Pivotal Moment Quotes

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I was trying so hard to find the single pivotal moment that set my life on its path. The moment that answered the question, 'How did I get here?' But it's never just one moment. It's a series of them. And your life can branch out from each one in a thousand different ways. Maybe there's a version of your life for all the choices you make and all the choices you don't.
Nicola Yoon (Everything, Everything)
Hate. Huh. He'd never hated himself. If anything, he'd always liked himself a little too much. Once, a human female had even accused him of picturing his own face while he climaxed. He hadn't denied it, either, and next time he'd slept with her, he'd made sure to scream, "Strider" at the pivotal moment." --Strider, keeper of the demon of Defeat--
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
You don’t grow up gradually. You grow up in short bursts at pivotal moments, by suddenly realizing how ignorant and immature you are.
Robert D. Kaplan (In Europe's Shadow: Two Cold Wars and a Thirty-Year Journey Through Romania and Beyond)
Every moment in our lives seems trivial," Zahel said. "Most are forgotten while some, equally humble, become the points upon which history pivots.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
The pivotal moments in your life are always made up of smaller pieces, things that seemed insignificant at time, but in fact brought you to where you needed to be.
Elizabeth Norris (Undone (Unraveling, #1.5))
There are some moments in life that are like pivots around which your existence turns—small intuitive flashes, when you know you have done something correct for a change, when you think you are on the right track. I watched a pale dawn streak the cliffs with Day-glo and realized this was one of them. It was a moment of pure, uncomplicated confidence—and lasted about ten seconds.
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
Battles are all about strategy, and strategy pivots on priorities. Since my priorities were Prince Jalan, Prince Jalan, and Prince Jalan, with “looking good” a distant fourth, I took the opportunity to resume running away. I find that the main thing about success is the ability to act in the moment. A hero attacks in the moment; a good coward runs in it. The rest of the world waits for the next moment and ends up as crow food.
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
I wonder if the heroes the bards sang of that evening knew before they triumphed what they would become. In those crucial moments when a fateful decision was made, did they feel the air brighten with the zing of destiny? Or did they blunder on, not realising the pivotal moment in which destiny swung and the fates were forged?
Jennifer Saint (Ariadne)
In the strategy of my school, keep your body and mind straight and make your opponent go through contortions and twist about. The essence is to defeat him in the moment when, in his mind, he is pivoting and twisting. You should examine this well.
Miyamoto Musashi (The Complete Book of Five Rings)
Lives are made of strings of moments, and every once in a while, one of those moments is pivotal and defining. It changes everything, alters you so completely that when you look back, there's a clear before and after.
Elizabeth Norris Unraveling
But I realize now that a pivotal moment isn't necessarily the most joyful or memorable one; it is often just the moment that reverberates most powerfully.
Mimi Alford (Once Upon a Secret: My Affair with President John F. Kennedy and Its Aftermath)
If he’s going to start coming around more, I need to find some flaws to focus on. I study him for a moment but come up empty. He’s flawless. Not even a single zit. New strategy. I will not look at him.
Kasie West (Pivot Point (Pivot Point, #1))
…Or he could choose life. At that pivotal moment, it occurred to him that with all his schooling in theology he had, perhaps, missed the entire point of his studies, the very crux of the gospel he had professed to believe. That the measure of a person’s heart, the barometer of good or evil, was nothing more than the extent of their willingness to choose life over death. That the path of God was, simply, the path of life, abundant and eternal. And this is where he failed, for to choose life is to choose sorrow as well as joy, pain as well as pleasure. When Hunter had buried Rachel, he buried along with her his heart, lest it might heal and feel and grow again. And in so doing he had chosen more than death, he had chosen damnation itself, for damnation is nothing more than to stop a thing in its eternal progression. In that first flight from West Chester he had run not only from the horror and pain of death but from life itself.
Richard Paul Evans (The Looking Glass (The Locket, #2))
The world as I knew it came to a screeching halt and tumbled off its axis. And I knew, no matter whatever else happened to me in the rest of my life, something had just changed. It was one of those pivotal moments that happen once in a lifetime. One that said nothing was ever going to be the same.
Carla Susan Smith (A Vampire's Promise (Vampire's Promise Series Book 1))
My mother used to say that once you've made a choice, you have to act as though it's been made forever. But I don't know if I believe that's true. Our lives aren't decided by one choice, but by a series of small decisions that build up to pivotal moments. You can always make a different choice at the next juncture.
Akshaya Raman (The Ivory Key (The Ivory Key Duology, #1))
But in certain pivotal moments in women’s lives, the “woman” stigma reared its head to obscure their vision, stay their hands, and hold them back. The mixed signals were confusing and disconcerting.
Cho Nam-Joo (Kim Jiyoung, Born 1982)
Lives are made of strings of moments, and every once in a while, one of those moments is pivotal and defining. It changes everything, alters you so completely that when you look back, there’s a clear before and after
Elizabeth Norris (Unraveling (Unraveling, #1))
Psychological flexibility is the ability to feel and think with openness, to attend voluntarily to your experience of the present moment, and to move your life in directions that are important to you, building habits that allow you to live life in accordance with your values and aspirations. It’s about learning not to turn away from what is painful, instead turning toward your suffering in order to live a life full of meaning and purpose.
Steven C. Hayes (A Liberated Mind: How to Pivot Toward What Matters)
Once in a while, however, the future turns out to be very different from the past. It’s at these times that accurate forecasts would be of great value. It’s also at these times that forecasts are least likely to be correct. Some forecasters may turn out to be correct at these pivotal moments, suggesting that it’s possible to correctly
Howard Marks (The Most Important Thing Illuminated: Uncommon Sense for the Thoughtful Investor (Columbia Business School Publishing))
What about free will? . . . There's that too. I never understood why people think they're mutually exclusive. Ask me, our entire lives aren't planned out for us- just some things. Specific events along the way, crossroads we're meant to come to. Tests, maybe, to measure our progress. But we always have choices, and those choices can send us along an unplanned path . . . there are some things that are meant to happen at a certain moment and in a certain way. No matter which path you choose, which decisions you make along your own particular journey, those pivotal moments appear to be set in stone. Maybe they represent the specific lessons we're meant to learn . . . Things we have to face. Things we have to learn. Responsibilities we have to fulfill. And mistakes we have to correct.
