Plant Pots With Quotes

A philosophical question: if a tree falls in a forest and no one is around to hear it, does it make a sound? And if a woman who's wholly alone occasionally talks to a pot plant, is she certifiable? I think that it is perfectly normal to talk to oneself occasionally. It's not as though I'm expecting a reply. I'm fully aware that Polly is a houseplant.

He had heard about talking to plants in the early seventies, on Radio Four, and thought it was an excellent idea. Although talking is perhaps the wrong word for what Crowley did. What he did was put the fear of God into them. More precisely, the fear of Crowley. In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn't look quite as good as the others, and he would carry it around to all the other plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it. . . " Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat. The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.

But in one pot, close to the edge—where the petals had tumbled over—Sofia planted a rosebush, a white one, and waited for the blossoms and the thorns.

He considers me also a little fragile because artistic. I need to be cared for, like a potted plant.

If you invited a hedge wizard to a party, he would spend half the evening talking to your potted plant. And he would spend the other half listening.

And I will raise up for them a plant of renown, and they shall be no more consumed with hunger in the land, neither bear the shame of the heathen any more.

To me, the poor are like Bonsai trees. When you plant the best seed of the tallest tree in a six-inch deep flower pot, you get a perfect replica of the tallest tree, but it is only inches tall. There is nothing wrong with the seed you planted; only the soil-base you provided was inadequate. Poor people are bonsai people. There is nothing wrong with their seeds. Only society never gave them a base to grow on.

Man takes root at his feet, and at best he is no more than a potted plant in his house or carriage till he has established communication with the soil by the loving and magnetic touch of his soles to it.

Even potted plants got to be a responsibility, like everything else you took care of that couldn't make decisions for itself.

Pointing into the ice, she said, “See that potted plant on the desk in there?” I saw. Nodded. “It’s green now, preserved by the ice. But inside it’s dead. And the moment that ice melts, it’ll turn brown and wither into mush.” She locked eyes with me. “I’m like that plant.

In fact, the only things in the flat Crowley devoted any personal attention to were the houseplants. They were huge, and green, and glorious, with shiny, healthy, lustrous leaves. This was because, once a week, Crowley went around the flat with a green plastic plant mister spraying the leaves, and talking to the plants.... Although talking is perhaps the wrong word for what Crowley did. What he did was put the fear of God into them. More precisely, the fear of Crowley. In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt, or browning, or just didn't look quite as good as the others, and he would carry it around to all the plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it..." Then he would leave the flat with the offending plant, and return an hour or so later with a large empty flower pot, which he would leave somewhere conspicuously around the flat. The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.

I had never realized before how quickly men deteriorate without razors and clean shirts. They are like potted plants that go to weed unless they are pruned and tended daily. A single day's growth beard makes a man look careless; two days', derelict; and four days', polluted. Blix and Weston hadn't shaved for three.

The dream in your heart may be bigger than the environment in which you find yourself. Sometimes you have to get out of that environment to see that dream fulfilled. It’s like planting an oak sapling in a pot. Once it becomes rootbound, its growth is limited. It needs a great space to become a mighty oak. So do you.

Relax, oh paranoid one. I doubt there'll be Talon agents hiding in the potted plants.

You talk of her mind being unsettled. How the devil could it be otherwise in her frightful isolation? And that insipid, paltry creature attending her from duty and humanity ! From pity and charity ! He might as well plant an oak in a flower-pot, and expect it to thrive, as imagine he can restore her to vigour in the soil of his shallow cares!

He should have recognized that what really fascinated him was the hunt, the adventure of searching out his victims. And, to a degree, possessing them physically, as one would possess a potted plant, a painting or a Porsche. Owning, as it were, this individual.

Before we get to this, let me explain something about myself. I’ve been many things in my life. Student. Spy. Sacrifice. Potted plant. However, at this point, I’m something completely different from all of those—something more frightening than any of them. I’m a writer.

It is not hard to start a small garden, all you need is a sapling, a planting pot, a small bag of soil, and regular watering. There you go, you helped cooling the earth down by one plant.

If you choose to believe me, good. Now I will tell you how Octavia, the spider-web city, is made. There is a precipice between two steep mountains: the city is over the void, bound to the two crests with ropes and chains and catwalks. You walk on the little wooden ties, careful not to set your foot in the open spaces, or you cling to the hempen strands. Below there is nothing for hundreds and hundreds of feet: a few clouds glide past; farther down you can glimpse the chasm's bed. This is the foundation of the city: a net which serves as passage and as support. All the rest, instead of rising up, is hung below: rope ladders, hammocks, houses made like sacks, clothes hangers, terraces like gondolas, skins of water, gas jets, spits, baskets on strings, dumb-waiters, showers, trapezes and rings for children's games, cable cars, chandeliers, pots with trailing plants. Suspended over the abyss, the life of Octavia's inhabitants is less uncertain than in other cities. They know the net will only last so long.

if a tree falls in a forest and no one is around to hear it, does it make a sound? And if a woman who’s wholly alone occasionally talks to a pot plant, is she certifiable?

Everyone in America is extremely concerned with hydration. Go more than five minutes without drinking, and you’ll surely be discovered behind a potted plant, dried out like some escaped hermit crab. When I was young no one would think to bring a bottle of water into a classroom. I don’t think they even sold bottled water. We survived shopping trips without it, and funerals. Now, though, you see people with those barrels that Saint Bernards carry around their necks in cartoons, lugging them into the mall and the movie theater, then hogging the fountains in order to refill them. Is that really necessary?

But the address, if it ever existed, never was sent, which made me sad, there was so much I wanted to write her: that I'd sold two stories, had read where the Trawlers were countersuing for divorce, was moving out of the brownstone because it was haunted. But mostly, I wanted to tell about her cat. I had kept my promise; I had found him. It took weeks of after-work roaming through those Spanish Harlem streets, and there were many false alarms--flashes of tiger-striped fur that, upon inspection, were not him. But one day, one cold sunshiny Sunday winter afternoon, it was. Flanked by potted plants and framed by clean lace curtains, he was seated in the window of a warm-looking room: I wondered what his name was, for I was certain he had one now, certain he'd arrived somewhere he belonged. African hut or whatever, I hope Holly has, too.

I had never realized before how quickly men deteriorate without razors and clean shirts. They are like potted plants that go to weed unless they are pruned and tended daily.

Connection with gardens, even small ones, even potted plants, can become windows to the inner life. The simple act of stopping and looking at the beauty around us can be prayer.

you didn’t put me anywhere. I’m not a bloody pot plant, I wanted the job, I volunteered for the job, and I seem to remember getting there by minibus, not being carried there by you.

