Pimp Talk Quotes

I'm going to ask you to remember the prostituted, the homeless, the battered, the raped, the tortured, the murdered, the raped-then-murdered, the murdered-then-raped; and I am going to ask you to remember the photographed, the ones that any or all of the above happened to and it was photographed and now the photographs are for sale in our free countries. I want you to think about those who have been hurt for the fun, the entertainment, the so-called speech of others; those who have been hurt for profit, for the financial benefit of pimps and entrepreneurs. I want you to remember the perpetrator and I am going to ask you to remember the victims: not just tonight but tomorrow and the next day. I want you to find a way to include them -- the perpetrators and the victims -- in what you do, how you think, how you act, what you care about, what your life means to you. Now, I know, in this room, some of you are the women I have been talking about. I know that. People around you may not. I am going to ask you to use every single thing you can remember about what was done to you -- how it was done, where, by whom, when, and, if you know -- why -- to begin to tear male dominance to pieces, to pull it apart, to vandalize it, to destabilize it, to mess it up, to get in its way, to fuck it up. I have to ask you to resist, not to comply, to destroy the power men have over women, to refuse to accept it, to abhor it and to do whatever is necessary despite its cost to you to change it.

The other night we talked about literature's elimination of the unessential, so that we are given a concentrated "dose" of life. I said, almost indignantly, "That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that i expected all your life to be delirious, intoxicated." Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm. It is amusing that, when Henry, Fred, and I talked together, we fell back into a deep naturalness. Perhaps none of us is a sensational character. Or perhaps we have no need of condiments. Henry is, in reality, mild not temperamental; gentle not eager for scenes. We may all write about sadism, masochism, the grand quignol, bubu de montparnasse (in which the highest proof of love is for a pimp to embrace his woman's syphilis as fervently as herself, a noblesse-oblige of the apache world), cocteau, drugs, insane asylums, house of the dead, because we love strong colors; and yet when we sit in the cafe de la place clichy, we talk about henry's last pages, and a chapter which was too long, and richard's madness. "One of his greatest worries," said Henry, "was to have introduced us. He thinks you are wonderful and that you may be in danger from the 'gangster author.

I was extremely shy of approaching my hero but he, as I found out, was sorely in need of company. By then almost completely blind, he was claustrated and even a little confused and this may help explain the rather shocking attitude that he took to the blunt trauma that was being inflicted in the streets and squares around him. 'This was my country and it might be yet,' he intoned to me when the topic first came up, as it had to: 'But something came between it and the sun.' This couplet he claimed (I have never been able to locate it) was from Edmund Blunden, whose gnarled hand I had been so excited to shake all those years ago, but it was not the Videla junta that Borges meant by the allusion. It was the pre-existing rule of Juan Perón, which he felt had depraved and corrupted Argentine society. I didn't disagree with this at all—and Perón had victimized Borges's mother and sister as well as having Borges himself fired from his job at the National Library—but it was nonetheless sad to hear the old man saying that he heartily preferred the new uniformed regime, as being one of 'gentlemen' as opposed to 'pimps.' This was a touch like listening to Evelyn Waugh at his most liverish and bufferish. (It was also partly redeemed by a piece of learned philology or etymology concerning the Buenos Aires dockside slang for pimp: canfinflero. 'A canfinfla, you see,' said Borges with perfect composure, 'is a pussy or more exactly a cunt. So a canfinflero is a trafficker in cunt: in Anglo-Saxon we might say a 'cunter."' Had not the very tango itself been evolved in a brothel in 1880? Borges could talk indefinitely about this sort of thing, perhaps in revenge for having had an oversolicitous mother who tyrannized him all his life.)

You know what your mum might be?' 'You're not really asking, are you? This is rhetorical, isn't it?' 'A real life desperate housewife. Maybe your mum's hooking and she -' "What are you, drunk? There's a five-year-old in the back seat. And, PS, you're not helping. All she said is that she's at the station. Not in jail. Now, I don't want to talk anymore about it. Mark and I spend the remainder of the car trip in silence. Emma, on the other hand, takes it upon herself to sing every verse of It's Hard Out Here For A Pimp. Next chance I get I'm gonna confiscate her copy of Hustle and Flow and change her computer password from GEELOVE to MONOBROW. - Cat

Perhaps we were, all of us -pimps, whores, racketeers, church members, and children -bound together by the nature of our oppression, the specific and peculiar complex of risks we had to run; if so, within these limits we sometimes achieved with each other a freedom that was close to love. I remember, anyway, church suppers and outing, and later, after I left the church, rent and waistline parties where rage and sorrow sat in the darkness and did not stir, and we ate and drank and talked and laughed and danced and forgot all about "the man." We had the liquor, we had the chicken, the music, and each other, and had no need to pretend to be what we were not, This is the freedom that one hears in some gospel songs, for example, and in jazz.

