Pillow Wet With Tears Quotes

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leave me in peace, let me sleep one night at least without my pillow being wet with tears, my eyes burning and my head throbbing
Anne Frank (The Diary of a Young Girl)
And now I may dismiss my heroine to the sleepless couch, which is the true heroine's portion - to a pillow strewed with thorns and wet with tears. And lucky may she think herself, if she get another good night's rest in the course of the next three months.
Jane Austen (Northanger Abbey)
If you'd only let me come by myself, none of this would have happened. Having you around makes everything worse.' She buried her head under her pillow. 'Stop it! you're so cold! You're heartless, you little robot!' The pillow muffled her words, but they still stung. 'I feel things,' I said. 'I'm not a robot!' I stamped my foot and screamed. Then I burst into tears. I touched the wet little drops and held them toward her. 'See, I'm not a robot. This is proof.
Natalie Standiford (How to Say Goodbye in Robot)
and then, it's just me alone in bed with a man who can sleep with his back to me while I cry silent tears tha make the pillow wet around my head.
Jennifer Lauck (Still Waters)
That night she dreamed of the deer. Strangely, the animal was holding her. She cuddled close into the soft fur and touched and kissed it gently. In the morning her pillow was wet with tears.
Julie Andrews Edwards
She leaves behind a damp pillow, wet with her tears. You touch the warmth with your hand and watch the sky outside gradually lighten. Far away a crow caws. The Earth slowly keeps on turning. But beyond any of those details of the real, there are dreams. And everyone's living in them.
Haruki Murakami (Kafka on the Shore)
In her dreams the Hawk would be waiting for her by the sea's edge; her kilt-clad, magnificent Scottish laird. He would smile and his eyes would crinkle, then turn dark with smoldering passion. She would take his hand and lay it gently on her swelling abdomen, and his face would blaze with happiness and pride. Then he would take her gently, there on the cliff's edge, in tempo with the pounding of the ocean. He would make fierce and possessive love to her and she would hold on to him as tightly as she could. But before dawn, he would melt right through her fingers. And she would wake up, her cheeks wet with tears and her hands clutching nothing but a bit of quilt or pillow.
Karen Marie Moning (Beyond the Highland Mist (Highlander, #1))
Waste forces within him, and a desert all around, this man stood still on his way across a silent terrace, and saw for a moment, lying in the wilderness before him, a mirage of honourable ambition, self-denial, and perseverance. In the fair city of this vision, there were airy galleries from which the loves and graces looked upon him, gardens in which the fruits of life hung ripening, waters of Hope that sparkled in his sight. A moment and it was gone. Climbing to a high chamber in a well of houses, he threw himself down in his clothes on a neglected bed, and its pillow was wet with wasted tears.
Charles Dickens (A Tale of Two Cities)
Father? I am your son. That is only a kitten. Why do you abandon me to chase after it?" "When you were alive, you were all my joy. Now you are dead, I see you only in my dreams. And when I awake, my pillow is wet with tears. The kitten is living, and it needs my help.
Neil Gaiman (The Sandman, Vol. 10: The Wake)
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
All at once my position rose on me like a ghost. Anomalous, desolate, almost blank of hope, it stood. What was I doing here alone in great London? What should I do on the morrow? What prospects had I in life? What friends had I on earth? Whence did I come? Whither should I go? What should I do? I wet the pillow, my arms, and my hair with rushing tears. A dark interval of bitter thought followed this burst; but I did not regret the step taken, nor wish to retract it. A strong, vague persuasion that it was better to go forward than backward, and that I could go forward - that a way, however narrow and difficult, would in time open - predominated over other feelings.
Charlotte Brontë (Villette)
She leaves behind a damp pillow, wet with her tears. You touch the warmth with your hand and watch the sky outside gradually lighten. Far away a crow caws. The Earth slowly keeps on turning. But beyond any of those details of the real, there are dreams. And everyone’s living in them.
Haruki Murakami (Kafka on the Shore)
Waste forces within him, and a desert all around, this man stood still on his way across a silent terrace, and saw for a moment, lying in the wilderness before him, a mirage of honourable ambition, self-denial, and perseverance. In the fair city of this vision, there were airy galleries from which the loves and graces looked upon him, gardens in which the fruits of life hung ripening, waters of Hope that sparkled in his sight. A moment, and it was gone. Climbing to a high chamber in a well of houses, he threw himself down in his clothes on a neglected bed, and its pillow was wet with wasted tears. Sadly, sadly, the sun rose; it rose upon no sadder sight than the man of good abilities and good emotions, incapable of their directed exercise, incapable of his own help and his own happiness, sensible of the blight on him, and resigning himself to let it eat him away. VI.
