have no idea what you’re talking about.” “There are currently ninety-three terrorist organizations in the world as recognized by the U.S. State Department, most of them originating in the Middle East,” Gray responded. “You have confirmed membership in at least three of them. In addition, you were found with forged passports, structural plans to the Woodrow Wilson Bridge and bomb-making material. Now you’re going to work for us, or it will become distinctly unpleasant.” Al-Omari smiled and leaned toward the camera. “I was interrogated years ago in Jordan by your CIA and your military and your FBI, your so-called Tiger Teams. They sent females in wearing only their underwear. They wiped their menstrual blood on me, or at least what they called their menstrual blood, so I was unclean and could not perform my prayers. They rubbed their bodies against me, offered me sex if I talk. I say no to them and I am beaten afterward.” He sat back. “I have been threatened with rape, and they say I will get AIDS from it and die. I do not care. True followers of Muhammad do not fear death as you Christians do. It is your greatest weakness and will lead to your total destruction. Islam will triumph. It is written in the Qur’an. Islam will rule the world.

Here on this grass-plot, in this very place, To come and sport: her peacocks fly amain … THE TEMPEST, 4.1 Peacock, long a symbol of nobility and immortality, was one of the most esteemed feast foods in Shakespeare’s time. Served roasted and placed back in its feathers, it was then dusted with real gold. Metal rods were inserted into the bird’s body so that it remained upright and seemingly alive. The peacock would be made to appear to breathe fire by the cook’s trick of placing a bit of camphor-soaked cotton in its mouth and lighting it just before serving. Despite these elaborate preparations, peacock was not considered tasty. Wrote one 1599 author, “Peacocke, is very hard meate, of bad temperature, and as evil juyce.

IN 1943 POLISH SOLDIERS TRAINED AN ADULT brown bear to help them fight Nazis in an old monastery atop a mountain in the Italian Alps. Yes, this is a true story, not the plot of the next Pixar film. The bear doesn’t sing or dance or talk, but it does carry artillery shells, take baths, and smoke cigarettes, even though smoking is really bad for you. Voytek the Soldier Bear’s story starts back during the German blitzkrieg against Poland at the very beginning of the war. As the Nazis were crushing their way through western Poland, the brave Polish defenders suddenly felt the stab of a knife in their back when the forces of the Soviet Union came rolling across Poland’s eastern border, eager to grab land for the USSR while the Polish were preoccupied with getting punched in the head by the German Army. One of the few, outnumbered defenders who stood his ground against the Soviet juggernaut was Captain Wladislaw Anders, a resolute cavalry officer who valiantly launched a charge against Soviet troops but was wounded in battle and taken as a prisoner of war. For over a year he rotted in Lubyanka Prison, one of Stalin’s worst and most inhospitable one-star prison facilities. Then a weird thing happened. On August 14, 1941, the Red Army guards unlocked the prison cell and told Anders he was a free man. The Germans had invaded Russia, and now the Soviets were prepared to offer Anders and 1.5 million other Polish citizens their freedom if they’d help old Uncle Joe Stalin battle those big evil Nazis. Anders cocked an eyebrow. He wasn’t exactly crazy about the idea of trusting his life to the men who had just shot and imprisoned him, but he agreed anyway. He was shipped out by rail and reunited with twenty-five thousand other Polish soldiers who had been similarly released from the Soviet prison system. Anders immediately

Welcome to my secret lair, the place where I hatch my evil plots, and sometimes make popcorn while I watch Jeopardy!

He is a cunning deceiver (2 Corinthians 11:3). He is the adversary (1 Peter 5:8). He is the father of all lies (John 8:44). He is the slanderer (Revelation 13:6). He is the tempter (Matthew 4:3). He is the thief who comes to kill and destroy (John 10:10). He is the murderer (John 8:44). He is the evil one (Matthew 13:19). He blinds the minds of unbelievers (2 Corinthians 4:4). He intoxicates and captures the lost (2 Timothy 2:26). He masquerades as an angel of light (2 Corinthians 11:14). He roams the earth looking for someone to devour (1 Peter 5:8). He plots crafty schemes to trick believers (2 Corinthians 2:11).

This might be the rage talking, but you’re incredibly sexy when you’re plotting evil schemes,” Davis told her.

Her mother had certainly made her childhood interesting. In those days, the castle was always crowded with soldiers in spiked armor and creatures that scurried through shadows and hissed at her. Quality time with Mother had included sitting on her lap while the queen met with her generals and hatched plots to kill, conquer, and rule, or spending hours in the dungeon workshop, coughing on smoke and helping Mother make toxic potions and evil spells.

