Plot Investment Quotes

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If you wanna better understand capital productivity, study trees. They can turn a bare plot of earth into massive amounts of materials consistently and endlessly. Imagine if we can mimic that in business and investing.
Hendrith Vanlon Smith Jr.
Now, what does a vampire do with a computer? Keep track of investments? Send e-mail to other vampires as you all plot to take over the world?” “I spend a lot of time on Wikipedia making corrections to the entries of historical figures I’ve known.” I blinked at him. “Really?” “No, Kitty. That was a joke.
Carrie Vaughn (Kitty Raises Hell (Kitty Norville, #6))
For anyone who wants to understand the art of storytelling, this film [The Hunt for Red October] should suffice; one wonders why universities persist in teaching narrative principles on the basis of Propp, Greimas or other such punishing curricula, instead of investing in a projection room. Premise, plot, protagonists, adventures, quest, heroes and other stimulants: all you need is Sean Connery in the uniform of a Russian submarine officer and a few well-placed aircraft carriers.
Muriel Barbery (The Elegance of the Hedgehog)
One common factor among all rich people on earth is that they all invest in earth.
Amit Kalantri
The most profitable investment on the land is land.
Amit Kalantri
A great real estate agent don't sells, he helps.
Amit Kalantri
A good real estate agent sells himself before he sells his services.
Amit Kalantri
Does rejection ever get any easier? Only if we decide not to invest emotion in the dismissal…
Martha Alderson (Blockbuster Plots: Pure & Simple)
June 2011 article in the Financial Times titled “Alfred Hitchcock’s ‘The Bankers’ ” noted, “The characteristics that make for good traders and investment bankers are pretty much the same as those that define psychopaths.”107
Thom Hartmann (The Crash of 2016: The Plot to Destroy America--and What We Can Do to Stop It)
The flattening of the human experience in the last . . . I don’t know, fifty years, can point to the simulation winding down.” “Flattening?” Kam asked. “Has it seemed at all like shit’s just kind of run its course? Problems are obvious and no one’s that invested in fixing them? No new discoveries, no new ideas. All the new arguments are the same as the old arguments. Lost the plot with art and entertainment. Everything’s AI or a remix or remaster or expansion of the same five IPs.
Jordan Peele (Out There Screaming: An Anthology of New Black Horror)
In fact this desire for consonance in the apocalyptic data, and our tendency to be derisive about it, seem to me equally interesting. Each manifests itself, in the presence of the other, in most of our minds. We are all ready to be sceptical about Father Marystone, but we are most of us given to some form of 'centurial mysticism,' and even to more extravagant apocalyptic practices: a point I shall be taking up in my fourth talk. What it seems to come to is this. Men in the middest make considerable imaginative investments in coherent patterns which, by the provision of an end, make possible a satisfying consonance with the origins and with the middle. That is why the image of the end can never be permanently falsified. But they also, when awake and sane, feel the need to show a marked respect for things as they are; so that there is a recurring need for adjustments in the interest of reality as well as of control. This has relevance to literary plots, images of the grand temporal consonance; and we may notice that there is the same co-existence of naïve acceptance and scepticism here as there is in apocalyptic. Broadly speaking, it is the popular story that sticks most closely to established conventions; novels the clerisy calls 'major' tend to vary them, and to vary them more and more as time goes by. I shall be talking about this in some detail later, but a few brief illustrations might be useful now. I shall refer chiefly to one aspect of the matter, the falsification of one's expectation of the end. The story that proceeded very simply to its obviously predestined end would be nearer myth than novel or drama. Peripeteia, which has been called the equivalent, in narrative, of irony in rhetoric, is present in every story of the least structural sophistication. Now peripeteia depends on our confidence of the end; it is a disconfirmation followed by a consonance; the interest of having our expectations falsified is obviously related to our wish to reach the discovery or recognition by an unexpected and instructive route. It has nothing whatever to do with any reluctance on our part to get there at all. So that in assimilating the peripeteia we are enacting that readjustment of expectations in regard to an end which is so notable a feature of naïve apocalyptic. And we are doing rather more than that; we are, to look at the matter in another way, re-enacting the familiar dialogue between credulity and scepticism. The more daring the peripeteia, the more we may feel that the work respects our sense of reality; and the more certainly we shall feel that the fiction under consideration is one of those which, by upsetting the ordinary balance of our naïve expectations, is finding something out for us, something real. The falsification of an expectation can be terrible, as in the death of Cordelia; it is a way of finding something out that we should, on our more conventional way to the end, have closed our eyes to. Obviously it could not work if there were not a certain rigidity in the set of our expectations.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
Lest you dismiss this as just another conspiracy theory, in November 1998 in an interview with The Observer, former US Ambassador to Chile Edward Korry told a remarkable story. Korry described still classified cables, and information censored in papers, but now available under the FOIA. He had served under Presidents Kennedy, Johnson, and Nixon. He told how US companies from Cola to copper used the CIA as an international debt collection agency and investment security force. The Observer reported that the CIA's Oct. 1970 plot to overthrow Chile's Allende was the result of a plea for action a month earlier by PepsiCo chairman Kendall to the company's former lawyer, President Nixon.
