Player Piano Quotes

I want to stand as close to the edge as I can without going over. Out on the edge you see all kinds of things you can't see from the center.

And a step backward, after making a wrong turn, is a step in the right direction.

If I were a piano player, I'd play it in the goddam closet.

My choice early in life was either to be a piano player in a whorehouse or a politician. And to tell the truth, there’s hardly any difference.

The main business of humanity is to do a good job of being human beings," said Paul, "not to serve as appendages to machines, institutions, and systems.

Those who live by electronics, die by electronics. Sic semper tyrannis.

Don't shoot me, I'm just the piano player!

I'd swear to God, if I were a piano player or an actor or something and all those dopes thought I was terrific, I'd hate it. I wouldn't even want them to clap for me. People always clap for the wrong things. If I were a piano player, I'd play it in the goddam closet.

Out on the edge you see all kinds of things you can't see from the center. [...] Big, undreamed-of things--the people on the edge see them first.

Don't put one foot in your job and the other in your dream, Ed. Go ahead and quit, or resign yourself to this life. It's just too much of a temptation for fate to split you right up the middle before you've made up your mind which way to go.

If it weren't for the people, the god-damn people' said Finnerty, 'always getting tangled up in the machinery. If it weren't for them, the world would be an engineer's paradise.

I see the player piano as the grandfather of the computer, the ancestor of the entire nightmare we live in, the birth of the binary world where there is no option other than yes or no and where there is no refuge.

You think I'm insane?" said Finnerty. Apparently he wanted more of a reaction than Paul had given him. "You're still in touch. I guess that's the test." "Barely — barely." "A psychiatrist could help. There's a good man in Albany." Finnerty shook his head. "He'd pull me back into the center, and I want to stay as close to the edge as I can without going over. Out on the edge you see all kinds of things you can't see from the center." He nodded, "Big, undreamed-of things — the people on the edge see them first.

That man's got a lot of get up and go," said Anita. "He fills me full of lie down and die," said Paul.

Anybody that competes with slaves becomes a slave," said Harrison thickly, and he left.

Nobody’s so damn well educated that you can’t learn ninety per cent of what he knows in six weeks. The other ten per cent is decoration.

Meditation practice is like piano scales, basketball drills, ballroom dance class. Practice requires discipline; it can be tedious; it is necessary. After you have practiced enough, you become more skilled at the art form itself. You do not practice to become a great scale player or drill champion. You practice to become a musician or athlete. Likewise, one does not practice meditation to become a great meditator. We meditate to wake up and live, to become skilled at the art of living.

It isn't knowledge that's making trouble, but the uses it's put to.

I know a flute player is technically called a "flautist," but something about it sounds a little sketchy, as does "pianist," so I will refrain.

Almost nobody’s competent, Paul. It’s enough to make you cry to see how bad most people are at their jobs. If you can do a half-assed job of anything, you’re a one-eyed man in the kingdom of the blind.

He would make a good lamp post if he'd weather better and didn't have to eat.

I have graded my separate works from A to D. The grades I hand out to myself do not place me in literary history. I am comparing myself with myself. Thus can I give myself an A-plus for Cat’s Cradle, while knowing that there was a writer named William Shakespeare. The report card is chronological, so you can plot my rise and fall on graph paper, if you like: Player Piano B The Sirens of Titan A Mother Night A Cat’s Cradle A-plus God Bless You, Mr. Rosewater A Slaughterhouse-Five A-plus Welcome to the Monkey House B-minus Happy Birthday, Wanda June D Breakfast of Champions C Wampeters, Foma & Grandfalloons C Slapstick D Jailbird A Palm Sunday C

It's just that I'm curious, that's all. He usually walks alone" "Yeah, he's a loner, all right," the waitress murmured. "Even when he's with someone, he's alone.

My life has been guided by an unseen piano player, who is actually typing this now.

I took a sip from my second martini, feeling as decadent as one of those jazz piano players who smoke a lot and drink a lot and are found dead in a gutter at the end of every film.

Sordid things, for the most part, are what make human beings, my father included, move. That's what it is to be human, I'm afraid.

Don't you see, Doctor?" said Lasher. "The machines are to practically everbody what the white men were to the Indians. People are finding that, because of the way the machines are changing the world, more and more of their old values don't apply any more. People have no choice but to become second-rate machines themselves, or wards of the machines.

