Please Be Safe Quotes

We've searched our database for all the quotes and captions related to Please Be Safe. Here they are! All 100 of them:

Hide them all, then. Keep her – them – safe. Please.' And what will you give me in return, Severus?' In – in return? Anything.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Is that a yes?" he asked, pushing his fingers through my hair, fanning it out around my shoulders and searching my face intently. "Please let it be yes," he said with a gravelly edge. "Stay with me tonight. Let me hold you, even if that's all it is. Let me keep you safe.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
It is more important for you to be safe than right, for the time being. Understand? (...) But please, when you see an opportunity...ruin them
Veronica Roth (Divergent (Divergent, #1))
All night I streched my arms across him, rivers of blood, the dark woods, singing with all my skin and bone ''Please keep him safe. Let him lay his head on my chest and we will be like sailors, swimming in the sound of it, dashed to pieces.'' Makes a cathedral, him pressing against me, his lips at my neck, and yes, I do believe his mouth is heaven, his kisses falling over me like stars.
Richard Siken (Crush)
And he leans in, so carefully. Breathing and not breathing and hearts beating between us and he’s so close, he’s so close and I can’t feel my legs anymore. I can’t feel my fingers or the cold or the emptiness of this room because all I feel is him, everywhere,filling everything and he whispers “Please.” He says “Please don’t shoot me for this.” And he kisses me. His lips are softer than anything I've ever known, soft like a first snowfall, like biting into cotton candy, like melting and floating and being weightless in water. It’s sweet, it’s so effortlessly sweet. And then it changes. “Oh God—” He kisses me again, this time stronger, desperate, like he has to have me, like he’s dying to memorize the feel of my lips against his own. The taste of him is making me crazy; he’s all heat and desire and peppermint and I want more. I've just begun reeling him in, pulling him into me when he breaks away. He’s breathing like he’s lost his mind andhe’s looking at me like something has brokeninside of him, like he’s woken up to find that his nightmares were just that, that they never existed, that it was all just a bad dream that felt far too real but now he’s awake and he’s safe and everything is going to be okay and I’m falling. I’m falling apart and into his heart and I’m a disaster.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Spend the night with me.” (...) “I’m tired of living like I’m not alive.” He dropped his hands from my face to grip my shoulders. “I’m bloody sick to death of it. I want one night to be alive. With you.” He closed his eyes and leaned his forehead on mine. “Please, Anna. One last night and we’ll go back to being safe again. I need this. I need you.
Wendy Higgins (Sweet Peril (Sweet, #2))
What would you do if you were me? Tell me. Please tell me! But you're far from this. Your fingers turn the strangeness of these pages that somehow connect my life to yours. Your eyes are safe. The story is just another few hundred pages of your mind. For me, it's here. It's now. I have to go through with this, considering the cost at every turn. Nothing will be the same.
Markus Zusak (I Am the Messenger)
Zane heard Ty whuff from within the bathroom, and by the time he looked back, Ty had shoved Julian’s face against the shower wall and was holding him there by the back of his head. “Watch the elbows.” “Watch your fingers,” Julian snapped. “Welcome to TSA training, bitch.” “Want the other set of cuffs?” Zane asked, hoping to appease his cranky partner. “You could spread his arms out.” “Will someone please tell me the safe word?” Julian asked.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
Christians today like to play it safe. We want to put ourselves in situations where we are safe 'even if there is no God.' But if we truly desire to please God, we cannot live that way.
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
The sex is just sex. I can't get close enough to you. The control is because I'm frightened to death that something will happen to you...that you'll be taken away from me. I've waited too long for you, Ava. I'll do anything to keep you safe. I've lived a life with little control or care. Believe me, I need you..please...please don't leave me.
Jodi Ellen Malpas (This Man (This Man, #1))
If you haven't guessed it already," I said, something fervent and resonating slipping into my tone, "I need you, too." "Is that a yes?" he asked, pushing his fingers through my hair, fanning it out around my sholders and searching my face intently. "Please let it be yes," he said with a gravelly edge. "Stay with me tonight. Let me hold you, even if that's all it is. Let me keep you safe.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Disturb us, Lord, when we are too well pleased with ourselves, 
 when our dreams have come true because we have dreamed too little, 
 when we arrive safely because we sailed too close to the shore. 
 Disturb us, Lord, when with the abundance of things we possess, we have lost our thirst for the waters of life, 
having fallen in love with life, we have ceased to dream of eternity, 
and in our efforts to build a new earth, 
 we have allowed our vision of the new heaven to dim. 
 Disturb us, Lord, to dare more boldly, to venture on wider seas, 
where storms will show your mastery, 
where losing sight of land, we shall find the stars. 
We ask you to push back the horizon of our hopes, 
and to push us into the future in strength, courage, hope, and love. 
This we ask in the name of our Captain, who is Jesus Christ.
Francis Drake
Well," he said, "I don't believe that either." "Believe what? That I messed up? Why not?" "Weren't you just listening? I saw you in Spokane. Someone like you doesn't mess up freeze." I was about to give him the same line I had given the guardians, that killing Strigoi didn't make me invincible, but he cut me off: "Plus I saw your face out there." "Out.... on the quad?" "Yeah," several more quite moments passed. "I don't know what happened, but the way you looked...that wasn't the look of someone trying to get back at a person. It wasn't the look of someone blanking out of Alto's attack either. It was something different...I don't know. But you were completely consumed by something else—and honestly? Your expression? Kind of scary." "Yet...you aren't giving me a hard time over that either." "Not my business. If it was big enough to take you over like that, then it must be serious. But if push comes to shove, I feel safe with you, Rose. I know you'd protect me if there really was a Strigoi there." He yawned. "Okay. Now that I have bared my soul, can we please go to bed? Maybe you don't need beauty sleep, but some of us aren't so lucky.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
You want to see safe hands?' her dad asked. He went to the fruit bowl on the side of the table, took two apples and proceeded to juggle them. 'See? Safe as anything.' 'Are you proposing you juggle our newborn child?' 'Of course not,' he said. 'I'd only be able to juggle her if you'd had twins. Otherwise it would just be throwing.' (...) 'From this moment on, I will be the best father the world has ever seen. Wifey, may I please hold my child?' Valkyrie's mum looked at him suspiciously. 'When you hold a baby, what's the most important thing to remember?' 'Not to drop it,' he said proudly. 'Well, yes, well done dear, but I was thinking more about how you hold the baby.' 'Ah,' he said, 'Of course. The secret to holding a baby is to pick it up by the scruff of its neck.' 'You're thinking of kittens.' 'Pick it up by the ears, then.' 'You're thinking of nothing.' 'Can I please just hold her?' 'I don't think that's wise.' 'A lot of things aren't wise, Melissa. Is crossing the road with your eyes closed wise? No, but I do it anyway.' His wife nodded. 'Stephanie, you are in charge of teaching Alice how to cross the road.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Even though nobody knew that you were in my life, you were the person who brought a raft at every rapid current and helped me cross that water safely. I was happy that you were there. I came to tell you I was able to travel through my life because I could come to you when I was anxious, not when I was happy.
Shin Kyung-Sook (Please Look After Mom)
Please relax," said the voice pleasantly, like a stewardess in an airliner with only one wing and two engines one of which is on fire, "you are perfectly safe.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
I waited for him to say something more, but he was quiet. "Was there something you wanted?" I asked. He didn't answer right away, but I could feel him struggling, so I waited. "If I asked you something, would you tell me the truth?" It was my turn to hesitate. "I don't know everything," I hedged. "You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right." Melanie was suddenly very in my head. Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean." Melanie sighed. I said nothing to either of them. "I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest. "Does it, Wanda?" "Why won't you answer me?" Jamie was really crying now but trying to muffle the sound. I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck. "Is Melanie still alive, Wanda? Please?" He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses. Jamie's body shook beside me. Melanie cried. She battered ineffectually at my control. But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now. "She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?" Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel." "She loves you, too. She's so happy that you're here and safe." He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
Stephenie Meyer (The Host (The Host, #1))
An engaged woman is always more agreeable than a disengaged. She is satisfied with herself. Her cares are over, and she may exert all her powers of pleasing without suspicion. All is safe with a lady engaged; no harm can be done
Jane Austen (Mansfield Park)
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
God, I know you’re sick of hearing me beg, but this is my woman, my wife. My best friend! No, she’s so much more than that—she’s the other half of my heart. I’ve waited my whole life for her—I’d give my life a hundred times to keep her safe! A thousand times! She’s every breath I take, every single beat of my heart. I don’t think I can live without her now. Not now…Please, God. Please. Oh God, please…
Robyn Carr (Second Chance Pass (Virgin River, #5))
I don’t want to say this,” he says, “but I feel like I have to. It is more important for you to be safe than right, for the time being. Understand?” His straight eyebrows are drawn low over his eyes. My stomach writhes, partly because I know he makes a good point but I don’t want to admit it, and partly because I want something I don’t know how to express; I want to press against the space between us until it disappears. I nod. “But please, when you see an opportunity…” He presses his hand to my cheek, cold and strong, and tilts my head up so I have to look at him. His eyes glint. They look almost predatory. “Ruin them.