Charles Dickens (A Tale of Two Cities)
He touched her chin. His eyes never left hers, and she almost felt as if he’d touched those as well. And then, with the softest, most tender caress imaginable, he kissed her. Sophie didn’t just feel loved; she felt revered. “I should wait until Monday,” he said, “but I don’t want to.” “I don’t want you to wait,” she whispered. He kissed her again, this time with a bit more urgency. “You’re so beautiful,” he murmured. “Everything I ever dreamed of.” His lips found her cheek, her chin, her neck, and every kiss, every nibble robbed her of balance and breath. She was sure her legs would give out, sure her strength would fail her under his tender onslaught, and just when she was convinced she’d crumple to the floor, he scooped her into his arms and carried her to the bed. “In my heart,” he vowed, settling her against the quilts and pillows, “you are my wife.” Sophie’s breath caught. “After our wedding it will be legal,” he said, stretching out alongside her, “blessed by God and country, but right now—” His voice grew hoarse as he propped himself up on one elbow so that he could gaze into her eyes. “Right now it is true.” Sophie reached up and touched his face. “I love you,” she whispered. “I have always loved you. I think I loved you before I even knew you.” He leaned down to kiss her anew, but she stopped him with a breathy, “No, wait.” He paused, mere inches from her lips. “At the masquerade,” she said, her voice uncharacteristically shaky, “even before I saw you, I felt you. Anticipation. Magic. There was something in the air. And when I turned, and you were there, it was as if you’d been waiting for me, and I knew that you were the reason I’d stolen into the ball.” Something wet hit her cheek. A single tear, fallen from his eye. “You are the reason I exist,” she said softly, “the very reason I was born.” He opened his mouth, and for a moment she was certain he would say something, but the only sound that emerged was a rough, halting noise, and she realized that he was overcome, that he could not speak. She was undone.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
I kept up well till I had partaken of some refreshment, warmed myself by a fire, and was fairly shut into my own room; but, as I sat down by the bed and rested my head and arms on the pillow, a terrible oppression overcame me. All at once my position rose on me like a ghost. Anomalous, desolate, almost blank of hope it stood. What was I doing here alone in great London? What should I do on the morrow? What prospects had I in life? What friends had I on, earth? Whence did I come? Whither should I go? What should I do? I wet the pillow, my arms, and my hair with rushing tears. A dark interval of bitter thought followed this burst; but I did not regret the step taken, nor wish to retract it. A strong, vague persuasion that it was better to go forward than backward, and that I could go forward - that a way, however narrow and difficult, would in time open - predominated over other feelings.
Charlotte Brontë (Villette)
Hullo,” he said sleepily, rubbing a hand along his jaw. He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room- I came to life. “Get out!” He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face. “But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.” Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close. I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up… Armand shifted a bit, rearranging the pillows behind his shoulders. I wet my lips. “If this is about the kiss-“ “No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“ “You can’t be in here!” “And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.” Dark power. Compel him to leave. I was desperate enough to try. “You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.” Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor. “That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?” Blast. I tipped my head back against the wood of the door and clenched my teeth. “Do you have any idea the trouble I’ll be in if they should find you here? What people will think?” “Oh, yes. It rather gives me the advantage, doesn’t it?” “Mrs. Westcliffe will expel me!” “Nonsense.” He smiled. “All right, probably she will.” “Just tell me that you want, then!” His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh. “All I want,” he said quietly, “is to talk. “Then pay a call on me later this afternoon,” I hissed. “No.” “What, you don’t have the time to tear yourself away from your precious Chloe?” I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither. Reasonably certain.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Waste forces within him, and a desert all around, this man stood still on his way across a silent terrace, and saw for a moment, lying in the wilderness before him, a mirage of honourable ambition, self-denial, and perseverance. In the fair city of this vision, there were airy galleries from which the loves and graces looked upon him, gardens in which the fruits of life hung ripening, waters of Hope that sparkled in his sight. A moment, and it was gone. Climbing to a high chamber in a well of houses, he threw himself down in his clothes on a neglected bed, and its pillow was wet with wasted tears. Sadly, sadly, the sun rose; it rose upon no sadder sight than the man of good abilities and good emotions, incapable of their directed exercise, incapable of his own help and his own happiness, sensible of the blight on him, and resigning himself to let it eat him away. Chapter 6 — Hundreds of People The quiet lodgings of Doctor Manette were in a quiet street-corner not far from Soho-square. On the afternoon of a certain fine Sunday when the waves of four months had roiled over the trial for treason, and carried
