“
On our wedding night," she said, "I will cut out your tongue and swallow it. Then both tongues that spoke our marriage vows will belong to me, and I will be wed only to myself. You will most likely choke to death on your own blood, which will be unfortunate, but I will be both husband and wife and therefore not a widow to be pitied.
”
”
Kiersten White (And I Darken (The Conqueror's Saga, #1))
“
I believe in strong women. I believe in the woman who is able to stand up for herself. I believe in the woman who doesn't need to hide behind her husband's back. I believe that if you have problems, as a woman you deal with them, you don't play victim, you don't make yourself look pitiful, you don't point fingers. You stand and you deal. You face the world with a head held high and you carry the universe in your heart.
”
”
C. JoyBell C.
“
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
”
”
Peter Craig (Hot Plastic)
“
I’m not suggesting that charming girls should take pity on the pretty ones. I’m just saying it’s not so great being loved for something you didn’t do.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
The truth now. He was disappointed in human beings. He had seen too many betrayals, too many pitiful weaknesses, too much greed for money and fame. The falseness between lovers, husbands and wifes, fathers, sons, mothers, daughters
”
”
Mario Puzo (The Last Don (The Godfather))
“
I am still learning about love. I thought I understood it--not just mother love, but the love for one's parents, for one's husband, and for one's laotong. I've experienced the other types of love--pity love, respectful love and gratitude love. But looking at our secret fan with its messages written between Snow Flower and me over many years, I see that I didn't value the most important love--deep-heart love.
”
”
Lisa See (Snow Flower and the Secret Fan)
“
Victra murmurs. “You’re the bookish one. Was it a man who said ‘hell hath no fury like a woman scorned’?” A lancer brings her gauntlets. “It must have been—to imagine something so petty as scorn to be the utmost misery a woman could suffer. What, I wonder, would he make of a mother who has seen her husband sold like meat and her babe nailed to a tree?” She dons her gauntlets. “Perhaps: wrath, I am thee? They come for our children, Virginia.” She turns to me and cups my face with one hand. “Do not fear for me. Instead, pity them.
”
”
Pierce Brown (Light Bringer (Red Rising Saga, #6))
“
Thus, neither of us is alive when the reader opens this book. But while the blood still throbs through my writing hand, you are still as much part of blessed matter as I am, and I can still talk to you from here to Alaska. Be true to your Dick. Do not let other fellows touch you. Do not talk to strangers. I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come at him, like black smoke, like a demented giant, and pull him apart nerve by nerve. And do not pity C. Q. One had to choose between him and H.H., and one wanted H.H. to exist at least a couple of months longer, so as to have him make you live in the minds of later generations. I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.
”
”
Vladimir Nabokov (Lolita)
“
There is something in that name that seems to inspire absolute confidence. I pity any poor woman whose husband is not called Ernest.
”
”
Oscar Wilde
“
Maria, lonely prostitute on a street of pain,
You, at least, hail me and speak to me
While a thousand others ignore my face.
You offer me an hour of love,
And your fees are not as costly as most.
You are the madonna of the lonely,
The first-born daughter in a world of pain.
You do not turn fat men aside,
Or trample on the stuttering, shy ones,
You are the meadow where desperate men
Can find a moment's comfort.
Men have paid more to their wives
To know a bit of peace
And could not walk away without the guilt
That masquerades as love.
You do not bind them, lovely Maria, you comfort them
And bid them return.
Your body is more Christian than the Bishop's
Whose gloved hand cannot feel the dropping of my blood.
Your passion is as genuine as most,
Your caring as real!
But you, Maria, sacred whore on the endless pavement of pain,
You, whose virginity each man may make his own
Without paying ought but your fee,
You who know nothing of virgin births and immaculate conceptions,
You who touch man's flesh and caress a stranger,
Who warm his bed to bring his aching skin alive,
You make more sense than stock markets and football games
Where sad men beg for virility.
You offer yourself for a fee--and who offers himself for less?
At times you are cruel and demanding--harsh and insensitive,
At times you are shrewd and deceptive--grasping and hollow.
The wonder is that at times you are gentle and concerned,
Warm and loving.
You deserve more respect than nuns who hide their sex for eternal love;
Your fees are not so high, nor your prejudice so virtuous.
You deserve more laurels than the self-pitying mother of many children,
And your fee is not as costly as most.
Man comes to you when his bed is filled with brass and emptiness,
When liquor has dulled his sense enough
To know his need of you.
He will come in fantasy and despair, Maria,
And leave without apologies.
He will come in loneliness--and perhaps
Leave in loneliness as well.
But you give him more than soldiers who win medals and pensions,
More than priests who offer absolution
And sweet-smelling ritual,
More than friends who anticipate his death
Or challenge his life,
And your fee is not as costly as most.
You admit that your love is for a fee,
Few women can be as honest.
There are monuments to statesmen who gave nothing to anyone
Except their hungry ego,
Monuments to mothers who turned their children
Into starving, anxious bodies,
Monuments to Lady Liberty who makes poor men prisoners.
I would erect a monument for you--
who give more than most--
And for a meager fee.
Among the lonely, you are perhaps the loneliest of all,
You come so close to love
But it eludes you
While proper women march to church and fantasize
In the silence of their rooms,
While lonely women take their husbands' arms
To hold them on life's surface,
While chattering women fill their closets with clothes and
Their lips with lies,
You offer love for a fee--which is not as costly as most--
And remain a lonely prostitute on a street of pain.
You are not immoral, little Maria, only tired and afraid,
But you are not as hollow as the police who pursue you,
The politicians who jail you, the pharisees who scorn you.
You give what you promise--take your paltry fee--and
Wander on the endless, aching pavements of pain.
You know more of universal love than the nations who thrive on war,
More than the churches whose dogmas are private vendettas made sacred,
More than the tall buildings and sprawling factories
Where men wear chains.
You are a lonely prostitute who speaks to me as I pass,
And I smile at you because I am a lonely man.
”
”
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
“
He was a poor man, the husband of a sickly woman, whom his desertion would leave alone and destitute; and even if he had had the heart to desert her he could have done so only by deceiving two kindly people who had pitied him.
”
”
Edith Wharton (Ethan Frome)
“
I suppose it was the end of the world for her when her husband and her baby were killed. I suppose she didn't care what became of her and flung herself into the horrible degradation of drink and promiscuous copulation to get even with life that had treated her so cruelly. She'd lived in heaven and when she lost it she couldn't put up with the common earth of common men, but in despair plunged headlong into hell. I can imagine that if she couldn't drink the nectar of the gods any more she thought she might as well drink bathroom gin.'
That's the sort of thing you say in novels. It's nonsense and you know it's nonsense. Sophie wallows in the gutter because she likes it. Other women have lost their husbands and children. It wasn't that that made her evil. Evil doesn't spring from good. The evil was there always. When that motor accident broke her defences it set her free to be herself. Don't waste your pity on her, she's now what at heart she always was.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Many people discover relatively soon in life that the realm of their inferior function is where they are emotional, touchy and unadapted, and they therefore acquire the habit of covering up this part of their personality with a surrogate pseudo-reaction. For instance, a thinking type often cannot express his feelings normally and in the appropriate manner at the right time. It can happen that when he hears that the husband of a friend has died he cries, but when he meets the widow not a word of pity will come out. They not only look very cold, but they really do not feel anything! They had all the feeling before, when at home, but now in the appropriate situation they cannot pull it out. Thinking types are very often looked on by other people as having no feeling; this is absolutely not true. It is not that they have no feeling, but that they cannot express it at the appropriate moment. They have the feeling somehow and somewhere, but not just when they ought to produce it.
”
”
Marie-Louise von Franz (Lectures on Jung's Typology)
“
The Vine had no jukebox, but a real stereo continually playing tunes of alcoholic self-pity and sentimental divorce "Nurse," I sobbed. She poured doubles like an angel, right up to the lip of a cocktail glass, no measuring. " You have a lovely pitching arm." You had to go down on them like a hummingbird over a blossom. I saw her much later, not too many years ago, and when I smiled she seemed to believe I was making advances. But it was only that I remembered. I'll never forgot you. Your husband will beat you with an extension cord and the bus will pull away leaving you standing there in tears, but you were my mother.
”
”
Denis Johnson (Jesus’ Son)
“
You deserve a husband who wants you, Caroline, just as you are, and you know I do. But as much as I need you, I don’t want you if you’re here right now from a feeling of guilt, or pity, or some odd sense of self-righteousness or duty.” He abruptly glanced down once again to his brandy. “Because I also believe, even with my numerous faults, that I deserve a wife who wants me in return, just as I am. Anything less isn’t worth the pain.
”
”
Adele Ashworth (My Darling Caroline)
“
When you marry a woman out of pity, then its a pity that you'll send her away very soon.
”
”
Michael Bassey Johnson
“
I was not in bad health (aside from a cumulative hangover), I was still on the right side of thirty by a few days, and I was far from being broke. No police were looking for me, nor any husbands, nor any process servers; there was nothing wrong that a slight case of amnesia would not have cured.
But there was winter in my heart and I was looking for the door to summer. If I sound like a man with an acute case of self-pity, you are correct. There must have been well over two billion people on this planet in worse shape than I was. Nevertheless, I was looking for the Door into Summer.
”
”
Robert A. Heinlein (The Door Into Summer)
“
There is something quite amazing and monstrous about the education of upper-class women. What could be more paradoxical? All the world is agreed that they are to be brought up as ignorant as possible of erotic matters, and that one has to imbue their souls with a profound sense of shame in such matters until the merest suggestion of such things triggers the most extreme impatience and flight. The "honor" of women really comes into play only here: what else would one not forgive them? But here they are supposed to remain ignorant even in their hearts: they are supposed to have neither eyes nor ears, nor words, nor thoughts for this -- their "evil;" and mere knowledge is considered evil. And then to be hurled as by a gruesome lightning bolt, into reality and knowledge, by marriage -- precisely by the man they love and esteem most! To catch love and shame in a contradiction and to be forced to experience at the same time delight, surrender, duty, pity, terror, and who knows what else, in the face of the unexpected neighborliness of god and beast!
Thus a psychic knot has been tied that may have no equal. Even the compassionate curiosity of the wisest student of humanity is inadequate for guessing how this or that woman manages to accommodate herself to this solution of the riddle, and to the riddle of a solution, and what dreadful, far-reaching suspicions must stir in her poor, unhinged soul -- and how the ultimate philosophy and skepsis of woman casts anchor at this point!
Afterward, the same deep silence as before. Often a silence directed at herself, too. She closes her eyes to herself.
Young women try hard to appear superficial and thoughtless. The most refined simulate a kind of impertinence.
