Pine Tree Quotes

Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.

Christmas can be celebrated in the school room with pine trees, tinsel and reindeers, but there must be no mention of the man whose birthday is being celebrated. One wonders how a teacher would answer if a student asked why it was called Christmas.

I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they wont' just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...

Thalia had been turned into a pine tree when she was 12. Me... well, i was doing my best not to follow her example. I had nightmares about what Poseidon might turn me into if i were ever in the verge of death—plankton, maybe. Or a floating patch of kelp.

High high in the hills , high in a pine tree bed. She's tracing the wind with that old hand, counting the clouds with that old chant, Three geese in a flock one flew east one flew west one flew over the cuckoo's nest

Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The wind was moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!

I have lots of things to teach you now, in case we ever meet, concerning the message that was transmitted to me under a pine tree in North Carolina on a cold winter moonlit night. It said that Nothing Ever Happened, so don't worry. It's all like a dream. Everything is ecstasy, inside. We just don't know it because of our thinking-minds. But in our true blissful essence of mind is known that everything is alright forever and forever and forever. Close your eyes, let your hands and nerve-ends drop, stop breathing for 3 seconds, listen to the silence inside the illusion of the world, and you will remember the lesson you forgot, which was taught in immense milky way soft cloud innumerable worlds long ago and not even at all. It is all one vast awakened thing. I call it the golden eternity. It is perfect. We were never really born, we will never really die. It has nothing to do with the imaginary idea of a personal self, other selves, many selves everywhere: Self is only an idea, a mortal idea. That which passes into everything is one thing. It's a dream already ended. There's nothing to be afraid of and nothing to be glad about. I know this from staring at mountains months on end. They never show any expression, they are like empty space. Do you think the emptiness of space will ever crumble away? Mountains will crumble, but the emptiness of space, which is the one universal essence of mind, the vast awakenerhood, empty and awake, will never crumble away because it was never born.

Santa Claus has nothing to do with it," the latke said. "Christmas and Hanukah are completely different things." "But different things can often blend together," said the pine tree. "Let me tell you a funny story about pagan rituals.

There was nothing between the ranch and the nearest town except a windy, two-lane mountain road edged with pine trees, meadows, cliffs and boulders. No Dairy Queen, no Circle K, nothing.

Every creature is better alive than dead, men and moose and pine trees, and he who understands it aright will rather preserve its life than destroy it.

We are made up of the same atoms and the same light signals as are exchanged between pine trees in the mountains and stars in the galaxies.

Barter Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children's faces looking up Holding wonder like a cup. Life has loveliness to sell, Music like a curve of gold, Scent of pine trees in the rain, Eyes that love you, arms that hold, And for your spirit's still delight, Holy thoughts that star the night. Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstasy Give all you have been, or could be.

I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I’ll drift about forever, all my atoms, till I find you again… I’ll be looking for you, every moment, every single moment. And when we do find each other again, we’ll cling together so tight that nothing and no one’ll ever tear us apart. Every atom of me and every atom of you… We’ll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams… And when they use our atoms to make new lives, they won’t just be able to take one, they’ll have to take two, one of you and one of me, we’ll be joined so tight…

Amor" So many days, oh so many days seeing you so tangible and so close, how do I pay, with what do I pay? The bloodthirsty spring has awakened in the woods. The foxes start from their earths, the serpents drink the dew, and I go with you in the leaves between the pines and the silence, asking myself how and when I will have to pay for my luck. Of everything I have seen, it's you I want to go on seeing: of everything I've touched, it's your flesh I want to go on touching. I love your orange laughter. I am moved by the sight of you sleeping. What am I to do, love, loved one? I don't know how others love or how people loved in the past. I live, watching you, loving you. Being in love is my nature. You please me more each afternoon. Where is she? I keep on asking if your eyes disappear. How long she's taking! I think, and I'm hurt. I feel poor, foolish and sad, and you arrive and you are lightning glancing off the peach trees. That's why I love you and yet not why. There are so many reasons, and yet so few, for love has to be so, involving and general, particular and terrifying, joyful and grieving, flowering like the stars, and measureless as a kiss. That's why I love you and yet not why. There are so many reasons, and yet so few, for love has to be so, involving and general, particular and terrifying, joyful and grieving, flowering like the stars, and measureless as a kiss.

Pine trees with low limbs spread over fresh snow made a stronger vault for the spirit than pews and pulpits ever could.

And when my body shall cease, my soul will still be yours, Claire? I swear by my hope of heaven, I will not be parted from you." The wind stirred the leaves of the chestnut trees nearby, and the scents of late summer rose up rich around us; pine and grass and strawberries, sun-warmed stone and cool water, and the sharp, musky smell of his body next to mine. "Nothing is lost, Sassenach; only changed." "That's the first law of thermodynamics," I said, wiping my nose. "No," he said. "That's faith.

Green pine trees, cranes and turtles ... You must tell a story of your hard times And laugh twice.

I would say that there exist a thousand unbreakable links between each of us and everything else, and that our dignity and our chances are one. The farthest star and the mud at our feet are a family; and there is no decency or sense in honoring one thing, or a few things, and then closing the list. The pine tree, the leopard, the Platte River, and ourselves - we are at risk together, or we are on our way to a sustainable world together. We are each other's destiny.

