Please Leave Me Alone Quotes

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My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think that I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road though I may know nothing about it. Therefore will I trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone.
Thomas Merton (Thoughts in Solitude)
I'm afraid to love you. I'm afraid that you'll leave and that I'll go back to being alone again. Only it will be a hundred times worse because I'll know what I'm missing. I can't…” He sucked in a shaky breath. “I want to be able to love you more than I fear losing you, and I don't know how. Teach me, Bree. Please teach me. Don't let me destroy this.
Mia Sheridan (Archer's Voice)
I don't know myself, what to do, where to go... I lie in the crack of a book for my comfort... it's what the world offers... please leave me alone to dream as I fancy.
William H. Gass (Omensetter's Luck)
Ty.” Zane’s even, soothing tones finally broke on the short gasp of his name. “I love you and I’m scared I’ll lose you. Please don’t leave me alone in the dark.
Abigail Roux (Divide & Conquer (Cut & Run, #4))
I said, I love you when I meant something much more specific, I should have said, Please don't leave me, I'm afraid to sleep alone.
Clementine von Radics (Mouthful of Forevers)
Let me say to you what I said once, in an entirely different context to Catherine the Great," Magnus declared. "My dear lady, you cannot afford me,and also, please leave that horse alone. Good night.
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
Give me all of you for one night, no holding back. Please, Chloe, I'll leave you alone after that but I haven't seen you in almost two weeks and...I just need tonight.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.” “So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
Elizabeth Gilbert (Eat, Pray, Love)
Ty." Zane's even, soothing tones finally broke on the short gasp of his name. "I Love you and I'm scared I'll lose you. Please don't leave me alone in the dark.
Madeleine Urban (Divide & Conquer (Cut & Run, #4))
Gwenvael looked down at his body. Horrified, he sat up. “What is this? What’s happened to me?” “Calm down. It’ll heal quick enough, I’m sure.” “Heal? I’m hideous!” “You’re alive.” “Hideously alive!” He covered her face with his hands. “Don’t look at me! Look away!” “Stop it!” She pulled at his hands. “Have you lost your mind?” Gwenvael dropped back to the bed, turned his face toward the wall. “You know what this means, don’t you?” “Gwenvael—” “I’ll have to live alone, at the top of a castle somewhere. I’ll hide from the daylight and only come out at night.” “Please stop this.” “I’ll be alone but not for long because you’ll all want me more. You’ll lust for the beautiful warrior I once was and pity the hideous creature I’ve become. Most importantly, you’ll want to soothe my pain.” He looked at her again. “Don’t you want to soothe my pain? Right now? Without that dress on?” “No. I do not.” Dagmar tried to stand, and Gwenvael caught her hand, pulling her back down. “You can’t leave me. I’m tortured and brooding. You need to show me how much you adore me so I can learn to love myself again.” “You’ve never stopped loving yourself.” “Because I’m amazing.
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
I am pleased enough with the surfaces - in fact they alone seem to me to be of much importance. Such things for example as the grasp of a child's hand in your own, the flavor of an apple, the embrace of a friend or lover, the silk of a girl's thigh, the sunlight on the rock and leaves, the feel of music, the bark of a tree, the abrasion of granite and sand, the plunge of clear water into a pool, the face of the wind - what else is there? What else do we need?
Edward Abbey
Please,” she whispered, sounding more frantic. “Don’t leave me down in these chasms alone.” He smiled wryly. “Is it really this hard for you to let me win one single argument?” “Yes!
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
A new beginning done right," she said out loud, because everyone knew that saying it out loud made it true. "You hear that, karma?" She glanced upward through her slightly leaky sunroof into a dark sky, where storm clouds tumbled together like a dryer full of gray wool blankets. "This time, I'm gong to be strong." Like Katharine Hepburn. Like Ingrid Bergman ."So go torture someone else and leave me alone." A bolt of lightning blinded her, followed by a boom of thunder that nearly had her jerking out of her skin. "Okay, so I meant pretty please leave me alone." -Maddie
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
I'd decided to write him and tell him to leave me alone. Please, in a nice way, go away, I really can't deal with you.
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
Kiss me!” I pleaded. “Please, Pigeon! I told him no!” Abby shoved me away. “Leave me alone, Travis!” She shouldered passed me, but I grabbed her wrist. She kept her arm straight, outstretched behind her, but she didn’t turn around. “I am begging you.” I fell to my knees, her hand still in mine. My breath puffed out in white steam as I spoke, reminding me of the cold. “I’m begging you, Abby. Don’t do this.” Abby glanced back, and then her eyes drifted down her arm to mine, seeing the tattoo on my wrist. The tattoo that bared her name. She looked away, toward the cafeteria. “Let me go, Travis.” The air knocked out of me, and with all hope obliterated, I relaxed my hand, and let her slip out of my fingers. Abby didn’t look back as she walked away from me, and my palms fell flat on the sidewalk. She wasn’t coming back. She didn’t want me anymore, and there was nothing I could do or say to change it.
Jamie McGuire (Walking Disaster (Beautiful, #2))
In faith, I do not love thee with mine eyes, For they in thee a thousand errors note; But 'tis my heart that loves what they despise, Who in despite of view is pleased to dote; Nor are mine ears with thy tongue's tune delighted, Nor tender feeling, to base touches prone, Nor taste, nor smell, desire to be invited To any sensual feast* with thee alone*: But my five wits* nor my five senses can Dissuade one foolish heart from serving thee, Who leaves unsway'd the likeness of a man*, Thy proud hearts slave and vassal wretch to be: Only my plague thus far I count my gain, That she that makes me sin awards me pain.
William Shakespeare
Dear 30 years old, why are you stalking me? Please leave me alone or I’ll be forced to alert the authorities.
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
Questions, I've got some questions I want to know you But what if I could ask you only one thing Only this one time, what would you tell me? Well maybe you could give me a suggestion So I could know you, what would you tell me? Maybe you could tell me what to ask you Because then I'd know you, what would you tell me Please tell me that there's time To make this work for all intents and purposes And what are your intentions, will you try? Impressions, you've made impressions They're going nowhere They're just going to wait here if you let them Please don't let them I want to know you And if they're going to haunt me Please collect them Please just collect them And now I'm begging I'm begging you to ask me just one question One simple question Because then you'd know me I'll tell you that there's time To make this work for all intents and purposes At least for my own What is a heart worth if it's just left all alone? Leave it long enough and watch it turn into stone Why must we always be untrue?
Jack Johnson (Curious George: Jack Johnson and Friends - Guitar Recorded Version)
We used to talk about death, she said. We don’t anymore. Why is that? I don’t know. It’s because it’s here. There’s nothing left to talk about. I wouldn’t leave you. I don’t care. It’s meaningless. You can think of me as a faithless slut if you like. I’ve taken a new lover. He can give me what you cannot. Death is not a lover. O yes he is. Please don’t do this. I’m sorry. I can’t do it alone.
Cormac McCarthy (The Road)
Did you know sometimes it frightens me-- when you say my name and I can't see you? will you ever learn to materialize before you speak? impetuous boy, if that's what you really are. how many centuries since you've climbed a balcony or do you do this every night with someone else? you tell me that you'll never leave and I am almost afraid to believe it. why is it me you've chosen to follow? did you like the way I look when I am sleeping? was my hair more fun to tangle? are my dreams more entertaining? do you laugh when I'm complaining that I'm all alone? where were you when I searched the sea for a friend to talk to me? in a year where will you be? is it enough for you to steal into my mind filling up my page with music written in my hand you know I'll take the credit for I must have made you come to me somehow. but please try to close the curtains when you leave at night, or I'll have to find someone to stay and warm me. will you always attend my midnight tea parties-- as long as I set it at your place? if one day your sugar sits untouched will you have gone forever? would you miss me in a thousand years-- when you will dry another's tears? but you say you'll never leave me and I wonder if you'll have the decency to pass through my wall to the next room while I dress for dinner but when I'm stuck in conversation with stuffed shirts whose adoration hurts my ears, where are you then? can't you cut in when I dance with other men? it's too late not to interfere with my life you've already made me a most unsuitable wife for any man who wants to be the first his bride has slept with and you can't just fly into people's bedrooms then expect them to calmly wave goodbye you've changed the course of history and didn't even try where are you now-- standing behind me, taking my hand? come and remind me who you are have you traveled far are you made of stardust too are the angels after you tell me what I am to do but until then I'll save your side of the bed just come and sing me to sleep
Emilie Autumn
Please leave me alone; let me go on to the stars.
Arthur C. Clarke
What the hell do you want from me?” “What are you trying to do to me?” “Stop! Just stop!” he spits. “Why? What else needs to be said? I think you’ve told me enough lies for a lifetime.” “No more lies,” he says angrily. “I don’t even want to talk to you anymore. I just want to hear you tell me that you don’t feel anything for me. That you want me to leave you alone and never come back. Then I’ll go. If that’s what you really want, I’ll go.” “Don’t. Please don’t say it.” “Why?” “Because I don’t want you to. I need you to come back to me. Not to help me. Or to help my father. I’m done with that. I don’t want your help. It all boils down to you. I just want you.” “I just want you.” “Okay.
M. Leighton (Down to You (The Bad Boys, #1))
Don’t you see? You can take my heart and liver; split open my belly and eat what’s inside. I would sooner bear it than lose you to those who would call you plain-faced, who makes you kneel and kiss their feet. Do not leave me alone. Do not leave me to lick my wounds like a dog before it’s put down. Do not look at the truth of me and then look away. Please, Marlinchen.
