Pilgrim Soul Quotes

We've searched our database for all the quotes and captions related to Pilgrim Soul. Here they are! All 100 of them:

When You Are Old" WHEN you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face; And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face amid a crowd of stars.
W.B. Yeats
How many loved your moments of glad grace, And loved your beauty with love false or true; But one man loved the pilgrim soul in you, And loved the sorrows of your changing face.
W.B. Yeats (The Collected Poems of W.B. Yeats)
I believe that a godly home is a foretaste of heaven. Our homes, imperfect as they are, must be a haven from the chaos outside. They should be a reflection of our eternal home, where troubled souls find peace, weary hearts find rest, hungry bodies find refreshment, lonely pilgrims find communion, and wounded spirits find compassion.
Jani Ortlund
You suck, surprising no one!!!! If bad was a boot, you'd fit it!!!! You're a stupid poo-poo head! I had sexual relations with your mother! Your mother was not that good in bed! You, sir, are a wretched soul! I am rubber, you are glue!
Bryan Lee O'Malley (Scott Pilgrim vs. The World (Scott Pilgrim, #2))
Your soul once sat on an easel on my knee. For ages I hve been sketching you With myriad shapes of sounds and light; Now awake, dear pilgrim, With your thousand swaying arms That need to caress the sky.
The Subject Tonight Is Love: 60 Wild and Sweet Poems of Hafiz (Compass)
When You Are Old When you are old and grey and full of sleep And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true; But one man loved the pilgrim soul in you, And loved the sorrows of your changing face. And bending down beside the glowing bars, Murmur, a little sadly, how love fled And paced upon the mountains overhead, And hid his face amid a crowd of stars.
W.B. Yeats (The Collected Poems of W.B. Yeats)
The law, instead of cleansing the heart from sin, doth revive it, put strength into, and increase it in the soul, even as it doth discover and forbid it, for it doth not give power to subdue.
John Bunyan (The Pilgrim's Progress)
A work of grace in the soul makes itself known either to the one who has it or to onlookers. "Where
John Bunyan (The Pilgrim's Progress: From This World to That Which Is to Come)
The body, so to speak, is simply the riding-animal of the soul, and perishes while the soul endures. The soul should take care of the body, just as a pilgrim on his way to Mecca takes care of his camel; but if the pilgrim spends his whole time in feeding and adorning his camel, the caravan will leave him behind, and he will perish in the desert.
Abu Hamid al-Ghazali (The Alchemy of Happiness)
An Eskimo shaman said, "Life’s greatest danger lies in the fact that man’s food consists entirely of souls".
Annie Dillard (Pilgrim at Tinker Creek)
Yes, it’s tough, it’s tough, that goes without saying. But isn’t waiting itself and longing a wonder, being played on by wind, sun, and shade?
Annie Dillard (Pilgrim at Tinker Creek)
I believe each of us is a pilgrim in our own way; we are all lost souls, trying to find our way home.
Seth Adam Smith (Rip Van Winkle and the Pumpkin Lantern)
When you are old and grey and full of sleep,” he repeated over the chuckling, “and nodding by the fire, take down this book, and slowly read, and dream of the soft look your eyes had once, and of their shadows deep; how many loved your moments of glad grace, and loved your beauty with love false or true, but one man loved the pilgrim soul in you, and loved the sorrows of your changing face.
Amy Harmon (What the Wind Knows)
A true pilgrimage requires letting go of the very things most people try to hold onto. In seeking after what the soul desires, we become pilgrims with no home but the path the soul would have us follow.
Michael Meade (Fate and Destiny, The Two Agreements of the Soul)
My soul longs to feel itself more of a pilgrim and stranger here below; that nothing may divert me from pressing through the lonely desert, till I arrive at my Father’s house.
Jonathan Edwards (The Life and Diary of David Brainerd)
Shine in any season of your life! Head on with confidence in your life’s pilgrim! In deep faith, countless hope and unconditional love blessed by the Almighty. Newness of each rising day, bringing forth colourful sunsets. Enkindle your soul once more with courage, joy and love, flowing in a river of awakening & sharing: with a heart who once knew that hurt, pain, loss… means to SHINE!
Angelica Hopes (Rhythm of a Heart, Music of a Soul)
A man who imagines that because he has a head full of knowledge that he is sufficient for these things had better start learning again. ‘Who is sufficient for these things?’ What are you doing? You are not simply imparting information, you are dealing with souls, you are dealing with pilgrims on the way to eternity, you are dealing with matters not only of life and death in this world, but with eternal destiny.
D. Martyn Lloyd-Jones (Preaching and Preachers)
Ever since the morning, Pierre had beheld many frightful sufferings in that woeful white train. But none had so distressed his soul as did that wretched female skeleton, liquefying in the midst of its lace and its millions.
Émile Zola (Lourdes (Three Cities Trilogy, #1))
For knowledge, great knowledge, may be obtained in the mysteries of the gospel, without any work of grace in the soul. You see, even if a man has all knowledge, he may still be nothing, and so, consequently, not be a child of God.
John Bunyan (Pilgrim's Progress)
Against the new leviathan, whether in the guise of universal suffrage, democracy, or of an equally fraudulent triumphant proletariat, he (Kierkegaard) pitted the individual human soul made in the image of a God who was concerned about the fate of every living creature. In contrast with the notion of salvation through power, he held out the hope of salvation through suffering. The Cross against the ballot box or clenched fist; the solitary pilgrim against the slogan-shouting mob; the crucified Christ against the demagogue-dictators promising a kingdom of heaven on earth, whether achieved through endlessly expanding wealth and material well-being, or through the ever greater concentration of power and its ever more ruthless exercise.
Malcolm Muggeridge
You will find your Island here. But how can it be here in the middle of the city? -It needs no place. It is everywhere and nowhere. It refuses entry to none who asks. It is an Island of the Soul.