Like the piano player, I have memory in my fingertips. I watch words spill out creating worlds, inventing colors, bridging generations.

He watched his brother find peace of mind through psychiatry. That’s why he won’t have anything to do with it. I don’t follow. Isn’t his brother happy? Utterly and always happy. And my husband says somebody’s just got to be maladjusted; that somebody’s got to be uncomfortable enough to wonder where people are, where they’re going, and why they’re going there.

What do you expect?" he said. "For generations they've been built up to worship competition and the market, productivity and economic usefulness, and the envy of their fellow men-and boom! it's all yanked out from under them. They can't participate, can't be useful any more. Their whole culture's been shot to hell.

Well, it just don’t seem like nobody feels he’s worth a crap to nobody no more, and it’s a hell of a screwy thing, people gettin’ buggered by things they made theirselves.

The main business of humanity is to do a good job of being human beings,

Not slaves,” said Halyard, chuckling patronizingly. “Citizens, employed by government.

They were exactly the same morons that laugh like hyenas in the movies at stuff that isn't funny. I swear to God, if I were a piano player or an actor or something and all those dopes thought I was terrific, I'd hate it. I wouldn't even want them to clap for me. People always clap for the wrong things.

He took another drink, licked his lips and leaned back with his eyes closed for a minute, listening. Marion closed her eyes and just leaned against his chest, feeling the weight and security of his arm around her, moving her toes slightly in time to the music. That last hash and the chartreuse really did it. She felt fine. She felt warm. She felt at home. Trane had just finished a chorus and the piano player came in and Marion muttered a soft, Yeah.

I became a so-called science fiction writer when someone decreed that I was a science fiction writer. I did not want to be classified as one, so I wondered in what way I'd offended that I would not get credit for being a serious writer. I decided that it was because I wrote about technology, and most fine American writers know nothing about technology. I got classified as a science fiction writer simply because I wrote about Schenectady, New York. My first book, Player Piano, was about Schenectady. There are huge factories in Schenectady and nothing else. I and my associates were engineers, physicists, chemists, and mathematicians. And when I wrote about the General Electric Company and Schenectady, it seemed a fantasy of the future to critics who had never seen the place.

Between a book's covers there may be passion, bile, mayhem, or murder, but in the quiet spaces where it awaits its fate (either acceptance of indifference) all is calm.

Ilium, New York, is divided into three parts.

But there’s two kinds of work, kid, work and hard work. If you want to stand out, have something to sell, you got to do hard work. Pick out something impossible and do it, or be a bum the rest of your life.

Oliver came up to me and asked me to play something on the piano. 'What would you like?' I asked. 'Anything.' This would be my thanks for the most beautiful evening of my life. I took a sip from my second martini, feeling as decadent as one of those jazz piano players who smoke a lot and drink a lot and are found dead in a gutter at the end of every film.

And the charming little cottage he'd taken as a symbol of the good life of a farmer was as irrelevant as a statue of Venus at the gate of a sewage-disposal plant.

He said goodbye and good luck, and that some of the greatest prophets were crazy as bedbugs.

...three thousand dream houses for three thousand families with presumably identical dreams.

Things, gentlemen, are ripe for a phony Messiah, and when he comes, it's sure to be a bloody business.

And the lawyers! Of course, I say it’s a pretty good thing what happened to them, because it was a bad thing for them, which couldn’t help to be a good thing for everybody else.

Everything you think you think because somebody promoted the ideas. Education—nothing but promotion.

For the sum of everything was a circle, and the circle was labelled Zero

It was a beautifully simple picture these procession leaders had. It was as though a navigator, in order to free his mind of worries, had erased all the reefs from his maps." - Chapter 21

But, to Shepherd, life seemed to be laid out like a golf course, with a series of beginnings, hazards, and ends, and with a definite summing up—for comparison with others scores—after each hole.

Well, you know, in a way I wish I hadn't met you two. It's much more convenient to think of the opposition as a nice homogeneous, dead-wrong mass. Now I've got to muddy my thinking with exceptions.

He knew with all his heart that the human situation was a frightful botch, but it was such a logical, intelligently arrived-at botch that he couldn't see how history could possibly have led anywhere else.

11. I am inclined to say: I 'point' in different senses to this body, to its shape, to its colour, etc.--What does that mean? What does it mean to say I 'hear' in a different sense the piano, its sound, the piece, the player, his fluency? I 'marry', in one sense a woman, in another her money.