Charles Dickens (Charles Dickens: The Complete Novels)
When the light was off, I would put my hand under my pillow, searching for the photo of my mother that I had taken from my father’s dresser. In it, my mother is lying in a hammock in our backyard, holding me and smiling at the camera. There is an orange tree above us. I am asleep in her arms, her chin is resting on my head, her hand is on my back. Her hair is long and her curls soft. I used to run my finger over the photo, the length of her dress, from her shoulders to her feet. I would hold the photo to my chest and then tuck it back under my pillow and go to sleep. One night when I was about eight years old, I went to find the photo and it was gone. I threw my pillow onto the ground. I jumped off my bed and lifted the mattress onto its side. How could I have lost it, something so important? I started screaming, tears falling down my cheeks. My father came in and saw me sitting there, red-faced, my eyes wet, my room torn apart. He calmly put my mattress back on the frame and took me in his arms. “Pichoncita,” he said. “No te preocupés. The photo is fine. I put it back in my dresser. It’s time to stop looking at it every night.” “Pero I want to look at it every night.” He shook his head and held me tight. “Cariño, put it out of your mind. It is too heavy of a weight for you to bear.
Taylor Jenkins Reid (Carrie Soto Is Back)
I put my arm around her.  You put your arm around her.  She leans against you. And a long spell of time passes.  "Did you know that I did this exact same thing a long time ago? Right in this same spot?"  "I know," you tell her.  "How do you know that?' Miss Saeki asks, and looks you in the eyes.  "I was there then."  "Blowing up bridges?"  "Yes, I was there, blowing up bridges."  "Metaphorically."  "Of course."  You hold her in your arms, draw her close, kiss her. You can feel the strength deserting her body.  "We're all dreaming, aren't we?" she says.  All of us are dreaming.  "Why did you have to die?"  "I couldn't help it," you reply.  Together you walk along the beach back to the library. You turn off the light in your room, draw the curtains, and without another word climb into bed and make love.   Pretty much the same sort of lovemaking as the night before. But with two differences.   After sex, she starts to cry. That's one. She buries her face in the pillow and silently weeps. You don't know what to do. You gently lay a hand on her bare shoulder. You know you should say something, but don't have any idea what. Words have all died in the hollow of time, piling up soundlessly at the dark bottom of a volcanic lake. And this time as she leaves you can hear the engine of her car. That's number two. She starts the engine, turns it off for a time, like she's thinking about something, then turns the key again and drives out of the parking lot. That blank, silent interval between leaves you sad, so terribly sad. Like fog from the sea, that blankness wends its way into your heart and remains there for a long, long time. Finally it's a part of you.  She leaves behind a damp pillow, wet with her tears. You touch the warmth with your hand and watch the sky outside gradually lighten. Far away a crow caws. The Earth slowly keeps on turning. But beyond any of those details of the real, there are dreams.   And everyone's living in them.
Haruki Murakami
Grief takes time. Give yourself some. “Sages invest themselves in hurt and grieving” (Eccles. 7:4 MSG ). Lament may be a foreign verb in our world but not in Scripture’s. Seventy percent of the psalms are poems of sorrow. Why, the Old Testament includes a book of lamentations. The son of David wrote, “Sorrow is better than laughter, for sadness has a refining influence on us” (Eccles. 7:3 NLT ). We spelunk life’s deepest issues in the cave of sorrow. Why am I here? Where am I headed? We spelunk life’s deepest issues in the cave of sorrow. Why am I here? Where am I headed? Cemetery strolls stir hard yet vital questions. David indulged the full force of his remorse: “I am worn out from sobbing. Every night tears drench my bed; my pillow is wet from weeping” (Ps. 6:6 NLT ). And then later: “I am dying from grief; my years are shortened by sadness. Misery has drained my strength; I am wasting away from within” (Ps. 31:10 NLT ).