Kay Hooper
moment of the fulcrum, the pivot, the turnaround, the instant when the meaning of it all will appear.
Anna Burns (Milkman)
There are moments that define our existence, moments that, if we recognize them, become pivotal turning points in our life.
C.W. Gortner (The Tudor Secret (The Spymaster Chronicles, #1))
There are certain pivotal moments in life when clarity replaces its opposite in the blink of an eye.
Sol Luckman (Cali the Destroyer)
But from this side of life, I can see how every moment, every experience, every pivot, even my supposed missteps have been life’s way of getting me where I have always been meant to go. Rather than resisting the current, I’ve learned to surrender.
Alicia Keys (More Myself: A Journey)
And at that pivotal moment, the University of Tennessee came calling. So did forensic anthropology. My career as “Indian grave-robber number one” was over. My true vocation—as a forensic scientist—was about to begin.
William M. Bass (Death's Acre: Inside the Legendary Forensic Lab the Body Farm Where the Dead Do Tell Tales)
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
If you’re ever dragged from your chambers at midnight, blindfolded and gagged, without being told whether you’re off to a firing squad or a surprise birthday party, you’ll find that you turn and return to that pivotal moment.
Gregory Maguire (Egg & Spoon)
It's a pivotal, it's a seminal, religious day when you get to both hear and feel your destiny at the same moment, Jim. I got to notice what I'm sure you've noticed long ago, I know, I know you've seen me brought home on occasions, dragged in the door, under what's called the Influence, son, helped in by cabbies at night, I've seen your long shadow grotesquely backlit at the top of the house's stairs I helped pay for, boy: how the drunk and the maimed both are dragged forward out of the arena like a boneless Christ, one man under each arm, feet dragging, eyes on the aether.
David Foster Wallace (Infinite Jest)
Whether we believe in Jesus, whether we approve of his teaching, let alone whether we like the look of the movement that still claims to follow him, we are bound to see his crucifixion as one of the pivotal moments in human history.
N.T. Wright (The Day the Revolution Began: Reconsidering the Meaning of Jesus's Crucifixion)
Vishous came up onto the dais, his eyes down. He accepted the silver glove from Z and slipped it over the black leather he already wore on his hand. Then he scored himself with a quick flash of the black blade and stared at the skull as his blood dripped down into the basin, joining the others'. "My flesh," he whispered. He seemed to hesitate before turning to Butch. Then he pivoted and their eyes met. As candlelight flickered over V's hard face and got caught in his diamond irises, Butch felt his breath get tight: At that moment, his roommate looked as powerful as a god...and maybe even as beautiful. Vishous stepped in close and slid his hand from Butch's shoulder to the back of his neck. "Your flesh," V breathed. Then he paused, as if asking for something. Without thinking, Butch titled his chin up, aware that he was offering himself, aware the he...oh, fuck. He stopped his thoughts, completely weirded out by the vibe that had sprung up from God only knew where. In slow motion Vishous's dark head dropped down and there was a silken brush as his goatee moved against Butch's throat. With delicious precision, V's fangs pressed against the vein that ran up from Butch's heart, then slowly, inexorably, punched through skin. Their chests merged. Butch closed his eyes and absorbed the feel of it all, the warmth of their bodies so close, the way V's hair felt soft on his jaw, the slide of a powerful male arm as it slipped around his waist. On their own accord, Butch's hands left the pegs and came to rest on V's hips, squeezing that hard flesh, bringing them together from head to foot. A tremor went through one of them. Or maybe...shit, it was more likely they both shuddered.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
The pivotal moment for Florence Nightingale was the realization that she was never going to be given what she knew she needed. She discovered, as she wrote in her journal, that she’d need to take it. She had to demand the life she wanted.
Ryan Holiday (Courage Is Calling: Fortune Favors the Brave (The Stoic Virtues Series))
There's a strange intimacy between a lost animal and the person who finds him. In terms of time, what you've shared is tiny and insignificant, but that moment is a vital pivot in the animal's life, the line between his old life and a better, new one. In some cases that fine line is the one between life and death.
Ken Foster (The Dogs Who Found Me: What I've Learned from Pets Who Were Left Behind)
The night has already turned on that imperceptible pivot where two A.M. changes to six A.M. You know this moment has come and gone, but you are not yet willing to concede that you have crossed the line beyond which all is gratuitous damage and the palsy of unraveled nerve endings. Somewhere back there you could have cut your losses, but your rode past that moment on a comet trail of white powder and now you are trying to hang on to the rush.
Jay McInerney (Bright Lights, Big City)
In a patriarchal society, one of the most important functions of the institution of the family is to make feel like a somebody whenever he is in his own yard a man who is a nobody whenever he is in his employer’s yard.
Mokokoma Mokhonoana
And in this simple moment, I suddenly began to wonder if perhaps we shake hands with God in agreement to the lives we live, before we are ever born.
L.C. Barlow (Pivot)
Emily Dickinson reminds us what it’s like to be alive. And when she does—she takes our breath away.
Martha Ackmann (These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson)
I am also struck by how much the poet knew her own mind, both in terms of her need for solitude and what she hoped to achieve in her work.
Martha Ackmann (These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson)
Karen Dandurand’s view that Dickinson did not publish because poetry to her was never finished. She looked upon her verse as constantly in play and the work of a lifetime. Her attitude is reminiscent of Paul Valéry’s assessment: “A poem is never finished, only abandoned.
Martha Ackmann (These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson)
In the midst of this endless barrage of head injuries, I began to suspect that being so close to the fiery light of such moments only blinded me to their nature, like trying to learn astronomy by staring directly at the sun. I was not yet with patients in their pivotal moments, I was merely at those pivotal moments. I observed a lot of suffering; worse, I became inured to it.
Paul Kalanithi (When Breath Becomes Air)
But in residency, something else was gradually unfolding. In the midst of this endless barrage of head injuries, I began to suspect that being so close to the fiery light of such moments only blinded me to their nature, like trying to learn astronomy by staring directly at the sun. I was not yet with patients in their pivotal moments, I was merely at those pivotal moments. I observed a lot of suffering; worse, I became inured to it. Drowning, even in blood, one adapts, learns to float, to swim, even to enjoy life, bonding with the nurses, doctors, and others who are clinging to the same raft, caught in the same tide.