Women easily experience their husbands as a question mark concerning their honor, and their children as an apology or atonement. They need children and wish for them in a way that is altogether different from that in which a man may wish for children.
In sum, one cannot be too kind about women.
”
”
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
“
What is a woman’s life? Do not think, because she is not a man, she does not fight. The bedchamber is her tilting ground, where she shows her colours, and her theatre of war is the sealed room where she gives birth. She knows she may not come alive out of that bloody chamber. Before her lying-in, if she is prudent, she settles her affairs. If she dies, she will be lamented and forgotten. If the child dies, she will be blamed. If she lives, she must hide her wounds. Her injuries are secret, and her sisters talk about them behind the hand. It is Eve’s sin, the long continuing punishment it incurred, that tears at her from the inside and shreds her. Whereas we bless an old soldier and give him alms, pitying his blind or limbless state, we do not make heroes of women mangled in the struggle to give birth. If she seems so injured that she can have no more children, we commiserate with her husband.
”
”
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
“
Why have such scores of lovely, gifted girls
Married impossible men?
Simple self-sacrifice may be ruled out,
And missionary endeavour, nine times out of ten.
Repeat 'impossible men': not merely rustic,
Foul-tempered or depraved
(Dramatic foils chosen to show the world
How well women behave, and always have behaved).
Impossible men: idle, illiterate,
Self-pitying, dirty, sly,
For whose appearance even in City parks
Excuses must be made to casual passers-by.
Has God's supply of tolerable husbands
Fallen, in fact, so low?
Or do I always over-value woman
At the expense of man?
Do I?
It might be so.
”
”
Robert Graves
“
Ayrs let long moments fall away. ‘You’re young, Frobisher, you’re rich, you’ve got a brain, and by all accounts you’re not wholly repugnant. I’m not sure why you stay on here.’…
…Couldn’t say if Ayrs felt humor, pity, nostalgia or scorn…Jocasta seemed angry with me. ‘What?’ I hissed.
‘My husband loves you,’ said the wife, dressing.
”
”
David Mitchell (Cloud Atlas)
“
Isn't it a pity we can't have two husbands? One to look at and one to talk to.
”
”
L.M. Montgomery
“
I have produced no children of my own and my husband is dead," she replied, an acid tone in her voice. "Thus I am more to be pitied than revered. I am expected to give up the shop to my nephew, who will then be able to afford to bring a very good wife from Pakistan. In exchange, I will be given houseroom and no doubt, the honor of taking care of several small children of other family members."
The Major was silent. He was at once appalled and also reluctant to hear any more. This was why people usually talked about the weather.
”
”
Helen Simonson (Major Pettigrew's Last Stand)
“
I'm not suggesting that charming girls should take pity on the pretty ones. I'm just saying it's not so great being loved for something you didn't do.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
I miss you.” “It’s been less than twenty-four hours since you last saw me.” “The addiction gene runs strong in my family. Take pity on your husband.
”
”
Lauren Asher (Terms and Conditions (Dreamland Billionaires, #2))
“
In general, one may be sure that whenever a marriage of any mark takes place, male acquaintances are likely to pity the bride, female acquaintances the bridegroom: each, it is thought, might have done better; and especially where the bride is charming, young gentlemen on the scene are apt to conclude that she can have no real attachment to a fellow so uninteresting to themselves as her husband, but has married him on other grounds. Who, under such circumstances, pities the husband? Even his female friends are apt to think his position retributive: he should have chosen someone else.
”
”
George Eliot (Daniel Deronda)
“
On our wedding night,” she said, “I will cut out your tongue and swallow it. Then both tongues that spoke our marriage vows will belong to me, and I will be wed only to myself. You will most likely choke to death on your own blood, which will be unfortunate, but I will be both husband and wife and therefore not a widow to be pitied.
”
”
Kiersten White (And I Darken (The Conqueror's Saga, #1))
“
His lies were like the truth,
and as she listened, she began to weep.
Her face was melting, like the snow that Zephyr
scatters across the mountain peaks; then Eurus
thaws it, and as it melts, the rivers swell
and flow again. So were her lovely cheeks
dissolved with tears. She wept for her own husband,
who was right next to her. Odysseus
pitied his grieving wife inside his heart,
but kept his eyes quite still, without a flicker,
like horn or iron, and he hid his tears
with artifice. She cried a long, long time,
then spoke again.
”
”
Emily Wilson (The Odyssey)
“
I’m not suggesting that charming girls should take pity on the pretty ones. I’m just saying it’s not so great being loved for something you didn’t do. The
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
I'm not suggesting that charming girls should take pity on the pretty ones. I’m just saying it’s not so great being loved for something you didn’t do
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Not louder shrieks to pitying heav'n are cast,
When husbands, or when lapdogs breathe their last;
Or when rich China vessels fall'n from high,
In glitt'ring dust and painted fragments lie! 160
”
”
Alexander Pope (The Rape of the Lock and Other Poems)
“
Men were almost never with me for my personality.
I'm not suggesting that charming girls should take pity on the pretty ones. I'm just saying it's not so great being loved for something you didn't do.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
A tremendous amount of my brain was fitted with noticing new things out where nothing was familiar: buildings, types of cars, types of people, accents, plants, packaged-food items. Before I left my brain never had to register my bedroom, my husband, mailbox, apple core, alarm clock, walls. My brain just said "—, —, —, —, —, —, —, —," to these things, because a brain lets you keep going, keep not seeing the same walls, underwear, husband, doorknobs, ceiling, husband, husband. A brain can be merciful in this way: sparing you the monotony of those monotonies, their pitiful cozy. A brain lets all the borefilled days shrink like drying sponges until they're hard and ungiving
”
”
Catherine Lacey (Nobody Is Ever Missing)
“
It cannot but cheer the heart of the spouse, to consider, in all her infirmities and miseries she is subject to, that she hath a husband of a kind disposition, that knows how to give the honour of mild usage to the weaker vessel, that will be so far from rejecting her, because she is weak, that he will pity her the more. And as he is kind at all times, so especially when it is most seasonable; he will speak to her heart, ‘especially in the wilderness,’ Hos. ii. 24.
”
”
Richard Sibbes (The Bruised Reed)
“
girls their mothers' nature share. So be not thou. For pity's sake Accept the word the monarch spake. Thy husband's will, O Queen, obey, And be the people's hope and stay, O, do not, urged by folly, draw The king to tread on duty's law.
”
”
Vālmīki (The Rámáyan of Válmíki)
“
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair
of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury,
with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he
suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his
fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the
right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an
unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and
her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring"
spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing
City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd
bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when
she faced a man with thirty times her fencing experience across the razor-edged steel of their swords,
with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own
murdered steaders at her back.
But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the
Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that
moment that for all his own imposing record of victory in battle, he was not and never had been her
equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of
devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much
a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself
had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she
could have been a monster under the wrong set of circumstances.
And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last
he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty,
and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong
circumstances, she could have been the most terrifying person he had ever met.
In fact, at this moment, she was .
It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or
even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply
personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space
itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy
shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those
agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew
now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a
determination which would not— couldnot—relent or rest.
"I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget,
and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we
do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
”
”
David Weber (Mission of Honor (Honor Harrington, #12))
“
When one experiences a profound setback in the course of an enviable life, one has a variety of options. Spurred by shame, one may attempt to hide all evidence of the change in one’s circumstances. Thus, the merchant who gambles away his savings will hold on to his finer suits until they fray, and tell anecdotes from the halls of the private clubs where his membership has long since lapsed. In a state of self-pity, one may retreat from the world in which one has been blessed to live. Thus, the long-suffering husband, finally disgraced by his wife in society, may be the one who leaves his home in exchange for a small, dark apartment on the other side of town. Or, like the Count and Anna, one may simply join the Confederacy of the Humbled.
”
”
Amor Towles (A Gentleman in Moscow)
“
And screams of horror rend th' affrighted skies.
Not louder shrieks to pitying heav'n are cast,
When husbands, or when lapdogs breathe their last;
Or when rich China vessels fall'n from high,
In glitt'ring dust and painted fragments lie! 160
”
”
Alexander Pope (The Rape of the Lock and Other Poems)
“
It is difficult to bear with women who talk like me, Sita. It becomes easier if I accept that I have made a mistake. Then there is atonement for every sin. If I argue that I have not made any mistake, they will take pity on me. They will take my side, seeing me as the victim of an unjust allegation. But if I say, “Right or wrong, it’s my business, what has it to do with you? Who gave you the right or authority to judge”, then nobody will be able to tolerate it.’
‘Are you saying that even Maharshi Gautama does not have that authority?’ Sita was unable to understand Ahalya.
‘Society gave him that authority. I didn’t. Till I give it, no one can have that authority over me.’
‘But he has disowned you.’
‘Pity, that’s his loss.’
‘And you … they say you lived like a lifeless stone for years.’
‘That’s what you think. I have spent all these years thinking about my identity in this universe. I have learned how the world runs—on what morals and laws, and what their roots are. I have gained a lot of wisdom.
”
”
Volga (The Liberation of Sita)
“
Everybody must pity Desdemona, but I cannot bring myself to like her. Her determination to marry Othello – it was she who virtually did the proposing – seems the romantic crush of a silly schoolgirl rather than a mature affection; it is Othello’s adventures, so unlike the civilian life she knows, which captivate her rather than Othello as a person. He may not have practiced witchcraft, but, in fact, she is spellbound.
Then, she seems more aware than is agreeable of the honor she has done Othello by becoming his wife.
[…]
Before Cassio speaks to her, she has already discussed him with her husband and learned that he is to be reinstated as soon as it is opportune. A sensible wife would have told Cassio this and left matters alone. In continuing to badger Othello, she betrays a desire to prove to herself and to Cassio that she can make her husband do as she pleases.
[…]
Though her relationship with Cassio is perfectly innocent, one cannot but share Iago’s doubts as to the durability of the marriage. It is worth noting that, in the willow-song scene with Emilia, she speaks with admiration of Ludovico and then turns to the topic of adultery. Of course, she discusses this in general terms and is shocked by Emilia’s attitude, but she does discuss the subject and she does listen to what Emilia has to say about husbands and wives. It is as if she had suddenly realized that she had made a mésalliance and that the sort of man she ought to have married was someone of her own class and color like Ludovico. Given a few more years of Othello and of Emilia’s influence and she might well, one feels, have taken a lover.
”
”
W.H. Auden (The Dyer's Hand and Other Essays)
“
We are repeatedly left, in other words, with no further focus than ourselves, a source from which self-pity naturally flows. Each time this happens I am struck again by the permanent impassibility of the divide. Some people who have lost a husband or a wife report feeling that person's presence, receiving that person's advice. Some report actual sightings, what Freud described in "Mourning and Melancholia" as "a clinging to the object through the medium of a hallucinatory wishful psychosis." Others describe not a visible apparition but just a "very strongly felt presence.