Ava Reid (Juniper & Thorn)
We met at a cross-roads in life, But we were going different directions. We were part of each other's lives, But only for a moment. The first person that you meet in life Won't necessarily be the one who's forever. Just look at you and me, And it's not hard to see that This is the moment before life goes on. We are still friends; We are still really good friends. Please tell me that you agree. But I'm not the one for you, And you just can't see yourself with me.
Margo T. Rose (The Words)
Hey, sweet. Please open your eyes, Livia. Open your eyes and see what you did. I’m actually sitting here without grimacing. There’s no pain at all. But you know that, don’t you? I don’t know why you stayed with me. God knows, I wasn’t worth it. But I don’t want you to leave me alone anymore. I need you, Livia. I can’t live without you in my life. I can’t…I’m not that strong. Please open your eyes and look at me. Please. (Adron)
Sherrilyn Kenyon (In Other Worlds (The League: Nemesis Rising, #3.5; Were-Hunter, #0.5; The League: Nemesis Legacy, #2))
No. I turned to Anne and gave her my first real order. "Anne, please take some refreshments to the king, queen, and prince and then come join me." I faced Silvia. "The rest can fend for themselves. They chose to leave their maids alone, they can get their own damn water. Mine will be sitting with me. Come, ladies.
Kiera Cass
What am I doing with my life? Please. I want… I’m not even sure how to finish the sentence. I want to be happy, and I’m petrified that the path I’m on now is going to leave me bored and alone. So I ask the universe, simply: Can you show me what will make me happy?
Christina Lauren (In a Holidaze)
Another like me? Don’t leave me out here with myself! I’d go mad. Please don’t leave me alone, Samuel! Just take me home!” Tears stream down her face. “Please take me home!
Nathan Reese Maher
The world’s refusal to leave me out of its activities made me consider its destruction. Bring on the wave. Please, the asteroid.
Adam Nevill (Some Will Not Sleep: Selected Horrors)
My dear lady, you cannot afford me, and also, please leave that horse alone. - Magnus Bane, The Midnight Heir (The Bane Chronicles, 4) by Cassandra Clare and Sarah Rees Brennan
Cassandra Clare (The Bane Chronicles)
Please leave me alone. I’m dreaming.
Anton Chekhov (The Cherry Orchard)
I turned my face into Japhrimel's shoulder. "You're going to disappear," I said into his coat, not even caring that I knew what it was made of. "Just stay for a moment, just please just for a minute, a second—" "Dante." His fingers came up, tangled in my already-tangled hair. "I heard you calling me. I tried to answer." "Just for a few seconds." I buried my face in his coat, his other arm closed around me. I inhaled the smell of cinnamon, of amber musk, the deadly smoky nonphysical fragrance of demons. Filled my lungs with the breath of life. "Before I have to burn this whole fucking place down." "Be still," he answered. "I am here, I have never left your side. I told you, you will not leave me to wander the earth alone.
Lilith Saintcrow (Dead Man Rising (Dante Valentine, #2))
My breath caught again, and each time I took a breath, I feared it would be the last one. "Don't leave me. Please? I don't want to be by myself.""You're not." Seth slipped his arms around me, holding me close. "You're not alone." His tears were mingles with mine. "You're not alone. You'll never be alone, Angel. I promise you. You'll never -
Jennifer L. Armentrout (Sentinel (Covenant, #5))
Casey recalled how Gail defended herself in the parking lot of the English & Philosophy Building from the unwanted attentions of a lecherous fellow student, who shall remain nameless. ‘Please leave me alone,’ Ms Godwin warned the offending student, ‘or I shall be forced to wound you with a weapon you can ill afford to be wounded by in a town this small.’ The threat was most mysterious, not to mention writerly, but the oafish lecher was not easily deterred. ‘And what might that weapon be, little lady?’ the lout allegedly asked. ‘Gossip,’ Gail Godwin replied.
John Irving (The Imaginary Girlfriend: A Memoir)
Cole, do you feel anything for me?" I don't know what made me ask this, except that Jack had asked him the night of the Tunnels. It obviously surprised him. He backed up. "What?" I inched forward, not quite sure I was going with this. "Do you feel...something for me?" He was quiet, still as a statue, so I moved even closer. "Don't, Nik." His gaze dropped to the ground. "If you feel anything, please leave me alone. I don't know why I survived. I don't have your answer. Shadowing me will get you nothing." Then he did something unexpected. He backed down, and as he turned around to his motorcycle, he shook his head and mumbled, "What have you done to me?" "I don't know," I said. "But you have ninety-nine years to figure it out." He kicked it on and revved the engine, and at the sound, he found his cocky smirk again. "That's a long time, Nik. Jack is gone, and I'm here. Let's see who gives up first.
Brodi Ashton (Everneath (Everneath, #1))
You are Darling of my soul.... please don't leave me alone on this earth.
Granthana Sinha
I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!
Paddy Chayefsky (Network [Screenplay])
What!? I dont need you to introduce me to her! I really don't care! Just leave me alone and let me play this game!' said Akira 'Please! If you don't, she'll kill me!' said Kengo 'Fine... go ahead and die.' 'You're so awful!
Kairi Sorano (Monochrome Factor 1)
Pete?" I say, my voice crackling. "Please don't die." Pete gives me a dazzling smile and bows. "To die will be an awfully big adventure." He blows me a kiss and pulls the heavy door shut with a metallic clank, leaving me alone in the dark.
Wendy Spinale (Everland (Everland, #1))
Ford,” she whispered to him. “I promise I’ll leave you alone, never see you again. Just please, help me get you home.” Still nothing. “Ford!” She sat up, her hands gripping his shoulders, putting everything she had into it, all her anger and fear and longing and hope and love. “Ford Winter!” So softly she almost missed it, he whispered, “Present.” She laughed through her tears and hugged him. “Good boy,” she said.
Michele Jaffe (Minders)
No,' I said, 'I don't want to go anywhere alone. I'll fall apart if I don't have you. I need you. Please, don't leave me alone.
Haruki Murakami (Norwegian Wood)
Please don't leave me all alone." Was that what I, too was afraid of? And maybe not just me, but everyone?
Elif Batuman (Either/Or)
Craig.” I tried to plead as lust and desire fogged my brain. “Please, just leave me alone.” “But I can’t seem to help myself,” he murmured seconds before his lips brushed gently over mine.
Samantha Young (One King's Way (On Dublin Street, #6.5))
Circenn moved swiftly, intending to catch the tear upon his finger, kiss it away, then kiss away all her pain and fear, and assure her that he would permit no harm to touch her and would spend his life making things up to her; but she dropped the flask onto the table and turned swiftly. "Please, leave me alone," she said and turned away from him. "Let me comfort you, Lisa," he entreated. "Leave me alone." For the first time in his life, Circenn felt utterly helpless. Let her grieve, his heart instructed. She would need to grieve, for discovering that the flask didn't work was tantamount to lowering her mother into a solitary grave. She would grieve her mother as if she'd in truth died that very day. May God forgive me, he prayed. I did not know what I was doing when I cursed that flask.
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
Will you ever let me go, Estin?” she asked eventually. Estin snorted and closed the book. “I let you go a little every time you mention his name. I let you go every time you left because of him. Even now, you won’t be near me because of him. I have let you go as much as I am able while I draw breath. I will never push you...but if you want me to leave you completely alone, please send me away. If I’m with you…I am who I am, Feanne.
Jim Galford (In Wilder Lands)
been through enough. Don't do this to her." "I've done nothing to her," Naz says, his hand shifting higher, tightening around my throat. I gasp as he leans down, kissing my temple. "Nothing she hasn't wanted me to do." My mother's on the verge of hyperventilating. "Just let her go and let's talk about this. I'll give you whatever you want, whatever it is. Take me, but leave her alone. Please, I'm begging you. I'll do anything." Naz loosens his hold, and I breathe deeply, disoriented. "Johnny here?" "No." "Bet he went out the back door when he saw me, didn't he?
J.M. Darhower (Monster in His Eyes (Monster in His Eyes, #1))
Sometimes... Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a gray furry question mark of a look: "Oh no, not again" (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Please, leave me alone, will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.