Carol Rutz (A Nation Betrayed: Secret Cold War Experiments Performed on Our Children and Other Innocent People)
What was in New York?” “I had to sign a new contract. A Thin Blue Line was renewed for another season.” “Oh, that’s awesome!” I heard rumblings on a few of the news outlets that the show might get dropped. “I really hope you’re finally able to get a new partner. I don’t know why they keep pushing that story line. Tina is not a good match for Jimmy. Brody and I have been riding together for almost seven years, and I would punch myself in the face before I ever kissed him. The show needs to give Jimmy a woman who he saved or something. That would be an interesting plot. Also, your brother on the show has to stop sleeping with that model. Twitter went nuts when he went back to her. She’s a bitch.” Eli’s gaze shifts to mine, and he chuckles. “I thought you didn’t watch the show.” Crap. I did say that. I chew on my thumb and shrug. “I guess I’ve seen a few seasons.” I say the last word under my breath, hoping he didn’t catch it. “Seasons?” No such luck. “Whatever. It’s just to see how bad you butcher my job.” Eli shakes his head and grabs my hand. His fingers thread with mine and then he gently squeezes. “Sounds like you’re a little more invested than that.” “Fine,” I admit. “I watch it religiously." He brings my hand to his lips and kisses my knuckles. “I knew you liked me.” I laugh and hit his chest with our entwined hands. “You’re crazy. I like your show, but seriously, tell the writers they need to clear that up.
Corinne Michaels (We Own Tonight (Second Time Around, #1))
The most painful figure of the Greek stage, the ill-fated Oedipus, is understood by Sophocles as the noble man who is destined for error and misery in spite of his wisdom, but who, through his immense suffering, at the end exerts a magically beneficial effect around him, which still has an effect beyond his death. The noble man does not sin — that’s what the profound poet wishes to tell us: through Oedipus’ actions every law, every natural principle of order, indeed, the moral world may collapse, but because of these very actions a higher magical circle of consequences is created, which founds a new world on the ruins of the old world, which has been overthrown. Insofar as the poet is also a religious thinker, that is what he wishes to say to us; as a poet, he shows us first a wonderfully complicated legal knot, which the judge slowly undoes, link by link, in the process destroying himself. The real joy for the Greek in this dialectical solution is so great that because of it a sense of powerful serenity invests the entire work, which always breaks the sting of the dreadful assumptions of that plot.
Friedrich Nietzsche (The Birth of Tragedy)
...literature does its best to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant; it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself, with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks, investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances about them for which it has neither time nor liberty in health.
Virginia Woolf (On Being Ill)
literature does itsnbest to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant; it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself, with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks, investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances about them for which it has neither time nor liberty in health.
Virginia Woolf (On Being Ill)
I thought about how in movies, usually action movies, a cheap way of getting the audience to invest in the plot is to endanger the life of a dog. There can be fifty men graphically terminated by machine-gun fire or an entire building full of workers destroyed, but no one will stand for a cute little dog being killed. And almost always, the dog's life is spared to the relief of the audience.
Joey Goebel (Torture the Artist)
Real estate is too important, all the battles and wars essentially happened and happens for real estate.
Amit Kalantri
A customer oriented realtor not only finds you a good home, he also finds you a good neighborhood.
Amit Kalantri
The purpose of real estate agent should be to create a customer who creates customers.
Amit Kalantri
A great realtor is always in relationship with real estate.
