Pines Sunset Quotes

It was November--the month of crimson sunsets, parting birds, deep, sad hymns of the sea, passionate wind-songs in the pines. Anne roamed through the pineland alleys in the park and, as she said, let that great sweeping wind blow the fogs out of her soul.

This land, although not my native land, Will be remembered forever. And the sea's lightly iced, Unsalty water. The sand on the bottom is whiter than chalk, The air is heady, like wine, And the rosy body of the pines Is naked in the sunset hour. And the sunset itself on such waves of ether That I just can't comprehend Whether it is the end of the day, the end of the world, Or the mystery of mysteries in me again.

It was November—the month of crimson sunsets, parting birds, deep, sad hymns of the sea, passionate wind-songs in the pines.

November--with uncanny witchery in its changed trees. With murky red sunsets flaming in smoky crimson behind the westering hills. With dear days when the austere woods were beautiful and gracious in a dignified serenity of folded hands and closed eyes--days full of a fine, pale sunshine that sifted through the late, leafless gold of the juniper-trees and glimmered among the grey beeches, lighting up evergreen banks of moss and washing the colonnades of the pines. Days with a high-sprung sky of flawless turquoise. Days when an exquisite melancholy seemed to hang over the landscape and dream about the lake. But days, too, of the wild blackness of great autumn storms, followed by dank, wet, streaming nights when there was witch-laughter in the pines and fitful moans among the mainland trees. What cared they? Old Tom had built his roof well, and his chimney drew.

A pity it is evening, yet I do love the water of this spring seeing how clear it is, how clean; rays of sunset gleam on it, lighting up its ripples, making it one with those who travel the roads; I turn and face the moon; sing it a song, then listen to the sound of the wind amongst the pines.

The faint laughter of winds was always about them and the colors of Mistawis, imperial and spiritual, under the changing clouds, were something that cannot be expressed in mere words. Shadows, too. Clustering in the pines until a wind shook them out and pursued them over Mistawis. They lay all day along the shores, threaded by ferns and wild blossoms. They stole around the headlands in the glow of the sunset, until twilight wove them all into one great web of dusk.

...the woods, when they give at all, give unstintedly, and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship.

Imagine a place where time is counted by ticks and tocks, but space is measured in sunset Imagine a place where each turn takes you home. Imagine a place where the tang of pine Meets the salt of sea where adventure finds a waiting heart Imagine a place where words shelter you ideas uphold you,and thought lead you to the secret inside the labyrinth ... Imagine a place where castle and cloud Shift from square to square and the world lies in the winner's hand Imagine a place where the sigh of waves spill from your suitcase and drift into your dreams Imagine....here

The long, green, seaward-looking glen was filled with dusk, and beyond it were meadows of sunset. The harbour was radiant, purple here, azure there, opal elsewhere. The maple grove was beginning to be misty green. Rilla looked about her with wistful eyes. Who said that spring was the joy of the year? It was the heart-break of the year. And the pale-purply mornings and the daffodil stars and the wind in the old pine were so many separate pangs of the heart-break. Would life ever be free from dread again?

I remember a hundred lovely lakes, and recall the fragrant breath of pine and fir and cedar and poplar trees. The trail has strung upon it, as upon a thread of silk, opalescent dawns and saffron sunsets. It has given me blessed release from care and worry and the troubled thinking of our modern day. It has been a return to the primitive and the peaceful. Whenever the pressure of our complex city life thins my blood and benumbs my brain, I seek relief in the trail; and when I hear the coyote wailing to the yellow dawn, my cares fall from me - I am happy. ~Hamlin Garland, McClure's, February 1899

Following Someone is always falling in love with you: men and women, infants and children, octogenarians and adolescents. A tenant of heaven-haven on the pearly doorstep hopes you will wave your hand in passing. Where you stood just now a white bird has flown into a ponderosa pine and a black bee hovers in a bush of yellow flowers. People would like to discuss you, but hold back. Mystery is a fragile substance, too easy to tear. Several persons, however, have noticed that you are followed not by the usual shadow but by a shaft of sunlight. Even on a day of fog or light rain. Even after sunset. When you are not present, you still walk quietly through our minds, and we tell ourselves little stories or small poems about you, like this one. When a bird sings, we listen carefully hoping your name will be mentioned.