But wether I am faking on a player piano, or striking the chords with the power of my own mind and hands, the song of my life is equally suspenseful and full of surprises as it rolls off the pulsating sounding board of destiny - a barcarole that either way will leave, I hope, happy echoes behind

You think I'm insane?" said Finnerty. Apparently he wanted more of a reaction than Paul had given him. "You're still in touch. I Guess that's the test." "Barely-barely." "A psychiatrist could help. There's a good man in Albany." Finnerty shook his head. "He'd pull me back into the center, and I want to stay as close to the edge as I can without going over. Out there on the edge you see all the kinds of things you can't see from the center." He nodded, "Big, undreamed-of things--the people on the edge see them first.

Without regard for the wishes of men, any machines or techniques or forms of organization that can economically replace men do replace men. Replacement is not necessarily bad, but to do it without regard for the wishes of men is lawlessness.

I love people who play guitars on roofs!" said Rose, hopping along the pavement in one of her sudden happy moods. "Don't you?" "Never knew anyone else who did it!" "Don't you like Tom?" "Of course I do. But I don't know about all the other guitar-on-roof players! They might be really awful people, with just that one good thing about them. Playing guitars on roofs... or bagpipes... Or drums... Sarah would like that, and Saffy could have the bagpipes! Caddy could have a harp.... What about Mum?" "One of those gourds filled with beans!" said Rose at once. "And Daddy could have a grand piano. On a flat roof. With a balcony and pink flowers in pots around the edge! And I'll have a very loud trumpet! What about you?" "I'll just listen," said Indigo.

It was an archaic expression of friendship by an undisciplined man in an age when most men seemed in mortal fear of being mistaken for pansies for even a split second.

On the subject of Egypt, Ellen Cherry was so vague she thought Ramses II was a jazz piano player. From that, we might conclude that she was equally dumb about jazz.

It’s just a hell of a time to be alive,

the bureaucracy gets ridiculous and the legal implications of opening your mouth has you more concerned about losing your job than actually solving the problem.

They had been the rioters, the smashers of machines.

Piano player's gone," Scarlett said. "That's always a bad sign.

There's nothing fragile about this one. That ain't a fragile nose or mouth or chin, and yet it's female, more female than them fragile-pretty types who look more like ornaments than girls.

I swear to God, if I were a piano player or an actor or something and all those dopes thought I was terrific, I’d hate it. I wouldn’t even want them to clap for me. People always clap for the wrong things.

The machines are to practically everybody what the white men were to the Indians. People are finding that, because of the way the machines are changing the world, more and more of their old values don’t apply any more. People have no choice but to become second-rate machines themselves, or wards of the machines.

To the people who were going to be replaced by machines, maybe. A third one, eh? In a way, I guess the third one’s been going on for some time, if you mean thinking machines. That would be the third revolution, I guess—machines that devaluate human thinking. Some of the big computers like EPICAC do that all right, in specialized fields.

Of course you’re right. It’s just a hell of a time to be alive, is all—just this goddamn messy business of people having to get used to new ideas. And people just don’t, that’s all. I wish this were a hundred years from now, with everybody used to the change.

The Sovereignty of the United States resides in the people, not in the machines, and it's the people's to take back, if they so wish. The machines," said Paul, "have exceeded the personal sovereignty willingly surrendered to them by the American people for the good government. Machines and organization and pursuit of efficiency have robbed the American people of liberty and the pursuit of happiness.

When we'd gone to Disneyland, the tree house had been my favorite thing in the whole park. If only I'd had no parents watching my every move, if only I'd been a happy, carefree orphan, I'd have hidden under the player piano until everything closed, and then taken up residence there

If Checker Charley was out to make chumps out of men, he could damn well fix his own connections. Paul looks after his own circuits; let Charley do the same. Those who live by electronics, die by electronics. Sic semper tyrannis.” He gathered up the bills from the table. “Good night.

Ted has a friend that owns a club. They’re looking for a piano player on Thursday nights. I was thinking about it…” Blake trailed off. “I think that sounds wonderful,” Livia said immediately. “You’ll be terrific, and I’ll be front and center, every Thursday night.” She smiled again, wondering if he could feel it.

Yesterday’s snow job becomes today’s sermon.