”
”
Joan Didion
“
Don’t spoil it,” he said quietly. “Turn me loose, you fool! Turn me loose! It’s Ashley!” He did not relax his grip. “After all, he’s her husband, ain’t he?” Will asked calmly and, looking down at him in a confusion of joy and impotent fury, Scarlett saw in the quiet depths of his eyes understanding and pity.
”
”
Margaret Mitchell (Gone with the Wind)
“
My dear fellow, society only laughs at such a desperate conjugal predicament. Where it pities a lover, it regards a husband as ridiculously inept; it makes sport of those who cannot keep the woman they have secured under the canopy of the Church, and before the Maire’s scarf of office. And I had to keep silence.
”
”
Honoré de Balzac (Works of Honore de Balzac)
“
Our insect musicians are roused to their greatest activity during the monsoons. At dusk the air seems to tinkle and murmur to their music. To the shrilling of the grasshoppers is added the staccato notes of the crickets, while in the grass and on the trees myriads of lesser artistes are producing a variety of sounds. As musicians, the cicadas are in a class of their own. Throughout the monsoons their screaming chorus rings through the forest. A shower, far from dampening their ardour, only rouses them to a deafening crescendo of effort. As with most insect musicians, the males do the performing, the females remain silent. This moved one chauvinistic Greek poet to exclaim: ‘Happy the cicadas, for they have voiceless wives!’ To which I would respond by saying, ‘Pity the female cicadas, for they have singing husbands!’ Probably the most familiar and homely of insect singers are the crickets. I won’t attempt to go into detail on how the cricket produces its music, except to say that its louder notes are produced by a rapid vibration of the wings, the right wing usually working over the left, the edge of one acting on the file of the other to produce a shrill, long-sustained note, like a violinist gone mad. Cicadas, on the other hand, use their abdominal muscles to produce their sound.
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Ruskin Bond (Landour Days: A Writer's Journal)
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Because Mitch would not have life without his mother and because her cluelessness did not encompass malice, she inspired a tenderness that was not love or even affection. It was instead a sad regard for her congenital incapacity for sentiment. This tenderness had nearly ripened into the pity that he withheld from his father.
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Dean Koontz (The Husband)
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She stands before the abortion clinic, confounded by the lack of choices. In the Welfare line, reduced to the pity of handouts. Ordained in the pulpit, shielded by the mysteries. In the operating room, husbanding life. In the choir loft, holding God in her throat. On lonely street corners, hawking her body. In the classroom, loving the children to understanding.
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Maya Angelou (The Complete Poetry)
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A child can love a mother who has no capacity to love him in return, but in time, he realizes that he is pouring his affection not on fertile ground but on rock, where nothing can be grown. A child might then spend a life defined by settled anger or by self-pity. If the mother is not a monster, if she is instead emotionally disconnected and self-absorbed, and if she
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Dean Koontz (The Husband)
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When a place gets crowded enough to require ID’s, social collapse is not far away. It is time to go elsewhere. The best thing about space travel is that it made it possible to go elsewhere. A woman is not property, and husbands who think otherwise are living in a dreamworld. The second best thing about space travel is that the distances involved make war very difficult, usually impractical, and almost always unnecessary. This is probably a loss for most people, since war is our race’s most popular diversion, one which gives purpose and color to dull and stupid lives. But it is a great boon to the intelligent man who fights only when he must—never for sport. A zygote is a gamete’s way of producing more gametes. This may be the purpose of the universe. There are hidden contradictions in the minds of people who “love Nature” while deploring the “artificialities” with which “Man has spoiled ‘Nature.’ ” The obvious contradiction lies in their choice of words, which imply that Man and his artifacts are not part of “Nature”—but beavers and their dams are. But the contradictions go deeper than this prima-facie absurdity. In declaring his love for a beaver dam (erected by beavers for beavers’ purposes) and his hatred for dams erected by men (for the purposes of men) the “Naturist” reveals his hatred for his own race—i.e., his own self-hatred. In the case of “Naturists” such self-hatred is understandable; they are such a sorry lot. But hatred is too strong an emotion to feel toward them; pity and contempt are the most they rate. As for me, willy-nilly I am a man, not a beaver, and H. sapiens is the only race I have or can have. Fortunately for me, I like being part of a race made up of men and women—it strikes me as a fine arrangement and perfectly “natural.” Believe it or not, there were “Naturists” who opposed the first flight to old Earth’s Moon as being “unnatural” and a “despoiling of Nature.
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Robert A. Heinlein (Time Enough for Love)
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It as mathematical, marriage, not, as one might expect, additional; it was exponential. This one man, nervous in a suite a size too small for his long, lean self, this woman, in a green lace dress cut to the upper thigh, with a white rose behind her ear. Christ, so young. The woman before them was a unitarian minister, and on her buzzed scalp, the grey hairs shone in a swab of sun through the lace in the window. Outside, Poughkeepsie was waking. Behind them, a man in a custodian's uniform cried softly beside a man in pajamas with a Dachshund, their witnesses, a shine in everyone's eye. One could taste the love on the air, or maybe that was sex, or maybe that was all the same then.
'I do,' she said.
'I do,' he said.
They did. They would.
Our children will be so fucking beautiful, he thought, looking at her.
Home, she thought, looking at him.
'You may kiss,' said the officiant.
They did, would.
Now they thanked everyone and laughed, and papers were signed and congratulations offered, and all stood for a moment, unwilling to leave this gentile living room where there was such softness.
The newlyweds thanked everyone again, shyly, and went out the door into the cool morning. They laughed, rosy. In they'd come integers, out they came, squared.
Her life, in the window, the parakeet, scrap of blue midday in the London dusk, ages away from what had been most deeply lived. Day on a rocky beach, creatures in the tide pool. All those ordinary afternoons, listening to footsteps in the beams of the house, and knowing the feeling behind them. Because it was so true, more than the highlights and the bright events, it was in the daily where she'd found life. The hundreds of time she'd dug in her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell delineated the warmth she'd felt in the cherry orchard.
Or this, each day they woke in the same place, her husband waking her with a cup of coffee, the cream still swirling into the black. Almost unremarked upon this kindness, he would kiss her on the crown of her head before leaving, and she'd feel something in her rising in her body to meet him.
These silent intimacies made their marriage, not the ceremonies or parties or opening nights or occasions, or spectacular fucks. Anyway, that part was finished. A pity...
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Lauren Groff (Fates and Furies)
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Lord,I love you truly with all my heart. Every moment with you is precious to me but I would give up even that if it meant peace between our peoples. Nothing else can be allowed to matter so much as that."
Dragon did not reply. He was staring at her very oddly. Of the others, she had no awareness at all. Only he existed for her just then.She felt as though there was no ground beneath her but this time instead of falling as she had off the cliff, she soared frantically, desperately,not knowing if at any moment gravity might reclaim her but soaring all the same.
"What did you say?" he demanded.
"Nothing else can be allowed to matter so much as the peace between our peoples! I understand full well how angry you are. The insult done you was profound,but I beg you,think of what you do.Do you go against my father,he wins!"
Slowly,Dragon shook his head as though trying to clear it. His gaze locked on Rycca's like a man holding fast to the rudder in a mighty storm. A dull flush crept over his high-boned cheeks. "Insult? You think I want to kill your father because he insulted me? For pity's sake, woman, I damn near lost you! Don't you have any idea what that means to me?"
Her eyes widened, never leaving him as he stalked across the stone floor of the Saxon's king's great hall and took firm hold of her by her shoulders. He dragged her up against him even as he near yelled, "Dammit to hell, woman, I love you! What care I for insults? Nothing matters to me save keeping you safe and-"
"Love?" Rycca repeated in a daze.
"Loki take you, lady, you are not the easiet woman in the world to get along with, you know! You are strong, spirited, stubborn, not a meek bone in your body! Your body...Never mind that, the point is you have stolen into my heart and I lack any will to get you out, so do not dare you think of dying! I absolutely forbid it! Did you say you love me?"
Oh,my,Rycca thought, she truly did have wings after all.Strong, sturdy wings that would carry her as high as she wanted to climb. And that was very high indeed.
A smile crept over her clear to her toes.She cupped her husband's face between her hands and took his mouth with hers.Well and thoroughly did she kiss him right there in front of everyone. That took some time, and when she was done she was rather breathless. Yet she managed to say, "I love you, lord.More than life,more even than freedom.You are dearest to me above all."
And for just a moment, there in the hall of the king,Rycca of Landsende saw the sheen of tears in her Viking's eyes.
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Josie Litton (Come Back to Me (Viking & Saxon, #3))
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We, men, who work hard to get somewhere in life, to make something of ourselves in life, to mean something to someone, to have what our ancestors never had.....We, men, who toil for a name, respect, livelihood, who are pitied, mocked all for the love of a woman.....We men who need to have a coherent existence, and oneness of spirit with a single soul; We, sir, do not deserve such an audience as Ms. Adams." - Pritchard's letter
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Noorilhuda
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We, men, who work hard to get somewhere in life, to make something of ourselves in life, to mean something to someone, to have what our ancestors never had.....We, men, who toil for a name, respect, livelihood, who are pitied, mocked all for the love of a woman......We men who need to have a coherent existence, and oneness of spirit with a single soul; We, sir, do not deserve such an audience as Ms. Adams. " - Pritchard's letter
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Noorilhuda (The Governess)
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Christian missions to India imply that India is a land of heathens, and, therefore, stands on the same level with the Andaman or the Fiji Islands. That a country which has been recognised in all ages the world over as the mother of all religions and the cradle of civilisation should be considered as pagan, shows how much ignorance prevails in Christendom.
Since the Parliament of Religions, I have been studying Christian institutions, and I have also studied the way in which the Christian ministers and the missionaries are manufactured in this country, and have learned to pity them. We must not blame them too severely, because their education is too narrow to make them broad-minded. I grant that they are good-hearted, that they are good husbands and often fathers of large families, but generally they are very ignorant, especially of the history of civilisation and of the philosophy of religion of India. Most of them do not even know the history of ancient India.
We know that in this age of competition, centralisation, and monopoly, very many people are forced out of business. The English say, 'The fool of the family goes into the Church'; so that when a youth is unable to make a living, he takes to missionary work, goes to India, and helps to introduce among the Hindus the doctrines of his church, which have long since been exploded by science.
