Plenty To Say About Me Quotes

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It’s always been this way. There were rumors about me even before I was born. It’s why my mother never calls me Sobachka. She says it makes me sound like a mongrel.” My heart gave a little pang at that. I’d been called plenty of names growing up. “I like mongrels,” I said. “They have cute floppy ears.” “My ears are very dignified.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
So it's true what they say about warlocks, then?" Alec gave him a very unpleasant look. "What's true?" "Alexander," said Magnus coldly, and Clary met Simon's eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. "You can't be rude to everyone who talks to me." Alec made a wide, sweeping gesture. "And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He's pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good-looks type." "Hey, now," said Jordan mildly. Magnus put his head in his hands. "Or there are plenty of pretty girls here, since apparently your taste goes both ways, Is there anything you aren't into?" "Mermaids," said Magnus into his fingers. "They always smell like seaweed." "It's not funny," Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
I needed to say something. Something romantic! Something to sweep her off her feet. "You’re like a potato!" I shouted after her. "In a minefield." She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?” “It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.” “A potato.” “Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?” “Plenty of people. Why can’t I be something sweet, like a cake?” “Because cake wouldn’t grow in a minefield. Obviously.” She stared down the hallway at me for a few moments, then sat on an overgrown set of roots. Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.
Brandon Sanderson (Firefight (The Reckoners, #2))
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
Beati bellicosi. Blessed are the warriors.” “Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.” Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?” Magnus’s cat eyes widened. “Alexander!” “Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.” Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?” Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.” “I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.” “You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?” Alec gave him a very unpleasant look. “What’s true?” “Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.” Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.” “Hey, now,” said Jordan mildly. Magnus put his head in his hands. “Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?” “Mermaids,” said Magnus into his fingers. “They always smell like seaweed.” “It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
There seems to be plenty of it,' was all I would answer, when the investigator asked me to say what I felt about time.
Aldous Huxley (The Doors of Perception)
Those dreaming of the perfect match are outnumbered by those who don't really want it at all, though perhaps they can't admit it. After all, our culture makes individual freedom, autonomy and fulfillment the very highest values, and thoughtful people know deep down that any love relationship at all means the loss of all three. You can say, 'I want someone who will accept me just as I am,' but in your heart of hearts you know that you are not perfect, that there are plenty of things about you that need to be changed, and that anyone who gets to know you up close and personal will want to change them.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
And along with indifference to space, there was an even more complete indifference to time. "There seems to be plenty of it", was all I would answer when the investigator asked me to say what I felt about time. Plenty of it, but exactly how much was entirely irrelevant. I could, of course, have looked at my watch but my watch I knew was in another universe. My actual experience had been, was still, of an indefinite duration. Or alternatively, of a perpetual present made up of one continually changing apocalypse.
Aldous Huxley (The Doors of Perception & Heaven and Hell)
Not me," said Orion cheerily. "I'm just a teenager with hormones running wild. And may I say ,young fairy lady, they're running wild in your direction." Holly lifted her visor and looked the hormonal teenager in the eye. "This had better not be a game, Artemis. If you do not have some serious psychosis, you will be sorry." "Oh, I'm crazy, alright. I do have plenty of psychoses," said Orion Cheerily. "Multiple personality, delusional dementia, OCD. I've got them all, but most of all, I'm crazy about you.
Eoin Colfer
I know you want her back, kid. And I know that people saying things like 'there are plenty more fish in the sea' is only going to make you hurt more. And I could tell you all about the science of what your brain is going through right now. How it's processing a pain as intense as hitting a nerve in your tooth, but it can't find a source for that pain, so you kind of feel it everywhere. I could tell you that when you fall for someone, the bits of your brain that light up are the same as when you're hungry or thirsty. And I could tell you that when the person you love leaves you, you starve for them, you crave them, Heartbreak is a science, like love. So trust me when I say this: you're wounded right now, but you'll heal.
Krystal Sutherland (Our Chemical Hearts)
So the rich kids aren't the alpha group of the school. The next most likely demographic would be the church kids: They're plentiful, and they are definitely interested in school domination. However, that strength -- the will to dominate -- is also their greatness weakness, because they spend so much time trying to convince you to hang out with them, and the way they try to do that is by inviting you over to their church. 'We've got cookies and board games,' they say, or that sort of thing. 'We just got a Wii set up!' Something about it always seems a little off. Eventually, you realize: These same exact sentences are also said by child predators.
Jesse Andrews (Me and Earl and the Dying Girl)
It seemed like my parents were always trying to get me to care about money, but I didn’t, really. Then again, it's easy to say you don't care about money when you have plenty of it.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I was flirting. Me. Flirting. It feels so good to flirt. No one ever talks about that. But in that moment, I felt like flirting was the very thing that made the world go around. The excitement of wondering what the other person will say next. The thrill of knowing someone is looking at you, liking what they see. The rush of looking at someone and liking what you see in them. Flirting is probably just as much about falling in love with yourself as it is with someone else. It’s about seeing yourself through someone’s eyes and realizing there is plenty to like about yourself, plenty of reasons someone might hang on your every word.
Taylor Jenkins Reid (One True Loves)
What is it that constitutes virtue, Mrs. Graham? Is it the circumstance of being able and willing to resist temptation; or that of having no temptations to resist? - Is he a strong man that overcomes great obstacles and performs surprising achievements, though by dint of great muscular exertion, and at the risk of some subsequent fatigue, or he that sits in his chair all day, with nothing to do more laborious than stirring the fire, and carrying his food to his mouth? If you would have your son to walk honourably through the world, you must not attempt to clear the stones from his path, but teach him to walk firmly over them - not insist upon leading him by the hand, but let him learn to go alone.' 'I will lead him by the hand, Mr. Markham, till he has strength to go alone; and I will clear as many stones from his path as I can, and teach him to avoid the rest - or walk firmly over them, as you say; - for when I have done my utmost, in the way of clearance, there will still be plenty left to exercise all the agility, steadiness, and circumspection he will ever have. - It is all very well to talk about noble resistance, and trials of virtue; but for fifty - or five hundred men that have yielded to temptation, show me one that has had virtue to resist. And why should I take it for granted that my son will be one in a thousand? - and not rather prepare for the worst, and suppose he will be like his - like the rest of mankind, unless I take care to prevent it?
Anne Brontë (The Tenant of Wildfell Hall)
I think they know we're talking about them," I say. "So? They already know I hate them." "They do? How?" Christina fakes a smile at them and waves. I look down, my cheeks warm. I shouldn't be gossiping anyway. Gossiping is self-indulgent. Will hooks a foot around one of Al's legs and yanks back,knocking Al to the ground. Al scrambles to his feet. "Because I've told them," she says, through the gritted teeth of her smile. Her teeth are straight on top and crooked on the bottom.She looks at me. "We try to be pretty honest about our feelings in Candor. Plenty of people have told me that they don't like me.And plenty of people haven't. Who cares?" "We just...weren't supposed to hurt people," I say. "I like to think I'm helping them by hating them," she says. "I'm reminding them that they aren't God's gift to humankind.
Veronica Roth (Divergent (Divergent, #1))
No matter what people say, life is marvelous, if you want to know who gets mu goats, it's those killjoy pessimists, even if I have plenty to complain about, you don't hear a peep out of me, what for. I ask you, what for, when life can bring me a day like today; oh, how marvelous it all is: a strange town, and me here with you...
Milan Kundera (The Joke)
She reached across the table and squeezed my hand. 'The last time you were here, you were so lost. So . . . well, if you don't mind me saying —' 'Pathetic,' I blurted out. 'Whiny, entitled, selfish. I felt terribly sorry for myself.' Meg nodded along with my words as if listening to her favourite song. 'You still feel sorry for yourself.' 'But now,' Sally said, sitting back again, 'you're more . . . human, I suppose.' There was that word again: human, which not long ago I would have considered a terrible insult. Now, every time I heard it, I thought of Jason Grace's admonition: Remember what it's like to be human. He hadn't meant all the terrible things about being human, of which there were plenty. He'd meant the best things: standing up for a just cause, putting others first, having stubborn faith that you could make a difference, even if it meant you had to die to protect your friends and what you believed in. These were not the kind of feelings that gods had . . . well, ever.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!
Roman Payne
My favorite feature is my red hair. Why wouldn't it be? It sets me apart from other people who don't have red hair, and it instantly bonds me with people who do. Experts often say that redheads are an endangered species - but experts say a lot of things. My own hasty scans of sidewalks and shopping malls show plenty of us out and about. Maybe the experts are just saying that because they are jealous of all the redheads - and the only revenge they know is to claim that we will all die.
Ellie Kemper (My Squirrel Days)
Royce saw to his horse’s needs; then, finding a suitable place, he unrolled his blanket and lay down. “I take it we’re camping here, then?” Royce said nothing, still refusing to acknowledge his existence. “You could have said, ‘We’re going to bed down here for the rest of the night.’ No, wait, you’re right, too much. How about ‘sleeping here’? Two words. Even you could manage that, right? I mean, I know you can talk. You had plenty to say back in Arcadius’s office. Couldn’t keep the words from coming out then, but no, utterly impossible to indicate in any way that we’ll be stopping here for the night.” Hadrian dismounted and began unloading Dancer. “How long were we on the road?” He paused to look up at the moon. “What? Five, six hours? Not a damn word. Getting chilly out, don’t you think, Hadrian? Moon looks like a fingernail, ain’t that right, Hadrian? That tree looks like a goddamn bear, don’t it, Hadrian? Nothing. By the way, in case you hadn’t noticed, I was attacked by a goshawk and a pig-riding dwarf that shot eggs at me with a sling. I was knocked from my horse and wrestled with the dwarf, the hawk, and the pig for what had to be half an hour. The dwarf kept smashing eggs in my face, and that ruddy pig pinned me down, licking them off. I only got away because the dwarf ran out of eggs. Then the hawk turned into a moth that became distracted by the light of the moon.” Royce shifted to his side, hood up. “Yeah, well … thank Maribor and Novron I didn’t need your help that time.” “Didn’t care for my help too much in the stable,” Royce said. “It speaks!
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
I did not know people your age still read books,' Penumbra says. He raises an eyebrow. 'I was under the impression they read everything on their mobile phones.' 'Not everyone. There are plenty of people who, you know--people who still like the smell of books.' 'The smell!' Penumbra repeats. 'You know you are finished when people start talking about the smell.' He smiles at that--then something occurs to him, and he narrows his eyes. 'I do not suppose you have a...Kindle?' Uh-oh. It feels like it's the principal asking me if I have weed in my backpack. But in a friendly way, like maybe he wants to share it. As it happens, I do have my Kindle. I pull it out of my messenger bag. It's a bit battered with wide scratches across the back and stray pen marks near the bottom of the screen. Penumbra holds it aloft and frowns. It's blank. I reach up and pinch the corner and it comes to life. He sucks in a sharp breath, and the pale gray rectangle reflects in his bright blue eyes.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
I'm never bored. That's the trouble with everybody -- you're all so bored. You've 'ad nature explained to you and you're bored with it. You've 'ad the living body explained to you and you're bored with it. You've 'ad the universe explained to you and you're bored with it. So now you just want cheap thrills and like plenty of 'em, and it dun't matter 'ow tawdry or vacuous they are as long as it's new, as long as it's new, as long as it flashes and fuckin' bleeps in forty fuckin' different colours. Well, whatever else you can say about me, I'm not fuckin' bored!
Mike Leigh (Naked and Other Screenplays)
If anyone attempted to rule the world by the gospel and to abolish all temporal law and sword on the plea that all are baptized and Christian, and that, according to the gospel, there shall be among them no law or sword - or need for either - pray tell me, friend, what would he be doing? He would be loosing the ropes and chains of the savage wild beasts and letting them bite and mangle everyone, meanwhile insisting that they were harmless, tame, and gentle creatures; but I would have the proof in my wounds. Just so would the wicked under the name of Christian abuse evangelical freedom, carry on their rascality, and insist that they were Christians subject neither to law nor sword, as some are already raving and ranting. To such a one we must say: Certainly it is true that Christians, so far as they themselves are concerned, are subject neither to law nor sword, and have need of neither. But take heed and first fill the world with real Christians before you attempt to rule it in a Christian and evangelical manner. This you will never accomplish; for the world and the masses are and always will be unchristian, even if they are all baptized and Christian in name. Christians are few and far between (as the saying is). Therefore, it is out of the question that there should be a common Christian government over the whole world, or indeed over a single country or any considerable body of people, for the wicked always outnumber the good. Hence, a man who would venture to govern an entire country or the world with the gospel would be like a shepherd who should put together in one fold wolves, lions, eagles, and sheep, and let them mingle freely with one another, saying, “Help yourselves, and be good and peaceful toward one another. The fold is open, there is plenty of food. You need have no fear of dogs and clubs.” The sheep would doubtless keep the peace and allow themselves to be fed and governed peacefully, but they would not live long, nor would one beast survive another. For this reason one must carefully distinguish between these two governments. Both must be permitted to remain; the one to produce righteousness, the other to bring about external peace and prevent evil deeds. Neither one is sufficient in the world without the other. No one can become righteous in the sight of God by means of the temporal government, without Christ's spiritual government. Christ's government does not extend over all men; rather, Christians are always a minority in the midst of non-Christians. Now where temporal government or law alone prevails, there sheer hypocrisy is inevitable, even though the commandments be God's very own. For without the Holy Spirit in the heart no one becomes truly righteous, no matter how fine the works he does. On the other hand, where the spiritual government alone prevails over land and people, there wickedness is given free rein and the door is open for all manner of rascality, for the world as a whole cannot receive or comprehend it.
Martin Luther (Luther and Calvin on Secular Authority (Cambridge Texts in the History of Political Thought))
Here’s the truth: I am the female version of a heartbreaker. The one that everyone says is too dedicated to ballet, too self-involved to ever care about anyone else besides herself. I’m the rebel. The bad twin. I am Tally—the loner, the party of one. The love and leave ‘em prototype. Heartless. That is me. I have no time for romance, flowers, or relationships. I like one-night stands with plenty of sex and no promises of a future. I like the lies I tell. I’m comfortable in telling them…most of the time. This is me.