Paul Kalanithi (When Breath Becomes Air)
someone told her that at that pivotal moment she’d played a good game of something called “negotiation jujitsu”; but she knew that she was just doing what you learn to do naturally as a quiet person in a loudmouth world.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
I suppose all lives have such pivotal moments, paths diverging, cracking in two─though the finality of the split registers only when we take stock of the universe we now inhabit, surrender to the swift death of the other.
Kit Frick (The Split)
The savage beauty in his face stole my breath as he pulled his blade from the vampire on the ground and pivoted to meet the female’s second attack. Half demon or not, at that moment he was the most glorious thing I had ever seen. The
Karen Lynch (Relentless (Relentless, #1))
In stories, when someone behaves uncharacteristically, we take it as a meaningful, even pivotal moment. If we are surprised again and again, we have to keep changing our minds, or give up and disbelieve the writer. In real life, if people think they know you well enough not only to say, 'It's Tuesday, Amy must be helping out at the library today,' but well enough to say to the librarian, after you've left the building, 'You know, Amy just loves reading to the four-year-olds, I think it's been such a comfort for her since her little boy died'—if they know you like that, you can do almost anything where they can't see you, and when they hear about it, they will, as we do, simply disbelieve the narrator.
Amy Bloom (A Blind Man Can See How Much I Love You: Stories)
Our lives pivot on tiny moments. Whether it’s an email out of the blue, someone saying yes to you, someone saying no, births, deaths, accidents or decisions, these instants form turning points in our lives and all of a sudden we’re headed in a new direction.
Joanne Mallon (Change Your Life in 5 Minutes a Day)
I began to suspect that being so close to the fiery light of such moments only blinded me to their nature, like trying to learn astronomy by staring directly at the sun. I was not yet with patients in their pivotal moments, I was merely at those pivotal moments.
Paul Kalanithi
Psychological flexibility is the ability to feel and think with openness, to attend voluntarily to your experience of the present moment, and to move your life in directions that are important to you, building habits that allow you to live life in accordance with your values and aspirations.
Steven C. Hayes (A Liberated Mind: How to Pivot Toward What Matters)
Were you going to poke them with a stick?” Keelan growled. Hakeem looked uncertain. “Yes?” “When you find freaky shit in the scary woods, you don’t poke it with a stick. It can explode in your face. What do you do instead?” Hakeem clearly didn’t know the answer to that question. I almost felt sorry for him. He had just turned eighteen this year, and this was likely his first real outing. “You ask the Consort. The Consort knows everything.” “Oh,” Hakeem said. Keelan pivoted to me. “Consort, please tell us what this is.” “I have no idea.” Keelan blinked, his teaching moment temporarily derailed. He took a second to recover. “How do we proceed?” I held my hand out, and Hakeem surrendered his branch. “I’m going to poke it with a stick.
Ilona Andrews (Magic Claims (Kate Daniels: Wilmington Years, #2; Kate Daniels, #10.6))
I was trying so hard to find the single pivotal moment that set my life on its path. But it's never just one moment. It's a series of them. And your life can branch out from each one in a thousand different ways. Maybe there's a version of your life for all the choices you make and all the choices you don't.
Nicola Yoon
I hear your cries for justice and change. And I realize that trust is earned, not given. But I want you to know that I am ready to brave the long road ahead. I’m ready to make the hard choices. I’m ready to grow and learn and regain control. Past wounds will heal and past wrongs will be corrected. The life we used to know will return. We are all part of the most dramatic time we’ve ever faced in our long history. But it’s an exciting time. An inspiring time. A time we will look back on centuries from now as a pivotal moment. A chance to prove the superiority of the Elvin Way. And I am honored to help us rise to the occasion.
Shannon Messenger (Everblaze (Keeper of the Lost Cities, #3))
After two or three stanzas and several images by which he was himself astonished, his work took possession of him and he experienced the approach of what is called inspiration. At such moments the correlation of the forces controlling the artist is, as it were, stood on its head. The ascendancy is no longer with the artist or the state of mind which he is trying to express, but with language, his instrument of expression. Language, the home and dwelling of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in the sense of outward, audible sounds but by virtue of the power and momentum of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates in passing, by the force of its own laws, rhyme and rhythm and countless other forms and formations, still more important and until now undiscovered, unconsidered and unnamed. At such moments Yury felt that the main part of his work was not being done by him but by something which was above him and controlling him: the thought and poetry of the world as it was at that moment and as it would be in the future. He was controlled by the next step it was to take in the order of its historical development; and he felt himself to be only the pretext and the pivot setting it in motion. ... In deciphering these scribbles he went through the usual disappointments. Last night these rough passages had astonished him and moved him to tears by certain unexpectedly successful lines. Now, on re-reading these very lines, he was saddened to find that they were strained and glaringly far-fetched.
Boris Pasternak (Doctor Zhivago)
Do you know how many perfect moments are unfolding before your very eyes? Do you know how much you already have? Do you know how many quiet nights of peace you have already experienced, how many hearts have loved you, how many people would love to see your name pop up on their phone right now? Do you know how much you matter? Do you know how good you are?
Brianna Wiest (The Pivot Year)
It's a pivotal, it's a seminal, religious day when you get to both hear and feel your destiny at the same moment.
David Foster Wallace (Infinite Jest)
The pause is an opportunity to reflect, especially during moments of tension, so that you can pivot toward kindness and compassion rather than criticism.
Angela C. Santomero (Radical Kindness: The Life-Changing Power of Giving and Receiving)
She wanted to think through the questions of faith herself, and she held fast to the belief that heaven on Earth would always outweigh heaven above.