Mexico admits you through an arched stone orifice into the tree-filled courtyard of its heart, where a dog pisses against a wall and a waiter hustles through a curtain of jasmine to bring a bowl of tortilla soup, steaming with cilantro and lime. Cats stalk lizards among the clay pots around the fountain, doves settle into the flowering vines and coo their prayers, thankful for the existence of lizards. The potted plants silently exhale, outgrowing their clay pots. Like Mexico's children they stand pinched and patient in last year's too-small shoes.

He read me another poem, and another one - and he explained the true history of poetry, which is a kind of secret, a magic known only to wise men. Mr. Premier, I won't be saying anything new if I say that the history of the world is the history of a ten-thousand-year war of brains between the rich and the poor. Each side is eternally trying to hoodwink the other side: and it has been this way since the start of time. The poor win a few battles (the peeing in the potted plants, the kicking of the pet dogs, etc.) but of course the rich have won the war for ten thousand years. That's why, on day, some wise men, out of compassion for the poor, left them signs and symbols in poems, which appear to be about roses and pretty girls and things like that, but when understood correctly spill out secrets that allow the poorest man on earth to conclude the ten-thousand-year-old brain-war on terms favorable to himself.

Think about this: plants see you. In fact, plants monitor their visible environment all the time. Plants see if you come near them; they know when you stand over them. They even know if you've painted your house or if you've moved their pots from one side of the room to the other.

Humming and singing my new song, I led them up and down the stairs, pressing my fingers against the wall like I was about to push it over; down to the lobby, where I stood in a pot plant; and finally into the alley behind the studio, where I jumped on top of the car that had brought us from the hotel, leaving dents in the roof so the car would remember me.

Yeah, he’s just a huge flirt. He flirted with me, every female reporter within eyeshot, some of the men, and a pot plant on the way into his office. It’s pathological.

So Tumpty tried hiding upside down, behind a pot plant, under a large cardboard box, with his eyes tightly closed.

Bringing a pot plant to the office, I believe, is a sign of quite serious commitment.

Alia rolled her eyes. "Can we just get this over with before I have to find a potted plant to throw up in?" Jason straightened his cuffs, his sober demeanor returning as quickly as it had vanished. "Yes. But that's the last eye roll for the next hour, deal?" "Wait, I need one more. You can't just cut me off like that." Alia rolled her eyes theatrically. "Okay, I'm good.

Passengers were crushed by descending boats. Swimmers were struck by chairs, boxes, potted plants, and other debris falling from the decks high above. And then there were those most ill-starred of passengers, who had put on their life preservers incorrectly and found themselves floating with their heads submerged, legs up, as in some devil’s comedy.

Mary?" said an officer who was carrying a large potted plant in the manner of someone who thinks it is well outside his job description.

A breeze, briefly gentle but growing more savage, jostled the potted plants and curios that cluttered the room.

They tended to give a little start when she spoke, as if the potted plant had tried to join in the conversation.

Even potted plants got to be a responsibility, like everything else you took care of that couldn’t make decisions for itself.

I had kept my promise; I had found him. It took weeks of after-work roaming through those Spanish Harlem streets, and there were many false alarms—flashes of tiger-striped fur that, upon inspection, were not him. But one day, one cold sunshiny Sunday winter afternoon, it was. Flanked by potted plants and framed by clean lace curtains, he was seated in the window of a warm-looking room: I wondered what his name was, for I was certain he had one now, certain he’d arrived somewhere he belonged. African hut or whatever, I hope Holly has, too.

I talk to her sometimes, I'm not ashamed to admit it. When the silence and the aloneness press down and around me, crushing me, carving me like ice, I need to speak aloud sometimes, if only for proof of life. A philosophical question: if a tree falls in a forest and no one is around to hear it, does it make a sound? And if a woman who's wholly alone occasionally talks to a pot plant, is she certifiable? I'm confident that it is perfectly normal to talk to oneself occasionally. It's not as though I'm expecting a reply. I'm fully aware that Polly is a houseplant.

I glanced around, but no one seemed to be watching me. That would probably change once I started yelling at a waiter. I have Archer what I hoped was a significant look, but thanks to all the sparkle, I wasn't sure he got it. I walked away to the corner of the room and ducked behind a truly insane amount of potted plants. The light back there was dim and green, and everything smelled rich and loamy.

but the man had never learned to wait, he was permanently in a hurry. when, in april, he planted heads of mignonette or morning glory in the china pots in his living room, he would go and pull their leaves each morning to make them grow faster. with such an eccentric, the only thing to do was to obey.

...it was my father who had taught me to love books for themselves, the smell of the vellum and paper, the rare authority of the pages. "Here, do you see this marvelous book, the skins of 182 sheep," he once pronounced as he slapped his hand down on the stamped leather cover boards. "The book is a flock, a jewel, a cemetery, a lantern, a garden, a piss pot; pigments ground of precious minerals, charred bone, lamp soot, rare plants and insects. Pigments formed at the corrosion of copper plates suspended above urine.

Fanfare for the Makers A cloud of witnesses. To whom? To what? To the small fire that never leaves the sky. To the great fire that boils the daily pot. To all the things we are not remembered by, Which we remember and bless. To all the things That will not notice when we die, Yet lend the passing moment words and wings. So fanfare for the Makers: who compose A book of words or deeds who runs may write As many who do run, as a family grows At times like sunflowers turning towards the light. As sometimes in the blackout and the raids One joke composed an island in the night. As sometimes one man’s kindness pervades A room or house or village, as sometimes Merely to tighten screws or sharpen blades Can catch a meaning, as to hear the chimes At midnight means to share them, as one man In old age plants an avenue of limes And before they bloom can smell them, before they span The road can walk beneath the perfected arch, The merest greenprint when the lives began Of those who walk there with him, as in default Of coffee men grind acorns, as in despite Of all assaults conscripts counter assault, As mothers sit up late night after night Moulding a life, as miners day by day Descend blind shafts, as a boy may flaunt his kite In an empty nonchalant sky, as anglers play Their fish, as workers work and can take pride In spending sweat before they draw their pay. As horsemen fashion horses while they ride, As climbers climb a peak because it is there, As life can be confirmed even in suicide: To make is such. Let us make. And set the weather fair. Louis Macneice

N-nothing. Just …” I panic and blurt out the first thing that comes to mind. “Just—global warming.” I’m met with a series of blank stares. Great, I think with rising despair as the silence stretches on. This is exactly why you don’t hang out with Caz’s friends. Now they’re going to wonder why he’s dating someone with the social skills of a potted plant or a potential kink for a severe climate crisis— Then Daiki nods solemnly. “It’s a pressing issue, for sure.