Katherine Owen (This Much is True (Truth in Lies, #1))
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
I shall do what needs doing myself, thank you,” September said finally. “And I’ll ask you kindly to stop telling me what I need and what will be wonderful just as soon as I agree with you! And most importantly to stop turning me into things I didn’t ask to be and kissing me when I didn’t ask to be kissed! You stole my First Kiss from me, Saturday. I haven’t forgiven you just because I haven’t had a shout about it yet. I’ve been busy! But I think I’m the only one who gets a say about when I get kissed or turned into a beast! Not that it wasn’t nice to be a Wyvern or a Fairy. I’m not saying it wasn’t nice.” September could not help adding the apology. But she would absolutely not go meekly along relying on everyone else to fight and speak and wish for her. She would not have things done to her when she could do them on her own! She’d done plenty—and shouldn’t Ell know that? Perhaps only her own dear red Ell would understand that she could not just let everyone else do her work for her. Her mother did not just hope some other man would come along and take up the work that needed doing in her factory. She did it herself, and so would September.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
The thing about being barren is that you’re not allowed to get away from it. Not when you’re in your thirties. My friends were having children, friends of friends were having children, pregnancy and birth and first birthday parties were everywhere. I was asked about it all the time. My mother, our friends, colleagues at work. When was it going to be my turn? At some point our childlessness became an acceptable topic of Sunday-lunch conversation, not just between Tom and me, but more generally. What we were trying, what we should be doing, do you really think you should be having a second glass of wine? I was still young, there was still plenty of time, but failure cloaked me like a mantle, it overwhelmed me, dragged me under, and I gave up hope. At the time, I resented the fact that it was always seen as my fault, that I was the one letting the side down. But as the speed with which he managed to impregnate Anna demonstrates, there was never any problem with Tom’s virility. I was wrong to suggest that we should share the blame; it was all down to me. Lara, my best friend since university, had two children in two years: a boy first and then a girl. I didn’t like them. I didn’t want to hear anything about them. I didn’t want to be near them. Lara stopped speaking to me after a while. There was a girl at work who told me—casually, as though she were talking about an appendectomy or a wisdom-tooth extraction—that she’d recently had an abortion, a medical one, and it was so much less traumatic than the surgical one she’d had when she was at university. I couldn’t speak to her after that, I could barely look at her. Things became awkward in the office; people noticed. Tom didn’t feel the way I did. It wasn’t his failure, for starters, and in any case, he didn’t need a child like I did. He wanted to be a dad, he really did—I’m sure he daydreamed about kicking a football around in the garden with his son, or carrying his daughter on his shoulders in the park. But he thought our lives could be great without children, too. “We’re happy,” he used to say to me. “Why can’t we just go on being happy?” He became frustrated with me. He never understood that it’s possible to miss what you’ve never had, to mourn for it.
Paula Hawkins (The Girl on the Train)
I think they liked you more than they like me. Eric said that I must get really angry when I’m Irish if you don’t want to be my boyfriend.” A deep, throaty laugh escapes Ashton’s lips and my body instantly warms. “What’d you say?” “Oh, I assured him that I get plenty mad even when I’m not ‘Irish’ and you’re around.” at earns another laugh. “I love it when you don’t censor yourself. When you just say what’s on your mind and don’t worry about it.” “Then you and Stayner would get along well . . .
K.A. Tucker
I would die without you,” he finally said. “I’d be crazy with terror if there were six of you to defend. Not to mention crazy, period.” There was a vein of amusement in the final sentence. She took his hand and moved it to her abdomen. “Did I ever tell you, Dash, how much I dream of babies? Lots of babies. I wanted at least three, more if I could. And if what you say is true about your semen counteracting birth control, do you think you might not have plenty of little girls to protect and go crazy over? What will you do then? Stop having sex with me?” She saw the pure terror that glittered in his eyes for just a second. Raw, blistering hot fear as his fingers flexed against her abdomen. “God help me,” he groaned. “You will make me crazy, Elizabeth.
Lora Leigh (Elizabeth's Wolf (Breeds, #3))
I can do anything I believe I can do! I’ve got it, and every day I get more of it. I have talent, skills, and ability. I set goals and I reach them. I know what I want out of life. I go after it and I get it. People like me, and I feel good about myself. I have a sense of pride in who I am, and I believe in myself. Nothing seems to stop me. I have a lot of determination. I turn problems into advantages. I find possibilities in things that other people never give a chance. I have a lot of energy—I am very alive! I enjoy life and I can tell it and so can others. I keep myself up, looking ahead, and liking it. I know that I can accomplish anything I choose, and I refuse to let anything negative hold me back or stand in my way. I am not afraid of anything or anyone. I have strength, power, conviction, and confidence! I like challenges and I meet them head on, face to face—today especially! I am on top of the world and I’m going for it. I have a clear picture in my mind of what I want. I can see it in front of me. I know what I want and I know how to get it. I know that it’s all up to me and I know I can do it. Roadblocks don’t bother me. They just mean that I am alive and running, and I’m not going to stand still for anything. I trust myself I’ve got what it takes—plenty of it—and I know how to use it. Today, more than ever. Today I am unstoppable! I’ve got myself together and I’m getting more together every day. And today—look out world, here I come! Limitations? I don’t even recognize them as limitations. There is no challenge I can’t conquer; there is no wall I can’t climb over. There is no problem I can’t defeat, or turn around and make it work for me. I stand tall! I am honest and sincere. I like to deal with people and they like me. I think well; I think clearly. I am organized; I am in control of myself, and everything about me. I call my shots, and no one has to call them for me. I never blame anyone else for the circumstances of my life. I accept my failings and move past them as easily as I accept the rewards for my victories. I never demand perfection of myself, but I expect the very best of what I have to give—and that’s what I get! I never give myself excuses. I get things done on time and in the right way. Today I have the inner strength to do more than ever. I am an exceptional human being. My goals and my incredible belief in myself turn my goals into reality. I have the power to live my dreams. I believe in them like I believe in myself. And that belief is so strong that there is nothing that diminishes my undefeatable spirit.
Shad Helmstetter (What To Say When You Talk To Your Self)
One night, a couple of weeks before school started--they must have though I was asleep--Nilda started telling Rafa about her plans for the future. I think even she knew what was about to happen. Listening to her imagining herself was about the saddest thing you ever heard. How she wanted to get away from her moms and open up a group home for runaway kids. But this one would be real cool, she said. It would be for normal kids who just got problems. She must have loved him because she went on and on. Plenty of people talk about having a flow, but that night I really heard one, something that was unbroken, that fought itself and worked together all at once. Rafa didn't say nothing. Maybe he had his hands in her hair or maybe he was just like, fuck you. When she finished, he didn't even say wow. I wanted to kill myself with embarrassment. About a half hour later she got up and dressed. She couldn't see me or she would have known that I thought she was beautiful. She stepped into her pants and pulled them up in one motion, sucked in her stomach while she buttoned them. I'll see you later, she said. Yeah, he said.
Junot Díaz (This Is How You Lose Her)
I tell ya one thing about me. I say “No” to drugs. When people ask me for some of my drugs, I say “No.
Rodney Dangerfield (It's Not Easy Bein' Me: A Lifetime of No Respect but Plenty of Sex and Drugs)
And with that, she glided serenely from the room. I wanted to say more to her. I wanted to ask her what she meant about the Darkling. I wanted to take a hammer to the King’s head. But she was right. There would be plenty of time for trouble tomorrow. I took a last peek in the little mirror and hurried out into the hall, leaving my worries and Genya’s warnings behind me.       MY
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
This is rather as if you imagine a puddle waking up one morning and thinking, 'This is an interesting world I find myself in--an interesting hole I find myself in--fits me rather neatly, doesn't it? In fact it fits me staggeringly well, must have been made to have me in it!' This is such a powerful idea that as the sun rises in the sky and the air heats up and as, gradually, the puddle gets smaller and smaller, it's still frantically hanging on to the notion that everything's going to be all right, because this world was meant to have him in it, was built to have him in it; so the moment he disappears catches him rather by surprise. I think this may be something we need to be on the watch-out for. We all know that at some point in the future the universe will come to an end, and at some other point, considerably in advance from that but still not immediately pressing, the sun will explode. We feel there's plenty of time to worry about that, but on the other hand that's a very dangerous thing to say... I think that we need to take a larger perspective on who we are and what we are doing here if we are going to survive in the long term.
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
Have you been reading anything in the paper about Hue? It is supposed to be big news in the states. Well that’s where I am. It is supposed to be some of the worst fighting that has been fought in the war. If it isn’t it will be plenty for me. I can’t really say how bad it has been. We’ve lost a hell of a lot of people. . . . This house to house fighting is a son of a bitch. I’ve never been so scared in all my life.
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
Then he says, “I once read a story about three brothers who washed up on an island in Hawaii. A myth. An old one. I read it when I was a kid, so I probably don’t have the story exactly right, but it goes something like this. Three brothers went out fishing and got caught in a storm. They drifted on the ocean for a long time until they washed up on the shore of an uninhabited island. It was a beautiful island with coconuts growing there and tons of fruit on the trees, and a big, high mountain in the middle. The night they got there, a god appeared in their dreams and said, ‘A little farther down the shore, you will find three big, round boulders. I want each of you to push his boulder as far as he likes. The place you stop pushing your boulder is where you will live. The higher you go, the more of the world you will be able to see from your home. It’s entirely up to you how far you want to push your boulder.’” The young man takes a drink of water and pauses for a moment. Mari looks bored, but she is clearly listening. “Okay so far?” he asks. Mari nods. “Want to hear the rest? If you’re not interested, I can stop.” “If it’s not too long.” “No, it’s not too long. It’s a pretty simple story.” He takes another sip of water and continues with his story. “So the three brothers found three boulders on the shore just as the god had said they would. And they started pushing them along as the god told them to. Now these were huge, heavy boulders, so rolling them was hard, and pushing them up an incline took an enormous effort. The youngest brother quit first. He said, ‘Brothers, this place is good enough for me. It’s close to the shore, and I can catch fish. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ His two elder brothers pressed on, but when they were midway up the mountain, the second brother quit. He said, ‘Brother, this place is good enough for me. There is plenty of fruit here. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ The eldest brother continued walking up the mountain. The trail grew increasingly narrow and steep, but he did not quit. He had great powers of perseverance, and he wanted to see as much of the world as he possibly could, so he kept rolling the boulder with all his might. He went on for months, hardly eating or drinking, until he had rolled the boulder to the very peak of the high mountain. There he stopped and surveyed the world. Now he could see more of the world than anyone. This was the place he would live—where no grass grew, where no birds flew. For water, he could only lick the ice and frost. For food, he could only gnaw on moss. Be he had no regrets, because now he could look out over the whole world. And so, even today, his great, round boulder is perched on the peak of that mountain on an island in Hawaii. That’s how the story goes.
Haruki Murakami (After Dark)
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened. "Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes. "What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy. "I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds." "Oh, my god." I groaned and pulled the covers over my head. "You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time." "A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you." "Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him. "What about you, Princess?" Loki's gaze cut to me as he filled another glass. "I'm not hungry." I sighed and sat up. "Oh, really?" Loki arched an eyebrow. "Does that mean that last night-" "It means that last night is none of your business," I snapped. I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before. "Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen." "Oh, I have plenty you haven't seen," I said and pulled the robe around me. "You should get married more often," Loki teased. "It makes you feisty." I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself. "What are you doing?" I asked. "Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas." "Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed. "He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care." In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life. "So, how did everyone sleep last night?" Loki asked. There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding. "Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly. "Finn?" I asked, stunned. Finn looked appalled and pointed at Loki. "What are you doing here?" "I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?" "What is he doing here?" Finn asked, turning his attention to me. "Never mind him." I waved it off. "What's going on?" "See, Finn, you should've told me when I asked," Loki said between sips of his drink.
Amanda Hocking (Ascend (Trylle, #3))
Good evening," it lowed and sat back heavily on its haunches, "I am the main Dish of the Day. May I interest you in parts of my body? It harrumphed and gurgled a bit, wriggled its hind quarters into a more comfortable position and gazed peacefully at them. Its gaze was met by looks of startled bewilderment from Arthur and Trillian, a resigned shrug from Ford Prefect and naked hunger from Zaphod Beeblebrox. "Something off the shoulder perhaps?" suggested the animal. "Braised in a white wine sauce?" "Er, your shoulder?" said Arthur in a horrified whisper. "But naturally my shoulder, sir," mooed the animal contentedly, "nobody else's is mine to offer." Zaphod leapt to his feet and started prodding and feeling the animal's shoulder appreciatively. "Or the rump is very good," murmured the animal. "I've been exercising it and eating plenty of grain, so there's a lot of good meat there." It gave a mellow grunt, gurgled again and started to chew the cud. It swallowed the cud again. "Or a casserole of me perhaps?" it added. "You mean this animal actually wants us to eat it?" whispered Trillian to Ford. "Me?" said Ford, with a glazed look in his eyes. "I don't mean anything." "That's absolutely horrible," exclaimed Arthur, "the most revolting thing I've ever heard." "What's the problem, Earthman?" said Zaphod, now transferring his attention to the animal's enormous rump. "I just don't want to eat an animal that's standing there inviting me to," said Arthur. "It's heartless." "Better than eating an animal that doesn't want to be eaten," said Zaphod. "That's not the point," Arthur protested. Then he thought about it for a moment. "All right," he said, "maybe it is the point. I don't care, I'm not going to think about it now. I'll just ... er ..." The Universe raged about him in its death throes. "I think I'll just have a green salad," he muttered. "May I urge you to consider my liver?" asked the animal, "it must be very rich and tender by now, I've been force-feeding myself for months." "A green salad," said Arthur emphatically. "A green salad?" said the animal, rolling his eyes disapprovingly at Arthur. "Are you going to tell me," said Arthur, "that I shouldn't have green salad?" "Well," said the animal, "I know many vegetables that are very clear on that point. Which is why it was eventually decided to cut through the whole tangled problem and breed an animal that actually wanted to be eaten and was capable of saying so clearly and distinctly. And here I am." It managed a very slight bow. "Glass of water please," said Arthur. "Look," said Zaphod, "we want to eat, we don't want to make a meal of the issues. Four rare steaks please, and hurry. We haven't eaten in five hundred and seventy-six thousand million years." The animal staggered to its feet. It gave a mellow gurgle. "A very wise choice, sir, if I may say so. Very good," it said. "I'll just nip off and shoot myself." He turned and gave a friendly wink to Arthur. "Don't worry, sir," he said, "I'll be very humane." It waddled unhurriedly off to the kitchen. A matter of minutes later the waiter arrived with four huge steaming steaks.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.” She didn’t hear his reply.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Last fall, I was sitting at the kitchen table of two friends who have been together since 1972. They tell me a story about how they got together. She couldn't decide between two suitors, so she left New York City to spend the summer in an ashram. (Did I mention was 1972?) One of the suitors sent her postcards while she was gone, the famous postcards that came inside the sleeve of the Rolling Stones' Exile on Main Street. Needless to say, he was the suitor that won her hand. They tell me this story, laughing and interrupting each other, as their teenage daughter walks through the kitchen on her way out to a Halloween party. I've heard of these postcards - over the years, I've heard plenty of record-collector guys boast that they own the original vinyl Exile on Main Street with the original postcards, intact and pristine in the virgin sleeve. I've never heard of anybody getting rid of their prized Exile postcards, much less actually writing on them and sending them through the mail to a girl. I watch these two, laughing over this story at the same kitchen table they've shared for thirty years. I realize that I will never fully understand the millions of bizarre ways that music brings people together.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information—stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognized the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlor, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlor. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter anymore. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
George Takei
Adults love to tell teenagers that “one day” and “sooner or later” plenty of things are going to happen. They love to say that things happen “before you know it,” and they really love to impart how fast time “flies by.” I would learn later that almost everything my parents told me in this regard turned out to be true. College really did “fly by.” I did change my mind about Keanu Reeves “sooner or later.” I was on the other side of thirty “before I knew it.” And, just as my father said that afternoon, “one day” I was going to need my sister very, very much.