Vladimir Nabokov (Lolita)
Dearest Mac, I love you. I will always love you. But I can live with you no longer. I've tried to be strong for you, for three years I have tried. I have failed. You tried to remake me in your image, dear Mac, and I tried to be what you wanted, but I no longer can. I am sorry. I want to write that my heart is breaking, but it is not. It broke some time ago, and I have just now realised that I can leave me heartbreak behind and go on. The decision to live without you was a painful one and not lightly made. I realise you can legally cause me much harm for taking this step, and I ask you, for the love we once shared, not to. It could be that I will not need to leave forever, but I know that I need time apart, alone, to heal. You have explained that you sometimes leave me for my own good, so I will have a chance to recover from life with you. Now I am doing the same, leaving so that both of us have a chance to breath, a chance to cool. Living with you is like being with a shooting star, one that burns so brightly that it scorches me. And I am watching the star burn out. In the end, Mac, I fear there will be nothing left of you. I know you will be angry when you read this, because you can grow so angry! But when you stop being angry, you will realize that my decision is sound. Together, we are destroying each other. Apart, I can remember my love for you. But you are burning me. You have exhausted me, and I have nothing left to give. Ian has agreed to bring this letter to you, and he will inform me of what steps you decide to take. I trust Ian to help us through. Please do not try to seek me yourself. I love you, Mac. I will always love you. Please be well. Isabella
Jennifer Ashley (Lady Isabella's Scandalous Marriage (MacKenzies & McBrides, #2))
Sweet for a little even to fear, and sweet, O love, to lay down fear at love’s fair feet; Shall not some fiery memory of his breath Lie sweet on lips that touch the lips of death? Yet leave me not; yet, if thou wilt, be free; Love me no more, but love my love of thee. Love where thou wilt, and live thy life; and I, One thing I can, and one love cannot—die. Pass from me; yet thine arms, thine eyes, thine hair, Feed my desire and deaden my despair. Yet once more ere time change us, ere my cheek Whiten, ere hope be dumb or sorrow speak, Yet once more ere thou hate me, one full kiss; Keep other hours for others, save me this. Yea, and I will not (if it please thee) weep, Lest thou be sad; I will but sigh, and sleep. Sweet, does death hurt? thou canst not do me wrong: I shall not lack thee, as I loved thee, long. Hast thou not given me above all that live Joy, and a little sorrow shalt not give? What even though fairer fingers of strange girls Pass nestling through thy beautiful boy’s curls As mine did, or those curled lithe lips of thine Meet theirs as these, all theirs come after mine; And though I were not, though I be not, best, I have loved and love thee more than all the rest. O love, O lover, loose or hold me fast, I had thee first, whoever have thee last; Fairer or not, what need I know, what care? To thy fair bud my blossom once seemed fair. Why am I fair at all before thee, why At all desired? seeing thou art fair, not I. I shall be glad of thee, O fairest head, Alive, alone, without thee, with thee, dead; I shall remember while the light lives yet, And in the night-time I shall not forget. Though (as thou wilt) thou leave me ere life leave, I will not, for thy love I will not, grieve; Not as they use who love not more than I, Who love not as I love thee though I die; And though thy lips, once mine, be oftener prest To many another brow and balmier breast, And sweeter arms, or sweeter to thy mind, Lull thee or lure, more fond thou wilt not find.
Algernon Charles Swinburne (Poems and Ballads)
Please, Mace, don’t leave me alone.
A.C. Bextor (Lights of Peril Box Set (Lights of Peril #1-3))
How can you be so cruel? Make me kill you personally, then leave me all alone. What do you want? You only need to say it. No matter right or wrong, I will also give you. I’ll give you my love. I’ll give you myself. What does the destruction of the six realms has anything to do with us? What does whether these people are alive or dead has anything to do with us? I will take you away, we can go anywhere, you can do as you please. Just do not leave me ……
Fresh Guo Guo
Rain comes from the east one night We watch it come To hang like beaded curtains Till the morning sun Water dripping from our clothes You with raindrops on your nose Ask me sadly "Please don't go away now" Till the rain is done, I say "I'll stay now" Rain outside but inside we don't mind at all Shadows by the fire slowly climb and fall Kisses fade and leave no trace Whispers vanish into space The dawn will send me on a chase to nowhere Why cry as if I were the first to go there And I know I shouldn't be here Yes, I know I should go home But that eastern rain drones in my brain And I'm so all alone, so all alone Morning comes up from the east We watch it come And far away now rolls the ancient rain God's drum You with daybreak in your eyes Afraid to speak for telling lies I watch you search for some reply to lend me But when the rain is done There's no pretending "Eastern Rain" from Second Fret Sets
Joni Mitchell
A Prayer by Thomas Merton My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road, though I may know nothing about it. Therefore will I trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone.
Kevin O'Brien (The Ignatian Adventure: Experiencing the Spiritual Exercises of St. Ignatius in Daily Life)
My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road, though I may know nothing about it. Therefore I will trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone. —Thomas Merton, Thoughts in Solitude
Barbara Brown Taylor (Learning to Walk in the Dark: Because Sometimes God Shows Up at Night)
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to. “Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?” “Please just go,” I begged. “I need to be alone.” He kept coming straight at me. “Please,” I shouted, “go away!” “I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?” I looked away. “Nothing I didn’t ask for.” Liam’s only response was to move back a few paces back. Giving me space. “I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.” “I don’t want you here.” He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.” I caught it with one hand and pressed it to my chest. It was still warm. He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?” I couldn’t bring myself to answer. “Ruby, you’re scaring the hell out of me.” “Good.” I balled up his sweater and threw it into the darkness as hard as I could. He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?” I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead. “I can’t do this anymore,” I cried. “Why won’t you just leave me alone?” “Because you would never leave me.” His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him. His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled. “Ruby—” I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it. Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…” I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Missing you I wish I could hold you in my arms again all through the night. As we lay together I hold you so tight. To feel your soft skin up against mine as we sleep. I feel your breath on my skin and it feels so deep. If this is a dream and you’re not real I do not wish to wake. I’m hoping this is true and I enjoy this time we take. Two souls together as one with a single beating heart. I’m thankful for this time and never want to be apart. I don’t want to rise and greet the new day. I want you here forever and wish you could stay. As the sun rises and god knows I try. I awake alone and then begin to cry. For you have left me and now its ben a year. I think of you often as I wipe away a tear. I miss you so much as I take a deep breath. I will see you again when It’s time for my death. I want you to know that you are my love. I think of you often when I look at the stars above. I walk in a daze and talk to your stone. I want to be with you I’m tired of being alone. The day is over and night time is here. I wait for you again and in my arms you appear. For tonight is different and you won’t have to leave. Were together again and I’m happy, so please dont grieve. John a Miller
John A. Miller
Never, ever apologize if you haven't done anything wrong. Keep your sorrys and your excuse mes and your please forgive mes, above all keep your please, please forgive mes for the one moment in life when you'll really need them, need those words. And you will be in dire need of entreaties like these, oh you will be praying for those words, blessing yourself for not having wasted them on something spurious and unworthy. You will someday be kneeling, kneeling down in front of a pair of accusing eyes, threatening feet, feet that might kick you or feet that might do something worse. At times what we should dread most are feet that will run away, that will run away and leave us everlastingly alone. Loneliness is what should terrify you most, more than a slap or a kick or hunger even. And that's when those words, please, please forgive me, will be all that separates you from the pit and swamp of the deepest despair. So don't squander them on matters of no consequence. The world is cursed because people do not apologize for theirs sins or crimes or merely their cowardice, but it's even more cursed because people apologize much too much-- they use their regrets as a way of not really probing what the have done, as permission to persevere in their blindness, absolving themselves without having atoned or understood.
Ariel Dorfman
Cage It's a tear i want to shed, For the weathered roses that once was red, Today it's a decision want to make, To move on in life ignoring the fate, It's the promises i want to break, Because its a nightmare and i want to awake, It is the poem that don't rhyme, I don't know how, but things changed with the tides of time, It's the memories i want to forget, Now i am tired, no more i can regret, I'm the one, who feels alone in the crowd, I want to cry, run and shout out loud, Please leave me alone, relieve me from the pain, I am empty now, there is nothing more you can regain, Look at me and deep into my eyes, You will find the love that never dies
Ratish Edwards
Ma was isolated and alone. Under those circumstances people behave differently. Kya made a soft groan. “Please don't talk to me about isolation. No one has to tell me how it changes a person. I have lived it. I am isolation," Kya whispered with a slight edge. "I forgive Ma for leaving. But I don't understand why she didn't come back- why she abandoned me. You probably don't remember, but after she walked away, you told me that a she-fox will sometimes leave her kits if she's starving or under some other extreme stress. The kits die- as they probably would have anyway- but the vixen lives to breed again when conditions are better, when she can raise a new litter to maturity. "I've read a lot about this since. In nature- out yonder where the crawdads sing- these ruthless-seeming behaviors actually increase the mother's number of young over her lifetime, and thus her genes for abandoning offspring in times of stress are passed on to the next generation. And on and on. It happens in humans, too. Some behaviors that seem harsh to us now ensured the survival of early man in whatever swamp he was in at the time. Without them, we wouldn't be here. We still store those instincts in our genes, and they express themselves when certain circumstances prevail. Some parts of us will always be what we were, what we had to be to survive- way back yonder.
Delia Owens (Where the Crawdads Sing)
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I'm afraid to love you. I'm afraid that you'll leave and that I'll go back to being alone again. Only it will be a hundred times worse because I'll know what I'm missing. I can't…' He sucked in a shaky breath. 'I want to be able to love you more than I fear losing you, and I don't know how. Teach me, Bree. Please teach me. Don't let me destroy this.
Mia Sheridan (Archer's Voice)
My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road, though I may know nothing about it. Therefore I will trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone.
Thomas Merton
I suspect she, or someone she reports to, read the note I left in my pack.” “You left a note for the thieves’ guild? What did it say?” “Just that they were my animals and that they might want to reconsider taking them.” Albert and Hadrian exchanged looks of bewilderment. “They know me, and we have an arrangement. They leave me alone…and I leave them alone.” “You leave them alone?” Albert said in a mocking tone. Royce smiled at him. It was not a friendly smile. Royce searched his pack and pulled out a small bit of parchment. “What’s it say?” Albert asked. “Please accept our apologies for this inconvenience,” Royce recited, then chuckled before finishing. “The bitch didn’t know.” Royce held up the parchment and in a loud voice said, “Accepted.