Amit Kalantri
They invited a large investor, Coca-Cola, to take over a plot of land in Pulkovo Heights and install high-capacity power and communications cables, hoping that other companies would follow suit. It worked. After Coca-Cola developed their piece of land, Gillette came, then Wrigley, and then some pharmaceutical companies. An economic zone thus took shape within the city, where total investment now exceeds half a billion dollars. Furthermore, with the Committee’s encouragement, the city’s infrastructure began to be modernized to create the conditions necessary for successful business. The first major deal that Putin supported was the completion of a fiber-optic cable to Copenhagen. This project had been initiated back in the Soviet era but never completed. Now the efforts were successful, providing St. Petersburg with world-class international telephone connections.
Vladimir Putin (First Person: An Astonishingly Frank Self-Portrait by Russia's President Vladimir Putin)
At one time or another, most of us have seen a plot of capital wealth looking something like Figure 1-1, demonstrating that $1 invested in the U.S. stock market in 1790 would have grown to more than $23 million by the year 2000. Unfortunately,
William J. Bernstein (The Four Pillars of Investing: Lessons for Building a Winning Portfolio)
If the forest transition in the tropics runs its course, the loss of carbon to the air and species to the history books would be catastrophic for the whole world. We must halt all deforestation across the world now and, with our investment and trade, support those nations who have not yet chopped down their forests to reap the benefits of these resources without losing them. That is easier said than done. Preserving wild lands is a very different prospect to preserving wild seas. The high seas are owned by no one. Domestic waters are owned by nations with governments able to make broad decisions on merit. Land, on the other hand, is where we live. It is portioned into billions of different-sized plots, owned, bought and sold by a host of different commercial, state, community and private parties. Its value is decided by markets. The heart of the problem is that, today, there is no way of calculating the value of the wilderness and environmental services, both global and local, that it provides. One hundred hectares of standing rainforest has less value on paper than an oil palm plantation. Tearing down wilderness is therefore seen as worthwhile. The only practical way to change this situation is to change the meaning of value. The
David Attenborough (A Life on Our Planet: My Witness Statement and a Vision for the Future)
Accelerating Technological Advancement Two “laws” help explain the extraordinary changes wrought by the global adoption of the internet. The first is Moore’s Law, named for Gordon Moore, an Intel cofounder. In the 1960s, he observed that the number of transistors that could be squeezed into a single chip was increasing at a predictable rate—doubling about every eighteen months. Thanks to billions of dollars in R&D and engineering investment, that rate of improvement has held ever since. The second law is named after Bob Metcalfe, the inventor of Ethernet, one of the protocols foundational to the internet. Metcalfe posited that the value of a network is equal to the number of connections between users, not just the number of users. Bigger is better, and better, and better. These laws help us quantify something we can see in our online experience: both the power of our devices and the value of the network they’re attached to are millions of times greater than they were at the dawn of the internet era. Plotting this growth reveals an interesting twist, however. For the past thirty years, the value of the internet as described by Metcalfe’s Law has increased more than processing power has improved. But as internet penetration slows, so does the rate of increase in the value of the internet. Meanwhile, Moore’s Law chugs along, suggesting that we may be approaching an inflection point, when changes to our online experience are driven more by technological advancement than by the ever-growing number of online connections.
Scott Galloway (Adrift: America in 100 Charts)
Has it seemed at all like shit’s just kind of run its course? Problems are obvious and no one’s that invested in fixing them? No new discoveries, no new ideas. All the new arguments are the same as the old arguments. Lost the plot with art and entertainment. Everything’s AI or a remix or remaster or expansion of the same five IPs.
Jordan Peele (Out There Screaming: An Anthology of New Black Horror)
The future requires kids; without them, there’s eventually no tomorrow. In time, of course, everybody runs out of tomorrows. The one thing you can say about the future, Joseph Brodsky has written, is that it won’t include you. That’s true, and yet the dyad of money and children plots you way out there in that world of tomorrows you don’t get. Your dream, then, is of a nothingness where an investment of love lives on. You believe in a time that’s not your own.
Charles D'Ambrosio (Loitering: New and Collected Essays)
Senators John McCain and Lindsey Graham were staunch advocates of arming the government of Ukraine in their fight with Russian separatists and Putin. During the Republican National Convention, the party platform committee proposed language to the effect that Ukraine needed U.S. weapons and NATO support to defend itself, in support of a long-held Republican position. Carter Page, now on the Trump campaign team, used to work in the Merrill Lynch’s Moscow office, has personal investments in Gazprom, a Russian state oil conglomerate. He told Bloomberg that his investments have been hurt by the sanctions policy against Russia over Ukraine.39 He has characterized the U.S. policy toward Russia as chattel slavery.
