Pigs In Space Quotes

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Sometimes, Gansey forgot how much he liked school and how good he was at it. But he couldn't forget it on mornings like this one—fall fog rising out of the fields and lifting in front of the mountains, the Pig running cool and loud, Ronan climbing out of the passenger seat and knocking knuckles on the roof with teeth flashing, dewy grass misting the black toes of his shoes, bag slung over his blazer, narrow-eyed Adam bumping fists as they met on the sidewalk, boys around them laughing and calling to one another, making space for the three of them because this had been a thing for so long: Gansey-Lynch-Parrish.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
This book will prove the following ten facts: 1. A Goon is a being who melts into the foreground and sticks there. 2. Pigs have wings, making them hard to catch. 3. All power corrupts, but we need electricity. 4. When an irresistible force meets an immovable object, the result is a family fight. 5. Music does not always sooth the troubled beast. 6. An Englishman's home is his castle. 7. The female of the species is more deadly than the male. 8. One black eye deserves another. 9. Space is the final frontier, and so is the sewage farm. 10. It pays to increase your word power.
Diana Wynne Jones (Archer's Goon)
Each person bears a fear which is special to him. One man fears a close space and another man fears drowning; each laughs at the other and calls him stupid. Thus fear is only a preference, to be counted the same as the preference for one woman or another, or mutton for pig, or cabbage for onion.
Michael Crichton (Eaters of the Dead)
I—though forced through lack of space to assume the form of a stoic guinea pig crouched between the girl's shoe and the glove compartment—was my usual dignified self.
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
She looked all around. It was so strange to feel trapped in the middle of so much open space. But that was exactly how she felt.
Chris Kurtz (The Adventures of a South Pole Pig)
I needed a space suit the way a pig needs a pipe organ.
Robert A. Heinlein (Have Space Suit-Will Travel)
There's a space in me. It's a dead space. I know that, because I can't feel anything. But that's what hurts, the nothingness. It's agony.
J.C. Burke (Pig Boy)
Snack consumption was legal but Joe expected anyone dining on the distracting shit to synchronize chewing with car chases and shootouts regardless of the genre. The Popcorn Pig was treating the space like a pie eating contest. The buttery snack was his instrument and he was doing a sound check with the venue's acoustics.
Michael Ebner (Movie Game)
[..] neoproletariat caste, the future cybercattle of neurocracy, joyous sophisticate of the always-incomplete chain of predation, primed by silos of soya, stocks of onions, pork bellies…and completed by the global apotheosis of the Great Futures Market of neurolivestock, more volatile (and more profitable) than all the livestock of the Great Plains. Neurolivestock certainly enjoy an existence more comfortable than serfs or millworkers, but they do not easily escape their destiny as the self-regulating raw material of a market as predictable and as homogeneous as a perfect gas, a matter counted in atoms of distress, stripped of all powers of negotiation, renting out their mental space, brain by brain.
Gilles Châtelet (To Live and Think Like Pigs: The Incitement of Envy and Boredom in Market Democracies)
The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")
David J. Schow (Seeing Red)
When I had been really little and the wind blew like mad at night, I had trouble sleeping. My father would come in and tell me that the house wasn't made of straw or sticks, that it was brick, and like the little pigs knew, nothing could tear it down. Here's what the little pigs didn't realize: the big bad wolf was only the start of their problems. The biggest threat was already inside the house with them, and couldn't be seen. Not radon gas or carbon monoxide, but just the way three very different personalities fit inside one small space. Tell me that the slacker pig - the one who only mustered up straw - really could get along with the high-maintenance bricklayer pig. I think not. I'll bet you if that fairy tale went on another ten pages, all three of those pigs would have been at each other's throats, and that brick house would have exploded after all.
