Plague Tale Quotes

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The great tragic love story of Percy and me is neither great nor truly a love story, and is tragic only for its single-sidedness. It is also not an epic monolith that has plagued me since boyhood, as might be expected. Rather, it is simply the tale of how two people can be important to each other their whole lives, and then, one morning, quite without meaning to, one of them wakes to find that importance has been magnified into a sudden and intense desire to put his tongue in the other's mouth. A long, slow slide, then a sudden impact.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
Have a shower, Si," George urged. "Start the day refreshed. Maybe style your hair a little. It wouldn't kill you." Simon shook his head. "There's a dead rat in the bathroom, George. I am not going in the bathroom, George." "He's not dead," George said. "He's sleeping. I'm certain of it." "Senseless optimism is how plagues get started," Simon said. "Ask the medieval peasants of Europe. Oh, wait, you can't." "Were they a jolly bunch?" George asked skeptically. "I'm sure they were much jollier before all the plague," said Simon.
Cassandra Clare (Bitter of Tongue (Tales from the Shadowhunter Academy, #7))
These albums were thick with babies, but my replicas thinned out as I grew older, as if the population of my duplicates had been hit with some plague.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
To hear the tales told at night-time hearths you would think we had made a whole new country in Britain, named it Camelot and peopled it with shining heroes, but the truth is that we simply ruled Dumnonia as best we could, we ruled it justly and we never called it Camelot. Camelot exists only in the poets' dreams, while in our Dumnonia, even in those good years, the harvests still failed, the plagues still ravaged us and wars were still fought.
Bernard Cornwell (Enemy of God (The Warlord Chronicles, #2))
And Meredith says that reminds her of a Camus novel, the one about the plague, and she tells the story of it, the tale holding you in thrall, and she ends her version with a line you’ll write down in your notebook, the place where the atheist doctor hollers at a priest: All your certainties aren’t worth one strand of a woman’s hair.
Mary Karr (Cherry)
Every fairy tale has blood flecked on its muzzle. Sometimes it’s licked up in the second before the story begins— a queen slowly bleeding out onto her birthing bed, a plague having laid waste to a land before “Once upon a time” slouches from the dark. But every so often, one can trace the thick flow of blood as it seeps from the pages.
Roshani Chokshi (The Last Tale of the Flower Bride)
The great tragic love story of Percy and me is neither great nor truly a love story, and is tragic only for its single-sidedness. It is also not an epic monolith that has plagued me since boyhood, as might be expected. Rather, it is simply the tale of how two people can be important to each other their whole lives, and then, one morning, quite without meaning to, one of them wakes to find that importance has been magnified into a sudden and intense desire to put his tongue in the other’s mouth.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
Men did then no more die by tale and by number. They might put out a weekly bill, and call them seven or eight thousand, or what they pleased; ’tis certain they died by heaps, and were buried by heaps, that is to say, without account.
Daniel Defoe (A Journal of the Plague Year)
Within twenty-four hours after man's most memorable and monumental encounter with an alien species, Nathan deduced that he must've imagined it—because the Internet said so.
Justine Avery (Earth Inherited: A Short Tale of Planetary Plague & Astronomical Affliction)
Things wither and die before us so that we may better savor that we live.
Ann Benson (The Plague Tales (The Plague Tales, #1))
The Intruder was plaguing him like a flea—both physically and mentally. He
K.M. Shea (Beauty and the Beast (Timeless Fairy Tales, #1))
How would I feel about hearing that the plague killed another nearby village a month later? Didn’t I tell you stupidity is the eighth sin? Excerpt From: Cameron Jace. “.
Cameron Jace (Happy Valentine's Slay, Children of Hamlin, Tooth & Nail & Fairy Tale, Ember in the Wind, Jar of Hearts, Welcome to Sorrow (The Grimm Diaries Prequels #11- #14))
You were small, but far-famed. We were in Oldtown at your birth, and all the city talked of was the monster that had been born to the King’s Hand, and what such an omen might foretell for the realm.” “Famine, plague, and war, no doubt.” Tyrion gave a sour smile. “It’s always famine, plague, and war. Oh, and winter, and the long night that never ends.” “All that,” said Prince Oberyn, “and your father’s fall as well. Lord Tywin had made himself greater than King Aerys, I heard one begging brother preach, but only a god is meant to stand above a king. You were his curse, a punishment sent by the gods to teach him that he was no better than any other man.” “I try, but he refuses to learn.” Tyrion gave a sigh. “But do go on, I pray you. I love a good tale.” “And well you might, since you were said to have one, a stiff curly tail like a swine’s.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Don't stay with Urdanetea, he told him. And don't go with your family to the United States. It's omnipotent and terrible, and its tale of liberty will end in a plague of miseries for us all.
Gabriel García Márquez (The General in His Labyrinth)
Nonetheless, he knew that the tale he had to tell could not be one of a final victory. It could be only the record of what had had to be done, and what assuredly would have to be done again in the never ending fight against terror and its relentless onslaughts, despite their personal afflictions, by all who, while unable to be saints but refusing to bow down to pestilences, strive their utmost to be healers.
Albert Camus (The Plague)
no medicinal fix we contrive will lead us to live forever. “There is no ultimate solution. There is no free lunch. If you cure cancer, you will have more cases of neurodegenerative disease. If you cure neurodegenerative disease, a major plague will come for people who are a hundred years old. There is no ultimate solution, nor should there be.