You're not a wallflower. But you have my permission to hide in corners, my sweet- so long as you take me with you. In fact, I'll insist on it. I warn you, I'm very badly behaved at such affairs- I'll probably debauch you in gazebos, on balconies, beneath staircases, and behind assorted potted plants. And if you complain, I'll simply remind you that you should have known better than to marry a conscienceless rake." Evie's throat arched slightly at the light stroke of his fingers. "I wouldn't complain." Sebastian smiled and nipped tenderly at the side of her neck. "Dutiful little wife," he whispered. "I'm going to be a terrible influence on you. Why don't you give me a kiss, and go upstairs for your bath? By the time you finish, I'll be there with you.

She scrambled to her feet, uncaring that a stray knee and elbow had Erik wincing. “How can you be groaning about a simple knee to the groin when you’ve just been battered by flying furniture, candelabras and hit on the head by a pot plant that must weigh a ton or more?” “I’ll have you know there is nothing simple about my groin…” He shot her his predatory grin, the one he often reserved for her breasts. Run little girl, run far and run fast… take those tempting curves, enticing kissable lips and award winning breasts with you.

If you think of memory not just as looking back but as being aware of time and how it passes and what the passage of it feels like, then there is something about being in motion that does cause it. Through some sleight of mind, physical forward motion makes time seem visible. Which causes me to think that maybe the unnatural speed of cars and jets actually creates nostalgia. Because the simplest way to block out the strangeness of time passing before your eyes is to fix it in place, to edit it down to monuments or potted plants. Like,

The potted plant could have been knocked over intentionally or accidentally, or maybe one of the animals that lived here broke it somehow. I thought of the impossibilities and improbabilities. Jack would say that elves had broken it when they came to take me back to the wood.

What Whileawayans Celebrate The full moon The Winter solstice (You haven't lived if you haven't seen us running around in our skivvies, banging on pots and pans, shouting "Come back, sun! Goddammit, come back! Come back!") The Summer solstice (rather different) The autumnal equinox The vernal equinox The flowering of trees The flowering of bushes The planting of seeds Happy copulation Unhappy copulation Longing Jokes Leaves falling off the trees (where deciduous) Acquiring new shoes Wearing same Birth The contemplation of a work of art Marriages Sport Divorces Anything at all Nothing at all Great ideas Death

Without the pieces there can be no whole and without the whole the pieces have no place. What the hell does that mean? Did you know that it requires the time and effort of approximately 10,000 individuals to get the coffee from the plant to your coffee pot each and every morning? That's just your morning cup of coffee! Expand that outwards to all the other products you pick up from your grocery store, to the water, sewage, and power systems hooked up to your house. In order for you to maintain your lifestyle, it requires the efforts of millions of individuals you don't even know exist. Suddenly the concept of independence sounds kind of absurd! If you are special, it's not because of you as an individual, it's because of your compatibility within the whole. Become a source of dysfunction within the whole and suddenly your importance wanes, folks try to avoid you. This is the philosophy of sunyata which some refer to as the theory of emptiness but which I choose to think of as the theory of the pieces and the whole.

Everyone in America is extremely concerned with hydration. Go more than five minutes without drinking, and you’ll surely be discovered behind a potted plant, dried out like some escaped hermit crab. When I was young no one would think to bring a bottle of water into a classroom. I don’t think they even sold bottled water. We survived shopping trips without it, and funerals. Now, though, you see people with those barrels that Saint Bernards carry around their necks in cartoons, lugging them into the mall and the movie theater, then hogging the fountains in order to refill them. Is that really necessary? I think as I stand behind them with an aspirin dissolving in my mouth, fuming.

Kate tracked Barnes down to the potting shed, where he was planting up some seedlings into clay pots. He looked up as Kate entered and gave her a slow half smile once he knew she was unaccompanied. "So you can't leave me alone, Miss? Must be my devastating charm. I'm not so sure it's safe for you to be alone in the potting shed with me though.

Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn't have known. The only things I noticed were silver bracelets on women's wrists and popsicle sticks in potted rubber plants. There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits. My world foreshortened, flattening into a credit card. Seen head on, things seemed merely skewed, but from the side the view was virtually meaningless—a one-dimensional wafer. Everything about me may have been crammed in there, but it was only plastic. Indecipherable except to some machine. My first circuit must have been wearing thin. My real memories were receding into planar projection, the screen of consciousness losing all identity.

So paint the walls, plant tomatoes in pots on the fire escape, but don't cling.

Do not chase another human being. Instead chase your curiosity. Chase your development and your goals. Chase your passion. Strive to work for something bigger than yourself, and instead of trying to convince someone that you fit within their world, strive to build your own. Relationships are not melting pots. They are unions. You walk into them with your own visions, your own hunger, and when you are confident in that, when you allow for that to thrive within you, you never break yourself down to appease the pursuit. You simply exist, as you are, and when you meet someone who does as well, when you meet someone who chooses you within that, you thrive together, and that creates a dynamic that is ever growing and influential.

Wake up in the morning with a specific goal to look forward to. Creative individuals don’t have to be dragged out of bed; they are eager to start the day. This is not because they are cheerful, enthusiastic types. Nor do they necessarily have something exciting to do. But they believe that there is something meaningful to accomplish each day, and they can’t wait to get started on it. Most of us don’t feel our actions are that meaningful. Yet everyone can discover at least one thing every day that is worth waking up for. It could be meeting a certain person, shopping for a special item, potting a plant, cleaning the office desk, writing a letter, trying on a new dress. It is easier if each night before falling asleep, you review the next day and choose a particular task that, compared to the rest of the day, should be relatively interesting and exciting. Then next morning, open your eyes and visualize the chosen event—play it out briefly in your mind, like an inner videotape, until you can hardly wait to get dressed and get going. It does not matter if at first the goals are trivial and not that interesting. The important thing is to take the easy first steps until you master the habit, and then slowly work up to more complex goals. Eventually most of the day should consist of tasks you look forward to, until you feel that getting up in the morning is a privilege, not a chore.

As Jogiches walked in with her past the potted plants in the entrance, to face the smiles and all the food laid out on little tables, he whispered: 'As soon as this dinner is over, I shall kill you...

...a profound opportunity to embrace impermanence. How those of us who are renters are perhaps in a better position to recognize that our time here on earth is a borrowed gift. That it's not ours to own, though it is ours to relish. That it's still worth beautifying, even though it's temporary. So paint the walls, plant tomatoes in pots on the fire escape, but don't cling. Because eventually we will all be asked to move on.

I came to a long, wide table. Table, it said. I am a table. All that I have ever been or ever will be is a table. And on the table was a book. And the book was him. I knew him y his words. Truthfully, I would have known him if he’d been a lamp, or a pot plant, or a scale model of the Long Island Expressway. But, appropriately enough, he was a book. The words on the cover were simple, good words. I don’t remember what they were.