Taylor Jenkins Reid (One True Loves)
She went through her memory for the time, for the day, she and and her husband told him all about what he should and should not do. No goin out into them woods without Papa or me knowin about it. No steppin foot out this house without them free papers, not even to go to the well or the privy. Say your prayers every night...Pick the blueberries close to the ground, son. Them the sweetest, I find. If a white man say the trees can talk, can dance, you just say yes right along, that you done seen em do it plenty of times. Don't look them people in the eye. You see a white woman riding toward you, get way off the road and go stand behind a tree. The uglier the white woman, the farther you go and the broader the tree. But where, in all she taught her son, was it about thou shall own no one, havin been owned once your own self. Don't go back to Egypt after God done took you outa there.
Edward P. Jones (The Known World)
Don't fall into the habit of bringing work home, Rick. It indicates a lack of planning, and you would eventually find yourself stuck indoors every night. Teaching is like having a bank account. You can happily draw on it while it is well supplied with new funds; otherwise you're in difficulties. Every teacher should have a fund of ready information on which to draw; he should keep that fund supplied regularly by new experiences, new thoughts and discoveries, by reading and moving around among people from whom he can acquire such things." "Not much chance of social movement for me, I'm afraid." "Nonsense, Rick, you're settled in a job now, so there's no need to worry about that; but you must get out and meet more people. I'm sure you'll find lots of nice people about who are not foolishly concerned with prejudice." "That's all right, Dad; I'm quite happy to stay at home with you and Mom." "Nice to hear you say that, but we're old and getting a bit stuffy. You need the company of younger people like yourself. It's even time he had a girl, don't you think, Jess?" Mom smiled across at me. "Ah, leave him alone, Bob, there's plenty of time for that." We went on to chat about other things, but I never forgot what Dad Belmont had said, and never again did I take notebooks home for marking. I would check the work in progress by moving about the class, helping here, correcting there; and I very soon discovered that in this way errors were pin-pointed while they were still fresh in the child's mind.
E.R. Braithwaite (To Sir, With Love)
But she doesn’t love him.” Mrs. Plumtree cast him a searching glance. “How do you know?” Because she spent the afternoon in my arms, letting me kiss and caress her, eagerly responding to my desire for her. Even hinting that she might feel the same. Until she tossed me from the room in a panic when she realized what I’ve known all along-that mere mortals like us can never cross the divide. Still, that didn’t mean he had to stand by and watch her suffer in a marriage to the wrong man. “Because Lady Celia told me.” He cursed himself even as he said the words. It was a betrayal-he’d promised to keep their conversations private-but he refused to watch her marry a man she clearly didn’t love. That would be as bad as marrying a man like him and losing her fortune. “She’s trying to gain a husband so precipitously only because you’re forcing her to,” he went on. “If you’d just give her a chance-“ “She has had plenty of chances already.” “Give her another.” Remembering Celia’s insecurity over being thought a tomboy, he added, “This little experiment is sure to have increased her confidence with men. If you allow her more time, I’m sure she could find a gentleman she could love, who would love her in turn.” “Like you?” Mrs. Plumtree asked. He gave a caustic laugh. “Your granddaughter isn’t fool enough to fall in love with a man of my rank. So you’re wasting your bribes and threats on me, madam.” “And what about you? How do you feel about her?” He’d had enough of this. “I suspect that whatever I say, you’ll believe what you wish.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Many has been the night that I have knelt at the side of my bed and prayed to your mother, asking for guidance on how best to respond to your willfulness. And in all these years, your mother—God rest her soul—has not answered me once. So I have had to rely on my memories of how she cared for you. Though you were only twelve when she died, you were plenty contrary already. And when I would express my concern about that, your mother would tell me to be patient. Ed, she would say, our youngest is strong in spirit, and that should stand her in good stead when she becomes a woman. What we need to do is give her a little time and space.
Amor Towles (The Lincoln Highway)
So the rich kids aren’t the alpha group of the school. The next most likely demographic would be the church kids: They’re plentiful, and they are definitely interested in school domination. However, that strength—the will to dominate—is also their greatest weakness, because they spend so much time trying to convince you to hang out with them, and the way they try to do that is by inviting you over to their church. “We’ve got cookies and board games,” they say, or that sort of thing. “We just got a Wii set up!” Something about it always seems a little off. Eventually, you realize: These same exact sentences are also said by child predators.
Jesse Andrews (Me and Earl and the Dying Girl)
Masters: Situation appears dire. Look around. Do you see any adults? Me: My ball size indicates I’m the adultest thing here. Me: I haven’t been rejected this hard since I tried to block the punt in that game against OSU last semester. Masters: My wife says rejection is good for you. Makes you mentally tough. Me: You love saying that phrase “my wife.” Masters: You bet your fat ass I do. Me: You don’t think it’s completely strange that you’re 21 and acting like a Taylor Swift song? Masters: Bro, sorry you feel left out. Stop by later and I’ll give you a hug. Me: Fuck off. Masters: I have MY WIFE to do that for me. Thanks, though. Hug still stands. I’ll even let you smell me. MY WIFE says I smell delicious. Me: I’ve smelled you before, which is why I’m not sure how you convinced Ellie to marry you. She must have defective olfactory senses. Masters: Me and MY defective WIFE will be getting it on tonight. While u have only Rosie Palm. Me: Don’t worry. I get plenty of variety. Left-hand Laura sometimes steps in. Masters: Heard you were out with Josie Weeks. Be careful. She eats little linebackers like you for breakfast. And the fact that I don’t even want to make a sexually charged comeback tells me exactly how I feel about Josie. Hope she doesn’t mind being just study partners.
Jen Frederick (Jockblocked (Gridiron, #2))
We've spoken of the Knights of the Holy Grail, Percival. Do you know what I was? The Knight of the Unholy Grail. In times like these when everyone is wonderful, what is needed is a quest for evil. You should be interested! Such a quest serves God's cause! How? Because the Good proves nothing. When everyone is wonderful, nobody bothers with God. If you had ten thousand Albert Schweitzers giving their lives for their fellow men, do you think anyone would have a second thought about God? Or suppose the Lowell Professor of Religion at Harvard should actually find the Holy Grail, dig it up in an Israeli wadi, properly authenticate it, carbon date it, and present it to the Metropolitan Museum. Millions of visitors! I would be as curious as the next person and would stand in line for hours to see it. But what different would it make in the end? People would be interested for a while, yes. This is an age of interest. But suppose you could show me one "sin," one pure act of malevolence. A different cup of tea! That would bring matters to a screeching halt. But we have plenty of evil around you say. What about Hitler, the gas ovens and so forth? What about them? As everyone knows and says, Hitler was a madman. And it seems nobody else was responsible. Everyone was following orders. It is even possible that there was no such order, that it was all a bureaucratic mistake. Show me a single "sin." One hundred and twenty thousand dead at Hiroshima? Where was the evil of that? Was Harry Truman evil? As for the pilot and bombardier, they were by all accounts wonderful fellows, good fathers and family men. "Evil" is surely the clue to this age, the only quest appropriate to the age. For everything and everyone's either wonderful or sick and nothing is evil. God may be absent, but what if one should find the devil? Do you think I wouldn't be pleased to meet the devil? Ha, ha, I'd shake his hand like a long-lost friend. The mark of the age is that terrible things happen but there is no "evil" involved. People are either crazy, miserable, or wonderful, so where does the "evil" come in? There I was forty-five years old and I didn't know whether there was "evil" in the world.
Walker Percy (Lancelot)
MAN: Mr. Chomsky, I’m wondering what specific qualifications you have to be able to speak all around the country about world affairs?   None whatsoever. I mean, the qualifications that I have to speak on world affairs are exactly the same ones Henry Kissinger has, and Walt Rostow has, or anybody in the Political Science Department, professional historians—none, none that you don’t have. The only difference is, I don’t pretend to have qualifications, nor do I pretend that qualifications are needed. I mean, if somebody were to ask me to give a talk on quantum physics, I’d refuse—because I don’t understand enough. But world affairs are trivial: there’s nothing in the social sciences or history or whatever that is beyond the intellectual capacities of an ordinary fifteen-year-old. You have to do a little work, you have to do some reading, you have to be able to think, but there’s nothing deep—if there are any theories around that require some special kind of training to understand, then they’ve been kept a carefully guarded secret. In fact, I think the idea that you’re supposed to have special qualifications to talk about world affairs is just another scam—it’s kind of like Leninism [position that socialist revolution should be led by a “vanguard” party]: it’s just another technique for making the population feel that they don’t know anything, and they’d better just stay out of it and let us smart guys run it. In order to do that, what you pretend is that there’s some esoteric discipline, and you’ve got to have some letters after your name before you can say anything about it. The fact is, that’s a joke.   MAN: But don’t you also use that system too, because of your name-recognition and the fact that you’re a famous linguist? I mean, would I be invited to go somewhere and give talks?   You think I was invited here because people know me as a linguist? Okay, if that was the reason, then it was a bad mistake. But there are plenty of other linguists around, and they aren’t getting invited to places like this—so I don’t really think that can be the reason. I assumed that the reason is that these are topics that I’ve written a lot about, and I’ve spoken a lot about, and I’ve demonstrated a lot about, and I’ve gone to jail about, and so on and so forth—I assumed that’s the reason. If it’s not, well, then it’s a bad mistake. If anybody thinks that you should listen to me because I’m a professor at M.I.T., that’s nonsense. You should decide whether something makes sense by its content, not by the letters after the name of the person who says it. And the idea that you’re supposed to have special qualifications to talk about things that are common sense, that’s just another scam—it’s another way to try to marginalize people, and you shouldn’t fall for it.
Noam Chomsky (Understanding Power: The Indispensable Chomsky)
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission. I nervously rambled, “What…umm…what do you mean you want my permission?” He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it. I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.” What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy. Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.” Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness. I shouted, “Ren, wait!” But it was too late. He was gone. I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again. I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.” I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.” Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
my heart. So I fancied that your boy might fill the empty place if he tried now." "No, Mother, it is better as it is, and I'm glad Amy has learned to love him. But you are right in one thing. I am lonely, and perhaps if Teddy had tried again, I might have said 'Yes', not because I love him any more, but because I care more to be loved than when he went away." "I'm glad of that, Jo, for it shows that you are getting on. There are plenty to love you, so try to be satisfied with Father and Mother, sisters and brothers, friends and babies, till the best lover of all comes to give you your reward." "Mothers are the best lovers in the world, but I don't mind whispering to Marmee that I'd like to try all kinds. It's very curious, but the more I try to satisfy myself with all sorts of natural affections, the more I seem to want. I'd no idea hearts could take in so many. Mine is so elastic, it never seems full now, and I used to be quite contented with my family. I don't understand it." "I do," and Mrs. March smiled her wise smile, as Jo turned back the leaves to read what Amy said of Laurie. "It is so beautiful to be loved as Laurie loves me. He isn't sentimental, doesn't say much about it, but I see and feel it in all he says and does, and it makes me so happy and so humble that I don't seem to be the same girl I
Louisa May Alcott (Little Women (Illustrated))
Lucifer: This old dog has plenty of tricks he could teach you.  Did he make a sexual joke? My whole body burns from his reply, and I can’t come to grips with his shift in personality.  Rowan replies again before I have a chance to move past my shock.  Lucifer: That was highly inappropriate. Me: I think your phone has been hacked. Lucifer: I can assure you it hasn’t, but I can’t say the same about my brain. I tend to do stupid things around you.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
I turn on my heel, which is no easy feat in a gravel parking lot. Not losing eye contact with Galen, I stare him down until I get to the door he's opened for me. He seems unconcerned. In fact, he seems downright emotionless. "This better be good," I tell him as I plop down. "You should have returned my calls. Or my texts," he says, his voice tight. As he backs out of the parking space, I yank my cell out of my purse, perusing the texts. "Well, doesn't look like anyone died, so why the hell did you ruin my date?" It's the first time I've ever cursed at royalty and it's liberating. "Or is this a kidnapping? Is Grom in the trunk? Are you taking us on our honeymoon?" You're supposed to be hurting him, not yourself, moron. My lip trembles like the traitor it is. Even though I'm looking away, I can tell Galen's impassive expression has softened because of the way he says, "Emma." "Leave me alone, Galen." He pulls my chin to face him. I knock his hand away. "You can't go forty miles an hour on the interstate, Galen. You need to speed up.” He sighs and presses the gas. By the time we reach a less-embarrassing speed, I’ve abandoned my hurt for rage-o-plenty, struck by the realization that I’ve turned into “that girl.” Not the one who exchanges her doctorate for some kids and a three-bedroom two-bath, but the other kind. That girl who exchanges her dignity and chances for happiness for some possessive loser who beats her when she makes eye contact with some random guy working the hot dog stand. Not that Galen beats me, but after his little show, what will people think? He acted like a lunatic tonight, stalking me to Atlantic City, blowing up my phone, and threatening my date with physical violence. He made serial-killer eyes, for crying out loud. That might be acceptable in the watery grave, but by dry-land standards, it’s the ingredients for a restraining order. And why are we getting off the interstate? “Where are you taking me? I told you I want to go home.” “We need to talk,” he says quietly, taking a dark road just off the exit. “I’ll take you home after I feel you understand.” “I don’t want to talk. You might have realized that when I didn’t answer your calls.” He pulls over on the shoulder of Where-Freaking-Are-We Street. Shutting off the engine, he turns to me, putting his arm around the back of my seat. “I don’t want to break up.” One Mississippi…two Mississippi…”You followed me like a crazy person to tell me that? You ruined my date for that? Mark is a nice guy. I deserve a nice guy, don’t I, Galen?” “Absolutely. But I happen to be a nice guy, too.” Three Mississippi…four Mississippi…”Don’t you mean Grom? And you’re not a nice guy. You threatened Mark with physical pain.” “You threw Rayna through a window. Call it even?” “When are you going to get over that? Besides, she provoked me!” “Mark provoked me, too. He put his hand on your leg. We won’t even talk about the kiss on your cheek. Don’t think I didn’t hear you give him permission either.” “Oh, now that’s rich,” I snort, getting out of the car. Slamming the door, I scream at him. “Now you’re acting jealous on behalf of your brother,” I say, spinning in place. “Can Grom do anything without the almighty Galen helping him?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Where's Pip? I want to see Pip. Produce Pip!"—"What's the row, my lord?"—"Shakspeare's an infernal humbug, Pip! What's the good of Shakspeare, Pip? I never read him. What the devil is it all about, Pip? There's a lot of feet in Shakspeare's verse, but there an't any legs worth mentioning in Shakspeare's plays, are there, Pip? Juliet, Desdemona, Lady Macbeth, and all the rest of 'em, whatever their names are, might as well have no legs at all, for anything the audience know about it, Pip. Why, in that respect they're all Miss Biffins to the audience, Pip. I'll tell you what it is. What the people call dramatic poetry is a collection of sermons. Do I go to the theatre to be lectured? No, Pip. If I wanted that, I'd go to church. What's the legitimate object of the drama, Pip? Human nature. What are legs? Human nature. Then let us have plenty of leg pieces, Pip, and I'll stand by you, my buck!" and I am proud to say,' added Pip, 'that he did stand by me, handsomely.