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Virchand Gandhi (The Monist)
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Lada spoke with a quiet, clear voice, and the room hushed in surprise. No one expected a girl to speak. She was probably not allowed to. Radu knew Lada would not care either way. “On our wedding night,” she said, “I will cut out your tongue and swallow it. Then both tongues that spoke our marriage vows will belong to me, and I will be wed only to myself. You will most likely choke to death on your own blood, which will be unfortunate, but I will be both husband and wife and therefore not a widow to be pitied.
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Kiersten White (And I Darken (The Conqueror's Saga, #1))
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You’re the bookish one. Was it a man who said ‘hell hath no fury like a woman scorned’?” A lancer brings her gauntlets. “It must have been—to imagine something so petty as scorn to be the utmost misery a woman could suffer. What, I wonder, would he make of a mother who has seen her husband sold like meat and her babe nailed to a tree?” She dons her gauntlets. “Perhaps: wrath, I am thee? They come for our children, Virginia.” She turns to me and cups my face with one hand. “Do not fear for me. Instead, pity them.
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Pierce Brown (Light Bringer (Red Rising Saga, #6))
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Take you with her, pitiful changeling!' I exclaimed. 'YOU marry? Why, the man is mad! or he thinks us fools, every one. And do you imagine that beautiful young lady, that healthy, hearty girl, will tie herself to a little perishing monkey like you? Are you cherishing the notion that anybody, let alone Miss Catherine Linton, would have you for a husband? You want whipping for bringing us in here at all, with your dastardly puling tricks: and - don't look so silly, now! I've a very good mind to shake you severely, for your contemptible treachery, and your imbecile conceit.
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Emily Brontë (Wuthering Heights)
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Eider nodded slowly, her eyes never leaving Glokta's face. 'That must have been hard. To come back, after all that time in the darkness, and to find that your friends had no use for you. To see in their faces only guilt, and pity, and disgust. To find yourself alone.'
Glokta's eyelid was twitching, and he rubbed at it gently. He had never discussed such things with anyone before. And now here I am, discussing them with a stranger. 'There can be no doubt that I'm a tragic figure. I used to be a shit of a man, now I'm a husk of one. Take your pick.'
'I imagine it makes you sick, to be treated that way. Very sick, and very angry.' If only you knew. 'It still seems a strange decision, though, for the tortured to turn torturer.'
'On the contrary, nothing could be more natural. In my experience, people do as they are done to. You were sold by your father and bought by your husband, and yet you choose to buy and sell.'
Eider frowned. Something for her to think about, perhaps? 'I would have thought your pain would give you empathy.'
'Empathy? What's that?' Glokta winced as he rubbed at his aching leg. 'It's a sad fact, but pain only makes you sorry for yourself.
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Joe Abercrombie (Before They Are Hanged (The First Law, #2))
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-did you just ask something?"
"I asked if you can undress any faster."
Evie huffed with a mixture of amusement and exasperation. "No, I can't. There are too many b-buttons, and they're very small."
"What a pity. Because in thirty seconds, I'm going to rip away whatever clothing you have left."
Evie knew full well not to take the threat lightly- he'd done it before, on more than one occasion. "Sebastian, no. I like this dress."
Her husband's eyes glinted with devilish humor as he watched her increasingly frantic efforts. "No dress is as beautiful as your naked skin. All those sweet freckles scattered over you, like a thousand tiny angel kisses... you have twenty seconds left, by the way."
"You don't even h-have a clock," she complained.
"I'm counting by heartbeats. You'd better hurry, love."
Evie glanced anxiously down at the row of pearl buttons, which seem to have multiplied. With a defeated sigh, she dropped her arms to her sides. "Just go on and rip it off," she mumbled.
She heard his silky laugh, and a sluice of water. He stood with streams runneling over the sleek, muscled contours of his body, and Evie gasped as she was pulled into a steaming embrace.
His amused voice curled inside the sensitive shell of her ear. "My poor little put-upon wife. Let me help you. I have a way with buttons...
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Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
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About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf.
Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this
riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb.
Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you.
Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any.
Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen.
Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
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James Gould Cozzens (Castaway)
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Something she and her husband had in common but rarely discussed was the absence of a desire for children, to fill their home with people besides themselves. It was a silent agreement, felt rather than spoken, and in her experience the soundest agreements were the ones that did not require the reassurances of language. Therefore this line of questioning was the inverse of what she usually fielded, since a childless married woman in her thirties was so often regarded, by men and women alike, as a puzzle or a pity. What's the story here? people would ask, inquests designed to make women like her suspect there was something malformed inside, blinding them to the hideous reality of their choice.
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Laura van den Berg (The Third Hotel)
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That accounts for his crying so. Poor creature!”
”Well--you must do the sticking--there's no help for it. I'll showyou how. Or I'll do it myself--I think I could. Though as it issuch a big pig I had rather Challow had done it. However, his basketo' knives and things have been already sent on here, and we can use'em.”
”Of course you shan't do it,” said Jude. ”I'll do it, since it mustbe done.”
He went out to the sty, shovelled away the snow for the space of acouple of yards or more, and placed the stool in front, with theknives and ropes at hand. A robin peered down at the preparationsfrom the nearest tree, and, not liking the sinister look of thescene, flew away, though hungry. By this time Arabella had joinedher husband, and Jude, rope in hand, got into the sty, and noosed theaffrighted animal, who, beginning with a squeak of surprise, rose torepeated cries of rage. Arabella opened the sty-door, and togetherthey hoisted the victim on to the stool, legs upward, and while Judeheld him Arabella bound him down, looping the cord over his legs tokeep him from struggling.
The animal's note changed its quality. It was not now rage, but thecry of despair; long-drawn, slow and hopeless.
”Upon my soul I would sooner have gone without the pig than have hadthis to do!” said Jude. ”A creature I have fed with my own hands.”
”Don't be such a tender-hearted fool! There's the sticking-knife--the one with the point. Now whatever you do, don't stick un toodeep.”
”I'll stick him effectually, so as to make short work of it. That'sthe chief thing.”
”You must not!” she cried. ”The meat must be well bled, and to dothat he must die slow. We shall lose a shilling a score if the meatis red and bloody! Just touch the vein, that's all. I was broughtup to it, and I know. Every good butcher keeps un bleeding long.He ought to be eight or ten minutes dying, at least.”
”He shall not be half a minute if I can help it, however the meat maylook,” said Jude determinedly. Scraping the bristles from the pig'supturned throat, as he had seen the butchers do, he slit the fat;then plunged in the knife with all his might.
”'Od damn it all!” she cried, ”that ever I should say it! You'veover-stuck un! And I telling you all the time--”
”Do be quiet, Arabella, and have a little pity on the creature!
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Thomas Hardy (Jude the Obscure)
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People in grief think a great deal about self-pity. We worry it, dread it, scourge our thinking for signs of it. We fear that our actions will reveal the condition tellingly described as 'dwelling on it.' We understand the aversion most of us have to ‘dwilling on it.’ Visible mourning reminds us of death, which is construed as unnatural, a failure to manage the situation. ‘A single person is missing for you, and the whole world is empty,’ Philippe Aries wrote to the point of this aversion in Western Attitudes toward Death. ‘But one no longer has the right to say so aloud.’ We remind ourselves repeatedly that our own loss is nothing compared to the loss experienced (or, the even worse thought, not experienced) by he or she who died; this attempt at corrective thinking serves only to plunge us deeper into the self-regarding deep. (Why didn’t I see that, why am I so selfish.) The very language we use when we think about self-pity betrays the deep abhorrence in which we hold it: self-pity is feeling sorry for yourself, self0pity is thumb-sucking, self0pity is boo hoo poor me, self-pity is the condition in which those feeling sorry for themselves indulge, or even wallow. Self-pity remains both the most common and the most universally reviled of our character defects, its pestilential destructiveness accepted as given…In fact the grieving have urgent reasons, even an urgent need, to feel sorry for themselves. Husbands walk out, wives walk out, divorces happen, but these husbands and wives leave behind them webs of intact associations, however acrimonious. Only the survivors of a death are truly left alone.
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Joan Didion (The Year of Magical Thinking)
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Amid the wreckage of their relationship there are still friends who feel that the rage and jealousy Diana feels towards her husband is reflection of her innermost desire to win him back. Those observers are in a minority. Most are deeply pessimistic about the future. Oonagh Toffolo notes: “I had great hopes until a year ago, now I have no hope at all. It would need a miracle. It is a great pity that these two people with so much to give to the world can’t give it together.”
A similar conclusion has been reached by a friend, who has discussed Diana’s troubles with her at length. She says: “If he had done the work in the early days and forgotten about Camilla, they would have so much more going for them. However they have now reached a point of no return.”
The words “there is no hope” are often repeated when friends talk about the Wales’s life together. As one of her closest friends says: “She has conquered all the challenges presented to her within the profession and got her public life down to a fine art. But the central issue is that she is not fulfilled as a woman because she doesn’t have a relationship with her husband.” The continual conflict and suspicion in their private life inevitably colours their public work. Nominally the Prince and Princess are a partnership, in reality they act independently, rather like the managing directors of rival companies. As one former member of the Wales’s Household said: “You very quickly learn to choose whose side you are on--his or hers. There is no middle course. There is a magic line that courtiers can cross once or twice. Cross it too often and you are out. That is not a basis for a stable career.
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Andrew Morton (Diana: Her True Story in Her Own Words)
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I got what I wanted, I guess. I’m here, in this home that I worked so hard to insulate from the problems of the world, our happy little bubble. The girls have their father every night. Adam has a newfound respect for me, the New Rachel, for the glittering, sharp edge that’s emerged like a razor in the grass. When I think about my old self, I feel pity and yearning at the same time. Poor Old Rachel, the sweet, naive idiot. And lucky Old Rachel, so completely happy. There’s one niggling thought I can’t shake, one that keeps me awake at night. What would I tell my daughters if they came to me with the news that their husband had a mistress? That he told her, my precious daughter, that sex with the other woman was amazing? Stay and work things out. Oh, and get that STD panel ASAP, darlings! But do stay. Take all that hurt and betrayal and just ball it up and swallow it. Want to bake cookies?
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Kristan Higgins (If You Only Knew)
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It could not be said, thought Linda, as the train pursued its way through the blackness, that her life so far had been a marked success. She had found neither great love nor great happiness, and she had not inspired them in others. Parting with her would have been no death blow to either of her husbands; on the contrary, they would both have turned with relief to a much preferred mistress, who was more suited to them in every way. Whatever quality it is that can hold indefinitely the love and affection of a man she plainly did not possess, and now she was doomed to the lonely, hunted life of a beautiful but unattached woman. Where now was the love that would last to the grave and beyond? What had she done with her youth? Tears for her lost hopes and ideals, tears of self-pity in fact, began to pour down her cheeks. The three fat French men who shared the carriage with her were in a snoring sleep, she wept alone.