You're handling someone's life energy, so it's intense, yeah, but there's like this charge from it." "I'm not sure how I feel about you 'handling my life energy,' Cal." He grinned, and I was taken aback by how different it made him look. Cal spent so much time being stoic and solemn that it was easy to forget he even had teeth. "I'll buy you dinner first next time, I promise." Okay,the grin was one thing, but that had definitely been flirting. Then, like I wasn't thrown enough, Cal leaned down and picked up a potted African violet on the low table next to the sofa and brought it over to me. For a second,I wondered if this was his socially awkward way of trying to give me flowers, but he said, "Any Prodigium can do it,really.Not on the same level I can, but still.You just have to be patient." He pushed the plant toward me,and I noticed a few brown spots on its velvety petals. "Wanna try?" I looked at the droopy violet and snorted. "Thanks,but that poor little flower looks like it's suffered enough." Wiggling my fingers, I added, "I'm way better at the blowing-stuff-up part of magic.

The Women Who Walk Us Home The ones who arrive with a bag of clothes, four tired lemons, half a story from her sister's trip to Paraguay. The ones who keep our secrets and whose secrets we keep in potted plants, in every ocean we've ever known. The ones who know our husbands, their little pleasures. Our lovers and our scars. The ones who stay, hope like a moth. Who stare into the gaping tomb and are not afraid of its unveiling. The ones who will be there, even then (even then), to walk us home.

During the late 1910s and early ’20s, immigrant workers at the Ford automotive plant in Dearborn, Michigan, were given free, compulsory “Americanization” classes. In addition to English lessons, there were lectures on work habits, personal hygiene, and table manners. The first sentence they memorized was “I am a good American.” During their graduation ceremony they gathered next to a gigantic wooden pot, which their teachers stirred with ten-foot ladles. The students walked through a door into the pot, wearing traditional costumes from their countries of origin and singing songs in their native languages. A few minutes later, the door in the pot opened, and the students walked out again, wearing suits and ties, waving American flags, and singing “The Star-Spangled Banner.

The owner of the plant store dipped her fingers into the soil of a pot earmarked for a city plant, one hearty in the way the shop’s customers were hearty, for wasn’t every citizen on the Grand Island a sort of sturdy indoor variety that didn’t need much sunlight.

As I completed dinner preparation, Rosie set the table—not the conventional dining table in the living room, but a makeshift table on the balcony, created by taking a whiteboard from the kitchen wall and placing it on top of the two big plant pots, from which the dead plants had been removed. A white sheet from the linen cupboard had been added in the role of tablecloth. Silver cutlery—a housewarming gift from my parents that had never been used—and the decorative wineglasses were on the table. She was destroying my apartment!

FRECK: (Casually) I bought a methedrine plant today. BARRIS: (With a snotty expression on his face) Methedrine is a benny, like speed; it’s crank, it’s crystal, it’s amphetamine, it’s made synthetically in a lab. So it isn’t organic, like pot. There’s no such thing as a methedrine plant like there is a pot plant. FRECK: (Springing the punch line on him) I mean I inherited forty thousand from an uncle and purchased a plant hidden in this dude’s garage where he makes methedrine. I mean, he’s got a factory there where he manufactures meth.

Everything comes down to time in the end - to the passing of time, to changing. Ever thought of that? Anything that makes you happy or sad, isn't it all based on minutes going by? Isn't happiness expecting something time is going to bring you? Isn't sadness wishing time back again? Even big things - even mourning a death: aren't you really just wishing to have the time back when that person was alive? Or photos - ever notice old photographs? How wistful they make you feel? Long-ago people smiling, a child who would be an old lady now, a cat that died, a flowering plant that's long since withered away and the pot itself broken or misplaced...Isn't it just that time for once is stopped that makes you wistful? If only you could turn it back again, you think. If only you could change this or that, undo what you have done, if only you could roll the minutes the other way, for once.

In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn’t look quite as good as the others, and he would carry it around to all the other plants. “Say goodbye to your friend,” he’d say to them. “He just couldn’t cut it…” Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat. The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.

Yes, I had dreamed of becoming a botanist, my entire life, really. I'd thought a great deal about the various species of maple and rhododendron while braiding challah, and I'd successfully planted a wisteria vine in a large pot and trained it over the awning of the bakery. And at night, after we closed shop, I volunteered at the New York Botanical Garden. Sweeping up cuttings and fallen leaves hardly seemed like work when it provided the opportunity to gaze into the eye of a Phoenix White peony or a Lady Hillingdon rose, with petals the color of apricot preserves. Yes, horticulture, not pastries, was my passion.

the guy who gets caught with a dozen pot plants in his back yard will have all of his possessions confiscated, while the suit whose corporate policy results in the deaths of dozens of workers, or thousands of civilians; or whose investment fraud brings the world’s economy crashing down around us, gets…tax breaks.

There used to be a rubbish heap under the great tree in Dhoby Ghaut with a sarabat stall parked next to it. It was a low, sprawling rubbish heap made up of the usual things—refuse from dustbins, paper, old tins and slippers and leaves from the tree above. Then one day, people forgot about it. They found a new dumping place and the old rubbish heap settled low on the ground. Time passed and its contents became warm and rich and fertile and people living in the area would take away potfuls of it to plant flowers in. Somehow, a rose cutting, slim as a cheeping chicken’s leg and almost brown, appeared on the rubbish heap one day.

These little hurts were like little pets or potted plants you were abruptly given the care of, needing to be fed or walked or watered. As you pass the half-century, the flesh, the coating on the person, begins to attenuate. And the world is full of blades and spikes. For a year or two your hands are nicked and scraped as a schoolboy's knee. Then you learn to protect yourself. This is what you'll go on doing until, near the end, you are doing nothing else--just protecting yourself. And while you are learning how to do that, a doorkey is a doornail, and the flap of the letterbox is a meat-slicer, and the very air is full of spikes and blades.

He said that a killer comes to hunting humans gradually. The appetite builds from a young boy’s undifferentiated anger and morbidity of mind to a search for ever more violent pornography, the visual and written material that Ted believed had shaped and focused his fantasy world. Then comes the window peeping, followed eventually by crudely conceived and unsuccessful assaults. In Ted’s case, these gave way, over time, to a sophisticated taste for the chase and its aftermath: the selection of what he called “worthy” victims, pretty and intelligent young daughters and sisters of the middle class, nice girls whom Ted desired to possess, he said, “as one would possess a potted plant, or a Porsche.