Jodi Picoult (Handle with Care)
They all watched as Genya checked his pulse, his breathing. She shook her head. “Zoya,” said Sturmhond. His voice had the ring of command. Zoya sighed and pushed up her sleeves. “Unbutton his shirt.” “What are you doing?” Kaz asked as Genya undid Kuwei’s remaining buttons. His chest was narrow, his ribs visible, all of it spattered with the pig’s blood they’d encased in the wax bladder. “I’m either going to wake up his heart or cook him from the inside out,” said Zoya. “Stand back.” They did their best to obey in the cramped space. “What exactly does she mean by that?” Kaz asked Nina. “I’m not sure,” Nina admitted. Zoya had her hands out and her eyes closed. The air felt suddenly cool and moist. Inej inhaled deeply. “It smells like a storm.” Zoya opened her eyes and brought her hands together as if in prayer, rubbing her palms against each other briskly. Nina felt the pressure drop, tasted metal on her tongue. “I think … I think she’s summoning lightning.” “Is that safe?” asked Inej. “Not remotely,” said Sturmhond. “Has she at least done it before?” said Kaz. “For this purpose?” asked Sturmhond. “I’ve seen her do it twice. It worked splendidly. Once.” His voice was oddly familiar, and Nina had the sense they’d met before. “Ready?” Zoya asked. Genya shoved a thickly folded piece of fabric between Kuwei’s teeth and stepped back. With a shudder, Nina realized it was to keep him from biting his tongue. “I really hope she gets this right,” murmured Nina. “Not as much as Kuwei does,” said Kaz. “It’s tricky,” said Sturmhond. “Lightning doesn’t like a master. Zoya’s putting her own life at risk too.” “She didn’t strike me as the type,” Kaz said. “You’d be surprised,” Nina and Sturmhond replied in unison. Again, Nina had the eerie sensation that she knew him. She saw that Rotty had squeezed his eyes shut, unable to watch. Inej’s lips were moving in what Nina knew must be a prayer. A faint blue glow crackled between Zoya’s palms. She took a deep breath and slapped them down on Kuwei’s chest.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Outer space is fucking terrifying. I’m thankful for the ozone layer and the gravitational pull of the moon and whatnot, but they’d have to tie me like a spit-roasted pig to send me out there. The universe keeps expanding and getting colder, chunks of our galaxy are sucked away, black holes hurl through space at millions of miles per hour, and solar superstorms flare up at the drop of a hat. Meanwhile NASA astronauts are out there in their frankly inadequate suits, drinking liters of their own recycled urine, getting alligator skin on the top of their feet, and shitting rubber balls that float around at eye level. Their cerebrospinal fluid expands and presses on their eyeballs to the point that their eyesight deteriorates, their gut bacteria are a shitshow—no pun intended—and gamma rays that could literally pulverize them in less than a second wander around. But you know what’s even worse? The smell. Space smells like a toilet full of rotten eggs, and there’s no escape. You’re just stuck there until Houston allows you to come back home. So believe me when I say: I’m grateful every damn day for those two extra inches.
Ali Hazelwood (Love on the Brain)
How contaminated are U.S. pork products? Consumer Reports magazine tested nearly two hundred samples from cities across the country and found that more than two-thirds of the pork was contaminated with Yersinia.129 This may be because of the intensification and overcrowding that characterizes most of today’s industrial pig operations.130 As noted in an article in National Hog Farmer entitled “Crowding Pigs Pays,” pork producers can maximize their profits by confining each pig to a six-square-foot space. This basically means cramming a two-hundred-pound animal into an area equivalent to about two feet by three feet. The authors acknowledged that overcrowding presents problems, including inadequate ventilation and increased health risks, but they concluded that sometimes, “crowding pigs a little tighter will make you more money.”131
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
STAR DREK Human beings are such slobs that, from now on, pigs must declare us the other white meat. Do you know that right now there is so much discarded trash in outer space that three times last month the International Space Station was almost hit by some useless hunk of floating metal—not unlike the International Space Station itself? So really, you’ve got to give the human race credit: only humans could visit an infinite void and leave it cluttered. Not only have we screwed up our own planet; somehow we have also managed to use up all the space in space. Now, history shows over and over again that if the citizens of Earth put their minds to it, they can destroy anything. It doesn’t matter how remote or pristine, together, yes, we can fuck it up. The age of space exploration is only fifty years old, and we have already managed to turn the final frontier into the New Jersey Meadowlands.12
Neil deGrasse Tyson (Accessory to War: The Unspoken Alliance Between Astrophysics and the Military (Astrophysics for People in a Hurry Series))
Those who defend pig factory farms argue that the farrowing crate is necessary because sows can sometimes accidentally crush their piglets. In the same way that the risk of a forest fire can be reduced by preemptively clearing the forest of all its trees, there is a cockeyed logic to this claim. The farrowing crate, like the gestation crate, confines the mother in a space so small she cannot turn around. Sometimes she will also be strapped to the floor.
Jonathan Safran Foer (Eating Animals)
The Oreo cookie invented, the Titanic sinks, Spanish flu, Prohibition, women granted the right to vote, Lindbergh flies solo across the Atlantic, penicillin invented, stock market crashes, the Depression, Amelia Earhart, the atom is split, Prohibition ends, Golden Gate Bridge is built, Pearl Harbor, D-Day, the Korean War, Disneyland, Rosa Parks, Laika the dog is shot into space, hula hoops, birth control pill invented, Bay of Pigs, Marilyn Monroe dies, JFK killed, MLK has a dream, Vietnam War, Star Trek, MLK killed, RFK killed, Woodstock, the Beatles (George, Ringo, John, and Paul) break up, Watergate, the Vietnam War ends, Nixon resigns, Earth Day, Fiddler on the Roof, Olga Korbut, Patty Hearst, Transcendental Meditation, the ERA, The Six Million Dollar Man. "Bloody hell," I said when she was done. "I know. It must be a lot to take in." "It's unfathomable. A Brit named his son Ringo Starr?" She looked pleasantly surprised: she'd thought I had no sense of humor. "Well, I think his real name was Richard Starkey.