Matt Richtel (An Elegant Defense: The Extraordinary New Science of the Immune System: A Tale in Four Lives)
We’ve been out of the closet for about 40 years.’ His lips parted. ‘Out of the closet?’ A grin came over my face. ‘Sorry, we came clean, uh, we told them we existed after a virus hiding in tomatoes, a sort of a plague, started killing humans. It dropped their numbers by about a quarter. They were going to find out about us anyway because we weren’t dying.’ Pierce watched my moving foot and smiled with half his face. ‘I’ve always been of the mind that tomatoes were the fruit of the devil’, he said.
Kim Harrison (Into the Woods: Tales from the Hollows and Beyond (The Hollows, #10.1))
Each county has usually some family, or personage, supposed to have been favoured or plagued, especially by the phantoms, as the Hackets of Castle Hacket, Galway, who had for their ancestor a fairy, or John-o'-Daly of Lisadell, Sligo, who wrote "Eilleen Aroon,
W.B. Yeats (Fairy and Folk Tales of the Irish Peasantry)
No, my son. Not she. I. I lay on the rocks and the sun gnawed at my flesh. I pleaded for my life with a useless stump of a tongue. I watched your precious Cveti close up my severed breasts in a silver box. And I listened to the soldiers praise her false name—Ghyfran! Ghyfran! The whore who betrayed her god for power. This body is new, but I am Ragnhild, first of my name, and I am the plague which will burn through the marrow of the Anointed City.
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
Polio has been virtually forgotten by now, but in the first half of the twentieth century, it was a plague of almost biblical proportions. Tens of thousands of innocent children and young adults were killed, crippled, or paralyzed. Polio, a powerful form of viral meningitis, cut a wide and ruthless swath through an entire generation of Americans. Carol
William M. Bass (Death's Acre: Inside the Legendary Forensic Lab the Body Farm Where the Dead Do Tell Tales)
Senseless optimism is how plagues get started.
Cassandra Clare (Bitter of Tongue (Tales from the Shadowhunter Academy, #7))
Self-interest has derailed more societies than any natural disaster. Other than—perhaps—plague.
Nathan Lowell (To Fire Called (A Seeker’s Tale, #2))
There was once a king whose kingdom was plagued by a dragon. The king did not know which way to turn. The
John Gardner (Dragon, Dragon: And Other Tales)
I went away, after trying once more to rouse up Bashan by renewed calls and encouragement. In vain. He cared as little for my going as for my coming. He seemed weighed down by bitter loathing and despair. He had the air of saying: "Since you were capable of having me put in this cage, I expect nothing more from you." And, actually, had he not enough ground to despair of reason and justice? [...] How could I explain to him we were treating him with great distinction, in shutting him up like a jaguar, without sun, air, or exercise, and plaguing him every day with a thermometer?
Thomas Mann (Death in Venice and Other Tales)
… I wonder why she hasn't spread the tale." "The only reason she would not is if she is ill or the story would somehow reflect badly on herself," replied Lady Badgery. "Otherwise, Portia Troutbridge has never been known to keep a scandal to herself." "Oh, I do hope she is ill!" exclaimed Truthful. "I mean, only just ill enough to keep the news quiet for a little longer. Is that too dreadful of me?" "Not at all," announced Lady Badgery. "It is a very reasonable desire. In the case of Portia Troutbridge I myself would wish for something much more severe. Scarlet fever, perhaps. Or the plague.
Garth Nix (Newt's Emerald)
The Lowe family had always been the undisputed villains of their town’s ancient, bloodstained story, and no one understood that better than the Lowe brothers. The family lived on an isolated estate of centuries-worn stone, swatched in moss and shadowed in weeping trees. On mischief nights, children from Ilvernath sometimes crept up to its towering wrought iron fence, daring their friends to touch the padlock chained around the gate—the one engraved with a scythe. Grins like goblins, the children murmured, because children in Ilvernath loved fairy tales—especially real ones. Pale as plague and silent as spirits. They’ll tear your throat out and drink your soul. All these tales were deserved.
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
rent a house in that area, if only a narrow, pointy-roofed, three-storey, stifling-in-summer, freezing-in-winter, run-down, pee-flavoured, peeling-wallpapered, warped-floored, clanking-radiatored, rodent-plagued, cockroach-riddled, red-brick Victorian row house.
Margaret Atwood (Stone Mattress: Nine Tales)
Later, when his desires had been satisfied, he slept in an odorous whorehouse, snoring lustily next to an insomniac tart, and dreamed. He could dream in seven languages: Italian, Spanic, Arabic, Persian, Russian, English and Portughese. He had picked up languages the way most sailors picked up diseases; languages were his gonorrhea, his syphilis, his scurvy, his ague,his plague. As soon as he fell asleep half the world started babbling in his brain, telling wondrous travelers' tales. In this half-discovered world every day brought news of fresh enchantments. The visionary, revelatory dream-poetry of the quotidian had not yet been crushed by blinkered, prosy fact. Himself a teller of tales, he had been driven out of his door by stories of wonder, and by one in particular, a story which could make his fortune or else cost him his life.
