Plastic Free Quotes

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The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.
Hunter S. Thompson
The TV business is uglier than most things. It is normally perceived as some kind of cruel and shallow money trench through the heart of the journalism industry, a long plastic hallway where thieves and pimps run free and good men die like dogs, for no good reason.
Hunter S. Thompson (Generation of Swine: Tales of Shame and Degradation in the '80's)
Plastic free living is a habit. If we love trees, flowers, and humanity, we must cultivate that.
Amit Ray (Beautify your Breath - Beautify your Life)
It was black-black, so thick it drank two containers of relaxer at the salon, so full it took hours under the hooded dryer, and, when finally released from pink plastic rollers, sprang free and full, flowing down her back like a celebration. Her father called it a crown of glory.
Chimamanda Ngozi Adichie (Americanah)
Was there anything quite so under-rated in this shallow, plastic, global-corporate, tall-skinny-late, kiddy-meal-and-free-toy, united-colours-of-fuck-you-too world, than a good old-fashioned, no-frills, retail blow-job?
Christopher Brookmyre (The Sacred Art of Stealing)
…man never regards what he possesses as so much his own, as what he does; and the labourer who tends a garden is perhaps in a truer sense its owner, than the listless voluptuary who enjoys its fruits…In view of this consideration, it seems as if all peasants and craftsman might be elevated into artists; that is, men who love their labour for its own sake, improve it by their own plastic genius and inventive skill, and thereby cultivate their intellect, ennoble their character, and exalt and refine their pleasures. And so humanity would be ennobled by the very things which now, though beautiful in themselves, so often serve to degrade it…But, still, freedom is undoubtedly the indispensable condition, without which even the pursuits most congenial to individual human nature, can never succeed in producing such salutary influences. Whatever does not spring from a man’s free choice, or is only the result of instruction and guidance, does not enter into his very being, but remains alien to his true nature; he does not perform it with truly human energies, but merely with mechanical exactness… …we may admire what he does, but we despise what he is.
Wilhelm von Humboldt
Plastic pollution free world is not a choice but a commitment to life - a commitment to the next generation.
Amit Ray (Beautify your Breath - Beautify your Life)
Our commitment to the next generation is a nuclear weapons-free world, a toxic chemical-free world, a plastic pollution-free world. Great things happen through great commitments.
Amit Ray (Nuclear Weapons Free World - Peace on the Earth)
Great things happen through great commitments. Our commitment to the next generation is a pollution-free, toxic chemical-free, nuclear weapons-free, clean world.
Amit Ray (Nuclear Weapons Free World - Peace on the Earth)
A woman spent about ten minutes looking around the shop, then told me that she was a retired librarian. I suspect she thought that this was some sort of a bond between us. Not so. On the whole, booksellers dislike librarians. To realise a good price for a book, it has to be in decent condition, and there is nothing librarians like more than taking a perfectly good book and covering it with stamps and stickers before – and with no sense of irony – putting a plastic sleeve over the dust jacket to protect it from the public. The final ignominy for a book that has been in the dubious care of a public library is for the front free endpaper to be ripped out and a ‘DISCARD’ stamp whacked firmly onto the title page, before it is finally made available for members of the public to buy in a sale. The value of a book that has been through the library system is usually less than a quarter of one that has not.
Shaun Bythell (The Diary of a Bookseller (Diary of a Bookseller, #1))
Humble people walk comfortably in every group. No one is either too beneath them or too above them for their own sense of well-being. They are who they are, people with as much to give as to get, and they know it. And because they're at ease with themselves, they can afford to be open with others... Having discovered who we are and having opened ourselves to life and having learned to be comfortable with it, we know that God is working in us. We know, most of all, that whatever happens we have nothing to fear... we are free of the false hopes and false faces and false needs that once held us down. We can fly now. Let all the others scratch and grapple for the plastic copy of life. We have found the real thing.
Joan D. Chittister
Experiments show that a free rat will instinctively work to free another rat trapped inside a plastic bottle. But once that free rat has been allowed to self-administer heroin, it is no longer interested in helping out the caged rat, presumably too caught up in an opioid haze to care about a fellow member of its species.
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free and good men die like dogs. There's also a negative side.
Hunter S. Thompson
If we say no to plastic bags, it will save millions of people down the line.
Amit Ray (Peace Bliss Beauty and Truth: Living with Positivity)
Everyday we can make the world a better place to live, just by not using the plastic bags.
Amit Ray (Peace Bliss Beauty and Truth: Living with Positivity)
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
I focused the power from my armor into my leg and kicked the door in. The metal and plastic fibers splintered and the hinges ripped free from the wall. “By the way, boss,” HARV said. “I believe that the door was unlocked.
John Zakour (The Plutonium Blonde (Nuclear Bombshell, #1))
People in America love to believe in freedom, even though it isn’t free. It never was. Not even for those who emblazon it across their cars, patios, and homes. The history of freedom is much older than plastic flags and banners.
Erin E. Adams (Jackal)
The process of spreading a philosophy by means of free discussion among thinking adults is long and complex. From Plato to the present, it has been the dream of social planners to circumvent this process and, instead, to inject a controversial ideology directly into the plastic, unformed minds of children—by means of seizing a country’s educational system and turning it into a vehicle for indoctrination. In this way one may capture an entire generation without intellectual resistance, in a single coup d’école.
Leonard Peikoff (The Ominous Parallels)
THE ORGANIC FOODS MYTH A few decades ago, a woman tried to sue a butter company that had printed the word 'LITE' on its product's packaging. She claimed to have gained so much weight from eating the butter, even though it was labeled as being 'LITE'. In court, the lawyer representing the butter company simply held up the container of butter and said to the judge, "My client did not lie. The container is indeed 'light in weight'. The woman lost the case. In a marketing class in college, we were assigned this case study to show us that 'puffery' is legal. This means that you can deceptively use words with double meanings to sell a product, even though they could mislead customers into thinking your words mean something different. I am using this example to touch upon the myth of organic foods. If I was a lawyer representing a company that had labeled its oranges as being organic, and a man was suing my client because he found out that the oranges were being sprayed with toxins, my defense opening statement would be very simple: "If it's not plastic or metallic, it's organic." Most products labeled as being organic are not really organic. This is the truth. You pay premium prices for products you think are grown without chemicals, but most products are. If an apple is labeled as being organic, it could mean two things. Either the apple tree itself is free from chemicals, or just the soil. One or the other, but rarely both. The truth is, the word 'organic' can mean many things, and taking a farmer to court would be difficult if you found out his fruits were indeed sprayed with pesticides. After all, all organisms on earth are scientifically labeled as being organic, unless they are made of plastic or metal. The word 'organic' comes from the word 'organism', meaning something that is, or once was, living and breathing air, water and sunlight. So, the next time you stroll through your local supermarket and see brown pears that are labeled as being organic, know that they could have been third-rate fare sourced from the last day of a weekend market, and have been re-labeled to be sold to a gullible crowd for a premium price. I have a friend who thinks that organic foods have to look beat up and deformed because the use of chemicals is what makes them look perfect and flawless. This is not true. Chemical-free foods can look perfect if grown in your backyard. If you go to jungles or forests untouched by man, you will see fruit and vegetables that look like they sprouted from trees from Heaven. So be cautious the next time you buy anything labeled as 'organic'. Unless you personally know the farmer or the company selling the products, don't trust what you read. You, me, and everything on land and sea are organic. Suzy Kassem, Truth Is Crying
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
We don’t look at the sky anymore, instead we stare at boxes that keeps us captive; we don’t walk barefoot any more, we refuse to kiss the earth with our feet, we keep busy worrying and fearing, we exist and die, like robots we work and consume. We ignore the beauty of a butterfly and the power of the eagle, we have forgotten the scent of flowers, we are too busy to enjoy nature, we are plastic most of the time; we live together but we do not connect, we are asleep. I want to cleanse myself of societies’ noise, walk barefoot, and kiss the earth with my feet, I want look at the sky, and like my ancestors, I want to feel free. I want to rejoice of who I am, and what I will become.
Martin Suarez
Echoing streets melt into dark autumn rooms—melt to black plastic bags inflated by the wind and spinning on playground blacktop like free-floating punctuation...the horizon is just a line and past it there's only black dark...that rolls toward her as she walks in its direction...smooth-worn wooden chairs at the bakery where ella sits tea on the table in front of her, it's getting dark but the girl behind the counter hasn't turned on a single light yet...Ella animal staring into the street: “Did I ever touch him?
Michael Cisco (The Tyrant)
We need to free ourselves from the tyranny of convenience.
Martin Dorey (No. More. Plastic.: What you can do to make a difference)
For your temporary comfort, don't permanently kill the innocent life of all living beings on the earth, the plastic
P.S. Jagadeesh Kumar
Plastic disposal not only pollutes the land but the water and the air, the three primary elements for any living being on the earth
P.S. Jagadeesh Kumar
We need to live not just for ourselves, but for the whole humanity, for the trees, birds and all the living beings. Plastic pollution free living is the easiest way to make that successful.
Amit Ray (Peace Bliss Beauty and Truth: Living with Positivity)
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free and good men die like dogs. There's also a negative side." --Hunter S. Thompson
Hunter S. Thompson
Green tea may just be the most powerful of all antioxidant sources. Green tea contains polyphenols that scavenge free radicals and protect against photo damage. A 1997 presentation of University of Kansas research at the American Chemical Society national meeting found that antioxidants in green tea called catechins (a phenol) are more than 100 times more effective at neutralizing free radicals than vitamin C, and 25 times more powerful than vitamin E.
Anthony Youn (The Age Fix: A Leading Plastic Surgeon Reveals How to Really Look 10 Years Younger)
has always found comfort in the anonymity of travel, in the no-man’s-land of vast airport lounges, the plastic smell of rental cars, the hotel key cards that wiped your identity clean on checkout. All those spaces free of emotional weight.
Charmaine Wilkerson (Black Cake)
We try to improve the conditions of the race by means of good air, free sunlight, wholesome water, and hideous bare buildings for the better housing of the lower orders. But these things merely produce health, they do not produce beauty. For this Art is required, and the true disciples of the great artist are not his studio-imitators, but those who become like his works of art, be they plastic as in Greek days, or pictorial as in modern times; in a word, Life is Art's best, Art's only pupil.