Melanie Gideon (Valley of the Moon)
Groups have powerful self-reinforcing mechanisms at work. These can lead to group polarization—a tendency for members of the group to end up in a more extreme position than they started in because they have heard the views repeated frequently. At the extreme limit of group behavior is groupthink. This occurs when a group makes faulty decisions because group pressures lead to a deterioration of “mental efficiency, reality testing, and moral judgment.” The original work was conducted with reference to the Vietnam War and the Bay of Pigs fiasco. However, it rears its head again and again, whether it is in connection with the Challenger space shuttle disaster or the CIA intelligence failure over the WMD of Saddam Hussein. Groupthink tends to have eight symptoms: 1 . An illusion of invulnerability. This creates excessive optimism that encourages taking extreme risks. [...] 2. Collective rationalization. Members of the group discount warnings and do not reconsider their assumptions. [...] 3. Belief in inherent morality. Members believe in the rightness of their cause and therefore ignore the ethical or moral consequences of their decisions. 4. Stereotyped views of out-groups. Negative views of “enemy” make effective responses to conflict seem unnecessary. Remember how those who wouldn't go along with the dot-com bubble were dismissed as simply not getting it. 5. Direct pressure on dissenters. Members are under pressure not to express arguments against any of the group’s views. 6. Self-censorship. Doubts and deviations from the perceived group consensus are not expressed. 7. Illusion of unanimity. The majority view and judgments are assumed to be unanimous. 8. "Mind guards" are appointed. Members protect the group and the leader from information that is problematic or contradictory to the group's cohesiveness, view, and/or decisions. This is confirmatory bias writ large.
James Montier (The Little Book of Behavioral Investing: How not to be your own worst enemy (Little Books. Big Profits))
Sometimes, Gansey forgot how much he liked school and how good he was at it. But he couldn't forget it on mornings like this one--fall fog rising out of the fields and lifting in front of the mountains, the Pig running cool and loud, Ronan climbing out of the passenger seat and knocking knuckles on the roof with teeth flashing, dewy grass misting the black toes of his shoes, bag slung over his blazer, narrow-eyed Adam bumping fists as they met on the sidewalk, boys around them laughing and calling to one another, making space for the three of them because this had been a thing for so long: Gansey-Lynch-Parrish. Mornings like this one were made for memories.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
In the final tally, Homo sapiens sapiens made the cut, and no one else could get served in the higher-end sentience establishments. Except that certain members of the clade felt that a human with very curly hair or an outsize nose or too many gods or not enough or who enjoyed somewhat spicier food or was female or just happened to occupy a particularly nice bit of shady grass by a river was no different at all than a wild pig, even if she had one head and two arms and two legs and no wings and was a prize-winning mathematician who very, very rarely rolled around in mud. Therefore, it was perfectly all right to use, ignore, or even slaughter those sorts like any other meat.
Catherynne M. Valente (Space Opera (Space Opera, #1))
That accounts for his crying so. Poor creature!” ”Well--you must do the sticking--there's no help for it. I'll showyou how. Or I'll do it myself--I think I could. Though as it issuch a big pig I had rather Challow had done it. However, his basketo' knives and things have been already sent on here, and we can use'em.” ”Of course you shan't do it,” said Jude. ”I'll do it, since it mustbe done.” He went out to the sty, shovelled away the snow for the space of acouple of yards or more, and placed the stool in front, with theknives and ropes at hand. A robin peered down at the preparationsfrom the nearest tree, and, not liking the sinister look of thescene, flew away, though hungry. By this time Arabella had joinedher husband, and Jude, rope in hand, got into the sty, and noosed theaffrighted animal, who, beginning with a squeak of surprise, rose torepeated cries of rage. Arabella opened the sty-door, and togetherthey hoisted the victim on to the stool, legs upward, and while Judeheld him Arabella bound him down, looping the cord over his legs tokeep him from struggling. The animal's note changed its quality. It was not now rage, but thecry of despair; long-drawn, slow and hopeless. ”Upon my soul I would sooner have gone without the pig than have hadthis to do!” said Jude. ”A creature I have fed with my own hands.” ”Don't be such a tender-hearted fool! There's the sticking-knife--the one with the point. Now whatever you do, don't stick un toodeep.” ”I'll stick him effectually, so as to make short work of it. That'sthe chief thing.” ”You must not!” she cried. ”The meat must be well bled, and to dothat he must die slow. We shall lose a shilling a score if the meatis red and bloody! Just touch the vein, that's all. I was broughtup to it, and I know. Every good butcher keeps un bleeding long.He ought to be eight or ten minutes dying, at least.” ”He shall not be half a minute if I can help it, however the meat maylook,” said Jude determinedly. Scraping the bristles from the pig'supturned throat, as he had seen the butchers do, he slit the fat;then plunged in the knife with all his might. ”'Od damn it all!” she cried, ”that ever I should say it! You'veover-stuck un! And I telling you all the time--” ”Do be quiet, Arabella, and have a little pity on the creature!