Still, Antwerp, the parties, my husband's talks--all of it fed my mind. I'd hardly set down my quill before I took it up again, writing stories unconnected--of a pimp, a virgin, a rogue--strung up like pearls on a thread. ... 'I am very ambitious, yet 'tis neither for Beauty, Wit, Titles, Wealth, or Power, but as they are steps to raise me to Fames Tower.' O minor victory! O small delight! My star began to rise.

I was born in New York, but have lived only in pockets of it. In Paris, I lived in all parts of the city–on the Right Bank and the Left, among the bourgeoisie and among les misérables, and knew all kinds of people, from pimps and prostitutes in Pigalle to Egyptian bankers in Neuilly. This may sound extremely unprincipled or even obscurely immoral: I found it healthy. I love to talk to people, all kinds of people, and almost everyone, as I hope we still know, loves a man who loves to listen.

Just so you know, Duane Martinez came in two days ago to make a belated report that he was assaulted by one Tyrell Walker.” Fuck. “You’re shittin’ me,” Ty rumbled. “No, a fuckin’ drug dealer pimp walks into the fuckin’ police station lookin ’ like the weasel he is but a healthy one and he does it to report a fuckin’ assault.” Then Ty heard a deep chuckle. Ty was not amused. Peña kept talking. “Seein’ as I got an interest in Martinez and all his dirty deeds, he was flagged and sent to me. So, he made this report to me. Now, make no mistake, Ty, I take my work seriously, but I gotta admit, he gave this report, I lost my pen. Swear to God, don’t know where I put that fucker.

Armed combatants in war, who surrender their individuality and usually their capacity for moral choice, become part of a herd of dehumanized killers. Sex in wartime is reduced to its crudest biological function. It is referred to in marching cadences and ribald small talk like defecation. Pornography, prostitution, and rape are ubiquitous in war zones. In war, empathy, compassion, and love are banished. Human beings, especially women, become objects, to exploit or kill. The violence and commodification of human beings for profit are the quintessential expressions of global capitalism. Our corporate masters are pimps. We are all being debased and degraded, rendered impoverished and powerless, to service the cruel and lascivious demands of the corporate elite. And when they tire of us, or when we are no longer of use, we are discarded. If the United States accepts prostitution as legal and permissible in a civil society, as Germany has done, we will take one more collective step toward the global plantation being built by the powerful. The fight against prostitution is the fight against a dehumanizing corporate capitalism that begins, but will not end, with the subjugation of impoverished girls and women.