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Nancy Mitford (The Pursuit of Love (Radlett & Montdore, #1))
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Is there another city in the world where husbands are so patient as here? Do we not meet with them in every variety, and well provided with everything? One heaps up wealth, which his wife shares with those who are eager to make him a dupe; another, slightly more fortunate, but not less infamous, sees his wife receive presents day after day, and is not troubled in mind by any jealous twinge when she tells him that they are the rewards of virtue. One makes a great noise, which does him not the slightest good; another lets matters take their course in all meekness, and, seeing the gallant arrive at his house, very politely takes up his gloves and his cloak. One married woman cunningly pretends to make a confident of her confiding husband, who slumbers securely under such a delusion, and pities the gallant for his pains, which, however, the latter does not throw away. Another married woman, to account for her extravagance, says that the money she spends has been won at play; and the silly husband, without considering at what play, thanks Heaven for her winnings.
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Molière (Delphi Complete Works of Molière (Illustrated) (Delphi Series Nine Book 18))
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I wanted to go back and leer at my strange Dickensian mother in the hash joint. I tingled all over from head to foot. It seemed I had a whole host of memories leading back to 1750 in England and that I was in San Francisco now only in another life and in another body. "No," that woman seemed to say with that terrified glance, "don’t come back and plague your honest, hard-working mother. You are no longer like a son to me - and like your father, my first husband. ‘Ere this kindly Greek took pity on me." (The proprietor was a Greek with hairy arms.) "You are no good, inclined to drunkenness and routs and final disgraceful robbery of the fruits of my ‘umble labors in the hashery. O son! did you not ever go on your knees and pray for deliverance for all your sins and scoundrel’s acts? Lost boy! Depart! Do not haunt my soul; I have done well forgetting you. Reopen no old wounds, be as if you had never returned and looked in to me - to see my laboring humilities, my few scrubbed pennies - hungry to grab, quick to deprive, sullen, unloved, mean- minded son of my flesh. Son! Son!
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Jack Kerouac (On the Road)
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He was immensely sad and immensely bitter and he said we would get married now because married people did it like this and hated each other and felt dead, fucking was like being dead for them; pity the poor husband, he felt dead. He stayed between my legs, resting. I didn't move because there is an anguish that can stop you from moving and I couldn't kill him because there is an anguish that can stop you from killing. Something awful came, a suffering bigger than my life or your life or any life or God's life, the crucifixion God; the nails are hammered in but you don't get to die. It's the cross for ladies, a bed, and you don't get to die; the lucky boy, the favorite child, gets to die. You've been mowed down inside, slaughtered inside, a genocide happened in you, but you don't get to die. You're not God's son, you're His daughter, and He leaves you there nailed because you're some stupid piece of shit who loved someone and you will be there forever, in some bed somewhere for the rest of your life and He will make it a long time, He will make you get old, and He will see to it that you get fucked, and the skin around where you get fucked will be calloused and blistered and enraged and there will be someone climbing on you and getting in you and God your Father will watch; even when you're old He'll watch.
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Andrea Dworkin (Mercy)
“
Mrs. Hamilton gave him a pitying look. She didn’t believe it any more than her brother did. “We’ve all heard the stories.” “Well, they died here, or died running from here. Who do you think does the killing? It’s them. They come to work every day like killing people is nothing. How can they do that? How can they kill kids and nobody does anything?” Mrs. Hamilton strained to think of a good answer, or maybe another lie, but she couldn’t reply to him for a time. “It’s wrong,” she said. “As wrong as anything I’ve ever seen.” Hearing the truth made Robert’s bones heavy. He sobbed into Mrs. Hamilton’s arms. If she’d been Mama, she would have hugged him for a long while, patting the back of his neck, saying, All right, try to be brave like your papa, and then let him lie down and miss his chores. But she wasn’t Mama, so when the hug was cut short, he could barely stand. “Listen to me,” Mrs. Hamilton said, her words steadying him. “I know.” She’d spoken as if she’d seen it all: the dead boys in the photographs, Gloria’s map, the haint at the church. Every secret thing that only Redbone knew—had known. Robert felt dizzy when he remembered Redbone was dead. “I know what it is to have someone killed by violence—the injustice of it. It’s the worst feeling there is. My late husband, he didn’t die in the war: he got pulled off a train and beaten to death after he got back home. He never made it back to me. I carry that, Robert.” Her eyes were bright with tears. “This is yours to carry. There’s lots of people working to get you out of here, but you won’t find justice in here. If there’s any kind of justice, and I do mean if, it’s waiting outside. After
”
”
Tananarive Due (The Reformatory)
“
With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting.
But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall.
And he was a fool.
"I can see how you might find her maddening," Masters said in a low voice.
Jackson stiffened. "Your wife?" he said, deliberately being obtuse.
"Lady Celia."
Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor.
He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness.
Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?"
Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune."
He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you."
She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then.
A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary.
But she'll be an heiress once she marries.
He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that.
Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list.
"Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors."
Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words.
Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but-
"Have you got any news?" Stoneville asked.
Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
What is that?” “Oh, it's… well, something personal to Lady Holly, and… sir, she wouldn't like it if ye—” Maude spluttered with dismayed protests as Zachary reached over and plucked the frame case from the pile. “A miniature?” he asked, deftly shaking the object from its leather casing. “Yes, sir, but… you shouldn't, really… oh, dear.” Maude's pudgy cheeks reddened, and she sighed in patent discomfort as he stared at the little portrait. “George,” Zachary said quietly. He had never seen a likeness of the man, had never wanted to before. It was only to be expected that Holly should carry a portrait of her late husband, for Rose's benefit as well as her own. However, Zachary had never asked to view a likeness of George Taylor, and Holly had certainly never volunteered to show him. Perhaps Zachary had expected that he would feel a pang of animosity at the sight of Taylor's face, but as he stared at the miniature, he was conscious only of a surprising feeling of pity. He had always thought of George as a contemporary, but this face was impossibly young, adorned with sideburns that amounted to a bit of peach fuzz on either side of his cheeks. Zachary was startled by the realization that Taylor couldn't have been more than twenty-four when he died, almost a full ten years younger than Zachary was now. Holly had been wooed and loved by this handsome boy, with his golden blond hair and untroubled blue eyes, and a smile that hinted of mischief. George had died before he'd barely tasted of life, widowing a girl who had been even more innocent than he. Try as he might, Zachary couldn't blame George Taylor for trying to protect Holly, arrange things for her, ensure that his infant daughter was taken care of. No doubt George would have been anguished at the thought of his wife being seduced and made miserable by the Zachary Bronsons of the world.
”
”
Lisa Kleypas (Where Dreams Begin)
“
Poor Zélie! It was much her wont to declare about this time, that she was tired to death of a life of seclusion and labour; that she longed to have the means and leisure for relaxation; to have some one to work for her—a husband who would pay her debts (she was woefully encumbered with debt), supply her wardrobe, and leave her at liberty, as she said, to “goûter un peu les plaisirs.” It had long been rumoured, that her eye was upon M. Emanuel. Monsieur Emanuel’s eye was certainly often upon her. He would sit and watch her perseveringly for minutes together. I have seen him give her a quarter-of-an-hour’s gaze, while the class was silently composing, and he sat throned on his estrade, unoccupied. Conscious always of this basilisk attention, she would writhe under it, half-flattered, half-puzzled, and Monsieur would follow her sensations, sometimes looking appallingly acute; for in some cases, he had the terrible unerring penetration of instinct, and pierced in its hiding-place the last lurking thought of the heart, and discerned under florid veilings the bare; barren places of the spirit: yes, and its perverted tendencies, and its hidden false curves—all that men and women would not have known—the twisted spine, the malformed limb that was born with them, and far worse, the stain or disfigurement they have perhaps brought on themselves. No calamity so accursed but M. Emanuel could pity and forgive, if it were acknowledged candidly; but where his questioning eyes met dishonest denial—where his ruthless researches found deceitful concealment—oh, then, he could be cruel, and I thought wicked! he would exultantly snatch the screen from poor shrinking wretches, passionately hurry them to the summit of the mount of exposure, and there show them all naked, all false—poor living lies—the spawn of that horrid Truth which cannot be looked on unveiled. He thought he did justice; for my part I doubt whether man has a right to do such justice on man: more than once in these his visitations, I have felt compelled to give tears to his victims, and not spared ire and keen reproach to himself. He deserved it; but it was difficult to shake him in his firm conviction that the work was righteous and needed.
”
”
Charlotte Brontë (Villette)
“
I wanted to be alone.” “I see.” Except she didn’t, exactly. When had this child become a mystery to her own mother? “Why?” Sophie glanced at herself in the mirror, and Esther could only hope her daughter saw the truth: a lovely, poised woman—intelligent, caring, well dowered, and deserving of more than a stolen interlude with a convenient stranger and an inconvenient baby—Sophie’s brothers’ assurances notwithstanding. “I am lonely, that’s why.” Sophie’s posture relaxed with this pronouncement, but Esther’s consternation only increased. “How can you be lonely when you’re surrounded by loving family, for pity’s sake? Your father and I, your sisters, your brothers, even Uncle Tony and your cousins—we’re your family, Sophia.” She nodded, a sad smile playing around her lips that to Esther’s eyes made her daughter look positively beautiful. “You’re the family I was born with, and I love you too, but I’m still lonely, Your Grace. I’ve wished and wished for my own family, for children of my own, for a husband, not just a marital partner…” “You had many offers.” Esther spoke gently, because in Sophie’s words, in her calm, in her use of the present tense—“I am lonely”—there was an insight to be had. “Those offers weren’t from the right man.” “Was Baron Sindal the right man?” It was a chance arrow, but a woman who had raised ten children owned a store of maternal instinct. Sophie’s chin dropped, and she sighed. “I thought he was the right man, but it wasn’t the right offer, or perhaps it was, but I couldn’t hear it as such. And then there was the baby… It wouldn’t be the right marriage.” Esther took her courage in both hands and advanced on her daughter—her sensible daughter—and slipped an arm around Sophie’s waist. “Tell me about this baby. I’ve heard all manner of rumors about him, but you’ve said not one word.” She meant to walk Sophie over to the vanity, so she might drape Oma’s pearls around Sophie’s neck, but Sophie closed her eyes and stiffened. “He’s a good baby. He’s a wonderful baby, and I sent him away. Oh, Mama, I sent my baby away…” And then, for the first time in years, sensible Lady Sophia Windham cried on her mother’s shoulder as if she herself were once again a little, inconsolable baby. ***
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
Minny came ever day to make sure I was breathing, feed me food to keep me living.
All I know is, I ain't saying it. And I know she ain't saying what she want a say either and it's a strange thing happening here cause nobody saying nothing and we still managing to have us a conversation.