Just like she intended to be with him for Christmas and make him buy a potted tree because, while she didn’t like artificial pines, she also couldn’t stand the thought of chopping a live one down for decoration. So, every year, she bought a live pine tree, and once Christmas was done, she kept it watered and healthy until spring when she could plant it.

His bowels, far greater alchemist than he had ever been, regularly performed the transmutation of corpses, those of beasts and of plants, into living matter, separating the useful from the dross without help from him. Ignis inferioris Naturae: those spirals of brown mud, precisely coiled and still steaming from the decocting process which they have undergone in their mold, this ammoniac and nitric fluid passed into a clay pot, were the visible and fetid proof of work completed in laboratories where we do not intervene. It seemed to Zeno that the disgust of fastidious persons at this refuse, and the obscene laughter of the ignorant, were due less to the fact that these objects offend our senses than to our horror in the presence of the mysterious and ineluctable routines of our bodies.

He hopes the plant doesn't freeze to death before he can give it to her. He pictures her face when she opens the bag and sees it. A whole load of dark purple flowers stuck onto a tiny bendy stem like a bunch of butterflies about to fly off. Exposed roots like knobbly toes climbing over the rim of the plastic pot as if the whole thing is planning to get out and do a runner first chance it gets. It's a moth orchid.

He hopes the plants doesn't freeze to death before he can give it to her. He pictures her face when she opens the bag and sees it. A whole load of dark purple flowers stuck onto a tiny bendy stem like a bunch of butterflies about to fly off. Exposed roots like knobbly toes climbing over the rim of the plastic pot as if the whole thing is planning to get out and do a runner first chance it gets. It's a moth orchid.

It took a half billion or more years for life to emerge; a billion years later the earliest forms of blue-green algae (which are actually bacteria) and simple fungi were generated. The first sponge-like animals emerged 650 million years ago, land plants about 500 million years ago, the first land animals 400 million years ago. The earliest human ancestors only three million years ago, human beings as we know them now emerged only 35,000 years ago, human “civilization” only four thousand years ago. (Or maybe it’s seven thousand, scientists aren’t sure— they found some old cheese pots recently . . .) We are babies; we’ve just arrived. It would be amusing really, when scientists, with a life span of 80 years, look at the Earth and pronounce it not alive because it does not fit into their preconceptions if it weren’t so dangerous

He had heard about talking to plants in the early seventies, on Radio Four, and thought it an excellent idea. Although talking is perhaps the wrong word for what Crowley did. What he did was put the fear of God into them. More precisely, the fear of Crowley. In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn’t look quite as good as the others, and he would carry it around to all the other plants. “Say goodbye to your friend,” he’d say to them. “He just couldn’t cut it…” Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat. The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified. The

I took a step toward her, but she turned from me and stomped back to her car. I watched her drive off. After a moment, I walked up the limestone steps and through the phantom oak-and-glass front doors of the house where I grew up. I paced the hall, entered the long rectangle of dining room, rested a hand on the carved cherrywood mantel, then passed into the kitchen. The house was so real around me that I could smell the musty linen in the cedar closet, the gas from the leaky burner on the stove, the sharp tang of geraniums that I had planted in clay pots. I lay down on the exact place where the living room couch had been pushed tight under the leaded-glass windows. I closed my eyes and it was all around me again. The stuffed bookshelves, the paneling, the soft slap of my mother's cards on the table. I could see from the house of my dark mind the alley, from the alley the street leading to the end of town, its farthest boundary the lucid silence of the dead. Between the graves my path, and along that path her back door, her face, her timeless bed, and the lost architecture of her bones. I turned over and made myself comfortable in the crush of wild burdock. A bee or two hummed in the drowsy air. The swarm had left the rubble and built their houses beneath the earth. They were busy in the graveyard right now, filling the skulls with white combs and the coffins with sweet black honey.

Go away,” she said voicelessly. Aureliano, smiled, picked her up by the waist with both hands like a pot of begonias, and dropped her on her back on the bed. With a brutal tug he pulled off her bathrobe before she had time to resist and he loomed over an abyss of newly washed nudity whose skin color, lines of fuzz, and hidden moles had all been imagined in the shadows of the other rooms. Amaranta Úrsula defended herself sincerely with the astuteness of a wise woman, weaseling her slippery, flexible, and fragrant weasel’s body as she tried to knee him in the kidneys and scorpion his face with her nails, but without either of them giving a gasp that might not have been taken for that”“breathing of a person watching the meager April sunset through the open window. It was a fierce fight, a battle to the death, but it seemed to be without violence because it consisted of distorted attacks and ghostly evasions, slow, cautious, solemn, so that during it all there was time for the petunias to bloom and for Gaston to forget about his aviator’s dream in the next room, as if they were two enemy lovers seeking reconciliation at the bottom of an aquarium. In the heat of that savage and ceremonious struggle, Amaranta Úrsula understood that her meticulous silence was so irrational that it could awaken the suspicions of her nearby husband much more than the sound of warfare that they were trying to avoid. Then she began to laugh with her lips tight together, without giving up the fight, but defending herself with false bites and deweaseling her body little by little until they both were conscious of being adversaries and accomplices at the same time and the affray degenerated into a conventional gambol and the attacks became”“caresses. Suddenly, almost playfully, like one more bit of mischief, Amaranta Úrsula dropped her defense, and when she tried to recover, frightened by what she herself had made possible, it was too late. A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange whistles and the invisible globes on the other side of death were like. She barely had time to reach out her hand and grope for the towel to put a gag between her teeth so that she would not let out the cat howls that were already tearing at her insides.

If he does it right and is lucky, in nine or 10 months he scoops the tiny half-inch seedlings out of the bottle and plants them in community pots. A year later he transplants them to individual three-inch pots and in another two years to 4 1/2-inch pots, and crosses his fingers. Then, five or six or seven years since the day he put pollen to stigma, he sees an orchid no one ever saw before. It is different from any orchid that has ever bloomed, including those in the Garden of Eden.

The reason these diatribes are heard by more than just the occasional potted plant or captured hero is this: sparks quite frequently find themselves surrounded by people whether they want to be or not. We are not just talking about the stereotypical traveler whose cart breaks down during a storm and thus must seek shelter at the lone castle glimpsed through the trees and so finds himself at a timely ringside seat for the revelation of the latest abomination of science (although there is no denying this happens far more than is statistically probable). No, your seriously steeped-in-madness dabbler in the esoteric sciences usually finds themself taxed with a rag-tag collection of hangers-on, typically consisting of minions, constructs, adventurers, and those unique, unclassifiable, individuals whose raison d’être appears to be to remind us of what a strange world it is. Even more interestingly, it appears that the greater the spark, the more of these individuals they spontaneously accumulate.