THIS IS MY ABC BOOK of people God loves. We’ll start with . . .           A: God loves Adorable people. God loves those who are Affable and Affectionate. God loves Ambulance drivers, Artists, Accordion players, Astronauts, Airplane pilots, and Acrobats. God loves African Americans, the Amish, Anglicans, and Animal husbandry workers. God loves Animal-rights Activists, Astrologers, Adulterers, Addicts, Atheists, and Abortionists.           B: God loves Babies. God loves Bible readers. God loves Baptists and Barbershop quartets . . . Boys and Boy Band members . . . Blondes, Brunettes, and old ladies with Blue hair. He loves the Bedraggled, the Beat up, and the Burnt out . . . the Bullied and the Bullies . . . people who are Brave, Busy, Bossy, Bitter, Boastful, Bored, and Boorish. God loves all the Blue men in the Blue Man Group.           C: God loves Crystal meth junkies,           D: Drag queens,           E: and Elvis impersonators.           F: God loves the Faithful and the Faithless, the Fearful and the Fearless. He loves people from Fiji, Finland, and France; people who Fight for Freedom, their Friends, and their right to party; and God loves people who sound like Fat Albert . . . “Hey, hey, hey!”           G: God loves Greedy Guatemalan Gynecologists.           H: God loves Homosexuals, and people who are Homophobic, and all the Homo sapiens in between.           I: God loves IRS auditors.           J: God loves late-night talk-show hosts named Jimmy (Fallon or Kimmel), people who eat Jim sausages (Dean or Slim), people who love Jams (hip-hop or strawberry), singers named Justin (Timberlake or Bieber), and people who aren’t ready for this Jelly (Beyoncé’s or grape).           K: God loves Khloe Kardashian, Kourtney Kardashian, Kim Kardashian, and Kanye Kardashian. (Please don’t tell him I said that.)           L: God loves people in Laos and people who are feeling Lousy. God loves people who are Ludicrous, and God loves Ludacris. God loves Ladies, and God loves Lady Gaga.           M: God loves Ministers, Missionaries, and Meter maids; people who are Malicious, Meticulous, Mischievous, and Mysterious; people who collect Marbles and people who have lost their Marbles . . . and Miley Cyrus.           N: God loves Ninjas, Nudists, and Nose pickers,           O: Obstetricians, Orthodontists, Optometrists, Ophthalmologists, and Overweight Obituary writers,           P: Pimps, Pornographers, and Pedophiles,           Q: the Queen of England, the members of the band Queen, and Queen Latifah.           R: God loves the people of Rwanda and the Rebels who committed genocide against them.           S: God loves Strippers in Stilettos working on the Strip in Sin City;           T: it’s not unusual that God loves Tom Jones.           U: God loves people from the United States, the United Kingdom, and the United Arab Emirates; Ukrainians and Uruguayans, the Unemployed and Unemployment inspectors; blind baseball Umpires and shady Used-car salesmen. God loves Ushers, and God loves Usher.           V: God loves Vegetarians in Virginia Beach, Vegans in Vietnam, and people who eat lots of Vanilla bean ice cream in Las Vegas.           W: The great I AM loves will.i.am. He loves Waitresses who work at Waffle Houses, Weirdos who have gotten lots of Wet Willies, and Weight Watchers who hide Whatchamacallits in their Windbreakers.           X: God loves X-ray technicians.           Y: God loves You.           Z: God loves Zoologists who are preparing for the Zombie apocalypse. God . . . is for the rest of us. And we have the responsibility, the honor, of letting the world know that God is for them, and he’s inviting them into a life-changing relationship with him. So let ’em know.

If you can learn to keep your promises, people are going to love you for it, because the average asshole talks shit and has zero follow-through

A good salesperson doesn’t talk; a good salesperson listens

People like to be heard, Carnegie said. It makes them feel good. When you make a man feel good, simply by listening, you make a friend for life. And smile; be pleasant. Carnegie even suggested that one should smile when talking on the phone, because the person at the other end can feel your smile. He said people listen to logic, but they respond to emotion

I believe that despite all the talk of love, a relationship depends on three factors: respect, trust, and accountability

And I guess that’s what people mean when they talk about the triumph of hope over experience. Life kicks you to the curb sometimes, lots of times, and you should know better, but you still want to believe. And that’s what keeps us going

The people who worked there were young, too. In my early thirties, I was one of the oldest members of staff. Perhaps because of this, I made an extra show of my enthusiasm for the role. My white-hot passion for multimedia marketing. My fanatical fervour for company-client relations. I stayed later than anyone else. Talked louder. Worked harder. Or at least, more overtly. I’d buzz about the building like a Benzedrine-addled bumblebee, spewing worn-out idioms to anyone in earshot. Shooting from the hip. Thinking outside the box. I was such a fucking idiot. We all were. And the inflated sense of self-importance. My God. Because you see, we weren’t just there to make a salary. Or to pimp advertising space. Or to make our shareholders richer. Oh no. We were out there making a real difference to the world. We were shaping relationships. We were curating memories. We were facilitating meaningful connections in a noisy world. Jesus. It was like a cult. And I hadn’t just drunk the Kool-Aid. I’d filled a paddling pool and was doing backstroke in the stuff. To think we actually thought what we were doing mattered. In the way that food matters. Or shelter. Or water. Or clean air. What a terrible joke we were. Of course, once the outbreak happened, it quickly transpired we weren’t as essential as we’d assumed. The company folded. Too many dead. Or not enough people alive to make it worthwhile. Whatever

Circella crumbled. But the unexpected happened. Bioff, little Willie the Pimp, who’d gone Hollywood, flashed gold business cards with inlaid diamonds, went ballistic. Women were off limits. You could kill a guy, beat a guy, but this? Now, he went heroic. He contacted U.S. Attorney Boris Kostelanetz from a jail house visitor phone and got right to it: ‘This is Bioff . . . what do you want to know?’ First, Boris Kostelanetz wanted to know why Bioff was talking. The reply was immediate: ‘We’re doing time for them. They’re killing our families.