I don't know about you, but I'm kind of fed up with realism. After all, there's enough reality already; why make more of it? Why not leave realism for the memoirs of drug addicts, the histories of salt, the biographies of porn stars? Why must we continue to read about the travails of divorced people or mildly depressed Canadians when we could be contemplating the shopping habits of zombies, or the difficulties that ensue when living and dead people marry each other? We should be demanding more stories about faery handbags and pyjamas inscribed with the diaries of strange women. We should not rest until someone writes about a television show that features the Free People's World-Tree Library, with its elaborate waterfalls and Forbidden Books and Pirate-Magicians. We should be pining for a house haunted by rabbits. (from the review of Kelly Link's Magic for Beginners in The Guardian)

Thalia had gotten herself turned into a pine tree when she was twelve. Me ... Well, I was doing my best not to follow her example. I had nightmares about what Poseidon might turn me into if I were ever on the verge of death--plankton, maybe. Or a floating patch of kelp.

Life. This morning the sun made me adore it. It had, behind the dripping pine trees, the oriental brightness, orange and crimson, of a living being, a rose and an apple, in the physical and ideal fusion of a true and daily paradise.

And the needles of the pine trees, freshly washed to a deep, rich green, shimmered with droplets that blinked like clear crystals.

I imagine what it must be like to stay hidden, disappear in the dusky nothing and stay still in the night. It’s not sadness, though it may sound like it. I’m thinking about people and trees and how I wish I could be silent more, be more tree than anything else, less clumsy and loud, less crow, more cool white pine, and how it’s hard not to always want something else, not just to let the savage grass grow.

...freshly cut Christmas trees smelling of stars and snow and pine resin - inhale deeply and fill your soul with wintry night...

A pine tree standeth lonely In the North on an upland bare; It standeth whitely shrouded With snow, and sleepeth there. It dreameth of a Palm tree Which far in the East alone, In the mournful silence standeth On its ridge of burning stone.

The poet dreams of the mountain Sometimes I grow weary of the days, with all their fits and starts. I want to climb some old gray mountains, slowly, taking The rest of my lifetime to do it, resting often, sleeping Under the pines or, above them, on the unclothed rocks. I want to see how many stars are still in the sky That we have smothered for years now, a century at least. I want to look back at everything, forgiving it all, And peaceful, knowing the last thing there is to know. All that urgency! Not what the earth is about! How silent the trees, their poetry being of themselves only. I want to take slow steps, and think appropriate thoughts. In ten thousand years, maybe, a piece of the mountain will fall.

Except that wasn't all. The real fun began when a kite was cut. That was where the kite runners came in, those kids who chased the windblown kite drifting through the neighborhoods until it came spiraling down in a field, dropping in someone's yard, on a tree or a rooftop. The chase got pretty fierce; hordes of kite runners swarmed the streets, shoved past each other like those people from Spain I'd read about once, the ones who ran from the bulls. One year a neighborhood kid climbed a pine tree for a kite. A branch snapped under his weight and he fell thirty feet. Broke his back and never walked again. But he fell with the kite still in his hands. And when a kite runner has his hands on a kite, no one could take it from him. That wasn't a rule. That was a custom.

Utterance" Sitting over words Very late I have heard a kind of whispered sighing Not far Like a night wind in pines or like the sea in the dark The echo of everything that has ever Been spoken Still spinning its one syllable Between the earth and silence

As a child, we put up our live piñon pine tree we’d cut down from our ranch around December 10th. As a family, we hunted for deer in October, walking the canyons and eyeing any future Christmas tree—big for me, my brother, and my dad; small for my mom—and scoping them out.

It's quiet in the car, in a good way for once. No words, no music. Silence seems right. I roll down the windows and lean my head against the door frame, listening to the wind rush by and smelling the pine trees. I watch the stars materialize, like someone is dimming the switch on the night sky so each shining dot grows brighter and brighter.

Acts of creation are ordinarily reserved for gods and poets, but humbler folk may circumvent this restriction if they know how. To plant a pine, for example, one need be neither god nor poet; one need only own a shovel. By virtue of this curious loophole in the rules, any clodhopper may say: Let there be a tree - and there will be one.

Look lak we done run our conversation from grass roots tuh pine trees.

Every child should have mud pies, grasshoppers, water bugs, tadpoles, frogs, mud turtles, elderberries, wild strawberries, acorns, chestnuts, trees to climb. Brooks to wade, water lilies, woodchucks, bats, bees, butterflies, various animals to pet, hayfields, pine-cones, rocks to roll, sand, snakes, huckleberries and hornets; and any child who has been deprived of these has been deprived of the best part of education.

That is the way Emerson said it. But here is the way a poet -the late Douglas Mallochsaid it: If you can't be a pine on the top of the hill. Be a scrub in the valley-but be The best little scrub by the side of the rill; Be a bush, if you can't be a tree. If you can't be a bush, be a bit of the grass. If you can't be a muskie, then just be a bass- But the liveliest bass in the lake! We can't all be captains, we've got to be crew. There's something for all of us here. There's big work to do and there's lesser to do And the task we must do is the near. If you can't be a highway, then just be a trail, If you can't be the sun, be a star; It isn't by the size that you win or you fail- Be the best of whatever you are!

Late in August the lure of the mountains becomes irresistible. Seared by the everlasting sunfire, I want to see running water again, embrace a pine tree, cut my initials in the bark of an aspen, get bit by a mosquito, see a mountain bluebird, find a big blue columbine, get lost in the firs, hike above timberline, sunbathe on snow and eat some ice, climb the rocks and stand in the wind at the top of the world on the peak of Tukuhnikivats.

In a pine tree, A few yards away from my window sill, A brilliant blue jay is springing up and down, up and down, On a branch. I laugh, as I see him abandon himself To entire delight, for he knows as well as I do That the branch will not break.