Oscar Wilde (Intentions)
I think of our backyard pond growing up. Of the goldfish we'd bring home, bobbing in plastic bags on the surface of the water. My dad explained they needed time to adjust to the temperature of the pond before being released. If such a small creature required such care, imagine the complex process a victim must word through in order to integrate back into daily life. There is no right way, there is only listening to what is good and comfortable for your body. Maybe now you are terrified, bobbing inside the clear plastic container around you, thinking, I am trapped, this is not how it's supposed to be. Just remember: the temperature is slowly changing, you are adjusting. You will make it into that pond. With a little more time, you'll be free.
Chanel Miller (Know My Name)
Now, through an act as simple as walking across a stage and collecting an empty plastic folder representing a degree, our stock had plummeted to nothing, the wretched leavings of some cosmic Ponzi scheme. A lifetime's worth of planning and training and delusion gone with the wind. Some of us were moving home to live free of charge in our parents' guest rooms, or if we were thin enough, heading west to try our luck in L.A.; others, to our collective horror, were being forced to work at actual jobs.
Rachel Shukert (Everything Is Going to Be Great: An Underfunded and Overexposed European Grand Tour)
Bring us our sirloin, our lamb chops, our veal cutlets, and our chicken breasts snugly swaddled in plastic, thoroughly exsanguinated, wholly dismembered, and completely sanitized for our protection. We won’t hear the bleating of the sheep, the lowing of the cows, the hydraulic thwack of the bolt gun. We won’t smell the copper rivers of blood sluiced from below kill floors, the acrid tang of the chemical foam that suffocates “free-range” chickens, the florid stench of mountains of fish guts. We eat our meat, and we act as if all animals were always already dead.
Chelsea G. Summers (A Certain Hunger)
Maybe now you are terrified, bobbing inside the clear plastic container around you, thinking, I am trapped, this is not how it’s supposed to be. Just remember: the temperature is slowly changing, you are adjusting. You will make it into that pond. With a little more time, you’ll be free.
Chanel Miller (Know My Name: A Memoir)
IFEMELU HAD GROWN UP in the shadow of her mother’s hair. It was black-black, so thick it drank two containers of relaxer at the salon, so full it took hours under the hooded dryer, and, when finally released from pink plastic rollers, sprang free and full, flowing down her back like a celebration.
Chimamanda Ngozi Adichie (Americanah)
I roll around to see Rocky hovering over me. Not in his compartment. He's in the control room! He has slashed my restraints and pulled the chair free. He shoves it to the side. He stands over me, wobbling. I can feel the heat radiating from his body just inches away. Smoke billows out of the radiator slits atop his carapace. His knees buckle and he collapses on to the screen next to me, destroying it. The LCD unit blacks out and the plastic bezel melts. I see a trail of smoke leading up the tunnel to the lab and beyond. 'Rocky!' What have you done?' The crazy bastard must have used the large airlock in the dormitory! He came in to my partition to save me. And he'll die because of it! He shivers and folds his legs under himself. 'Save... Earth... save... Erid...' he quavers. Then he slumps down. 'Rocky!' I grab his carapace without thinking. It's like putting my hands on a burner. I jerk away. 'Rocky... no...' But he is motionless.
Andy Weir (Project Hail Mary)
This is always always always what she wished a bazaar to be. Demre, proudly claiming to be the birthplace of Santa Claus, was direly lacking in workshops of wonder. Small corner stores, an understocked chain supermarket on the permanent edge of bankruptcy and a huge cash and carry that serviced the farms and the hotels squeezed between the plastic sky and the shingle shore. Russians flew there by the charter load to sun themselves and get wrecked on drink. Drip irrigation equipment and imported vodka, a typical Demre combination. But Istanbul; Istanbul was the magic. Away from home, free from the humid claustrophobia of the greenhouses, hectare after hectare after hectare; a speck of dust in the biggest city in Europe, anonymous yet freed by that anonymity to be foolish, to be frivolous and fabulous, to live fantasies. The Grand Bazaar! This was a name of wonder. This was hectare upon hectare of Cathay silk and Tashkent carpets, bolts of damask and muslin, brass and silver and gold and rare spices that would send the air heady. It was merchants and traders and caravan masters; the cornucopia where the Silk Road finally set down its cargoes. The Grand Bazaar of Istanbul was shit and sharks. Overpriced stuff for tourists, shoddy and glittery. Buy buy buy. The Egyptian Market was no different. In that season she went to every old bazaar in Sultanahmet and Beyoğlu. The magic wasn’t there.
Ian McDonald (The Dervish House)
As evolutionary neurobiologists Leah Krubitzer and Jon Kaas put it, Although the phenotype generated is context-dependent, the ability to respond to the context has a genetic basis. . . . In essence, the Baldwin effect is the evolution of the ability to respond optimally to a particular environment. Thus, genes for plasticity evolve, rather than genes for a particular phenotypic characteristic, although selection acts upon the phenotype.
Michael S. Gazzaniga (Who's in Charge?: Free Will and the Science of the Brain)
But there was one girl who had a big influence over me. Barbie. I worshipped Barbie. In fact, I would say Barbie was my twelve-inch plastic life coach. She had it all, a camper, a dune buggy, even a dream house. Part of why it was a dream house to me was that she was the only one who lived there. Her boyfriend, Ken, came to visit when she--er, I decided. She had a sports car and would bounce from job to job as she--er, I saw fit.Barbie owned zero floral baby-making dresses. I craved that indepence. And her weird-ass boobs? So what? She still reached the steering wheel of her royal blue sports car. Some people thought that the fact that her feet were fucked and she couldn't stand was a problem. But to me, it meant she was free. Free from standing at a stove, or a washing machine, or with a baby hanging off her hip. She has no hip. She has no hips. Plus, she didn't have to walk; she drove her convertible everywhere. God, I loved Barbie. She was free in every way I knew how to define freedom.
Lizz Winstead (Lizz Free Or Die)
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
P.C. Cast (Revealed (House of Night #11))
Lost In The World" (feat. Justin Vernon of Bon Iver) [Sample From "Woods": Justin Vernon] I'm up in the woods, I'm down on my mind I'm building a still to slow down the time I'm up in the woods, I'm down on my mind I'm building a still to slow down the time I'm up in the woods, I'm down on my mind I'm building a still to slow down the time [Chorus 2x:] I'm lost in the world, I'm down on my mind I'm new in the city, and I'm down for the night Down for the night Said she's down for the night [Kanye West:] You're my devil, you're my angel You're my heaven, you're my hell You're my now, you're my forever You're my freedom, you're my jail You're my lies, you're my truth You're my war, you're my truce You're my questions, you're my proof You're my stress and you're my masseuse Mama-say mama-say ma-ma-coo-sah Lost in this plastic life, Let's break out of this fake ass party Turn this into a classic night If we die in each other's arms we still get laid in the afterlife If we die in each other's arms we still get laid [Chorus:] (I'm lost in the world) Run from the lights, run from the night, (I'm down on my mind) Run for your life, I'm new in the city, and I'm down for the night Down for the night Down for the night I'm lost in the world, been down for my whole life, I'm new in the city but I'm down for the night Down for the night Down for the night Who will survive in America? Who will survive in America? Who will survive in America? [Chorus:] I'm lost in the world, I'm down on my mind I'm new in the city, and I'm down for the night Down for the night Said she's down for the night I'm lost in the world, I'm down on my mind I'm new in the city and I'm goin' for a ride Goin' for a ride I'm lost in the world, been down for my whole life I'm new in the city but I'm down the for the night Down for a night, down for a good time [Gil-Scott Heron:] Us living as we do upside down. And the new word to have is revolution. People don't even want to hear the preacher spill or spiel because God's whole card has been thoroughly piqued. And America is now blood and tears instead of milk and honey. The youngsters who were programmed to continue fucking up woke up one night digging Paul Revere and Nat Turner as the good guys. America stripped for bed and we had not all yet closed our eyes. The signs of truth were tattooed across our open ended vagina. We learned to our amazement the untold tale of scandal. Two long centuries buried in the musty vault, hosed down daily with a gagging perfume. America was a bastard, the illegitimate daughter of the mother country whose legs were then spread around the world and a rapist known as freedom, free doom. Democracy, liberty, and justice were revolutionary code names that preceded the bubbling bubbling bubbling bubbling bubbling in the mother country's crotch What does Webster say about soul? All I want is a good home and a wife And our children and some food to feed them every night. After all is said and done build a new route to China if they'll have you. Who will survive in America? Who will survive in America? Who will survive in America? Who will survive in America?
Kanye West
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
Getting a free refill The Refill scheme, which runs in lots of British cities, started in my home town of Bude as a way of raising money for the local sea pool. Local cafés offer tap water free to anyone with a refillable bottle from the sea-pool shop. It worked so well that it was taken to Bristol, where Natalie Fee, an anti-plastic activist, brought it to life. Refill now exists all over the UK, with an app that tells you where you can refill for free. As an example of how a simple thought can change the world, this is the finest. It has grown into a campaign with clout. It only takes seconds to refill a bottle, saves you money and prevents single-use plastic water bottles from going to landfill or the environment. No excuses, right?
Martin Dorey (No. More. Plastic.: What you can do to make a difference)
If you want waiters in tuxedos with white linen cloths over their arms, menus with unpronounceable words all over them, and high-priced wines served in silver ice buckets when you go out for Italian food, our little restaurant is not the place to come. But if you mostly want good, solid, home-cooked pasta with tasty sauces made with real vegetables and spices by a real Italian Mama and will trade white linen for red-and-white checked plastic tablecloths, you'll like our place just fine. If you're okay with a choice of just two wines, red or white, we'll give you as much of it as you want, from our famous bottomless wine bottle — free with your dinner. This restaurant owner took competitive disadvantages and turned them into a good, solid, “fun” selling story.
Dan S. Kennedy (The Ultimate Sales Letter: Attract New Customers. Boost your Sales.)