Michael J. Sullivan (The Viscount and the Witch (The Riyria Chronicles, #1.5))
Get down on your knees,' Cardan says, looking insufferably pleased with himself. His fury has transmuted in to gloating. 'Beg. Make it pretty. Flowery. Worthy of me.' ... 'Beg? I echo. For a moment, he looks surprised, but that's quickly replaced by even greater malice. 'You defied me. More than once. Your only hope is to throw yourself on my mercy in front of everyone. Do it, or I will keep hurting you until there is nothing left to hurt.' ... There is no shame in surrender. As Taryn said, they're just words. I don't have to mean them. I can lie. I start to lower myself to the ground. This will be over quickly, every word will taste like bile, and then it will be over. When I open my mouth, though, nothing comes out. I can't do it. Instead I shake my head at the thrill running through me at the sheer lunacy of what I'm about to do. It's the thrill of leaping without being able to see the ground below you, right before you realise that's called falling. 'You think because you can humiliate me, you can control me?' I say, looking him in those black eyes. 'Well, I think you're an idiot. Since we started being tutored together, you've gone out of your way to make me feel like I'm less than you. And to coddle your ego, I have made myself less. I have made myself small, I have kept my head down. But it wasn't enough to make you leave Taryn and me alone, so I'm not going to do that anymore. 'I am going to keep on defying you. I am going to shame you with my defiance. You remind me that I am a mere mortal and you are a prince of Faerie. Well, let me remind you that means you have much to lose and I have nothing. You may win in the end, you may ensorcell me and hurt me and humiliate me, but I will make sure you lose everything I can take from you on the way down. I promise you this'- I throw his own words back at him- 'this is the least of what I can do.' Cardan looks at me as though he's never seen me before. He looks at me as though no one has ever spoken to him like this. Maybe no one has.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
For my own part I am pleased enough with surfaces—in fact they alone seem to me to be of much importance. Such things for example as the grasp of a child’s hand in your own, the flavor of an apple, the embrace of friend or lover, the silk of a girl’s thigh, the sunlight on rock and leaves, the feel of music, the bark of a tree, the abrasion of granite and sand, the plunge of clear water into a pool, the face of the wind—what else is there? What else do we need?
Edward Abbey (Desert Solitaire)
My seventeen-year-old son, Chase, and his friends are in the family room watching a movie. I’ve been trying to leave them alone, but it’s hard for me. I understand that most teenagers think their moms are uncool, but I am certain I’m the exception. I stand at the door and peek inside. The boys are draped all over the couch. The girls have arranged themselves in tiny, tidy roly-poly piles on the floor. My young daughters are perched at the feet of the older girls, quietly worshipping. My son looks over at me and half smiles. “Hi, Mom.” I need an excuse to be there, so I ask, “Anybody hungry?” What comes next seems to unfold in slow motion. Every single boy keeps his eyes on the TV and says, “YES!” The girls are silent at first. Then each girl diverts her eyes from the television screen and scans the faces of the other girls. Each looks to a friend’s face to discover if she herself is hungry. Some kind of telepathy is happening among them. They are polling. They are researching. They are gathering consensus, permission, or denial. Somehow the collective silently appoints a French-braided, freckle-nosed spokesgirl. She looks away from the faces of her friends and over at me. She smiles politely and says, “We’re fine, thank you.” The boys looked inside themselves. The girls looked outside themselves. We forgot how to know when we learned how to please. This is why we live hungry.
Glennon Doyle (Untamed)
I was just about to get up when Dad rushed into the kitchen. He was in pajamas, which was totally bizarre. Dad never came down to breakfast until he was completely dressed. Of course, his pajamas even had a little pocket and handkerchief, so maybe he felt dressed. He had a sheet of paper in his hands and was staring at it, his eyes wide. “James,” Aislinn acknowledged. “You’re up kind of late this morning. Is Grace sleeping in, too?” Dad glanced up, and I could swear he blushed. :”Hmm? Oh. Yes. Well. In any case. Um…to the point at hand.” “Leave Dad alone,” I told Aislinn. “His Britishness is short-circuiting.” Instead of being grossed out, I was weirdly happy at the thought of my parents being all…whatever (okay, I was a little grossed out). In fact, their apparent reconciliation was maybe the one good thing to come out of this whole mess. Well, that and saving the world, obviously. Dad shook his head and held out the papers. “I didn’t come down here to discuss my personal…relations. I came here because this arrived from the Council this morning. I sat back in my chair. “The Council? Like, the Council Council? But they don’t even exist anymore. Maybe you’re wrong. Maybe it’s the Council For What Breakfast Cereals You Should-“ “Sophia,” Dad said, stopping me with a look. “Sorry. Freaked out.” He gave a little smile. “I know that, darling. And to be perfectly honest, perhaps you should be.” He handed the papers to me, and I saw it was some kind of official letter. It was addressed to Dad, but I saw my name in the first paragraph. I laid it on the table so no one would see my hands shake. “Did this come by owl?” I muttered. “Please tell me it came-“ “Sophie!” nearly everyone in the kitchen shouted. Even Archer was exasperated, “Come on, Mercer.” I took a deep breath and started to read. When I got about halfway down the page, I stopped, my eyes going wide, my heart racing. I looked back at Dad. “Are they serious?” “I believe that they are.” I read the words again. “Holy hell weasel.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I growled. Couldn’t she leave me alone? She hadn’t spoken in my head for the past forty-five minutes. Why now? I wasn’t asleep. I was awake, wide awake, and I needed this. I needed him. Go away, I willed. “Please,” I groaned. “Please what, Mac? You’ll have to ask for it this time, spell it out in graphic detail. I’m done giving you everything you want without making you ask for it.” “Right. Words mean nothing to you, but now you insist on them,” I said against his mouth. “You are such a hypocrite.” “And you’re bipolar. You want me. You always do. You think I can’t smell it?” “I’m not bipolar.” Sometimes he struck way too close to home. I popped the button on his pants, unzipped them, and shoved my hands inside. He was rock hard. God, he felt good. He stiffened, air hissing between clenched teeth. Make haste . . . He comes . . . “Leave me alone,” I snapped. “Over my dead body,” he said roughly. “You’ve got my dick in your hands.” He told me where it was going to be next and my bones turned to water, tried to spill my body across the floor and let him do anything he wanted to me.
Karen Marie Moning (Shadowfever (Fever, #5))
I'm so tired of being alone," Heller whispered, voice broken. "So very tired of being on the outside looking in. Please ..." I tightened my arms around him. Could Heller be asking for what I thought? "What, Heller? Please what? What do you want?" "You," Heller murmured. "I want you. Please tell me you don't hate me for what I did. Or how I acted in the beginning. Please give me a chance ... please don't leave me." Squeezing my eyes closed, I fought not to let the tears escape, my heart threatening to break at the anguish I heard in Heller's voice.
M.A. Church (Behind the Eight Ball (Fur, Fangs, and Felines #2))
I had a dream you died, it was so horrible, it was worse than anything, I don't want you to go, please don't leave me, I can't bear being alive without you, I just want our souls to fly around forever and have adventures together. She cries raw as a child, sliming Isidol's toes with hot saltwater and mucus. Isidol starts crying too. She sinks to the floor and holds Vellus so tight and their hair tangles together in the smear of their faces. For days after, when Isidol is sleeping, Vellus will listen to see if she's still breathing. When Isidol goes outside, she will go with her, no matter how she feels, and hold her arm tightly. It was so hard, she sobs. I was alone for so long.
Porpentine Charity Heartscape (PSYCHO NYMPH EXILE)
Bondage Among Other Things by Lesa Kendrick I lie upon your bed Wearing not a stitch of clothing Waiting...anticipating... Alone And waiting... wondering... I moan.   You dance into the room Your clothing drops to your feet My heart skips a beat As you walk closer Licking your lips As though I am the treat You wish to eat.   'Please, ' I beg, 'Kiss me... Touch me.' You take your feather-whip Teasing... tantalizing... My flesh. I'm going up in flames Wanting... waiting... Wishing.   Your mouth leaves a fiery path Upon my rosebud skin. Sweeping down, kissing everywhere Until I drag you in. 'Don't stop!!! ' 'Please NEVER stop! ' I surrender, giving in.... I am left there trembling when You begin again.
Ella Dominguez (The Art of D/s Trilogy (The Art of D/s, #1-3))
Part 3 Anna: St. Clair… Etienne: And that. Why don’t you call me Etienne any more? Anna: But … no one else calls you that. It was weird. Right? Etienne: No. It wasn’t And every time you say St. Clair, it’s like you’re rejecting me again. Anna: I have never rejected you. Etienne: But you have. And for Dave. Anna: And you rejected me for Ellie on my birhtday. I don’t understand. If you liked me so much, why didn’t you break up with her? Etienne: I’ve been confused. I’ve been so stupid. Anna: Yes. You have. Etienne: I deserve that. Anna: Yes. You do. But I’ve been stupid, too. You were right. About … the alone thing. Etienne: I’ve been thinking lately. About my mum and dad. How she gives in to him. How she won’t leave him. And as much as I love her, I hate her for it. I don’t understand why she won’t stand up for herself, why she won’t go for what she wants. But I’ve been doing t he same thing. I’m just like her. Anna: You aren’t like your mom. Etienne: I am. But I don’t want to be like that any more, I want what I want. I told my father’s friends that I’m studying at Berkeley next year. It worked. He’s really, really angry with me, but it worked. You told me to go for his pride. You were right. Anna: So.You’re moving to California? Etienne: I have to. Anna: Right. Because of your mom. Etienne: Because of you. I’ll only be a twenty-minute train ride from your school, and I’ll make the commute to see you every night. I’d take a commute ten times that just tob e with you every night. You’re the most incredible girl I’ve ever known. You’re gorgeous and smart, and you make me laugh lilke no one else can. And I can talk to you. And I know after all this I don’t deserve you, but what I’m trying to say ist hat I love you, Anna. Very much.Oh God, And I’ve mucked things up again, haven’t I? I didn’t mean to attack you like this. I mean I did but … all right. I’ll leave. Or you can go down first, and then I’l come down, and I promise I’ll never bother you again… Anna: No. Etienne: I’m so sorry. I never meant to hurt you. Anna: Please stopl apologizing, Etienne. Etienne: Say my name again Anna: Etienne. Etienne: Anna? Anna: Yes? Etienne: Will you please tell me you love me? I’m dying here.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps. Breathless,she came to a sudden halt in front of him. At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool." "You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way." "There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war." "You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together." She gave a deep sigh. "You mean it?" "I do." "Oh,Wyatt.I was so afraid I'd driven you away forever." He continued studying her. "Does this mean you're suffering another change of heart?" "My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle." A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man." He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure. Her tears started again,but this time they were tears of joy. Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man. Loved. Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now. After a moment he caught her hand. "Where are we going?" "Your place.It's closer than the ranch, and we've wasted too much time already." "i can't leave the ambulance..." "All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?" At her little laugh he added, "I'm desperate for some time alone with you." Alone. She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her. She was laughing through her tears as she turned the key in the ignition. The key that had saved his life. "Wyatt McCord,I can't think of anything I'd rather be than alone with you.