And what does an anthropologist do these days?" sad Paul. "Same thing a supernumerary minister does--becomes a public charge, a bore, or possibly a rum-dum, or a bureaucrat.

Sordid things, for the most part, are what make human beings, my father included, move. That's what it is to be human, I'm afraid.

If only it weren’t for the people, the goddamned people,” said Finnerty, “always getting tangled up in the machinery. If it weren’t for them, earth would be an engineer’s paradise.

Those who live by electronics, die by electronics. Sic semper tyrannis.

Objectively, know-how and world law were getting their long-awaited chance to turn earth into an altogether pleasant and convenient place in which to sweat out Judgment Day.

It's fresh to you because you're too young to know anything but the way things are now. Actually, it is kind of incredible that things were ever any other way, isn't it?

It was an appalling thought, to be so well-integrated into the machinery of society and history as to be able to move in only one plane, and along one line.

When he was with Finnerty he liked to pretend that he shared the man’s fantastic and alternately brilliant or black inner thoughts—almost as though he were discontent with his own relative tranquility.

Sooner or later someone's going to catch the imagination of these people with some new magic. At the bottom of it will be a promise of regaining the feeling of participation, the feeling of being neede on earth - hell, dignity. The police are bright enough to look for people like that, and lock them up under the antisabotage laws. But sooner or later someone's going keep out of thei site long enough to organize a following.

At this point in history, 1952 A.D., our lives and freedom depend largely upon the skill and imagination and courage of our managers and engineers, and I hope that God will help them to help us all stay alive and free.

The record," said Finnerty, and he seemed satisfied with the toast. He had got what he wanted from the revolution, Paul supposed--a chance to give a savage blow to a close little society that made no comfortable place for him.

This crusading spirit of the managers and engineers, the idea of designing and manufacturing and distributing being sort of a holy war: all that folklore was cooked up by public relations and advertising men hired by managers and engineers to make big business popular in the old days, which it certainly wasn't in the beginning. Now, the engineers and managers believe with all their hearts the glorious things their forebears hired people to say about them. Yesterday's snow job becomes today's sermon.

I’m not too sure what the name of the song was that he was playing when I came in, but whatever it was, he was really stinking it up. He was putting all these dumb, show-offy ripples in the high notes, and a lot of other very tricky stuff that gives me a pain in the ass. You should’ve heard the crowd, though, when he was finished. You would’ve puked. They went mad. They were exactly the same morons that laugh like hyenas in the movies at stuff that isn’t funny. I swear to God, if I were a piano player or an actor or something and all those dopes though I was terrific, I’d hate it. I wouldn’t even want them to clap for me. People always clap for the wrong things. If I were a piano player, I’d play it in the goddam closet. Anyway, when he was finished, and everybody was clapping their heads off, old Ernie turned around on his stool and gave this very phony, humble bow. Like as if he was a helluva humble guy, besides being a terrific piano player. It was very phony—I mean him being such a big snob and all. In a funny way, though, I felt sort of sorry for him when he was finished. I don’t even think he knows any more when he’s playing right or not. It isn’t all his fault. I partly blame all those dopes that clap their heads off—they’d foul up anybody, if you gave them a chance.

I'm not too sure what the name of the song was that he was playing when I came in, but whatever it was, he was really stinking it up. He was putting all these dumb, show-offy ripples in the high notes, and a lot of other very tricky stuff that gives me a pain in the ass. You should've heard the crowd, though, when he was finished... They went mad... I swear to God, if I were a piano player or an actor or something and all those dopes thought I was terrific, I'd hate it. I wouldn't even want them to clap for me.

Lasher smiled sadly. "The great American indvidual," he said. "Thinks he's the embodiment of liberal thought throughout the ages. Stands on his own two feet, by God, alone and motionless. He'd make a good lamp post, if he'd weather better and didn't have to eat.

He had approached the villa on that night of the storm not out of curiosity about the music but because of a danger to the piano player. The retreating army often left pencil mines within musical instruments. Returning owners opened up pianos and lost their hands.

And another nice thing about war—not that anything about war is nice, I guess—is that while it’s going on and you’re in it, you never worry about doing the right thing. See? Up there, fighting and all, you couldn’t be righter. You could of been a heller at home and made a lot of people unhappy and all, and been a dumb, mean bastard, but you’re king over there—king to everybody, and especially to yourself. This above all, be true to yourself, and you can’t be false to anybody else, and that’s it—in a hole, being shot at and shooting back.