Veronica Roth (Divergent (Divergent, #1))
It was this feminine conspiracy which made Southern society so pleasant. Women knew that a land where men were contented, uncontradicted ans safe in possession of unpunctured vanity was likely to be a very pleasant place for women to live. So, from the cradle to the grave, women strove to make men pleased with themselves, and the satisfied men repaid lavishly with gallantry and adoration. In fact, men willingly gave ladies everything in the world except credit for having intelligence.
Margaret Mitchell (Gone with the Wind)
May I feel contented and safe. May I feel protected and pleased. May my physical body support me with strength. May my life unfold smoothly with ease. [p. 71]
Sylvia Boorstein (Happiness Is an Inside Job: Practicing for a Joyful Life)
That horrible stinging sensation returned, the muscles behind my eyes straining as the first tear began to fall. “I’m scared, too. For eighteen months now, I’ve lived in terror, fearing everything and everyone. I don’t want to be scared anymore. The only time I’ve ever felt safe is in your arms. I love you, and I just want to let you in all the way. So please. Please fill me with love, because I can’t bear to be filled with fear anymore. It’s suffocating me.
Devon Ashley (Nearly Broken (Nearly, #1))
To all my fellow Americans who simply insist on hangin' on to those guns ... Two things: 1) Enjoy 'em! 2) Please keep them hidden in a safe, secure place where the young 'uns can't get at 'em (I'd suggest the same place you keep the textbooks on evolution and global warming).
Quentin R. Bufogle
Just get off the bus somewhere safe and wait for me, all right? I fucking love you. I love you. And I'm sorry you fell in love with an idiot. I'm...Remember Seattle, you said we've been trying this whole time. Since last summer. To be in a relationship. I didn't fully understand at the time, but I do now. There was never going to be a life away from you, because, Jesus, that's no life at all. You, Hannah. Are my life. I love you and I'm coming home, so please, babe. Please. Will you just wait for me? I'm sorry.
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
You bastards, she thought. You lovely bastards. Don’t make me happy. Please, don’t fill me up and let me think that something good can come of any of this. Look at my bruises. Look at this graze. Do you see the graze inside me? Do you see it growing before your very eyes, eroding me? I don’t want to hope for anything anymore. I don’t want to pray that Max is alive and safe. Or Alex Steiner. Because the world does not deserve them.
Markus Zusak (The Book Thief)
Mary, please strike me deaf until the state line,’ Declan said, checking his mirrors, changing lanes, driving safely. He felt Matthew was taking all this a bit far. Declan had put his identity crises on hold multiple times for the greater good. Matthew had only been asked to do it once.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
You go in through double swing doors. Inside the double doors there is a combination PBX and information desk at which sits one of those ageless women you see around municipal offices everywhere in the world. They were never young and will never be old. They have no beauty, no charm, no style. They don't have to please anybody. They are safe. They are civil without ever quite being polite and intelligent and knowledgeable without any real interest in anything. They are what human beings turn into when they trade life for existence and ambition for security.
Raymond Chandler (The Little Sister (Philip Marlowe, #5))
Please God, don't let anyone take her. If you give me this, I swear to wake her every morning with 'good morning, beautiful' and kiss her to sleep every night. I'll keep her safe and hold her tight. I'll take of her, I swear.
S.E. Hall (Emerge (Evolve, #1))
Once again St. Nicholas Day Has even come to our hideaway; It won't be quite as fun, I fear, As the happy day we had last year. Then we were hopeful, no reason to doubt That optimism would win the bout, And by the time this year came round, We'd all be free, and safe and sound. Still, let's not forget it's St. Nicholas Day, Though we've nothing left to give away. We'll have to find something else to do: So everyone please look in their shoe!
Anne Frank (The Diary of a Young Girl)
I know none of this seems very believable. It probably doesn't even make sense. But for once in your life, please, I am asking you to trust me. Trust yourself.
Charles Yu (How to Live Safely in a Science Fictional Universe)
I didn’t do it on purpose.” His arms went around her. “I just . . . I just needed to keep you up here.” He walked her backward until her knees met the edge of her bed, and they both tumbled onto the mattress. “In this bed.” He stroked her hair, fanning it out over the pillows, and framed her face in his hands. “But I couldn’t discern what it was you needed to feel safe. I tried everything. Finally, tonight, you gave me the answer. Light. So now you have as many candles as you please. But now it’s gone all wrong. Because you’re here in this bed. But I’m here, too. And God help me, Izzy.” His brow pressed to hers, and his weight settled over her, crushing and warm. “I don’t know how to leave.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
Besides...' She smiled. 'I'm perfectly safe, remember? I've got you. I've always got you.' 'Please always stay mine,' he whispered. 'Always.
Thea Harrison (Oracle's Moon (Elder Races, #4))
Lancelot grasps my face in both palms and holds it tight. “Come back, Bree. Come back to us.” My root has left me. The only thing of my own here, the only thing that kept me safe in this hellscape. “No…” I shake my head. “Please.” Merlin’s voice is nearly unrecognizable. “Come back to us.
Tracy Deonn (Bloodmarked (The Legendborn Cycle, #2))
A show of hands, please: How many of you have had a teacher at any stage of your education, from the first grade until this day in May, who made you happier to be alive, prouder to be alive, than you had previously believed possible? Good! Now say the name of that teacher to someone sitting or standing near you. All done? Thank you, and drive home safely, and God bless you all.
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
I assume the Spirit is always whispering, "Abba", to God's children, assuring them that they are safe in His care. And he is continually calling them to become what God saved them to be, solid people, indestructibly alive, hurting perhaps, but consumed with pleasing the Father.
Larry Crabb (The Safest Place on Earth: Where People Connect and Are Forever Changed)
Mr. Bialy said you were a good guy.” “You don’t want a good guy representing you in situations like this one. You want a barracuda when it comes to dealing with bad cops, negligent police departments, and attorneys who represent them. They are afraid of me; they think I’m a bad guy. Please don’t give away my secret.” Sarah chuckles through her tears. He has an easy way about him. I hope he’s an ass-kicker in court. “Your secret is safe with me, Zack.
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
That Sindy. She was so damn smart. But I never told her that. I also never told her that I loved her, or that I loved the two little stretch marks she got from carrying Vera. Or that I loved that freckle on her forehead. I never told her that I loved her lasagna or that I thought her views on politics were clever. I just kept my mouth shut because I thought that made me safe.
A.S. King (Please Ignore Vera Dietz)
I want to crawl into his heart and live there forever. I vow to do whatever it takes to make him happy and keep him safe. I will exist to please only him. My entire world belongs to him now. He is mine and I am his. He is my Master and my everything.
Ella Dominguez (The Art of Control (The Art of D/s, #3))
He was the first important person in my life to die, and when he did, it was the first time I realized that life is not fair or safe or even ours to own. I miss him.
Amy Poehler (Yes Please)
I’m so sorry… just please… stay. Just tell me the truth, just tell me what happened. I don’t care, I’m not going to let him hurt you anymore. Listen to me, I’m in love with you. If you stay I promise there’s no safer place in the world than with me. You don’t have to be scared… I love you… please stay.