Martha Ackmann (These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson)
Every hour is a new beginning—you just don’t realize it until you remember that every soul-shifting, life-changing experience you have happens in an otherwise ordinary day. In an instant, you meet a moment that changes your world forever. You find the job, you book the flight, you sign the papers, you choose to make the change that changes it all. Chapters of great transformation often feel like they carry on forever, but the truth is that they are often gardens that grow from tiny seeds that you’ve been planting for a very long time. 19 What
Brianna Wiest (The Pivot Year)
I thought you had to go to The Hall?" she said. "To learn?" Dar looked genuinely surprised. "No, Kale, Wulder is everywhere, therefore His lessons are everywhere." "I know Wulder made all things, and Pretender tried to copy His work. But I didn't know Wulder is everywhere. How could that be?" "You're thinking of Wulder as having a body and moving from place to place." Dar stood and pivoted in a circle with his arms outstretched. "Wulder is everywhere. You can see His power by recognizing His work. When a flower opens, that's His work. When the stars twinkle at night, that's His work." He paused, facing her. He let his arms fall to his sides. "Look at me, Kale. Right now, I am standing with Wulder all around me. I'm under His protection, within His will, standing on His pledge. And Wulder is, at the very same moment, in me." "Me, too?" asked Kale. "Yes." Dar knelt in front of her, his earnest face only inches away. She looked into his dark brown eyes and saw strength and peace. She wondered at his patience with her. Often her marione masters gruffly explained things they thought she should already understand. Dar winked before he continued, his funny face serious and yet cheerful at imparting what must be old knowledge to him. "So many people don't know who Wulder is or what He's capable of doing. Their ignorance doesn't make Wulder less of a being; it makes them less. Until they know, they can't be whole." He leaned back and sighed, spread his arms out in a gesture of explanation, and continued, "It's so simple, Kale. Everything hinges on His willingness to be involved with our world. When a mountain stands instead of tumbling down. He's holding it there. If He were to leave..." Dar shook his head. "If He were to leave, all that He holds in order would spin out of control. But He will never leave.
Donita K. Paul (DragonSpell (DragonKeeper Chronicles, #1))
There are such moments in a life. Solitary seconds on which the reality of what life means pivots and turns from a dead end toward a road of untrodden grass that stretches on forever.
Jonathan Maberry (Fire & Ash (Rot & Ruin, #4))
At its heart, a true revel was nothing more than a gorgeous held breath, a moment where Fate herself pivots on a frail ankle, and destinies snap shut or burst forth when her heel hits the wood.
Roshani Chokshi (The Last Tale of the Flower Bride)
A man’s life can pivot on the smallest hinge of time. No minute is without potential for momentous change, and each tick of the clock might be the voice of Fate whispering a promise or a warning.
Dean Koontz (The Good Guy)
A man's life can pivot on the smallest hinge of time. No minute is without potential for momentous change, and each tick of the clock might be the voice of Fate whispering a promise or a warning.
Dean Koontz (The Good Guy)
Throughout the lives of mortals, there are always pivotal moments. Most often, those moments are so subtle we barely appreciate how momentous they are. A wayward rebuke by a thoughtless father can doom his children to a misunderstanding of their gifts or abilities. Those small moments, those key moments, are often never seen by the rest of the world. They alter the course of someone’s life.
Jeff Wheeler (Poisonwell (Whispers from Mirrowen, #3))
She nods and I realise how refreshing it is to speak to this woman who grew up with my husband. She may not have seen him in years but she knows him in a way that perhaps no one else does. That’s just the way with siblings. They are with you throughout those pivotal moments that shape you into the person you will eventually become. I don’t think that thread can ever really be broken, not completely.
Libby Page (The Island Home)
With the influence of the dress her personality had also undergone a change. The intense vitality that had been so remarkable in the garage was converted into impressive hauteur. Her laughter, her gestures, her assertions became more violently affected moment by moment, and as she expanded the room grew smaller around her, until she seemed to be revolving on a noisy, creaking pivot through the smoky air.
F. Scott Fitzgerald (The Great Gatsby)
Dana felt her eyes stinging and started blinking as she watched Logan pivot away from the stage with a grin on his face. She knew that he'd given Chloe a little wink at the end. She just knew. That was Logan. He'd make the moment right, covering it with a sweet layer of fun-frosting, and then he'd just wink about it. Like it was no big deal. When those few minutes might have been the biggest in Chloe's whole week.
Erin Nicholas (Taking It Easy (Boys of the Big Easy, #2))
A few days ago, when I was communing with the orrery, I was trying so hard to find the single pivotal moment that set my life on its path. The moment that answered the question, How did I get here? But it's never just one moment. It's a series of them. And your life can branch out from each one in a thousand different ways. Maybe there's a version of your life for all the choices you make and all the choices you don't.
Nicola Yoon (Everything, Everything)
There are some moments in life that are like pivots around which your existence turns — small intuitive flashes, when you know you have done something correct for a change, when you think you are on the right track.
Robyn Davidson (Tracks: One Woman's Journey Across 1,700 Miles of Australian Outback)
Problems are an asset—not something to avoid but something to run toward. Big ambitions often beget even bigger problems. If your initial reaction to a major setback is overwhelming frustration, that’s understandable, but it’s also counterproductive. Once you’re over that moment, pivot toward success: “Great! This is an opportunity for me to create a lot of value. If I can just figure out how to solve this problem, I’ll be much closer to my goal.
Brad Jacobs (How to Make a Few Billion Dollars)
If there is a personal fate, there is no higher destiny or at least there is but one which he concludes is inevitable and despicable. For the rest, he knows himself to be the master of his days. At that subtle moment when man glances backward over his life, Sisyphus returning towards his rock, in that slight pivoting, he contemplates that series of unrelated actions which becomes his fate, created by him, combined under his memory’s eye and soon sealed by his death.
Albert Camus (The Myth of Sisyphus)
Gregory?” I called. I couldn’t help myself. It was irrational, but I was scared to see him run from me. He turned my direction, his feet pivoting in the dirt. Warily, I crossed into the light for a moment. “Do you, um…” I inhaled deeply. “Do you think you’ll still want to be my friend tomorrow?” I held my breath and waited for his answer. Although I could feel the sunshine perceptibly tingle every inch of exposed skin, the way Gregory smiled at me produced a swell of warmth unmatchable even for the sun. “I’ll always want to be your friend, Annabelle. Do you want to be mine?” My head nodded like mad, ecstatic, all on its own. I disappeared among the shadows again and watched my new friend until he stepped around the Hopkins’ house. Then I waited until his car drove off -- Gregory and his mother headed for home. I was on a high like no other, but I’d not lost my grasp on reality entirely. I knew that the real test would come Monday. It was one thing to befriend an outcast in the privacy of the woods, but quite another to risk ridicule and reputation when surrounded by peers. This was true even for those with the biggest of hearts, which I now believed Gregory Hill to have.
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
If we read Dickinson’s letters looking for action in the usual sense—where she traveled, what chores she did, whom she encountered—we find some details for reconstructing her days, but not many. But if we read the letters for what the poet thought, her interior world opens.