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
When I first started dual enrollment at Lake City Community College you could print in the library for free. I printed whole books. Like James Legge's 1891 "Tao Te Ching" translation. He was to parentheses what Emily Dickinson was to the Em Dash. "To know and yet (think) we do not know is the highest (at­tain­ment); not to know (and yet think) we do know is a dis­ease." I'd sit around listening to records as their dot matrix printer whirred. Slowly printing a book from the 6th century BCE. They had those hard blue plastic headphones. Your ears would ache. But Rimsky-Korsakov was pretty metal. Herbert Benson's "The Relaxation Response" had me picking "ZOOM" as my meditation mantra. Reading Vonnegut with his nonlinear narrative. Books will often have Acknowledgments. A page or two. Things that helped you. What matters. Everything I write is an Acknowledgment. What matters. And I've printed whole books.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
When all we care about is cheapness, we don't ask how long things will last or how well they are made--and in truth, we don't particularly care. Because when a product is cheap, it becomes disposable; we are more likely to throw out that skirt from H&M that cost only $29.99 and buy a new one. Despite our understanding of the environmental hazards of plastic, countless objects are made out of it--appliances, toys, furniture, shopping and produce bags--which cost less to manufacture than their non-plastic counterparts. When cheapness becomes the priority, it's also hard for people to tell if what they are buying has been made with integrity. Part of the issue behind cheapness is that we have no sense of craftsmanship. We don't know how many hours or materials went into producing our smartphone or our space heater, or even our chest of drawers. And once you can't imagine how things are made, you are free to have an utter fantasy that everything can and should be cheap.
Alice Waters (We Are What We Eat: A Slow Food Manifesto)
large mixing bowl, cover with plastic wrap or a damp kitchen towel, and set aside in a draft-free place at room temperature until the dough doubles in size, about 45 minutes. Gently remove the dough from the bowl and place it on a clean surface. Cut the dough into 4 pieces and shape into 4 smooth bâtards (you will shape them into baguettes later) by stretching out the dough from the center only once, to maintain an oblong shape. Find a surface in your kitchen free from drafts and lay a kitchen towel dusted with flour on it. Place the bâtards on the kitchen towel and cover with plastic wrap or with another kitchen towel, this one a little bit damp, to prevent a crust from forming on the surface. Leave the loaves to proof at room temperature until they double in size, 20—25 minutes. Shape the loaves by lifting them off the towel and stretching them out from the ends. Use the side of your hand to create a crease down the middle of the dough. Fold the dough onto itself at the crease, pressing it firmly against the work surface to seal it. Using the palms of your hands and
Peter Mayle (Confessions of a French Baker: Breadmaking Secrets, Tips, and Recipes)
By then we lived in a small town an hour outside of Minneapolis in a series of apartment complexes with deceptively upscale names: Mill Pond and Barbary Knoll, Tree Loft and Lake Grace Manor. She had one job, then another. She waited tables at a place called the Norseman and then a place called Infinity, where her uniform was a black T-shirt that said GO FOR IT in rainbow glitter across her chest. She worked the day shift at a factory that manufactured plastic containers capable of holding highly corrosive chemicals and brought the rejects home. Trays and boxes that had been cracked or clipped or misaligned in the machine. We made them into toys—beds for our dolls, ramps for our cars. She worked and worked and worked, and still we were poor. We received government cheese and powdered milk, food stamps and medical assistance cards, and free presents from do-gooders at Christmastime. We played tag and red light green light and charades by the apartment mailboxes that you could open only with a key, waiting for checks to arrive. “We aren’t poor,” my mother said, again and again. “Because we’re rich in love.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Under a Torremolinos Sky (Psalm 116)8 For Jim The first thing I notice is not the bed, oddly angled as all hospital beds are nor the pillowcase, covered in love notes. Not the table filled with pill bottles nor the sterile tools of a dozen indignities. I’ll notice these things later, on my way out perhaps. But first, my wide-angle lens pulls narrow, as eyes meet eyes and I am seen. How is it, before a word is spoken, you make me know I am known and welcome? What can I give back to God for the blessings he’s poured out on me? I’ll lift high the cup of salvation—a toast to God! You smile behind the plastic that keeps you alive, and as I rest my hand on your chest we conspire together to break the rules. The rhythm of your labored breathing will decide our seconds, our minutes, our hours. Tears to laughter and back again always in that order and rightly so. We bask under a Torremolinos sky and hear the tongues of angels sing of sins forgiven long before the world was made. I’ll pray in the name of God; I’ll complete what I promised God I’d do, and I’ll do it together with his people. Talk turns to motorcycles and mortuaries, to scotch and sons who wear their father’s charm like a crown, daughters who quicken the pulse with just a glance. Time flies and neither of us has time to waste. I’ll make a great looking corpse, you say because we of all people must speak of these things, because we of all people refuse to pretend. This doesn’t bring tears—not yet. Instead a giggle, a shared secret that life is and is not in the body. Soul, you’ve been rescued from death; Eye, you’ve been rescued from tears; And you, Foot, were kept from stumbling. Your chest still rises and falls but you grow weary, my hand tells me so. It’s too soon to ever say goodbye. When it’s my turn, brother, I will find you where the streets shimmer and tears herald only joy where we wear our true names and our true faces. Promise me, there, the dance we never had. When they arrive at the gates of death, God welcomes those who love him. Oh, God, here I am, your servant, your faithful servant: set me free for your service! I’m ready to offer the thanksgiving sacrifice and pray in the name of God. I’ll complete what I promised God I’d do, and I’ll do it in company with his people, In the place of worship, in God’s house, in Jerusalem, God’s city.
Karen Dabaghian (A Travelogue of the Interior: Finding Your Voice and God's Heart in the Psalms)
Hence the term “voluntary muscle” is in many ways a figure of speech. I can consciously command a movement, but I cannot consciously command the recruitment of every muscle fiber which must be used, nor the precise order of their contractions and lengthenings which actually produce the desired effect. This is to say that every consciously willed movement is always conditioned by two things: genetically established organization and habitual usage. Our genetic organization is quite plastic, open-ended, filled with potential variations in behavior; on the other hand, habitual usage can become just as limiting as it is convenient, and can become a tyrant to exactly the degree that it becomes practiced, automatic, unconscious. We are free to train ourselves to act differently, but it is very difficult to suddenly act differently than we have been trained. The tendencies in our motor behavior created by genetically determined patterns and by habitual usage do not lie within the muscle cells, nor even in the motor neurons that unite them into motor units. The search for the organizational factors of purposeful muscular control—whether it be action or relaxation—takes us deeper and deeper into the central nervous system, where we find that every muscular response is built up, selected, and colored by the totality of our neural activity, both conscious and unconscious.
Deane Juhan (Job's Body: A Handbook for Bodywork)
It is often said that the separation of the present reality from transcendence, so commonplace today, is pernicious in that it undermines the universe of fixed values. Because life on Earth is the only thing that exists, because it is only in this life that we can seek fulfillment, the only kind of happiness that can be offered to us is purely carnal. Heavens have not revealed anything to us; there are no signs that would indicate the need to devote ourselves to some higher, nonmaterial goals. We furnish our lives ever more comfortably; we build ever more beautiful buildings; we invent ever more ephemeral trends, dances, one-season stars; we enjoy ourselves. Entertainment derived from a nineteenth-century funfair is today becoming an industry underpinned by an ever more perfect technology. We are celebrating a cult of machines—which are replacing us at work, in the kitchen, in the field—as if we were pursuing the idealized ambience of the royal court (with its bustling yet idle courtiers) and wished to extend it across the whole world. In fifty years, or at most a hundred, four to five billion people will become such courtiers. At the same time, a feeling of emptiness, superficiality, and sham sets in, one that is particularly dominant in civilizations that have left the majority of primitive troubles, such as hunger and poverty, behind them. Surrounded by underwater-lit swimming pools and chrome and plastic surfaces, we are suddenly struck by the thought that the last remaining beggar, having accepted his fate willingly, thus turning it into an ascetic act, was incomparably richer than man is today, with his mind fed TV nonsense and his stomach feasting on delicatessen from exotic lands. The beggar believed in eternal happiness, the arrival of which he awaited during his short-term dwelling in this vale of tears, looking as he did into the vast transcendence ahead of him. Free time is now becoming a space that needs to be filled in, but it is actually a vacuum, because dreams can be divided into those that can be realized immediately—which is when they stop being dreams—and those that cannot be realized by any means. Our own body, with its youth, is the last remaining god on the ever-emptying altars; no one else needs to be obeyed and served. Unless something changes, our numerous Western intellectuals say, man is going to drown in the hedonism of consumption. If only it was accompanied by some deep pleasure! Yet there is none: submerged into this slavish comfort, man is more and more bored and empty. Through inertia, the obsession with the accumulation of money and shiny objects is still with us, yet even those wonders of civilization turn out to be of no use. Nothing shows him what to do, what to aim for, what to dream about, what hope to have. What is man left with then? The fear of old age and illness and the pills that restore mental balance—which he is losing, inbeing irrevocably separated from transcendence.