Nicholas Sparks (Safe Haven)
Please stay safe inside, and should you see yourself, I cannot condone murdering yourself. I just do not believe violence is ever the answer. (It is a question. The real answer is far more terrifying.)
Jeffrey Cranor
What Melanie did was no more than all Southern girls were taught to do: to make those about them feel at ease and pleased with themselves. It was this happy feminine conspiracy which made Southern society so pleasant. Women knew that a land in which men were contented, uncontradicted, and safe in possession of unpunctured vanity was likely to be a very pleasant place for women to live. So from the cradle to the grave, women strove to make men pleased with themselves, and the satisfied men repaid lavishly with gallantry and adoration. In fact, men willingly gave the ladies everything in the world, except credit for having intelligence. Scarlett exercised the same charms as Melanie but with a studied artistry and consummate skill. The difference between the two girls lay in the fact that Melanie spoke kind and flattering words from a desire to make people happy, if only temporarily, and Scarlett never did it except to further her own aims.
Margaret Mitchell (Gone with the Wind)
I know a little something about fear, honey. I know what a relief it feels like to give into it at first. It’s not hard to persuade yourself that you’re doing the right thing—that you’re making the smart, safe decision. But fear is insidious. It takes anything you’re willing to give it, the parts of your life you don’t mind cutting out, but when you’re not looking, it takes anything else it damn well pleases, too.
Andrea Lochen (Imaginary Things)
I have lived my life in pursuit of the remade world... I believe in truth. I believe in truth denied any use of it can believe in it. I know its power. I know the threat it represents to a world constructed on lies. I know the myths of the family that thread through our society's literature, music, politics - and I know the reality. The reality is that for many of us family was as much the incubator of despair as the safe nurturing haven the myths promised... But I also believe in hope... The worst thing done to us in the name of a civilized society is to label the truth of our lives material outside the legitimate subject matter of serious writers... I need you to do more than survive. As writers, as revolutionaries, tell the truth, your truth in your own way. Do not buy into their system of censorship, imagining that if you drop this character or hide that emotion, you can slide through their blockades. Do not eat your heart out in the hope of pleasing them. The only hope you have, the only hope any of us has, is the remade life.
Dorothy Allison (Skin: Talking About Sex, Class And Literature)
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.” “Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’” “I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me. I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave. I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern. “Oncat scratches me all the time,” said Harshaw as he ambled up beside me. “Oh?” I asked hollowly. “Funny thing is, she likes to stay close.” “Are you being profound, Harshaw?” “Actually, I was wondering, if I ate enough of those fish, would I start to glow?” I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel. “Come on, Harshaw,” I called over my shoulder. Then the first explosion hit.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Safe," she said with a hollow smile. "That is a pretty word." "Come on," snapped Kate beside the door. "But--" "Don't worry, August. I'm not afraid of the dark." Our sister has two sides. He took Ilsa's face in his hands. "Please be careful." They do not meet. "Go," she said. "Before the cracks catch up.
Victoria E. Schwab (This Savage Song (Monsters of Verity, #1))
I didn't ask for this role, but I'll play it. Now go do your best. Be bold, and mighty forces will come to your aid. Goethe said that. It's not too late for you to become a person of substance, Russell. Please get my son home safely. You know, I'm glad we spoke.
Elaine Miller
Please be careful," he repeated. "Come back safe." "I will." On impulse I took off my cross necklace and pressed it into his hand. "This time, keep it for real. Hold onto it until I return. If you get too worried, look at it and know that I'll have to come back for it. It goes really well with khakis and neutral colors.
Richelle Mead (The Golden Lily (Bloodlines, #2))
The only safe rule, therefore, is that which Aristotle mentions in the last chapter of his Topica: not to dispute with the first person you meet, but only with those of your acquaintance of whom you know that they possess sufficient intelligence and self-respect not to advance absurdities; to appeal to reason and not to authority, and to listen to reason and yield to it; and, finally, to cherish truth, to be willing to accept reason even from an opponent, and to be just enough to bear being proved to be in the wrong, should truth lie with him. From this it follows that scarcely one man in a hundred is worth your disputing with him. You may let the remainder say what they please, for every one is at liberty to be a fool—desipere est jus gentium.
Arthur Schopenhauer (The Essays of Arthur Schopenhauer; the Art of Controversy)
Disturb us, Lord, when We are too pleased with ourselves, When our dreams have come true Because we dreamed too little, When we arrived safely Because we sailed too close to the shore. Disturb us, Lord, to dare more boldly, To venture on wilder seas Where storms will show Your mastery; Where losing sight of land, We shall find the stars.
Francis Drake
Christians today like to play it safe. We want to put ourselves in situations where we are safe “even if there is no God.” But if we truly desire to please God, we cannot live that way. We have to do things that cost us during our life on earth but will be more than worth it in eternity.
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
If I were you, Mr. Lascelles," said Childermass, softly, "I would speak more guardedly. You are in the north now. In John Uskglass's own country. Our towns and cities and abbeys were built by him. Our laws were made by him. He is our minds and hearts and speech. Were it summer you would see a carpet of tiny flowers beneath every hedgerow, of a bluish-white colour. We call them John’s Farthings. When the weather is contrary and we have warm weather in winter or it rains in summer the country people say that John Uskglass is in love again and neglects his business. And when we are sure of something we say it is as safe as a pebble in John Uskglass’s pocket.” Lascelles laughed. “Far be it from me, Mr. Childermass, to disparage your quaint country sayings. But surely it is one thing to pay lip-service to one’s history and quite another to talk of bringing back a King who numbered Lucifer himself among his allies and overlords? No one wants that, do they? I mean apart from a few Jihannites and madmen?” “I am a North Englishman, Mr. Lascelles,” said Childermass. “Nothing would please me better than that my King should come home. It is what I have wished for all my life.
Susanna Clarke (Jonathan Strange & Mr Norrell)
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
Charlotte Brontë (Jane Eyre)
Bella . . . my sweet little flower,” he said softly, reverently as he took her head between his hands and pressed their foreheads together. “After over four hundred years of solitude, I think I am ready for you and an entire barrel full of children. Nothing could please me more.” “Oh, Jacob,” she sighed with delight, kissing his lips eagerly. “How did I get so lucky?” “Well, as I recall . . . you had the bad luck to fall out of a window.” “Ah, but that was good luck, because you caught me.” “No, little flower,” he murmured, pausing to kiss her deeply and thoroughly. “I think it is safe to say that you are the one who caught me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
He wanted you to be the small, quiet girl from Abnegation," Four says softly. "He hurt you because your strength made him feel weak. No other reason." I nod and try to believe him. "The others won't be as jealous if you show some vulnerability. Even if it isn't real." "You think I have to pretend to be vulnerable?" I ask, raising an eyebrow. "Yes,I do." He takes the ice pack from me, his fingers brushing mine, and holds it against my head himself. I put my hand down, too eager to relax my arm to object. Four stands up. I stare at the hem of his T-shirt. Sometimes I see him as just another person, and sometimes I feel the sight of him in my gut, like a deep ache. "You're going to want to march into breakfast tomorrow and show your attackers they had no effect on you," he adds, "but you should let that bruise on your cheek show, and keep your head down." The idea nauseates me. "I don't think I can do that," I say hollowly. I lift my eyes to his. "You have to." "I don't think you get it." Heat rises into my face. "They touched me." His entire body tightens at my words, his hand clenching around the ice pack. "Touched you," he repeates, his dark eyes cold. "Not...in the way you're thinking." I clear my throat. I didn't realize when I said it how awkward it would be to talk about. "But...almost." I look away. He is silent and still for so long that eventually,I have to say something. "What is it?" "I don't want to say this," he says, "but I feel like I have to.It is more important for you to be safe than right, for the time being. Understand?" His straight eyebrows are drawn low over his eyes. My stomach writhes, partly because I know he makes a good point but I don't want to admit it, and partly because I want something I don't know how to express; I want to press against te space between us until it disappears. I nod. "But please,when you see an opportunity..." He pesses his hand to my cheek,cold and strong, and tilts my head up so I have to look at him. His eyes glint. They look almost predatory. "Ruin them." I laugh shakily. "You're a little scary, Four." "Do me a favor," he says, "and don't call me that." "What should I call you,then?" "Nothing." He takes his hand from my face. "Yet.