Martha Ackmann (These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson)
The event happened at noon on May 10, 1869, at Promontory Summit, Utah. That moment was a pivotal episode in world history as Leland Stanford pounded a golden spike with a silver hammer and in an instant ended the isolation of California and the Great West from the eastern half of the United States.
Robert J. Gordon (The Rise and Fall of American Growth: The U.S. Standard of Living since the Civil War (The Princeton Economic History of the Western World Book 60))
The wind you hear is the birth of memory when the moment hatches in time’s womb there will be no art talk. The only poem you will hear will be the spear point pivoted in the punctured marrow of the villain; the timeless native son dancing like crazy to the retrieved rhythms of desire fading in- to memory.
Keropatse Kgositsile
There’s a pause in my conversation with Holes, one I’ve come to anticipate in discussions about the case. It’s knockdown time. The verbal pivot is akin to the moment when you’ve talked too much about an ex, catch yourself, and stop to emphasize that the ex in question is, of course, a worthless piece of shit.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
Hate. Huh. He’d never hated himself. If anything, he’d always liked himself a little too much. Once, a human female had even accused him of picturing his own face while he climaxed. He hadn’t denied it, either, and next time he’d slept with her, he’d made sure to scream, “Strider” at the pivotal moment. She hadn’t appreciated his sense of humor, and that had been the final nail in their relationship coffin. He was too intense, too jaded, too warped and too…everything for most women to take for long. But so what. He was made of awesome. Anyone who couldn’t see that wasn’t smart enough to be with him, anyway. Haidee,
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
Now that young girls like my twelve-year-old friend Mai are being exposed to modern Western women like me through crowds of tourists, they're experiencing those first critical moments of cultural hesitation. I call this the "Wait-a-Minute Moment" - that pivotal instant when girls from traditional cultures start pondering what's in it for them, exactly, to be getting married at the age of thirteen and starting to have babies not long after. They start wondering if they might prefer to make different choices for themselves, or any choices, for that matter. Once girls from closed societies start thinking such thoughts, all hell breaks loose.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
It is in moments such as these—when impulsive feeling overrides the rational—that the newly discovered role for the amygdala is pivotal. Incoming signals from the senses let the amygdala scan every experience for trouble. This puts the amygdala in a powerful post in mental life, something like a psychological sentinel, challenging every situation, every perception, with but one kind of question in mind, the most primitive: “Is this something I hate? That hurts me? Something I fear?” If so—if the moment at hand somehow draws a “Yes”—the amygdala reacts instantaneously, like a neural tripwire, telegraphing a message of crisis to all parts of the brain.
Daniel Goleman (Emotional Intelligence)
As in all things, the Savior set the perfect example in the love He showed for His earthly mother. In the final, most pivotal moment of His mortal life—after the anguish of Gethsemane, the mock trial, the crown of thorns, the heavy cross to which He was brutally nailed—Jesus looked down from the cross and saw His mother, Mary, who had come to be with her Son. His final act of love before He died was to ensure that His mother would be cared for, saying to His disciple, ‘Behold thy mother!’ And from that point on the disciple took her unto his home. As the scriptures say, then Jesus knew that ‘all things were now accomplished,’ and He bowed His head and died (John 19:27–28, 30).
Bradley D. Foster
The word translated “favor” in Genesis 6:8 is the Hebrew hen, which also means “grace.” With that in mind, there are two ways that this pivotal moment of the biblical narrative could be taken. The first is that Noah, because he was righteous and blameless in his own strength, attracted God’s attention and found divine favor. The second is that Noah was given grace on God’s free initiative, not because of any good behavior or spark of potential on Noah’s part, and that as a result of receiving grace he is righteous and blameless. Both the fuller context of a biblical understanding of God’s undeserved grace and the order of the propositions in verses 8 and 9 militate in favor of the latter interpretation.
Christopher Watkin (Biblical Critical Theory: How the Bible's Unfolding Story Makes Sense of Modern Life and Culture)
The multitude of studies that I and other scientists have con ducted on positivity is destined to remain merely interesting dinner conversation until you deepen your self-study. You need to pivot away from what’s worked for others and toward what works for you. Have your own “Eureka!” moments. Discover for yourself what rouses genuine and heartfelt positivity.
Barbara L. Fredrickson (Positivity: Top-Notch Research Reveals the 3 to 1 Ratio That Will Change Your Life)
we live in a world where logic is massively overrated, emotions are seen as a weakness and decisions based on intuition have little or no place. We have forgotten where we came from. Over time, we have neglected the limbic brain that got us to the pivotal moment in our evolution, and instead placed the cortex on a pedestal. We have demoted depth, passion and instinct and come to rely on the surface-level capabilities—such as exams, rote-learning or transactional relationships—that are more connected with material gain than true joy. We live a life dominated by stress and are too busy to really take notice of who we are, where we are going and what we want from life. We are now at a moment where technology will disrupt our minds and bodies more than we can begin to imagine.
Tara Swart (The Source: The Secrets of the Universe, the Science of the Brain)
Whenever we revisit the dog-eared pages within our personal histories, we’ve all experienced Kokura’s luck (though, hopefully, on a less consequential scale). When we consider the what-if moments, it’s obvious that arbitrary, tiny changes and seemingly random, happenstance events can divert our career paths, rearrange our relationships, and transform how we see the world. To explain how we came to be who we are, we recognize pivot points that so often were out of our control. But what we ignore are the invisible pivots, the moments that we will never realize were consequential, the near misses and near hits that are unknown to us because we have never seen, and will never see, our alternative possible lives. We can’t know what matters most because we can’t see how it might have been.
Brian Klaas (Fluke: Chance, Chaos, and Why Everything We Do Matters)
There are moments chronicled in political history as pivotal in carving a new political path forward and this genocidal ‘defending of one’s state’ has become one of them. History will remember this war on Palestinian civilians and their displacement as the moment the world woke up to the Zionist plans of occupation and expansion. As a result, never again will the same rhetoric be sufficient in explaining the atrocities they are willing to perpetrate towards its attainment.
Aysha Taryam
Your life is a collaboration with the gods, with the ions that made you, with the winding histories that led to this precise millisecond in time, and you think you’re not here for a reason? The vast improbability that you could come to be in your precise form, with all of your interests and gifts intersecting over this singular space where you can nurture the garden of humanity’s soul in some small way that’s only yours, and you think you’re not here for a reason? Go outside and gaze up at the galaxy around you. This is an irreplaceable moment in time.