C.S. Lewis (The Pilgrim's Regress)
This is what I had come for, just this, and nothing more. A fling of leafy motion on the cliffs, the assault of real things, living and still, with shapes and powers under the sky- this is my city, my culture, and all the world I need.
Annie Dillard (Pilgrim at Tinker Creek)
If we were less of what seems like ease in our lives they would tell more for Christ and souls...We profess to be strangers and pilgrims, seeking after a country of our own, yet we settle down in the most un-stranger-like fashion, exactly as if we were quite at home and meant to stay as long as we could. I don't wonder apostolic miracles have died. Apostolic living certainly has.
Amy Carmichael
I have often noticed that these things, which obsess me, neither bother nor impress other people even slightly. I am horribly apt to approach some innocent at a gathering, and like the ancient mariner, fix him with a wild, glitt’ring eye and say, “Do you know that in the head of the caterpillar of the ordinary goat moth there are two hundred twenty-eight separate muscles?” The poor wretch flees. I am not making chatter; I mean to change his life.
Annie Dillard (Pilgrim at Tinker Creek)
How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face;” ― W. B. Yeats
W.B. Yeats
Beauty can break a heart and make it think about something more spiritual than the mindless routine we go through day after day to get by. Francis was a singer, a poet, an actor. He knew that the imagination was a stealth way into people's souls, a way to get all of us to think about God. For him, beauty was its own apologetic. That's why a church should care about the arts. They inspire all of us to think about the eternal.
Ian Morgan Cron (Chasing Francis: A Pilgrim's Tale)
Three deep cravings of the self, three great expressions of man's restlessness, which only mystic truth can fully satisfy. The first is the craving which makes him a pilgrim and a wanderer. It is the longing to go out from his normal world in search of a lost home, a 'better country'; an Eldorado, a Sarras, a Heavenly Syon. The next is the craving of heart for heart, of the Soul for its perfect mate, which makes him a lover. The third is the craving for inward purity and perfection, which makes him an ascetic, and in the last resort a saint.
Evelyn Underhill (Mysticism: A Study in the Nature and Development of Spiritual Consciousness)
How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face . . . William Butler Yeats, “When You Are Old,” 1891
Julia Whelan (My Oxford Year)
I want to think about trees. Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I can’t think about them. I live with trees. There are creatures under our feet, creatures that live over our heads, but trees live quite convincingly in the same filament of air we inhabit, and in addition, they extend impressively in both directions, up and down, shearing rock and fanning air, doing their real business just out of reach.
Annie Dillard (Pilgrim at Tinker Creek)
She's his kid sister, but... I guess it's like she got sucked into this alternate dimension when she was little? And this demon guy taught her all this black magic and, like, twisted her soul.
Bryan Lee O'Malley (Scott Pilgrim, Volume 5: Scott Pilgrim vs. the Universe)
Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn’t break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world’s presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful.
Frédéric Gros (A Philosophy of Walking)
The great enemy of grace is the strict accounting of our sin and corruption that when added up totals such a staggering debt that no person without faith in the sure promises of God would ever dare calculate that anything good awaits him and would further be convinced that all that does lie ahead is a complete foreclosure of his soul and all its contents. Pliable,
John Bunyan (The Pilgrim's Progress: From This World to That Which Is to Come)
If two pilgrims, which have wandered some few miles together, have a heart's grief when they are near to part, what must the sorrow be at the parting of two so loving friends and never-loathing lovers as the body and the soul?
William Drummond of Hawthornden
O my Mansoul, I have lived, I have died, I live, and I will die no more for thee. I live that thou mayest not die. Because I live thou shalt live also; I reconciled thee to my Father by the blood of My cross, and being reconciled thou shalt live through me. I will pray for thee, I will fight for thee, I will yet do thee good. Nothing can hurt thee but sin; nothing can grieve Me but sin; nothing can make thee base before thy foes but sin; take heed of sin, my Mansoul.
John Bunyan (The Holy War)
I pulled you from the water And kept you in my bed. A lost, forsaken daughter Of a past that isn’t dead. Somehow love from sweet obsession Branched and broke a heart of stone. Distrust became confession, Solemn vows of blood and bone. But in the wind, I hear the strain, Pilgrim soul that time has found. It moans to whisk you back again. Bid me follow, sweetly drown. Don’t go near the water, love. Stay away from strand or sea. You cannot walk on water, love. The lough will take you far from me.
Amy Harmon (What the Wind Knows)
But I must think it is one or the other.' [Reason]: 'By my father's soul, you must not - until you have some evidence. Can you not remain in doubt?' [John]: 'I don't know that I have ever tried.' [Reason]: 'You must learn to, if you are to come far with me. It is not hard to do it. In Eschropolis, indeed, it is impossible, for the people who live there have to give an opinion once a week or once a day, or else Mr. Mammon would soon cut off their food. But out here in the country you can walk all day and all the next day with an unanswered question in your head: you need never speak until you have made up your mind.
C.S. Lewis (The Pilgrim's Regress)
Pilgrimage, in this sense, can mean the life journeys we take in response to unwelcomed circumstances.
Christine Valters Paintner (The Soul of a Pilgrim: Eight Practices for the Journey Within)
Ahhhh. The comfort of a familiar routine out in the desert of unfamiliar exploration. Dark chocolate for the soul.
Neil M. Hanson (Pilgrim Wheels: Reflections of a Cyclist Crossing America (Cycling Reflections #1))
In seeking after what the soul desires we become pilgrims with no home but the path the soul would have us follow.
Michael Meade (Fate and Destiny, The Two Agreements of the Soul)
While we must venture far to find our “true self,” it is also always with us.
Christine Valters Paintner (The Soul of a Pilgrim: Eight Practices for the Journey Within)
There is a law in physics that applies to the soul. No two objects can occupy the same space at the same time; one thing must displace another. If your heart’s crammed tight with material things and a thirst for wealth, there’s no space left for God. Francis wanted a void in his life that could only be filled with Jesus. Poverty wasn’t a burden for him — it was a pathway to spiritual freedom.