Charles Dickens (Martin Chuzzlewit)
I’m speechless. But my dick has plenty to say. I’m already hard at the idea of Wes being prepped and ready for me. I drop my mouth onto his and he moans again. My tongue glides across his piercing and we’re off to the horny dog races. We kiss as if there’s a meteor heading straight for the Toronto metropolitan area. Wes’s eager hands roam my ass while I suck on his tongue. His eagerness is like a drug, and I want hit after hit. I can feel how hard he is, even through all of our clothes. He wants me to fuck him, and he’s all primed and ready? “Mmm,” I moan into his mouth. Sexiest fucking thing I ever heard. That’s when the doorbell rings. “Hold that thought,” I say, pushing up on one arm. “Nooooo!” Wes lifts both his legs to trap me in them. “No.” Kiss. “No.” Kiss. “Don’t even think about it.” Pinning his hands to the quilt is easy, because he’s horny to the point of distraction. “Stop it, baby. It’s the couch delivery. We’re paying seventy-five bucks for them to show up on a Saturday.
Sarina Bowen (Him (Him, #1))
Well before she became famous — or infamous, depending on where you cast your vote — Loftus's findings on memory distortion were clearly commodifiable. In the 1970s and 1980s she provided assistance to defense attorneys eager to prove to juries that eyewitness accounts are not the same as camcorders. "I've helped a lot of people," she says. Some of those people: the Hillside Strangler, the Menendez brothers, Oliver North, Ted Bundy. "Ted Bundy?" I ask, when she tells this to me. Loftus laughs. "This was before we knew he was Bundy. He hadn't been accused of murder yet." "How can you be so confident the people you're representing are really innocent?" I ask. She doesn't directly answer. She says, "In court, I go by the evidence.... Outside of court, I'm human and entitled to my human feelings. "What, I wonder are her human feelings about the letter from a child-abuse survivor who wrote, "Let me tell you what false memory syndrome does to people like me, as if you care. It makes us into liars. False memory syndrome is so much more chic than child abuse.... But there are children who tonight while you sleep are being raped, and beaten. These children may never tell because 'no one will believe them.'" "Plenty of "Plenty of people will believe them," says Loftus. Pshaw! She has a raucous laugh and a voice with a bit of wheedle in it. She is strange, I think, a little loose inside. She veers between the professional and the personal with an alarming alacrity," she could easily have been talking about herself.
Lauren Slater (Opening Skinner's Box: Great Psychological Experiments of the Twentieth Century)
I’m going to tell you something, there’s country poor, and there’s city poor. As much of my life as I’d spent in front of a TV thinking Oh, man, city’s where the money trees grow, I was seeing more to the picture now. I mean yes, that is where they all grow, but plenty of people are sitting in that shade with nothing falling on them. Chartrain was always discussing “hustle,” and it took me awhile to understand he grew up hungry for money like it was food. Because for him, they’re one and the same. Not to run the man down, but he wouldn’t know a cow from a steer, or which of them gave milk. No desperate men Chartrain ever knew went out and shot venison if they were hungry. They shot liquor store cashiers. Living in the big woods made of steel and cement, without cash, is a hungrier life than I knew how to think about. I made my peace with the place, but never went a day without feeling around for things that weren’t there, the way your tongue pushes into the holes where you’ve lost teeth. I don’t just mean cows, or apple trees, it runs deeper. Weather, for instance. Air, the way it smells from having live things breathing into it, grass and trees and I don’t know what, creatures of the soil. Sounds, I missed most of all. There was noise, but nothing behind it. I couldn’t get used to the blankness where there should have been bird gossip morning and evening, crickets at night, the buzz saw of cicadas in August. A rooster always sounding off somewhere, even dead in the middle of Jonesville. It’s like the movie background music. Notice it or don’t, but if the volume goes out, the movie has no heart. I’d oftentimes have to stop and ask myself what season it was. I never realized what was holding me to my place on the planet of earth: that soundtrack. That, and leaf colors and what’s blooming in the roadside ditches this week, wild sweet peas or purple ironweed or goldenrod. And stars. A sky as dark as sleep, not this hazy pinkish business, I’m saying blind man’s black. For a lot of us, that’s medicine. Required for the daily reboot.
Barbara Kingsolver (Demon Copperhead)
You've asked me what the lobster is weaving there with his golden feet? I reply, the ocean knows this. You say, what is the ascidia waiting for in its transparent bell? What is it waiting for? I tell you it is waiting for time, like you. You ask me whom the Macrocystis alga hugs in its arms? Study, study it, at a certain hour, in a certain sea I know. You question me about the wicked tusk of the narwhal, and I reply by describing how the sea unicorn with the harpoon in it dies. You enquire about the kingfisher's feathers, which tremble in the pure springs of the southern tides? Or you've found in the cards a new question touching on the crystal architecture of the sea anemone, and you'll deal that to me now? You want to understand the electric nature of the ocean spines? The armored stalactite that breaks as it walks? The hook of the angler fish, the music stretched out in the deep places like a thread in the water? I want to tell you the ocean knows this, that life in its jewel boxes is endless as the sand, impossible to count, pure, and among the blood-colored grapes time has made the petal hard and shiny, made the jellyfish full of light and untied its knot, letting its musical threads fall from a horn of plenty made of infinite mother-of-pearl. I am nothing but the empty net which has gone on ahead of human eyes, dead in those darknesses, of fingers accustomed to the triangle, longitudes on the timid globe of an orange. I walked around as you do, investigating the endless star, and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind.
Pablo Neruda
The last time I’d been unwell, suicidally depressed, whatever you want to call it, the reactions of my friends and family had fallen into several different camps: The Let’s Laugh It Off merchants: Claire was the leading light. They hoped that joking about my state of mind would reduce it to a manageable size. Most likely to say, ‘Feeling any mad urges to fling yourself into the sea?’ The Depression Deniers: they were the ones who took the position that since there was no such thing as depression, nothing could be wrong with me. Once upon a time I’d have belonged in that category myself. A subset of the Deniers was The Tough Love people. Most likely to say, ‘What have you got to be depressed about?’ The It’s All About Me bunch: they were the ones who wailed that I couldn’t kill myself because they’d miss me so much. More often than not, I’d end up comforting them. My sister Anna and her boyfriend, Angelo, flew three thousand miles from New York just so I could dry their tears. Most likely to say, ‘Have you any idea how many people love you?’ The Runaways: lots and lots of people just stopped ringing me. Most of them I didn’t care about, but one or two were important to me. Their absence was down to fear; they were terrified that whatever I had, it was catching. Most likely to say, ‘I feel so helpless … God, is that the time?’ Bronagh – though it hurt me too much at the time to really acknowledge it – was the number one offender. The Woo-Woo crew: i.e. those purveying alternative cures. And actually there were hundreds of them – urging me to do reiki, yoga, homeopathy, bible study, sufi dance, cold showers, meditation, EFT, hypnotherapy, hydrotherapy, silent retreats, sweat lodges, felting, fasting, angel channelling or eating only blue food. Everyone had a story about something that had cured their auntie/boss/boyfriend/next-door neighbour. But my sister Rachel was the worst – she had me plagued. Not a day passed that she didn’t send me a link to some swizzer. Followed by a phone call ten minutes later to make sure I’d made an appointment. (And I was so desperate that I even gave plenty of them a go.) Most likely to say, ‘This man’s a miracle worker.’ Followed by: ‘That’s why he’s so expensive. Miracles don’t come cheap.’ There was often cross-pollination between the different groupings. Sometimes the Let’s Laugh It Off merchants teamed up with the Tough Love people to tell me that recovering from depression is ‘simply mind over matter’. You just decide you’re better. (The way you would if you had emphysema.) Or an All About Me would ring a member of the Woo-Woo crew and sob and sob about how selfish I was being and the Woo-Woo crew person would agree because I had refused to cough up two grand for a sweat lodge in Wicklow. Or one of the Runaways would tiptoe back for a sneaky look at me, then commandeer a Denier into launching a two-pronged attack, telling me how well I seemed. And actually that was the worst thing anyone could have done to me, because you can only sound like a self-pitying malingerer if you protest, ‘But I don’t feel well. I feel wretched beyond description.’ Not one person who loved me understood how I’d felt. They hadn’t a clue and I didn’t blame them, because, until it had happened to me, I hadn’t a clue either.
Marian Keyes
I wish I could answer your question. All I can say is that all of us, humans, witches, bears, are engaged in a war already, although not all of us know it. Whether you find danger on Svalbard or whether you fly off unharmed, you are a recruit, under arms, a soldier." "Well, that seems kinda precipitate. Seems to me a man should have a choice whether to take up arms or not." "We have no more choice in that than in whether or not to be born." "Oh, I like choice, though," he said. "I like choosing the jobs I take and the places I go and the food I eat and the companions I sit and yarn with. Don't you wish for a choice once in a while ?" She considered, and then said, "Perhaps we don't mean the same thing by choice, Mr. Scoresby. Witches own nothing, so we're not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don't feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?" "Well, I'm kinda with you on that. Sticks and stones, I'll break yer bones, but names ain't worth a quarrel. But ma'am, you see my dilemma, I hope. I'm a simple aeronaut, and I'd like to end my days in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I've got enough, ma'am, I'm gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I'll never leave the ground again." "There's another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves." "I see that, ma'am, and I envy you; but I ain't got your sources of satisfaction. Flying is just a job to me, and I'm just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain't been told nothing about kinda troubling." "lorek Byrnison's quarrel with his king is part of it too," said the witch. "This child is destined to play a part in that." "You speak of destiny," he said, "as if it was fixed. And I ain't sure I like that any more than a war I'm enlisted in without knowing about it. Where's my free will, if you please? And this child seems to me to have more free will than anyone I ever met. Are you telling me that she's just some kind of clockwork toy wound up and set going on a course she can't change?" "We are all subject to the fates. But we must all act as if we are not, or die of despair. There is a curious prophecy about this child: she is destined to bring about the end of destiny. But she must do so without knowing what she is doing, as if it were her nature and not her destiny to do it. If she's told what she must do, it will all fail; death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...
Philip Pullman (The Golden Compass (His Dark Materials, #1))
She sighs, then breaks a piece off the muffin in my hand. I flick her fingers as she pulls away. “Hey. There are plenty more just five feet to your right.” “Then you shouldn’t be so worried about losing some of yours,” she says, grinning. “Fair enough.” She pulls me toward her by the front of my shirt and kisses me. I slip my hand under her chin and hold her still as I kiss her back. Then I notice that she’s stealing another pinch of muffin, and I pull away, glaring at her. “Seriously,” I say. “I’ll get you one from that table. It’ll only take me a second.” She grins.
Veronica Roth (Allegiant (Divergent, #3))
I believe the perception of what people think about DID is I might be crazy, unstable, and low functioning. After my diagnosis, I took a risk by sharing my story with a few friends. It was quite upsetting to lose a long term relationship with a friend because she could not accept my diagnosis. But it spurred me to take action. I wanted people to be informed that anyone can have DID and achieve highly functioning lives. I was successful in a career, I was married with children, and very active in numerous activities. I was highly functioning because I could dissociate the trauma from my life through my alters. Essentially, I survived because of DID. That's not to say I didn't fall down along the way. There were long term therapy visits, and plenty of hospitalizations for depression, medication adjustments, and suicide attempts. After a year, it became evident I was truly a patient with the diagnosis of DID from my therapist and psychiatrist. I had two choices. First, I could accept it and make choices about how I was going to deal with it. My therapist told me when faced with DID, a patient can learn to live with the live with the alters and make them part of one's life. Or, perhaps, the patient would like to have the alters integrate into one person, the host, so there are no more alters. Everyone is different. The patient and the therapist need to decide which is best for the patient. Secondly, the other choice was to resist having alters all together and be miserable, stuck in an existence that would continue to be crippling. Most people with DID are cognizant something is not right with themselves even if they are not properly diagnosed. My therapist was trustworthy, honest, and compassionate. Never for a moment did I believe she would steer me in the wrong direction. With her help and guidance, I chose to learn and understand my disorder. It was a turning point.
Esmay T. Parker (A Shimmer of Hope)
You have a life stretching out in front of you with a million possibilities,” Gat says. “It—it grates on me when you ask for sympathy, that’s all.” Gat, my Gat. He is right. He is. But he also doesn’t understand. “I know no one’s beating me,” I say, feeling defensive all of a sudden. “I know I have plenty of money and a good education. Food on the table. I’m not dying of cancer. Lots of people have it much worse than I. And I do know I was lucky to go to Europe. I shouldn’t complain about it or be ungrateful.” “Okay, then.” “But listen. You have no idea what it feels like to have headaches like this. No idea. It hurts,” I say—and I realize tears are running down my face, though I’m not sobbing. “It makes it hard to be alive, some days. A lot of times I wish I were dead, I truly do, just to make the pain stop.” “You do not,” he says harshly. “You do not wish you were dead. Don’t say that.” “I just want the pain to be over,” I say. “On the days the pills don’t work. I want it to end and I would do anything—really, anything—if I knew for sure it would end the pain.” There is a silence. He walks down to the bottom edge of the roof, facing away from me. “What do you do then? When it’s like that?” “Nothing. I lie there and wait, and remind myself over and over that it doesn’t last forever. That there will be another day and after that, yet another day. One of those days, I’ll get up and eat breakfast and feel okay.” “Another day.” “Yes.” Now he turns and bounds up the roof in a couple steps. Suddenly his arms are around me, and we are clinging to each other. He is shivering slightly and he kisses my neck with cold lips. We stay like that, enfolded in each other’s arms, for a minute or two and it feels like the universe is reorganizing itself, and I know any anger we felt has disappeared. Gat kisses me on the lips, and touches my cheek. I love him. I have always loved him. We stay up there on the roof for a very, very long time. Forever.