R.C. Ryan (Montana Destiny)
Until now. You and I are a mis-Match, Ellie, because I hacked into your servers to manipulate our results.” “Rubbish,” Ellie said, secretly balking at the notion. She folded her arms indignantly. “Our servers are more secure than almost every major international company across the world. We receive so many hacking attempts, yet no one gets in. We have the best software and team money can buy to protect us against people like you.” “You’re right about some of that. But what your system didn’t take into account was your own vanity. Do you remember receiving an email some time ago with the subject ‘Businesswoman of the Year Award’? You couldn’t help but open it.” Ellie vaguely remembered reading the email as it had been sent to her private account, which only a few people had knowledge of. “Attached to it was a link you clicked on and that opened to nothing, didn’t it?” Matthew continued. “Well, it wasn’t nothing to me, because your click released a tiny, undetectable piece of tailor-made malware that allowed me to remotely access your network and work my way around your files. Everything you had access to, I had access to. Then I simply replicated my strand of DNA to mirror image yours, sat back and waited for you to get in touch. That’s why I came for a job interview, to learn a little more about the programming and systems you use. Please thank your head of personnel for leaving me alone in the room for a few moments with her laptop while she searched for a working camera to take my head shot. That was a huge help in accessing your network. Oh, and tell her to frisk interviewees for lens deflectors next time—they’re pocket-sized gadgets that render digital cameras useless.
John Marrs (The One)
Empress.— I tensed. Was that . . . Matthew’s voice? Why would he be in my head after all these months? How dare he contact me now! Leave me alone! A buzz in my ears grew louder and louder, like white-noise on steroids. —Have a secret. He doesn’t want me to tell you.— His eerie tone gave me chills. Aric hurried around the truck, snatching open my door. He leaned in, cradling my face in his shaking palms. He was speaking to me with dread in his eyes, but I couldn’t hear a word. Get out of my head, Fool! —Listen.— A different voice carried into my mind: —“What kind of danger is she in? Damn it, tell me! What’s coming, coo-yôn?”— I whimpered. Jack??? Is that you? He sounded so close. Blood kept pouring. My breaths shallowed till I was hyperventilating, on the verge of blacking out. But I was desperate to hear more of his voice. Jack, please answer me!
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S
Malay Roy Choudhury (Selected Poems)
He knew exactly what this was. A severe panic attack. “Princess?” She glanced at him, shook her head and clutched even tighter at herself. “Please, leave me alone. I can’t breathe.” His heart went out to her and her fear. He closed the distance between them and placed his hands on her arms to help steady her. “Kiara? Hauk wears women’s underwear.” Kiara froze at his words, not quite sure she’d heard what he said. “Come again?” “Hauk wears women’s underwear. Pink and really girly. You know, one of those skimpy things that tucks into the crack of his fat ass.” In spite of her terror, she laughed at the image of the huge, fierce Andarion in a tiny pink G-string. “Hauk wears women’s underwear?” Nykyrian’s grip loosed on her arms. “Better?” Surprisingly enough, she was. Somehow that unexpected image had managed to break through her panic and center her back in the real world. No one had ever been able to do that before. Her
Sherrilyn Kenyon (Born of Night (The League, #1))
Dear Natasha, if you are reading this, it means something has happened to your dad and me, and I am so sorry that I left you alone, baby, and I really hope you are happy. Happy Fourteenth Birthday, sweetheart. Everything you need to know is in the diaries and if you have any questions, I hope Mark and Anna will be able to answer them. I never meant to leave you like this, but your Dad and I made some very stupid and impulsive decisions and put your life in danger. I hope once you realize why we did what we did, you will forgive us. The world you are going to be exposed to is scary and I hope my diaries and weapons will help you navigate through the labyrinths of obstacles that you will face. They will find you soon, and when they do, remember to make smart and thoughtful decisions—decisions that will depend on your knowledge and wisdom and not feelings or family. Always remember that Luna, we and he are always looking out for you. Remember that I love you and I never meant to do what I did. I am sorry. And if you find him, please take care of each other. Love, Mom
Trishna Saha (The Abandoned Fighter (Were Wonders, #1))
Dear Natasha, if you are reading this, it means something has happened to your dad and me, and I am so sorry that I left you alone, baby, and I really hope you are happy. Happy Fourteenth Birthday, sweetheart. Everything you need to know is in the diaries and if you have any questions, I hope Mark and Anna will be able to answer them. I never meant to leave you like this, but your Dad and I made some very stupid and impulsive decisions and put your life in danger. I hope once you realize why we did 8 what we did, you will forgive us. The world you are going to be exposed to is scary and I hope my diaries and weapons will help you navigate through the labyrinths of obstacles that you will face. They will find you soon, and when they do, remember to make smart and thoughtful decisions—decisions that will depend on your knowledge and wisdom and not feelings or family. Always remember that Luna, we and he are always looking out for you. Remember that I love you and I never meant to do what I did. I am sorry. And if you find him, please take care of each other. Love, Mom
Trishna Saha (The Abandoned Fighter (Were Wonders, #1))
Lying," he said out loud, hoping no one would hear. "I need to lie. Teach me, quickly." I wouldn't if I were you, came the response. For a start, it's a variable concept here. You are in a culture where ambiguity has been raised to a high level. Let me give an example: depending on phrasing, circumstance, expression, body movement, intonation and context, the statement "I love you" can mean I love you; I don't love you; I hate you; I want to have sex with you; I do, in fact, love your sister; I don't love you any more; leave me alone, I'm tired, or I'm sorry I forgot your birthday. The person being talked to would instantly understand the meaning but might choose to attribute an entirely different meaning to the statement. Lying is a social act and the nature and import of the lie depends in effect on an unspoken agreement between the parties concerned. Please note that this description does not even begin to explore the concept of deep lies, in which the speaker simultaneously says something he knows to be untrue and genuinely believes it nonetheless: politicians are particularly adept at this.
Iain Pears (Arcadia)
But is it necessary," he urged, "to confound Christ with His ministers, the law with its exponents? May not men preserve their hope of heaven and yet lead more endurable lives on earth?" "Ah, my child, beware, for this is the heresy of private judgment, which has already drawn down thousands into the pit. It is one of the most insidious errors in which the spirit of evil has ever masqueraded; for it is based on the fallacy that we, blind creatures of a day, and ourselves in the meshes of sin, can penetrate the counsels of the Eternal, and test the balances of the heavenly Justice. I tremble to think into what an abyss your noblest impulses may fling you, if you abandon yourself to such illusions; and more especially if it pleases God to place in your hands a small measure of that authority of which He is the supreme repository. — When I took leave of you here nine years since," Don Gervaso continued in a gentler tone, "we prayed together in the chapel; and I ask you, before setting out on your new life, to return there with me and lay your doubts and difficulties before Him who alone is able to still the stormy waves of the soul.
Edith Wharton (Edith Wharton: Collection of 115 Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics))
When there’s a knock at my door, I scream, “Go away!” The knock gets more persistent. “Fuckin’ leave me alone!” As the door creaks open, I hurl a cup at the door. The cup doesn’t hit a hospital employee; it hits Mrs. P. squarely in the chest. “Oh, shit. Not you,” I say. Mrs. P.’s got new glasses, with rhinestones on them. “That’s not exactly the greeting I expected, Alex,” she says. “I can still give you a detention for cussing, you know.” I turn on my side so I don’t have to look at her. “Did you come here to give me detention slips? ’Cause if you did, you can forget it. I’m not goin’ back to school. Thanks for visitin’. Sorry you have to leave so soon.” “I’m not going anywhere until you hear me out.” Oh, please no. Anything except having to listen to her lecture. I push the button that calls the nurse. “Can we help you, Alex?” a voice bellows through the speaker. “I’m bein’ tortured.” “I beg your pardon?” Mrs. P. walks over to me and pulls the speaker out of my hand. “He’s joking. Sorry to bother you.” She puts the remote speaker on the nightstand, deliberately out of my reach. “Don’t they give you happy pills in this place?” “I don’t want to be happy.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Please don’t go,” Mom said to him. She was generally too proud to ask anyone for anything, including her own husband for support. But she pleaded. “I can’t do this alone.” There were houses to build, though. My uncle was outside honking the horn, and Dad left—believing, to some extent, that it was his job to provide and her job to take care of the kids. There was no paid leave for him either in such a moment. Once Dad was gone, Mom lay in their bed trying to sleep through her pain as Matt cried from his crib. I crawled up a chest of drawers in her bedroom and tipped it over. The dresser crushed me against the carpet. Mom ran from her bed and somehow lifted the chest off me, straining so hard she tore her stitches. Blood ran down her thighs. I don’t think we went back to the hospital. When she told me the story, it was about a day she barely survived because of my dad’s absence. I see it now as a day she barely survived because society valued productivity and autonomy more than it valued women and children. Pregnancy slows you down, so pregnant women lost their jobs; mothers were alone in their nuclear households while fathers worked extra hours to make up the difference.