Veronica Roth (Divergent (Divergent, #1))
She had shown me how to behave when applying for a job, how to show the proper amount of respect, submission, eagerness to please, even though in my heart I would not mean any of those things; she said that as soon as I had the job and was safely in it, I could let my real personality come out. I was not opposed to deception, but I woud have preferred not to start out that way.
Jamaica Kincaid
Go to any police-and-community meeting in Brooklyn, the Bronx, or Harlem, and you will hear pleas such as the following: Teens are congregating on my stoop; can you please arrest them? SUVs are driving down the street at night with their stereos blaring; can’t you do something? People have been barbecuing on the pedestrian islands of Broadway; that’s illegal! The targets of these complaints may be black and Hispanic, but the people making the complaints, themselves black and Hispanic, don’t care. They just want orderly streets.
Heather Mac Donald (The War on Cops: How the New Attack on Law and Order Makes Everyone Less Safe)
Married women, you know, may be safely authorised. It is my party. Leave it all to me. I will invite your guests." "No," he calmly replied, "there is but one married woman in the world whom I can ever allow to invite what guests she pleases to Donwell, and that one is-" "Mrs. Weston, I suppose," interrupted Mrs. Elton, rather mortified. "No, Mrs. Knightley; and, till she is in being, I will manage such matters myself.
Jane Austen (Emma)
Yelling louder does not help me understand you any better! Don't be afraid of me. Come closer to me. Bring me your gentle spirit. Speak more slowly. Enunciate more clearly. Again! Please, try again. S-l-o-w down. Be kind to me. Be a safe place for me. See that I am a wounded animal, not a stupid animal. I am vulnerable and confused. Whatever my age, whatever my credentials, reach for me. Respect me. I am in here. Come find me.
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
Dalinar took one step forward, then drove his Blade point-first into the middle of the blackened glyph on the stone. He took a step back. “For the bridgemen,” he said. Sadeas blinked. Muttering voices fell silent, and the people on the field seemed too stunned, even, to breathe. “What?”Sadeas asked. “The Blade,”Dalinar said, firm voice carrying in the air. “In exchange for your bridgemen. All of them. Every one you have in camp. They become mine, to do with as I please, never to be touched by you again. In exchange, you get the sword.” Sadeas looked down at the Blade, incredulous. “This weapon is worth fortunes. Cities, palaces, kingdoms.” “Do we have a deal?”Dalinar asked. “Father, no!”Adolin Kholin said, his own Blade appearing in his hand. “You—” Dalinar raised a hand, silencing the younger man. He kept his eyes on Sadeas. “Do we have a deal?” he asked, each word sharp. Kaladin stared, unable to move, unable to think. Sadeas looked at the Shardblade, eyes full of lust. He glanced at Kaladin, hesitated just briefly, then reached and grabbed the Blade by the hilt. “Take the storming creatures.” Dalinar nodded curtly, turning away from Sadeas. “Let’s go,”he said to his entourage. “They’re worthless, you know,”Sadeas said. “You’re of the ten fools, Dalinar Kholin! Don’t you see how mad you are? This will be remembered as the most ridiculous decision ever made by an Alethi highprince!” Dalinar didn’t look back. He walked up to Kaladin and the other members of Bridge Four. “Go,” Dalinar said to them, voice kindly. “Gather your things and the men you left behind. I will send troops with you to act as guards. Leave the bridges and come swiftly to my camp. You will be safe there. You have my word of honor on it.” He began to walk away. Kaladin shook off his numbness. He scrambled after the highprince, grabbing his armored arm. “Wait. You—That—What just happened?” Dalinar turned to him. Then, the highprince laid a hand on Kaladin’s shoulder, the gauntlet gleaming blue, mismatched with the rest of his slate-grey armor. “I don’t know what has been done to you. I can only guess what your life has been like. But know this. You will not be bridgemen in my camp, nor will you be slaves.” “But…” “What is a man’s life worth?” Dalinar asked softly. “The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning. “And what do you say?” “A life is priceless,” he said immediately, quoting his father. Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.” “You really think it was a good trade, don’t you?” Kaladin said, amazed. Dalinar smiled in a way that seemed strikingly paternal.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Dear Lord, Please protect and guide Eve at her time of recovery. Life has given her a lot of emotional wounds, and now her physical body is mirroring this pain. Please take her hand and keep her safe. Let her live to lead a life that shows her the power of your love.” Together they added, “Amen.” Blake hated that it was all they could do right now.
Debra Anastasia (Saving Poughkeepsie (Poughkeepsie Brotherhood, #3))
You'll have to forgive me," Dad said. His mouth was moving very little, a sign that he was tense. "I'm not...familiar with...the protocol. For boys like you. But I..." I felt my face turning red. No, no, no. Quit while you're ahead, Dad. Please. "I'm sure you have...urges," Dad went on. "All teenage boys have...urges. I don't know whether you've...tried anything--" I said please! "Just as long as you're safe. That's very important. You still have to be safe, even if you're both boys. I don't know what really...um, entails. You know. How you...do things. I could look it up for you--" I clapped my hand over Dad's mouth. I took him by his arm, my face burning, and dragged him back to the field.
Rose Christo (Looks Over (Gives Light, #2))
We’re women in a man’s world. I’m sure you know how that is.” I dip my chin. “I do.” “Good,” she says with a terse nod, the shaven blades in her scalp stabbing down with the movement. “Then you know that we have two options.” She lifts a finger. “The first is, we can conform. Be what they want, act to please. It’s the safe option.” I fidget on my feet. Every part of me is listening, attention rapt, though uneasiness mingles alongside my intrigue. “And option two?” She holds up a second finger, but instead of doing it on the same hand, she raises her other. I don’t know why that feels significant, but it does. “Option two is harder. It’s harder for us,” she admits, looking me straight in the eye. “There will always be someone who will try to make us choose option one. But don’t. Don’t lie down to make it easier for the world to keep you under its thumb. Own your shit and choose yourself.
Raven Kennedy (Glint (The Plated Prisoner, #2))
I will let go of you now. You were my secret. You were in my life, someone whose presence would never be guessed by anyone who knew me. Even though nobody knew that you were in my life, you were the person who brought a raft at every rapid current and helped me cross that water safely. I was happy that you were there. I came to tell you that I was able to travel through my life because I could come to you when I was anxious, not when I was happy.
Shin Kyung-Sook (Please Look After Mom)
You already know I love you,” Park said, shaking his head impatiently. “So today I promise, I vow that I know you love me, too. I never doubt it. How could I when I feel it all the time? I feel it when you make me laugh and then watch with that pleased little look on your face. I feel it when you touch me like I’m special and when you can’t touch me anymore because you’re over-full of sensations, but let me stay by you anyway. I feel so safe in loving you, because I know you love me, too. And it’s the greatest gift of my life.” “You love me,” Cooper said. “Obviously.” And it was, wasn’t it? Park pulled Cooper closer, arms around his waist. “So if you’re the Moon, fine. I’m the sky. If you’re a human, I’m your wolf. If you’re a prickly, sarcastic, awkward, independent, randy-as-hell, secretly good-hearted porcupine, well, then I’m Oliver Park.” “I can’t believe I’m being slandered in my own vows.” “Whatever happens next, whoever we are or whoever they think we are, it doesn’t matter. Because the way we love is already the stuff of legends.” Cooper couldn’t help smiling. “Well. I guess if you say it like that, it doesn’t sound like such a bad life,” he said, leaning in to kiss him, and felt Park’s body sigh into his like it was coming home. No, not a bad life at all.
Charlie Adhara (Cry Wolf (Big Bad Wolf, #5))
Of all arguments against love, none makes so strong an appeal to my nature as "Careful! This might lead you to suffering." To my nature, my temperament, yes. Not to my conscience. When I respond to that appeal I seem to myself to be a thousand miles away from Christ. If I am sure of anything I am sure that His teaching was never meant to confirm my congenital preference for safe investments and limited liabilities. I doubt whether there is anything in me that pleases Him less. And who could conceivably begin to love God on such a prudential ground-- because the security (so to speak) is better? Who could even include it among the grounds for loving?