All love is alike, knowing no season, sun, or clime, but that damn sun does represent lovers’ ever-changing time. Why does it rise to show lovers nothing lasts? Does it not see those lovers and think, ‘I can eclipse and darken them with a wink. I could kill all love by rising and sending them to their forlorn pasts. I can make them for each other pine, and wait and wait as I rise and set. HA! Buffoons, they are all mine. And every time I shine they owe me a debt.

Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.

The woods are so human," wrote John Foster, "that to know them one must live with them. An occasional saunter through them, keeping to the well-trodden paths, will never admit us to their intimacy. If we wish to be friends we must seek them out and win them by frequent, reverent visits at all hours; by morning, by noon, and by night; and at all seasons, in spring, in summer, in autumn, in winter. Otherwise we can never really know them and any pretence we may make to the contrary will never impose on them. They have their own effective way of keeping aliens at a distance and shutting their hearts to mere casual sightseers. It is of no use to seek the woods from any motive except sheer love of them; they will find us out at once and hide all their sweet, old-world secrets from us. But if they know we come to them because we love them they will be very kind to us and give us such treasures of beauty and delight as are not bought or sold in any market-place. For the woods, when they give at all, give unstintedly and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship.

And now for me, faith is less of a brick edifice of belief and doctrine and right answers than it is a wide-open sky ringed with pine trees black against a cold sunset, an altar, a welcome, bread and wine, an unfathomably ferocious love, and a profound sense of my belovedness.

I do not find myself beguiled, let alone enchanted by mortal man or woman with their pretense, show or adornments, yet when I’m alone in the pine-scented cloak of forested mountains, I’m both. It was nearing sunset in the treasure state with not another soul in sight and despite my own plainness and insignificance, I never felt more grounded or at peace; it’s a tranquility only the curvaceous, imposing landscape of the frontier can provide and I was free of the trepidation within my thoughts as I gratefully and prayerfully walked with God. All was well within me and around me for that blissful yet brief moment in time.

Also may your way be plain, that you not stray from the true path              /A And while you complete your journey together to the Pine Forest              /A May the days be of greater length and the nights pass quickly              /A May you always have clothes to wear, and your pace never falter              /A After sunset, may you always find a place to camp for the night              /A And may you have protection from all predators of the twilight              /A And may Shamash preserve you on your way to the Pine Forest              /A[16] Whether it be a month or ten months, a year or even ten years.”              /A

Whispering Pines, Palmetto Groves, Majestic Manor, Golden Gables, Century Village, Martin Downs, Sunburn Acres, Twin Beavers, or Sunset Farts. Who gives a shit? It’s the same old Florida crap. However these places get named, rest assured, the more lyrical the moniker, the more of a sunblasted, cookie-cutter nightmare the place will be.

In late August and early September, just after the first fall rain, hundreds of male tarantulas emerge from holes in the ground. They skitter through mint-scented mountain sage in search of burrows delicately draped in silk, where females are ready to mate. Visitors armed with flashlights flock to the mountain around sunset or just after dark, the best time to see the tarantulas. Bats wheel over gray pines and live oaks. Great horned owls hoot solemnly. Beams from flashlights weaving across trails sometimes catch a piece of earth that’s moving; closer inspection reveals the scuttling of saucer-size tarantulas. The male tarantulas never return to their holes. They mate as much as they can and then die, from starvation or cold.

There will be thunder then. Remember me. Say "She asked for storms." The entire world will turn the colour of crimson stone, and your heart, as then, will turn to fire. That day, in Moscow, a true prophecy, when for the last time I say goodbye, soaring to the heavens that I longed to see, leaving mI haven't locked the door, Nor lit the candles, You don't know, don't care, That tired I haven't the strength To decide to go to bed. Seeing the fields fade in The sunset murk of pine-needles, And to know all is lost, That life is a cursed hell: I've got drunk On your voice in the doorway. I was sure you'd come back.

Yet when, one day, standing on the outskirts of Yokohama town, bristling with its display of modern miscellanies, I watched the sunset in your southern sea, and saw its peace and majesty among your pine-clad hills,—with the great Fujiyama growing faint against the golden horizon, like a god overcome with his own radiance,—the music of eternity welled up through the evening silence, and I felt that the sky and the earth and the lyrics of the dawn and the dayfall are with the poets and idealists, and not with the marketmen robustly contemptuous of all sentiment,—that, after the forgetfulness of his own divinity, man will remember again that heaven is always in touch with his world, which can never be abandoned for good to the hounding wolves of the modern era, scenting human blood and howling to the skies.