Brianna Wiest (The Pivot Year)
The attack in Charleston prompted a brief national debate on guns that pivoted to the Confederate flag, which Roof had been pictured with multiple times. As pressure began to mount over the symbol, there were several black churches set on fire in the South. I drove from one decimated house of worship to another and found the areas teeming with more Confederate symbols, as well as frequent scrawlings of swastikas and hate speech. There seemed, at that moment, to be something incredibly ugly and dangerous starting to seep out from under the country’s veneer.
Jared Yates Sexton (The Man They Wanted Me to Be: Toxic Masculinity and a Crisis of Our Own Making)
discussed. Nowhere else in the book does Hitler more blatantly display his exponentially growing “self-belief,” sense of divine calling, and hardening infallibility. His gifts as a politician are manifest, he believes. Nobody else has his combination of practical and philosophical talents. If there were a single month, a critical pivot point, a precise moment that can be said to be the one that made Hitler in 1924, this was it. It was from this point forward that Hitler “acquired that fearless faith, that optimism and confidence in our destiny that absolutely nothing could shake afterwards,” as he put it.55 With his claim to
Peter Ross Range (1924: The Year That Made Hitler)
What really matters is that in the Star Wars series, as in many works of literature, “I am your father” moments and their accompanying shivers are defining. They involve pivotal transitions and reversals of course, which nonetheless maintain (enough) continuity with the previous story, which now changes and gets more interesting. Vader’s fatherhood also created a significant challenge for Lucas, because it meant that viewers had to reassess past scenes, sometimes in fundamental ways. If the reassessment produced utter incredulity in the audience—not an “OMG” but a “WTF?”—the “I am your father” moment would not work. In fact it would have backfired, ruining the whole series.
Cass R. Sunstein (The World According to Star Wars)
Travis raised his head from sighting down the rifle as shock radiated through him. Those eyes. Such a vivid blue. It was as if he’d seen them before. But that was impossible. Females didn’t exactly pay them calls on a regular basis. Clearing his throat, he readjusted his rifle. “We don’t cotton to trespassers around here, lady. You best skedaddle back the way you came.” “I will. But not until I say my piece.” She pivoted to face him fully, her lashes lowering for just a moment before she aimed her gaze directly at him again. Even knowing what was coming didn’t stop the jolt from ricocheting through his chest when those piercing eyes latched onto him. “I came to warn you, Travis.” Travis? She knew who he was? Most folks meeting the Archers all at once had no way of knowing him from Crockett or Jim. Yet she said his name with the confidence of recognition. He squinted at her. “Look, lady. I don’t know what kind of game you’re playing, but I want no part of it.” “This is no game. Please, Travis. Just listen.” “You know this gal, Trav?” Out of the corner of his eye, he saw his youngest brother start to lower his rifle. “Hush up, Neill, and hold your line.” The kid obeyed without question, firming up his grip. “The man who wants to buy your land is sending men out here tonight to persuade you to change your mind. They plan to set fire to the place while you sleep and force you to accept the next offer in order to recoup your losses.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
The end of his vicious rant ended in a satisfying squawk as Apollo backhanded him. The other man staggered and fell on his arse. “No, don’t hurt him!” Lily cried, and Apollo hated to think she cared for this man. “I won’t,” he assured her in a level tone. He stared at the sputtering rogue for a moment and made up his mind. “But neither will I… stand by while he… abuses you.” So saying, he picked up the man and tossed him over his shoulder. “Wait here.” The man made a sort of moan and Apollo hoped he wouldn’t toss his accounts down his back. He’d bathed and changed into a fairly clean shirt before coming to see Lily. Pivoting, he marched toward the dock, the man still over his shoulder. “Caliban!” He ignored her calls. He didn’t really care who this ass was—as long as he was nowhere near Lily or Indio.
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
at the moment—and looking for other boats. Kelly advanced the port throttle a notch farther as he turned the wheel, allowing Springer to pivot all the more quickly in the narrow channel, and then he was pointed straight out. He advanced the starboard throttle next, bringing his cruiser to a mannerly five knots as he headed past the ranks of motor and sail yachts. Pam was looking around at the boats, too, mainly aft, and her eyes fixed on the parking lot for a long couple of seconds before she looked forward again, her body relaxing more as she did so. “You know anything about boats?” Kelly asked. “Not much,” she admitted, and for the first time he noticed her accent. “Where you from?” “Texas. How about you?” “Indianapolis, originally, but it’s been a while.” “What’s this?” she asked. Her hands reached out to touch the tattoo on his forearm. “It’s from one of the places I’ve been,” he said. “Not a very nice place.” “Oh, over there.” She understood. “That’s the place.” Kelly nodded matter-of-factly. They were out of the yacht basin now, and he advanced the throttles yet again. “What did you do there?” “Nothing to talk to a lady about,” Kelly replied, looking around from a half-standing position. “What makes you think I’m a lady?” she asked. It caught him short, but he was getting used to it by now. He’d also found that talking to a girl, no matter what the subject, was something that he needed to do. For the first time he answered her smile with one of his own. “Well, it wouldn’t be very nice of me if I assumed that you weren’t.” “I wondered how long it would be before you smiled.” You have a very nice smile, her tone told him. How’s six months grab you? he almost said. Instead he laughed, mainly at himself. That was something else he needed to do. “I’m sorry. Guess I haven’t been very good company.” He turned to look at her again and saw understanding in her eyes. Just a quiet look, very human and feminine, but it shook Kelly. He could feel it happen, and ignored the part of his consciousness that told him that it was something he’d needed badly for months. That was something he didn’t need to hear, especially from himself. Loneliness was bad enough without reflection on its misery. Her hand reached out yet again, ostensibly to stroke the tattoo, but that wasn’t what it was all about. It was amazing how warm her touch was, even under a hot afternoon sun. Perhaps it was a measure of just how cold his life had become. But he had a boat to navigate. There was
Tom Clancy (Without Remorse (John Clark, #1; Jack Ryan Universe, #1))
There is a deep stillness in the Fakahatchee, but there is not a moment of physical peace. Something is always brushing against you or lapping at you or snagging at you or tangling in your legs, and the sun is always pummeling your skin, and the wetness in the air makes your hair coil like a phone cord. You never smell plain air in a swamp - you smell the tang of mud and the sourness of rotting leaves and the cool musk of new leaves and the perfumes of a million different flowers floating by, each distinct but transparent, like soap bubbles. The biggest number in the universe would not be big enough to count the things your eyes see. Every inch of land holds up a thatch of tall grass or a bush or a tree, and every bush or tree is girdled with another plant’s roots, and every root is topped with a flower or a fern or a swollen bulb, and every one of those flowers and ferns is the pivot around which a world of bees and gnats and spiders and dragonflies revolve. The sounds you hear are twigs cracking underfoot and branches whistling past you and leaves murmuring and leaves slopping over the trunks of old dead trees and every imaginable and unimaginable insect noise and every kind of bird peep and screech and tootle, and then all those unclaimed sounds of something moving in a hurry, something low to the ground and heavy, maybe the size of a horse in the shape of a lizard, or maybe the size, shape and essential character of a snake. In the swamp you feel as if someone had plugged all of your senses into a light socket. A swamp is logy and slow-moving about at the same time highly overstimulating. Even in the dim, sultry places deep within it, it is easy to stay awake.