Three ancient musicians hunched there— piano, guitar, accordion. None of them looked less than seventy years old, the accordion player so frail each time he swayed his shoulders around a corner of the melody Geryon feared the accordion would crush him flat. It gradually became clear that nothing could crush this man. Hardly glancing at one another the three of them played as one person, in a state of pure discovery. They tore clear and clicked and locked and unlocked, they shot their eyebrows up and down. They leaned together and wove apart, they rose and cut away and stalked one another and flew up in a cloud and sank back down on waves.

Call yourself a doctor, too, do you?” said Mr. Haycox. “I think I can say without fear of contradiction that I earned that degree,” said Doctor Pond coolly. “My thesis was the third longest in any field in the country that year—eight hundred and ninety-six pages, double-spaced, with narrow margins.” “Real-estate salesman,” said Mr. Haycox. He looked back and forth between Paul and Doctor Pond, waiting for them to say something worth his attention. When they’d failed to rally after twenty seconds, he turned to go. “I’m doctor of cowshit, pigshit, and chickenshit,” he said. “When you doctors figure out what you want, you’ll find me out in the barn shoveling my thesis.

I think the way to stop it is to shrug it off. Or take it with your tongue in your cheek. Sure, that's the system. At any rate, it's the system that works for you. It's the automatic control board that keeps you out there where nothing matters, where it's only you and the keyboard and nothing else. Because it's gotta be that way. You gotta stay clear of anything serious.

Please, what are public relations?” said Khashdrahr. “That profession,” said Halyard, quoting by memory from the Manual, “that profession specializing in the cultivation, by applied psychology in mass communication media, of favorable public opinion with regard to controversial issues and institutions, without being offensive to anyone of importance, and with the continued stability of the economy and society its primary goal.

I will say you've shown up what thin stuff clergymen were peddling, most of them. When I had a congregation before the war, I used to tell them that the life of their spirit in relation to God was the biggest thing in their lives, and that their part in the economy was nothing by comparison. Now, you people have engineered them out of their part in the economy, in the market place, and they're finding out--most of them--that what's left is just about zero. A good bit short of enough, anyway.

Even Europe joined in. With the most modest friendliness, explaining that they wished not to intrude on American domestic politics but only to express personal admiration for that great Western advocate of peace and prosperity, Berzelius Windrip, there came representatives of certain foreign powers, lecturing throughout the land: General Balbo, so popular here because of his leadership of the flight from Italy to Chicago in 1933; a scholar who, though he now lived in Germany and was an inspiration to all patriotic leaders of German Recovery, yet had graduated from Harvard University and had been the most popular piano-player in his class—namely, Dr. Ernst (Putzi) Hanfstängl; and Great Britain's lion of diplomacy, the Gladstone of the 1930's, the handsome and gracious Lord Lossiemouth who, as Prime Minister, had been known as the Rt. Hon. Ramsay MacDonald, P.C. All three of them were expensively entertained by the wives of manufacturers, and they persuaded many millionaires who, in the refinement of wealth, had considered Buzz vulgar, that actually he was the world's one hope of efficient international commerce.

His performance was also intensely visual, with his volatile movements in front of the piano, and his cries and wild vocal accompaniment to his playing, all of which spoke eloquently of his extraordinary passion for the instrument and the music he coaxed, tickled and sometimes pounded out of him. Many critics were put off by all this, thinking it was a mere outward show- and therefore insincere. In fact it is an essential part of music-making for Jarrett, his way of achieving his state of grace… the ecstasy of inspiration. Miles Davis understood that immediately, and so did most other musicians. Jack DeJohonette says: “The one thing that struck me about Keith, that made him stand out from other players, was that he really has a love affair with the piano, it’s a relationship with that instrument… Keith’s hands are actually quire small but because of that he can do things that a person like myself, or other pianists with normal hand spans, can’t do… it enables him to overlap certain chord sequences and do rhythmic things and contrapuntal lines and get these effects of like, four people playing the piano… But I’ve never seen anybody just have such a rapport with their instrument and know its limitations but also push them to the limits, transcend the instrument – which is what I try and do with the drums as well.