I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-

They stepped out of the trees, which opened onto a large meadow that appeared to be in the middle of a mountain range, large boulders scattered around like a giant had dropped them like seeds. Bernie dashed between them, kicking up snow and leaving a twisty trail of tracks. The nearest boulder stood right next to them, taller than Jack. Most of the sides were straight, but the one facing the mountains had a seat carved out of it. Astra imagined some ancestor had created it as a convenient place to rest. On the horizon, the sun glowed orange in the space between the low-hanging clouds and the mountaintops, covered in snow-topped pines. Astra was stunned into silence. There was no explanation for this. The faintest breeze kissed her cheek, the air scented with pine and newly fallen snow. Jack set his hands on her shoulders behind her, and she melted into him, sharing this moment. A sight he had surely seen a thousand times, but could it ever get old? "This is the most beautiful..." She couldn't find the words. "I know." They stood in silence until the sun completely disappeared and the night sky turned from orange and red to purple to a deep black only broken by more stars than Astra had ever seen.

FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.

Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.

If you never manage to watch the sunset over Torrey Pines, you’ve made a big mistake.

A buzzing comes across the sky. The red biplane rolls inward across the turquoise water, over a wispy pine isle with a scattering of sailboats close by. Fishing boats make froth lines as they enter the channel below. A windjammer heads out for a sunset cruise promising a marmalade sky. The buzz hardens and bursts into an immense whirling sound above the yachts and sport fishers at the marina docks—the plane now racing its elongated shadow over the waterfront restaurants and bars. A man on bicycle coming round by the schooner wharf looks up with the whoosh of the plane already over the tall palms and roof tin, disappearing now in a muted drone down toward the Southernmost.” From Chapter 1: An Unfinished Sunset

The sun had just laid the first orange slices on the horizon. It lit up the manicured grounds of the clubhouse on the rise, the rooftops of the condos in the distance, making the country club look a but like Disney World. Birdie had been to Disney World, but she’d never liked it. It didn’t feel like real life. The view was enough to make a person think that God was smiling on Horatio Balmeade. He would never have to worry about frost, unless it might kill his imported pine trees, which had no business being in Georgia in the first place. A person could assume that his club would never have any problems, that it would always be perfect, and that at some point it was inevitable it would swallow up the mess of the orchard. But Birdie saw it differently. She took it as a good omen that the sun, though it was shining on Horatio Balmeade and all of his glittering property, was the exact same color every morning. That is, it was the exact same color as peaches.

We’ve also bought three billboards, one over near the Bay Pines VA hospital, the other on I-75, north of the first Tampa exit, and the third on U.S. 19 in Clearwater.

With her hand tucked into his elbow, Rooke led Emeline down halls awash in the golden hues of sunset. Vases bordering the windows sprouted green pine boughs and branches of bright red sumac. As Emeline quickened her pace to match his long strides, the fabric of her dress whispered against the floor.