E. Lockhart (We Were Liars)
If somebody swapped the real sword for the fake while it was in Dumbledore’s office,” she panted, as they propped the painting against the side of the tent, “Phineas Nigellus would have seen it happen, he hangs right beside the case!” “Unless he was asleep,” said Harry, but he still held his breath as Hermione knelt down in front of the empty canvas, her wand directed at its center, cleared her throat, then said: “Er--Phineas? Phineas Nigellus?” Nothing happened. “Phineas Nigellus?” said Hermione again. “Professor Black? Please could we talk to you? Please?” “‘Please’ always helps,” said a cold, snide voice, and Phineas Nigellus slid into his portrait. At once, Hermione cried: “Obscuro!” A black blindfold appeared over Phineas Nigellus’s clever, dark eyes, causing him to bump into the frame and shriek with pain. “What--how dare--what are you--?” “I’m very sorry, Professor Black,” said Hermione, “but it’s a necessary precaution!” “Remove this foul addition at once! Remove it, I say! You are ruining a great work of art! Where am I? What is going on?” “Never mind where we are,” said Harry, and Phineas Nigellus froze, abandoning his attempts to peel off the painted blindfold. “Can that possibly be the voice of the elusive Mr. Potter?” “Maybe,” said Harry, knowing that this would keep Phineas Nigellus’s interest. “We’ve got a couple of questions to ask you--about the sword of Gryffindor.” “Ah,” said Phineas Nigellus, now turning his head this way and that in an effort to catch sight of Harry, “yes. That silly girl acted most unwisely there--” “Shut up about my sister,” said Ron roughly. Phineas Nigellus raised supercilious eyebrows. “Who else is here?” he asked, turning his head from side to side. “Your tone displeases me! The girl and her friends were foolhardy in the extreme. Thieving from the headmaster!” “They weren’t thieving,” said Harry. “That sword isn’t Snape’s.” “It belongs to Professor Snape’s school,” said Phineas Nigellus. “Exactly what claim did the Weasley girl have upon it? She deserved her punishment, as did the idiot Longbottom and the Lovegood oddity!” “Neville is not an idiot and Luna is not an oddity!” said Hermione. “Where am I?” repeated Phineas Nigellus, staring to wrestle with the blindfold again. “Where have you brought me? Why have you removed me from the house of my forebears?” “Never mind that! How did Snape punish Ginny, Neville, and Luna?” asked Harry urgently. “Professor Snape sent them into the Forbidden Forest, to do some work for the oaf, Hagrid.” “Hagrid’s not an oaf!” said Hermione shrilly. “And Snape might’ve thought that was a punishment,” said Harry, “but Ginny, Neville, and Luna probably had a good laugh with Hagrid. The Forbidden Forest…they’ve faced plenty worse than the Forbidden Forest, big deal!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.” Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?” He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?” Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?” His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?” Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets. “It’s not like that,” she explained, hoping that would be enough. Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?” He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“ “Of course it’s changed, Violet, what’d you expect?” Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
If Jesus were in charge of an average congregation I figure there would be about four people left there on Sunday mornings, and chances are those four would be fooling themselves. Jesus would greet newcomers by saying, "Are you absolutely sure you want to follow this way of life? It will take everything you have. It has to come before everything else that matters to you. Plenty of people have launched out on it without counting the cost, and as you can see they are not here anymore. 'Ihe other thing is, if you succeed-if you really do follow me-it will probably get you killed. Why don't you go home and think it over? I would hate for you to get in over your head:' lie is the complete opposite of the good parish minister.
Barbara Brown Taylor (Bread of Angels)
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
I’m going to have to start booking you guys a month in advance.” “Or you could invite Ms. Rothschild over,” Kitty suggests. “Her weekends are pretty lonely too.” He gives her a funny look. “I’m sure she has plenty she’d rather do than watch The Sound of Music with her neighbor.” Brightly I say, “Don’t forget the tacos al pastor! Those are a draw, too. And you, of course. You’re a draw.” “You’re definitely a draw,” Kitty pipes up. “Guys,” Daddy begins. “Wait,” I say. “Let me just say one thing. You should be going on some dates, Daddy.” “I go on dates!” “You’ve gone on, like, two dates ever,” I say, and he falls silent. “Why not ask Ms. Rothschild out? She’s cute, she has a good job, Kitty loves her. And she lives really close by.” “See, that’s exactly why I shouldn’t ask her out,” Daddy says. “You should never date a neighbor or a coworker, because then you’ll have to keep seeing them if things don’t work out.” Kitty asks, “You mean like that quote ‘Don’t shit where you eat’?” When Daddy frowns, Kitty quickly corrects herself. “I mean ‘Don’t poop where you eat.’ That’s what you mean, right, Daddy?” “Yes, I suppose that’s what I mean, but Kitty, I don’t like you using cuss words.” Contritely she says, “I’m sorry. But I still think you should give Ms. Rothschild a chance. If it doesn’t work out, it doesn’t work out.” “Well, I’d hate to see you get your hopes up,” Daddy says. “That’s life,” Kitty says. “Things don’t always work out. Look at Lara Jean and Peter.” I give her a dirty look. “Gee, thanks a lot.” “I’m just trying to make a point,” she says. Kitty goes over to Daddy and puts her arms around his waist. This kid is really pulling out all the stops. “Just think about it, Daddy. Tacos. Nuns. Nazis. And Ms. Rothschild.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Alex has been trying to communicate with me in our dreams. She covered our childhood home in letters asking me to kill her! She thinks the only way we can save the Otherworld is by taking her life!" "That's terrible!" Red said. "Just because someone is dangerous doesn't mean they have to be killed to be stopped. Think about the Evil Queen - oh wait, I suppose that mirror thing was worse than death. . . . Well, think about the Enchantress - oh yeah, never mind. . . . But General Marquis -oops, he really died. . . . Well, the Masked Man didn't - oh, that's right, he did. . . . Sorry, I thought there were plenty of examples. You know, maybe Alex had a point -" "We're not killing my sister," Conner said. "I refuse to believe there isn't a way to break the curse she's under! Alex's emotions are being affected right now and she's jumping to conclusions. We'll find a way to help her." "Yes, we will," Goldilocks said confidently. "I know exactly what's going through Alex's mind right now. It wasn't long ago that I was in her shoes. She's feeling scared, embarrassed, and guilty, and she thinks there's no coming back from the place she's at. But luckily for her, she's got us to set her straight." "Oh, it's Goldilocks!" Red declared with a snap of her fingers. "She's the example I was looking for! Goldie was a lonely, miserable, and ill-tempered thief when we first met. But thanks to my friendship, she's turned her life around and become a social, happy, and balanced woman." Goldilocks sighed. "What can I say? I owe it all to you, Red." "You're quite welcome," Red said. "What I did for Goldilocks is exactly what we need to do for Alex. If she insists on being killed, then we'll just have to love her to death." Conner and his friends nodded politely and gazed outside the cage, hoping Red wouldn't come up with any more nonsensical anecdotes.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
If a gentleman held a door for me, I would accept the courtesy and thank him. Gentlemen enjoy offering little gallantries; a lady enjoys accepting them graciously, with a smile and a word of thanks. I mention this because, by the 1970s, there were many females who would snub a man unmercifully if he offered a gallantry, such as holding a chair for a woman, or offering to help her in or out of a car. These women (a minority but a ubiquitous, obnoxious one) treated traditional courtesy as if it were an insult. I grew to think of these females as the “Lesbian Mafia.” I don’t know that all of them were homosexual (although I’m certain about some of them) but their behavior caused me to lump them all together. If some of them were not Lesbians, then where did they find heterosexual mates? What sort of wimp would put up with this sort of rudeness in women? I am sorry to say that by 1970 there were plenty of wimps of every sort. The wimps were taking over.
Robert A. Heinlein (To Sail Beyond the Sunset)
This book is one of my own special favorites. I saved it up for years, thinking about it, working it out, saying to myself: "One day, when I've plenty of time, and want to really enjoy myself- I'll begin it" I should say that of one's output, five books are work to one that is real pleasure. Crooked House was pure pleasure. I often wonder whether people who read a book can know if it has been hard work of a pleasure to write? Again and again someone says to me: "How you must have enjoyed writing so and so!" This about a book that obstinately refused to come out the way you wished, whose characters are sticky, the plot needlessly involved, and the dialogue stilted - or so you think yourself. But perhaps the author isn't the best judge of his or her own work. However, practically everybody has liked Crooked House, so I am justified in my own belief that it is one of my best. I don't know what put the Leonides family in my head - they just came. Then, like Topsy "they growed." I feel that I myself was only their scribe.
Agatha Christie (Crooked House)
It's one thing if he wants to ignore it. I guess that's fine. I mean, I ignore plenty of stuff, like school spirit days and the dirty looks I get from the Detentionheads while I try to slink through the halls unnoticed. But there's something about telling other people what to ignore that just doesn't work for me. Especially things we shouldn't be ignoring. Kid bullying you at school? Ignore him. Girl passing rumors? Ignore her. Eighth grade teacher pinch your friend's ass? Ignore it. Sexist geometry teacher says girls shouldn't go to college because they will only ever pop out babies and get fat? Ignore him. Hear that a girl in my class is being abused by her stepfather and had to go to the clinic? Hear she's bringing her mother's pills to school and selling them to pay for it? Ignore, ignore, ignore. Mind your own business. Don't make waves. Fly under the radar. It's just one of those things, Vera. I'm sorry, but I don't get it. If we're supposed to ignore everything that's wrong with our lives, then I can't see how we'll ever make things right.
A.S. King
If it’s any consolation,” he murmured, “I had a miserable time last night.” “Good. You deserved to.” She smiled. “Not that I care one way or the other.” “Stop pretending that you don’t care,” he said hoarsely. “We both care, and you know it. I care more than you can possibly imagine.” She wanted to believe him, but how could she? “You say that only to coax me into your bed.” He smiled mirthlessly. “I don’t need to coax women into my bed, my dear. They usually leap there of their own accord.” His smile faded. “This is the first time I’ve apologized to a woman. I’ve never given a damn what any woman thought of me, though plenty of them tried to make me do so. So please forgive me if I’m not handling this to your satisfaction. It’s not a situation I’m accustomed to.” He was holding her so tenderly, it made her want to weep. Every move they made was a seduction-his leg advancing as hers went back, his hand gripping her waist, the waltz beating a rhythm that made her want to whirl around the ballroom with him forever. Her mind told her she should resist him, but her heart didn’t want to listen. Her heart was a fool. She gazed past his shoulder. “My father used to go to a brothel. He never remarried, so he went there to…er…feed his needs. I had to go fetch him a few times when my cousins were working and my aunt was looking after my grandmother, who lived nearby.” She didn’t know why she was telling him this, but it was a relief to speak of it to someone. Even her aunt and cousins preferred to pretend it never happened. “It was mortifying. He would…forget to come home, and we would need money for something, so I would have to go after him.” “Good God.” Her gaze locked with his. “I swore I’d never let myself be put in such a position again.” She tipped up her chin. “That’s why I’m happy to have Nathan as my fiancé. He’s genteel and proper. He would never frequent a brothel.” Oliver’s eyes glittered darkly at her. “No. He would just abandon you to the tender mercies of men who do.” She forced a smile. “There’s more than one way to be abandoned. If a woman’s husband is forever at a brothel, he might as well be halfway across the sea. The result is the same.” A stricken expression crossed his face as he stared at her. Then he glanced away.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I AM A MACHINE” When I interviewed Dr. Rodney Brooks, former director of the MIT Artificial Intelligence Lab and cofounder of iRobot, I asked him if he thought machines would one day take over. He told me that we just have to accept that we are machines ourselves. This means that one day, we will be able to build machines that are just as alive as we are. But, he cautioned, we will have to give up the concept of our “specialness.” This evolution in human perspective started with Nicolaus Copernicus when he realized that the Earth was not the center of the universe, but rather goes around the sun. It continued with Darwin, who showed that we were similar to the animals in our evolution. And it will continue into the future, he told me, when we realize that we are machines, except that we are made of wetware and not hardware. It’s going to represent a major change in our world outlook to accept that we, too, are machines, he believes. He writes, “We don’t like to give up our specialness, so you know, having the idea that robots could really have emotions, or that robots could be living creatures—I think is going to be hard for us to accept. But we’re going to come to accept it over the next fifty years.” But on the question of whether the robots will eventually take over, he says that this will probably not happen, for a variety of reasons. First, no one is going to accidentally build a robot that wants to rule the world. He says that creating a robot that can suddenly take over is like someone accidentally building a 747 jetliner. Plus, there will be plenty of time to stop this from happening. Before someone builds a “super-bad robot,” someone has to build a “mildly bad robot,” and before that a “not-so-bad robot.” His philosophy is summed up when he says, “The robots are coming, but we don’t have too much to worry about. It’s going to be a lot of fun.” To him, the robot revolution is a certainty, and he foresees the day when robots will surpass human intelligence. The only question is when. But there is nothing to fear, since we will have created them. We have the choice to create them to help, and not hinder, us. MERGE WITH THEM? If you ask Dr. Brooks how we can coexist with these super-smart robots, his reply is straightforward: we will merge with them. With advances in robotics and neuroprosthetics, it becomes possible to incorporate AI into our own bodies.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
It's not the end of the world if we lose," Francis said. "Don't lose sleep over it." She hated that about him - his willingness to accept a loss before it had even happened. It was his way of consoling his team, she guessed: he believed it was better to expect the worst and be pleasantly surprised than to be crushed by an unexpected loss. Dan thought a coach had no right to be so pessimistic. She didn't want a coach who softened the blow. She wanted a coach who believed in the impossible. "I can't afford to lose," she told him. "I need to make it to finals if I'm to catch a recruiter's eye." "Danielle, I need you to understand something." "I'm good," Dan insisted. "I'm more than good enough to make the cut." "You're very talented..." "Don't patronize me, Coach." "You're amazing," he said, "but it's not enough to be good. You're a girl." "That means nothing." "That means everything. Maybe it's not fair, but it's a fact. Men are faster and stronger. They can hit harder and throw further. Nothing you do can change that bias. If a coach can choose between a man and a woman, he will choose the man every time." "There are plenty of women playing for college teams." "I didn't say there aren't women," Francis said. "I'm saying they're the exception.
Nora Sakavic
She sighed “Can’t you just think about sex like a normal guy?” He blinked. “Excuse me?” “How are you not thinking about sex right now?” “You don’t know what I’m thinking about.” “Yeah, but I know what you’re feeling. And you’re feeling…happy. Where’s all the desire and want?” He picked up another arrow. “Are you seriously mad at me right now because I’m not having lustful thoughts?” “No. I’m just confused. I mean, I’m thinking about sex. But you’re over there coating arrows in blood and thinking about God knows what—“ “Star Wars figurines.” “What?” “That’s what I was thinking about.” She blinked in confusion. “Star Wars figurines make you happy?” He smiled and went back to the arrows on the table. “No. You make me happy. My happy feelings are because of you. My desire and want feelings—which I have plenty of—are also because of you, but I have those contained right now because I’m trying not to overwhelm you with emotions.” “Oh.” “Trust me,” he grabbed another arrow. “You don’t want me to think about sex when you can feel my emotions. It’s very intense. I could barely handle it with you and I had five hundred years of practice.” She shot her eyes to him. “What are you trying to say? That I’m some kind of baby? I can handle it.” He shook his head and smiled. “You have no idea what you’re talking about.” “Try me.” This was a dangerous game, but since only his life was at stake… “Okay.” He shrugged and started thinking about sex. With Scarlet. He watched as she stood frozen and the color drained from her face as everything he felt rolled into her. Then bright red color returned to her face and she looked like she might catch fire. He kept his eyes on her as his feelings stayed in the hottest parts of his being. She looked at him with hungry eyes and moved her mouth to speak but no sound came out. He watched her breathing grow heavier. She dropped the arrows she held and stared at him. He changed his pattern of thought and tried to calm his emotions so she wouldn’t do anything she regretted. Once his thoughts were back on happy non-sexual things, he glanced at Scarlet, who was still frozen in place with red cheeks and parted lips. “Scar?” He leaned to the side to look in her far away eyes. “You okay?” She mouthed something and nodded, then tried again. “Yeah.” Her voice cracked. She was staring at the wall with big eyes. “I’m, uh…I’m good. I’m great.” He went back to the arrows and smiled. “Told you.” Scarlet blinked a few times and looked at Tristan. “We definitely need a chaperone.