Sarah Smarsh (Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth)
Out of all green ends and correlated mystic blend underlying the wholesome beauty only one note could speak and flow when nothing else on the barren wet streets she laughed at my grin speaking of what I missed. How is the realm so lovely when the rain tells me how perfect the self organizing smooth system far less attracted so please the muse to the scene, swirling in utter beauty turn away from conversations of horrific overwhelming tension your sublime nature forces half naked bare legged bathing in geometrical arrangements; a future rebelled, tame and dominate your blessed frightened glass ceiling, breath or goodness spells glitter rains down on your laced chest, taking off your shades and notable note from off your written thoughts on the reality page of mirrored candy smile hair twisting, back alone chasing drinks with cheers toward all we saved in the red ashes; smiling how perfect we feel tonight, I could end any beings or spirit. A sucker for the matter found without presence in unlimited rising smoke you weep and invent forms, or nature reflection internality on how few nerves you leave me squirming producing works of utter biting beauty art works off afternoon body gasping at whatever is near or afar, look how smart you get when you cant always get what you dreamt of, on time naughty morning sun baking eyes in mine.
Brandon Villasenor (Prima Materia (Radiance Hotter than Shade, #1))
Afterward, we went to grab a bite of dinner. Just like at lunch, we talked forever. We shut that restaurant down. They actually had to tell us to leave because they were closing. So then we stood in the parking lot talking. It was freezing but neither of us wanted to go home. We stood out there so long that the employees of the restaurant had already cleaned up and left. We were completely alone in the lot. Then she did the most adorable thing. I don’t know how the conversation had gone this way but flat feet came up. So all of a sudden she chirped, “I have really flat feet. I’m like a rabbit!” And then, without warning, she whipped off one of her cowboy boots and tapped her foot on the ground really fast. Bump-bump-bump-bump. “I’m like Thumper from Bambi!” she exclaimed. I couldn’t believe it. I thought, This girl is crazy and I absolutely love it. I was laughing, she was laughing, and I decided to go in for the kiss. I leaned in and then she suddenly leaned back. Crap. I was so embarrassed. “I’m sorry. I went in for it, and it wasn’t good.” I hung my head down. “No, no, no, I panicked! Please, try again!” she said. “No, I won’t make a fool of myself twice in one night. We’ll try again another day,” I said and I changed the subject. I was talking about something else for a while and then she whispered, “Just kiss me.” I did and it was incredible. Every moment I spent with this girl, I fell more and more in love with her.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
I want to find you, where you don't know your own existence, the you that your common self denies utterly. But I don't want your good looks, and I don't want your womanly feelings, and I don't want your thoughts nor opinions nor your ideas -- they are all bagatelles to me.' `You are very conceited, Monsieur,' she mocked. `How do you know what my womanly feelings are, or my thoughts or my ideas? You don't even know what I think of you now.' `Nor do I care in the slightest.' `I think you are very silly. I think you want to tell me you love me, and you go all this way round to do it.' `All right,' he said, looking up with sudden exasperation. `Now go away then, and leave me alone. I don't want any more of your meretricious persiflage.' `Is it really persiflage?' she mocked, her face really relaxing into laughter. She interpreted it, that he had made a deep confession of love to her. But he was so absurd in his words, also. They were silent for many minutes, she was pleased and elated like a child. His concentration broke, he began to look at her simply and naturally. `What I want is a strange conjunction with you --' he said quietly; `not meeting and mingling -- you are quite right -- but an equilibrium, a pure balance of two single beings -- as the stars balance each other.' She looked at him. He was very earnest, and earnestness was always rather ridiculous, commonplace, to her. It made her feel unfree and uncomfortable. Yet she liked him so much. But why drag in the stars.
D.H. Lawrence (Women in Love)
My roommate has a gerbil,” Ryan said, grinning. “The little guy got loose and crapped all over my bed. It’s just been a crazy day.” Nodding at his silly story, I heard a familiar voice. “That’s fucking fascinating,” Judd said from behind me. “Then, what happened?” Judd was stalking me apparently. He pulled a chair to the table. “What are we having for dinner?” “Who are you exactly?” Ryan asked. “Tawny’s man. I don’t do names or handshakes, so save it, kid.” When Ryan looked at me for help, I shook my head. “I have no control over him. If I did, he wouldn’t be here.” “Oh, don’t be like that,” Judd said, caressing the back of my hair. “I like that sweater on you. Very autumn. Looks good with your eyes.” “Please, go away.” “I can’t. I’m your ride tonight.” “Should I leave?” Ryan asked. Judd glanced at my date. “Just catch onto that, did you?” Ryan stood up. “See you around, Tawny.” “Can’t you stay and ignore him?” Judd’s eyes narrowed. “No, he can’t.” “We can still talk,” I said, praying Ryan would stay. “He might leave if we treat him like static in the background.” Ryan considered staying until Judd’s amused expression faded. “She’s not fucking you, if that’s what you’re holding out for. In fact, you ain’t even getting a goodnight kiss. Well, unless you want that to be the last thing your lips ever do before I rip them off your face.” “I’m going to leave,” Ryan said, giving me a tight smile. “See you around.” “If you see her,” Judd growled, “you just keep on walking.” Nodding, Ryan hurried away, leaving me alone with Judd who switched into the seat across from me. “Alone at last.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?” Elizabeth shook her head. “He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.” Fury sent bright flags of color to her pale cheeks. “You’re blushing, my dear,” Ian said in an awful voice. “I am furious!” she countered, momentarily forgetting that she was confronting a madman. His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.” “Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room. Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite. Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone. “What is it?” she asked suspiciously. “It’s brandy. It will help you sleep.” He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
Judith McNaught (Almost Heaven (Sequels, #3))
The Blessed I am in the darkness and alone. In front of me stands the door. When I open it, I am bathed in light. There are a father, a mother and sister, A dog, which, dumb, still barks in friendliness. How can I lie, and how can I say That I, hidden there in darkness, have not come to harm them? I drag myself over the threshold. Snow blossoms in my eyes. I saw him bowing to me courteously; How much that hurt me. How could my heart find peace, When round it raced the voice of the old man? I live in coldness. I dried my tears and went To where the man was eating with his family. It was so calm and loving a reception. I felt the violins sounding inside me At first, so sweetly, so gently. They will never sound again, when I have finished. Fear drenched my hands. Beneath me I could almost taste my womb. A sneer seemed to say: 'Have you no shame? What have you done with the wedding-ring on your finger? Terrible thief, where did you hide your courage? Does the nakedness of my right hand mean so little to me?' I felt so poor and naked. I wriggled in my chair And trembled to think what I must do. Pity clawed at my heart and shook my body Like a tree in a winter field blown by the wind Shedding leaves. I told myself it was time to go, Scolding my wan, faded self for my little worries. Pleased with myself again, I steeled myself for the torture. The joy of it! Oh, how I want to be Just like an animal and be happy again! I sharpen my claws with a knife. It is still night, and that thing called shame, I may not let it show itself. I know the train that tears through the woods. I go out to the unfeeling rails. Weary, I am glad to go to bed, Running across two flat sticks of iron.
Gertrud Kolmar
Rose, let me show you upstairs to your new room. Do you know that my brother has bought the contents of an entire toy shop for you? Dolls and books, and the biggest doll house you've ever seen.” As the little girl squealed with delight and followed her at once, Holly stared at Zachary Bronson with rapidly dawning disapproval. “An entire toy shop?” “It was nothing like that,” Bronson said immediately. “Elizabeth is prone to exaggeration.” He threw a warning glance at Paula, silently demanding that she agree with him. “Isn't that right, Mother?” “Well,” Paula said uncertainly, “actually, you did rather—” “I'm certain Lady Holland will want a tour of the house while her belongings are unpacked,” Bronson interrupted hastily. “Why don't you take her around?” Clearly overwhelmed by shyness, Mrs. Bronson gave a noncommittal murmur and sped away, leaving the two of them alone in the parlor. Faced with Holly's disapproving stare, Zachary shoved his hands in his pockets, while the toe of his expensive shoe beat a quick, impatient rhythm on the floor. “What harm is there in an extra toy or two?” he finally said in an excessively reasonable tone. “Her room was about as cheerful as a prison cell. I thought a doll and a handful of books would make the place more appealing for her—” “First of all,” Holly interrupted, “I doubt that any room in this house could be described as a prison cell. Second… I will not have my daughter spoiled and overwhelmed, and influenced by your taste for excess.” “Fine,” he said with a gathering scowl. “We'll get rid of the damned toys, then.” “Please do not swear in my presence,” Holly said, and sighed. “How am I to remove the toys after Rose has seen them? You don't know very much about children, do you?” “No,” he said shortly. “Only how to bribe them.