Ian Morgan Cron (Chasing Francis: A Pilgrim’s Tale)
Faint not, poor soul, in God still trust; Fear not the things thou suffer must; For, whom he loves he doth chastise, And then all tears wipes from their eyes. William Bradford Plymouth Colony Governor
Nathaniel Philbrick (Mayflower: A Story of Courage, Community, and War)
The preeminent job of the church is to equip Christian for life's challenges. This requires the emphasis on being fitted with tested armor. He is tutored in the Word of God. He is encouraged to rely on the Lord alone through faith in His promises and providence. He is drilled in the doctrines of salvation and is encouraged to allow these truths to work themselves deep into his soul. He is encouraged to live righteously by having within him a righteous mind soaked in Scripture and demonstrated in right living. He is taught how to pray. He is encouraged to share his faith with those who do not have peace with God. Chapter
John Bunyan (The Pilgrim's Progress: From This World to That Which Is to Come)
Your soul may well consist of artists and artisans, crooks and charlatans, writers and wanderers, poets and performers, vagabonds and visionaries, cigar box jugglers and contortionists, sword swallowers, storey-tellers and snake worshippers, fire eaters and fire dancers, human cannonballs, treasure hunters, swashbuckling pirates, pilgrims, Bedouin tribesmen and Gypsies. Everything that’s rash and wild inside of you is striving for freedom. And I’m not asking for this to hit you like an epiphany. It’s not supposed to. But if you read that list of misfits above and gave just the tiniest of nods – even at a deep subliminal level – then you understand
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.
Annie Dillard (Pilgrim at Tinker Creek)
He didn’t turn to look at his home or family behind him (Escape; for thy soul, do not look behind thee, neither stop thou in all the plain; escape to the mountain, lest thou be consumed. – Gen. 19:17b), but fled towards the middle of the plain.
John Bunyan (Pilgrim's Progress)
As Pliable and Christian find themselves walking together toward the narrow gate, we see the stark contrast between the two pilgrims. One is burdened; the other is not. One is clutching a book that is a light to his path. The other is guideless. One is on the journey in pursuit of deliverance from besetting sins and rest for his soul. The other is on the journey in order to obtain future delights that temporarily dazzle his mind. One is slow and plodding because of his great weight and a sense of his own unrighteousness; the other is light-footed and impatient to obtain all the benefits of Heaven. One is in motion because his soul has been stirred up to both fear and hope; the other is dead to any spiritual fears, longings, or aspirations. One is seeking God; the other is seeking self-satisfaction. One is a true pilgrim; the other is false and fading. 15.
John Bunyan (The Pilgrim's Progress: From This World to That Which Is to Come)
When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face; And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face amid a crowd of stars.
John Irving (A Widow for One Year)
I do not know what infinite yearning possesses you, so that you are driven to a perilous, lonely search for some goal where you expect to find a final release from the spirit that torments you. I see you as the eternal pilgrim to some shrine that perhaps does not exist. I do not know to what inscrutable Nirvana you aim. Do you know yourself? Perhaps it is Truth and Freedom that you seek, and for a moment you thought that you might find release in Love. I think your tired soul sought rest in a woman’s arms, and when you found no rest there you hated her. You had no pity for her, because you have no pity for yourself. And you killed her out of fear, because you trembled still at the danger you had barely escaped.
W. Somerset Maugham (The Moon and Sixpence)
Instead of seeing my life as a personal history or career, I see myself as a pilgrim on a spiritual journey. I am no longer an isolated ego narrating my own storyline; I am a soul, evolving toward oneness. I am a pinprick of awareness in the star field of the cosmos. I am part of it all.
Ram Dass (Being Ram Dass)
CHR. True or right fear is discovered by three things:-- 1. By its rise; it is caused by saving convictions for sin. 2. It driveth the soul to lay fast hold of Christ for salvation. 3. It begetteth and continueth in the soul a great reverence of God, his Word, and ways, keeping it tender, and making it afraid to turn from them, to the right hand or to the left, to anything that may dishonour God, break its peace, grieve the Spirit, or cause the enemy to speak reproachfully.
John Bunyan (The Pilgrim's Progress)
No one could understand; nor could she explain it herself. This senseless kindness is condemned in the fable about the pilgrim who warmed a snake in his boson. It is the kindness that has mercy on a tarantula that has bitten a child. A mad, blind kindness. People enjoy looking in stories and fables for examples of the danger of this kind of senseless kindness. But one shouldn't be afraid of it. One might just as well be afraid of a freshwater fish carried out by chance into the salty ocean. The harm from time to time occasioned a society, class, race or State by this senseless kindness fades away in the light that emanates from those who are endowed with it. This kindness, this stupid kindness, is what is most truly human in a human being. It is what sets man apart, the highest achievement of his soul. No it says, life is not evil.
Vasily Grossman (A Writer at War: Vasily Grossman with the Red Army)
A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.
Annie Dillard (Pilgrim at Tinker Creek)
The Swamp of Despond is that place set before the narrow gate where true and false pilgrims alike are assaulted by their own internal corruption and pollution. The dirt and scum that has attached itself to our hearts and minds is agitated and revealed by both the workings of a guilty conscience and the devouring avarice of the enemy of our souls. The
John Bunyan (The Pilgrim's Progress: From This World to That Which Is to Come)
I was a perfect candidate for the secret world. I was smart, I had always been a loner and I was damaged deep in my soul.
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
God is never a set of concepts to be understood but a relationship to encounter
Christine Valters Paintner (The Soul of a Pilgrim: Eight Practices for the Journey Within)
Your country? How came it yours? Before the Pilgrims landed we were here. Here we have brought our three gifts and mingled them with yours: a gift of story and song—soft, stirring melody in an ill-harmonized and unmelodious land; the gift of sweat and brawn to beat back the wilderness, conquer the soil, and lay the foundations of this vast economic empire two hundred years earlier than your weak hands could have done it; the third, a gift of the Spirit. Around us the history of the land has centred for thrice a hundred years; out of the nation's heart we have called all that was best to throttle and subdue all that was worst; fire and blood, prayer and sacrifice, have billowed over this people, and they have found peace only in the altars of the God of Right. Nor has our gift of the Spirit been merely passive. Actively we have woven ourselves with the very warp and woof of this nation,—we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer, and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this work and striving? Would America have been America without her Negro people?