Salman Rushdie (The Enchantress of Florence)
Nationwide, every member of the waning audience for live morning news programming promptly affixed themselves to their preferred online social networks, wrongfully assuming to be the first to share their witty reports and captured clips of the hilarious fumbling of their local television and radio newscasters.
Justine Avery (Earth Inherited: A Short Tale of Planetary Plague & Astronomical Affliction)
These last weeks, since Christmas, have been odd ones. I have begun to doubt that I knew you as well as I thought. I have even wondered if you wished to keep some part of yourself hidden from me in order to preserve your privacy and your autonomy. I will understand if you refuse to give me an answer tonight, and although I freely admit I will be hurt by such a refusal, you must not allow my feelings to influence your answer." I looked up into his face. "The question I have for you, then is this: How are the fairies in your garden?" By the yellow streetlights, I saw the trepidation that had been building up in face give way to a flash of relief, then to the familiar signs of outrage: the bulging eyes, the purpling skin, the thin lips. He cleared his throat. "I am not a man much given to violence," he began, calmly enough, "but I declare that if that man Doyle came before me today, I should be hard-pressed to avoid trouncing him." The image was a pleasing one, two gentlemen on the far side of middle age, one built like a bulldog and the other like a bulldong, engaging in fisticuffs. "It is difficult enough to surmount Watson's apparently endless blather in order to have my voice heard as a scientist, but now, when people hear my name, all they will think of is that disgusting dreamy-eyed little girl and her preposterous paper cutouts. I knew the man was limited, but I did not even suspect that he was insane!" "Oh, well, Holmes," I drawled into his climbing voice. "Look on the bright side. You've complained for years how tedious it is to have everyone with a stray puppy or a stolen pencil box push through your hedges and tread on the flowers; now the British Public will assume that Sherlock Homes is as much a fairy tale as those photographs and will stop plaguing you. I'd say the man's done you a great service." I smiled brightly. For a long minute, it was uncertain whether he was going to strike me dead for my impertinence or drop dead himself of apoplexy, but then, as I had hoped, he threw back his head and laughed long and hard.
Laurie R. King (A Monstrous Regiment of Women (Mary Russell and Sherlock Holmes, #2))
Science has never killed or persecuted a single person for doubting or denying its teaching, and most of these teaching have been true; but religion has murdered millions for doubting or denying her dogmas and most of these dogmas have been false. All stories about gods and devils, of heavens and hells, as they do not conform to nature, and are not apparent to sense, should be rejected without consideration. Beyond the universe there is nothing and within the universe the supernatural does not and cannot exist. Of all deceivers who have plagued mankind, none are so deeply ruinous to human happiness as those imposters who pretend to lead by a light above nature. The lips of the dead are closed forever. There comes no voice from the tomb. Christianity is responsible for having cast the fable of eternal fire over almost every grave.
Gratis P. Spencer
The family lived on an isolated estate of centuries-worn stone, swathed in moss and shadowed in weeping trees. On mischief nights, children from Ilvernath sometimes crept up to its towering wrought iron fence, daring their friends to touch the padlock chained around the gate—the one engraved with a scythe. Grins like goblins, the children murmured, because children in Ilvernath loved fairy tales—especially real ones. Pale as plague and silent as spirits. They’ll tear your throat out and drink your soul. All these tales were deserved.
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
The family lived on an isolated estate of centuries-worn stone, swatched in moss and shadowed in weeping trees. On mischief nights, children from Ilvernath sometimes crept up to its towering wrought iron fence, daring their friends to touch the padlock chained around the gate—the one engraved with a scythe. Grins like goblins, the children murmured, because children in Ilvernath loved fairy tales—especially real ones. Pale as plague and silent as spirits. They’ll tear your throat out and drink your soul. All these tales were deserved.
Amanda Foody, christine lynn Herman
You were a wanted child, God knows, she would say at other moments, lingering over the photo albums in which she had me framed; these albums were thick with babies, but my replicas thinned out as I grew older, as if the population of my duplicates had been hit by some plague. She would say this a little regretfully, as though I hadn't turned out entirely as she'd expected. No mother is ever, completely, a child's idea of what a mother should be, and I suppose it works the other way around as well. But despite everything, we didn't do badly by one another, we did as well as most. I wish she were here, so I could tell her I finally know this.
Margaret Atwood (The Handmaid's Tale)
Forgive me,” he said tightly. “That was uncalled for.” “It certainly was,” Maria said. “She was saying nice things about you.” His gaze shot to her. “She was pointing out, yet again, how I’ve failed my family.” “If you don’t like it,” Maria countered, “why don’t you stop failing them?” “Touche, Maria,” Minerva said softly. Gritting his teeth, Oliver turned his gaze out the window, no doubt wishing he could be well away from them all. And as he retreated into himself, Minerva began to tell one story after another about Oliver as a boy. Maria didn’t want to be enchanted by them, but she couldn’t help herself. She laughed at the tale of how he’d fallen into the pond in front of Halstead Hall while trying to “charm” fish into the boat the way Indians charmed snakes out of their baskets. She tried not to laugh at the one where he coaxed Gabe into sharing Gabe’s piece of cake by claiming that it might have been poisoned, requiring Oliver to “taste it and make sure it was safe.” But the tale about some lad pulling five-year-old Minerva’s hair, and Oliver jumping to her rescue by punching Minerva’s attacker, made Maria want to cry. The Oliver who’d defended his sister still existed-she glimpsed him from time to time. So where had the other, carefree Oliver gone? His siblings didn’t seem nearly as bitter over the tragedy of their parents’ deaths as he. Was it simply because he’d been older? Or did something else about it plague him?