Let me kiss you Irma! There in the middle, in the space between the light and dark, Let me love you in the corners bright, Where your heart beat is the mark, To guide me through the mist of time with all my might, Because my love it is you that spreads like brightness in my world, Where your memories cast everlasting light, On the darkest and desolate corners of my world, And then fills me with the spirit to fight, All my demons and my fears, Your simple look offers me endless joy, As my existence the drapery of your brightness wears, And I begin to foil life’s every ploy, To oust me from my dominion, that is mine, But little does it know one can never steal the scent from the rose, And your memories that enrich me, become my goldmine, Granting me courage that before the brightest flash of life, I may put up my best pose, So come let me bear you in my arms, Let me kiss you like the night kisses everything beyond those shadows, And as my heart with these beautiful feelings warms, Let me offer smiles to the life’s marooned widows, Who have moaned enough and grieved a lot, Let me kiss you and then wage the war, Between the right and the evil in the reality’s merciless plot, It may happen that then stars that seem too far, Would tumble from the skies, To bury the evil in the star dust, But let us tread with caution for haste is only good when catching flies, For lovers always do what they must, It is the destiny of love and maybe the price of the kiss, That we all pay for with our heart beats, So let me hold you in my arms and feel my real bliss, Before my fate confronts the destiny and my courage both of them meets, In the open playground of life and chance, Where the truthful and the valiant always wins, Because it is a well coordinated dance, Where one always has to win though it is a competition between the twins, So kiss me and wish for my victory, Because through me you shall win too, As we are cast in the life’s endless trajectory, Where there shall always be one constant Irma, that, I love you, So, let the stars bear witness to valour of love, And as you kiss me, let the stars tumble from the skies, Then let no one seek the Heavens above, Because for our love, our passions and joys, here is where a lover dies, And this is where Christ died, This is where crusades were waged, This is where goodness was promoted and this is where Judas lied, And this is where lovers are caged, So let our battles of love be fought here, For a kiss, for a warm embrace, for a sweet memory’s sake, Then as I see you and your beauty everywhere, Let me love you forever for love’s and my own sake, Tonight when the sky shall be lit with many a twinkling star, I shall wait under the open sky and the moonlight, And as my eyes behold their darling most star, We shall then be the shadows in the darkness secretly kissing our heart beats in the cover of the night. To cast particles of darkness and cover the moonlight, And make it a part of our own shadows, Then we shall create a romantic night, As we freely fleet across the night’s endless love meadows.

No one has a plan for you and your life doesn’t have a soundtrack, it’s just a series of” -she shrugged- “accidents and split-second decisions and coincidences and demographics, where you live and when you were born and who your parents were and how much money they had.” … I remember thinking that if she was in some ways correct she was, however, not right. That of course life is random, a series of coincidences, etc., but that to live you must attempt to make sense if it, and that’s what narrative’s for. I believe this, people of a certain sensibility believe this. Mostly it’s harmless. Though perhaps sometimes you find yourself doing things because you think your narrative arc calls for it, or because you’ve grown bored with your own plot, things you shouldn’t do because they will, these things, hurt the other characters in your story, who are not characters after all, but people. But then people do evil often and with less elaborate justifications.

The fastest way to make anyone who is selfish hate you consists in helping them. The fastest way to make anyone who is envious hate you consists in sharing your results with them. The fastest way to make a narcissist plot against you consists in showing love. The easiest way to make everyone want to kill you consists of being honest. The brighter the light, the greater the pain for the creatures of the darkness. The most evil actions come from the depths of hell and consume the human mind immersed in the darkness like such human is nothing but a puppet.

We need to pray for people who are racist and the spirit of racism. Because when you are racist you become evil. You hate and hurt others. You become a lier. You plot, kill or murder. you abuse ,torture and are divisive. You have no peace. insult others , have no respect and love for them. You use Gods name in vain You can't be considering yourself a Christian when You are doing all the things God said we must do. You are committing all the sins the Lord says we mut not do. If you really fear and love the Lord . You will cleanse your heart and mind and start doing what is right by God. For God is love. Ephesians 4:32 | Acts 10:34-35 | John 7:24

I had cut myself in two, as the mystics preached, and I ran my business by one code of rules, but my own life by another. I rebelled against the looters’ attempt to set the price and value of my steel—but I let them set the moral values of my life. I rebelled against demands for an unearned wealth—but I thought it was my duty to grant an unearned love to a wife I despised, an unearned respect to a mother who hated me, an unearned support to a brother who plotted for my destruction. I rebelled against undeserved financial injury—but I accepted a life of undeserved pain. I rebelled against the doctrine that my productive ability was guilt—but I accepted, as guilt, my capacity for happiness. I rebelled against the creed that virtue is some disembodied unknowable of the spirit—but I damned you, you, my dearest one, for the desire of your body and mine. But if the body is evil, then so are those who provide the means of its survival, so is material wealth and those who produce it—and if moral values are set in contradiction to our physical existence, then it’s right that rewards should be unearned, that virtue should consist of the undone, that there should be no tie between achievement and profit, that the inferior animals who’re able to produce should serve those superior beings whose superiority in spirit consists of incompetence in the flesh.