If you think of memory not just as looking back but as being aware of time and how it passes and what the passage of it feels like, then there is something about being in motion that does cause it. Through some sleight of mind, physical forward motion makes time seem visible. Which causes me to think that maybe the unnatural speed of cars and jets actually creates nostalgia. Because the simplest way to block out the strangeness of time passing before your eyes is to fix it in place, to edit it down to monuments or potted plants.

Adopt and rescue a pet from a local shelter. Support local and no-kill animal shelters. Plant a tree to honor someone you love. Be a developer — put up some birdhouses. Buy live, potted Christmas trees and replant them. Make sure you spend time with your animals each day. Save natural resources by recycling and buying recycled products. Drink tap water, or filter your own water at home. Whenever possible, limit your use of or do not use pesticides. If you eat seafood, make sustainable choices. Support your local farmers market. Get outside. Visit a park, volunteer, walk your dog, or ride your bike.

there’s no substitute for constant study to master one’s craft. Living in history builds your own shock absorber, because you’ll learn that there are lots of old solutions to new problems. If you haven’t read hundreds of books, learning from others who went before you, you are functionally illiterate—you can’t coach and you can’t lead. History lights the often dark path ahead; even if it’s a dim light, it’s better than none. If you can’t be additive as a leader, you’re just like a potted plant in the corner of a hotel lobby: you look pretty, but you’re not adding substance to the organization’s mission.

Going up that river was like traveling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances. On silvery sandbanks hippos and alligators sunned themselves side by side. The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off for ever from everything you had known once—somewhere—far away—in another existence perhaps. There were moments when one's past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect. I got used to it afterwards; I did not see it any more; I had no time. I had to keep guessing at the channel; I had to discern, mostly by inspiration, the signs of hidden banks; I watched for sunken stones; I was learning to clap my teeth smartly before my heart flew out, when I shaved by a fluke some infernal sly old snag that would have ripped the life out of the tin-pot steamboat and drowned all the pilgrims; I had to keep a look-out for the signs of dead wood we could cut up in the night for next day's steaming. When you have to attend to things of that sort, to the mere incidents of the surface, the reality—the reality, I tell you—fades. The inner truth is hidden—luckily, luckily.

Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room

The Forgiveness Castle remains open all day and all night, and the best thing is that there are so many entrances, usually found where you'd never thing to look: behind potted plants, in crayon drawings, and on old birthday cards. I have it on good authority that one entrance is through a tree fort. Many of the Forgiveness Castle's entry points remain secret, which is why you hunt around, press the blue walls gently, and wait. Sometimes saying the most obvious words, 'I'm sorry', opens a hidden door right where there seemed not possibility." He looks away. "You're welcome to visit this castle to wait for a friend, to sit in one of its orange and yellow gardens, or to find your own reflection in the polished blue rock and whisper, 'Please.Come home.

The chain booksellers, like Barnes and Noble, began to dominate the market, and they instituted a “gay and lesbian” section in many of their branch stores. This section was never positioned at the front of the store with the bestsellers. It was usually on the fourth floor hidden behind the potted plants. What this meant in practical terms was that those of us who had the integrity to be out in our work found our books literarily yanked off of the “Fiction” shelves and hidden on the gay shelves, where only “gay” people wanting “gay” books would dare to tread. It was an instant undoing of all the progress we had made to be treated as full citizens and a natural, organic part of American intellectual life. …I felt very strongly, and still do, that authentic lesbian literature should be represented at all levels of publishing, including taking its rightful place as a natural organic part of mainstream American intellectual life. The corporate lockdown went into overdrive just at the moment that this integration was beginning to take place. This positioning is essential for so many reasons, least of which is the right of writers of merit to not be excluded from financial, emotional, and intellectual development simply because they have the integrity to be out in their work. Second is the right of gay people to be in dialogic relationships with straights - where they read and identify with our work as we are asked to with theirs. And finally, that even at the height of the strength of the lesbian subculture, most gay people find out about gay things through the mainstream media.

The companies that hauled the oil away were called renderers. Besides restaurant oil, renderers also collected animal carcasses—pigs and sheep and cows from slaughterhouses, offal thrown out by butcher shops and restaurants, euthanized cats and dogs from the pound, dead pets from veterinary clinics, deceased zoo animals, roadkill. Mounds of animals were trucked to the rendering plant and bulldozed into large pots for grinding and shredding; then the raw meat product was dumped into pressure cookers, where fat separated from meat and bones at high heat. The meat and bones were pulverized into protein meal for canned pet food. The animal fat became yellow grease, which was recycled for lipstick, soap, chemicals, and livestock feed. So cows ate cow, pigs ate pig, dogs ate dog, cats ate cat, and human beings ate the meat fed on dead meat, or smeared it over their faces and hands. Rendering was one of the oldest industries in the country, going back to the age of tallow, lard, and candlelight, and one of the most secretive.

Just here.’ Ramiro squatted and placed the pot on the ground, then swung his beam around the site. ‘You already dug twelve holes!’ he observed. ‘And I thought you were messing around with Agata all morning.’ Azelio made a noncommittal sound. Ramiro suddenly felt queasy. ‘My plan is to dig up all these plants at the end of the trial and take them back to the Peerless for my colleagues to analyse,’ Azelio mused. ‘So I guess that’s when I’ll see the transition between cultivated and truly pristine ground. But right now, in Esilio’s terms, we’ve just dug the plants up – so on our terms, we’re about to do that. Backwards.’ Ramiro said, ‘You make it sound as if you’ve been practising time-reversed agronomy all your life.’ ‘It’s not that hard to see what’s going on, if you think it through,’ Azelio replied lightly. ‘But you don’t mind following markers like this? Evidence of acts you haven’t performed yet?’ ‘It’s a little disconcerting,’ Azelio conceded. ‘But I can’t say that it fills me with claustrophobia to know that I’ll carry out the experimental protocols I always planned to carry out.