Stanisław Lem (Summa technologiae)
A LITTLE KNOWLEDGE CAN GO A LONG WAY A LOT OF PROFESSIONALS ARE CRACKPOTS A MAN CAN'T KNOW WHAT IT'S LIKE TO BE A MOTHER A NAME MEANS A LOT JUST BY ITSELF A POSITIVE ATTITUDE MAKES ALL THE DIFFERENCE IN THE WORLD A RELAXED MAN IS NOT NECESSARILY A BETTER MAN A SENSE OF TIMING IS THE MARK OF GENIUS A SINCERE EFFORT IS ALL YOU CAN ASK A SINGLE EVENT CAN HAVE INFINITELY MANY INTERPRETATIONS A SOLID HOME BASE BUILDS A SENSE OF SELF A STRONG SENSE OF DUTY IMPRISONS YOU ABSOLUTE SUBMISSION CAN BE A FORM OF FREEDOM ABSTRACTION IS A TYPE OF DECADENCE ABUSE OF POWER COMES AS NO SURPRISE ACTION CAUSES MORE TROUBLE THAN THOUGHT ALIENATION PRODUCES ECCENTRICS OR REVOLUTIONARIES ALL THINGS ARE DELICATELY INTERCONNECTED AMBITION IS JUST AS DANGEROUS AS COMPLACENCY AMBIVALENCE CAN RUIN YOUR LIFE AN ELITE IS INEVITABLE ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE ANIMALISM IS PERFECTLY HEALTHY ANY SURPLUS IS IMMORAL ANYTHING IS A LEGITIMATE AREA OF INVESTIGATION ARTIFICIAL DESIRES ARE DESPOILING THE EARTH AT TIMES INACTIVITY IS PREFERABLE TO MINDLESS FUNCTIONING AT TIMES YOUR UNCONSCIOUS IS TRUER THAN YOUR CONSCIOUS MIND AUTOMATION IS DEADLY AWFUL PUNISHMENT AWAITS REALLY BAD PEOPLE BAD INTENTIONS CAN YIELD GOOD RESULTS BEING ALONE WITH YOURSELF IS INCREASINGLY UNPOPULAR BEING HAPPY IS MORE IMPORTANT THAN ANYTHING ELSE BEING JUDGMENTAL IS A SIGN OF LIFE BEING SURE OF YOURSELF MEANS YOU'RE A FOOL BELIEVING IN REBIRTH IS THE SAME AS ADMITTING DEFEAT BOREDOM MAKES YOU DO CRAZY THINGS CALM IS MORE CONDUCIVE TO CREATIVITY THAN IS ANXIETY CATEGORIZING FEAR IS CALMING CHANGE IS VALUABLE WHEN THE OPPRESSED BECOME TYRANTS CHASING THE NEW IS DANGEROUS TO SOCIETY CHILDREN ARE THE HOPE OF THE FUTURE CHILDREN ARE THE MOST CRUEL OF ALL CLASS ACTION IS A NICE IDEA WITH NO SUBSTANCE CLASS STRUCTURE IS AS ARTIFICIAL AS PLASTIC CONFUSING YOURSELF IS A WAY TO STAY HONEST CRIME AGAINST PROPERTY IS RELATIVELY UNIMPORTANT DECADENCE CAN BE AN END IN ITSELF DECENCY IS A RELATIVE THING DEPENDENCE CAN BE A MEAL TICKET DESCRIPTION IS MORE VALUABLE THAN METAPHOR DEVIANTS ARE SACRIFICED TO INCREASE GROUP SOLIDARITY DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS DISORGANIZATION IS A KIND OF ANESTHESIA DON'T PLACE TOO MUCH TRUST IN EXPERTS DRAMA OFTEN OBSCURES THE REAL ISSUES DREAMING WHILE AWAKE IS A FRIGHTENING CONTRADICTION DYING AND COMING BACK GIVES YOU CONSIDERABLE PERSPECTIVE DYING SHOULD BE AS EASY AS FALLING OFF A LOG EATING TOO MUCH IS CRIMINAL ELABORATION IS A FORM OF POLLUTION EMOTIONAL RESPONSES ARE AS VALUABLE AS INTELLECTUAL RESPONSES ENJOY YOURSELF BECAUSE YOU CAN'T CHANGE ANYTHING ANYWAY ENSURE THAT YOUR LIFE STAYS IN FLUX EVEN YOUR FAMILY CAN BETRAY YOU EVERY ACHIEVEMENT REQUIRES A SACRIFICE EVERYONE'S WORK IS EQUALLY IMPORTANT EVERYTHING THAT'S INTERESTING IS NEW EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS EXPIRING FOR LOVE IS BEAUTIFUL BUT STUPID EXPRESSING ANGER IS NECESSARY EXTREME BEHAVIOR HAS ITS BASIS IN PATHOLOGICAL PSYCHOLOGY EXTREME SELF-CONSCIOUSNESS LEADS TO PERVERSION FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW FAKE OR REAL INDIFFERENCE IS A POWERFUL PERSONAL WEAPON FATHERS OFTEN USE TOO MUCH FORCE FEAR IS THE GREATEST INCAPACITATOR FREEDOM IS A LUXURY NOT A NECESSITY GIVING FREE REIN TO YOUR EMOTIONS IS AN HONEST WAY TO LIVE GO ALL OUT IN ROMANCE AND LET THE CHIPS FALL WHERE THEY MAY GOING WITH THE FLOW IS SOOTHING BUT RISKY GOOD DEEDS EVENTUALLY ARE REWARDED GOVERNMENT IS A BURDEN ON THE PEOPLE GRASS ROOTS AGITATION IS THE ONLY HOPE
Jenny Holzer
On a sloping promontory on its wooded north shore was a modestly sized building called the National Capital Exhibition, and I called there first, more in the hope of drying off a little than from any expectation of extending my education significantly. It was quite busy. In the front entrance, two friendly women were seated at a table handing out free visitors' packs - big, bright yellow plastic bags - and these were accepted with expressions of gratitude and rapture by everyone who passed. "Care for a visitors' pack, sir?" called one of the women to me. "Oh, yes, please," I said, more thrilled than I wish to admit. The visitors' pack was a weighty offering, but on inspection it proved to contain nothing but a mass of brochures - the complete works, it appeared, of the visitors' center I had visited the day before. The bag was so heavy that it stretched the handles until it was touching the floor. I dragged it around for a while and then thought to abandon it behind a potted plant. A here's the thing. There wasn't room behind the potted plant for another yellow bag! There must have been ninety of them there. I looked around and noticed that almost no one in the room still had a plastic bag. I leaned mine up against the wall beside the plant and as I straightened up I saw that a man was advancing toward me. "Is this where the bags go?" he asked gravely. "Yes, it is." I replied with equal gravity. In my momentary capacity as director of internal operations I watched him lean the bag carefully against the wall. Then we stood for a moment together and regarded it judiciously, pleased to have contributed to the important work of moving hundreds of yellow bags from the foyer to a mustering station in the next room. As we stood, two more people came along, "Put them just there," we suggested, almost in unison, and indicated where we were sandbagging the wall. Then we exchanged satisfied nods and moved off into the museum.
Bill Bryson
Apparently someone spotted it inside the game area near the table hockey - is that a goldfish? Mark held up his plastic bag. Inside it, a small orange fish swam around in a circle. "This is the best patrol we've ever done," he said. "I've never been awarded a fish before." Emma sighed inwardly. Mark had spent the past few years of his life with the Wild Hunt, the most anarchic and feral of all faeries. They rose across the sky on all manner of enchanted beings - motorcycles, horses, deer, massive snarling dogs - and scavenged battlefields, taking valuables from the bodies of the dead and giving them in tribute to the Faerie Courts. He was adjusting well to being back among his Shadowhunter family, but there were still times when ordinary life seemed to take him by surprise. HE noticed now that everyone was looking at him with raised eyebrows. He looked alarmed and placed a tentative arm around Emma's shoulders, holding the bag in the other hand. "I have won for you a fish, my fair one," he said, and kissed her on the cheek. It was a sweet kiss, gentle and soft, and Mark smelled like he always did: like cold outside air and green growing things. And it made absolute sense, Emma thought, for Mark to assume that everyone was startled because they were waiting for him to give her his prize. She was, after all, his girlfriend. She exchanged a worried glance with Cristina, whose dark eyes had gotten very large. Julian looked as if he were about to throw up blood. It was only a brief look before he schooled his features back into indifference, but Emma drew away from Mark, smiling at him apologetically. "I couldn't keep a fish alive," she said. "I kill plants just by looking at them." "I suspect I would have the same problem," Mark said, eyeing the fish. "It is too bad - I was going to name it Magnus, because it has sparkly scales." At that, Christina giggled. Magnus Bane was the High Warlock of Brookly, and he had a penchant for glitter. "I suppose I had better let him go free," Mark said. Before anyone could say anything, he made his way to the railing of the pier and emptied the bag, fish and all, into the sea. "Does anyone want to tell him that goldfish are freshwater fish and can't survive in the ocean?" said Julian quietly. "Not really," said Christina. "Did he just kill Magnus?" Emma asked, but before Julian could answer, Mark whirled around.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
One evening in April a thirty-two-year-old woman, unconscious and severely injured, was admitted to the hospital in a provincial town south of Copenhagen. She had a concussion and internal bleeding, her legs and arms were broken in several places, and she had deep lesions in her face. A gas station attendant in a neighboring village, beside the bridge over the highway to Copenhagen, had seen her go the wrong way up the exit and drive at high speed into the oncoming traffic. The first three approaching cars managed to maneuver around her, but about 200 meters after the junction she collided head-on with a truck. The Dutch driver was admitted for observation but released the next day. According to his statement he started to brake a good 100 meters before the crash, while the car seemed to actually increase its speed over the last stretch. The front of the vehicle was totally crushed, part of the radiator was stuck between the road and the truck's bumper, and the woman had to be cut free. The spokesman for emergency services said it was a miracle she had survived. On arrival at the hospital the woman was in very critical condition, and it was twenty-four hours before she was out of serious danger. Her eyes were so badly damaged that she lost her sight. Her name was Lucca. Lucca Montale. Despite the name there was nothing particularly Italian about her appearance. She had auburn hair and green eyes in a narrow face with high cheek-bones. She was slim and fairly tall. It turned out she was Danish, born in Copenhagen. Her husband, Andreas Bark, arrived with their small son while she was still on the operating table. The couple's home was an isolated old farmhouse in the woods seven kilometers from the site of the accident. Andreas Bark told the police he had tried to stop his wife from driving. He thought she had just gone out for a breath of air when he heard the car start. By the time he got outside he saw it disappearing along the road. She had been drinking a lot. They had had a marital disagreement. Those were the words he used; he was not questioned further on that point. Early in the morning, when Lucca Montale was moved from the operating room into intensive care, her husband was still in the waiting room with the sleeping boy's head on his lap. He was looking out at the sky and the dark trees when Robert sat down next to him. Andreas Bark went on staring into the gray morning light with an exhausted, absent gaze. He seemed slightly younger than Robert, in his late thirties. He had dark, wavy hair and a prominent chin, his eyes were narrow and deep-set, and he was wearing a shabby leather jacket. Robert rested his hands on his knees in the green cotton trousers and looked down at the perforations in the leather uppers of his white clogs. He realized he had forgotten to take off his plastic cap after the operation. The thin plastic crackled between his hands. Andreas looked at him and Robert straightened up to meet his gaze. The boy woke.