Chelsea Fine (Avow (The Archers of Avalon, #3))
Trust me, I’ve seen more women in their corsets and shifts than you’ve seen years.” “I can well believe that.” She sniffed. “At least turn around.” “Fine.” He turned his back to her, and Freddy followed suit. “But be quick about it. I’d like to reach Halstead Hall in time for dinner.” “Do as he says, will you?” Freddy put in. “I’m about to faint from hunger.” “For once, Freddy,” she grumbled, “would you stop thinking with your stomach?” The stockings seemed to fit, and she managed to undo her own gown so she could slip the other one on. But she could never button it herself, especially since it was small in the waist. And the bust. Mercy, she would need help. “Freddy, come fasten me up, will you?” Her cousin’s back stiffened. “I can’t do that!” “Oh, for God’s sake.” Lord Stoneville strode over. “I knew you Americans were prudish, but this is absurd.” Before she could even protest, he began fastening her gown. To her horror, the faint scent of his spicy cologne and his fingers working efficiently over the buttons made an odd sort of heat rise up from her belly. That couldn’t be good. “You seem to know how to do up a woman’s gown very well.” She struggled to sound nonchalant. “I take it you’ve had plenty of practice.” “You know us debauchers,” he said dryly. “Practice, practice, practice.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
You want the paradisal unknowing,” she said, turning round on him as he still sat half-visible in the shadow. “I know what that means, thank you. You want me to be your thing, never to criticise you or to have anything to say for myself. You want me to be a mere thing for you! No thank you! If you want that, there are plenty of women who will give it to you. There are plenty of women who will lie down for you to walk over them—go to them then, if that’s what you want—go to them.” “No,” he said, outspoken with anger. “I want you to drop your assertive will, your frightened apprehensive self-insistence, that is what I want. I want you to trust yourself so implicitly, that you can let yourself go.” “Let myself go!” she re-echoed in mockery. “I can let myself go, easily enough. It is you who can’t let yourself go, it is you who hang on to yourself as if it were your only treasure. You—you are the Sunday school teacher—You—you preacher.” The amount of truth that was in this made him stiff and unheeding of her. “I don’t mean let yourself go in the Dionysic ecstatic way,”bw he said. “I know you can do that. But I hate ecstasy, Dionysic or any other. It’s like going round in a squirrel cage. I want you not to care about yourself, just to be there and not to care about yourself, not to insist—be glad and sure and indifferent.” “Who insists?” she mocked. “Who is it that keeps on insisting? It isn’t me!
D.H. Lawrence (Women in Love)
I've got plenty of courage, as much as you! ... Only, if you want the whole truth ... everything, absolutely everything! disgusts me and turns my stomach! Not just you! ... Everything! ... And love most of all! ... Yours as much as anyone else's! ... The sentimental tripe you dish out ... Want me to tell you what I think of it? I think it's like making love in the crapper! Do you get me now? ... All the sentiment you trot out to make me stick with you hits me like an insult, if you want to know ... And to make it worse, you don't even realize it, you're the one that's rotten because you don't understand! ... You're satisfied repeating the rubbish other people say ... You think it makes sense ... People have told you there's nothing better than love, they've told you it'll go down with everybody, everywhere and always, and that's good enough for you ... Well, I say fuck their love! ... You hear? ... Their putrid love doesn't go down with me ... not anymore! ... You've missed the train! You're too late! It won't go down anymore, and that's that! ... What a stupid thing to get steamed up about! ... Why do you have to make love, considering all the things that are happening? ... All the things we see around us! ... Or are you blind? ... More likely you just don't give a damn! You wallow in sentiment when you're a worse brute than anybody ... You want to eat rotten meat? ... With love sauce? ... Does that help it down? ... Not with me!
Louis-Ferdinand Céline (Journey to the End of the Night)
The kid in the newspaper was named Stevie, and he was eight. I was thirty-nine and lived by myself in a house that I owned. For a short time our local newspaper featured an orphan every week. Later they would transition to adoptable pets, but for a while it was orphans, children your could foster and possibly adopt of everything worked out, the profiles were short, maybe two or three hundred words. This was what I knew: Stevie liked going to school. He made friends easily. He promised he would make his bed every morning. He hoped that if he were very good we could have his own dog, and if he were very, very good, his younger brother could be adopted with him. Stevie was Black. I knew nothing else. The picture of him was a little bigger than a postage stamp. He smiled. I studied his face at my breakfast table until something in me snapped. I paced around my house, carrying the folded newspaper. I had two bedrooms. I had a dog. I had so much more than plenty. In return he would make his bed, try his best in school. That was all he had to bargain with: himself. By the time Karl came for dinner after work I was nearly out of my mind. “I want to adopt him,” I said. Karl read the profile. He looked at the picture. “You want to be his mother?” “It’s not about being his mother. I mean, sure, if I’m his mother that’s fine, but it’s like seeing a kid waving from the window of a burning house, saying he’ll make his bed if someone will come and get him out. I can’t leave him there.” “We can do this,” Karl said. We can do this. I started to calm myself because Karl was calm. He was good at making things happen. I didn’t have to want children in order to want Stevie. In the morning I called the number in the newspaper. They took down my name and address. They told me they would send the preliminary paperwork. After the paperwork was reviewed, there would be a series of interviews and home visits. “When do I meet Stevie?” I asked. “Stevie?” “The boy in the newspaper.” I had already told her the reason I was calling. “Oh, it’s not like that,” the woman said. “It’s a very long process. We put you together with the child who will be your best match.” “So where’s Stevie?” She said she wasn’t sure. She thought that maybe someone had adopted him. It was a bait and switch, a well-written story: the bed, the dog, the brother. They knew how to bang on the floor to bring people like me out of the woodwork, people who said they would never come. I wrapped up the conversation. I didn’t want a child, I wanted Stevie. It all came down to a single flooding moment of clarity: he wouldn’t live with me, but I could now imagine that he was in a solid house with people who loved him. I put him in the safest chamber of my heart, he and his twin brother in twin beds, the dog asleep in Stevie’s arms. And there they stayed, going with me everywhere until I finally wrote a novel about them called Run. Not because I thought it would find them, but because they had become too much for me to carry. I had to write about them so that I could put them down.
Ann Patchett (These Precious Days: Essays)
March 12 Dear Stargirl, Hey, you're a big girl now. Stop being such a baby. You think you're the only one who's ever lost a boyfriend? Boyfriends are a dime a dozen. You want to talk loss, look at all the loss around you. How about the man in the red and yellow plaid scarf? He lost Grace. BELOVED WIFE. I'll bet they were married over 50 years. You barely had 50 days with Leo. And you have the gall to be sad in the same world as that man. Betty Lou. She's lost the confidence to leave her house. Look at you. Have you ever stopped to appreciate the simple ability to open your front door and step outside? And Alvina the floor sweeper-she hates herself, and it seems she's got plenty of company. All she's losing is her childhood, her future, a worldful of people who will never be her friends. How would you like to trade places with her? Oh yes, lets not forget the footshuffling guy at the stone piles. Moss-green pom-pom. What did he say to you? "Are you looking for me?" It seems like he hasn't lost much, has he? Only...HIMSELF! Now look at you, sniveling like a baby over some immature kid in Arizona who didn't know what a prize he had, who tried to remake you into somebody else, who turned his back to you and left you to the wolves, who hijacked your heart and didn't even ask you to the Ocotillo Ball. What don't you understand about the message? Hel-loooo? Anybody home in there? You have your whole life ahead of you, and all your doing is looking back. Grow up, girl. There are some things they don't teach you in homeschool. Your Birth Certificate Self, Susan Caraway
Jerry Spinelli
After class is over, I wait for Peter outside the boys’ locker room, planning out what I’m going to say, how I’m going to explain it. I’ll start out with, “So about this morning…,” and then I’ll give a little laugh, like how hilarious was that! Peter’s the last one to come out. His hair is wet from a shower. It’s weird that boys take showers at school, since girls never do. I wonder if they have stalls in there, or just a bunch of shower heads and no privacy. “Hey,” he says when he sees me, but he doesn’t stop. To his back I hurriedly say, “So about this morning…” I laugh, and Peter turns around and just looks at me. “Oh yeah. What was that all about?” “It was a dumb joke,” I begin. Peter crosses his arms and leans against the lockers. “Did it have anything to do with that letter you sent me?” “No. I mean, yes. Tangentially.” “Look,” he says kindly. “I think you’re cute. In a quirky way. But Gen and I just broke up, and I’m not in a place right now where I want be somebody’s boyfriend. So…” My mouth drops. Peter Kavinsky is giving me the brush-off! I don’t even like him, and he’s giving me the brush-off. Also, “quirky”? How am I “quirky”? “Cute in a quirky way” is an insult. A total insult! He’s still talking, still giving me the kind eyes. “I mean, I’m definitely flattered. That you would like me all this time--it’s flattering, you know?” That’s enough. That’s plenty enough. “I don’t like you,” I say, loudly. “So there’s no reason you should feel flattered.” Now it’s Peter’s turn to look taken aback. He quickly looks around to see if anyone heard. He leans forward and whispers, “Then why did you kiss me?” “I kissed you because I don’t like you,” I explain, like this should be obvious.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Are you sure you don't remember? Your mind seems to be working just fine to me." "You know what? Just forget it. Whatever it was, I forgive you. Give me my backpack so I can go back to the office. We're about to get busted anyway, just standing here." "If you really do forgive me, then you wouldn't still be going to the office." He tightens his hold on the strap of my backpack. "Ohmysweetgoodness, Galen, why are we even having this conversation? You don't even know me. What do you care if I change my schedule?" I know I'm being rude. The guy offered to carry my things and walk me to class. And depending on which version of the story I believe, he either asked me out on Monday already, or he did it indirectly a few seconds ago. None of it makes any sense. Why me? Without any effort, I can think of at least ten girls who beat me out in looks, personality, and darker foundation. And Galen could pull any of them. "What, you don't have a question for my question?" I ask after a few seconds. "It just seems silly for you to change your schedule over a disagreement about when the Titanic-" I throw my hands up at him. "Don't you see how weird this is for me?" "I'm trying to, Emma. I really am. But I think you've had a tough couple of weeks, and it's taking a toll on you. You said every time you're around me something bad happens. But you can't really know for sure that's true, unless you spend more time with me. You should at least acknowledge that." Something is wrong with me. Those cafeteria doors must have really worked me over. Otherwise, I wouldn't be pushing Galen away like this. Not with him pleading, not with the way he's leaning toward me, not with the way he smells. "See? You're taking it personally, when there's really nothing personal about it," I whisper. "It's personal to me, Emma. It's true, I don't know you well. But there are some things I do know about you. And I'd like to know more." A glass full of ice water wouldn't cool my cheeks. "The only thing you know about me is that I'm life threatening in flip-flops." That I won't meet his eyes obviously bothers him, because he lifts my chin with the crook of his finger. "That's not all I know," he says. "I know your biggest secret." This time, unlike at the beach, I don't swat his hand away. The electric current in my feet prove that we're really standing so close to each other that our toes touch. "I don't have any secrets," I say, mesmerized." He nods. "I finally figured that out. That you don't actually know about your secret." "You're not making any sense." Or I just can't concentrate because I accidentally looked up at his lips. Maybe he did talk me into swimming... The door to the front office swings open, and Galen grabs my arm and ushers me around the corner. He continues to drag me down the hall, toward world history. "That's it?" I say, exasperated. "You're just going to leave it at that?" He stops us in front of the door. "That depends on you," he says. "Come with me to the beach after school, and I'll tell you." He reaches for the knob, but I grab his hand. "Tell me what? I already told you that I don't have any secrets. And I don't swim." He grins and opens the door. "There's plenty to do at the beach besides swim." Then he pulls me by the hand so close I think he's going to kiss me. Instead, he whispers in my ear, "I'll tell you where your eye color comes from." As I gasp, he puts a gentle hand on the small of my back and propels me into the classroom. Then he ditches me.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Hey,” Chase said as he approached. “The rain sucks.” “Agreed.” His younger brother settled on a log. “I checked on the cattle. They’re fine. The clouds don’t look like there’s going to be any lightning or thunder, but they look plenty wet.” Zane nodded. “Storm’s supposed to last two days. I was hoping it would hold off until Saturday.” Chase sipped his coffee. “Everybody okay?” There was something about the question. Zane stared at him. “What do you mean?” “Nothing. Just checking.” Had Chase heard something in the night? Zane shook his head. Not possible. His tent had been some distance from the others, and the rain had blocked out a lot of noise. Nothing about his brother’s expression told what he was thinking. “We’re heading back today, right?” Chase said. “That’s the plan. I wish it wasn’t a two-day ride.” “There’s--” Chase stopped speaking and stared at his coffee. Zane knew what he’d been about to say. Reilly’s place. It was only about an hour’s ride. The old man would give them shelter until the worst of the storm passed, and even send out a few of his men to watch over the cattle until then. But Zane wasn’t about to impose on his neighbor. Not now and not ever. He glanced at the sky and wondered how long he could take a stand in weather like this. Whatever his issues with Reilly, his guests’ safety came first. “I better see how everyone’s doing,” he said as he tossed the rest of his coffee into the fire. “Before you go,” Chase said and held out something in his hand. “I wasn’t sure if you had enough with you.” Zane stared at the three condoms resting on his brother’s palm. Then he glanced at Chase, who was grinning. “Way to go, big brother.” Not knowing what to say, Zane rose and stalked off. But not before he took the condoms. He might be stubborn, but he wasn’t a fool.