Lisa Kleypas (Where Dreams Begin)
This is ridiculous. You’re bleeding. Don’t lie to me, I can smell it. You’re hurt. You need a medmage.” “I’m not hurt that badly.” His lips wrinkled, showing his teeth. “How badly do you have to be hurt?” “There is a right-to-life exemption, which permits us to leave the scene if our injuries are life threatening. We’d have to provide paperwork from a hospital, or a qualified medmage, showing that we had to get treatment or we would’ve died. My injuries are not life threatening.” “Paperwork is not a problem.” “Yes, but I won’t lie.” “How do you know your injuries aren’t life threatening? You’re covered in the fluid from its guts. How do you know it’s not poisonous?” “If it’s poisonous, we’ll deal with it when I feel sick.” “Fine. I’ll stay here with this thing, and you will drive yourself to the hospital.” “No.” He hit me with an alpha stare. I opened my eyes as wide as I could. “Why, of course, Your Majesty. What was I thinking? I will go and do this right away, just please don’t look at me.” “Kate, get in the car.” “Maybe you should growl dramatically. I don’t think I’m intimidated enough.” “I will put you in the car.” “No, you won’t. First, it took both of us to kill that thing, and if it reinvents itself again, it will take both of us again. I’m not leaving you alone with it. Second, if you try to physically carry me to the car, I will resist and bleed more. Third, you can possibly stuff me in the car against my will, but you can’t make me drive.” He snarled. “Argh! Why don’t you ever do anything I ask you to?” “Because you don’t ask. You tell me.” We glared at each other. “I’m not going to the hospital because of a shallow cut.” And possibly a strained shoulder, a few gashes to my legs, and a bruised right side. “It could be worse. I could’ve hit a brick wall instead of a nice, fragile old fence . . .” He held up his hand. “I’m going to get a medkit out of the car.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
IN T H E last twenty-five years I have had a lot of people staying with me and sometimes I am tempted to write an essay on guests. There are the guests who never shut a door after them and never turn out the light when they leave their room. There are the guests who throw themselves on their bed in muddy boots to have a nap after lunch, so that the counterpane has to be cleaned on their departure. There are the guests who smoke in bed and burn holes in your sheets. There are the guests who are on a regime and have to have special food cooked for them and there are the guests who wait till their glass is filled with a vintage claret and then say: "I won't have any, thank you." There are the guests who never put back a book in the place from which they took it and there are the guests who take away a volume from a set and never return it. There are the guests who borrow money from you when they are leaving and do not pay it back. There are the guests who can never be alone for a minute and there are the guests who are seized with a desire to talk the moment they see you glancing at a paper. There are the guests who, wherever they are, want to be somewhere else and there are the guests who want to be doing something from the time they get up in the morning till the time they go to bed at night. There are the guests who treat you as though they were SOME NOVELISTS I HAVE KNOWN 459 gauleiters in a conquered province. There are the guests who bring three weeks* laundry with them to have washed at your expense and there are the guests who send their clothes to the cleaners and leave you to pay the bill. There are the guests who telephone to London, Paris, Rome, Madrid and New York, and never think of inquiring how much it costs. There are the guests who take all they can get and offer nothing in return. There are also the guests who are happy just to be with you, who seek to please, who have resources of their own, who amuse you, whose conversation is delightful, whose interests are varied, who exhilarate and excite you, who in short give you far more than you can ever hope to give them and whose visits are only too brief.
Anonymous
Oh, Gray, she said. Oh, gray, indeed. As in, oh Gray what the holy hell has come over you and what the devil do you intend to do about it? He took the coward’s way out. He looked away. “I thought you were painting a portrait. Of me.” She turned her head, following his gaze to her easel. A vast seascape overflowed the small canvas. Towering thunderclouds and a violent, frothy sea. And slightly off center, a tiny ship cresting a massive wave. “I am painting you.” “What, am I on the little boat, then?” It was a relief to joke. The relief was short-lived. “No,” she said softly, turning back to look at him. “I’m on the little boat. You’re the storm. And the ocean. You’re…Gray, you’re everything.” And that was when things went from “very bad” to “worse.” “I can’t take credit for the composition. It’s inspired by a painting I once saw, in a gallery on Queen Anne Street. By a Mr. Turner.” “Turner. Yes, I know his work. No relation, I suppose?” “No.” She looked back at the canvas. “When I saw it that day, so brash and wild…I could feel the tempest churning in my blood. I just knew then and there, that I had something inside me-a passion too bold, too grand to keep squeezed inside a drawing room. First I tried to deny it, and then I tried to run from it…and then I met you, and I saw you have it, too. Don’t deny it, Gray. Don’t run from it and leave me alone.” She sat up, still rubbing his cheek with her thumb. Grasping his other hand, she drew it to her naked breast. Oh, God. She was every bit as soft as he’d dreamed. Softer. And there went his hand now. Trembling. “Touch me, Gray.” She leaned forward, until her lips paused a mere inch away from his. “Kiss me.” Perhaps that dagger had missed his heart after all, because the damned thing was hammering away inside his chest. And oh, he could taste her sweet breath mingling with his. Her lips were so close, so inviting. So dangerous. Panic-that’s what had his knees trembling and his heart hammering and his lips spouting foolishness. It had to be panic. Because something told Gray that he could see her mostly naked, and watch her toes curl as she reached her climax, and even cup her dream-soft breast in his palm-but somehow, if he touched his lips to hers, he would be lost. “Please,” she whispered. “Kiss me.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
In chem, Peter sits a row in front of me. I write him a note. Why would you tell Josh that we’re-- I hesitate and then finish with a thing? I kick the back of his chair, and he turns around and I hand him the note. He slouches in his seat to read it; then I watch as he scribbles something. He tips back in his chair and drops the note on my desk without looking at me. A thing? Haha. I press down so hard my pencil tip chips off. Please answer the question. We’ll talk later. I let out a frustrated sigh and Matt, my lab partner, gives me a funny look. After class Peter is swept away with all his friends; they leave in a big group. I’m packing up my backpack when he returns, alone. He hops up on the table. “So let’s talk,” he says, super casual. I clear my throat and try to gather my bearings. “Why did you tell Josh we were--” I almost say “a thing” again, but then change it to “together?” “I don’t get what you’re so upset about. I did you a favor. I could have just as easily blown up your spot.” I pause. He’s right. He could have. “So why didn’t you?” “You’ve sure got a funny way of saying thank you. You’re welcome, by the way.” Automatically I say, “Thank you.” Wait. Why am I thanking him? “I appreciate you letting me kiss you, but--” “You’re welcome,” he says again. Ugh! He’s so insufferable. Just for that I’m going to toss a little dig his way. “That was…really generous of you. To let me do that. But I’ve already explained to Josh that it’s not going to work out with us because Genevieve has you whipped, so it’s all good. You can stop pretending now.” Peter glares at me. “I’m not whipped.” “But aren’t you, though? I mean, you guys have been together since the seventh grade. You’re basically her property.” “You don’t know what you’re talking about,” Peter scoffs. “There was a rumor last year that she made you get a tattoo of her initials on your butt for her birthday.” I pause. “So did you?” I reach around him and fake try to lift up the back of his shirt. He yelps and jumps away from me, and I collapse in a fit of giggles. “So you do have a tattoo!” “I don’t have a tattoo!” he yells. “And we’re not even together anymore, so can you stop with this shit? We broke up. We’re over. I’m done with her.” “Wait, didn’t she break up with you?” I ask. Peter shoots me a dirty look. “It was mutual.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
After that, we don’t talk, instead we get hammered. Shot after shot we down, chasing each one with a Little Debbie snack. Before we know it, we’re hanging on to the bar counter floating around in a sugar and alcohol coma, just the way I like it. “There’s my girl,” Racer shouts as he topples off his stool and onto the floor, laughing hysterically. Georgie stops in her tracks and looks over at Emma, who’s standing next to her, both holding two boxes of Little Debbie snacks each. “Emmmmmmmma,” Tucker drags out, waving his glass in the air. “You brought the snacks.” “Oh, Jesus,” Emma mutters as she approaches us. I point to my mouth and say, “Feed me. Daddy needs sugar.” Racer is beside me, tangled in the pegs of his bar stool, still laughing. “Did you bring Oatmeal Pies, George? Please tell me you have the pies.” “Uh, I think you’ve had enough for tonight,” she says, looking down at her boyfriend. “Never!” Racer struggles to get up and finally knocks the chair over to free himself. “Fucking bitch chair, digging into me with its claws.” Talking to the stool directly he says, “I’m taken, warm someone else’s ass.” “He’s going to propose, chair, leave him alone,” Tucker announces, causing me to cringe. “Dude, don’t say it out loud.” I punch Tucker in the shoulder. “Georgie is right there.” All three of us turn to Georgie, who’s shaking her head in humor. Hopefully. “I’ll take Aaron,” Emma tells Georgie. “Seems like Racer is more of a handful.” “Hell yeah, I am.” Racer stumbles while cupping his crotch. “A giant handful.” Georgie rolls her eyes. “And that’s our cue to leave.” “But we didn’t eat our snacks.” “Seems like you had enough.” Georgie grabs Racer by the hand. “Come on.” As they walk away, Racer asks, “Want to have sex in the car?” “Not even a little.” “Here, you two, you can have your boxes of snacks.” Emma hands Tucker and me both a box of Oatmeal Pies that we clutch to our chests. “You’re the best,” I admit. “She is, isn’t she?” Tucker says. “I love her so fucking hard. Best wife ever.” She pulls on both of our hands to get us moving. “She wins wife of the year award,” I announce. “Best wife goes to Emma. Can we get a round of applause?” Tucker breaks open his Oatmeal Pies and starts spraying them like confetti. “Emma. Emma. Emma.” He chants, getting the three other patrons in the bar to join in. I pump my fist as well, forgetting everything from earlier. I knew I could count on my guys. “Emma. Emma. Emma . . .” And then, everything fades to black. Emotions and feelings are non-existent as I pass out, just the way I like it. Just the way I need it.