C.S. Lewis (The Four Loves)
Don't make me happy. Please, don't fill me up and let me think that something good can come of any of this. Look at my bruises. Look at this graze. Do you see the graze inside me? Do you see it growing before your very eyes, eroding me? I don't want to hope for anything anymore. I don't want to pray that Max is alive and safe. Or Alex Steiner. Because the world does not deserve them.
Markus Zusak (The Book Thief)
It was too familiar to Cody. He placed his arms around his wife trying somehow to shelter her from the reality she was facing. There was another reason for his closeness; his desperation to show her he was not one of them, that the tribes of cruel men did not recognize him as one of their own, and to show his wife that his promise to create a safe place for her was a promise she need not fear would be broken. In the innermost part of him, from the secret child that lives within all men, was a scared cry, “Please don’t think I’m bad too.” From the other innermost part of him, the secret animal that prowls in some men was a raging wolf ready to kill. The battle line within the man had been drawn. The boundaries of faith rose up around the rage, warning the soul against righteous anger morphing to blood lust.
Lee Goff (A Wrath Like Thunder (Thunder Trilogy, #2))
He touched the sword he had taken from the ambush. "Aside from this and the trio of juggling stones, I've nothing but the clothes on my back." Well then, tomorrow we'll go-" "No. Prince Ryne told me to make sure you stay in the manor." "It's just into town to buy you a few things. Surely there won't be any danger at the market." I sensed a softening. "And we'll take along Saul or Odd." No. We'll send one of the caregivers with a shopping list," Flea said. "Hey, that's..." He waited. I huffed. "A good idea. But don't be so smug. You're not going to win every argument." "Oh, yes, I am." "Oh, no, you're not." Flea straightened to his full height. When did he get so tall? He rested his hands on his hips. "I am. Prince Ryne trusted me with the task of keeping you safe. And I'm not going to disappoint him." I crossed my arms. "You sound like Kerrick." "Thank you." Uh-huh. You do know I disobeyed almost all of his orders. Right?" I suppressed a grin. "I do. But I'm smarter than Kerrick." "You are?" Oh, yes. I know the magic word." "And what would that be?" "Please.
Maria V. Snyder (Scent of Magic (Healer, #2))
Charles had tried to open the pond and called up for wolf to defeat the black magic and hadn't been able to. Brother Wolf had panicked because Charles had somehow mess up their bond—and then Anna threatened to leave them and Charles had panicked, too. If she hadn't allowed them to make love to her, to reestablish they're claim, things might have gotten... interesting, in the same way that a grizzly attack is interesting. Because neither he nor Brother Wolf was capable of letting her go. It had been a revelation. The bottom line was that he was selfish creature, Charles decided more cheerfully than he'd been about anything in a long time. He guided Anna around a hole in the ground with a subtle push of his hand on her hip. She probably had seen the hole, but it please him to take care of her in such a small way. He was willing to pay any price to keep safe...any price except for losing her.
Patricia Briggs (Fair Game (Alpha & Omega, #3))
Hopefully not another employee stealing credit cards, Brooke mused. Or any sort of headache-inducing “oops moment,” like the time one of the restaurant managers called to ask if he could fire a line cook after discovering that the man was a convicted murderer. “Jeez. How’d you learn that?” Brooke had asked. “He made a joke to one of the waiters about honing his cooking skills in prison. The waiter asked what he’d been serving time for, and he said, ‘Murder.’” “I bet that put an end to the conversation real fast. And yes, you can fire him,” Brooke had said. “Obviously, he lied on his employment application.” All of Sterling’s employees, regardless of job position, were required to answer whether they’d ever been convicted of a crime involving “violence, deceit, or theft.” Pretty safe to say that murder qualified. Ten minutes later, the manager had called her back. “Um . . . what if he didn’t exactly lie? I just double-checked his application, and as it turns out, he did check the box for having been convicted of a crime.” Brooke had paused at that. “And then the next question, where we ask what crime he’d been convicted for, what did he write?” “Uh . . . ‘second-degree murder.’” “I see. Just a crazy suggestion here, Cory, but you might want to start reading these applications a little more closely before making employment offers.” “Please don’t fire me.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
When I fall in love with someone, then that doesn’t “just” happen… When I love someone’s character, over time I’ll see that personality, I love so much, shining through their eyes and fusing with their appearance, turning them in the most beautiful girl in the world. It’s not about appearance, it’s about someone’s beautiful, amazing, wonderful, fantastic personality, you’ll see every time you look at her. It’s about the fact that when you look in her eyes, you just feel home… You forget all your problems, all your fears, you just feel safe, you feel like you’ve finally found a place where you belong… A place you can spend an eternity, where you will spend an eternity, cause those enchanting, beautiful eyes will slow down time and make every second; looking in her beautiful eyes, right into her amazing personality, last more than a lifetime. It’s about the fact that the whole world, the whole universe just looks so much more beautiful!! All of a sudden everything looks different and your heart will just start smiling. That’s what love is all about… the moment someone you only “liked” before, changes into the most aesthetically pleasing girl in the world. The moment you realize how blind you’ve been all those days, how you were living in a fake universe, never knowing that the only thing your life is all about, the only thing that keeps you smiling, was all the time right next to you.
Tom Hiddleston
After blearily looking at the internet a little, then peeing and brushing his teeth and washing his face, he lay in darkness on his mattress, finally allowing the simple insistence of the opioid, like an unending chord progression with a consistently unexpected and pleasing manner of postponing resolution, to accumulate and expand, until his brain and heart and the rest of him were contained within the same songlike beating—of another, larger, protective heart—inside of which, temporarily safe from the outside world, he would shrink into the lunar city of himself and feel and remember strange and forgotten things, mostly from his childhood.
Tao Lin (Taipei)
BE STILL IN MY PRESENCE, even though countless tasks clamor for your attention. Nothing is as important as spending time with Me. While you wait in My Presence, I do My best work within you: transforming you by the renewing of your mind. If you skimp on this time with Me, you may plunge headlong into the wrong activities, missing the richness of what I have planned for you. Do not seek Me primarily for what I can give you. Remember that I, the Giver, am infinitely greater than any gift I might impart to you. Though I delight in blessing My children, I am deeply grieved when My blessings become idols in their hearts. Anything can be an idol if it distracts you from Me as your First Love. When I am the ultimate Desire of your heart, you are safe from the danger of idolatry. As you wait in My Presence, enjoy the greatest gift of all: Christ in you, the hope of Glory! Do not conform any longer to the pattern of this world, but be transformed by the renewing of your mind. Then you will be able to test and approve what God’s will is—his good, pleasing and perfect will. ROMANS 12 : 2
Sarah Young (Jesus Calling, with Scripture References: Enjoying Peace in His Presence (A 365-Day Devotional) (Jesus Calling®))
Gregori glided through the cypress trees, tall, fit,healthy. Even his clothes were immaculate. His hair was shining clean, tied at his nape with a leather thong. His silver eyes were clear, and once more his face was a mask of sensual beauty. "Gary"-the voice, as always, was of purity and strength-"please leave us for a few moments." "Will she be all right?" Gary asked fearfully. In spite of himself, he had checked her pulse several times. "She must be all right," Gregori said very softly. The voice was like velvet, but there was something in it that sent a shiver of apprehension through Gary.If anything happened to Savannah,Gary realized that no one,nothing in the world,would ever be safe again from the Carpathian.He hadn't considered that before,and he had no idea where the knowledge came from, but he knew it absolutely.