Jens Christian Grøndahl (Lucca)
I thought I saw you scurrying in here hubby-kins!” A girl in a vivid orange dress stepped into the room and I had to look up at her towering height and shoulders which nearly matched the breadth of the Heirs'. Her teeth protruded a little from her lower jaw and her eyes seemed to wander, never landing on one spot. Her hair was a massive brown frizz with a pink bow clipped into the top of it, perfectly matching the violently bright shade of her eyeshadow. She marched between Tory and I like we were made of paper, forcing us aside with her elbows as she charted a direct path for Darius. “Mildred,” he said tersely, his eyes darkening as his bride-to-be reached out to him. Caleb, Seth and Max sniggered as Mildred leaned in for a kiss and Darius only managed to stop her at the last second by planting his palm on her forehead with a loud clap. “Not before the wedding,” he said firmly and I looked at Tory who was falling into a fit of silent laughter, clutching her side. I tried to smother the giggle that fought its way out of my chest but it floated free and Mildred rounded on us like a hungry animal. “These must be the Vega Twins,” she said coldly. “Well don't waste your time sniffing around my snookums. Daddy says he's saving himself for our wedding night.” Max roared with laughter and Mildred turned on him like a loaded weapon, jabbing him right in the chest. Max's smile fell away as she glared at him like he was her next meal. “What are you laughing at you overgrown starfish?” she demanded, her eyes flashing red and her pupils turning to slits. “I've eaten bigger bites than you before, so don't tempt me because I adore seafood.” Max reached out, laying a hand on her bare arm, shifting it slightly as his fingers brushed a hairy mole. “Calm down Milly, we're just having a bit of fun. We want to get to know Darius's betrothed. Why don't you have a shot?” He nodded to Caleb who promptly picked one up and held it one out for Mildred to take. “Daddy says drinking will grow hairs on my chest,” she said, refusing it. “Too late for that,” Seth said under his breath and the others started laughing. A knot of sympathy tugged at my gut, but Mildred didn't seem to care about their mocking. She stepped toward Seth with a wicked grin and his smile fell away. “Oh and what's wrong with that exactly, Seth Capella? You like your girls hairy, don't you?” Seth gawped at her in answer. “What the hell does that mean?” “You like mutt muff,” she answered, jutting out her chin and I noticed a few wiry hairs protruding from it. Seth growled, scratching his stomach as he stepped forward. “I don't screw girls in their Order form, idiot.” “Maybe not, but you do, don't you Caleb Altair?” She rounded on him and now I was really starting to warm to Mildred as she cut them all down to size. I settled in for the show, folding my arms and smiling as I waited for her to go on. “My sister's boyfriend’s cousin said you like Pegasus butts. He even sent a video to Aurora Academy of you humping a Pegasex blow up doll and it went viral within a day.” Caleb's mouth fell open and his face paled in horror. “I didn't hump it!” “I didn't watch the video, but everyone told me what was in it. Why would I want to see you screwing a plastic horse?” She shrugged then turned to Tory and I with absolutely no kindness in her eyes. Oh crap.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Pencil: The most durable and reusable pencil alternative is that of a refillable mechanical pencil in stainless steel, but the leads are sold in plastic cartridges. Until manufacturers sell leads in a recycled cardboard box, newspaper pencils (versus wood) are the most Zero Waste alternative. Make sure to pick an eraser-free model (purchase a natural rubber eraser separately) so you can compost it when it is too small to write with.
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
There was a small, strange moment during which I had this feeling that someone was filming me, which was ridiculous, but it was that specific—”there’s a camera on me”—and then some hard ancient pushed-down thing, a thing I’d felt or thought or feared a long time ago, something I’d since managed to sheathe in an imaginary scabbard inside myself, erupted through its casing like a bursting cyst. I had to really struggle to recover. Something was dislodging itself, as from a cavern inside my body or brain, and this situation seemed so divorced from waking reality that my own dimensions lost their power to persuade. I craned my great head and saw all that yellow-brown plastic catch the light, little pills glinting like ammunition, and then my brain went to work, juggling and generating several internal voices at once: someone’s filming this; this isn’t real; whoever Sean is, it’s not who I think he is; all the details I think I know about things are lies; somebody is trying to see what I’ll do when I run across these bottles; this is a test but there won’t be any grade later; the tape is rolling but I’m never going to see the tape. It is a terrible thing to feel trapped within a movie whose plot twists are senseless. This is why people cry at the movies: because everybody’s doomed. No one in a movie can help themselves in any way. Their fate has already staked its claim on them from the moment they appear onscreen. I looked away; I looked away. Held myself steady for a second and then got back to the work of the cleaning, shaking free of the crazy feelings, and I felt the corners of my mouth, half smiling. Most people can clean their bathroom cabinets without waking up any traumatic memories. Not me, not yet, I guess. But as Dave the art therapist told me once when he found me sulking: it’s not so bad to be special. My journey, he said, was longer and slower. He looked me in the eyes, which impressed me, and told me that my good fortune was to learn what special really meant.
John Darnielle (Wolf in White Van)
TV news is quite probably the most superficial form of journalism ever invented. Hunter Thompson characterized it fifty years ago as a long plastic hallway where thieves and pimps run free and good men go to die.
Charlie LeDuff (Sh*tshow!: The Country's Collapsing . . . and the Ratings Are Great)
A train horn blew, but it seemed a little distant, like it was coming from somewhere up ahead. It blew again, louder this time. “There’s another train coming!” shouted Ruby. “We’re going to crash!” “Don’t worry,” said the captain cheerfully. “Vermillion knows what to do.” Matt closed his eyes and waited for impact, but it never came. The train picked up speed, faster and faster. It roared so loud Matt couldn’t even hear his own voice. He covered his ears. The whole train was vibrating violently, and then it lurched forward with such a jolt that the three Hudsons toppled over each other and landed hard on the floor. Ruby gasped. “The floor!” she said. “What the . . . what?” said Corey. Matt looked down. He could hardly believe his eyes. The floor appeared to be melting, morphing from the smooth worn floors of the subway car to cracked and rough wooden planks. A nail head poked at his hand. Matt looked up. All around him the train car was altering, growing, transforming. The walls expanded, and the windows shrank. Lacy curtains unfurled and crawled down the sides of the windows like fast-growing vines. The hard plastic benches of the subway swelled into plush chairs and tables with white tablecloths. The fluorescent lights on the ceiling contracted and then dropped, forming crystal chandeliers. A plush rug sprouted beneath him. It grew through the floor as though it were a carpet of grass pushing through dirt. Matt picked himself up, then helped Corey and Ruby, who had somehow gotten tangled in the rug. It seemed to have grown up and around Ruby’s wrists and ankles, as though it were trying to weave her into itself. Matt and Corey helped free her, and then Ruby yelped as the white rat leaped across their faces and landed on a little table. It pulled a match out of the table drawer with its tail, struck it against the wall, and began lighting lanterns and sconces, then the crystal chandeliers hanging from the ceiling, until the space was well lit once again. It was not at all like the train they had been in before. The subway car no longer looked like a subway at all. Rather, it looked like a very old-fashioned train, but one for rich passengers.
Liesl Shurtliff (The Mona Lisa Key (Time Castaways #1))
He smiled – a real smile. Damn. It was easier to deal with him when he was being thoroughly vile. "Look, I’m sorry for being so rude earlier today. Your presence came as something of a shock and I reacted badly." "Oh." Geared for battle, his apology took me utterly by surprise. I gaped. "Aunt Arabella spoke very highly of you," he added, heaping coals of fire on my head. "She was impressed by your work on the Purple Gentian." "Why all this sudden amiability?" I asked suspiciously, crossing my arms across my chest. "Are you always this blunt?" "I’m too tired to be tactful," I said honestly. "Fair enough." Stretching, Colin detached himself from the wall. "Can I make you some hot chocolate as a token of peace? I was just about to have some myself," he added. Suiting action to words, he loped over to the counter beside the sink and checked the level of water in a battered brown plastic electric kettle. Satisfied, he plugged it into the wall, flipping the red switch on the side. I followed him over to the counter, the linen folds of the nightgown trailing after me across the linoleum. "As long as you promise not to slip any arsenic in it." Colin rooted around in a cupboard above the sink for the cocoa tin and held it out to me to sniff. "See? Arsenic free." I leant back against the counter, my elbows behind me on the marble work surface. "I don’t think arsenic is supposed to have a smell, is it?" "Damn, foiled again." Colin spooned Cadbury’s instant hot chocolate into two mugs, one decorated with large purple flowers, and the other with a quotation that I thought might be Jane Austen, but the author’s name was hidden around the other side of the mug. "Look, if it makes you feel better, I promise to do a very bad job hiding your body." "In that case, carry on," I yawned.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
And popsicles. Not the crappy kind we made in San Francisco by freezing apple juice on a plastic spoon. No, the genuine artificial article, glowing in unnatural colors and brimming with ingredients like FD&C Yellow No. 5 and enough preservatives to embalm a mammoth.
Joshua Safran (Free Spirit: Growing Up On the Road and Off the Grid)
Frida Kahlo once told her class of painting students that there is not one single teacher in the world capable of teaching art. The truth in these words comes to mind in every art class I teach. I believe you can teach technique and theory, but it is up to the individual to do the art part. For the student, this means giving yourself permission to work your way, whatever way that is. Once you accept that permission, you can incorporate foundation skills. This is no longer the Renaissance, and artists are no longer judged (or compensated) solely for realism and representation. There was a time when painting and drawing, coiling a clay pot, or fashioning a bucket to draw water from a well was part of daily life. Now we peck at keyboards, buy Tupperware, and drink from plastic bottles. By not using our hands, we lose our senses. I see this in my students. Proficient on the computer, they click out sophisticated graphics. But they are baffled by and fumble with a brush, frustrated at the time it takes to manually create what they can Photoshop in a flash. I’ve taught art for a quarter of a century and rely on sound lesson plans and discipline as well as creative freedom. Still, during each drawing, painting, and ceramic class I teach, I remind myself how I felt when I scratched out my first drawings, brushed paint on a surface, or learned to center porcelain on a wheel—how it felt to tame and be liberated by the media. And, how it felt to become discouraged by an instructor’s insistence on controlling a pencil, paintbrush, or lump of clay her or his way. For most of my Kuwaiti students, a class taken with me will be their first and last studio arts class. I work at creating a learning environment both structured and free, one that cultivates an atmosphere where one learns to give herself permission to see.