Max Lucado (Facing Your Giants: God Still Does the Impossible)
Weren’t you fucking somebody else last week, Friday?” I blurt out. I want to take it back immediately because it hangs there in the air between us like a bomb about to explode. “What?” she asks, and her voice goes soft. “Last week it was a different guy who took you to lunch.” I grumble to myself and get up, pretending to clean the counter. She thinks it over. “You mean Cody?” “How many are there?” She blinks hard. What the fuck? Friday never cries. Ever. I take a step toward her, and she steps back, putting her hand up like she’s going to push the air around me back. “How dare you?” she breathes. A tear falls over her lashes, and she swipes it away and then looks down at the back of her wet hand like she doesn’t know what the fuck a tear is. “Friday,” I say. I step toward her again. I soften my voice because I have no idea what to do. I have never seen this Friday before. I have only seen the one who can eat my balls for lunch. Hell, she’ll feed my balls to me if I piss her off enough. And make me like it. Four years and I have never seen her shed a tear. She turns around and runs into the bathroom, slamming the door behind her. I lean my ear against the door and listen, but I can’t hear anything over the sound of the fan. I knock. She doesn’t answer. “Dammit,” I swear. I lean my forehead against the door. “Leave her alone,” I hear from behind me. I turn around because Logan is talking. “I can’t,” I say to him. I knock again, but she doesn’t answer. “Just leave her the fuck alone,” he says again. He’s pissed, I can tell. “You have a client.” He waves toward my customer like he’s Vanna Fucking White. “Work to do. So, you might want to get to it.” I heave a sigh and look at my client. “Just a moment,” I say. “Take your time,” he says with a grin. He’s loving the show, apparently. I pull my keys from my pocket and fit the key in the lock. I hesitate long enough for Logan to notice. “You shouldn’t,” he warns. I know I shouldn’t, but I am. I turn the key and let myself into the room. I find Friday washing her face. “What the fuck, Paul!” she cries. She turns back to the mirror and dabs beneath her eyes. She looks at me in the mirror. “Get out.” I close the door behind me and lean against it. “Why are you crying?” “I don’t know,” she bites out. But another tear slides down her cheek. “Fucking hormones,” she says as she swipes it away. All this because she has her period? I know better than to say that out loud. “Oh,” I say instead. She turns to face me, hitching her hip against the sink. She crosses her arms beneath her breasts, which pushes them up and makes little pillows over the top of that low-cut dress she’s wearing. My God. I look up at her face. She smirks at me. I like a smirking Friday a lot better than one who’s crying because I don’t know what do with tears. Not from her. “I didn’t mean to hurt your feelings,” I blurt out when she just glares at me. “Yes, you did.” “No, I didn’t.” “Yes, you did.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
They’re such little thoughts”—Matrona winced, fingers returning to her temples—“often passing as quickly as they came, or after a good night’s rest. Only, imagine if all those thoughts were . . . I don’t know, saved in a chest. Every single one. And every bad feeling you’ve ever had. Guilt over telling a lie, or shame from doing something wrong. All of it inside this chest. And then suddenly you’re in the room with the chest, and it opens, but someone’s jammed the door and you can’t get out—” “You’re rambling, Matrona.” Roksana clicked her tongue and resituated her heavy body, trying to get comfortable. “You sound almost poetic, in a sad, strange way.” “Just imagine it, Roksana!” Matrona cried, her hands jerking away from her temples and slamming fists into her pillow, making her friend jump. “Imagine how it would make you feel. What would you do, trapped with all of it around you?” Tears wet her eyes, and she blinked rapidly to banish them, her eyes still sore from the night’s weeping. “Tell me what to do.
Charlie N. Holmberg (The Fifth Doll)
A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
I lay on my side with my head on the pillows and looked out of the window; the blue of the sky was so clear it almost hurt. I felt it come again. I didn't cry much, just a few tears rolling down, wetting my eyes. I wondered about the cause. My thoughts lay embedded in sinews and skin, beyond my reach. Those of you who believe yourselves to be clean, without sin, without guilt, may cast the first stone. I saw myself under a heap of stones.
Hanne Ørstavik (Like sant som jeg er virkelig)
The rain could not last forever; Nature must cease weeping some time. Just as girls, far away from their old homes and their old friends, must cease wetting their pillows with regretful tears after a time, and look forward to the new interests and new friends to which they have come.
Alice B. Emerson (The Ruth Fielding Series: 18 Girls' Adventure Stories)