Christine Feehan (Dark Magic (Dark, #4))
He doesn’t like Emma and Rachel making plans together. Not because he thinks they’re being devious, but because he doesn’t like feeling left out. Not to mention that when Emma is making plans without him, they’re usually reckless. The only reason she’d keep a secret from him is if she was doing something he didn’t approve of, or didn’t want him to interfere with. After all, her motto is “Better to ask for forgiveness than permission.” Galen despises that motto. “I cleared out the sporting goods store this morning,” Rachel says. “I took what was on the shelf and made them cough up their stock in the back.” Galen tenses up. Emma laughs. “Don’t be jealous, Highness. Rachel still loves you more than she loves me.” “Aww! You guys are fighting over me?” Rachel says, pinching Galen’s cheek. “That’s so adorable.” “I’m not jealous,” he says, trying not to sound pouty. “I just don’t know why we would need life jackets.” “We don’t,” Emma says, wriggling around on his lap so she can face him. Secretly, he’s delighted. “But humans do. And if my job is keeping the humans safe, then I should be prepared, right?” But Galen is too distracted by the close proximity of her mouth to be bothered with the words coming out of it. She must recognize it, because she leans forward as if giving him a chance to make good on his craving. It’s all the invitation he needs. He captures her mouth with his. Life jackets, islands, and airports are forgotten. The only thing that exists is her lips on his, her body pressed into his. Suddenly the creaky office chair is transformed into their own little world. “Uh, I’m just going to get more wine,” Rachel says. He didn’t mean to make her uncomfortable enough to leave. Not good. The last thing we need is privacy and free rein to do as we please. He tries to end it, to pull away, but Emma won’t have it. And it’s difficult for him not to indulge her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Marry me, Thena, please. I tried to sigh and would have managed it, had he left me enough air space. If he intended on kissing me like this a lot, I was going to need a nose-mask and oxygen tanks in the future. Yes, I said reluctantly, I think I must. It was perfectly clear to me that the poor man had become disturbed in his reason, and in those conditions it would be cruel and unfair to send him to space alone, much less when space had become so dangerous. I must marry him, just to make sure he stayed safe. It was the least I could do, since I was fairly sure I'd started him on this road by trying to garrotte him and reducing his supply of oxygen to the brain. Yes, yes, you must, he said. It gets very boring in the Cathouse, without anyone to kick me. Poor man. Madder than a broomer hopped up on oblivium.
Sarah A. Hoyt (DarkShip Thieves (Darkship, #1))
Why the devil couldn’t it have been blue?” I said to myself. And this thought—one of the most profound ever made since the discovery of butterflies—consoled me for my misdeed and reconciled me with myself. I stood there, looking at the corpse with, I confess, a certain sympathy. The butterfly had probably come out of the woods, well-fed and happy, into the sunlight of a beautiful morning. Modest in its demands on life, it had been content to fly about and exhibit its special beauty under the vast cupola of a blue sky, al sky that is always blue for those that have wings. It flew through my open window, entered by room, and found me there. I suppose it had never seen a man; therefore it did not know what a man was. It described an infinite number of circles about my body and saw that I moved, that I had eyes, arms, legs, a divine aspect, and colossal stature. Then it said to itself, “This is probably the maker of butterflies.” The idea overwhelmed it, terrified it; but fear, which is sometimes stimulating, suggested the best way for it to please its creator was to kiss him on the forehead, and so it kissed me on the forehead. When I brushed it away, it rested on the windowpane, saw from there the portrait of my father, and quite possibly perceived a half-truth, i.e., that the man in the picture was the father of the creator of butterflies, and it flew to beg his mercy. Then a blow from a towel ended the adventure. Neither the blue sky’s immensity, nor the flowers’ joy, nor the green leaves’ splendor could protect the creature against a face towel, a few square inches fo cheap linin. Note how excellent it is to be superior to butterflies! For, even if it had been blue, its life would not have been safe; I might have pierced it with a pin and kept it to delight my eyes. It was not blue. This last thought consoled me again. I placed the nail of my middle finger against my thumb, gave the cadaver a flip, and it fell into the garden. It was high time; the provident ants were already gathering around…Yes, I stand by my first idea: I think that it would have been better for the butterfly if it had been born blue.
Machado de Assis (Memórias póstumas de Brás Cubas)
The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colors until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone… His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder, wondering what it was that Snape was waiting for — Then a blinding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand. “Don’t kill me!” “That was not my intention.” Any sound of Dumbledore Apparating had been drowned by the sound of the wind in the branches. He stood before Snape with his robes whipping around him, and his face was illuminated from below in the light cast by his wand. “Well, Severus? What message does Lord Voldemort have for me?” “No — no message — I’m here on my own account!” Snape was wringing his hands. He looked a little mad, with his straggling black hair flying around him. “I — I come with a warning — no, a request — please —” Dumbledore flicked his wand. Though leaves and branches still flew through the night air around them, silence fell on the spot where he and Snape faced each other. “What request could a Death Eater make of me?” “The — the prophecy… the prediction… Trelawney…” “Ah, yes,” said Dumbledore. “How much did you relay to Lord Voldemort?” “Everything — everything I heard!” said Snape. “That is why — it is for that reason — he thinks it means Lily Evans!” “The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July —” “You know what I mean! He thinks it means her son, he is going to hunt her down — kill them all —” “If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?” “I have — I have asked him —” “You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?” Snape said nothing, but merely looked up at Dumbledore. “Hide them all, then,” he croaked. “Keep her — them — safe. Please.” “And what will you give me in return, Severus?” “In — in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Tell me what to do." His warm breath tickled my ear. "Relax." "Please, Noah, I don't want to do this wrong. Tell me how to make you feel good." He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength. His chocolate-brown eyes softened. "Being with you feels good. Touching you-"he tucked a curl behind my ear"-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right." His hand framed my face and his tone was edget with husky authority. "I want you, but only if you want me." I kissed him back, allowing my arms to wrap around him. His fingers gently massaged my neck, releasing the tension, erasing my unease. The kiss became a drug and i craved more with every touch. Our bodies twined so tightly to one another, i had no idea where i began and he ended. Noah felt strong and warm and muscular and safe and he smelled, oh, God, delicious. I couldn't stop kissing him if my life depend it upon it: his lips, his neck, his chest, and Noah seemed as hungry as me. We rolled and we touched and we shed unwanted clothes. I moaned and he moaned and my mind and soul and body stood on the edge of pure ecstasy. And i waited. I waited for that moment of pausing for protection and the burning pain my friends described, but Noah never stopped and the pain never came, not even when i whispered his name and praise God several times in a row. Both of us gasped for air while kissing each other softly and i struggled to comprehend i was still a virgin. He shifted off of me and tugged me close to him. My entire body became lazily warm, happy and sated. I listened to his heartbeat and closed my eyes, enjoying the relaxing pull of his hand in my hair. "Noah," i whispered. "I thought..." we were going to make love. He tipped my chin, forcing me to look at him. "We have forever to work up to that, Echo. Let's enjoy every step of the way." My mind drifted this way and that. Mostly between focusing on his heart, his touch and the sweetest word i had ever heard: forever. One clear thought forced my eyes open. "You 're putting me to sleep." "So?" he asked a little too innocently. I swallowed. "I'll have nightmares." "Then we 'll have an excuse to do this again.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Hey, who are you?” he quacked. “Where are you? What’s going on and is there any way of stopping it?” “Please relax,” said the voice pleasantly, like a stewardess in an airliner with only one wing and two engines, one of which is on fire, “you are perfectly safe.” “But that’s not the point!” raged Ford. “The point is that I am now a perfectly safe penguin, and my colleague here is rapidly running out of limbs!” “It’s all right, I’ve got them back now,” said Arthur. “Two to the power of fifty thousand to one against and falling,” said the voice. “Admittedly,” said Arthur, “they’re longer than I usually like them, but …” “Isn’t there anything,” squawked Ford in avian fury, “you feel you ought to be telling us?
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
I will, I do, Amen, Here Here, Let's eat, drink and be merry. Marriage is the public spectacle of private parts: cheque-books and genitals, house-wares, fainthearts, all doubts becalmed by kissing aunt, a priest's safe homily, those tinkling glasses tightening those ties that truly bind us together forever, dressed to the nines. Darling, I reckon maybe thirty years, given our ages and expectancies. Barring the tragic or untimely, say, ten thousand mornings, ten thousand evenings, please God, ten thousand moistened nights like this, when, mindless of these vows, our opposites, nonetheless, attract. Thus, love's subtactraction: the timeless from the ordinary times -- nine thousand nine hundred ninety-nine.