Susan Orlean (The Orchid Thief)
Lieutenant Rider Sinclar stretched an arm upward, neatly catching the ball. He pivoted quickly, but missed tagging Willie by a hair as she ran by him. His mouth set in a line of grim determination, he charged after her. Launching himself forward and wrapping his arms around her, he slammed them both to the desert floor. A puff of dust filled his nostrils and settled on his sweat-dampened face. Winded, it was a moment before the unexpected softness filling Rider's left palm penetrated his senses. "What the..." Naw,couldn't be, he assured himself. But he queezed the soft globe in his hand, and there was no mistaking the pleasantly familiar roundness of a woman's breast. "Lord Almighty! It's a woman!" Willie filled her deflated lungs and gasped angrily. "Now that you got that figured out,get off me! Can't you see that my fingers are touching the base? I'm safe, you damn fool." "Safe?" Rider repeated incredulously, still trying to grasp the fact that he'd just tackled a woman. "Hell, you're lucky that fall didn't break you in two.
Charlotte McPherren (Song of the Willow)
Then the guy in the yard opened the slider and stepped inside, and the back of Reacher’s brain showed him the whole chess game right there, laid out, obvious, like flashing neon arrows, in immense and grotesque detail, the snap pivot left and the round into the meat of the yard guy’s chest, where it was less likely than a head shot to go through-and-through, which was good, given a neighborhood behind them full of wooden fences, but where it was more likely to soak the Lair family with thick pink mist, from behind, hair and all, which wasn’t good, because it would be traumatic, especially during such a week, except on reflection Reacher figured the week was already pretty much a disaster from that exact point onward, given that the chess game said there would be a dead guy at that very moment sliding to the floor of their private house, even as the homeowner-owned Python was snapping right again for two rounds at where the silhouette of the shoulder had been, which two rounds might or might not hit anything, but which would give a second’s cover for the scramble around the sofa and the capture of the dead guy’s Ruger, for a total of three rounds expended and fifteen gained.
Lee Child (Make Me (Jack Reacher, #20))
People often ask me, “Do you seriously expect this idea of God to change the world? What about all the fanatics and terrorists?” All I can say is that the only thing that changes the world is an idea that lights our fire at a moment when we are surrounded by dry, dead kindling. Today is that kind of time. Spiritual transformation doesn’t require a majority vote. It doesn’t matter if most people don’t get it. All it takes is a committed minority, because the committed lead culture. The new scientific picture of the universe is a modern revelation. For many the realization that God can be real and is emerging from human aspirations will also be a revelation. That these revelations are both happening now, at so pivotal a moment for our species, is truly grace. They have helped me move into the new universe and feel blessed and awestruck every day, as though I’d moved from a dark basement apartment into a mountain aerie with a hundred-mile view in all directions. I don’t expect millions of people to change their ideas of God overnight, but to those who care about the human future and can see beyond ideology, to those who believe that truth matters, and to those who recognize the potential of humanity but don’t see how to make us rise to that potential, it could make all the difference to discover a God that is real.
Nancy Abrams (A God That Could be Real: Spirituality, Science, and the Future of Our Planet)
In that moment Ned felt a swelling, a ripping expansion, a hugeness that rang through him for the length of his life, a feeling that was sometimes rivalled but never quite matched. Not at weddings, not at births, not at funerals. Not when he worked his way north to Longreach, where he finally saw Toby again, finding him cocky, funny and largely unchanged. Not during good seasons or bad. Not when he was alone on cold waterways, not when he was in the grip of people he loved. Not as he poured dirt into graves, not as he watched his children, then his grandchildren, play. Not on the white sands of hidden beaches. Not in the shade of ancient trees, in whose canopies he imagined he could see the darting of cream-brown quolls. Not on rocky mountain roofs. Not in the presence of whales, not while viewing fine ships. Not at the scent of Huon pine. Not as Callie's last breath eased out of her, in their house overlooking kanamaluka, the eastern sun warming her face right up to the final moments of her life. Not at his ninetieth birthday, surrounded by his family and what was left of his friends, as he felt both powerfully loved and profoundly alone. Not even then, at the very end of his life, did he feel it again, although he always remembered it: this hugeness of feeling. This undamming of a whole summer's fear, this half-sickening lurch to joy. (pp.225-6)
Robbie Arnott (Limberlost)
John Doerr, the legendary venture capitalist who backed Netscape, Google, and Amazon, doesn’t remember the exact day anymore; all he remembers is that it was shortly before Steve Jobs took the stage at the Moscone Center in San Francisco on January 9, 2007, to announce that Apple had reinvented the mobile phone. Doerr will never forget, though, the moment he first laid eyes on that phone. He and Jobs, his friend and neighbor, were watching a soccer match that Jobs’s daughter was playing in at a school near their homes in Palo Alto. As play dragged on, Jobs told Doerr that he wanted to show him something. “Steve reached into the top pocket of his jeans and pulled out the first iPhone,” Doerr recalled for me, “and he said, ‘John, this device nearly broke the company. It is the hardest thing we’ve ever done.’ So I asked for the specs. Steve said that it had five radios in different bands, it had so much processing power, so much RAM [random access memory], and so many gigabits of flash memory. I had never heard of so much flash memory in such a small device. He also said it had no buttons—it would use software to do everything—and that in one device ‘we will have the world’s best media player, world’s best telephone, and world’s best way to get to the Web—all three in one.’” Doerr immediately volunteered to start a fund that would support creation of applications for this device by third-party developers, but Jobs wasn’t interested at the time. He didn’t want outsiders messing with his elegant phone. Apple would do the apps. A year later, though, he changed his mind; that fund was launched, and the mobile phone app industry exploded. The moment that Steve Jobs introduced the iPhone turns out to have been a pivotal junction in the history of technology—and the world.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]