W.E.B. Du Bois (The Souls of Black Folk)
Pilgrims Tuscan reds and ochre hues Olive greens and skies of blue Sunlit valleys full of charm Secluded homestead and hilltop farm Over hills skim birds in flight Aromas whet the appetite Autumn rustle fills the air Revealing grace of trees laid bare Pathways meander through the vale Inviting travelers its height to scale Sunset rewards as evening ends And pilgrims to the night descend
Collette O'Mahony (The Soul in Words: A collection of Poetry & Verse)
Of the life of man the duration is but a point, its substance streaming away, its perception dim, the fabric of the entire body prone to decay, and the soul a vortex, and fortune incalculable, and fame uncertain. In a word all the things of the body are as a river, and the things of the soul as a dream and a vapour; and life is a warfare and a pilgrim’s sojourn, and fame after death is only forgetfulness.
Marcus Aurelius (Complete Works of Marcus Aurelius)
New England, would face no real Indian challenge. Indeed, the plague helped prompt the legendarily warm reception Plymouth enjoyed from the Wampanoags. Massasoit, the Wampanoag leader, was eager to ally with the Pilgrims because the plague had so weakened his villages that he feared the Narragansetts to the west.28 When a land conflict did develop between new settlers and old at Saugus in 1631, “God ended the controversy by sending the small pox amongst the Indians,” in the words of the Puritan minister Increase Mather. “Whole towns of them were swept away, in some of them not so much as one Soul escaping the Destruction.” 29 By the time the Native populations of New England had replenished themselves to some degree, it was too late to
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson’s Bay. It was as if the season’s colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.
Annie Dillard (Pilgrim at Tinker Creek)
It is winter proper; the cold weather, such as it is, has come to stay. I bloom indoors in the winter like a forced forsythia; I come in to come out. At night I read and write, and things I have never understood become clear; I reap the harvest of the rest of the year’s planting. The woods are acres of sticks: I could walk to the Gulf of Mexico in a straight line. When the leaves fall, the striptease is over; things stand mute and revealed. Everywhere skies extend, vistas deepen, walls become windows, doors open.
Annie Dillard (Pilgrim at Tinker Creek)
Let us reflect in another way, and we shall see that there is great reason to hope that death is a good; for one of two things—either death is a state of nothingness and utter unconsciousness, or, as men say, there is a change and migration of the soul from this world to another. Now if you suppose that there is no consciousness, but a sleep like the sleep of him who is undisturbed even by dreams, death will be an unspeakable gain. For if a person were to select the night in which his sleep was undisturbed even by dreams, and were to compare with this the other days and nights of his life, and then were to tell us how many days and nights he had passed in the course of his life better and more pleasantly than this one, I think that any man, I will not say a private man, but even the great king will not find many such days or nights, when compared with the others. Now if death be of such a nature, I say that to die is gain; for eternity is then only a single night. But if death is the journey to another place, and there, as men say, all the dead abide, what good, O my friends and judges, can be greater than this? If indeed when the pilgrim arrives in the world below, he is delivered from the professors of justice in this world, and finds the true judges who are said to give judgment there, Minos and Rhadamanthus and Aeacus and Triptolemus, and other sons of God who were righteous in their own life, that pilgrimage will be worth making. What would not a man give if he might converse with Orpheus and Musaeus and Hesiod and Homer? Nay, if this be true, let me die again and again.
Socrates (Apology, Crito And Phaedo Of Socrates.)
One of the open secrets of life on earth is that the answer to life’s burning question has been inscribed in one’s soul all along. The soul is a kind of ancient vessel that holds the exact knowledge we seek and need to find our way in life. Each life is a pilgrimage intended to arrive at the center of the pilgrim’s soul. From that vantage point, the issue is not whether we managed to choose the right god or the only way to live righteously; such notions fail to recognize the inborn intimacy each soul already has with the divine.
Michael Meade (Fate and Destiny, The Two Agreements of the Soul)
This time, there’s no question of freeing yourself from artifice to taste simple joys. Instead there is the promise of meeting a freedom head-on as an outer limit of the self and of the human, an internal overflowing of a rebellious Nature that goes beyond you. Walking can provoke these excesses: surfeits of fatigue that make the mind wander, abundances of beauty that turn the soul over, excesses of drunkenness on the peaks, the high passes (where the body explodes). Walking ends by awakening this rebellious, archaic part of us: our appetites become rough and uncompromising, our impulses inspired. Because walking puts us on the vertical axis of life: swept along by the torrent that rushes just beneath us. What I mean is that by walking you are not going to meet yourself. By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history. Being someone is all very well for smart parties where everyone is telling their story, it’s all very well for psychologists’ consulting rooms. But isn’t being someone also a social obligation which trails in its wake – for one has to be faithful to the self-portrait – a stupid and burdensome fiction? The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life.
Frédéric Gros (A Philosophy of Walking)
By what route the infant Hansen found his way to the Jesuits, the file did not relate. Perhaps the mother converted. Those were dark years still, and if expediency required it, she may have swallowed her Protestant convictions to buy the boy a decent education. Give the Jesuits his soul, she may have reasoned, and they will give him a brain. Or perhaps she sensed in her son from early on the mercurial nature that later ruled his life, and she determined to subordinate him to a stronger religious discipline than was offered by the easy-going Protestants. If so, she was wise.
John le Carré (The Secret Pilgrim (George Smiley, #8))
for as the soul is glued inside of its fleshy tabernacle and cannot freely move about in it, nor even move out of it, without running great risk of perishing like an ignorant pilgrim crossing the snowy Alps in winter, so a watch coat is not so much of a house as it is a mere envelope or additional skin encasing you.