Far over the Misty Mountains cold, To dungeons deep and caverns old, We must away, ere break of day, To seek our pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells, In places deep, where dark things sleep, In hollow halls beneath the fells. The pines were roaring on the heights, The wind was moaning in the night, The fire was red, it flaming spread, The trees like torches blazed with light.

Smoking cheap Spanish filthy sock-tobacco under a pine tree was so much better than trying to hold it together on escalators. There was something comforting about being literally lost when I was lost in every other way...

If Sam were a tree, you know what kind of tree he’d be?” “What kind?” “A pine. Because of all the pining.

Far away beyond the pine-woods,' he answered, in a low dreamy voice, 'there is a little garden. There the grass grows long and deep, there are the great white stars of the hemlock flower, there the nightingale sings all night long. All night long he sings, and the cold, crystal moon looks down, and the yew-tree spreads out its giant arms over the sleepers.

Unsettled, a bird lost from the flock -- Keeps flying by itself in the dusk. Back and forth, it has no resting place, Night after night, more anguished its cries. Its shrill sound yearns for the pure and distant -- Coming from afar, how anxiously it flutters! It chances to find a pine tree growing all apart; Folding its wings, it has come home at last. In the gusty wind there is no dense growth; This canopy alone does not decay. Having found a perch to roost on, In a thousand years it will not depart.

November--with uncanny witchery in its changed trees. With murky red sunsets flaming in smoky crimson behind the westering hills. With dear days when the austere woods were beautiful and gracious in a dignified serenity of folded hands and closed eyes--days full of a fine, pale sunshine that sifted through the late, leafless gold of the juniper-trees and glimmered among the grey beeches, lighting up evergreen banks of moss and washing the colonnades of the pines. Days with a high-sprung sky of flawless turquoise. Days when an exquisite melancholy seemed to hang over the landscape and dream about the lake. But days, too, of the wild blackness of great autumn storms, followed by dank, wet, streaming nights when there was witch-laughter in the pines and fitful moans among the mainland trees. What cared they? Old Tom had built his roof well, and his chimney drew.

The crow cawed again overhead, and a strong sea wind came in and burst through the trees, making the green pine needles shake themselves all over the place. That sound always gave me goose bumps, the good kind. It was the sound an orphan governess hears in a book,before a mad woman sets the bed curtains on fire.

The autumn leaves, arranged in two or three scarlet terraces among the pine-trees, have fallen like ancient dreams.

A traditional New Mexico Christmas differs from the rest of the world with four amazing traditions: tamales, bisochitos, empanadas, and luminarias. The first three Mexican specialties add delicious flavor to any meal, and the last one lights up our towns!

She’s like…waking up on Christmas morning when you’re three years old and you finally understand what it’s all about. She’s the moment the rain stops and the sun comes out, lighting up the sky with color, and everything smells new and fresh. She’s the first skate on a frozen lake, surrounded by snowy mountains and pine trees and the freshest breath of air. She’s rolling over in the middle of the night, pulling that warm body into yours and curling around it, and everything’s just right.

I will love you for ever, whatever happens. Till I die and after I die, and when I find my way out of the land of the dead I'll drift about for ever, all my atoms, till I find you again... I'll be looking for you, Will, every moment, every single moment. And when we do find each other again we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...

Even from behind, I knew the seated man was Garth. I'd seen him in chair, saddle, and by a campfire. I'd known him running with his hounds, grooming his horses, leaning back to look at the stars from the branches of a pine tree, hunched with concentration whittling a doll, carrying Alice through a storm, and even sparring with a dragon. A woman will know a man from all sides after that.

A woman sits on the ground, leaning against a pine. Its bark presses hard against her back, as hard as life. Its needles scent the air and a force hums in the heart of the wood. Her ears tune down to the lowest frequencies. The tree is saying things, in words before words.

He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. He only says, "Good fences make good neighbors.

Can you hear the dreams crackling like a campfire? Can you hear the dreams sweeping through the pine trees and tipis? Can you hear the dreams laughing in the sawdust? Can you hear the dreams shaking just a little bit as the day grows long? Can you hear the dreams putting on a good jacket that smells of fry bread and sweet smoke? Can you hear the dreams stay up late and talk so many stories?

ANDRÉ: . . . And when I was at Findhorn I met this extraordinary English tree expert who had devoted himself to saving trees, and he’d just got back from Washington lobbying to save the Redwoods. And he was eighty-four years old, and he always travels with a backpack because he never knows where he’s going to be tomorrow. And when I met him at Findhorn he said to me, “Where are you from?” And I said, “New York.” And he said, “Ah, New York, yes, that’s a very interesting place. Do you know a lot of New Yorkers who keep talking about the fact that they want to leave, but never do?” And I said, “Oh, yes.” And he said, “Why do you think they don’t leave?” And I gave him different banal theories. And he said, “Oh, I don’t think it’s that way at all.” He said, “I think that New York is the new model for the new concentration camp, where the camp has been built by the inmates themselves, and the inmates are the guards, and they have this pride in this thing that they’ve built—they’ve built their own prison—and so they exist in a state of schizophrenia where they are both guards and prisoners. And as a result they no longer have—having been lobotomized—the capacity to leave the prison they’ve made or even to see it as a prison.” And then he went into his pocket, and he took out a seed for a tree, and he said, “This is a pine tree.” And he put it in my hand. And he said, “Escape before it’s too late.