He wanted to take a prostitute to this important personality's bed, like any common pimp would do, and yet talk in dignified tones of patriotism and moral principles.

These women, your fans read your books, but they really buy into the fantasy that you sell. Sex. You’re a sweet-talking pimp with a pen, paper and PC minus the loud suit, shoes and matching hat.

Next time I expect you to act a little friendlier and remember that we would like to get out of here before we die.” He rises to leave but I stand quickly as well, leaning over the table and shoving my finger in his face. “And next time you try and remember that you’re not my pimp, I’m not one of your girls and if you want my help you’ll watch the way you talk to me. Understood?” This is a moment in my life when I seriously wonder if I’m going to get slapped. I’m mouthing off to a Stable Boy from The Hive, a guy whose job it is to keep women in line, doing what they’re told and making the very testy, very violent men at the top of his food chain happy. He minds the coffers and the coins all have PMS. It can’t be an easy job. It could easily be one he manages with an iron fist. His jaw works under the taught skin of his face. It clenches and releases as he chews on what I’ve said. He carefully, dispassionately considers me. His calm is freaking me out. I’d rather he was yelling. I’d almost rather he hit me. Eventually what he does is smile. “Understood, Kitten.” he replies, his voice low and rough. His eyes bore into me with a heat that I recognize. A hunger I’ve seen before.

If you hang around the subprime lending business long enough, you'll meet your share of interesting borrowers: strippers, cons, pimps, thugs and various other upstanding citizens of the community. These were not out typical customers. But if a borrower has credit problems and a checkered past, employment gaps and income from unverifiable sources, he usually ends up talking with a subprime lender.

Gangsta Rap Made Me Do It" [Female Insert] Maestro!!! [Ice Cube] Blame me [Intro: Ice Cube] You niggas know my pyroclastic flow You niggas know my pyroclastic flow flow You niggas know my pyroclastic flow it's R-A-W, R-A-W [Ice Cube] You looking at the grand wizard, war lord vocal chord so vicious And I don't have to show riches to pull up pull off with some bad bitches And it ain't about chivalry It's about dope lyrics and delivery It's about my persona ain't nothing like a man that can do what he wanna Ain't nothing like man on that you knew on the corner See 'em come up and fuck up the owner See 'em throw up Westside California Nigga I'm hot as Phoenix Arizona I'm Utah I got multiple bitches It's a new law keep a hold of yo riches Dumb nigga don't spend it as soon as you get it And recognize I'm a captain and you a lieutenant [Chorus 1] I can say what I want to say ain't nothing to it gangsta rap made me do it If I call you a nigga ain't nothing to it gangsta rap made me do it I can act like an animal ain't nothing to it gangsta rap made me do it If I eat you like a cannibal ain't nothing to it gangsta rap made me do it [Ice Cube] I'm raw as a dirty needle Choke an eagle Just to feed all my people Lyrically I'm so lethal Plant thoughts in they mind just to defeat you Ice Cube is a saga y'all spit saliva And I spit lava I got the fearless flow Don't get near this ho If you sacred to go I keep it gangsta and why should change that fuck you all you motherfuckers trying to change rap But aren't you the same cat that sat back when they brought cocaine back I'm trying to get me a Maybach how you motherfuckers gonna tell me don't say that you the ones that we learned it from I heard nigga back in 1971 [Chorus 2] So if I act like a pimp ain't nothing to it gangsta rap made me do it If I call you a nappy headed ho ain't nothing to it gangsta rap made me do it If I shoot up your college ain't nothing to it gangsta rap made me do it If I rob you of knowledge ain't nothing to it gangsta rap made me do it [Ice Cube] Thank God when I bless the mic You finally get to hear the shit that you like A nigga talking bout real life so you can try to get this shit right Use your brain not your back use your brain not a gat It's a party not a jack (for real) Don't be scared of them people Walk up in there and show them that you equal (fuck them fuck them) Don't be material a nigga grew up on milk and cereal I never for got vaness and imperial Look at my life Ice Cube is a miracle It could be you if you was this lyrical It could be her if she was this spiritual Cause me and Allah go back like cronies I don't got to be fake cause he is my homie [Chorus 3] If I sell a little crack ain't nothing to it gangsta rap made me do it If I die in Iraq ain't nothing to it gangsta rap made me do it If I take you for granted ain't nothing to it gangsta rap made me do it If I fuck up the planet ain't nothing to it gangsta rap made me do it [Intro] [Ice Cube] Oh yeah and another thing For all ya niggas that don't do gangsta rap Don't get on TV talking about gangsta rap Cause 9 times at a 10 you don't know the fuck you talk about Talk about that bullshit rap you do Stay the fuck out of mine