"Mama, it would really be so terrible if I never met a husband?"
Write about what disturbs you, particularly if it bothers no one else.
I stare at her, wishing the ceiling fan would fly from its post, crash down on both of us.
I feel tears come up in my eyes, cause three years just ain't long enough. A hundred years ain't gone be long enough.
Eugenia, just because this is a hospital doesn't mean I'm an invalid"
"you kind. you smart. you important."
See, I think if God had intended for white people and colored people to be this close together for so much of the day, he would've made us color-blind.
Every time a Negro complained about the cost of living didn't mean she was begging for money.
But the truth is, I don't care about voting. I don't care about eating at a counter with white people. What I care about is, if, in ten years, a white lady will call my girls dirty and accuse them of stealing the silver.
when you little, you only get to ask two questions, what's your name and how old you is, so you better get em right.
Mister Jonny knows about me. Miss Celia Knows Mister Jony know about me. But Mister Jonny doesn't know that Miss Celia knows he knows.
"Yes ma'am. I tell her." In about a hundred years.
How an awful day could turn even worse. It seems like at some point you'd just run out of awful.
Lots of folks think if you talk back to your husband, you crossed the line. And that justifies punishment.
She can take the most complicated things in life and wrap them up so small and simple, they'll fit right in your pocket.
"Don't you let him cheapen you. If Stuart doesn't know how intelligent and kind I raised you to be, he can march straight on back to State Street. Frankly, I don't care much for Stuart. He doesn't know how lucky he was to have you."
You tell her we love her, like she's our own family.
"You a beautiful person, Minny."
Mississippi is like my mother. I am allowed to complain about her all I want, but God help the person who raises an ill word about her around me unless she is their mother too.
For the dishonesty upon which a society is founded makes every emotion suspect, makes it impossible to know whether what flowed between two people was honest feeling or pity or pragmatism
”
”
Kathryn Stockett (The Help)
“
He wanted somebody to give him a chance of asserting himself. He wanted it so urgently that he fidgeted in his chair, looked at this person, then at that person, tried to break into their talk, opened his mouth and shut it again. They were talking about the fishing industry. Why did no one ask him his opinion? What did they know about the fishing industry?
Lily Briscoe knew all that. Sitting opposite him, could she not see, as in an X-ray photograph, the ribs and thigh bones of the young man's desire to impress himself, lying dark in the mist of his flesh--that thin mist which convention had laid over his burning desire to break into the conversation? But, she thought, screwing up her Chinese eyes, and remembering how he sneered at women, "can't paint, can't write," why should I help him to relieve himself?
There is a code of behaviour, she knew, whose seventh article (it may be) says that on occasions of this sort it behoves the woman, whatever her own occupation might be, to go to the help of the young man opposite so that he may expose and relieve the thigh bones, the ribs, of his vanity, of his urgent desire to assert himself; as indeed it is their duty, she reflected, in her old maidenly fairness, to help us, suppose the Tube97 were to burst into flames. Then, she thought, I should certainly expect Mr. Tansley to get me out. But how would it be, she thought, if neither of us did either of these things? So she sat there 96 Cheated or frustrated himself. 97 The London subway. 64 smiling.
"You're not planning to go to the Lighthouse, are you, Lily," said Mrs. Ramsay. "Remember poor Mr. Langley; he had been round the world dozens of times, but he told me he never suffered as he did when my husband took him there. Are you a good sailor, Mr. Tansley?" she asked.
Mr. Tansley raised a hammer: swung it high in air; but realising, as it descended, that he could not smite that butterfly with such an instrument as this, said only that he had never been sick in his life. But in that one sentence lay compact, like gunpowder, that his grandfather was a fisherman; his father a chemist; that he had worked his way up entirely himself; that he was proud of it; that he was Charles Tansley--a fact that nobody there seemed to realise; but one of these days every single person would know it. He scowled ahead of him. He could almost pity these mild cultivated people, who would be blown sky high, like bales of wool and barrels of apples, one of these days by the gunpowder that was in him.
"Will you take me, Mr. Tansley?" said Lily, quickly, kindly, for, of course, if Mrs. Ramsay said to her, as in effect she did, "I am drowning, my dear, in seas of fire. Unless you apply some balm to the anguish of this hour and say something nice to that young man there, life will run upon the rocks--indeed I hear the grating and the growling at this minute. My nerves are taut as fiddle strings. Another touch and they will snap"--when Mrs. Ramsay said all this, as the glance in her eyes said it, of course for the hundred and fiftieth time Lily Briscoe had to renounce the experiment--what happens if one is not nice to that young man there--and be nice.
”
”
Virgina Woolf (To the Lighthouse)
“
Lady Thornton, how very good of you to find the time to pay us a social call! Would it be too pushing of me to inquire as to your whereabouts during the last six weeks?”
At that moment Elizabeth’s only thought was that if Ian’s barrister felt this way about her, how much more hatred she would face when she confronted Ian himself. “I-I can imagine what you must be thinking,” she began in a conciliatory manner.
He interrupted sarcastically, “Oh, I don’t think you can, madam. If you could, you’d be quite horrified at this moment.”
“I can explain everything,” Elizabeth burst out.
“Really?” he drawled blightingly. “A pity you didn’t try to do that six weeks ago!”
“I’m here to do it now,” Elizabeth cried, clinging to a slender thread of control.
“Begin at your leisure,” he drawled sarcastically. “here are only three hundred people across the hall awaiting your convenience.”
Panic and frustration made Elizabeth’s voice shake and her temper explode. “Now see here, sir, I have not traveled day and night so that I can stand here while you waste time insulting me! I came here the instant I read a paper and realized my husband is in trouble. I’ve come to prove I’m alive and unharmed, and that my brother is also alive!”
Instead of looking pleased or relieved he looked more snide than before. “Do tell, madam. I am on tenterhooks to hear the whole of it.”
“Why are you doing this?” Elizabeth cried. “For the love of heaven, I’m on your side!”
“Thank God we don’t have more like you.”
Elizabeth steadfastly ignored that and launched into a swift but complete version of everything that had happened from the moment Robert came up behind her at Havenhurst. Finished, she stood up, ready to go in and tell everyone across the hall the same thing, but Delham continued to pillory her with his gaze, watching her in silence above his steepled fingertips. “Are we supposed to believe that Banbury tale?” he snapped at last. “Your brother is alive, but he isn’t here. Are we supposed to accept the word of a married woman who brazenly traveled as man and wife with another man-“
“With my brother,” Elizabeth retorted, bracing her palms on the desk, as if by sheer proximity she could make him understand.
“So you want us to believe. Why, Lady Thornton? Why this sudden interest in your husband’s well-being?”
“Delham!” the duchess barked. “Are you mad? Anyone can see she’s telling the truth-even I-and I wasn’t inclined to believe a word she said when she arrived at my house! You are tearing into her for no reason-“
Without moving his eyes from Elizabeth, Mr. Delham said shortly, “Your grace, what I’ve been doing is nothing to what the prosecution will try to do to her story. If she can’t hold up in here, she hasn’t a chance out there!”
“I don’t understand this at all!” Elizabeth cried with panic and fury. “By being here I can disprove that my husband has done away with me. And I have a letter from Mrs. Hogan describing my brother in detail and stating that we were together. She will come here herself if you need her, only she is with child and couldn’t travel as quickly as I had to do. This is a trial to prove whether or not my husband is guilty of those crimes. I know the truth, and I can prove he isn’t.”
“You’re mistaken, Lady Thornton,” Delham said in a bitter voice. “Because of its sensational nature and the wild conjecture in the press, this is no longer a quest for truth and justice in the House of Lords. This is now an amphitheater, and the prosecution is in the center of the stage, playing a starring role before an audience of thousands all over England who will read about it in the papers. They’re bent on giving a stellar performance, and they’ve been doing just that. Very well,” he said after a moment. “Let’s see how well you can deal with them.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
At least tell me the truth about Blakeborough,” he said hoarsely. “Do you love him?”
“Why does it matter?”
His eyes ate her up. “If you do, I’ll keep my distance. I’ll stay out of your life from now on.”
“You’ve been doing that easily enough for the past twelve years,” she snapped. “I don’t see why my feelings for Edwin should change anything.”
“Easily? It was never easy, I assure you.” His expression was stony. “And you’re avoiding the question. Are you in love with Blakeborough?”
How she wished she could lie about it. Dom would take himself off, and she wouldn’t be tempted by him anymore. Unfortunately, he could always tell when she was lying. “And if I say I’m not?”
“Then I won’t rest until you’re mine again.”
The determination in his voice shocked her. Unsettled her.
Thrilled her.
No! “I don’t want that.”
His fingers dug into her arm. “Because you love Blakeborough?”
“Because love is a lie designed to make a woman desire what is only a figure of smoke in the wind. Love is too dangerous.”
He released a heavy breath. “So you don’t love him.”
His persistence sparked her temper, and she pushed free of him. “Oh, for pity’s sake, if you must know, I don’t.” She faced him down. “Not that it matters one whit. I don’t need love to have a good marriage, an amiable marriage. I don’t even want love.”
It hurt too much when her heart was trampled upon. Dom had done that once before. How could she be sure he wouldn’t do it again?
Eyes gleaming in the firelight, he said in a low voice, “You used to want love.”
“I was practically a child. I didn’t know any better. But I do now.”
“Do you? I wonder.” He circled her like a wolf assessing its prey’s weaknesses. “Very well, let’s forget about love for the moment. What about passion?”
“What about it?” she asked unsteadily as he slipped behind her. Nervous, she edged nearer the impressively massive pianoforte that sat in the center of the room.
“What part does passion play in your plan for a safe and loveless marriage?”
She pivoted to face him, startled to find that he’d stepped to within a breath of her. “None at all.”
He chuckled. “Does Blakeborough know that?”
“Not that it’s any of your concern, but Edwin and I have an arrangement. He’ll give me children; I’ll help him make sure Yvette finds a good husband. We both agree that passion is…unimportant to our plans.”
“Really?” He raised an eyebrow. “It certainly aids in the production of those children you’re hoping for. To quote a certain lady, ‘You can set a plan in motion, but as soon as it involves people, it will rarely commence exactly as you wish.’ You may not want passion to be important, sweeting, but it always is.”
“Not to us,” she said, though with him standing so close her legs felt like rubber and her blood raced wildly through her veins. “Not to me.”
With his gaze darkening, he lifted his hand to run his thumb over the pounding pulse at her throat. “Yes, I can tell how unimportant it is to you.”
“That doesn’t mean…anything.”
“Doesn’t it?” He backed her against the pianoforte. “So the way you trembled in my arms this morning means nothing.”