Susan Mallery (Kiss Me (Fool's Gold, #17))
As Mrs. Armiger drew near, the fountain clerk put my sundae in front of me. “Here you are,” he said. “I made this one especially for you, Andrew. Plenty of chocolate sauce and whipped cream--just the way you like it.” Glad Andrew and I had at least one thing in common, I scooped up a big spoonful of ice cream. My mouth was watering for chocolate, but before I had a chance to taste it, Mrs. Armiger pounced on me. “How wonderful to see you up and about, dear boy. I was just plain worried to death when I heard you’d come down with diphtheria.” Her perfume hung around me in a cloud so dense I could hardly breathe. “Yes, ma’am,” I stammered, trying hard not to cough. “Thank you, ma’am.” Laying a plump hand on my shoulder, Mrs. Armiger smiled. “Why, Andrew, I believe a touch of the dark angel’s wings has improved your manners.” Theo gave me one of the sharp little kicks he specialized in. Blowing through his straw, he made loud bubbling sounds in his drink. He expected me to do something outrageous too. They all did--the whole family was watching, waiting for me to mortify them. I could almost hear Mama holding her breath. I knew Andrew would never have sat as still as a stone, ears burning with embarrassment, but, unlike him, I couldn’t think what to do or say. “That’s a very rude noise, Theodore,” Mrs. Armiger said. Mama snatched Theo’s glass. “If you want to finish your phosphate, apologize to Mrs. Armiger.” Without looking at anyone, Theo mumbled, “I’m sorry.” Mama wasn’t satisfied. “Sorry for what, Theodore Aloysius?” Theo kept his head down. Trying not to giggle, he said, “I’m sorry for making a rude noise, Mrs. Armiger.” Mama gave him his phosphate. “That’s better.” Theo kicked me again, harder this time. From the way he was scowling, I guessed he was mad that he’d gotten into trouble and I hadn’t.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
‌* When the coughing stopped, there was nothing but the nothingness of life moving on with a shuffle, or a near-silent twitch. ‌* Mistakes, mistakes, it’s all I seem capable of at times ‌*No matter how many times she was told that she was loved, there was no recognition that the proof was in the abandonment. ‌*It’s much easier, she realized, to be on the verge of something than to actually be it ‌*When death captures me,” the boy vowed, “he will feel my fist on his face.”. ‌*he’d turned for one last look at his family as he left the apartment. Perhaps then the guilt would not have been so heavy. No final goodbye. No final grip of the eyes. Nothing but goneness. ‌ *Wrecked, but somehow not torn into pieces. ‌*Life had altered in the wildest possible way, but it was imperative that they act as if nothing at all had happened. ‌*“If we gamble on a Jew,” said Papa soon after, “I would prefer to gamble on a live one,” and from that moment, a new routine was born. *‌you should know it yourself—a young man is still a boy, and a boy sometimes has the right to be stubborn.” ‌*The fire was nothing now but a funeral of smoke, dead and dying, simultaneously. ‌*Even death has a heart.. ‌* In truth, I think he was afraid. Rudy Steiner was scared of the book thief’s kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them. ‌*There is death. Making his way through all of it. On the surface: unflappable, unwavering. Below: unnerved, untied, and undone. *‌That damn snowman,” she whispered. “I bet it started with the snowman—fooling around with ice and snow in the cold down there.” Papa was more philosophical. “Rosa, it started with Adolf.” *‌There were broken bodies and dead, sweet hearts. Still, it was better than the gas ‌*They were French, they were Jews, and they were you. ‌*Sometimes she sat against the wall, longing for the warm finger of paint to wander just once more down the side of her nose, or to watch the sandpaper texture of her papa’s hands. If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread out on top of it. *‌Himmel Street was a trail of people, and again, Papa left his accordion. Rosa reminded him to take it, but he refused. “I didn’t take it last time,” he explained, “and we lived.” War clearly blurred the distinction between logic and superstition. ‌*Silence was not quiet or calm, and it was not peace. ‌*“I should have known not to give the man some bread. I just didn’t think.” “Papa, you did nothing wrong.” “I don’t believe you. ‌ * I’m an idiot.” No, Papa. You’re just a man.. ‌*What someone says and what happened are usually two different things ‌* despised by his homeland, even though he was born in it ‌ *“Of course I told him about you,” Liesel said. She was saying goodbye and she didn’t even know it. ‌*Say something enough times and you never forget it ‌*robbery of his life? ‌*Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places ‌*One could not exist without the other, because for Liesel, both were home. Yes, that’s what Hans Hubermann was for Liesel Meminger ‌*DEATH AND LIESEL It has been many years since all of that, but there is still plenty of work to do. I can promise you that the world is a factory. The sun stirs it, the humans rule it. And I remain. I carry them away.
Markus Zusak (THE BOOK THIEF)
Dear Peter K, First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard. Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore. Here are all your worst qualities: You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you. You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude. You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did. You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be. The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool. Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long. Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you: One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad. You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed. You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym. After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special. Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it. And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD! Lara Jean Song
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I missed you," I said. "Missed you, too. Welcome home." We moved in to hug each other, then I sprang back seconds before getting smushed against his still-sopping-wet sweater. "Ben!" "Ooh, poor form on my part," he said, and peeled off his sodden sweater. He wore a thin white T-shirt underneath. The coffee spill had left the shirt a bit damp, and it clung slightly to his chest in a way that made me stare and caught my voice in my throat. That was ridiculous, of course. Ben and I had the kind of friendship where we talked about things like that. I could tease him about his suddenly well-toned body; he'd make some kind of self-effacing joke and parry by bringing up something absurd he'd seen about me in a magazine... But I didn't say a word. And I didn't stop looking. Clearly I was in a sleep-deprived haze. "You could still try the coffee," he offered. "There's plenty in the sweater. I can just wring it right into the mug." I shook off my reverie. "Tempting offer, but no thanks. You really need to give up on the coffee thing. I'm never converting from tea." "We'll see," he said. He set the wet sweater on the hand towel, then turned to me with his arms out. "Better?" "Much," I said, and closed the distance between us so he could fold me into his arms. "Hel-lo! Please tell me I'm interrupting something!" It was Rayna, and at the sound of her voice, Ben and I sheepishly pulled apart. Again, ridiculous. Hugging was nothing unusual for us. Granted, Ben was usually wearing more than a thin T-shirt at the time... "Why is it I'm hearing no one when they come into the house?" "Big house," Rayna said. "Come on-my mom's throwing us a welcome home party at our place." "Tonight?" I asked. "Immediately. Unless I can tell my mom there are...extenuating circumstances." She said the last part with a leer that lingered on Ben's chest and made him blush. Rayna's entire family had spent the last two years dying for Ben and me to get together. They seemed to be under the impression that my parents hired him to be my boyfriend, not my international adviser.
Hilary Duff (Elixir (Elixir, #1))
Ryder turns off the radio and reaches for my camera, pointing it at me in the dark. It beeps, and a red light indicates that he’s filming. “Are you scared, Jemma?” I prop my head up on one elbow. “Yeah, I’m scared,” I say, carefully weighing my words. “But…we’ll be okay. This house has weathered plenty of storms through the years. It’ll keep us safe.” “I hope you’re right.” “Yeah, me too.” I hear him swallow hard. “I’m glad I’m here with you.” “I’m glad you are too,” I say automatically. But then…I realize with a start that it’s true. I am glad he’s here. I feel safe with him. More relaxed than I would be otherwise. He thinks I’m distracting him, making him forget his fears. But the truth is, he’s helping me just as much. Maybe more. I’m pretty sure I’d be a blubbering mess right about now if I were alone. “Thanks, Ryder,” I say, my voice thick. “For what?” “Everything.” I squeeze my eyes shut. “Turn off the camera, okay?” He does, setting it aside before stretching out on the far side of the bed, facing me. Our gazes meet, and my stomach flutters nervously. There’s something there in his dark eyes, something I’ve never seen before. Vulnerability…mixed with a kind of dark, melty chocolate expression that I don’t recognize. Our hands are lying there on the bed between us, nearly touching. I lift my pinkie, brushing it against his. Chills race down my spine at the contact, my heart pounding against my ribs. I hear his breath catch. Slowly, his hand moves over mine, his fingertips brushing my knuckles until his entire hand covers mine. His skin is hot, the pressure reassuring. A minute passes, maybe two. It’s almost like he’s waiting, watching to see if I pull my hand away. I don’t. In one quick movement, he slides his hand under mine and threads our fingers together. We lie like that for several minutes, arms outstretched, hands joined, eyes wide open. The storm continues to rage around us, but it’s like we’re locked in this safe, calm place where nothing can touch us. My breathing slows; my limbs grow heavy. My lids flutter shut. I try to resist, but it’s futile. I’m exhausted. I drift off to sleep with a smile on my lips, Ryder holding me fast.
Kristi Cook (Magnolia (Magnolia Branch, #1))
There is a show tonight in the Highwood, John. There will be all sorts of people to play music there. We must go tonight to the Highwood, john. we'll breathe in the music and the cold-starred air. * And Cornelius has taken down the moon - hasn't he? - with gleam-of-eye and giddying snout and his touch on the wheel is delicate as the spring, here a soft tip, there a glanced tap for each swerve of the road as it runs the country and turns. Oh this is the knack of it - John can see clearly now - the carefree life, and he envies him the spring. And before we know it, John? The summer proper will be in on top of us and the woods will be whispering. Fuck the whispering woods, Cornelius. Just get me to my fucking island. But he is snagged again; he turns helplessly. How'd you mean, about the woods? Cornelius beams - There are things we can't describe, he says. Go on? What we see around us is only at the ten per cent level, John. Of? The reality. And what's the leftover? Unseen. How'd you mean? Well, he says. The way sometimes you'd walk across a field and a sense of elation would come over you. Are you with me? Okay... You're half risen from the skin. the feet are not touching the stones. The little heart is about to hop out of your chest from the sheer fucken joy. And the strange thing about it? Go on. That patch of happiness could be floating around the field for the last ten years. Or for the last three hundred and fifty years. Out of love that was had there or a child that was playing or an old friend that was found again after a long time lost. Whatever it was, it caused a great happy feeling and it was left there in the field. You're after walking into it. And for half a minute you're lifted and soaring but then you're out the far side again and back into your own poor stride and woes. You'd find a sadness just the same? Or an evil, John. Or a blackness. Or terror, John, or fucken terror, because there's plenty of terror in the world. Always was and has been. A soft whisper - I mean take a look out the window. A sweep of the arm for the greys and sea-greens of the moonful hills, the pale night as they pass by - I mean why'd you think I've the fucken foot down, John?
Kevin Barry (Beatlebone)
The young lady then placed her hands on Kode’s shoulder, letting her cheek rest on top of the pile. The smile on her face was more than a victory smile. It was a happy sign of contentment. Eena wondered. “When do you suppose those two will get married?” She whispered the question to Kira who still had a firm grip on her arm. “Kode get married?” The incredulity on Kira’s face matched her brother’s strong outburst. “Who the hell says I’m gettin’ hitched?” Niki pushed herself away from her boyfriend’s shoulder; her upper lip curled into a resentful scowl at the negative way he had voiced his query. Eena had never meant for them to overhear. She stumbled over a justification for the question. “It’s just that you’ve been together for a while, you know, like a couple. Close. I mean, you’re always together so…I just figured…” she let the notion trail off. Kode looked queasy. “We’re always together ‘cause she bloody follows me around everywhere I go like I’m some freakin’ tour guide!” “Fine!” Niki exclaimed, holding her palms like a defensive wall in front of her. “I’ll leave if that’s what you want. I don’t need you! There’s plenty of other guys who’d love to get their lips on me!” With that outburst, the pretty Mishmorat twirled her body around, setting off on foot with both fists seared into her hips. Kode let her take about four steps before he darted over and dragged her back. She didn’t put up much of a fight, but her beautiful burgundy eyes refused to look at him. “Ungrateful woman,” he murmured. “No one asked you to leave.” Niki continued to glare up at the cloudy sky. Kode sighed a long, perturbed sound. His next words were mumbled like they were torturous to have to speak out loud. “Come on, Niki, you know I don’t want you to go. Who the hell’s gonna keep me in line if you’re gone?” That made the pretty Mishmorat smile. She breathed in deeply and then dropped her gaze onto her man. His face was a goofy grimace, hers a smug grin of satisfaction. Kode threw an arm roughly around his girlfriend and pulled her close to him. He then turned to Eena, shrugging one shoulder. “She’ll probably break down and marry me this summer,” he said. “That’s what I’m thinkin’ anyway.” Niki’s head went back to rest on Kode’s shoulder, right where it had started.
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
Punishment is not care, and poverty is not a crime. We need to create safe, supportive pathways for reentry into the community for all people and especially young people who are left out and act out. Interventions like decriminalizing youthful indiscretions for juvenile offenders and providing foster children and their families with targeted services and support would require significant investment and deliberate collaboration at the community, state, and federal levels, as well as a concerted commitment to dismantling our carceral state. These interventions happen automatically and privately for young offenders who are not poor, whose families can access treatment and hire help, and who have the privilege of living and making mistakes in neighborhoods that are not over-policed. We need to provide, not punish, and to foster belonging and self-sufficiency for our neighbors’ kids. More, funded YMCAs and community centers and summer jobs, for example, would help do this. These kinds of interventions would benefit all the Carloses, Wesleys, Haydens, Franks, and Leons, and would benefit our collective well-being. Only if we consider ourselves bound together can we reimagine our obligation to each other as community. When we consider ourselves bound together in community, the radically civil act of redistributing resources from tables with more to tables with less is not charity, it is responsibility; it is the beginning of reparation. Here is where I tell you that we can change this story, now. If we seek to repair systemic inequalities, we cannot do it with hope and prayers; we have to build beyond the systems and begin not with rehabilitation but prevention. We must reimagine our communities, redistribute our wealth, and give our neighbors access to what they need to live healthy, sustainable lives, too. This means more generous social benefits. This means access to affordable housing, well-resourced public schools, affordable healthcare, jobs, and a higher minimum wage, and, of course, plenty of good food. People ask me what educational policy reform I would suggest investing time and money in, if I had to pick only one. I am tempted to talk about curriculum and literacy, or teacher preparation and salary, to challenge whether police belong in schools, to push back on standardized testing, or maybe debate vocational education and reiterate that educational policy is housing policy and that we cannot consider one without the other. Instead, as a place to start, I say free breakfast and lunch. A singular reform that would benefit all students is the provision of good, free food at school. (Data show that this practice yields positive results; but do we need data to know this?) Imagine what would happen if, across our communities, people had enough to feel fed.
Liz Hauck (Home Made: A Story of Grief, Groceries, Showing Up--and What We Make When We Make Dinner)
Allan found his place for the second time, and fell headlong into the bottomless abyss of the English Law. “Page 280,” he began. “Law of husband and wife. Here’s a bit I don’t understand, to begin with: ‘It may be observed generally that the law considers marriage in the light of a Contract.’ What does that mean? I thought a contract was the sort of a thing a builder signs when he promises to have the workmen out of the house in a given time, and when the time comes (as my poor mother used to say) the workmen never go.” “Is there nothing about Love?” asked Neelie. “Look a little lower down.” “Not a word. He sticks to his confounded ‘Contract’ all the way through.” “Then he’s a brute! Go on to something else that’s more in our way.” “Here’s a bit that’s more in our way: ‘Incapacities. If any persons under legal incapacities come together, it is a meretricious, and not a matrimonial union.’ (Blackstone’s a good one at long words, isn’t he? I wonder what he means by meretricious?) ‘The first of these legal disabilities is a prior marriage, and having another husband or wife living — ’“ “Stop!” said Neelie; “I must make a note of that.” She gravely made her first entry on the page headed “Good,” as follows: “I have no husband, and Allan has no wife. We are both entirely unmarried at the present time.” “All right, so far,” remarked Allan, looking over her shoulder. “Go on,” said Neelie. “What next?” “‘The next disability,’“ proceeded Allan, “‘is want of age. The age for consent to matrimony is, fourteen in males, and twelve in females.’ Come!” cried Allan, cheerfully, “Blackstone begins early enough, at any rate!” Neelie was too business-like to make any other remark, on her side, than the necessary remark in the pocketbook. She made another entry under the head of “Good”: “I am old enough to consent, and so is Allan too. Go on,” resumed Neelie, looking over the reader’s shoulder. “Never mind all that prosing of Blackstone’s, about the husband being of years of discretion, and the wife under twelve. Abominable wretch! the wife under twelve! Skip to the third incapacity, if there is one.” “‘The third incapacity,’“ Allan went on, “‘is want of reason.’“ Neelie immediately made a third entry on the side of “Good”: “Allan and I are both perfectly reasonable. Skip to the next page.” Allan skipped. “‘A fourth incapacity is in respect of proximity of relationship.’“ A fourth entry followed instantly on the cheering side of the pocketbook: “He loves me, and I love him — without our being in the slightest degree related to each other. Any more?” asked Neelie, tapping her chin impatiently with the end of the pencil. “Plenty more,” rejoined Allan; “all in hieroglyphics. Look here: ‘Marriage Acts, 4 Geo. IV., c. 76, and 6 and 7 Will. IV., c. 85 (q).’ Blackstone’s intellect seems to be wandering here. Shall we take another skip, and see if he picks himself up again on the next page?