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Princess Cookie’s cognitive pathways may have required a more comprehensive analysis. He knew that it was possible to employ certain progressive methods of neural interface, but he felt somewhat apprehensive about implementing them, for fear of the risks involved and of the limited returns such tactics might yield. For instance, it would be a particularly wasteful endeavor if, for the sake of exhausting every last option available, he were even to go so far as resorting to invasive Ontological Neurospelunkery, for this unorthodox process would only prove to be the cerebral equivalent of tracking a creature one was not even sure existed: surely one could happen upon some new species deep in the caverns somewhere and assume it to be the goal of one’s trek, but then there was a certain idiocy to this notion, as one would never be sure this newfound entity should prove to be what one wished it to be; taken further, this very need to find something, to begin with, would only lead one to clamber more deeply inward along rigorous paths and over unsteady terrain, the entirety of which could only be traversed with the arrogant resolve of someone who has already determined, with a misplaced sense of pride in his own assumptions, that he was undoubtedly making headway in a direction worthwhile. And assuming still that this process was the only viable option available, and further assuming that Morell could manage to find a way to track down the beast lingering ostensibly inside of Princess Cookie, what was he then to do with it? Exorcise the thing? Reason with it? Negotiate maybe? How? Could one hope to impose terms and conditions upon the behavior of something tracked and captured in the wilds of the intellect? The thought was a bizarre one and the prospect of achieving success with it unlikely. Perhaps, it would be enough to track the beast, but also to let it live according to its own inclinations inside of her. This would seem a more agreeable proposition. Unfortunately, however, the possibility still remained that there was no beast at all, but that the aberration plaguing her consciousness was merely a side effect of some divine, yet misunderstood purpose with which she had been imbued by the Almighty Lord Himself. She could very well have been functioning on a spiritual plane far beyond Morell’s ability to grasp, which, of course, seared any scrutiny leveled against her with the indelible brand of blasphemy. To say the least, the fear of Godly reprisal which this brand was sure to summon up only served to make the prospect of engaging in such measures as invasive Ontological Neurospelunkery seem both risky and wasteful. And thus, it was a nonstarter.
Ashim Shanker (Only the Deplorable (Migrations, Volume II))
The world of the almanac was a queer one. In the real world, families branched like trees, blood mixed by marriage passed from one generation to the next, making an ever-wider net of connections. Titles, on the other hand, passed from one man to one man, and it was this narrow, linear progression that the almanac liked to highlight. On each side of the title line were a few younger brothers, nephews, cousins, who came close enough to fall within the span of the almanac’s illumination. The men who might have been lord or baronet. And, though it was not said, the men who still might, if the right string of tragedies were to occur. But after a certain number of branchings in the family tree, the names fell out of the margins and into the ether. No combination of shipwreck, plague and earthquake would be powerful enough to restore these third cousins to prominence. The almanac had its limits.
Diane Setterfield (The Thirteenth Tale)
Unlike most preachers in the medieval era, Francis was conflicted and sometimes even hostile toward academics and theologians. He believed that book knowledge was like material possessions — too much of it occasioned pride and got in the way of simple devotion to Jesus. (In The Last Christian, Adolf Holl imagined Francis meeting Augustine, Barth, Aquinas, and Bultmann in heaven for the first time and asking them what they would be without their books. When they can’t come up with an answer, Francis says, “Without your books perhaps you might have become Christians” [p. 63].) When Francis preached, he avoided theological arguments and polemics like the plague. Rather, his preaching was more autobiographical than intellectual, more performative than argumentative, more spontaneous than scripted, more genuine than contrived, more about transformation than about information. The endgame was to help his listeners find peace, reconciliation, and shalom with God, themselves, others, and creation. As Francis said, “We have been called to heal wounds, to unite what has fallen apart, and to bring home those who have lost their way.
Ian Morgan Cron (Chasing Francis: A Pilgrim’s Tale)
There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.
Alix E. Harrow (The Once and Future Witches)
At most periods of her history India, though a cultural unit, has been torn by internecine war. In statecraft her rulers were cunning and unscrupulous. Famine, flood and plague visited her from time to time, and killed millions of her people. Inequality of birth was given religious sanction, and the lot of the humble was generally hard. Yet our overall impression is that in no other part of the [Page 9] ancient world were the relations of man and man, and of man and the state, so fair and humane. In no other early civilization were slaves so few in number, and in no other ancient lawbook are their rights so well protected as in the Arthaśāstra (p. 152f). No other ancient lawgiver proclaimed such noble ideals of fair play in battle as did Manu (p. 126). In all her history of warfare Hindu India has few tales to tell of cities put to the sword or of the massacre of noncombatants. The ghastly sadism of the kings of Assyria, who flayed their captives alive, is completely without parallel in ancient India. There was sporadic cruelty and oppression no doubt, but, in comparison with conditions in other early cultures, it was mild. To us the most striking feature of ancient Indian civilization is its humanity.