John Lauricella (2094)
Don’t look so grim. When you get home, I’m sure Randall will buy you all the rings you want. One for every day of the week,” Oscar said, thick with sarcasm, as they walked back toward the harbor. “I don’t care about the ring!” Camille shouted. She stopped walking and turned to Oscar. “I’m sorry, it’s just that…” Oscar patiently waited for her to finish her sentence. Camille looked away, embarrassed. She had scraped Randall’s skin with the ring, too. It had been one of their rare moments alone. He’d run his fingers down her back, nibbled on her neck, and she’d waited for her legs to turn to warm butter. She’d waited to feel the desire to kiss him. But the feelings hadn’t come. Camille had swept her hand up to stop him, and the ring had left a puffy red scratch on his arm. Oscar watched her fumble for words, his expression one of concern. “Never mind,” she said quickly and stepped up onto a raised sidewalk, out of the mud. “Never mind what?” “It’s private.” He continued walking in the street, his head level with hers. “Private between who?” “Between me and Randall. You wouldn’t understand,” she said and lifted her skirt as she descended back down into the muddy street where the sidewalk ran out. “And why is that?” he asked, sounding put off. Daphne’s place came into view. The air smelled of bitter salt water and of wood smoke curling up from the kitchen chimney. “Oh, Oscar, you’re a man of the sea. What could you possibly know about relationships?” He’d never courted a woman as far as Camille knew. She slowed her pace. Or had he? Oscar stopped in the middle of the cobblestoned walkway leading to Daphne’s front door. His eyes blazed with hurt and resentment. “I do apologize, Miss Rowen, I forgot mere sailors aren’t worthy of marriage. Isn’t that what your father always said?” Camille’s cheeks seared with heat. It was a stance her father had never parted from, but she hadn’t known he’d also impressed it upon Oscar. She fidgeted with her hands and fumbled for an apology. “No, that’s not what I meant. You’re a bachelor, that’s all.” Oscar shook his head, unable to meet her eyes. She’d sounded so patronizing. Oscar was handsome, young, and single, and for a man of his class, he made a decent living. Enough to attract an equally decent amount of attention from women, she supposed. Why hadn’t she ever thought of that? He retreated to the street. “I’m going for a walk.” “Oscar, wait-“ He pivoted on his heel. “You know, you’re wrong, Camille. And your father was wrong, too.” Oscar turned and disappeared behind the boxwood hedges. Camille clenched two fistfuls of her skirt and stomped up the steps, aggravated over her careless words. She’d been pompous and arrogant, and she hated that she’d hurt him. She cringed at the wounded way he’d looked at her.
Angie Frazier (Everlasting (Everlasting, #1))
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
At least tell me the truth about Blakeborough,” he said hoarsely. “Do you love him?” “Why does it matter?” His eyes ate her up. “If you do, I’ll keep my distance. I’ll stay out of your life from now on.” “You’ve been doing that easily enough for the past twelve years,” she snapped. “I don’t see why my feelings for Edwin should change anything.” “Easily? It was never easy, I assure you.” His expression was stony. “And you’re avoiding the question. Are you in love with Blakeborough?” How she wished she could lie about it. Dom would take himself off, and she wouldn’t be tempted by him anymore. Unfortunately, he could always tell when she was lying. “And if I say I’m not?” “Then I won’t rest until you’re mine again.” The determination in his voice shocked her. Unsettled her. Thrilled her. No! “I don’t want that.” His fingers dug into her arm. “Because you love Blakeborough?” “Because love is a lie designed to make a woman desire what is only a figure of smoke in the wind. Love is too dangerous.” He released a heavy breath. “So you don’t love him.” His persistence sparked her temper, and she pushed free of him. “Oh, for pity’s sake, if you must know, I don’t.” She faced him down. “Not that it matters one whit. I don’t need love to have a good marriage, an amiable marriage. I don’t even want love.” It hurt too much when her heart was trampled upon. Dom had done that once before. How could she be sure he wouldn’t do it again? Eyes gleaming in the firelight, he said in a low voice, “You used to want love.” “I was practically a child. I didn’t know any better. But I do now.” “Do you? I wonder.” He circled her like a wolf assessing its prey’s weaknesses. “Very well, let’s forget about love for the moment. What about passion?” “What about it?” she asked unsteadily as he slipped behind her. Nervous, she edged nearer the impressively massive pianoforte that sat in the center of the room. “What part does passion play in your plan for a safe and loveless marriage?” She pivoted to face him, startled to find that he’d stepped to within a breath of her. “None at all.” He chuckled. “Does Blakeborough know that?” “Not that it’s any of your concern, but Edwin and I have an arrangement. He’ll give me children; I’ll help him make sure Yvette finds a good husband. We both agree that passion is…unimportant to our plans.” “Really?” He raised an eyebrow. “It certainly aids in the production of those children you’re hoping for. To quote a certain lady, ‘You can set a plan in motion, but as soon as it involves people, it will rarely commence exactly as you wish.’ You may not want passion to be important, sweeting, but it always is.” “Not to us,” she said, though with him standing so close her legs felt like rubber and her blood raced wildly through her veins. “Not to me.” With his gaze darkening, he lifted his hand to run his thumb over the pounding pulse at her throat. “Yes, I can tell how unimportant it is to you.” “That doesn’t mean…anything.” “Doesn’t it?” He backed her against the pianoforte. “So the way you trembled in my arms this morning means nothing.” It meant far too much. It meant her body was susceptible to him, even when her mind had the good sense to resist. And curse him to the devil, he knew it. He slipped his hand about her waist to pull her against him. “It means nothing that every time we’re together, we ignite.” “People do not…ignite,” she said shakily, though her entire body was on fire. “What an absurd idea.” She held her breath and waited for his attempt to kiss her, determined to refuse it this time. But he didn’t kiss her. Instead he fondled her breast through her gown, catching her so by surprise that she gasped, then moaned as the feel of his hand caressing her made liquid heat swirl in her belly. Devil take the man.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))