Wilkie Collins (Armadale)
The tears gathered and stood without overflowing the red sockets. Ah! if I were rich still, if I had kept my money, if I had not given all to them, they would be with me now; they would fawn on me and cover my cheeks with their kisses! I should be living in a great mansion; I should have grand apartments and servants and a fire in my room; and they would be about me all in tears, and their husbands and their children. I should have had all that; now--I have nothing. Money brings everything to you; even your daughters. My money. Oh! where is my money? If I had plenty of money to leave behind me, they would nurse me and tend me; I should hear their voices, I should see their faces. Ah, God! who knows? They both of them have hearts of stone. I loved them too much; it was not likely that they should love me. A father ought always to be rich; he ought to keep his children well in hand, like unruly horses. I have gone down on my knees to them. Wretches! this is the crowning act that brings the last ten years to a proper close. If you but knew how much they made of me just after they were married. (Oh! this is cruel torture!) I had just given them each eight hundred thousand francs; they were bound to be civil to me after that, and their husbands too were civil. I used to go to their houses: it was 'My kind father' here, 'My dear father' there. There was always a place for me at their tables. I used to dine with their husbands now and then, and they were very respectful to me. I was still worth something, they thought. How should they know? I had not said anything about my affairs. It is worth while to be civil to a man who has given his daughters eight hundred thousand francs apiece; and they showed me every attention then--but it was all for my money. Grand people are not great. I found that out by experience! I went to the theatre with them in their carriage; I might stay as long as I cared to stay at their evening parties. In fact, they acknowledged me their father; publicly they owned that they were my daughters. But I was always a shrewd one, you see, and nothing was lost upon me. Everything went straight to the mark and pierced my heart. I saw quite well that it was all sham and pretence, but there is no help for such things as these. I felt less at my ease at their dinner-table than I did downstairs here. I had nothing to say for myself. So these grand folks would ask in my son-in-law's ear, 'Who may that gentleman be?'-- 'The father-in-law with the money bags; he is very rich.'--'The devil, he is!' they would say, and look again at me with the respect due to my money. Well, if I was in the way sometimes, I paid dearly for my mistakes. And besides, who is perfect? (My head is one sore!) Dear Monsieur Eugene, I am suffering so now, that a man might die of the pain; but it is nothing to be compared with the pain I endured when Anastasie made me feel, for the first time, that I had said something stupid. She looked at me, and that glance of hers opened all my veins. I used to want to know everything, to be learned; and one thing I did learn thoroughly --I knew that I was not wanted here on earth.
Honoré de Balzac (Père Goriot)
It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. ”Go and sleep, Mother, you will catch cold here.” ”I can sleep enough later,” she says. I sit up. ”I don’t go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps.” She is silent. Then she asks gently: ”Are you very much afraid?” ”No Mother.” ”I would like to tell you to be on your guard against the women out in France. They are no good.” Ah! Mother, Mother! You still think I am a child–why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted too, indeed I am little more than a child; in the wardrobe still hang short, boy’s trousers–it is such a little time ago, why is it over? ”Where we are there aren’t any women, Mother,” I say as calmly as I can. ”And be very careful at the front, Paul.” Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! ”Yes Mother, I will.” ”I will pray for you every day, Paul.” Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, mother! ”Perhaps you can get a job that is not so dangerous.” ”Yes, Mother, perhaps I can get into the cookhouse, that can easily be done.” ”You do it then, and if the others say anything–” ”That won’t worry me, mother–” She sighs. Her face is a white gleam in the darkness. ”Now you must go to sleep, Mother.” She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. ”And you must get well again, Mother, before I come back.” ”Yes, yes, my child.” ”You ought not to send your things to me, Mother. We have plenty to eat out there. You can make much better use of them here.” How destitute she lies there in her bed, she that loves me more than all the world. As I am about to leave, she says hastily: ”I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack.” Ah! Mother! I know what these under-pants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying; we have so much to say, and we shall never say it. ”Good-night, Mother.” ”Good-night, my child.” The room is dark. I hear my mother’s breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack, which lies there already made up because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;–I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I ought never to have come on leave.
Erich Maria Remarque (All Quiet on the Western Front)
My little undomesticated pornstar pushed me so hard between her legs, my oxygen levels plummeted. She clenched around my fingers through her panties as an orgasm rolled through her in waves. The gush of warmth soaked the cotton. I kissed her through the fabric, again and again, knowing tomorrow everything would return to its proper position—my boundaries, my limits, my hang-ups, my demons. “Can I return the favor?” Dallas sat half up. “But not through your briefs. Men’s briefs always smell like old cheese that’s been sitting in a crockpot for days. I know because whenever my housekeeper went on vacation, we all took turns doing the laundry. And, well, I really shouldn’t say, but Dadd—” Not wanting the moment to be ruined with a conversation about her father’s underwear, I pulled forward, shutting her smart mouth with a kiss that tasted like her sweet pussy. At first, she pinched her lips and made a face, unsure what she thought about her own taste. But when I dragged the tip of my hard cock along her slit through our clothes, she went wild and kissed me back, shoving her tongue so deep down my throat I thought she would fish out my dinner. “Yes.” She wiggled against me. “Please, sir, may I have some more?” She’d quoted Oliver Twist while getting fucked. Truly, the woman was one of a kind. Knowing it was idiotic, and dangerous, and deranged, I pushed my tip through her slit. She was tight—tighter, still, through the tattered, stretched cotton of her ruined panties—but wet and sleek, ready for what was coming. The sensation, how warm and taut she felt, completely undid me. I thrust harder and deeper, entering her through our underwear, fucking her slowly with only flimsy fabric between us. I tore my mouth from hers, eyes glued to my cock each time it sank into her. I could barely fit inside, she was so tight. This was, by far, the best fuck I’d ever had. She panted. “Is this what people call dry-humping?” No. Nothing about this was dry. I was basically fucking her through our underwear. Only, explaining to her that this was full-blown sex with a side order of my issues was not in my plans for tonight. Or ever. “Sure.” Each push brought me closer to a climax. From slow, controlled, teasing thrusts designed to drive her mad with desire, I quickly derailed to jerky, manic, need-to-be-inside-this-woman plunges. Of a man so hungry for human connection, for affection, for carnal needs to be met and satisfied. My head grew dizzy. I’d taken into consideration the possibility that Dallas couldn’t come through penetration. It merely placed her in the same majority as most females on Planet Earth. But she shook, clawed, and reached for me, looking ready to climax. Her tits bounced and jiggled each time I slammed into her. Her mouth opened in awe, probably because this orgasm felt different from the first two. Deeper and more violent. She clutched the lapels of my shirt, shoving her face in mine. “Lose the underwear.” She met my thrust, groaning when my crown peeked past the slot in my boxer briefs. “I want you to come inside me. I want to feel you.” I was about two seconds from fulfilling her demand. Luckily, my logic grabbed the steering wheel, which my cock had seized sometime this evening, and derailed the situation from full-blown calamity. I managed to wait until she came, just barely, before pulling out, flipping her onto her stomach, and jerking off. I aimed for her bare ass but somehow came on her hair. No matter. She had plenty of time to wash it. Her agenda wasn’t exactly full. Dallas fell back onto the pillows, a lopsided grin on her face. (Chapter 31)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
I no longer require your services." With her head held high, she strode for the door. Hell and blazes, he wouldn't let her do this! Now when he knew what was at stake. "You don't want to hear my report?" he called out after her. She paused near the door. "I don't believe you even have a report." "I certainly do, a very thorough one. I've only been waiting for my aunt to transcribe my scrawl into something decipherable. Give me a day, and I can offer you names and addresses and dates, whatever you require." "A day? Just another excuse to put me off so you can wreak more havoc." She stepped into the doorway, and he hurried to catch her by the arm and drag her around to face him. He ignored the withering glance she cast him. "The viscount is twenty-two years your senior," he said baldly. Her eyes went wide. "You're making that up." "He's aged very well, I'll grant you, but he's still almost twice your age. Like many vain Continental gentlemen, he dyes his hair and beard-which is why he appears younger than you think." That seemed to shake her momentarily. Then she stiffened. "All right, so he's an older man. That doesn't mean he wouldn't make a good husband." "He's an aging roué, with an invalid sister. The advantages in a match are all his. You'd surely end up taking care of them both. That's probably why he wants to marry you." "You can't be sure of that." "No? He's already choosing not to stay here for the house party at night because of his sister. That tells me that he needs help he can't get from servants." Her eyes met his, hot with resentment. "Because it's hard to find ones who speak Portuguese." He snorted. "I found out this information from his Portuguese servants. They also told me that his lavish spending is a façade. He's running low on funds. Why do you think his servants gossip about him? They haven't been paid recently. So he’s definitely got his eye on your fortune.” “Perhaps he does,” she conceded sullenly. “But not the others. Don’t try to claim that of them.” “I wouldn’t. They’re in good financial shape. But Devonmont is estranged from his mother, and no one knows why. I need more time to determine it, though perhaps your sister-in-law could tell you, if you bothered to ask.” “Plenty of people don’t get along with their families,” she said stoutly. “He has a long-established mistress, too.” A troubled expression crossed her face. “Unmarried men often have mistresses. It doesn’t mean he wouldn’t give her up when he marries.” He cast her a hard stare. “Are you saying you have no problem with a man paying court to you while he keeps a mistress?” The sigh that escaped her was all the answer he needed. “I don’t think he’s interested in marriage, anyway.” She tipped up her chin. “That still leaves the duke.” “With his mad family.” “He’s already told me about his father, whom I knew about anyway.” “Ah, but did you know about his great-uncle? He ended his life in an asylum in Belgium, while there to receive some special treatment for his delirium.” Her lower lip trembled. “The duke didn’t mention that, no. But then our conversation was brief. I’m sure he’ll tell me if I ask. He was very forthright on the subject of his family’s madness when he offered-“ As she stopped short, Jackson’s heart dropped into his stomach. “Offered what?” She hesitated, then squared her shoulders. “Marriage, if you must know.” Damn it all. Jackson had no right to resent it, but the thought of her in Lyons’s arms made him want to smash something. “And of course, you accepted his offer,” he said bitterly. “You couldn’t resist the appeal of being a great duchess.” Her eyes glittered at him. “You’re the only person who doesn’t see the advantage in such a match.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Olive,’ Mum said, stroking my fringe. ‘I need you to listen to me, and I need you to be brave.’ Opening my eyes again, I swallowed nervously. ‘What’s happened?’ ‘Your sister didn’t arrive at work today.’ Sukie was a typist for an insurance company in Clerkenwell. She said it was the dullest job ever. ‘Isn’t today Saturday, though?’ I asked. ‘She was due in to do overtime. No one’s seen her since she was with you and Cliff last night. She’s missing.’ ‘Missing?’ I didn’t understand. Mum nodded. The nurse added rather unhelpfully: ‘We’ve had casualties from all over London. It’s been chaos. All you can do is keep hoping for the best.’ It was obvious what she meant. I glanced at Mum, who always took the opposite view in any argument. But she stayed silent. Her hands, though, were trembling. ‘Missing isn’t the same as dead,’ I pointed out. Mum grimaced. ‘That’s true, and I’ve spoken to the War Office: Sukie’s name isn’t on their list of dead or injured but-’ ‘So she’s alive, then. She must be. I saw her in the street talking to a man,’ I said. ‘When she realised I’d followed her she was really furious about it.’ Mum looked at me, at the nurse, at the bump on my head. ‘Darling, you’re concussed. Don’t get overexcited now.’ ‘But you can’t think she’s dead.’ I insisted. ‘There’s no proof, is ther?’ ‘Sometimes it’s difficult to identify someone after…’ Mum faltered. I knew what she couldn’t say: sometimes if a body got blown apart there’d be nothing left to tie a name tag to. It was why we’d never buried Dad. Perhaps if there’d been a coffin and a headstone and a vicar saying nice things, it would’ve seemed more real. This felt different, though. After a big air raid the telephones were often down, letters got delayed, roads blocked. It might be a day or two before we heard from Sukie, and worried though I was, I knew she could look after herself. I wondered if it was part of Mum being ill, this painting the world black when it was grey. My head was hurting again so I lay back against the pillows. I was fed up with this stupid, horrid war. Eighteen months ago when it started, everyone said it’d be over before Christmas, but they were wrong. It was still going on, tearing great holes in people’s lives. We’d already lost Dad, and half the time these days it felt like Mum wasn’t quite here. And now Sukie – who knew where she was? I didn’t realise I was crying again until Mum touched my cheek. ‘It’s not fair,’ I said weakly. ‘War isn’t fair, I’m afraid,’ Mum replied. ‘You only have to walk through this hospital to see we’re not the only ones suffering. Though that’s just the top of the iceberg, believe me. There’s plenty worse going on in Europe.’ I remembered Sukie mentioning this too. She’d got really upset when she told me about the awful things happening to people Hitler didn’t like. She was in the kitchen chopping onions at the time so I wasn’t aware she was crying properly. ‘What sort of awful things?’ I’d asked her. ‘Food shortages, people being driven from their homes.’ Sukie took a deep breath, as if the list was really long. ‘People being attacked for no reason or sent no one knows where – Jewish people in particular. They’re made to wear yellow stars so everyone knows they’re Jews, and then barred from shops and schools and even parts of the towns where they live. It’s heartbreaking to think we can’t do anything about it.’ People threatened by soldiers. People queuing for food with stars on their coats. It was what I’d seen on last night’s newsreel at the cinema. My murky brain could just about remember those dismal scenes, and it made me even more angry. How I hated this lousy war. I didn’t know what I could do about it, a thirteen-year-old girl with a bump on her head. Yet thinking there might be something made me feel a tiny bit better.
Emma Carroll (Letters from the Lighthouse)