It meant far too much. It meant her body was susceptible to him, even when her mind had the good sense to resist.
And curse him to the devil, he knew it. He slipped his hand about her waist to pull her against him. “It means nothing that every time we’re together, we ignite.”
“People do not…ignite,” she said shakily, though her entire body was on fire. “What an absurd idea.”
She held her breath and waited for his attempt to kiss her, determined to refuse it this time.
But he didn’t kiss her. Instead he fondled her breast through her gown, catching her so by surprise that she gasped, then moaned as the feel of his hand caressing her made liquid heat swirl in her belly.
Devil take the man.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
WHEN on the Magpies' Bridge I see The Hoar-frost King has cast His sparkling mantle, well I know The night is nearly past, Daylight approaches fast. The author of this verse was Governor of the Province of Koshu, and Viceroy of the more or less uncivilized northern and eastern parts of Japan; he died A.D. 785. There was a bridge or passageway in the Imperial Palace at Kyoto called the Magpies' Bridge, but there is also an allusion here to the old legend about the Weaver and Herdsman. It is said, that the Weaver (the star Vega) was a maiden, who dwelt on one side of the River of the Milky Way, and who was employed in making clothes for the Gods. But one day the Sun took pity upon her, and gave her in marriage to the Herdboy (the star Aquila), who lived on the other side of the river. But as the result of this was that the supply of clothes fell short, she was only permitted to visit her husband once a year, viz. on the seventh night of the seventh month; and on this night, it is said, the magpies in a dense flock form a bridge for her across the river. The hoar frost forms just before day breaks. The illustration shows the Herdboy crossing on the Bridge of Magpies to his bride. A Hundred Verses from Old Japan (The Hyakunin-isshu), tr. by William N. Porter, [1909],
”
”
Anonymous
“
And an image had appeared in Christopher's head... not the usual ones of the war, but a peaceful one... Beatrix's face, calm and intent, as she had tended a wounded bird the previous day. She had wrapped the broken wing of a small sparrow against its body, and then showed Rye how to feed the bird. As Christopher had watched the proceedings, he had been struck by the mixture of delicacy and strength in Beatrix's hands.
Bringing his attention back to the ranting woman before him, Christopher pitied the man who eventually became Prudence's husband.
Prudence's mother had come into the parlor then, alarmed by the uproar, Christopher had taken his leave soon after, regretting every minute he had ever wasted in Prudence Mercer's company.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
And an image had appeared in Christopher's head... not the usual ones of the war, but a peaceful one... Beatrix's face, calm and intent, as she had tended a wounded bird the previous day. She had wrapped the broken wing of a small sparrow against its body, and then showed Rye how to feed the bird. As Christopher had watched the proceedings, he had been struck by the mixture of delicacy and strength in Beatrix's hands.
Bringing his attention back to the ranting woman before him, Christopher pitied the man who eventually became Prudence's husband.
Prudence's mother had come into the parlor then, alarmed by the uproar, and she had tried to soothe her. Christopher had taken his leave soon after, regretting every minute he had ever wasted in Prudence Mercer's company.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
What a pity men didn’t gossip about their wives the way women did about their husbands, then they would soon learn that their own wife wasn’t the only one with shortcomings….
”
”
Celia Fremlin (The Trouble Makers)
“
the cuckolded husband but there was also laughter, a pity profoundly scarred with cruelty, relief that it was someone else. There were ribald jokes, slurs against manhood—and that was the ultimate insult, the unbearable thing that robbed the stuff of life but denied the peace of death. The victim was still sentient and raw to all the awareness of his loss. He would never have brought that upon himself, never—not in hot temper nor in cold revenge.
”
”
Anne Perry (Cardington Crescent (Charlotte & Thomas Pitt, #8))
“
Amy was mentally packing for a midnight flight to the mail coach to Dover (plan C), when Jane’s gentle voice cut through the listing of ovine pedigrees.
"Such a pity about the tapestries," was all she said. Her voice was pitched low but somehow it carried over both the shouting men.
Amy glanced sharply at Jane, and was rewarded by a swift kick to the ankle. Had that been a ‘say something now!’ kick, or a ‘be quiet and sit still’ kick? Amy kicked back in inquiry. Jane put her foot down hard over Amy’s. Amy decided that could be interpreted as either ‘be quiet and sit still’ or ‘please stop kicking me now!'
Aunt Prudence had snapped out of her reverie with what was nearly an audible click. "Tapestries?" she inquired eagerly.
"Why, yes, Mama," Jane replied demurely. "I had hoped that while Amy and I were in France we might be granted access to the tapestries at the Tuilleries."
Jane’s quiet words sent the table into a state of electric expectancy. Forks hovered over plates in mid-air; wineglasses tilted halfway to open mouths; little Ned paused in the act of slipping a pea down the back of Agnes’s dress. Even Miss Gwen stopped glaring long enough to eye Jane with what looked more like speculation than rancour.
"Not the Gobelins series of Daphne and Apollo!" cried Aunt Prudence.
"But, of course, Aunt Prudence," Amy plunged in. Amy just barely restrained herself from turning and flinging her arms around her cousin. Aunt Prudence had spent long hours lamenting that she had never taken the time before the war to copy the pattern of the tapestries that hung in the Tuilleries Palace. "Jane and I had hoped to sketch them for you, hadn’t we, Jane?"
"We had," Jane affirmed, her graceful neck dipping in assent. "Yet if Papa feels that France remains unsafe, we shall bow to his greater wisdom."
At the other end of the table, Aunt Prudence was wavering. Literally. Torn between her trust in her husband and her burning desire for needlepoint patterns, she swayed a bit in her chair, the feather in her small silk turban quivering with her agitation.
"It surely can’t be as unsafe as that, can it, Bertrand?" She leant across the table to peer at her husband through eyes gone nearsighted from long hours over her embroidery frame.
"After all, if dear Edouard is willing to take responsibility for the girls…"
"Edouard will take very good care of us, I’m sure, Aunt Prudence! If you’ll just read his letter, you’ll see – ouch!" Jane had kicked her again.
”
”
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
“
Mother, listen to me. Now's your chance, do you hear? I know that when I start to talk about what I really think and want and believe, something comes over you, some terrible fit of impatience, so that your knees twitch and you can't even sit still long enough to hear what I have to say. You listen to other people. Anybody but your own daughter you have all the patience in the world with. I've watched you. You know just what to say and what not to say. With everybody but me you're wonderful. I wish I had a mirror. I wish I could show you what you look like right now, your face flushed and set, and that expression of grim endurance. Why do you have to endure your own daughter? I get furious at you but I don't endure you. What is it you want me to be? Do you want me to be domestic, like Cousin Martha, and worry about meals and whether the cook is in a bad temper and whether my husband is looking at some other woman? I haven't any husband to be jealous of, and I haven't any house, either. So I can't very well be domestic, can I? Or worry about the temper of the cook who doesn't exist? Do you want me to be afraid of you the way the Beach girls are afraid of their mother, so that when you're around all the life and hope goes out of me, and everybody thinks what a pity it is that such a charming delightful woman should have a dull daughter? Well I won't be dull for anybody, not even you. I'm not dull so why should I pretend to be? Or easy going, or self-controlled or anything else...What you are thinking now I know. I can read it in your face. We've been over this a thousand times, you're saying, so why do we have to go over it again? But we haven't been over it a thousand times. I've never really talked to you the way I'm talking now, never in my whole life. Always before I've spared you, spared your feelings, and this time I'm not going to. I don't see any reason to spare your feelings. You're a grown woman and you had enough courage to leave my father and to come back to him, which I wouldn't have been able to do. I'd have died first.
”
”
William Maxwell (Time Will Darken It)
“
When one experiences a profound setback in the course of an enviable life, one has a variety of options. Spurred by shame, one may attempt to hide all evidence of the change in one’s circumstances. Thus, the merchant who gambles away his savings will hold on to his finer suits until they fray, and tell anecdotes from the halls of the private clubs where his membership has long since lapsed. In a state of self-pity, one may retreat from the world in which one has been blessed to live. Thus, the long-suffering husband, finally disgraced by his wife in society, may be the one who leaves his home in exchange for a small, dark apartment on the other side of town. Or, like the Count and Anna, one may simply join the Confederacy of the Humbled. Like the Freemasons, the Confederacy of the Humbled is a close-knit brotherhood whose members travel with no outward markings, but who know each other at a glance. For having fallen suddenly from grace, those in the Confederacy share a certain perspective. Knowing beauty, influence, fame, and privilege to be borrowed rather than bestowed, they are not easily impressed. They are not quick to envy or take offense. They certainly do not scour the papers in search of their own names.
”
”
Amor Towles (A Gentleman in Moscow)
“
While I was in the partisan unit, I received a letter from my husband by some miracle. This was such a joy, so unexpected, because for two years I had heard nothing from him. And then a plane dropped some food, ammunition…And the mail…And in the mail, in this canvas bag, there was a letter—for me. Then I wrote a letter to the Central Committee. I wrote that I would do anything so long as my husband and I were together.
We waited for the plane, it was nighttime and pitch-dark. And some sort of plane was circling over us, and then it dumped bombs on us. It was a Messerschmitt. The German had spotted our camp and circled back again. And at the same time our plane, a U-2, arrived and landed just by the fir tree where I was standing. The pilot barely landed and immediately began to take off again, because he saw that the German was circling back and would start shooting again. I took hold of the wing and shouted, “I must go to Moscow, I have permission.” He even swore: “Get in!” And we flew together, just the two of us.
I figured out from the postal code where my husband was fighting...
They said, “You know, it’s very dangerous where your husband is…” I sat there and wept, so he took pity on me and gave me the pass. “Go out to the highway,” he said. “There’ll be a traffic controller, he’ll tell you how to go.”
I arrive at the unit, everybody’s surprised, “Who are you?” they ask. I couldn’t say I was a wife.
I tell them—his sister. “Wait,” they tell me, “it’s a four-mile walk to the trenches.”
They told him that his sister had arrived. What sister? They say, “The redhead.” His sister had black hair. So he figured out at once what sister. I don’t know how he managed to crawl out of there, but he came soon, and he and I met. What joy…
Suddenly I see the superiors coming to the dugout: the major, the colonel. Everybody shakes my hand. Then we sat down and drank, and each of them said something about a wife finding her husband in the trenches. That’s a real wife!
The next day my husband was wounded, badly wounded. We ran together, we waded together through some swamp, we crawled together. The machine guns kept rattling, and we kept crawling, and he got wounded in the hip. With an exploding bullet, and try bandaging that—it was in the buttock. It was all torn open, and mud and dirt all over. We were encircled and tried to break out. There was nowhere to take the wounded, and there were no medications. When we did break through, I took my husband to the hospital.