Furl your banners and hang you heads,” muttered the wind, “this is no time for tourney. Cast into my four arms those gaudy trappings, for what can cause you joy, O trees, at such a time as this?” “This rising Sun and the long bright bright day,” the beech cried out. “The setting Sun and the cool dark night,” the oak said quietly. “And the rain,” the pine murmured gratefully, “wit it’s gentle fingers finer than my needles.” The maple was silent. The wind spun around it’s rough gray trunk and sent a shower of gold into the sky. “O wind,” the maple said, “the side passage of the year from cold to heat, from growing to fruition, from birds nesting to their migrations, is joy enough for us. Let us celebrate it, O wind, before the snow lays it’s white fingers on us and bids us be silent for a time.” The maple spoke wistfully, golden leaves tumbling down the day at every word. “You speak of memories,” the wind went on. “I who have roamed the earth have seen suffering and cruelty and sorrow. You who stand so still in one place always must believe me.” “For you, O wind, perhaps it has been a year of sad revelation,” the beech said softly; “but for us it has been a year like all others—rising suns and waxing moons, rains and dews and storms, and the seasons marching in orderly procession around us.” “Ah,” the wind wailed, clutching at gold and scarlet and green, “how can you hold those banners high when evil still stalks the earth?” The trees quivered and were silent. The wind raged around them, and his fury brought down cascades of leaves, which he sent hurling over the dry ground. “We hold our banners high in faith, O wind,” the pine spoke out, lifting its voice so the wind would hear, “emblem for this brief moment of the pledge we have made. We have heard before of these things that you would tell us. The stars have told us many strange tales, and the moon has told us even stranger ones. But we must still be faithful.” “To what?” moaned the wind, annoyed that his words could not deter the trees from their galliard ways. “To the everlasting right at the heart of things,” replied the maple. “Evil has but a little day, O wind, and good has a thousand.” The banners were fading and falling, and the wind laughed to himself that the brave words of the trees must be as thin and fleeting. He stamped and reached high, swept over the ground and leapt aloft, while leaves fell in a gilded shower about him. Cheering at his triumph, he looked through bare branches to the sky, heavy with scudding clouds. Oak, maple, beech were silenced now. Dark trunks stood rooted in the earth, crossed boughs were held uplifted to the heavens. The pine swayed slowly, it’s heraldic blazon of sable and vert gleaming darkly. “Look higher, wind, than those bare boughs. Look wider.” The wind looked, and there, outlined against the sunset gold, on every twig tight buds were tipping: the crimson secret of the oak, the enscaled cradle of the maple, the little sheathed sword of the beech. “Faith, my friend,” the pine said in a whisper, “faith has the last word always.” The wind bowed low, low enough to kiss the leaves that swirled around him in a moment of ecstasy; then the wind went on his way down the archway of the year that was luminous with promise.

Whispering winds. They aren’t ghosts, in a true sense—more like spirits. You hear them in the breeze, you feel them in the bark of a pine, you see them in that sunset.” He now moved his finger in the direction of the fading light. “They call to you. Everyone hears them in their own way, though most never listen or recognize them.

I wrote it all down, because my thoughts are clouds / shifting in the wind, and I'm forgetting everything." - from "The Louhan Pine

No one loved him. His head burnt up lies and licentiousness in twilit rooms. The blue rustling of a woman's dress turned him into a pillar of stone and in the doorway stood the night-dark figure of his mother. Over his head reared the shadow of Evil. O, you nights and stars. At evening he walked by the mountain with the cripple; upon the icy summit lay the roseate gleam of sunset and his heart rang quietly in the twilight. The stormy pines sank heavily over them and the red huntsman stepped out of the forest. When night fell, his heart broke like crystal and darkness beat his brow. Beneath bare oak trees with icy hands he strangled a wild cat. At the right hand appeared the white form of an angel lamenting, and in the darkness the cripple's shadow grew. But he took up a stone and threw it at the man that he fled howling, and sighing the gentle countenance of the angel vanished in the shadow of the tree. Long he lay on the stony field and gazed astonished at the golden canopy of the stars. Pursued by bats he plunged into darkness. Breathless he stepped into the derelict house. In the courtyard he, a wild animal, drank from the blue waters of the well till he felt the chill. Feverish he sat on the icy steps, raging against God that he was dying. O, the grey countenance of terror, as he raised his round eyes over the slit throat of a dove. Hastening over strange stairways he encountered a Jewish girl and clutched at her black hair and he took her mouth. A hostile force followed him through gloomy streets and an iron clash rent his ear. By autumnal walls he, now an altar boy, quietly followed the silent priest; under arid trees in ecstasy he breathed the scarlet of that venerated garment. O, the derelict disc of the sun. Sweet torments consumed his flesh. In a deserted half-way house a bleeding figure appeared to him rigid with refuse. He loved the sublime works of stone more deeply; the tower which assails the starry blue firmament with fiendish grimace; the cool grave in which Man's fiery heart is preserved. Woe to the unspeakable guilt which declares all this. But since he walked down along the autumn river pondering glowing things beneath bare trees, a flaming demon in a mantle of hair appeared to him, his sister. On awakening, the stars about their heads went out.

Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.