Malcolm W. Nance (The Plot to Hack America: How Putin's Cyberspies and WikiLeaks Tried to Steal the 2016 Election)
After being turned away by American banks due to bankruptcies, Trump has been getting considerable investments from Russian sources, including many with known criminal ties. At
Malcolm W. Nance (The Plot to Hack America: How Putin's Cyberspies and WikiLeaks Tried to Steal the 2016 Election)
Italy police arrest 8 in Mafia wind farms plot. Operation “Aeolus,” named after the ancient Greek god of winds, netted eight suspects, arrested in the Trapani area of western Sicily [and on the Italian mainland]. Police in Trapani said the local Mafia bribed city officials in nearby Mazara del Vallo so the town would invest in wind farms to produce energy. (Associated Press, 2009 [Google hosted])
John Etherington (The Wind Farm Scam)
Ma'am I am still a strong believer if my tough Queen HILLARY CLINTON, she was the only technical person who deserve the white-House,Millions across the world thought she could win at all cost but as we know no one is GOD and none can predict with accuracy with trying the Faiths in form of TRYING . Trump is a tough man with reliable and sustainable wealth so I don't doubt his abilities and strategic business tricks by utilizing his technical brains to his advantage at all times ,My queen relaxed big time at the beginning ,and mid-campaigning moments ,she speed up at the last days which led to our Lost . Trump on the other side ,create a very tougher audience attraction and mass dominance with NEGATIVITY and DIVISION , captured the attention of the whole world at the Mid-Campain moments and Relax with Comfort knowing he will be walk into Victory with the stronger Mess he created from the very Beginning . I admire and still think Trump should rate his Brains for playing his Political Game with ultra-Modern BRANDING tricks that made him the most viewed ,followed and the center of attention for the world not just America. I respect such business logic tricks ,cos they productive but Trump should trade with Caution and remember he is just an ordinary creature and flawed just like any other person ,unless our first father and mother were not create the same and Equal . A technical person like him who understands Business should know ,weapons and killings are not part of business ,in business all you requires and constantly has to invest in is your TECHNICAL BRAINS ,always beat your enemies and oppositions with their individual and personal Unique and Ultra Modern Innovations to distinguishes between a Leader and a follower. I am still a tough and firm believer of my queen and I don't even have to think about their Past or what people claims about them cos I understand the reasons why great minds always attract violent and deadly opposition from mediocre minds so I don't judge anyone and can even judge anyone not even myself but watching her back is my Pledge and if a worthless person makes the wrong move towards hurting her ,it's turn will be know who true SNIPERS are and why we have accurate general snipers . Cos a YoungMan claims when that hour arrives can he give all the crew plotting evil against her an accurate shots to hell until we meet there one day
Chief-Icons Rashid Bawah
According to analysts, 666 Fifth Avenue had about a 30 percent vacancy rate and only generated about half of its annual mortgage. It was rumored that the largest tenant was planning to move out. A Canadian company named Brookfield Property Partners took a ninety-nine-year lease on 666 Fifth Avenue. Brookfield paid the rent for the entire century-long lease, upfront, which amounted to about $1.1 billion—removing Kushner’s biggest financial headache (a $1.4 billion mortgage on the office portion of the tower due in February 2019). Brookfield got its financing for this deal from a $750 million mortgage from ING Group, a Dutch multinational and financial services corporation, and a $300 million mezzanine loan from Apollo Global Management.9 However, the Qatar Investment Authority, the government-run agency that made decisions about the nations’ financial investments, bought a $1.8 billion stake in Brookfield Property Partners. As the second largest shareholder, they had a lot to say about what should be purchased; in this instance, they apparently used Brookfield to bail out 666 Fifth Ave. This investment was a godsend to Kushner, who was now out of debt just as Qatar was suddenly no longer blockaded by Mohammad bin Salman bin Abdulaziz Al Saud, crown prince of Saudi Arabia (known colloquially as MBS), and his allies.