Then Daniel stepped forward and a trumpet sounded, followed by a drum. The dance was beginning. He took her hand. When he spoke, he spoke to her, not to the audience,as the other players did. "The fairest hand I ever touched," Daniel said. "O Beauty, till now I never knew thee." As if the lines had been written for the two of them. They began to dance,and Daniel locked eyes with her the whole time. His eyes were crystal clear and violet, and the way they never strayed from hers chipped away at Luce's heart. She knew he'd loved her always,but until this moment,dancing with him on the stage in front of all these people,she had never really thought about what it meant. It meant that when she saw him for the first time in every life,Daniel was already in love with her. Every time. And always had been. And every time, she had to fall in love with him from scratch.He could never pressure her or push her into loving him. He had to win her anew each time. Daniel's love for her was one long, uninterrupted stream.It was the purest form of love there was,purer even than the love Luce returned. His love flowed without breaking,without stopping. Whereas Luce's love was wiped clean with every death, Daniel's grew over time, across all eternity. How powerfully strong must it be by now? Hundreds of love stacked one on top of the other? It was almost too massive for Luce to comprehend. He loved her that much,and yet in every lifetime,over and over again,he had to wait for her to catch up. All this time,they had been dancing with the rest of the troupe, bounding in and out of the wings at breaks in the music,coming back onstage for more gallantry,for longer sets with more ornate steps,until the whole company was dancing. At the close of the scene,even though it wasn't in the script,even though Cam was standing right there watching,Luce held fast to Daniel's hand and pulled him to her,up against the potted orange trees.He looked at her like she was crazy and tried to tug her to the mark dictated by her stage directions. "What are you doing?" he murmured. He had doubted her before,backstage when she'd tried to speak freely about her feelings.She had to make him believe her.Especially if Lucinda died tonight,understanding the depth of her love would mean everything to him. It would help him to carry on,to keep loving her for hundreds more years, through all the pain and hardship she'd witnessed,right up to the present. Luce knew that it wasn't in the script, but she couldn't stop herself: She grabbed Daniel and she kissed him. She expected him to stop her,but instead he swooped her into his arms and kissed her back.Hard and passionately, responding with such intensity that she felt the way she did when they were flying,though she knew her feet were planted on the ground. For a moment, the audience was silent. Then they began to holler and jeer.Someone threw a shoe at Daniel, but he ignored it. His kisses told Luce that he believed her,that he understood the depth of her love,but she wanted to be absolutely sure. "I will always love you,Daniel." Only, that didn't seem quite right-or not quite enough. She had to make him understand,and damn the consequences-if she changed history,so be it. "I'll always choose you." Yes, that was the word. "Every single lifetime, I'll choose you.Just as you have always chosen me.Forever." His lips parted.Did he believe her? Did he already know? It was a choice, a long-standing, deep-seated choice that reached beyond anything else Luce was capable of.Something powerful was behind it.Something beautiful and- Shadows began to swirl in the rigging overhead. Heat quaked through her body, making her convulse,desperate for the fiery release she knew was coming. Daniel's eyes flashed with pain. "No," he whispered. "Please don't go yet." Somehow,it always took both of them by surprise.

Many kinds of animal behavior can be explained by genetic similarity theory. Animals have a preference for close kin, and study after study has shown that they have a remarkable ability to tell kin from strangers. Frogs lay eggs in bunches, but they can be separated and left to hatch individually. When tadpoles are then put into a tank, brothers and sisters somehow recognize each other and cluster together rather than mix with tadpoles from different mothers. Female Belding’s ground squirrels may mate with more than one male before they give birth, so a litter can be a mix of full siblings and half siblings. Like tadpoles, they can tell each other apart. Full siblings cooperate more with each other than with half-siblings, fight less, and are less likely to run each other out of the territory when they grow up. Even bees know who their relatives are. In one experiment, bees were bred for 14 different degrees of relatedness—sisters, cousins, second cousins, etc.—to bees in a particular hive. When the bees were then released near the hive, guard bees had to decide which ones to let in. They distinguished between degrees of kinship with almost perfect accuracy, letting in the closest relatives and chasing away more distant kin. The correlation between relatedness and likelihood of being admitted was a remarkable 0.93. Ants are famous for cooperation and willingness to sacrifice for the colony. This is due to a quirk in ant reproduction that means worker ants are 70 percent genetically identical to each other. But even among ants, there can be greater or less genetic diversity, and the most closely related groups of ants appear to cooperate best. Linepithema humile is a tiny ant that originated in Argentina but migrated to the United States. Many ants died during the trip, and the species lost much of its genetic diversity. This made the northern branch of Linepithema humile more cooperative than the one left in Argentina, where different colonies quarrel and compete with each other. This new level of cooperation has helped the invaders link nests into supercolonies and overwhelm local species of ants. American entomologists want to protect American ants by introducing genetic diversity so as to make the newcomers more quarrelsome. Even plants cooperate with close kin and compete with strangers. Normally, when two plants are put in the same pot, they grow bigger root systems, trying to crowd each other out and get the most nutrients. A wild flower called the Sea Rocket, which grows on beaches, does not do that if the two plants come from the same “mother” plant. They recognize each others’ root secretions and avoid wasteful competition.

Galveston?” he asked in that amazing voice, still surprising me by keeping our conversation going. “Yeah. Staying at a beach house and everything. Totally slumming it and having a miserable time, you know?” I gave him a real smile that time. Rip just raised his brows. “I promised her I would go visit, and she promised she would come up too... What’s that face for?” I surprised myself by laughing. “I don’t believe it either. I’ll get lucky if she comes once. I’m not that delusional.” I didn’t imagine the way his cheek twitched again, just a little, just enough to keep the smile on my face. “I’m stuck making my own lunches from now on. I have nobody to watch scary movies with who’s more dramatic than I am screaming at the scary parts. And my house is empty,” I told him, going on a roll. “Your lunches?” was what he picked up on. I wasn’t sure how much he’d had to drink that he was asking me so many questions, but I wasn’t going to complain. “I can’t cook to save my life, boss. I thought everyone knew. Baking is the only thing I can handle.” “You serious?” he asked in a surprised tone. I nodded. “For real?” “Yeah,” I confirmed. “I can’t even make rice in an Instant Pot. It’s either way too dry or it’s mush.” Oh. “An Instant Pot is—” “I know what it is,” he cut me off. It was my turn to make a face, but mine was an impressed one. He knew what an Instant Pot was but not a rom-com. Okay. “Sorry.” He didn’t react to me trying to tease him, instead he asked, “You can’t even make rice in that?” “Nope.” “You know there’s instructions online.” Was he messing with me now? I couldn’t help but watch him a little. How much had he drunk already? “Yeah, I know.” “And you still screw it up?” I blinked, soaking up Chatty Cathy over here like a plant that hadn’t seen the sun in too long. “I wouldn’t say I screw it up. It’s more like… you either need to chew a little more or a little less.” It was his turn to blink. “It’s a surprise. I like to keep people on their toes.” If I hadn’t been guessing that he’d had a couple drinks before, what he did next would have confirmed it. His left cheek twitched. Then his right one did too, and in the single blink of an eye, Lucas Ripley was smiling at me. Straight white teeth. That not-thin but not-full mouth dark pink and pulled up at the edges. He even had a dimple. Rip had a freaking dimple. And I wanted to touch it to make sure it was real. I couldn’t help but think it was just about the cutest thing I had ever seen, even though I had zero business thinking anything along those lines. But I was smart enough to know that I couldn’t say a single word to mention it; otherwise, it might never come out again. What I did trust myself to do was gulp down half of my Sprite before saying, “You can make rice, I’m guessing?” If he wanted to talk, we could talk. I was good at talking. “Uh-huh,” he replied, sounding almost cocky about it. All I could get myself to do in response was grin at him, and for another five seconds, his dimple—and his smile—responded to me.