When I Am Among the Trees" When I am among the trees, especially the willows and the honey locust, equally the beech, the oaks and the pines, they give off such hints of gladness. I would almost say that they save me, and daily. I am so distant from the hope of myself, in which I have goodness, and discernment, and never hurry through the world but walk slowly, and bow often. Around me the trees stir in their leaves and call out, “Stay awhile.” The light flows from their branches. And they call again, “It’s simple,” they say, “and you too have come into the world to do this, to go easy, to be filled with light, and to shine.

One hand planted on the top rail, slick from a recent rain, I swung my legs sideways, up and over. Home free. Until my bottom foot clipped the post, and I spun as if caught in a crocodile’s death roll. Good news? The spongy forest floor cushioned my fall. Bad news? Momentum slammed my torso into a tree trunk. Couldn’t breathe. But good news again. I’d rolled under a fat, bushy pine, which, along with the fading twilight, concealed my position. I heard the beast fly overhead in pursuit, taking out a few treetops on its way by. Yeah, that was my plan all along. Man, I’m good. Except my body. It hurt.

Do not think I do not realise what I am doing. I am making a composition using the following elements: the winter beach; the winter moon; the ocean; the women; the pine trees; the riders; the driftwood; the shells; the shapes of darkness and the shapes of water; and the refuse. These are all inimical to my loneliness because of their indifference to it. Out of these pieces of inimical indifference, I intend to represent the desolate smile of winter which, as you must have gathered, is the smile I wear.

so, when I spotted a cougar stretched out on a thick pine tree branch near the park gates, I wasn't surprised. I can't say the same for the women clinging to the branch above the cat. she was the one screaming. The cougar-a ragged-ear old top I clled Marv-just stared at her, like he couldn't believe anyone would be dumb to climb a tree to escape a cat.

Where am I going? I don't quite know. Down to the stream where the king-cups grow- Up on a hill where the pine-trees blow- Anywhere, anywhere. I don't know. Where am I going? The clouds sail by, Little ones, baby ones, over the sky. Where am I going? The shadows pass, Little ones, baby ones, over the grass. If you were a cloud, and sailed up there, You'd sail on the water as blue as air. And you'd see me here in the fields and say: "Doesn't the sky look green today?" Where am I going? The high rooks call: "It's awful fun to be born at all. Where am I going? The ring-doves coo: "We do have beautiful things to do." If you were a bird, and lived on high, You'd lean on the wind when the wind came by, You'd say to the wind when it took you away: "That's where I wanted to go today!" Where am I going? I don't quite know. What does it matter where people go? Down to the wood where the blue-bells grow- Anywhere, anywhere. I don't know.

Only the soldier pines and sentinels still showed green; the broadleaf trees had donned mantles of russet and gold, or else uncloaked themselves to scratch against the sky with branches brown and bare.

He shrugged, and for a second they stood there, sizing each other up, the moment stretching, the gaze growing uncomfortable until his gray eyes finally broke free, escaping to the ground. Kate smiled, victorious. She gestured to the patch of pavement, the border of grass. “What brings you to my office?” He looked around, confused, as if he’d actually intruded. Then he looked up and said, “The view.” Kate flashed a crooked grin. “Oh really?” His face went red. “I didn’t mean you,” he said quickly. “I was talking about the trees.” “Wow,” she said dryly. “Thanks. How am I supposed to compete with pine and oak?” “I don’t know,” said Freddie, cocking his head. Stray dog again. “They’re pretty great.

As they sang the hobbit felt the love of beautiful things made by hands and by cunning and by magic moving through him, a fierce and jealous love, the desire of the hearts of dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.

As a child, we sang those precious songs at church and school. At home, we sang along with the singers on the Lawrence Welk Christmas show, and there used to be so many Christmas specials—Andy Williams and Perry Como. I loved the bouncing ball on the Mitch Miller sing-along show. And of course, we watched “The Ed Sullivan Show” weekly and loved his Christmas special. I never grew tired of them.

And they beat. The women for having known them and no more, no more; the children for having been them but never again. They killed a boss so often and so completely they had to bring him back to life to pulp him one more time. Tasting hot mealcake among pine trees, they beat it away. Singing love songs to Mr. Death, they smashed his head. More than the rest, they killed the flirt whom folks called Life for leading them on. Making them think the next sunrise would be worth it; that another stroke of time would do it at last. Only when she was dead would they be safe. The successful ones--the ones who had been there enough years to have maimed, mutilated, maybe even buried her--kept watch over the others who were still in her cock-teasing hug, caring and looking forward; remembering and looking back.

The human life cycle no less than evolves around the box; from the open-topped box called a bassinet, to the pine box we call a coffin, the box is our past and, just as assuredly, our future. It should not surprise us then that the lowly box plays such a significant role in the first Christmas story. For Christmas began in a humble, hay-filled box of splintered wood. The Magi, wise men who had traveled far to see the infant king, laid treasure-filled boxes at the feet of that holy child. And in the end, when He had ransomed our sins with His blood, the Lord of Christmas was laid down in a box of stone. How fitting that each Christmas season brightly wrapped boxes skirt the pine boughs of Christmas trees around the world.

THE OLD WISDOM When the night wind makes the pine trees creak And the pale clouds glide across the dark sky, Go out my child, go out and seek Your soul: The Eternal I. For all the grasses rustling at your feet And every flaming star that glitters high Above you, close up and meet In you: The Eternal I. Yes, my child, go out into the world; walk slow And silent, comprehending all, and by and by Your soul, the Universe, will know Itself: the Eternal I.

I’ll be looking for you, Will, every moment, every single moment. And when we do find each other again we’ll cling together so tight that nothing and no one’ll ever tear us apart. Every atom of me and every atom of you . . . We’ll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams . . . And when they use our atoms to make new lives, they won’t just be able to take one, they’ll have to take two, one of you and one of me, we’ll be joined so tight . . .