Herman Melville (Moby-Dick)
I’d rather spend a day on earth to fight with fear and trembling for an eternal days in Heaven with the Sovereign Lord God and the Lord Jesus Christ than to spend thousand years on earth, conform to its patterns, rejoice at the expense of the eternal joy of my soul and remain here on earth for eternal condemnation in hell fire!
Ernest Agyemang Yeboah
There’s not much here that tempts me though. I look for folks who appear to be having fun, but can’t find any. Row after row of sad faces hooked up to slot machines like arms connected to IV's, drugs pumping into their minds. Table after table of drained souls looking to leave scraps of happiness and dignity on the green felt of the blackjack table.
Neil M. Hanson (Pilgrim Wheels: Reflections of a Cyclist Crossing America (Cycling Reflections #1))
Think of it this way,” he continued. “A pilgrimage is a way of praying with your feet. You go on a pilgrimage because you know there’s something missing inside your soul, and the only way you can find it is to go to sacred places, places where God made himself known to others. In sacred places, something gets done to you that you’ve been unable to do for yourself.
Ian Morgan Cron (Chasing Francis: A Pilgrim’s Tale)
In the course of the conversation mention was made of the Blessed Virgin. The stranger remarked that though he admitted that the Mother of Christ had conceived without detriment to her virginal purity, yet he could not believe that after the conception of her divine Son she was still a virgin. He was so obstinate in holding this opinion, that no amount of reasoning on the part of Ignatius could force him to abandon it. Shortly afterward the Saracen rode on, leaving the pilgrim to his own reflections. These were not of the most peaceful nature. He was sorely troubled as he thought over the conduct of his recent fellow-traveler, and felt that he had but poorly acquitted himself of his duty of honoring the Mother of God. The longer his mind thought upon the matter, the more his soul was filled with indignation against himself for having allowed the Saracen to speak as he had done of the Blessed Virgin, and for the lack of courage he fancied he had shown in not at once resenting the insult. He consequently felt impelled by a strong impulse to hasten after him and slay the miscreant for the insulting language he had used.
Ignatius of Loyola (The Autobiography of St. Ignatius)
So Rhun had arrived at the last frontier of belief, and fallen, or emerged, or soared into the region where the soul realises that pain is of no account, that to be within the secret of God is more than well being, and past the power of the tongue to utter. To embrace the decree of pain is to translate it, to shed it like a rain of blessing on others who have not yet understood.
Ellis Peters (The Pilgrim of Hate (Chronicles of Brother Cadfael #10))
Invite Wonder What if you bowed before every dandelion you met and wrote love letters to squirrels and pigeons who crossed your path? What if scrubbing the dishes became an act of single reverence for the gift of being washed clean, and what if the rhythmic percussion of chopping carrots became the drumbeat of your dance? What if you stepped into the shower each morning only to be baptized anew and sent forth to serve the grocery bagger, the bank teller, and the bus driver through simple kindness? And what if the things that make your heart dizzy with delight were no longer stuffed into the basement of your being and allowed out to play in the lush and green fields? There are two ways to live in this world: As if everything were enchanted or nothing at all.
Christine Valters Paintner (The Soul of a Pilgrim: Eight Practices for the Journey Within)
Phædrus wrote a letter from India about a pilgrimage to holy Mount Kailas, the source of the Ganges and the abode of Shiva, high in the Himalayas, in the company of a holy man and his adherents. He never reached the mountain. After the third day he gave up, exhausted, and the pilgrimage went on without him. He said he had the physical strength but that physical strength wasn’t enough. He had the intellectual motivation but that wasn’t enough either. He didn’t think he had been arrogant but thought that he was undertaking the pilgrimage to broaden his experience, to gain understanding for himself. He was trying to use the mountain for his own purposes and the pilgrimage too. He regarded himself as the fixed entity, not the pilgrimage or the mountain, and thus wasn’t ready for it. He speculated that the other pilgrims, the ones who reached the mountain, probably sensed the holiness of the mountain so intensely that each footstep was an act of devotion, an act of submission to this holiness. The holiness of the mountain infused into their own spirits enabled them to endure far more than anything he, with his greater physical strength, could take.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
A perfect birthday poem called ‘When You Are Old.’” Everyone chortled, and Eoin looked confused. “Are you old, Mother?” he asked. “No, darling boy. I’m ageless,” I answered. Everyone laughed again, but the O’Toole sisters urged Thomas on, pleading for the poem. Thomas stood, and with his hands in his pockets and his shoulders slightly hunched, he began. “When you are old and grey and full of sleep . . .” Thomas enunciated “old and grey,” and everyone tittered again, but I knew the poem well, knew every word, and my heart had turned to liquid in my chest. “When you are old and grey and full of sleep,” he repeated over the chuckling, “and nodding by the fire, take down this book, and slowly read, and dream of the soft look your eyes had once, and of their shadows deep; how many loved your moments of glad grace, and loved your beauty with love false or true, but one man loved the pilgrim soul in you, and loved the sorrows of your changing face.” The room had grown quiet, and Maggie’s lips trembled, the soft sweetness of memory gleaming in her eyes. It was the kind of poem that made old women remember how it felt to be young. As he spoke, Thomas looked at everyone in turn, but the poem was for me; I was the pilgrim soul with a changing face. He finished, reflecting on how love fled and “paced upon the mountains overhead and hid his face amid a crowd of stars.” Everyone clapped and stamped their feet, and Thomas bowed jauntily, accepting the praise. But he met my gaze before taking his seat. When I dragged my eyes away, I found Brigid
Amy Harmon (What the Wind Knows)
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard (Pilgrim at Tinker Creek)
Matt. Then Matthew who had been sick, asked her, Why for the most part Physick should be bitter to our palates? Prud. To shew how unwelcome the Word of God and the effects thereof are to a Carnal Heart. Matt. Why does Physick, if it does good, purge, and cause that we vomit? Prud. To shew that the Word, when it works effectually, cleanseth the Heart and Mind. For look, what the one doth to the Body the other doth to the Soul.