Malcolm W. Nance (The Plot to Betray America: How Team Trump Embraced Our Enemies, Compromised Our Security, and How We Can Fix It)
Microsoft, Alibaba, and ByteDance, the parent company of TikTok, have all made significant investments in virtual and augmented reality. Their approaches vary, but their goal is the same: to transform entertainment from something we choose, channel by channel or stream by stream or feed by feed, into something we inhabit. In the metaverse, the promise goes, we will finally be able to do what science fiction foretold: live within our illusions. From Megan Garber, 'We've Lost the Plot,' The Atlantic [online], January 30, 2023.
Megan Garber
The GOP passed a tax bill that is performing exactly as expected and predicted: A handful of hedge funds, America’s top corporations, and a few dozen billionaires were given a trillion-dollar-plus tax benefit. Even the tax cut’s most fervent proponents know that its effects were short-lived, the bill is coming due, and in 2022 or thereabouts it’s going to lead to annual deficits of close to $2 trillion. When the bubble pops, the correction hits, and Wall Street investment firms and banks go tango uniform, Trump will bail them out before you can say “golden parachute.” The “average guy with a 401k” who is going to get crushed in the next drop? Not so much.
Rick Wilson (Running Against the Devil: A Plot to Save America from Trump--and Democrats from Themselves)
For me, the measure of a good story is how much it makes me feel and as most writers will agree, a character that evokes an empathetic response, is a character that a reader will invest in. As a writer of issue based fiction, it's heart-warming to hear that a reader was crying at a scene that made you cry when you wrote it and while scene setting and plot progression are important, it is finding the correct balance of emotion in a sub-text that can make all the difference to an authentic character and how they carry the story to a satisfying conclusion.
Adele O'Neill
If you don't find a good deal for your customer, your competitor will.
Amit Kalantri
Real estate agents who lies, eventually lose business to real estate agents who tell the truth.
Amit Kalantri
Are you searching and looking to invest in plots in Chennai? There are many options of Plot for sale in Chennai. But investing in plots and buying plots to build a house are two different things! People always craze Real Estate as an Investment Option. In same the way, plots or lands hold the top priority on Real estate investment categories. So, it is mandated for every investor to look at the key parameters to buy lands or plots. In this article, It is explained easy investment options for how to identify and buy a plot for investment to eventually meet a life goal.
nammafamilybuilder
There’s a great Pixar video about telling stories. The video—“Pixar in a Box”—featured Pete Docter, director of the films Inside Out, Up, and Monsters, Inc. According to Docter, the power of story is that “it has an ability to connect with people on an emotional level.” He gives a bit of advice that I think is worth keeping in mind when you create a compelling story: Write what you know. Says Docter, even though you may be writing a story about explosions or monsters or car chases, “put something into it that talks about your own life—how you feel…. Something from your own life will make that story come alive.” Every good story has three elements: Characters. In a work situation, that might be you, your teammates, your customers or clients, and your boss. Who is in the story? Get your audience to feel an emotional investment in the characters. Plot. This could be, for example, the process of digitally transforming your business. A good plot keeps your audience engaged, wondering what’s coming up next. Story arc. This is the movement of the story from beginning to middle to end. You’ve got a problem and, through much trial and tribulation, you find a solution and become the hero of your team. Every story you tell—even if you’re writing about a technical problem, or starting your own business, or whatever it might be—needs to have these three elements. If you do this right, then people will care about your story. They don’t care about features, they care about the benefits of your idea—how what you’re pitching makes them better, smarter, more successful, happier, more fulfilled, more respected, and so on. They want to feel like a hero. And if you can make your audience feel like heroes, they will be engaged in your story and deeply connect with it on an emotional level.
Jeff Gothelf (Forever Employable: How to Stop Looking for Work and Let Your Next Job Find You)
Therefore, in the long run, national stock markets with lower home bias should have lower returns. In each of 38 countries, the second study computes a measure of home bias and compares it to the country’s MSCI index return.21 Figure 8.5 shows a scatter plot of home bias versus annual market return (during the period 1998 to 2007) for the 38 countries. Note the clear trend of higher home bias being associated with higher domestic market return. This creates a high cost of capital for the firm in countries with high degrees of home bias.
John R. Nofsinger (The Psychology of Investing)
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gangadhar12
Don’t just buy properties; buy possibilities. A run-down house in a promising neighborhood or a plot of land near a growing city can yield returns that far exceed your initial investment if you’re willing to put in the effort and time.
Linsey Mills (Currency of Conversations: The Talk You've Been Waiting For About Money)
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