You learn to forgive (the South) for its narrow mind and growing pains because it has a huge heart. You forgive the stifling summers because the spring is lush and pastel sprinkled, because winter is merciful and brief, because corn bread and sweet tea and fried chicken are every bit as vital to a Sunday as getting dressed up for church, and because any southerner worth their salt says please and thank you. It's soft air and summer vines, pine woods and fat homegrown tomatoes. It's pulling the fruit right off a peach tree and letting the juice run down your chin. It's a closeted and profound appreciation for our neighbors in Alabama who bear the brunt of the Bubba jokes. The South gets in your blood and nose and skin bone-deep. I am less a part of the South than it is part of me. It's a romantic notion, being overcome by geography. But we are all a little starry-eyed down here. We're Rhett Butler and Scarlett O'Hara and Rosa Parks all at once.

On the Big Blackfoot River above the mouth of Belmont Creek the banks are fringed by large Ponderosa pines. In the slanting sun of late afternoon the shadows of great branches reached from across the river, and the trees took the river in their arms. The shadows continued up the bank, until they included us

We were in the autumnlands. Dim as it was, the forest glowed. The golden leaves flashing by blazed like sparks caught in the updraft of a fire. A scarlet carpet unrolled before us, rich and flawless as velvet. Rising from the forest floor, the black, tangled roots breathed a bluish mist that reduced the farthest trees' trunks to ghostly silhouettes, yet left their foliage's luminous hues untouched. Vivid moss speckled the branches like tarnished copper. The crisp spice of pine sap infused the cool air over a musty perfume of dry leaves. A knot swelled in my throat. I couldn't look away. There was too much of it, too fast. I'd never be able to drink it all in...

The Snow Man" One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow; And have been cold a long time To behold the junipers shagged with ice, The spruces rough in the distant glitter Of the January sun; and not to think Of any misery in the sound of the wind, In the sound of a few leaves, Which is the sound of the land Full of the same wind That is blowing in the same bare place For the listener, who listens in the snow, And, nothing himself, beholds Nothing that is not there and the nothing that is. Wallace Stevens, The Collected Poems of Wallace Stevens. (Vintage; Reissue edition February 19, 1990)

Hey Meg! Communication implies sound. Communion doesn't.' He sent her a brief image of walking silently through the woods, the two of them alone together., their feet almost noiseless on the rusty carpet of pine needles. They walked without speaking, without touching, and yet they were as close as it is possible for two human beings to be. They climbed up through the woods, coming out into the brilliant sunlight at the top of the hill. A few sumac trees showed their rusty candles. Mountain laurel, shiny, so dark a green the leaves seemed black in the fierceness of sunlight, pressed toward the woods. Meg and Calvin had stretched out in the thick, late-summer grass, lying on their backs, gazing up into the shimmering blue of sky, a vault interrupted only by a few small clouds. And she had been as happy, she remembered, as it is possible to be, and as close to Calvin as she had ever been to anybody in her life, even Charles Wallace, so close that their separate bodies, daisies and buttercups joining rather than dividing them, seemed a single enjoyment of summer and sun and each other. That was surely the purest kind of thing. Mr. Jenkins had never had that kind of communion with another human being, a communion so rich and full that silence speaks more powerfully than words.

Often I walked in the neighboring forest of fir and pine, whose beauties, wonderful winter solitudes, seemed to protect me from the onset of despair. Ineffably kind voices spoke down to me from the trees: 'You must not come to the hard conclusion that everything in the world is hard, false, and wicked. But come often to us; the forest likes you. In its company you will find health and good spirits again, and entertain more lofty and beautiful thoughts.

The trees bathed their great heads in the waves of the morning, while their roots were planted deep in gloom; save where on the borders of the sunshine broke against their stems, or swept in long streams through their avenues, washing with brighter hue all the leaves over which it flowed; revealing the rich brown of the dacayed leaves and fallen pine-cones, and the delicate greens of the long grasses and tiny forests of moss that covered the channel over which it passed in the motionless rivers of light.

What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!

The unknown grayish mystifying forest was benumbed into frost-covered cold, and the tremendous pines towering above the dark marshy soil resembled a gathering of severe mute brothers from a forbidden ancient order worshiping forgotten gods no one had ever heard of outside of the world of secret occult visions.

Ye who love the haunts of Nature, Love the sunshine of the meadow, Love the shadow of the forest, Love the wind among the branches, And the rain-shower and the snow-storm, And the rushing of great rivers Through their palisades of pine-trees, And the thunder in the mountains, Whose innumerable echoes Flap like eagles in their eyries;- Listen to these wild traditions, To this Song of Hiawatha!

After the torchlight red on sweaty faces After the frosty silence in the gardens After the agony in stony places The shouting and the crying Prison and palace and reverberation Of thunder of spring over distant mountains He who was living is now dead We who were living are now dying With a little patience Here is no water but only rock Rock and no water and the sandy road The road winding above among the mountains Which are mountains of rock without water If there were water we should stop and drink Amongst the rock one cannot stop or think Sweat is dry and feet are in the sand If there were only water amongst the rock Dead mountain mouth of carious teeth that cannot spit Here one can neither stand nor lie nor sit There is not even silence in the mountains But dry sterile thunder without rain There is not even solitude in the mountains But red sullen faces sneer and snarl From doors of mudcracked houses If there were water And no rock If there were rock And also water And water A spring A pool among the rock If there were the sound of water only Not the cicada And dry grass singing But sound of water over a rock Where the hermit-thrush sings in the pine trees Drip drop drip drop drop drop drop But there is no water - The Waste Land (ll. 322-358)

Lik the tree falling in the forest," says Ira. "Huh?" "You know, the old question - if a tree falls in a forest and no one's there to hear it, does it really make a sound?" Howie considers this. "Is it a pine forest, or oak?" "What's the difference?" "Oak is a much denser wood; it's more likely to be heard by someone on the freeway next to the forest where no one is.