Yvonne Wakefield (Suitcase Filled with Nails)
Banana Cocoa Muffins Serves: 24 15 Medjool or 30 regular dates, pitted ½ cup coconut water 2 cups garbanzo bean flour 1 teaspoon baking soda 1 teaspoon baking powder ¾ cup natural cocoa powder 1 tablespoon Ceylon cinnamon 1½ cups chopped apple 6 very ripe bananas 2 teaspoons alcohol-free vanilla flavoring ⅓ cup cooked garbanzo beans 2 teaspoons apple cider vinegar 1 cup walnuts, chopped ½ cup unsweetened shredded coconut 9 ounces wilted chopped fresh spinach Soak the dates in coconut water for 30 minutes. Preheat the oven to 350˚F. Line muffin tins with paper liners and wipe them very lightly with olive oil. Whisk together in a small bowl the garbanzo bean flour, baking soda, baking powder, cocoa, and cinnamon. In a high-powered blender, purée the dates and the soaking coconut water, apples, bananas, vanilla, garbanzo beans, and apple cider vinegar until smooth. Pour into a large mixing bowl and stir in the walnuts, coconut, and spinach until evenly distributed. Then fold in the flour mixture until just combined. Do not over mix. Fill the muffin tins almost full and bake for 55 to 65 minutes, rotating in the oven after 35 minutes. They are done when a toothpick inserted into the center comes out clean. Let the muffins cool in the muffin tins on a wire rack for 10 minutes, then remove from the tins to the wire rack and cool completely. Refrigerate or freeze in resealable plastic bags. PER SERVING: CALORIES 163; PROTEIN 4g; CARBOHYDRATE 30g; TOTAL FAT 5.1g; SATURATED FAT 1.6g; SODIUM 68mg; FIBER 4.9g; BETA-CAROTENE 622mcg; VITAMIN C 6mg; CALCIUM 46mg; IRON 1.5mg; FOLATE 43mcg; MAGNESIUM 64mg; ZINC 0.8mg; SELENIUM 7.7mcg
Joel Fuhrman (The End of Heart Disease: The Eat to Live Plan to Prevent and Reverse Heart Disease (Eat for Life))
He had observed so many men just like himself over the years, men in retirement walking wee, quivery dogs over the streets of their neighborhood, a wrinkled plastic bag in their free hand;
Monica Wood (Ernie's Ark)
minutes later you can’t move. Diesel from the locomotive has sprayed into the carriage, you can hear the roar of the flames, passengers screaming, you try to free yourself, but to no avail. In the snow beneath the rails passengers from the rear carriages file past. You can hear the flames approaching your seat, you are trapped and can only wait until the fire reaches you. Outside, flakes of ash settle on the snow. Soon the first ambulances arrive. You can smell melting plastic, you can smell burning diesel. You sit there unable to move, in the escalating heat, until it becomes unbearable and in your helplessness you pray to your God, the Almighty, the Creator of Heaven and Earth, whom you have never been closer to than at this moment, for this is how He reveals himself to us now, in his purest and most beautiful form: a blazing train in the forest.
Karl Ove Knausgård (My Struggle: Book 5 (My Struggle #5))
I think of our backyard pond growing up. Of the goldfish we’d bring home, bobbing in plastic bags on the surface of the water. My dad explained they needed time to adjust to the temperature of the pond before being released. If such a small creature required such care, imagine the complex process a victim must work through in order to integrate back into daily life. There is no right way, there is only listening to what is good and comfortable for your body. Maybe now you are terrified, bobbing inside the clear plastic container around you, thinking, I am trapped, this is not how it’s supposed to be. Just remember: the temperature is slowly changing, you are adjusting. You will make it into that pond. With a little more time, you’ll be free.
Chanel Miller (Know My Name: A Memoir)
The plastic world has colonized us. When we climb into the car, airplane, board ships, when we purchase contemporary cuisines, get involved in the television world, from the studio and materials up the image of the world, we enter the world of artificial chemical universes, those of the cinema and their advertisements, of what we should buy and acquire. It is like this with the café-bars and discos, in other words the pleasure of children, and the same with the food that we consume, and the hospitals and schools, the hotels, all chemicals, a substitute. The ventilation of hotels without windows, the doors without keys, similarly the walls and doors and beds and baths, the water, the carpet and the floors. Everything a sham, paradises for allergies. One can say the same of the tones and music, and the attack on clothing cannot be overlooked, as well as the attitude of men resulting from it. The computers are made of this material and therewith our thought, our memory, the simulation of life. And thus life in genetic research begins and ends as a plastic creation and plastic death. Already the announcement has come to us that the museum bring the entire program closer to us on video screens, enlarged, interpreted, free and democratic and individually accessible. We will live in Leonardo’s world. The ground is prepared, now begins the attack on the blood. Much strength will be necessary to survive it.
Hans-Jürgen Syberberg
The first step to becoming free from your beliefs is noticing which ones are creating hurt or misery for you. Practice becoming aware of what you’re thinking (i.e., believing) and know that, at any moment, you get to decide if you want to continue believing that thought. Research has proven that our brains are highly adaptable. The brain is like a muscle in that it changes and gets stronger with use. Scientists often refer to this as “plasticity.” Studies in neuroscience show that we can grow new neural networks and train our brain to think in new ways. Whatever thoughts we repeat most often and with the most emotional intensity, we reinforce. Physically, we strengthen and build those neural networks. That means we can literally hardwire beliefs into our brains and nervous systems. Whatever thoughts we don’t use or reinforce will grow weak and eventually fade away.
Marie Forleo (Everything is Figureoutable)
UPF has a long, formal scientific definition, but it can be boiled down to this: if it’s wrapped in plastic and has at least one ingredient that you wouldn’t usually find in a standard home kitchen, it’s UPF. Much of it will be familiar to you as ‘junk food’, but there’s plenty of organic, free-range, ‘ethical’ UPF too, which might be sold as healthy, nutritious, environmentally friendly or useful for weight loss (it’s another rule of thumb that almost every food that comes with a health claim on the packet is a UPF).
Chris van Tulleken (Ultra-Processed People: Why We Can't Stop Eating Food That Isn't Food)
Thumbprint Cookies These wheat-free cookies will rock your world, but they won’t mess with your diet. • 1 cup raw almonds • 1 cup rolled oats • 1 cup organic spelt flour • 1/2 teaspoon cinnamon • 1/2 teaspoon powdered ginger • 1/8 teaspoon nutmeg • 1/4 teaspoon sea salt • 1/2 cup canola oil • 1/2 cup honey • 1 teaspoon vanilla extract • Overnight Jam for filling Preheat oven to 350 degrees, and line a cookie pan with parchment paper. Use a food processor with metal blade to grind almonds into coarse flour, about 2 minutes. Add oats, flour, cinnamon, ginger, nutmeg, and sea salt, and process for 1 more minute. Add oil, honey, and vanilla extract, and continue to process until dough forms a ball. Wrap dough in plastic wrap and set aside for 15 minutes at room temperature. Using a tablespoon of dough, form balls and place on cookie sheet. Make a thumbprint in each cookie and fill with Overnight Jam. Bake about 15 minutes, until cookie bottoms are browned.
John Chatham (The Belly Fat Diet Cookbook: 105 Easy and Delicious Recipes to Lose Your Belly, Shed Excess Weight, Improve Health)
Want to love singles in your church? Invite us to the grown-up table. Give us the breakable glasses, not plastic, and let us join in the adult conversation. You may actually learn something from us. And we will be more than willing to jump in and contribute. Pastors and church leaders, ferret out your single adults and get to know us. Invite us into the life and leadership of the church. Put us on committees. Challenge us to give financially. Ask us to lead a project. Don’t let us occupy the sidelines. Make us assimilate.
Lisa Anderson (The Dating Manifesto: A Drama-Free Plan for Pursuing Marriage with Purpose)
Green-Wood Cemetery was an expanse of nearly five-hundred acres, and Jesse wandered under portentous clouds for nearly an hour before heading to the office for proper directions. Trudging through Lot 106 with a visitors’ map in his trembling hands, Jesse wondered whether things might have been easier had graveyards been organized in a similar way to comic book collections. He imagined that if the dead could be slid into coffins of polypropylene storage bags with acid free backing boards, and then filed alphabetically first and numerically second into corrugated cardboard or plastic boxes, finding the appropriate marker would be a much easier task.
Ryan Tim Morris (The Falling)
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Mira Plastics
In this experiment you’re going to prove that your thoughts and feelings also create energy waves. Here’s what you do: Get two wire coat hangers, easy to obtain in most any closet. Untwist the neck of each hanger until you’ve got just two straight wires. These are your “Einstein wands.” Or rather they will be when you shape them into an L, about 12 inches long for the main part and 5 inches for the handle. Cut a plastic straw in half (you can score one free of charge at any McDonald’s), slide the handle that you just bent inside the straws (it’ll make your wands swing easily), and bend the bottom of the hanger to hold the straw in place. Now, pretend you’re a double-fisted, gun-slinging Matt Dillon from Gunsmoke with the wands held chest high and about ten inches from your body. They’ll flap all over the place at first (like I said, you’re an ongoing river of energy), so give them a few moments to settle down. Once they’ve stopped flapping, you’re ready to begin the experiment. With your eyes straight ahead, vividly recall some very unpleasant event from your past. Depending on the intensity of your emotion, the wands will either stay straight ahead (weak intensity) or will point inward, tip to tip. The wands are following the electromagnetic bands around your body, which have contracted as a result of the negative frequency generated by your unpleasant thought and emotions. Now make your frequencies turn positive by thinking about something loving or joyous. The wands will now expand outward as your energy field expands to your positive energy flow. Okay, now keep your eyes straight ahead, but focus your attention on an object to your far right or far left and watch your wands follow your thoughts. The more you play with this, the more adept you’ll become at feeling the vibrational shift as you change from one frequency to another.