Thomas Lynch (The Undertaking: Life Studies from the Dismal Trade)
The Janus Guard will also be out that night,” he said, one hand reaching out to squeeze her shoulder. “Just as we have been and will be for every night of the Nine.” “Good.” “Speaking of which—Kelley…” Sonny seemed suddenly exhausted. He turned his face to the west, and she could see the fatigue etched into the lines and planes of his face. “It’s getting late. You need to leave the park. Please. Don’t argue with me this time. Just go. The sun will set soon, and I have to go to work.” He squared his shoulders as though he expected her to put up a fight. She did—a little—but only out of actual concern for him. “Shouldn’t you be taking it easy? I mean, you try to hide it with the whole tough-guy-swagger thing and all, but I saw the bandages. You’re really hurt. Aren’t you?” “It’s not so bad.” “Wow. You are a terrible liar.” He frowned fiercely at her. “You also look like you haven’t slept in a week.” She took a tentative step toward him and put a hand on his chest, looking up into his silver-gray eyes. He put his hand over the top of hers, and she could feel the rhythm of his heart beating under her palm, through his shirt and the bandages. “I’m fine.” “Are you sure?” With his other hand, Sonny reached up and brushed a stray auburn curl out of her eyes. “I’m sure.” He smiled down at her, and she felt her insides melt a little. His whole face changed when he smiled. It was like the sun coming out. “But,” he continued, “I’ll be even better if you are safe at home and I don’t have to worry about you for tonight.” “I can take care of myself, Sonny Flannery,” she bristled, halfheartedly. “Please?” He turned up the wattage on his smile. “I…okay.” She felt her own lips turn up in a shy, answering smile. “I’ll be good. This once.” “That’s my girl.” Kelley was silent. Those three words of Sonny’s had managed to render her utterly speechless.
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
I dreamt of Curran snarling “Fix her!” And Doolittle saying that he wasn’t a god and there was only so much he could do. I dreamt of Julie crying by my bed, of Jim sitting near, of Andrea telling me some frustratingly complicated story . . . The noises blended in my head until finally I could stand it no longer. “Would all of you just be quiet? Please.” I blinked and saw Curran’s face. “Hey,” he said. “Hey.” I smiled. There he was, alive. I was alive. “I was telling the people in my head to shut up.” “They have medication for that.” “I probably can’t afford it.” He caressed my cheek. “You came for me,” I whispered. “Always,” he told me. “You’re a damn idiot. Trying to throw your life away?” “Just staying sharp. Keeping you safe keeps me in shape.” He leaned in and kissed me softly on the lips. I reached for him and he hugged me to him and held on for a long moment. I closed my eyes, smiling at the simple pleasure of his skin on mine.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
I think that many people will intentionally overlook all of the lifeless facts about their relationship with their significant other, just because they do not want to go through the trouble of breaking up, because it's safe, because other people expect it of them, because there is a fear of being alone... and in the process of doing this, they miss out on the life that is meant for them. Our lives must not be lived to be safe, to be out of trouble, to meet the expectations of others, and to avoid fear. On the contrary, our lives must be lived with courage, which can only be present if there is fear; our lives must be lived for what we know in our hearts is for us, not for what other people believe is for us; our lives must be lived even when it is not safe and even when things are troublesome. To die in full knowledge that you have pleased everyone safely, or to die in full knowledge that you seized what you knew was meant for you -- which way do you choose to die? Because that is the way you must choose to live!
C. JoyBell C.
I pray where I am, sitting by the window, looking out through the curtain at the empty garden. I don't even close my eyes. Out there or inside my head, it's an equal darkness. Or light. My God. Who Art in the Kingdom of Heaven, which is within. I wish you would tell me Your Name, the real one I mean. But You will do as well as anything. I wish I knew what You were up to. But whatever it is, help me to get through it, please. Though maybe it's not our doing: I don't believe for an instant that what's going on out there is what You meant. I have enough daily bread, so I won't waste time on that. It isn't the main problem. The problem is getting it down without choking on it. Now we come to forgiveness. Don't worry about forgiving me right now. There are more important things. For instance: keep the others safe, if they are safe. Don't let them suffer too much. If they have to die, let it be fast. You might even provide a Heaven for them. We need You for that. Hell we can make for ourselves. I suppose I should say I forgive whoever did this, and whatever they're doing now. I'll try, but it isn't easy. Temptation comes next. At the Center, temptation was anything much more than eating and sleeping. Knowing was a temptation. What you don't know won't tempt you, Aunt Lydia used to say. Maybe I don't really want to know what's going on. Maybe I'd rather not know. Maybe I couldn't bear to know. The Fall was a fall from innocence to knowledge. I think about the chandelier too much, though it's gone now. But you could use a hook, in the closet. I've considered the possibilities. All you'd have to do, after attaching yourself, would be to lean your weight forward and not fight. Deliver us from evil. Then there's Kingdom, power, and glory. It takes a lot to believe in those right now. But I'll try it anyway. In Hope, as they say on the gravestones. You must feel pretty ripped off. I guess it's not the first time. If I were You I'd be fed up. I'd really be sick of it. I guess that's the difference between us. I feel very unreal talking to You like this. I fee as if I'm talking to a wall. I wish You'd answer. I feel so alone. All alone by the telephone. Except that I can't use the telephone. And if I could, who could I call? Oh God. It's no joke. Oh God oh God. How can I keep on living.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
When your body is clear there is control. When your body is clear you can choose whom to let in. There is love everywhere. Please cradle my rabbit heart. Please navigate yourself around me well. I know too much. I can recognize darkness because he is my brother, my maker. I can drink lightness because it is the only way to survive. I can shut off my heart but that leads to evil, so I express her and revel in the nuance of blood currents, and the sacred demons. I fear and quake with my eyes darting fight or flight love or die. The lightning comes from below this time and rips out of my throat for the world to see. They all see my rabbit and I have trained her to hunt. In her perfect glory she is shy and extroverted, chaste and perverted, my sweet near-death more alive than ever. Take her. Take me while I am ripe and open, rub berries on my lips and bear fat in my hair. Tattoo me with a needle and impale me with your warmth. Heal me, fuck me, and work my heart till she beats strong and unafraid. Haunches bared, teeth sharpened, wide-eyed and aware. Hurry. I want to feel safe.