There are times the lies get to me, times I weary of battering myself against the obstacles of denial, hatred, fear-induced stupidity, and greed, times I want to curl up and fall into the problem, let it sweep me away as it so obviously sweeps away so many others. I remember a spring day a few years ago, a spring day much like this one, only a little more sun, and warmer. I sat on this same couch and looked out this same window at the same ponderosa pine. I was frightened, and lonely. Frightened of a future that looks dark, and darker with each passing species, and lonely because for every person actively trying to shut down the timber industry, stop abuse, or otherwise bring about a sustainable and sane way of living, there are thousands who are helping along this not-so-slow train to oblivion. I began to cry. The tears stopped soon enough. I realized we are not so outnumbered. We are not outnumbered at all. I looked closely, and saw one blade of wild grass, and another. I saw the sun reflecting bright off the needles of pine trees, and I heard the hum of flies. I saw ants walking single file through the dust, and a spider crawling toward the corner of the ceiling. I knew in that moment, as I've known ever since, that it is no longer possible to be lonely, that every creature on earth is pulling in the direction of life--every grasshopper, every struggling salmon, every unhatched chick, every cell of every blue whale--and it is only our own fear that sets us apart. All humans, too, are struggling to be sane, struggling to live in harmony with our surroundings, but it's really hard to let go. And so we lie, destroy, rape, murder, experiment, and extirpate, all to control this wildly uncontrollable symphony, and failing that, to destroy it.

And no matter where you are right now, you can come on out and stand in the middle of it as the sun is going down, and you can know that right in the spot where you are standing, there used to be someone else, that at some other point in time, someone stood where you are standing, thinking their own thoughts. And someday in the future someone will stand there and wonder about you, wonder if there was ever anybody else. Keep in mind that you are making memories. Consider that something you take for granted today may be the one thing you might pine for someday, and there might not be any more of it left, but you'll remember its sweetness. Remember the curve of the sun in your bedroom window late in the day, the way your little brother's hair smelled after his bath, and the sound of your mother and father talking in the kitchen. Make sure you notice if the trees meet in an arch over your street, or if there's a certain sound that you hear at a particular time every day. Take note of those people who are so familiar to you, and consider memorizing them for a time when they are gone. And know that if anyone ever says to you, "What will you always remember about this place?" you will know just exactly which story it is that you would tell them.

Winter denial: therein lay the key to California Schadenfreude--the secret joy that the rest of the country feels at the misfortune of California. The country said: "Look at them, with their fitness and their tans, their beaches and their movie stars, their Silicon Valley and silicone breasts, their orange bridge and their palm trees. God, I hate those smug, sunshiny bastards!" Because if you're up to your navel in a snowdrift in Ohio, nothing warms your heart like the sight of California on fire. If you're shoveling silt out of your basement in the Fargo flood zone, nothing brightens your day like watching a Malibu mansion tumbling down a cliff into the sea. And if a tornado just peppered the land around your Oklahoma town with random trailer trash and redneck nuggets, then you can find a quantum of solace in the fact that the earth actually opened up in the San Fernando Valley and swallowed a whole caravan of commuting SUVs.

THOU wast all that to me, love, For which my soul did pine: A green isle in the sea, love, A fountain and a shrine All wreathed with fairy fruits and flowers, And all the flowers were mine. Ah, dream too bright to last! Ah, starry Hope, that didst arise But to be overcast! A voice from out the Future cries, "On! on!"—but o'er the Past (Dim gulf!) my spirit hovering lies Mute, motionless, aghast. For, alas! alas! with me The light of Life is o'er! No more—no more—no more— (Such language holds the solemn sea To the sands upon the shore) Shall bloom the thunder-blasted tree, Or the stricken eagle soar. And all my days are trances, And all my nightly dreams Are where thy gray eye glances, And where thy footstep gleams— In what ethereal dances, By what eternal streams.

Sadness pulses out of us as we walk. I almost expect the trees to lower their branches when we pass, the stars to hand down some light. I breathe in the horsy scent of eucalyptus, the thick sugary pine, aware of each breath I take, how each one keeps me in the world a few seconds longer. I taste the sweetness of the summer air on my tongue and want to just gulp and gulp and gulp it into my body--this living, breathing, heart-beating body of mine.

And suddenly first one and then another began to sing as they played, deep-throated singing of the dwarves in the deep places of their ancient homes; and this is like a fragment of their song, if it can be like their song without their music. [...]As they sang the hobbit felt the love of beautiful things made by hands and by cunning and by magic moving through him, a fierce and jealous love, the desire of the hearts of dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick. He looked out of the window. The stars were out in a dark sky above the trees. He thought of the jewels of the dwarves shining in dark caverns. Suddenly in the wood beyond The Water a flame leapt up - probably somebody lighting a wood-fire-and he thought of plundering dragons settling on his quiet Hill and kindling it all to flames. He shuddered; and very quickly he was plain Mr. Baggins of Bag-End, Under-Hill, again. He got up trembling.