John Bunyan (Pilgrim's Progress)
In the forty minutes I watched the muskrat, he never saw me, smelled me, or heard me at all. When he was in full view of course I never moved except to breathe. My eyes would move, too, following his, but he never noticed. Only once, when he was feeding from the opposite bank about eight feet away did he suddenly rise upright, all alert- and then he immediately resumed foraging. But he never knew I was there. I never knew I was there, either. For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, “When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you.
Annie Dillard (Pilgrim at Tinker Creek)
Tess, on her part, could not understand why a man of clerical family and good education, and above physical want, should look upon it as a mishap to be alive. For the unhappy pilgrim herself there was a very good reason. But how could this admirable and poetic man ever have descended into the Valley of Humiliation, have felt with the man of Uz - as she herself had felt two or three years ago - my soul chooseth strangling and death rather than my life. I loathe it ; I would not live always.
Thomas Hardy (Tess of the D’Urbervilles)
This parlor, said the Interpreter, is the heart of a man who was never sanctified by the sweet grace of the gospel. The dust is his original sin and inward corruptions that have defiled the whole man. He that began to sweep at first, is the law. But she that brought water and sprinkled it is the gospel. Now you saw that as soon as the first began to sweep the dust flew about the room so that it could not be cleaned, and you were almost choked with it. This is to show you that the law, instead of cleansing the heart by its working, from sin, does revive, strengthen and increase sin in the soul even as it does discover and forbid it. For the law does not give power to subdue sin. Again, you saw the young woman sprinkle the room with water, upon which it was cleansed with pleasure. This is to show you that when the sweet and precious influence of the gospel comes into the heart then sin is vanquished and subdued and the soul made clean and, consequently, fit for the king of glory to inhabit.
Max McLean (The Pilgrim's Progress)
I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world’s coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?
Annie Dillard (Pilgrim at Tinker Creek)
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
Annie Dillard (Pilgrim at Tinker Creek)
Those people who shoot endless time-lapse films of unfurling roses and tulips have the wrong idea. They should train their cameras instead on the melting of pack ice, the green filling of ponds, the tidal swings…They should film the glaciers of Greenland, some of which creak along at such a fast clip that even the dogs bark at them. They should film the invasion of the southernmost Canadian tundra by the northernmost spruce-fir forest, which is happening right now at the rate of a mile every 10 years. When the last ice sheet receded from the North American continent, the earth rebounded 10 feet. Wouldn’t that have been a sight to see?
Annie Dillard (Pilgrim at Tinker Creek)
Pilgrimage was a centrally important part of Christian life in the early twelfth century, and had been for nearly one thousand years. People traveled incredible distances to visit saints' shrines and the sites of famous Christian deeds. did it for the good of their souls: sometimes to seek divine relief from illness, sometimes as penance to atone for their sins. Some thought that praying at a certain shrine would ensure the protection of that saint in their passage through the afterlife. All believed that God looked kindly on pilgrims and that a man or woman who ventured humbly and faithfully to the center of the world would improve his or her standing in the eyes of God.
Dan Jones (The Templars: The Rise and Spectacular Fall of God's Holy Warriors)
I told him that the soul could be freed from sinful thoughts only by guarding the mind and cleansing the heart and that this could be done by interior prayer. I added that according to the holy Fathers, one who performs saving works simply from the fear of hell follows the way of bondage, and one who does the same just in order to be rewarded with the Kingdom of Heaven follows the path of a bargainer with God. The one they call a slave, the other a hireling. But God wants us to come to him as children to their father. He wants us to behave ourselves honorably from love for him and zeal for his service. He wants us to find our happiness in uniting ourselves with him in a saving union of mind and heart.
R.M. French (Way of a Pilgrim, The; and The Pilgrim Continues His Way)
Quraysh, who had shown throughout the day that they were still in thrall to the overbearing haughtiness and intransigence of the jahiliyyah, a stubborn resistance to anything that might injure their sense of honor or their traditional way of life. They had even been ready to massacre the innocent unarmed pilgrims rather than accept the “humiliation” of admitting them to the Haram. When in the hearts of those who persist in unbelief arose the characteristic arrogance, the arrogance of jahiliyyah, then God sent down his peace of soul (sakinah) upon His Messenger and upon the believers, and imposed upon them the formula of self-restraint (hilm), for that was most befitting to them and they were most suited for that.31
Karen Armstrong (Muhammad: Prophet for Our Time)
Meditation Take the world, but give me Jesus, Sweetest comfort of my soul; With my Savior watching o’er me, I can sing though billows roll. Take the world, but give me Jesus, Let me view his constant smile; Then throughout my pilgrim journey Light will cheer me all the while. Take the world, but give me Jesus, All its joys are but a name; But his love abideth ever, Through eternal years the same. Take the world, but give me Jesus. In his cross my trust shall be, Till, with clearer, brighter vision, Face to face my Lord I see. Refrain Oh, the height and depth of mercy! Oh, the length and breadth of love! Oh, the fullness of redemption, Pledge of endless life above! “TAKE THE WORLD, BUT GIVE ME JESUS,” FANNY CROSBY (1879)
John Dunlop (Finishing Well to the Glory of God: Strategies from a Christian Physician)
Shadow is the blue patch where the light doesn’t hit. It is mystery itself, and mystery is the ancients’ ultima Thule, the modern explorer’s Point of Relative Inaccessibility, that boreal point most distant from all known lands. There the twin oceans of beauty and horror meet. The great glaciers are calving. Ice that sifted to earth as snow in the time of Christ shears from the pack with a roar and crumbles to water. It could be that our instruments have not looked deeply enough. The RNA deep in the mantis’s jaw is a beautiful ribbon. Did the crawling Polyphemus moth have in its watery heart one cell, and in that cell one special molecule, and that molecule one hydrogen atom, and round that atom’s nucleus one wild, distant electron that split showed a forest, swaying?