This beast that puffed smoke and spat fire and shrieked like a devil of an alien tribe; that split the silence as hideously as the long track split the once smooth plain; that was made of iron and wood; this thing of the white man’s, coming from out of the distance where the Great Spirit lifted the dawn, meant the end of the hunting-grounds and the doom of the Indian. Blood had flowed; many warriors lay in their last sleep under the trees; but the iron monster that belched fire had gone only to return again. Those white men were many as the needles of the pines. They fought and died, but always others came. The chief was old and wise, taught by sage and star and mountain and wind and the loneliness of the prairie-land. He recognized a superior race, but not a nobler one. White men would glut the treasures of water and earth. The Indian had been born to hunt his meat, to repel his red foes, to watch the clouds and serve his gods. But these white men would come like a great flight of grasshoppers to cover the length and breadth of the prairie-land. The buffalo would roll away, like a dust-cloud, in the distance, and never return. No meat for the Indian — no grass for his mustang — no place for his home. The Sioux must fight till he died or be driven back into waste places where grief and hardship would end him. Red and dusky, the sun was setting beyond the desert. The old chief swept aloft his arm, and then in his acceptance of the inevitable bitterness he stood in magnificent austerity, somber as death, seeing in this railroad train creeping, fading into the ruddy sunset, a symbol of the destiny of the Indian — vanishing — vanishing — vanishing —

Taking this enthusiastic exhortation as a model, here we see the divine endorsement of sensible pleasures, that is, things that we enjoy through our bodily senses. Things we see-the brilliant purples, reds, and oranges of a sunset; the diamond blanket of stars arrayed every night; the panoramic glory of a fertile valley seen from the top of a mountain; the majesty of a well-cultivated garden in early summer. Things we hear-the steady crashing of waves on a shoreline; the songs of birds in early spring after the long silence of winter; the soul-stirring harmony of strings, woodwinds, brass, and percussion; the innocent refreshment of laughter of children. Things we smell-the fragrance of roses, the aroma of pine, the delightful odor of cedar, the scene of a home cooked meal. Things we taste-the warm sweetness of chocolate chip cookies, the puckering sour of a glass of lemonade, the heavenly savoriness of a plate piled high with bacon, the surprising ye delightful bitterness of herbs, the piercing saltiness of well-seasoned meat. And things we touch-the cool smoothness of cotton bedsheets, the warm comfort of a wool blanket, the reassuring strength of a hug from a friend, the soft tenderness of a kiss from your spouse. All of these are gifts from God for our enjoyment.

The truth is that this Life is a miracle, every moment you are alive is a miracle…the sunrise, the sunset, the dew drop, the moon, the stars, the birds chirping…every thing, and everyone, around you is a miracle. But you miss these everyday miracles because you are steeped in grief, in pining for what is over, what is dead and isn’t there or you are gripped by anxiety and fear, worrying about the unborn future, about what is still to arrive. You are so consumed by imagining that your Life is one endless saga of problems that you don’t see the magic and beauty of your Life, of your miracles. In fact, this human form you have is a miracle; despite your frailties, your circumstances and your vulnerabilities, “you are the miracle you seek”!

They unpacked the fresh vegetables that they'd picked up at Gelson's and fell into their well-practiced teamwork, slicing the vegetables and throwing them onto the patio grill. Grace manned the tongs, but she could barely focus on the food, the sunset tonight was so spectacular. Within minutes, Ken arranged the vegetables over a bed of greens on a board, and, with a drizzle of dressing, a sprinkling of crumbled organic goat cheese, and a handful of pine nuts, dinner was ready. Ken could always make the simplest setting look photo shoot-ready. "This salad is guaranteed to pull you out of that pity party. It's so fresh and good for you, you can eat it without any guilt whatsoever.

Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.

The sand on the bottom is whiter than chalk, The air is heady, like wine, And the rosy body of the pines Is naked in the sunset hour.

Yes, I’d come here for the fresh start and perhaps to bond with a male who was my blood and who did, in fact, care about me. But perhaps my wolf led me here for other reasons too. Or for one very specific reason. When I’d stood on my uncle’s porch for the first time, I’d taken everything in, inhaling deep, filling my chest with the sounds and scents of the summer in the Deep South. A golden sunset, the buzzing of cicadas, the call of a crow in the pine trees along the back of the house. Something resonated with me, a rightness I couldn’t exactly put my finger on, but one that I felt down to my bones. It was like Uncle Shane had told me. I was home. And a few days later, I was working in the garage, scenting her on the wind, seeing her standing there in a halo of sunlight. Like the universe had literally dragged me here for that moment, to see her, to know, to recognize who she was to me the second I laid eyes on her. My beautiful, radiant mate.