To our indigenous ancestors, and to the many aboriginal peoples who still hold fast to their oral traditions, language is less a human possession than it is a property of the animate earth itself, an expressive, telluric power in which we, along with the coyotes and the crickets, all participate. Each creature enacts this expressive magic in its own manner, the honeybee with its waggle dance no less than a bellicose, harrumphing sea lion. Nor is this power restricted solely to animals. The whispered hush of the uncut grasses at dawn, the plaintive moan of trunks rubbing against one another in the deep woods, or the laughter of birch leaves as the wind gusts through their branches all bear a thicket of many-layered meanings for those who listen carefully. In the Pacific Northwest I met a man who had schooled himself in the speech of needled evergreens; on a breezy day you could drive him, blindfolded, to any patch of coastal forest and place him, still blind, beneath a particular tree -- after a few moments he would tell you, by listening, just what species of pine or spruce or fir stood above him (whether he stood beneath a Douglas fir or a grand fir, a Sitka spruce or a western red cedar). His ears were attuned, he said, to the different dialects of the trees.

But a smell shivered him awake. It was a scent as old as the world. It was a hundred aromas of a thousand places. It was the tang of pine needles. It was the musk of sex. It was the muscular rot of mushrooms. It was the spice of oak. Meaty and redolent of soil and bark and herb. It was bats and husks and burrows and moss. It was solid and alive - so alive! And it was close. The vapors invaded Nicholas' nostrils and his hair rose to their roots. His eyes were as heavy as manhole covers, but he opened them. Through the dying calm inside him snaked a tremble of fear. The trees themselves seemed tense, waiting. The moonlight was a hard shell, sharp and ready to ready be struck and to ring like steel. A shadow moved. It poured like oil from between the tall trees and flowed across dark sandy dirt, lengthening into the middle of the ring. Trees seem to bend toward it, spellbound. A long, long shadow...

Between the onion and the parsley, therefore, I shall give the summation of my case for paying attention. Man's real work is to look at the things of the world and to love them for what they are. That is, after all, what God does, and man was not made in God's image for nothing. The fruits of his attention can be seen in all the arts, crafts, and sciences. It can cost him time and effort, but it pays handsomely. If an hour can be spent on one onion, think how much regarding it took on the part of that old Russian who looked at onions and church spires long enough to come up with St. Basil's Cathedral. Or how much curious and loving attention was expended by the first man who looked hard enough at the inside of trees, the entrails of cats, the hind ends of horses and the juice of pine trees to realize he could turn them all into the first fiddle. No doubt his wife urged him to get up and do something useful. I am sure that he was a stalwart enough lover of things to pay no attention at all to her nagging; but how wonderful it would have been if he had known what we know now about his dawdling. He could have silenced her with the greatest riposte of all time: Don't bother me; I am creating the possibility of the Bach unaccompanied sonatas. But if man's attention is repaid so handsomely, his inattention costs him dearly. Every time he diagrams something instead of looking at it, every time he regards not what a thing is but what it can be made to mean to him - every time he substitutes a conceit for a fact - he gets grease all over the kitchen of the world. Reality slips away from him; and he is left with nothing but the oldest monstrosity in the world: an idol. Things must be met for themselves. To take them only for their meaning is to convert them into gods - to make them too important, and therefore to make them unimportant altogether. Idolatry has two faults. It is not only a slur on the true God; it is also an insult to true things. They made a calf in Horeb; thus they turned their Glory into the similitude of a calf that eateth hay. Bad enough, you say. Ah, but it was worse than that. Whatever good may have resided in the Golden Calf - whatever loveliness of gold or beauty of line - went begging the minute the Israelites got the idea that it was their savior out of the bondage of Egypt. In making the statue a matter of the greatest point, they missed the point of its matter altogether.

She inhaled deeply—and sneezed. Stupid allergies. “Gods bless you,” Rishi said. Dimple arched an eyebrow. “Gods?” He nodded sagely. “As a Hindu, I’m a polytheist, as you well know.” Dimple laughed. “Yes, and I also know we still only say ‘God,’ not ‘gods.’ We still believe Brahma is the supreme creator.” Rishi smiled, a sneaky little thing that darted out before he could stop it. “You got me. It’s my version of microaggressing back on people.” “Explain.” “So, okay. This is how it works in the US: In the spring we’re constantly subjected to bunnies and eggs wherever we go, signifying Christ’s resurrection. Then right around October we begin to see pine trees and nativity scenes and laughing fat white men everywhere. Christian iconography is all over the place, constantly in our faces, even in casual conversation. This is the bible of comic book artists . . . He had a come to Jesus moment, all of that stuff. So this is my way of saying, Hey, maybe I believe something a little different. And every time someone asks me why ‘gods,’ I get to explain Hinduism.” Dimple chewed on this, impressed in spite of herself. He actually had a valid point. Why was Christianity always the default? “Ah.” She nodded, pushing her glasses up on her nose. “So what you’re saying is, you’re like a Jehovah’s Witness for our people.” Rishi’s mouth twitched, but he nodded seriously. “Yes. I’m Ganesha’s Witness. Has a bit of a ring to it, don’t you think?

Nina Simone Feeling Good Birds flying high you know how I feel Sun in the sky you know how I feel Breeze driftin' on by you know how I feel It's a new dawn It's a new day It's a new life For me And I'm feeling good Fish in the sea you know how I feel River running free you know how I feel Blossom on the tree you know how I feel Dragonfly out in the sun you know what I mean, don't you know Butterflies all havin' fun you know what I mean Sleep in peace when day is done That's what I mean And this old world is a new world And a bold world For me Stars when you shine you know how I feel Scent of the pine you know how I feel Oh freedom is mine And I know how I feel

Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?