Annie Dillard (Pilgrim at Tinker Creek)
The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. “Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.
Annie Dillard (Pilgrim at Tinker Creek)
Were the earth as smooth as a ball bearing, it might be beautiful seen from another planet, as the rings of Saturn are. But here we live and move; we wander up and down the banks of the creek, we ride a railway through the Alps, and the landscape shifts and changes. Were the earth smooth, our brains would be smooth as well; we would wake, blink, walk two steps to get the whole picture and lapse into dreamless sleep. Because we are living people, and because we are on the receiving end of beauty, another element necessarily enters the question. The texture of space is a condition of time. Time is the warp and matter the weft of woven texture of beauty in space, and death is the hurtling shuttle… What I want to do, then, is add time to the texture, paint the landscape on an unrolling scroll, and set the giant relief globe spinning on it stand.
Annie Dillard (Pilgrim at Tinker Creek)
All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.
Annie Dillard (Pilgrim at Tinker Creek)
April 1 MORNING “Let Him kiss me with the kisses of His mouth.” — Song of Solomon 1:2 FOR several days we have been dwelling upon the Saviour’s passion, and for some little time to come we shall linger there. In beginning a new month, let us seek the same desires after our Lord as those which glowed in the heart of the elect spouse. See how she leaps at once to Him; there are no prefatory words; she does not even mention His name; she is in the heart of her theme at once, for she speaks of Him who was the only Him in the world to her. How bold is her love! it was much condescension which permitted the weeping penitent to anoint His feet with spikenard — it was rich love which allowed the gentle Mary to sit at His feet and learn of Him — but here, love, strong, fervent love, aspires to higher tokens of regard, and closer signs of fellowship. Esther trembled in the presence of Ahasuerus, but the spouse in joyful liberty of perfect love knows no fear. If we have received the same free spirit, we also may ask the like. By kisses we suppose to be intended those varied manifestations of affection by which the believer is made to enjoy the love of Jesus. The kiss of reconciliation we enjoyed at our conversion, and it was sweet as honey dropping from the comb. The kiss of acceptance is still warm on our brow, as we know that He hath accepted our persons and our works through rich grace. The kiss of daily, present communion, is that which we pant after to be repeated day after day, till it is changed into the kiss of reception, which removes the soul from earth, and the kiss of consummation which fills it with the joy of heaven. Faith is our walk, but fellowship sensibly felt is our rest. Faith is the road, but communion with Jesus is the well from which the pilgrim drinks. O lover of our souls, be not strange to us; let the lips of Thy blessing meet the lips of our asking; let the lips of Thy fulness touch the lips of our need, and straightway the kiss will be effected.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
The necessary consequence of this life of the Christian in hope is that he learns to consider the present earthly life as a journey, a pilgrimage, something necessary for the sake of the end but which does not have any independent value or attraction in itself. This is a thought which pervades and colours the entire epistle. Peter in the very opening words addresses the readers as sojourners of the dispersion – two terms which strikingly express that they are away from home, a colony with regard to heaven, scattered in a strange world as truly as the scattered Jews were a diaspora to the holy land and Jerusalem. He tells them to gird up the loins of their minds as befits a traveller journeying through. And again he says: ‘Pass the time of your sojourning in fear’ (1:17). Once more: ‘Beloved, I beseech you as sojourners and pilgrims to abstain from fleshly lusts which war against the soul’ (2:11). Without a certain detachment from this world, other-worldliness is not possible. Hope cannot flourish where the heart is in the present life.
Geerhardus Vos (Grace and Glory)
Then he took him by the hand, and led him into a very large parlor full of dust, as if it had never been swept. The Interpreter called to a man and told him to sweep. The man grabbed a broom and swept and in so doing stirred a thick cloud of dust into the air. The dust grew so dense it almost choked Christian. The Interpreter then spoke to a woman who stood nearby. “Bring some water here and sprinkle the room.” The woman did as she was told and the entire room was easily swept and cleaned. Christian asked, “What does this mean?” The Interpreter answered, “This parlor is the heart of a man who was never sanctified by the sweet grace of the gospel. The dust is his sin and inward corruption which has defiled the whole man. The one who began to sweep at first is the law, but she who brought water and sprinkled it is the gospel. Interpreter shows Christian the room full of dust “Now while you saw the room fill with the great cloud of dust when first swept, the dust flew about in such a way that the room could not be cleansed and its dust almost choked you. This is to show you that the law, instead of cleansing the heart from sin, does in fact arouse it. (So that without the law I lived for some time; but when the commandment came, sin revived, and I died. – Rom. 7:9) It also gives it greater strength (The sting of death is sin, and the power of sin is the law. – 1 Cor. 15:56), and causes sin to flourish in the soul (Moreover the law entered that the offence might abound. But where sin abounded, grace did much more abound. – Rom. 5:20), for even as the law uncovers sin and forbids it, it does not provide the power to subdue it. “In the same way, the woman you saw sprinkle the room with water which made it easy to clean – this is to show you that when the gospel comes with its sweet and precious influences and indwells the heart, just like the dust settled by sprinkling the floor with water, sin is also vanquished and subdued and the soul made clean, through faith. Consequently, the soul becomes a suitable place for the King of Glory to inhabit.” (Now to him that is able to confirm you according to my gospel and the preaching of Jesus Christ, according to the revelation of the mystery which was concealed from times eternal but now is made manifest, and by the writings of the prophets, by the commandment of God eternal, declared unto all the Gentiles, that they might hear and obey by faith. – Rom. 16:25, 26)
John Bunyan (Pilgrim's Progress)
Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. “He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.
Annie Dillard (Pilgrim at Tinker Creek)
You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?