A.L. Basham
No one was in the mood for a Long Service and certainly not for the Previously Appreciated Irony of Captain Crozier’s fabled Book of Leviathan, so it was with some Surprise and not a small bit of Emotion that we listened to the Captain recite from Memory Psalm 90: LORD, thou hast been our refuge: from one generation to another. Before the mountains were brought forth, or ever the earth and the world were made: thou art God from everlasting, and world without end. Thou turnest man to destruction: again thou sayest, Come again, ye children of men. For a thousand years in thy sight are but as yesterday: seeing that is past as a watch in the night. As soon as thou scatterest them, they are even as a sleep: and fade away suddenly like the grass. In the morning it is green, and groweth up: but in the evening it is cut down, dried up, and withered. For we consume away in thy displeasure: and are afraid at thy wrathful indignation. Thou has set our misdeeds before thee: and our secret sins in the light of thy countenance. For when thou art angry all our days are gone: we bring our years to an end, as it were a tale that is told. The days of our age are three-score years and ten; and though men be strong that they come to fourscore years: yet is their strength then but labour and sorrow; so soon passeth it away, and we are gone. But who regardeth the power of thy wrath: for even thereafter as a man feareth, so is thy displeasure. So teach us to number our days: that we may apply our hearts unto wisdom. Turn thee again, O Lord, at the last: and be gracious unto thy servants. O satisfy us with thy mercy, and that soon: so shall we rejoice and be glad all the days of our life. Comfort us again now after the time that thou has plagued us: and for the years wherein we have suffered adversity. Shew thy servants thy work, and their children thy glory. And the glorious Majesty of the Lord our God be upon us: prosper thou the work of our hands upon us, O prosper thou our handy-work. Glory be to the Father, and to the Son, and to the Holy Ghost; As it was in the beginning, is now, and ever shall be: world without end. Amen. And all of us shivering survivors spake, Amen. There was a Silence then. The snow blew softly against Us. The black water lapped with a Hungry Sound. The ice Groaned and Shifted slightly beneath our feet.
Dan Simmons (The Terror)
En tales extremos de soledad, nadie podía esperar la ayuda de su vecino; cada uno seguía solo con su preocupación. Si alguien, por casualidad, intentaba hacer confidencias o decir algo de sus sentimientos, la respuesta que recibía le hería casi siempre. Entonces se daba cuenta de que él y su interlocutor hablaban cada uno de una cosa distinta. Uno, en efecto, hablaba desde el fondo de largas horas pasadas rumiando el sufrimiento, y la imagen que quería comunicar estaba cocida al fuego lento de la espera y de la pasión. El otro, por el contrario, imaginaba una emoción convencional, uno de esos dolores baratos, una de esa melancolías de serie.
Albert Camus (The Plague)
one of the plagues that God sent on the Egyptians was lice. This was a plague in whose presence we were helpless. The lice were big and white, each with a black cross on its back. They feasted on us day and night. This was an enemy whom you had to fight—search and destroy. When I went to the bathroom at night I would see women standing near the electric lamp that gave off a faint light, searching for lice in their clothes. One would leave her position near the light, and immediately someone would take her place.
Sara Nomberg-Przytyk (Auschwitz: True Tales From a Grotesque Land)
Make peace. The plague has shown me that we must ensure words of love are not hoarded.
Elisabeth Storrs (Call to Juno (Tale of Ancient Rome #3))
One Colonel listened to his harrowing tale and simply shook his head. "Next time, just let us know, Son." Halfus had spent all those days of planning and fretting about his escape route, when what he really should have done was find a cell phone or Internet connection. They would have found a way to come and get him.
Michael Jason Brandt (Plagued, With Guilt)
According to a poll by the Zogby organization, 67 percent of Americans agree either 'somewhat' or 'strongly' with the statement that 'Miami is plagued by crime.' This is very upsetting to those of us who live here and love our city. It makes us want to visit every single one of those 67 percent of Americans personally, so we can tell them what Miami is really like, and then kill them with machetes,
Dave Barry (I'll Mature When I'm Dead: Dave Barry's Amazing Tales of Adulthood)
Did you ever wonder why it isn't the big things that get under your skin?" she asked, "I mean, most people... they don't spend their time thinking about the real dangers of the world, like famine or plague or that tidal wave of red heretics looming over us. No, most people spend all their time worrying about that merchant who cheated them or that kid who roughed them up and stole their coin purse
Andrew Hunter (The Frostwoven Crown (The Songreaver's Tale, # 4))
The dream flew through thousands of years and left in me just a sense of the whole. I know only that the cause of the fall was I. Like a foul trichina, like an atom of plague infecting whole countries, so I infected that whole happy and previously sinless earth with myself. They learned to lie and began to love the lie and knew the beauty of the lie. Oh, maybe it started innocently,with a joke, with coquetry, with amorous play, maybe, indeed, with an atom, but this atom of lie penetrated their hearts, and they liked it. Then sensuality was quickly born, sensuality generated jealousy, and jealousy - cruelty. . . Oh, I don’t know, I don’t remember, but soon, very soon, the first blood was shed; they were astonished and horrified, and began to part, to separate. Alliances appeared, but against each other now. Rebukes, reproaches began. They knew shame, and shame was made into a virtue. The notion of honor was born, and each alliance raised its own banner. They began tormenting animals, and the animals