Meghan Quinn (The Other Brother (Binghamton, #4))
Well, how come you didn’t just have Carl drop you off there?” I asked. Mike didn’t always take the most reasonable course. “Because I t-t-t-told him my sister would be glad to take me!” Mike replied. Mike liked to sign me up for things without my consent. I wasn’t budging, though; I wasn’t going to let Mike bully me. “Well, Mike,” I said, “I’ll take you to the mall in a little bit, but I’ve got to finish getting dressed. So just chill out, dude!” I loved telling Mike to chill out. Marlboro Man had been watching the whole exchange, clearly amused by the Ping-Pong match between Mike and me. He’d met Mike several times before; he “got” what Mike was about. And though he hadn’t quite figured out all the ins and outs of negotiating him, he seemed to enjoy his company. Suddenly, Mike turned to Marlboro Man and put his hand on his shoulder. “C-c-c-can you please take me to the mall?” Still grinning, Marlboro Man looked at me and nodded. “Sure, I’ll take you, Mike.” Mike was apoplectic. “Oh my gosh!” he said. “You will? R-r-r-really?” And with that he grabbed Marlboro Man in another warm embrace. “Okeydoke, Mike,” Marlboro Man said, breaking loose of Mike’s arms and shaking his hand instead. “One hug a day is enough for guys.” “Oh, okay,” Mike said, shaking Marlboro Man’s hand, apparently appreciating the tip. “I get it now.” “No, no, no! You don’t need to take him,” I intervened. “Mike, just hold your horses--I’ll be ready in a little bit!” But Marlboro Man continued. “I’ve gotta get back to the ranch anyway,” he said. “I don’t mind dropping him off.” “Yeah, Ree!” Mike said belligerently. He stood beside Marlboro Man in solidarity, as if he’d won some great battle. “M-m-m-mind your own beeswax!” I gave Mike the evil eye as the three of us walked downstairs to the front door. “Are we gonna take your white pickup?” Mike asked. He was about to burst with excitement. “Yep, Mike,” Marlboro Man answered. “Wanna go start it?” He dangled the keys in front of Mike’s face. “What?” Mike said, not even giving Marlboro Man a chance to answer. He snatched the keys from his hand and ran to the pickup, leaving Marlboro Man and me alone on our old familiar front step. “Well, uh,” I said playfully. “Thanks for taking my brother to the mall.” Mike fired up the diesel engine. “No problem,” Marlboro Man said, leaning in for a kiss. “I’ll see you tonight.” We had a standing date. “See you then.” Mike laid on the horn. Marlboro Man headed toward his pickup, then stopped midway and turned toward me once again. “Oh, hey--by the way,” he said, walking back toward the front step. “You wanna get married?” His hand reached into the pocket of his Wranglers. My heart skipped a beat.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Stark Electric Jesus Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide
Maitreyee Bhattacharjee Chowdhury (The Hungryalists)
Then he was striding toward me. His mesmerizing gaze pinned me in place as he cupped my face. When his lips covered mine, I gasped. He took the opportunity to deepen the kiss, groaning into the contact. His hands tightened on my face. His sexy groans made my toes curl, muddling my thoughts. Block that out! I was Aric’s wife. I’d wronged him in the past, had consigned him to misery for hundreds—no, thousands—of years. I needed to make this right. Like penance. There was something vaguely threatening about his words. Misgivings about this arose. Too fast. “If you have feelings for him, fight them,” Aric commanded me. “By going to him, you’d be stoking them once more. Don’t you understand? He can find another woman—I cannot. If you choose him, you’ll be consigning me to a hellish fate. As you’ve done again and again. No, this will be even worse, because I’ve had a greater glimpse of what I’ll be missing.” “I just want to talk to him. I’m leaving this weekend,” I said in an unwavering voice. “No, you will not.” His arrogant demeanor back in place, he said, “Understand me, I’m not surrendering the one woman who was born for me alone. Not to a human, not to anyone.” “You can’t keep me here against my will any longer. What are you going to do? Put that cuff back on me?” I held up my hand to stop him. “I understand why you did it. But I won’t be a prisoner anymore.” He snatched up his shirt, threading his arms into the sleeves. “You say you keep your promises now? You made a vow before gods to be my wife. In this life, you will keep your promises to me—before you ever honor one to him!” “You can’t stop me from leaving. I have my powers back. I earned my powers back.” With a cruel curve of his lips, he said, “You promised never to harm me, Empress. Know that you’ll have to kill me before I would ever let you go.” As he strode out the door, I said, “And know that you’ll have to put that cilice on me to keep me prisoner again.” He whirled around, fury in his expression. “You refused—twice—to beg me for your own life, but you’d beg for his?” I whispered, “Yes.” With a calculating gleam in his eyes, he said, “This isn’t an impossible task you ask of me. I could call in ancient favors, contact old allies. They could be here in mere hours. We’d ride out as one.” “T-truly?” “On one condition: you’ll become my wife in truth, mine in every way. Beginning tonight. Comply, and I’ll take on an army for you.” My lips parted with shock. “How can you do this to me?” “Deveaux is lost to you in one way or another. He’ll either be slaughtered by the Lovers—or saved by my female, by her sacrifice.” He offered his hand. “Come with me, and begin this.” “Don’t, Aric! Don’t destroy what I do feel for you.” “I’ll take”—he seized my hand, yanking me close—“what I can get.” Despite myself, I shivered from the contact, from his husky voice. His hold on me was firm, proprietary. Because he believed I was about to become his. The red witch in me whispered, Death thinks he has you at his mercy. But the Empress doesn’t get collared or caged—or controlled. Take his head and pay the Tower. Shut up! “Please, Aric. I’ll grow to hate you for this. I don’t want to feel that way about you. Never again. Don’t force me to do this.” “Force?” Unmoved, he led me toward his bedroom. “I’m not forcing you to do anything. Just as you can’t force me to save your lover’s life. We each make sacrifices to get what we want.” With my heart pounding, I crossed the threshold into his dark world. Black walls, black ceiling, black night beyond his windows. Yet outside I thought I saw . . . a single fluttering snowflake. Like a sign.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
What is your name?” she said crossing her legs. “I am Raj Singhania, owner of Singhania group of Industries and I am on my way to sign a 1000 crore deal.” “Oh my God, Oh my God!” she said laughing and looked at Bobby from top to bottom. “What’s with this OMG thing and girls, stop saying that. I am not going to propose you anytime soon. But it’s OK. I can understand how girls feel when they meet famous dudes like me,” Bobby said smiling. “What kind of an idiot are you?” she said laughing. “Indeed, a very rare one. The one that you find after searching for millions of years,” Bobby said. “Do you always talk like this?” she said laughing. “Only to strangers on bus or whenever I get bored,” Bobby said. “OK, tell me your real name,” she said. “My name is Mogaliputta Tissa and I am here to save the world.” “Oh no not again!” she said squeezing her head with both her hands. “I know you are dying inside to kiss me,” Bobby said flashing a smile. “Why would I kiss you?” she said with a pretended sternness. “Because, you are impressed with my intelligence level and the hotness quotient, I can see that in your eyes.” “You think you are hot! Oh no! You look like that cartoon guy in 7 up commercial,” she said laughing. “Thank you. He was the coolest guy I saw on TV,” Bobby said. “OK fine, let’s calm down. Tell me your real name,” she said calmly. “I don’t remember my name,” Bobby said calmly. “What kind of idiot forgets his name?” she said staring into Bobby’s eyes. “I am suffering from multiple personality disorder and I forgot my present personality’s name. Can you help me out?” Bobby said with an innocent look on his face. “I will kill you with my hair clip. Leave me alone,” she said and closed her eyes. “You look like a Pomeranian puppy,” Bobby said looking at her hair. “Don’t talk to me,” she said. “You look very beautiful,” Bobby said. “Nice try but I am not going to open my eyes,” she said. “Your ear rings are very nice. But I think that girl in the last seat has better rings,” Bobby said. “She is not wearing any ear rings. I know because I saw her when I was getting inside. It takes just 5 seconds for a girl to know what other girls around her are wearing,” she said with her eyes still closed. “Hey, look. They are selling porn CDs at a roadside shop,” Bobby said. “I have loads of porn in my personal computer. I don’t need them,” she said. “OMG, that girl looks hotter than you,” Bobby said. “I will not open my eyes no matter what. Even if an earthquake hits the road, I will not open my eyes,” she said crossing her arms over her chest. Bobby turned back and waved his hand to the kid who was poking his mom’s ear. The kid came running and halted at Bobby’s seat. “This aunty wants to give you a chocolate if you tell her your name,” Bobby whispered to the kid and the kid perked up smiling. “Hello Aunty! Wake up, my name is Bintu. Give me my chocolate, Aunty, please!” the kid said yanking at the girl’s hand. All of a sudden, she opened her eyes and glared at the kid. “Don’t call me aunty. What would everyone think? I am a teenage girl. Go away. I don’t have anything to give you,” she said and the kid went back to his seat. “This is what happens when you mess with an intelligent person like me,” Bobby said laughing. “Shut up,” she said. “OK dude.” “I am not a dude. Stop it.” “OK sexy. Oops! OK Saxena,” “I will scream.” “OK. Where do you study?” “Why should I tell you?” “Are you suffering from split personality disorder like me?” Bobby said staring into her eyes. “Shut up. Don’t talk to me,” she said with a pout. “What the hell! I have enlightened your mind with my thoughts, told you my name and now you are acting like you don’t know me. Girls are mad.
Babu Rajendra Prasad Sarilla