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
What if evangelism was simply about being genuinely centered on, and connected, to God? What if tending to our own relationship with God, not others’ relationship with God, was the first priority of evangelism? What if becoming salt and light was more important than knowing sales techniques? What if evangelism was about being connected to people, so that we know them and they know us, and we don’t have to cram our faith down their throats? What if we’re so present to people that they just catch grace and faith from being around us? What if evangelism was about being a genuine human being, not a “plastic” saint? What if we were free to express our doubts, struggle with our sins, and admit our humanity? Would that ruin our witness to the world, or would it just make us more credible? Would it finally free us to be real instead of religious?
Judson Edwards (Quiet Faith: An Introvert's Guide to Spiritual Survival)
LUCAS THANKED HER, prompted her for better directions to the bar—“Go straight out to 83 and hook a left, it’s three or four miles out there, look for the eyesore.” He checked the car clock: not yet eleven in the morning. Five minutes later, he was looking at Winn’s, a low rambling place that was a few asbestos shingles short of a full set of siding, that might once have been a motel, and maybe still rented out a few rooms. A yellow plastic roller-sign in the gravel parking lot said “Happy Hour, 4–6” and in smaller letters, “Free First D ink For Ladies.” A dive, Lucas thought. Not a dive-themed bar, but the real thing, and as the woman had said, a genuine eyesore. He took a moment to hope that “D ink” was simply “Drink” with a missing letter. He got out of the truck and went inside.
John Sandford (Extreme Prey (Lucas Davenport, #26))
Fennel, giving up on Ceony’s side of the bed, scampered over to Emery’s feet and began tugging at his pant leg. “Emery,” Ceony said, pausing her breakfast, “what was that telegram about yesterday?” “Hm?” he asked, shaking Fennel free. For a moment, Ceony imagined equipping the paper dog with more substantial teeth—plastic, or perhaps steel. The latter would likely weigh his head down. And what did Ceony need a dog with steel teeth for?
Charlie N. Holmberg (The Master Magician (The Paper Magician, #3))
when I suggest an alternate way of doing things as an invitation for fun and creativity, the response is usually positive.
Beth Terry (Plastic-Free: How I Kicked the Plastic Habit and How You Can Too)
This is what many women are socialized to do in church: please people, not God. They come to church experiencing ongoing pressure from the world to be plastic Nice Girls, and the church, instead of freeing women to emulate the 360-degree Jesus, influences them to become even more of a smiley-face doormat, by teaching them that this is what God expects from women: quiet, sweet, unrelenting compliance.
Paul Coughlin (No More Christian Nice Girl: When Just Being Nice--Instead of Good--Hurts You, Your Family, and Your Friends)
The organic produce guy, a young man who'd left Brooklyn in order to minimize his carbon footprint and consume only things he could make or grow himself. This had come to involve...going toilet-paper free the year before, and making his wife use discarded athletic socks for her monthly cycle.'That poor girl!' said Sylvie, privately resolving to figure out where the young woman was living and anonymously deliver some tampons, the really bad kind, with non biodegradable plastic applicators.
Jennifer Weiner (Fly Away Home)
Sir, I think you’d better come with me,” the guard said, grabbing James by the elbow. James wrenched it free and demanded Aaron’s room number again. And again. And again. The guard shouted, the receptionist shouted, James shouted; the emergency room crowd took a sudden interest in the latest celebrity gossip in their magazines. “Hey!” A woman’s bark from down the hall pierced the commotion. “Whoever’s disturbing my peaceful environment of calm and healing is gonna get popped in the nose! And I just got a manicure! Now who’s causing all . . . ?” The short woman with a black beehive of hair and flushed cheeks matching her scrubs spotted James over the top of her thick, silver-rimmed glasses. Her lips pursed. “Listen, Deena,” James said, “I don’t know where you found this candy striper, but she won’t tell me where Aaron is. And I’m trying to explain to the nice big officer here that—” “Save it,” Deena said, cutting him off. Her cheeks faded to the same color white as her lab coat. “They’re back here.” She flicked her head down the hall and held up a hand to the guard. “He’s fine, Trevor; I got him.” “You sure?” The guard inflated, ready to pounce if the head ER nurse gave the order. “Yes, I’m sure. But I’ll call you if there’s a problem.” Deena raised one black eyebrow and scowled at James as he approached. “Won’t I, Mr. McConnell?” His plastic cleats left a trail of baseball field dirt for the guard to follow. He was in no mood for a reprimand. “Just tell me where he is.
Jake Smith (Wish)
Your lifestyle may expose you to environmental estrogens that can disrupt your body’s natural balance or interfere with proper therapy. Here are some tips from Dr. LaValle to reduce your exposure: 1. Limit drinking out of plastic containers, and when you do, drink only from containers that are free of bisphenol A, better known as BPA. 2. Do not microwave food in plastic containers or covered in plastic. 3. Avoid using personal care items such as face creams, cosmetics, shampoos, tampons, and toiletries that contain environmental estrogens and particularly phthalates. Phthalates are synthetic substances found in many plastics. They have estrogenic properties and are banned as a toxic substance in Europe.
Daniel G. Amen (Unleash the Power of the Female Brain: Supercharging Yours for Better Health, Energy, Mood, Focus, and Sex)
(abandoned since the sudden disappearance of the hamster last Tuesday) and the pink plastic pig that had been sliced down the middle
Elizabeth Cody Kimmel (ParaNorman: A Novel Extended Free Preview)
I’m also not a vegetarian. Even as a sheltered suburbanite, I knew that meat wasn’t something that started life wrapped in plastic. I knew the cows didn’t jump off a cliff, despondent over a lost love. I knew the chickens didn’t wring their own necks. And I was pretty sure the fish didn’t commit suicide by jumping out of the ocean into waiting nets for the privilege of appearing in my tuna sandwich. Even now, the free-rangiest chicken ends up dead on my plate, despite the momentary illusion that he was out there running wild and living the good life. Not like those sorry bastards stuck in the coop.
Ian Gurvitz (WELCOME TO DUMBFUCKISTAN: The Dumbed-Down, Disinformed, Dysfunctional, Disunited States of America)
Gorp- Good Old Raisins and Peanuts, aka trail mix. HYOH- Hike Your Own Hike - A very common phrase that hikers tell each other. Hiker Box- A box full of unwanted food and gear, free for hikers. Hiker Midnight- When the sun goes down, usually the time hikers go to bed. Nalgene Bottle- A virtually indestructible plastic bottle that holds a liter of water Nero- Near Zero - A low mileage day NOBO- North Bound aka headed north. Northern terminus- Where the trail ends/starts in Maine, on the peak of Mount Katahdin Pack Out- Items brought with hikers out on the trail. PCT- Pacific Crest Trail is longest of the three trails, and grated for horses.
Emily Harper (Sheltered)
Jiyoung lay on her stomach on the floor to do homework, she clutched her cramping lower abdomen and repeated to herself, “I don’t understand. Half the population in the world goes through this every month. If a pharmaceutical company were to develop an effective pill specifically for menstrual cramps, not the ‘pain medication’ that makes you sick, they would make a fortune.” Her sister filled a plastic bottle with hot water, wrapped it in a towel and passed it to her. “You’re right. In a world where doctors can cure cancer and do heart transplants, there isn’t a single pill to treat menstrual cramps.” Her sister pointed at her own stomach. “The world wants our uterus to be drug-free. Like sacred grounds in a virgin forest.” Jiyoung hugged the bottle to her stomach and cackled despite the pain.
Cho Nam-Joo (Kim Jiyoung, Born 1982)
So why shouldn’t the outside look the same? She picks up the razor and breaks it in half, freeing the blades from the protective plastic shell. She drops the rubbish on the floor, then holds one blade between two fingers. She can feel her hands shaking. Slowly, she puts the sharp edge against the top of her upper thigh. She sees the scars from previous times. Some no more than silver lines, others still red, barely healed. She pushes and draws the razor across her leg. She feels the blade puncture the skin, slice into her flesh. Blood blooms, runs down her leg. She does it again. She knows how hard she should push – enough to make it bleed but not so much that she needs the hospital. After all, she hasn’t got Nav any more.
Sam Holland (The Echo Man)
Reuben Sandwich YIELD: 4 SERVINGS WHILE LIVING in New York City, I became a sucker for sandwiches, which for me represent the American spirit and lifestyle: easy, unstructured, and casual. They are convenient, fast, and mess-free and may well be the most versatile of all foods. Sandwiches can be healthful or decadent, light or heavy, with ingredients to please vegetarians and carnivores. Made with pita, regular bread, tortilla wraps, or baguettes, they can reflect different ethnic traditions. I believe it was James Beard who said not many people understand a good sandwich. I like to think that I still do. I first tasted this sandwich in a restaurant near 42nd Street a few weeks after I arrived in New York. With a cold beer and a bit of salad, it makes a perfect meal for either lunch or dinner. You can use commercial Russian or Thousand Island dressing on the sandwich or create your own Russian dressing. I sometimes make the Reuben with pastrami, although corned beef is the traditional choice, and I use rye as well as pumpernickel bread. Be sure to use good Swiss cheese (Emmenthaler or Gruyère). I prefer the sauerkraut available in plastic bags to the canned varieties. RUSSIAN DRESSING ½ cup mayonnaise 3 tablespoons ketchup 1 tablespoon fresh or bottled horseradish 1 teaspoon Worcestershire sauce Good dash Tabasco hot pepper sauce SANDWICHES 8 large slices pumpernickel bread (each about 6 by 4 inches in diameter, ½ inch thick, and weighing about 1 ounce) 6 ounces Swiss cheese (preferably Emmenthaler or Gruyère), cut into enough slices to completely cover the bread (about 1½ ounces per sandwich) 1⅓ cups drained sauerkraut 8 ounces thinly sliced corned beef (not too lean) 2 tablespoons unsalted butter 2 tablespoons corn or peanut oil FOR THE DRESSING: Mix all the dressing ingredients together in a small bowl. FOR EACH SANDWICH: Spread 2 pieces of the bread with 1 tablespoon each of the Russian dressing, and arrange enough cheese slices on both pieces of bread to cover them. Measure out about ⅓ cup of the sauerkraut and spread half of it on top of one of the cheese-covered slices. Cover with 2 ounces of the corned beef, then spread the remaining half (⅙ cup) of sauerkraut on top. To finish, top with the other cheese-covered slice of bread. Repeat with the remaining ingredients to make 3 additional sandwiches. At serving time, melt the butter with the oil in a nonstick skillet, and sauté the sandwiches, covered, over medium to low heat for about 8 minutes, 4 minutes per side, until the cheese on the sandwiches has melted and the corned beef is hot. Serve immediately.