withdrew from them into the forests and became their enemies. There began the struggle for separation,for isolation, for the personal, for mine and yours. They started speaking different languages. They knew sorrow and came to love sorrow, they thirsted for suffering and said that truth is attained only through suffering. Then science appeared among them. When they became wicked, they began to talk of brotherhood and humaneness and understood these ideas. When they became criminal, they invented justice and prescribed whole codices for themselves in order to maintain it, and to ensure the codices they set up the guillotine. They just barely remembered what they had lost, and did not even want to believe that they had once been innocent and happy. They even laughed at the possibility of the former happiness and called it a dream. They couldn’t even imagine it in forms and images, but - strange and wonderful thing - having lost all belief in their former happiness, having called it a fairy tale, they wised so much to be innocent and happy again, once more, that they fell down before their hearts’ desires like children, they deified their desire,they built temples and started praying to their own idea, their own “desire,” all the while fully believing in its unrealizability and unfeasibility, but adoring it in tears and worshipping it. And yet, if it had so happened that they could have returned to that innocent and happy condition which they had lost, or if someone had suddenly shown it to them again and asked them: did they want to go back to it? - they would certainly have refused. They used to answer me: “Granted we’re deceitful,wicked and unjust, we know that and weep for it, and we torment ourselves over it,and torture and punish ourselves perhaps even more than that merciful judge who will judge us and whose name we do not know. But we have science, and through it we shall again find the truth, but we shall now accept it consciously, knowledge is higher than feelings, the consciousness of life is higher than life. Science will give us wisdom, wisdom will discover laws, and knowledge of the laws of happiness is higher than happiness.” That’s what they used to say, and after such words each of them loved himself more than anyone else, and they couldn’t have done otherwise. Each of them became so jealous of his own person that he tried as hard as he could to humiliate and belittle it in others, and gave his life to that. Slavery appeared, even voluntary slavery: the weak willingly submitted to the strong, only so as to help them crush those still weaker than themselves. Righteous men appeared, who came to these people in tears and spoke to them of their pride, their lack of measure and harmony, their loss of shame. They were derided or stoned. Holy blood was spilled on the thresholds of temples.
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
Chronicling the Great Plague of London, Daniel Defoe wrote in 1722: The people were more addicted to prophecies and astrological conjurations, dreams, and old wives’ tales than ever they were before or since … almanacs frighted them terribly … the posts of houses and corners of streets were plastered over with doctors’ bills and papers of ignorant fellows, quacking and inviting the people to come to them for remedies, which was generally set off with such flourishes as these: ‘Infallible preventive pills against the plague.’ ‘Neverfailing preservatives against the infection.’ ‘Sovereign cordials against the corruption of the air.
Morgan Housel (The Psychology of Money)
Can a monster love? This question haunts every account, every myth, every dream humanity has ever had about the creatures known as werebeasts. Even our very first story—the tale of Adam, Eve and the shifter named Lucifer—is plagued by this mystery. Was Lucifer a demon determined to ruin Eve and spawn a species of monsters? Or was he a fallen angel so in love with a human woman he destroyed paradise for a kiss? We will never know. And perhaps we shouldn’t ask why Lucifer tempted Eve at all, but another question: Why did she give in? Beasts,
Sylvia Frost (Moonbound (Moonfate #1))
And at last Man raised on high the final glory of his civilization, the towering edifice of the ultimate city. Softly beneath him in the deeps of the earth purred his machinery fulfilling all his needs, there was no more toil for man. There he sat at ease discussing the Sex Problem. And sometimes painfully out of forgotten fields, there came to his outer door, came to the furthest rampart of the final glory of Man, a poor old woman begging. And always they turned her away. This glory of Man's achievement, this city was not for her. It was Nature that came thus begging in from the fields, whom they always turned away. And away she went again alone to her fields. And one day she came again, and again they sent her hence. But her three tall sons came too. "These shall go in," she said. "Even these my sons to your city." And the three tall sons went in. And these are Nature's sons, the forlorn one's terrible children, War, Famine and Plague. Yea and they went in there and found Man unawares in his city still poring over his Problems, obsessed with his civilization, and never hearing their tread as those three came up behind.
Lord Dunsany (Fifty-One Tales)
Holiness, I have just this morning received the report of the medical faculty of the University of Paris, written at the command of our noble King Philip. A most learned group of physicians and astrologers have put their considerable intellect to the task of solving this very tricky question. They are of the opinion that this pestilence was ordained by a most unusual celestial occurrence. Almighty God set the planet Saturn, a stubborn yet quite impatient body, in near perfect alignment with the bawdy and jocular Jupiter, normally a rather unremarkable conjunction; their paths intersected in the heavenly area known to be under the influence of Aquarius. This heavenly meeting has in the past produced some unusual events, such as small floods, poor crops, and the like.