Tanya Tagaq (Split Tooth)
I had to hide. I couldn’t let him take me to the police station, but I also couldn’t dial 911 to get them help. Maybe if I waited it out, they’d get better on their own? I dashed toward the storage tubs on the other side of the garage, squeezing past the front of Mom’s car. One, maybe two steps more, and I would have jumped inside the closest tub and buried myself under a pile of blankets. The garage door rolled open first. Not all the way—just enough that I could see the snow on the driveway, and grass, and the bottom half of a dark uniform. I squinted, holding a hand up to the blinding blanket of white light that seemed to settle over my vision. My head started pounding, a thousand times worse than before. The man in the dark uniform knelt down in the snow, his eyes hidden by sunglasses. I hadn’t seen him before, but I certainly hadn’t met all the police officers at my dad’s station. This one looked older. Harder, I remembered thinking. He waved me forward again, saying, “We’re here to help you. Please come outside.” I took a tentative step, then another. This man is a police officer, I told myself. Mom and Dad are sick, and they need help. His navy uniform looked darker the closer I got, like it was drenched straight through with rain. “My parents…” The officer didn’t let me finish. “Come out here, honey. You’re safe now.” It wasn’t until my bare toes brushed up against the snow, and the man had wrapped my long hair around his fist and yanked me through the opening, that I even realized his uniform was black.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…” A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…” When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment. “What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.” Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her. Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.” The image was so absurd that Elizabeth chuckled. Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped. Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“ Ian realized what she was asking for, but he responded with a questioning lift of his brows. “I-“ she began, uncomfortably aware of the knowing look in his eyes. “Yes?” he prompted. “I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms. “Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.” “What!” “You heard me.” “Of all the arrogant-“ He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
Judith McNaught (Almost Heaven (Sequels, #3))
And now let’s move to news concerning the wizard who is proving just as elusive as Harry Potter. We like to refer to him as the Chief Death Eater, and here to give his views on some of the more insane rumors circulating about him, I’d like to introduce a new correspondent: Rodent.” “‘Rodent’?” said yet another familiar voice, and Harry, Ron, and Hermione cried out together: “Fred!” “No—is it George?” “It’s Fred, I think,” said Ron, leaning in closer, as whichever twin it was said, “I’m not being ‘Rodent,’ no way, I told you I wanted to be ‘Rapier’!” “Oh, all right then. ‘Rapier,’ could you please give us your take on the various stories we’ve been hearing about the Chief Death Eater?” “Yes, River, I can,” said Fred. “As our listeners will know, unless they’ve taken refuse at the bottom of a garden pond or somewhere similar, You-Know-Who’s strategy of remaining in the shadows is creating a nice little climate of panic. Mind you, if all the alleged sightings of him are genuine, we must have a good nineteen You-Know-Who’s running around the place.” “Which suits him, of course,” said Kingsley. “The air of mystery is creating more terror than actually showing himself.” “Agreed,” said Fred. “So, people, let’s try and calm down a bit. Things are bad enough without inventing stuff as well. For instance, this new idea that You-Know-Who can kill with a single glance from his eyes. That’s a basilisk, listeners. One simple test: Check whether the thing that’s glaring at you has got legs. If it has, it’s safe to look into his eyes, although if it really is You-Know-Who, that’s still likely to be the last thing you ever do.” For the first time in weeks and weeks, Harry was laughing: He could feel the weight of tension leaving him. “And the rumors that he keeps being sighted abroad?” asked Lee. “Well, who wouldn’t want a nice little holiday after all the hard work he’s been putting in?” asked Fred. “Point is, people, don’t get lulled into a false sense of security, thinking he’s out of the country. Maybe he is, maybe he isn’t, but the fact remains he can move faster than Severus Snape confronted with shampoo when he wants to, so don’t count on him being a long way away if you’re planning on taking any risks. I never thought I’d hear myself say it, but safety first!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I would trust you with my life. I'm betting that something evil would appear pleasing but feel foul." Gregori's glittering silver eyes settled on his face, a glimmer of warmth in them, a hint of humor. "You are already trusting me with your life." Savannah leaned into Gregori. "I'm so proud of you. You're getting this humor thing down." She looked across the table at Gary, laughter dancing in her enormous blue eyes. "He has a little trouble with the concept of humor." Gary found himself laughing with her. "I can believe that." "Watch it,kid. There is no need to be disrespectful. Do not make the mistake of believing you can get away with it the way this one does." Gregori tugged at Savannah's long ebony hair. It hung to her waist, a fall of blue-black silk that moved with a life of its own, that tempted, invited men to touch it. "So,what are you going to do about me?" Gary ventured painfully. Savannah resisted the urge to touch him sympathetically. She was naturally demonstrative, naturally affectionate. When someone was upset, she needed to make things better.Gregori inhibited her normal tendency to comfort. I cannot change what I am, ma petite,he whispered softly in her mind, a slow,soothing black-velvet drawl. His voice wrapped her up and touched her with tenderness. I can only promise to keep you safe and to try to make you as happy as I can to make up for my deficiencies. I didn't say you had deficiencies, she returned softly, her voice a caress, fingers trailing over the back of his neck, down the muscles of his back. Need slammed into him, low and wicked. His skin crawled with fire. His silver eyes slid slowly, possessively over her, touching her body with tongues of flame. Touching. Caressing. His urgent need exploded in him like a volcano. In his head a dull roar began. Abruptly he wished Gary gone. The cafe gone. The world gone.He wasn't altogether certain he could wait until he was home with her. The riverbank as suddenly looking very inviting.
Christine Feehan (Dark Magic (Dark, #4))
As soon as she releases me, Galen grabs my hand and I don’t even have time to gasp before he snatches me to the surface and pulls me toward shore, only pausing to dislodge his pair of swimming trunks from under his favorite rock, where he had just moments before taken the time to hide them. I know the routine and turn away so he can change, but it seems like no time before he hauls me onto the beach and drags me to the sand dunes in front of my house. “What are we doing?” I ask. His legs are longer than mine so for every two of his strides I have to take three, which feels a lot like running. He stops us in between the dunes. “I’m doing something that is none of anyone else’s business.” Then he jerks me up against him and crushes his mouth on mine. And I see why he didn’t want an audience for this kiss. I wouldn’t want an audience for this kiss, either, especially if the audience included my mother. This is our first kiss after he announced that he wanted me for his mate. This kiss holds promises of things to come. When he pulls away I feel drunk and excited and nervous and filled with a craving that I’m not sure can ever be satisfied. And Galen looks startled. “Maybe I shouldn’t have done that,” he says. “That makes it about fifty times harder to leave, I think.” He tucks my head under his chin and I wrap my arms around him until both our breathing returns to normal. I take the time to soak in his scent, his warmth, the hard contours of his-well, his everything. It’s really not fair that he has to leave when he’s only just gotten back. We didn’t have much time to talk on the way back home. We haven’t had much time for anything. “Emma,” he murmurs. “The water isn’t safe for you right now. Please don’t get in it. Please.” “I won’t.” I really won’t. He said please, after all. He lifts my chin with the crook of his finger. His eyes hold all the gentleness and love in the world, with a pinch of mischief. “And take good notes in calculus, or I’ll be forced to cheat off you and for some weird reason that makes me feel guilty.” I wonder what Grom the Triton king would think of that. That Galen basically just stated his intention to keep doing human things. Galen pushes his lips against my forehead, then disentangles himself from me and leads me back toward the water. My body feels ten degrees cooler when his arms fall, and it’s got nothing to do with the temperature outside. We reach the others just in time to see Rayna all but throw herself at Toraf. I can’t help but smile as they kiss. It’s like watching Beauty and the Beast. And Toraf’s not the Beast.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.
Carol Ann Duffy (The World's Wife)
Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.
Maggie Callanan (Final Gifts: Understanding the Special Awareness, Needs, and Co)
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
David Vann (Aquarium)
I’m okay. I think all this isolation, and all the extra security stuff, is just starting to wear on me. I’m going a little stir-crazy being cooped up all the time.” She tried to explain her sulky mood. “Especially with Homecoming this weekend. The idea of sitting around here, while everyone else is out having fun, just sucks.” He didn’t react the way she’d expected him to react. She’d expected some more sympathy, and maybe even some suggestive comments about the two of them being left alone together. What she didn’t expect was for him to smile at her. But he did. And it was his sideways smile, which told Violet that he knew something she didn’t. “What?” she demanded adamantly. He grinned. He was definitely keeping something from her. “Tell me!” she insisted, glowering at him. “I don’t know . . .” he teased her. “I’m not sure you deserve it.” She punched him in the arm for making her beg. “Please, just tell me.” He laughed at her. “Fine. I give up. Bully.” He pretended to rub his arm where she’d hit him. “What if I were to tell you that . . .”—he dragged it out, making her lean closer in anticipation, his crooked smile lighting up his face—“. . . we’re still going to the dance?” Violet was speechless. That wasn’t at all what she’d expected him to say. “Yeah, right,” she retorted cynically. “My parents barely let me go to school, let alone go to the dance.” “You’re right, they didn’t want you to go, but we talked about it, and even your uncle Stephen helped out. The football game was definitely out of the question; there are just too many people coming and going, and there’re no restrictions for getting in. But the dance is at school, in the gym. Only students and their dates can get in, and your uncle said he was already planning to have extra security there. So, as long as I promise to keep a close eye on you . . . which I do”—his voice suggested that the last part had nothing to do with keeping her safe, and Violet felt her cheeks flushing in response—“your parents have agreed to let you go.” She glanced down at her ankle, double-wrapped in Ace bandages, and completely useless. “But I can’t dance.” She felt crestfallen. He slid his finger beneath her shin and lifted it up so that she was staring into his eyes. “I don’t care at all if we dance. I just want to take my girlfriend”—his emphasis on the word gave her goose bumps, and she smiled—“to Homecoming.” They stayed there like that, with their eyes locked and unspoken meaning passing between them, for several long, electrifying moments. Violet was the first to break the spell. “Lissie’ll be there,” she stated in a voice that was devoid of any real jealousy. Jay shook his head, still gazing at her intently. “I won’t even notice her. I won’t be able to take my eyes off you.” Violet was glad she was already sitting, because his words made her feel weak and fluttery. The corner of her mouth twitched upward with satisfaction. “Not if I have any say in it, you won’t,” she answered.
Kimberly Derting (The Body Finder (The Body Finder, #1))