The four had come to an exciting decision" during the six months of the blockade threatened by the authorities, they would make the ruins a laboratory, a demonstration of how well and happily men could live with virtually no machines. They saw now the common man's wisdom in wrecking practically everything. That was the way to do it, and the hell with moderation! "All right, so we'll heat our water and cook our food and light and warm our homes with wood fires," said Lasher. "And walk wherever we're going," said Finnerty. "And read books instead of watching television," said von Neumann. "The Renaissance comes to upstate New York! We'll rediscover the two greatest wonders of the world, the human mind and hand.

We have some great museums. You'd love the lake." "I don't know that I can enjoy any kind of water anymore." "Why not?" I already knew. "After that little girl, little Ann Nash, was left in the creek to drown." She paused to take a sip of her iced tea. "I knew her, you know." Amma whined and began fidgeting in her seat. "She wasn't drowned though," I said, knowing my correction would annoy her. "She was strangled. She just ended up in the creek." "And then the Keene girl. I was fond of both of them. Very fond." She stared away wistfully, and Alan put his hand over hers. Amma stood up, released a little scream the way an excited puppy might suddenly bark, and ran upstairs. "Poor thing," my mother said. "She's having nearly as hard a time as I am." "She actually saw the girls every day, so I'm sure she is," I said peevishly in spite of myself. "How did you know them?" "Wind Gap, I need not remind you, is a small town. They were sweet, beautiful little girls. Just beautiful." "But you didn't really know them." "I did know them. I knew them well." "How?" "Camille, please try not to do this. I've just told you that I am upset and unnerved, and instead of being comforting, you attack me." "So. You've sworn off all bodies of water in the future, then?" My mother emitted a quick, creaky sound. "You need to shut up now, Camille." She folded the napkin around the remains of her pear like a swaddling and left the room. Alan followed her with his manic whistling, like an old-time piano player lending drama to a silent movie.

Every Pirate Wants to Be an Admiral IT’S NOT AS though this is the first time we’ve had to rethink what copyright is, what it should do, and whom it should serve. The activities that copyright regulates—copying, transmission, display, performance—are technological activities, so when technology changes, it’s usually the case that copyright has to change, too. And it’s rarely pretty. When piano rolls were invented, the composers, whose income came from sheet music, were aghast. They couldn’t believe that player-piano companies had the audacity to record and sell performances of their work. They tried—unsuccessfully—to have such recordings classified as copyright violations. Then (thanks in part to the institution of a compulsory license) the piano-roll pirates and their compatriots in the wax-cylinder business got legit, and became the record industry. Then the radio came along, and broadcasters had the audacity to argue that they should be able to play records over the air. The record industry was furious, and tried (unsuccessfully) to block radio broadcasts without explicit permission from recording artists. Their argument was “When we used technology to appropriate and further commercialize the works of composers, that was progress. When these upstart broadcasters do it to our records, that’s piracy.” A few decades later, with the dust settled around radio transmission, along came cable TV, which appropriated broadcasts sent over the air and retransmitted them over cables. The broadcasters argued (unsuccessfully) that this was a form of piracy, and that the law should put an immediate halt to it. Their argument? The familiar one: “When we did it, it was progress. When they do it to us, that’s piracy.” Then came the VCR, which instigated a landmark lawsuit by the cable operators and the studios, a legal battle that was waged for eight years, finishing up in the 1984 Supreme Court “Betamax” ruling. You can look up the briefs if you’d like, but fundamentally, they went like this: “When we took the broadcasts without permission, that was progress. Now that someone’s recording our cable signals without permission, that’s piracy.” Sony won, and fifteen years later it was one of the first companies to get in line to sue Internet companies that were making it easier to copy music and videos online. I have a name for the principle at work here: “Every pirate wants to be an admiral.

Ah, I understand", murmured the imperial scapegrace. Turning to the room: "When Franz Ferdinand drinks", he cried, "everybody drinks!" Which helped restore a level of civility in the room, and soon even of cheer, as smart neckties were soaked in suds, the piano player came back from under the bar, and people in the room resumed dancing syncopated two-steps. After a while someone started singing "All Pimps Look Alike to Me", and half the room joined in. Lew, however, noticing the way the Archduke seemed to keep inching stealthily but unmistakably toward the street door, thought it wise to do the same. Sure enough, just before sliding out the door, Der F. F., with a demonic grin, screamed: "And when Franz Ferdinand pays, everybody pays!" whereupon he disappeared, and it was a near thing that Lew got out with his keester intact.