I buried him on January 1, and thirty-eight days later I gave birth to a son.
”
”
Svetlana Alexievich (War's Unwomanly Face)
“
I have produced no children of my own and my husband is dead,” she replied, an acid tone in her voice. “Thus I am more to be pitied than revered. I am expected to give up the shop to my nephew, who will then be able to afford to bring a very good wife from Pakistan. In exchange, I will be given houseroom and, no doubt, the honor of taking care of several small children of other family members.
”
”
Helen Simonson (Major Pettigrew's Last Stand)
“
There are moments in life where I wonder whether things can get worse. I'm on a plane, with my new husband, whose enthusiasm for this whole thing seems to be flagging, and it's in this deep moment of self-pity that I register–with absolute horror–that I've also just started my period.
I look down at my white jeans and stifle a sob...
”
”
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
“
Mum. No one is coming to collect the rubbish for a while yet. I doubt it’s the council’s first priority,’ said Sarah, hoping the sentiment about turning into your mother wasn’t true and pitying Mark, her husband, if it was. Sally sat in her rocking chair in the living room. She’d been up and ready for the day for a few hours. No silly weather system was about to change her routine,
”
”
Darryl Donaghue (A Journal of Sin (Sarah Gladstone, #1))
“
I--I mum thank you,Mr. Malory. " She slipped into the brogue without realizing it, half her mind on his touch, half on her increasing panic. "You've taken my mind off my worries for a spell, but dinna add to them now. It's a husband I'm needing, no' a lover, and you dinna qualify . . . more's the pity.
”
”
Johanna Lindsey
“
It was a great pity, he thought, that women of her class, unless they were artists or matriarchs like his grandmother - who was both - had so little scope for their own powerful energies that they were reduced to terrorising their servants, playing backgammon with each other and savaging their husbands.
”
”
John Spurling (The Ten Thousand Things)
“
Has the Second Coming come and I missed it? If so, I need to find a priest quickly.” Adara looked up from her food to find Corryn watching her from a short distance away. As always, Corryn was dressed as a bony man in a white tunic and brown leather breeches.
“Nay. Why do you ask?”
Corryn shrugged as she drew near to take a seat across the table from her. “You look as if it came and passed you by.” She pulled a piece of bread from the loaf on a wooden trencher near Adara’s elbow. “So what has happened to cause you to look so miserable?”
Sighing, Adara set down her knife. “I was merely trying to understand why it is that my husband runs from me as if I’m a leper.”
Corryn swallowed the bread she was chewing and gave her an arch stare. “Are you?”
“Nothing’s fallen from me yet.”
Corryn laughed as she reached to share Adara’s wine cup. “Men are ever woman’s bane. ’Tis a pity they look so delectable in armor, otherwise I would say good riddance and be gladly done with them.” Her outspokenness was startling to Adara, who would never speak of such things…Of course, she might think it, but she would never say such. Then again, Corryn spent a great deal of time in male company.
“Does Ioan know you think in this manner?”
“Ioan?” Corryn asked with a laugh. “He still thinks I’m ten-and-three in age. Would you believe he told the men that the reason they can’t ever let me see them naked is that I was once a prisoner in the Holy Land and that the Saracens…” She paused as if trying to think of a way to phrase her thoughts. “Well, please don’t be offended, but that my male member was cut off for spite and that if I saw any of theirs, it would either devastate me or cause me to go insane and kill them while they sleep. More like, Ioan would kill them while they slept, but he would blame me for it nonetheless.”
“Are you serious?”
“Aye. The man is most mad. He claims ’tis also the reason my voice is so high and unchanged.” She rolled her eyes as if even the merest thought of Ioan were too much to bear. “But let us return to your problem with Christian. I think you should tie him down until he learns not to flee from you anymore. From what I hear of our men, a lot of them like that.
”
”
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
“
We are all receiving Charity. There is something in each of us that cannot
be naturally loved. It is no one's fault if they do not so love it. Only the lovable can be naturally loved. You might as well ask people to like the taste of rotten bread or the sound of a mechanical drill. We can be forgiven, and pitied, and loved in spite of it, with Charity; no other way. All who have good parents, wives, husbands, or children, may be sure that at some times and perhaps at all times in respect of some one particular trait or habit they are receiving Charity, are loved not because they are lovable but because Love Himself is in those who love them.
”
”
null
“
my sacrifice or my pity, but my ego and my naked need. This is the only way you can wish to be loved. This is the only way I can want you to love me. If you married me now, I would become your whole existence. But I would not want you then. You would not want yourself—and so you would not love me long. To say ‘I love you’ one must know first how to say the ‘I.’ The kind of surrender I could have from you now would give me nothing but an empty hulk. If I demanded it, I’d destroy you. That’s why I won’t stop you. I’ll let you go to your husband. I don’t know how I’ll live through tonight, but I will. I want you whole, as I am, as you’ll remain in the battle you’ve chosen. A battle is never selfless.
”
”
Ayn Rand (The Fountainhead)
“
They are splendid young men,” Ellen said after her second glass of wine—or was it her third? “And I think having them around makes us all less lonely.” “Lonely,” Abby spat. “I got damned sick of being lonely. I’m not lonely now.” “Because of Mr. Belmont. He is an impressive specimen.” Abby grinned at her wineglass. “Quite, but so is your Mr. Windham.” Ellen shook her head, and the countryside beyond the balcony swished around in her vision. “He isn’t my Mr. Windham.” It really was an interesting effect. “I think I’m getting tipsy.” Abby nodded slowly. “One should, from time to time. Why isn’t he your Mr. Windham?” “He’s far above my touch. I’m a gardener, for pity’s sake, and he’s a wealthy young fellow who will no doubt want children.” Abby cocked her head. “You can still have children. You aren’t at your last prayers, Baroness.” “I never carried a child to term for Francis,” Ellen said, some of the pleasant haze evaporating, “and I am… not fit for one of Mr. Windham’s station.” Abby set her wine glass down. “What nonsense is this?” Ellen should have remained silent; she should have let the moment pass with some unremarkable platitude, but five years of platitudes and silence—or perhaps half a bottle of wine—overwhelmed good sense. “Oh, Abby, I’ve done things to be ashamed of, and they are such things as will not allow me to remarry. Ever.” “Did you murder your husband?” Abby asked, her tone indignant. “Did you hold up stagecoaches on the high toby? Perhaps you sold secrets to the Corsican?” “I did not murder my h-husband,” Ellen said, tears welling up again. “Oh, damn it all.” It was her worst, most scathing curse, and it hardly served to express one tenth of her misery. “What I did was worse than that, and I won’t speak of it. I’d like to be alone.” Abby rose and put her arms around Ellen, enveloping her in a cloud of sweet, flowery fragrance. “Whatever you think you did, it can be forgiven by those who love you. I know this, Ellen.” “I am not you,” Ellen said, her voice resolute. “I am me, and if I care for Mr. Windham, I will not involve him in my past.” “You’re involving him in your present, though.” Abby sat back, regarding Ellen levelly. “And likely in your future, as well, I hope.” “I should not,” Ellen said softly. “I should not, but you’re right, I have, and for the present I probably can’t help myself. He’ll tire of our dalliance, though, and then I’ll let him go, and all will be as it should be again.” “You
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
I marched along the familiar paths, hoping a fast stride would keep me warm. Part of me was enjoying the peaceful scenery while the other part pondered my newly altered circumstances. I never wallow in self-pity, for there is nothing to be gained by such indulgences, but I confess to feeling just a bit irritated.
“If only I’d had the good fortune to be a widow!” I muttered to myself crossly, kicking at a pebble in my path. Instead of a divorcée, that is to say. Quelle différence! My present circumstances would be much improved by my having lost my husband in some war, rather than by the shocking action of booting him from my life. It isn’t fair, but there we are.
”
”
Wendy Coles-Littlepage (Disfigured (Disfigured Series #1))
“
How soon is too soon to date? I heard about a woman in England who lost her husband and began dating his best friend four weeks later. People were shocked at how quickly her new romance started. Her mother-in-law cut off communication with her and many of her friends did too. "Blame me if you like," the woman said, "but grief hits people in different ways and I have no regrets." When you are widowed, people pity you and want your sorrow to end. But if you start dating, sometimes they judge you and think maybe your sorrow ended just a wee bit too soon. A childhood friend of mine who is now a rabbi told me that in the Jewish religion, mourning for a parent, child, or sibling is a year, but mourning for a spouse is just thirty days. "The rabbis wanted people to move forward," he said.
”
”
Sheryl Sandberg (Option B: Facing Adversity, Building Resilience, and Finding Joy)
“
What has my husband done to have such terrible charges brought upon him?" Whymark looked at her in disbelief — a disbelief that quickly turned to pity as he realized that she truly was ignorant of her husband's treasonous doings. "Did you not know?" he murmured, his eyes softening in sudden understanding. "Your husband was caught last night, engaged in the very act for which he has been charged. I am sorry to inform you, my lady, but the Marquess of Morninghall is the elusive Black Wolf.
”
”
Danelle Harmon (Wicked At Heart (Heroes of the Sea #5))
“
She had never seen him as more than a friend, and after she’d married, she and her husband had moved. At some point he heard that they died in pitiful straits and had hurried off to find Rose. She had been left to the care of a distant relative who didn’t want her. Sir Jasper had scooped up little Rose and made her his own. She became the daughter of his heart.
”
”
Claudy Conn (Disorderly Lady)
“
The writer encountered a Muslim woman once in a narrow street of a predominantly Hindu town, in the quarter inhabited by moneylenders. The feeling he had was that she was coming in search of a loan. She wore the burkha, that unhygienic head-to-toe covering that turns a woman into a walking symbol of inefficient civic refuse collection and leaves you without even an impression of her eyes behind the slits she watches the gay world through, tempted but not tempting; a garment in all probability inflaming to her passions but chilling to her expectations of having them satisfied. Pity her for the titillation she must suffer. After she had passed there was a smell of Chanel No. 5, which suggested that she needed money because she liked expensive things. Perhaps she had a rebellious spirit, or laboured under a confusion of ideas and intentions. On the other hand she may merely have been submissive to her husband, drenching herself for his private delight with a scent she did not realize was also one of public invitation – and passed that day through the street of the moneylenders only because it was a short cut to the mosque. It was a Friday, and it is written in the Koran: ‘Believers, when the call is made for prayer on Friday, hasten to the remembrance of Allah and leave off all business. That would be best for you, if you but knew it. Then, when the prayers are ended, disperse and go in quest of Allah’s bounty.’ Perhaps, when the service was over, it was her intention to return by the way she had come.
”
”
Paul Scott (The Day of the Scorpion (The Raj Quartet, #2))