Perfection" Every oak will lose a leaf to the wind. Every star-thistle has a thorn. Every flower has a blemish. Every wave washes back upon itself. Every ocean embraces a storm. Every raindrop falls with precision. Every slithering snail leaves its silver trail. Every butterfly flies until its wings are torn. Every tree-frog is obligated to sing. Every sound has an echo in the canyon. Every pine drops its needles to the forest floor. Creation's whispered breath at dusk comes with a frost and leaves within dawn's faint mist, for all of existence remains perfect, adorned, with a dead sparrow on the ground. (Poem titled : 'Perfection' by R.H.Peat)

Arriving on Bainbridge Island is the opposite of arriving in Seattle. When you got in your car and waited to unload off the ferry in Seattle, you saw the Space Needle, cars, and a mound of urban construction. Once you exit the ferry terminal on Bainbridge, however, it’s mostly trees. Pine as far as the eye can see. Well, pines, firework and coffee stands, and eventually a casino. You drive through the Port Madison Indian Reservation when you leave the island. I couldn’t help but smile as I went past the casino. I didn’t really get gambling, since I’d never had money to throw away, but as I passed through all the beautiful countryside that I’m sure once belonged to the tribe, I sort of hoped they would rob the white man blind. Perhaps not politically correct, but the feeling was there all the same.

...A mother is the one who fills your heart in the first place. She teaches you the nature of happiness: what is the right amount, what is too much, and the kind that makes you want more of what is bad for you. A mother helps her baby flex her first feelings of pleasure. She teaches her when to later exercise restraint, or to take squealing joy in recognizing the fluttering leaves of the gingko tree, to sense a quieter but more profound satisfaction in chancing upon an everlasting pine. A mother enables you to realize that there are different levels of beauty and therein lie the sources of pleasure, some of which are popular and ordinary, and thus of brief value, and others of which are difficult and rare, and hence worth pursuing.

Volume II, Chapter 4 "How unwise had the wanderers been, who had deserted its shelter, entangled themselves in the web of society, and entered on what men of the world call "life,"—that labyrinth of evil, that scheme of mutual torture. To live, according to this sense of the word, we must not only observe and learn, we must also feel; we must not be mere spectators of action, we must act; we must not describe, but be subjects of description. Deep sorrow must have been the inmate of our bosoms; fraud must have lain in wait for us; the artful must have deceived us; sickening doubt and false hope must have chequered our days; hilarity and joy, that lap the soul in ecstasy, must at times have possessed us. Who that knows what "life" is, would pine for this feverish species of existence? I have lived. I have spent days and nights of festivity; I have joined in ambitious hopes, and exulted in victory: now,—shut the door on the world, and build high the wall that is to separate me from the troubled scene enacted within its precincts. Let us live for each other and for happiness; let us seek peace in our dear home, near the inland murmur of streams, and the gracious waving of trees, the beauteous vesture of earth, and sublime pageantry of the skies. Let us leave "life," that we may live.

When the storm is over, the new growth, tiny and light, timid-green, starts edging our on the buses and three limbs. Then Nature brings April rain. It whispers down soft and lonesome, making mists in the hollows and on the trails where you walk under the drippings from hanging branches of trees. It's a good feeling, exciting--but sad too--in April rain. Granpa said he always got that kind of mixed-up feeling. He said it was exciting because something new was being born and it was sad, because you knowed you can't hold onto it. It will pass too quick. April wind is soft and warm as a baby's crib. It breathes on the crab apple tree until white blossoms open out, smeared with pink. The smell is sweeter than honeysuckle and brings bees swarming over the blossoms. Mountain laurel with pink-white blooms and purple centers grow everywhere, from the hollows to the top of the mountain, alongside of the dogtooth violet... Then, when April gets its warmest, all of a sudden the cold hits you. It stays cold for four or five days. This is to make the blackberries bloom and is called "blackberry winter." The blackberries will not bloom without it. That's why some years there are no blackberries. When it ends, that's when the dogwoods bloom out like snowballs over the mountainside in places you never suspicioned they grew: in a pine grove or stand of oak of a sudden there's a big burst of white.

Trees, now—Slothrop’s intensely alert to trees, finally. When he comes in among trees he will spend time touching them, studying them, sitting very quietly near them and understanding that each tree is a creature, carrying on its individual life, aware of what’s happening around it, not just some hunk of wood to be cut down. Slothrop’s family actually made its money killing trees, amputating them from their roots, chopping them up, grinding them to pulp, bleaching that to paper and getting paid for this with more paper. “That’s really insane.” He shakes his head. “There’s insanity in my family.” He looks up. The trees are still. They know he’s there. They probably also know what he’s thinking. “I’m sorry,” he tells them. “I can’t do anything about those people, they’re all out of my reach. What can I do?” A medium-size pine nearby nods its top and suggests, “Next time you come across a logging operation out here, find one of their tractors that isn’t being guarded, and take its oil filter with you. That’s what you can do.

You going to the game tonight?" I was about to answer,but another voice rang out from just behind me. "She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it. "Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever. But now he was here. It was my waist he held. It didn't seem real. "I can't carry the team to victory without you," he said. "You're my rabbit's foot." I craned my neck around to look at him. "I've always dreamed of some guy saying that to me." He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered. "It doesn't take much. We're in the middle of the hallway." "You want to know what else I love?" His tone was playful. "No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered. "That." I could feel his smile against my ear. Jack was always smiling.It was what made him so likable. By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk. Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us. "Uh-oh," I said. Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback. "Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?" I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal. We hadn't even been together then. It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing. Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.

Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.

Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.

This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear. I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.

There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.