Ann Benson (The Plague Tales (The Plague Tales, #1))
The demon is the mental shadow-side archetype. What it shows is that the lifeblood of Raktabija has the power to give birth to thousands of Raktabijas, just like the thinking of the soul. Similarly, thoughts from the mind seem to sprout more and more thoughts as soon as they appear to land. Even if one in meditation cuts them off, more will sprout. It requires the power of Shakti Kundalini to spring the mind, dispatch the demon. Kali comes in in this great mythical tale and cuts the demon's head off. Before it could hit the fertile ground of existence she drank all her blood. In other words, out of all the thoughts, desires, and delusions that plague the seeker and prevent the seeker from knowing pure union, Kali Kundalini takes the life energy. Kali, as She's chopping the heads off, is symbolically slashing through the soul, removing all the emotions that will give birth to slavery and illusion over and over again. She absorbs them into herself; in other words, She frees from those bound forms the life-force, the Shakti. The formation is all forms. She alone has the power to dissolve all forms, to free from them the soul, the life. Kali wears a fifty-skull garland all around her neck. In addition, these fifty skulls reflect the Sanskrit alphabet's fifty letters— the sounds and forms that make up thought, which are the basis of all life. She's the one who sucks the life-force out of them so we can be safe from them, as well as the one who gave them birth to begin with. Taking refuge in Kali takes refuge in that inherent ability to cut off the heads of the very modes of thought, behaviors, values and all of the mind's restricting mechanisms that trap us in illusion. When free, She brings us back into unity with the Infinite — as does Kali with her husband Shiva. Even a myth of this kind, which may seem so bizarre and gruesome to the ignorant, has profound significance for our sadhana, revealing moment by moment what is involved in our spiritual practice. When you do japa, the ritual of mantra repeating, of Om Kali Ma, her mantra, you bring your mind back to Kali again and again. You can do this practice right now, or you can sit for meditation the next time. Close your eyes and dissolve Om Kali Ma, Om Kali Ma, Om Kali Ma with every thought. Kali's story shows that with every repeat of Om Kali Ma, this glorious phenomenon occurs. She cuts off all the emotions, all the deluded ideas, all the bound behaviors and perceptions that might have filled the mind as the pulse of mantra. Keeping the mind in the mantra refuge means holding the mind in a sacred place that is safe from all the modes of thought with which the mind might have developed its own slavery. Every repetition of mantra is a movement of Kali's sword clearing and opening that spaciousness of awareness, freeing our energy and consciousness so we can experience the fullness of who and what we are in each moment.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
In Machiavelli, as in Darwin, nature is set against nature. Fortuna, impersonal blind chance, the agency of floods, havoc-wreaking storms and plagues, confronts virtù, the power of mind to outwit the entropic, leveling tendencies of physical forces. The essence of virtù is to be clever and strong, and it is ethically neutral.
Jeremy Campbell (The Liar's Tale: A Social History of Falsehood)
Here again, we’re reconstructing the past based on shared myths across cultures—these are instances where the same story appears with slight changes. Obviously, the names are changed, but the shape of the narrative is the same. One common belief is that there were two progenitors of mankind: brothers, sometimes twins. For the Indic, it was Manu and Yemo; the Germanic have tales of Mannus and Ymir. These mythologies were eventually incorporated into histories. For the Romans, Remus and Romulus; the Hebrews, Cain and Abel. Another common myth is that of the Great Flood—it appears in some form in every PIE culture. But overwhelmingly, the most common myth is that of an epic battle ending with the slaying of a serpent, usually a dragon of some sort.
A.G. Riddle (The Atlantis Plague (The Origin Mystery, #2))
Enforcing ethical or moral standards has always been a human failing,” the chief said, rolling her coffee mug back and forth between her palms. “Self-interest has derailed more societies than any natural disaster. Other than—perhaps—plague.
Nathan Lowell (To Fire Called (A Seeker’s Tale, #2))
And the tale of the Flying Dutchman is thought to be the story of a yellow-fever-infected ship repeatedly denied port until all on board perished of the fever, and the ship was forced to sail endlessly, manned by a ghost crew, delivering detriment to other seafaring vessels.
Molly Caldwell Crosby (The American Plague)
Thus began the Shire-reckoning, for the year of the crossing of the Brandywine (as the Hobbits turned the name) became Year One of the Shire, and all later dates were reckoned from it.* At once the western Hobbits fell in love with their new land, and they remained there, and soon passed once more out of the history of Men and of Elves. While there was still a king they were in name his subjects, but they were, in fact, ruled by their own chieftains and meddled not at all with events in the world outside. To the last battle at Fornost with the Witch-lord of Angmar they sent some bowmen to the aid of the king, or so they maintained, though no tales of Men record it. But in that war the North Kingdom ended; and then the Hobbits took the land for their own, and they chose from their own chiefs a Thain to hold the authority of the king that was gone. There for a thousand years they were little troubled by wars, and they prospered and multiplied after the Dark Plague (S.R. 37) until the disaster of the Long Winter and the famine that followed it. Many thousands then perished, but the Days of Dearth (1158–60) were at the time of this tale long past and the Hobbits had again become accustomed to plenty. The land was rich and kindly, and though it had long been deserted when they entered it, it had before been well tilled, and there the king had once had many farms, cornlands, vineyards, and woods.
J.R.R. Tolkien (The Lord of the Rings)
Don’t stay with Urdaneta,” he told him. “And don’t go with your family to the United States. It’s omnipotent and terrible, and its tale of liberty will end in a plague of miseries for us all.