Annie Dillard (Pilgrim at Tinker Creek)
She had come to analysis because she was, as she put it, “ruining her children.” ... “But you are so frustrating,” she said. “I want you to take something away from me, and you keep giving it back.” And what, I asked, was that “something” she wanted to give away? “The pain. The crazy,” she said. She said there was a little shrine, somewhere in the north of Brazil. The land was dry, the town impossibly poor, but people would travel for hundreds of miles to get there, to leave candles, gifts, and ex- voto offerings thanking the saint for answered prayers, for healing, for having rescued them from distress. “I bring you my worries. I bring you my tears. I bring you the dreams I have. I want to leave them here. I want to hang them on your wall and return home healed. But everything I give to you, you give back. You say, like you just said, ‘What is this “something” you want to give away?’ ” Years later I looked it up, the shrine. There were many like the one my Brazilian patient had described. One of them was a kind of cave or grotto, where pilgrims would leave little body parts carved from wood or wax: a foot, a breast, a head. From time to time the priest collected the wax objects and melted them down, making candles to be sold to other pilgrims. The walls and ceiling of the shrine were black with candle smoke and crowded with these suspended offerings. I think now that my Brazilian patient managed at least to give that away, the conjured image of a blackened shrine, hung with a jumble of body parts. I think that in the soul of each psychoanalyst such a place must exist, in spite of what we profess about our neutrality, our professional detachment. Perhaps something of what we receive can be melted down and sold back as candlelight— our costly illuminations— but other elements remain just as they appeared, the dreams nailed to the walls, the abandoned hearts and limbs, the soot of inextinguishable longing.
DeSales Harrison (The Waters & The Wild)
Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....
Helene Andorre Hinson Staley
Pilgrimage is premised on the idea that the sacred is not entirely immaterial, but that there is a geography of spiritual power. Pilgrimage walks a delicate line between the spiritual and the material in its emphasis on the story and its setting though the search is for spirituality, it is pursued in terms of the most material details of where the Buddha was born or where Christ died, where the relics are or the holy water flows. Or perhaps it reconciles the spiritual and the material, for to go on pilgrimage is to make the body and its actions express the desires and beliefs of the soul. Pilgrimage unites belief with action, thinking with doing, and it makes sense that this harmony is achieved when the sacred has material presence and location. Protestants, as well as the occasional Buddhist and Jew, have objected to pilgrimages as a kind of icon worship and asserted that the spiritual should be sought within as something wholly immaterial, rather than out in the world. There is a symbiosis between journey and arrival in Christian pilgrimage, as there is in mountaineering. To travel without arriving would be as incomplete as to arrive without having traveled. To walk there is to earn it, through laboriousness and through the transformation that comes during a journey. Pilgrimages make it possible to move physically, through the exertions of one's body, step by step, toward those intangible spiritual goals that are otherwise so hard to grasp. We are eternally perplexed by how to move toward forgiveness or healing or truth, but we know how to walk from here to there, however arduous the jour ney. Too, we tend to imagine life as a journey, and going on an actual expedition takes hold of that image and makes it concrete, acts it out with the body and the imagination in a world whose geography has become spiritualized. The walker toiling along a road toward some distant place is one of the most compelling and universal images of what it means to be human, depicting the individual as small and solitary in a large world, reliant on the strength of body and will. In pilgrim age, the journey is radiant with hope that arrival at the tangible destination will bring spiritual benefits with it. The pilgrim has achieved a story of his or her ow and in this way too becomes part of the religion made up of stories of travel and transformation.
Rebecca Solnit (Wanderlust: A History of Walking)
But peace, too, is a living thing and like all life it must wax and wane, accommodate, withstand trials, and undergo changes. Such was the case with the peace Josephus Famulus enjoyed. It was unstable, visible one moment, gone the next, sometimes near as a candle carried in the hand, sometimes as remote as a star in the wintry sky. And in time a new and special kind of sin and temptation more and more often made life difficult for him. It was not a strong, passionate emotion such as indignation or a sudden rush of instinctual urges. Rather, it seemed to be the opposite. It was a feeling very easy to bear in its initial stages, for it was scarcely perceptible; a condition without any real pain or deprivation, a slack, luke-warm, tedious state of the soul which could only be described in negative terms as a vanishing, a waning, and finally a complete absence of joy. There are days when the sun does not shine and the rain does not pour, but the sky sinks quietly into itself, wraps itself up, is gray but not black, sultry, but not with the tension of an imminent thunderstorm. Gradually, Joseph's days became like this as he approached old age. Less and less could he distinguish the mornings from the evenings, feast days from ordinary days, hours of rapture from hours of dejection. Everything ran sluggishly long in limp tedium and joylessness. This is old age, he thought sadly. He was sad because he had expected aging and the gradual extinction of his passions to bring a brightening and easing of his life, to take him a step nearer to harmony and mature peace of soul, and now age seemed to be disappointing and cheating him by offering nothing but this weary, gray, joyless emptiness, this feeling of chronic satiation. Above all he felt sated: by sheer existence, by breathing, by sleep at night, by life in his cave on the edge of the little oasis, by the eternal round of evenings and mornings, by the passing of travelers and pilgrims, camel riders and donkey riders, and most of all by the people who came to visit him, by those foolish, anxious, and childishly credulous people who had this craving to tell him about their lives, their sins and their fears, their temptations and self-accusations. Sometimes it all seemed to him like the small spring of water that collected in its stone basin in the oasis, flowed through grass for a while, forming a small brook, and then flowed on out into the desert sands, where after a brief course it dried up and vanished. Similarly, all these confessions, these inventories of sins, these lives, these torments of conscience, big and small, serious and vain, all of them came pouring into his ear, by the dozens, by the hundreds, more and more of them. But his ear was not dead like the desert sands. His ear was alive and could not drink, swallow, and absorb forever. It felt fatigued, abused, glutted. It longed for the flow and splashing of words, confessions, anxieties, charges, self-condemnations to cease; it longed for peace, death, and stillness to take the place of this endless flow.
Hermann Hesse (The Glass Bead Game)