Jacques Pépin (The Apprentice: My Life in the Kitchen)
pants, or “huggable” velvet hangers, rather than cheap wire ones, will keep clothing in top-notch shape and avoid tangles. It’s okay to use more than one kind of hanger to help clothing keep its shape. For example, padded hangers should be used for any hanging sweaters, but other kinds of shirts would be fine with tube or huggable hangers. Just keep them consistent in each section of the closet. And always hang clothes in the same direction. This will help reduce visual clutter and allow you to review your clothes at a glance. For shoes, there are a multitude of storage options. Inexpensive clear plastic shoe boxes keep shoes dust-free and easily viewed. Or use overdoor shoe bags, hanging canvas shoe bags, or a neat tiered shoe rack or shoe tree on the floor. Make sure to use ALL closet space. Underneath short- hanging garments, place a low trunk full of sweaters, a set of plastic drawers, or a simple wooden dresser filled with lingerie, swimsuits, and socks. 6. CLEAN UP & MAINTAIN Put the donation boxes in the car or near the exit so they leave the home immediately. Take out the trash. Grab the relocation box and redistribute all of its contents appropriately. Review the contents of the fix-it box and determine if the cost of the repairs is worth saving the items. If so, make a plan to get them to the
Sara Pedersen (Learn to Organize: A Professional Organizer’s Tell-All Guide to Home Organizing)
How about a chocolate shake, it’s on me, big boy,” one boy said. “Shut up.” I grinned. They were still teasing their friend. Good. If they were teasing him, maybe it was because he thought I was cute, too. Maybe he’d come back to the restaurant tomorrow, find me, ask for my number, and then who knows? I couldn’t help myself — I creeped along the backside of the restaurant and peered around the corner. The boys were walking in the other direction. The shortest of the boys pushed the tall, cute one. “Enjoy your chocolate shake. It’s free, because I’m so desperate for you to notice me.” Oof. That stung. I wasn’t desperate; I was just trying to be spontaneous. And flirty. And fun. The other boy punched the tall one in the shoulder. “You know, I’ve heard you’re only as attractive as the people that ask you out. So you should probably think about plastic surgery.” That offhand comment, that comment that I wasn’t supposed to hear, was a slap in the face on a freezing winter day.
Emily Lowry (Dylan Ramirez is My Forbidden Boyfriend (Rumors and Lies at Evermore High #3))
3. ECONYL Currently making a splash in the swimwear world, ECONYL is going to great lengths to help solve the problem of ocean pollution. The regenerated nylon is made from fishing nets and industrial plastic waste dredged up from oceans and landfill around the world, and its inventors claim it can be infinitely recycled without losing quality or purity.
Lauren Bravo (How To Break Up With Fast Fashion: A guilt-free guide to changing the way you shop – for good)
Clothes in landfill can take as long as two hundred years to decompose, with synthetic fabrics like polyester still leaching plastic microfibres into the environment long after they’re dead and buried.
Lauren Bravo (How To Break Up With Fast Fashion: A guilt-free guide to changing the way you shop – for good)
I love you so much, angel,” I whispered. “If anyone ever hurts you, I’ll kill them.” And I meant it. At this point it seems important to note that I am not a violent person. True story: I capture flies under plastic cups and relocate them into the wild. So, I quite literally wouldn’t hurt a fly. My soul belongs in an overstuffed teddy bear, but something inside me had changed. I wasn’t just a momma bear; I was a momma grizzly. An Ursus arctos horribilis, y’all. Accent on the horribilis. From the moment you become a parent, your heart moves outside of your body. There is nothing you wouldn’t do, no line you wouldn’t cross, to protect the child that you love. As I held my son and felt that grizzly roar within, I was forced to reckon with the possibility that I had never loved anyone like this before. That before I became a parent, my life was a little bit selfish. Not that I was a jerk or anything. It was simply this: Every decision, until I had children, was made in the interest of me. I was out in the world, living free and wild, taking consequences as they came. But when a child is born, so is a mother. And in her, a grizzly awakens. Her love is maternal, instinctive, and deep. And when necessary, even dangerous. There are certain movies you watch as a kid which inspire you to do stupid
Mary Katherine Backstrom (Holy Hot Mess: Finding God in the Details of this Weird and Wonderful Life)
He was lying on his side, and the water pressed against his face forced him to turn his head and try to raise himself a couple of inches without losing track of where he was cutting the suit. His new position was too awkward to allow him to work efficiently, so he took a deep breath and lay flat again, torquing the blade around his calf, to keep cutting away the trapped suit mate rial. His lungs screamed for air, but he ignored his body's needs, working with preternatural calm despite the danger. He tried yanking himself free, but the tough plastic cloth wouldn't tear. He tried again with the same results. Now he had to breathe, so he heaved himself upright to clear his helmet of water, but there was too much pressure. The helmet wouldn't drain. Cabrillo's lungs convulsed, allowing a trickle of bubbles to es cape his lips. It was like suppressing a cough, and the correspond ing pain in his chest was an unnecessary reminder that his brain was starving for oxygen. He was already becoming light-headed. He pulled savagely at the suit and felt it tear slightly, but it wouldn't give completely. Juan tried to force himself to calm down, but survival instincts were overwhelming any sense of logic.
Clive Cussler (Plague Ship (Oregon Files, #5))
you’re going to need a blade. Now …” He moved to the next box, tearing off the lid, nails and all. “Why don’t you make yourself useful and look through a few of these yourself? See if anything jumps out at you. Remember, you’re looking for a blade. Not a mace or a maul or a huge spiked chain that you’d probably hurt yourself with trying to learn.” “Fine.” I wandered down the aisle, looking at random articles. “But I still say the flail looked like it could bash in a vamp’s head pretty efficiently.” “Allison—” “I’m going, I’m going.” More wooden boxes lined the aisle to either side, covered in dust. I brushed back a film of cobwebs and grime to read the words on the side of the nearest carton. Longswords: Medieval Europe, 12th century. The rest was lost to time and age. Another read: Musketeer Rapie … something or other. Another apparently had a full suit of gladiator armor, whatever a gladiator was. A clang from Kanin’s direction showed him holding up a large, double-bladed ax, before he laid it aside and moved on to another shelf. One box caught my attention. It was long and narrow, like the other boxes, but instead of words, it had strange symbols printed down the side. Curious, I wrenched off the lid and reached in, shifting through layers of plastic and foam, until my fingers closed around something long and smooth. I pulled it out. The long, slightly curved sheath was black and shiny, and a hilt poked out of the end, marked with diamond pattern in black and red. I grasped that hilt and pulled the blade free, sending a metallic shiver through the air and down my spine. As soon as I drew it, I knew I had found what Kanin wanted. The blade gleamed in the darkness, long and slender, like a silver ribbon. I could sense the razor sharpness of the edge without even touching it. The sword itself was light and graceful, and fit perfectly into my palm, as if it had been made for me. I swept it in a wide arc, feeling it slice through the air, and imagined this was a blade that could pass through a snarling rabid without even slowing down. A chuckle interrupted me. Kanin stood a few yards away, arms crossed, shaking his head. His mouth was pulled into a resigned grin. “I should have known,” he said, coming forward. “I should have known you would be drawn to that. It’s very fitting, actually.
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
A 4-year-old loves her toy puppy’s golden brown fur. Her teenage brother is annoyed by its loud bark. Her mom sees it as a tool to keep the 4-year-old busy. Her baby sister finds the puppy’s big teeth scary. Her dad considers it an overpriced piece of plastic. The same toy evokes different feelings depending on how one looks at it. We see what we seek. When you don’t attend to attention — when you’re inattentive — life may pass you by. The tulips come and go, the seasons change, and the baby climbs out of the crib, off the bunk bed and on to the college dorm. We forget that joy is in the details. As a Jewish prayer says, “Days pass, and the years vanish, and we walk sightless among miracles.” Intentional trained attention is directed by your will. This trained attention pulls you away from distractions to savor a more wholesome morsel of life. Trained attention doesn’t deny or repress reality. It gives you temporary freedom from negativity. You stop carrying the entire load of the past and the future in your head. Trained attention is focused, relaxed, compassionate, nonjudgmental, sustained, deep and intentional. This meditative attention is essential to experiencing flow. Its optimal practice helps you forget yourself, immerses you in the world’s novelty, and frees your mind for creativity and joy.
Amit Sood (The Mayo Clinic Guide to Stress-Free Living)
HONEY BUTTER FRIED CHICKEN Brine: 1 pint buttermilk mixed with 2 teaspoons kosher salt and ½ teaspoon pepper Chicken: 1 cup all-purpose flour ¼ teaspoon black pepper 1 free range, organic chicken, cut into 8 pieces 2 teaspoons salt 2 teaspoons paprika ½ cup butter Sauce: 4 tablespoons (¼ cup) butter ¼ cup lemon juice ¼ cup honey Make a buttermilk brine for the chicken by combining the buttermilk, salt and pepper in a large resealable plastic bag. Add chicken pieces and chill overnight. Drain before using. Preheat oven to 400 degrees F. Combine flour, salt, pepper and paprika in a bag and
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))