Gabriel García Márquez (The General in His Labyrinth)
All I maintain is that on this earth there are plagues and there are victims, and it’s up to us, so far as possible, not to join forces with the plagues. Albert Camus
Michael Malice (The White Pill: A Tale of Good and Evil)
The following is a quotation from the Mahābhārata that describes our present era and the immediately preceding yuga, revealing a progressive deterioration of humanity’s moral fiber. Again, in the dvāpara-yuga the moral order (dharma) exists [only] half. [God] Vishnu becomes yellow, and the Veda is now fourfold [i.e., the original wisdom is split into the four Vedic hymnodies]. Thence, some [adhere to] four Vedas, others to three Vedas, or two Vedas, or a single Veda, while yet others have no hymns [at all]. Thus, owing to the broken traditions, rites become manifold and creatures, fond of austerities and almsgiving, become rajas-motivated2. Due to ignorance about the single Veda, the Vedas become multiple and because of the collapse of truth, few adhere to truthfulness. Many diseases appear for those who have fallen from truth, and there are desires and disasters caused by fate. Afflicted by these, [some] men perform very severe austerities; others, filled with [worldly] desires or desiring heaven, conduct sacrifices. Thus with the onset of the dvāpara, creatures perish through their lawlessness. In the kali-yuga, O Kaunteya, the moral order (dharma) exists by one quarter only. With the onset of this tamas-motivated3 age, O Keshava [i.e., God Vishnu] becomes black (krishna). The Vedic ways of life end, and so do the moral order, sacrifice, and rites. Plagues, disease, sloth, blemishes such as anger, as well as calamities, sickness, and afflictions prevail. In the course of the yugas, the moral order diminishes increasingly. With the diminution of the moral order, the people (loka) diminish. This description of the kali-yuga is not as daunting as it is in some other scriptures. But the message is clear enough: Ours is a sinister age. What thinking person would not agree? Can we not, by now, fill a whole library with tales of human foolishness, of humanity’s thoughtless interference with the life-world and its almost unbelievable lack of concern for fellow beings, both human and nonhuman? Is there no hope, then, for humankind? Is historian Oswald Spengler’s dark prophecy of the decline of the West (and with it, also of the East) coming true?4 Or are there, today, forces at work that countermand the Zeitgeist, the spirit of the age? This latter appears to be the case. It could not be otherwise. Or else our species would have perished long ago, right at the outset of the kali-yuga. The kali-yuga, then, does not signal total spiritual darkness or inevitable doom. Inverting a popular maxim, one can perhaps say that where there is shadow there is also light. Here and there, the present dark age is pierced by shafts of light. It is not without its benign counterbalancing influences.
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
One Day Eight Years Ago - Poem by Jibanananda Das It was heard: to the post-mortem cell he had been taken; last night—in the darkness of Falgoon-night When the five-night-old moon went down— he was longing for death. His wife lay beside—the child therewith; hope and love abundant__in the moonlight—what ghost did he see? Why his sleep broke? Or having no sleep at all since long—he now has fallen asleep in the post-mortem cell. Is this the sleep he’d longed for! Like a plagued rat, mouth filled with crimson froth now asleep in the nook of darkness; And will not ever awake anymore. ‘Never again will wake up, never again will bear the endless—endless burden of painful waking—’ It was told to him when the moon sank down—in the strange darkness by a silence like the neck of a camel that might have shown up at his window side. Nevertheless, the owl stays wide awake; The rotten still frog begs two more moments in the hope for another dawn in conceivable warmth. We feel in the deep tracelessness of flocking darkness The unforgiving enmity of the mosquito-net all around; The mosquito loves the stream of life awake in its monastery of darkness. From sitting in blood and filth, flies fly back into the sun; How often we watched moths and flies hovering in the waves of golden sun. The close-knit sky, as if—as it were, some scattered lives, possessed their hearts; The wavering dragonflies in the grasp of wanton kids Fought for life; As the moon went down, in the impending gloom With a noose in hand you approached the aswattha, alone, by yourself, For you’d learnt a human would ne’er live the life of a locust or a robin The branch of aswattha Had it not raged in protest? And the flock of fireflies Hadn’t they come and mingled with the comely bunch of daffodils? Hadn’t the senile blind owl come over and said: ‘the age-old moon seems to have been washed away by the surging waters? Splendid that! Let’s catch now rats and mouse! ’ Hadn’t the owl hooted out this cherished affair? Taste of life—the fragrance of golden corn of winter evening— seemed intolerable to you; — Content now in the morgue In the morgue—sultry with the bloodied mouth of a battered rat! Listen yet, tale of this dead; — Was not refused by the girl of love, Didn’t miss any joy of conjugal life, the bride went ahead of time and let him know honey and the honey of reflection; His life ne’er shivered in demeaning hunger or painful cold; So now in the morgue he lies flat on the dissection table. Know—I know woman’s heart—love—offspring—home—not all there is to things; Wealth, achievement, affluence apart there is some other baffling surprise that whirls in our veins; It tires and tires, and tires us out; but there is no tiring in the post mortem cell and so, there he rests, in the post mortem cell flat on the dissection table. Still I see the age-old owl, ah, Nightly sat on the aswattha bough Winks and echoes: ‘The olden moon seems to be carried away by the flooding waters? That’s splendid! Let’s catch now rats and mouse—’ Hi, granny dear, splendid even today? Let me age like you—and see off the olden moon in the whirlpool at the Kalidaha; Then the two of us will desert life’s abundant reserve.
Jibanananda Das (Selected Poems (English and Bengali Edition))