There, at the top of the stairs, was the world: acres and miles of open land, an arc of the planet, curving off and lighted in the distance under the morning sky. The building we had just passed through was, it turned out, only the entrance to an open dig, where Chinese archaeologists were in the years-long process of excavating a buried army of life-sized clay soldiers. I saw what looked like human bodies coming out of the earth. Straight trenches cut the bare soil into deep corridors or long pits. From the trench walls emerged an elbow here, a leg and foot there, a head and neck. Everything was the same color, the terra-cotta earth and the people: the color of plant pots. Seeing the broad earth under the open sky, and a patch of it sliced into deep corridors from which bodies emerge, surprises many people to tears. Who would not weep from shock? I seemed to see our lives from the aspect of eternity. I seemed long dead and looking down. For it is in our lifetimes alone that people can witness the unearthing of the deep-dwelling army of Emperor Qin—the seven thousand or the ten thousand soldiers, their real crossbows and swords, their horses and chariots, bared to the light for the first time in 2,200 years. “In the pictures of the old masters,” Max Picard wrote in The World of Silence, “people seem as though they had just come out of the opening in a wall; as if they had wriggled their way out with difficulty. They seem unsafe and hesitant because they have come out too far and still belong more to silence than themselves.

Beware, and be on your guard against every form of greed; for not even when one has an abundance does his life consist of his possessions. -LUKE 12:15 One of our universal problems is the overcrowding of our homes. Whether we have an apartment or a six bedroom home, every closet, cupboard, refrigerator, and garage are all crammed with abundance. Some of us have so much that we go out and rent additional storage spaces for our possessions. Bob and I are no different than you. We buy new clothes and cram them into our wardrobes. A new antique goes in the corner, a new quilt hangs over the bed, a new potted plant gathers sunlight by the window. On and on it goes. Pretty soon we feel as though we are closed in with no room to breathe. We continually struggle to keep a balance in our attitudes regarding possessions. It is simpler to manage if you are single and live alone-it's just you. Life becomes more complicated with a spouse and children. You soon get that "bunched in" feeling. This creates more stress, and you can lose your cool and blow relationships when your calm is broken. We have made a rule in our home about abundance. Simply stated, it says, "One comes in and one goes out." After every purchase we give away or sell a like item. (We have an annual garage sale.) With a new blouse, out goes an older blouse; with a new table, out goes a table; and so on. Naturally if you're a newlywed this rule is not for you because you probably don't have an abundance of possessions. There's another strategy that's very effective. We have informed our loved ones that we don't want any more gifts that take up space or that have to be dusted; we prefer receiving consumable items. Remember-your life is not based on your possessions. Share with others what you aren't using.

We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.

On a sloping promontory on its wooded north shore was a modestly sized building called the National Capital Exhibition, and I called there first, more in the hope of drying off a little than from any expectation of extending my education significantly. It was quite busy. In the front entrance, two friendly women were seated at a table handing out free visitors' packs - big, bright yellow plastic bags - and these were accepted with expressions of gratitude and rapture by everyone who passed. "Care for a visitors' pack, sir?" called one of the women to me. "Oh, yes, please," I said, more thrilled than I wish to admit. The visitors' pack was a weighty offering, but on inspection it proved to contain nothing but a mass of brochures - the complete works, it appeared, of the visitors' center I had visited the day before. The bag was so heavy that it stretched the handles until it was touching the floor. I dragged it around for a while and then thought to abandon it behind a potted plant. A here's the thing. There wasn't room behind the potted plant for another yellow bag! There must have been ninety of them there. I looked around and noticed that almost no one in the room still had a plastic bag. I leaned mine up against the wall beside the plant and as I straightened up I saw that a man was advancing toward me. "Is this where the bags go?" he asked gravely. "Yes, it is." I replied with equal gravity. In my momentary capacity as director of internal operations I watched him lean the bag carefully against the wall. Then we stood for a moment together and regarded it judiciously, pleased to have contributed to the important work of moving hundreds of yellow bags from the foyer to a mustering station in the next room. As we stood, two more people came along, "Put them just there," we suggested, almost in unison, and indicated where we were sandbagging the wall. Then we exchanged satisfied nods and moved off into the museum.

You should buy a potted plant.” I laugh at that as I sit on the wooden picnic table at the park in the dark, listening to Jack ramble through the speakerphone beside me. “A plant.” “Seriously, hear me out—you get a plant. You nurture it, keep it alive, and wham-bam, that’s how you know you’re ready for this whole thing.” “That’s stupid.” “No, it’s not. It’s a real thing. I saw it in that movie 28 Days.” “The zombie one?” “Nah, man, the Sandra Bullock one. You’re thinking about 28 Days Later.” “You steal your advice from Sandra Bullock movies?” “Oh, don’t you fucking judge me. It’s a hell of a lot better than that shit you keep making. And besides, it’s good advice.” “Buy a plant.” “Yes.” “Did you buy one?” “What?” “A plant,” I say. “Did you buy yourself a plant to prove you’re ready for a relationship?” “No,” he says. “Why not?” “Because I don’t need a plant to tell me what I already know,” he says. “I’m wearing a pair of emoji boxers and eating hot Cheetos in my basement apartment. Pretty sure the signs are all there.” “Emoji boxers?” I laugh. “Talk about a stereotypical internet troll.” “Yeah, yeah, whatever,” he says. “This isn’t about me, though. We’re talking about you.” “I’m tired of talking about me.” “Holy shit, seriously? Didn’t think that was possible!” “Funny.” “Remember that interview you did on The Late Show two years ago?” “I don’t want to talk about it.” “You were stoned out of your mind, kept referring to yourself in third person.” “Fuck off.” “Pretty sure that guy would never be tired of talking about himself.” “You’re an asshole.” He laughs. “True.” “You get on my nerves.” “You’re welcome.” Sighing, I shake my head. “Thank you.” “Now go buy yourself a plant,” he says. “I was in the middle of a game of Call of Duty when you called, so I’m going to get back to it.” “Yeah, okay.” “Oh, and Cunning? I’m glad you haven’t drowned yourself in a bottle of whiskey.” “Why? Would you miss me?” “More like your fangirls might murder me if I let you destroy yourself,” he says. “I don’t know if you’ve noticed, but they’re crazy. Have you seen some of their fan art? It’s insane.” “Goodbye, Jack,” I say, pressing the button on my phone to end the call