This mythology is based on a deep racial and sexual bias against black men: the pimp in North American culture is widely depicted as, and understood to be, a black man. Indeed, the racist undercurrent of the pimp mythology is most likely the root, and not a branch, of the myth. The fear of the black male, and black male sexuality, goes back to the days of slavery and imperialism.

My poor boy!” he cried. “It’s not you anymore! Hey! I’m not saying that those idiots at Vassetot and that scoundrel Roffieux were right when they said there was something wrong with your brain; but there’s something strange, something unnerving, going on with you. I want to take care of you here—right here. No mental hospitals, no annoying treatments! I know people who will understand that it’s simply a problem of nerves and who will pull you through with nothing but a little mental discipline, laying out a nice, calm program for you with a few distractions and outings…” Kmôhoûn kept me from hearing the rest of the sentence. I thought my head was going to explode. The Tkoukrian howled and stormed, but for me alone. Only I could hear his awful racket and his abominable explosion of rage made me panic. I was about to say something stupid again—after so many other things—but I could not talk reasonably anymore. It was a psychic racket that no one would be scared of, except me—but I was stunned by it. I did not miss a single word that Kmôhoûn yelled, even though he did not articulate any of them. But I do not have the least desire to repeat them all here; it tumbled out like a torrent of trash. I would be forced to write pages and pages on which the most terrifying curses and the most revolting obscenities would be repeated again and again. This whole flood of filth, moreover, could be boiled down pretty much to this: “You lunatic, moron, agitated idiot! Don’t you see your crook brother’s scam? Ha! I knew it! They’re not doing it to me! Let’s f…ly the coop—and quick! They’re going to have some fun in this… this… whorehouse! And you will have your rotten… whoremonger of a sister in-law to stir up the foul… pimp guards that they’ll give us. Your brother is a crap-stained pig, walking dung,” etc, etc. And I’m softening up many of Kmôhoûn’s terms! Pretty, yes, pretty, my expression psychic racket. Charming soul, that Kmôhoûn!

How do you go from ruthless capitalist matchmaking pimp one moment to considerate gentleman the next?" "Im a complicated man." He joined her at the credenza. "I thought I'd stay in case you needed more snacks." "I'll allow it," she said magnanimously. "But I'll do the talking. You can just scowl and look frightening and intense. It shouldn't be hard since it seems to be your normal state of being." Sam snorted. "And here I thought I was doing you a favor..." "Would you like some tea?" "If it's not chai." "No one hates chai. What kind of desi are you?" She filled a cup with boiling water and motioned for him to select a tea bag. "The bad kind." His lips quirked at the corners. He'd smiled more since meeting Layla than he had in the last two years. "I should have guessed." She raised an admonishing eyebrow. "You have bad boy written all over you." He selected the Black Dragon tea simply because the name appealed to his senses. Anything that had to do with highly intelligent, powerful, fire-breathing creatures couldn't be bad.

As the years rolled by, Tommy didn’t talk about the debt anymore but it was implicit that Ken could never quit. He had the affair with Angela, and Sarita entered his life. Then he married a stewardess from Hong Kong, and Janine was born. The stewardess missed her family and went back home to Hong Kong, thank God, and now he was a very wealthy pimp under a death sentence, locked in his own bedroom, afraid for his daughter’s life but more afraid of climbing down a drainpipe.

Hummer with six doors to a side and black-tinted windows for maximum privacy. “What I’m talking a-bout!” cried Sergeant Dime as he pounced on the bar, everyone whooping over all the pimp finery, but after destroying all hopes for a quick recovery Billy subsides into a gnarled, secret funk. “Billy,” says