Thomas Hardy (Jude the Obscure)
Egg-laying hens, for example, have a complex world of behavioural needs and drives. They feel strong urges to scout their environment, forage and peck around, determine social hierarchies, build nests and groom themselves. But the egg industry often locks the hens inside tiny coops, and it is not uncommon for it to squeeze four hens to a cage, each given a floor space of about 10 by 8.5 inches. The hens receive sufficient food, but they are unable to claim a territory, build a nest or engage in other natural activities. Indeed, the cage is so small that hens are often unable even to flap their wings or stand fully erect. Pigs are among the most intelligent and inquisitive of mammals, second perhaps only to the great apes. Yet industrialised pig farms routinely confine nursing sows inside such small crates that they are literally unable to turn around (not to mention walk or forage). The sows are kept in these crates day and night for four weeks after giving birth. Their offspring are then taken away to be fattened up and the sows are impregnated with the next litter of piglets. Many dairy cows live almost all their allotted years inside a small enclosure; standing, sitting and sleeping in their own urine and excrement. They receive their measure of food, hormones and medications from one set of machines, and get milked every few hours by another set of machines. The cow in the middle is treated as little more than a mouth that takes in raw materials and an udder that produces a commodity. Treating living creatures possessing complex emotional worlds as if they were machines is likely to cause them not only physical discomfort, but also much social stress and psychological frustration.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambience which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends. And the more substantial, the more solid the core of me became, the more delicate and extravagant appeared the close, palpable reality out of which I was being squeezed. In the measure that I became more and more metallic, in the same measure the scene before my eyes became inflated. The state of tension was so finely drawn now that the introduction of a single foreign particle, even a microscopic particle, as I say, would have shattered everything. For the fraction of a second perhaps I experienced that utter clarity which the epileptic, it is said, is given to know. In that moment I lost completely the illusion of time and space: the world unfurled its drama simultaneously along a meridian which had no axis. In this sort of hair-trigger eternity I felt that everything was justified, supremely justified; I felt the wars inside me that had left behind this pulp and wrack; I felt the crimes that were seething here to emerge tomorrow in blatant screamers; I felt the misery that was grinding itself out with pestle and mortar, the long dull misery that dribbles away in dirty handkerchiefs. On the meridian of time there is no injustice: there is only the poetry of motion creating the illusion of truth and drama. If at any moment anywhere one comes face to face with the absolute, that great sympathy which makes men like Gautama and Jesus seem divine freezes away; the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open.
Henry Miller (Tropic of Cancer (Tropic, #1))
Few people put more thought into the tiny details than the team behind the ever-expanding Roscioli empire, one of the nerve centers of the cucina romana moderna, found just a few steps from the Campo de' Fiori. Sitting at a small table inside the Ristorante Salumeria Roscioli, a hybrid space that functions as a deli counter in the front and a full-service restaurant in the back, general manager Valerio Capriotti tells me with conviction that Italian food is flourishing- advancing in ways it hasn't in years, if ever, thanks in large part to the efforts of small producers who put their lives into raising rare breeds of pig, growing heirloom varietals of wheat, and milking pampered dairy cows and sheep to create the types of ingredients that drive restaurants like Roscioli forward. "Modern Italian cuisine isn't about technique," he tells me, "it's about ingredients. We know more now than we ever did about how things are made and what they do when we cook and eat them.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
When the rest of the world was engaged in seizing the open spaces, Germany was in the throes of religious warfare. The foundation of St. Petersburg by Peter the Great was a fatal event in the history of Europe; and St. Petersburg must therefore disappear utterly from the earth's surface. Moscow, too. Then the Russians will retire into Siberia. It is not by taking over the miserable Russian hovels that we shall establish ourselves as masters in the East. The German colonies must be organised on an altogether higher plane. We have never before driven forward into empty spaces. The German people have absorbed both northern and southern Austria, and the original inhabitants are still there; but they were Sorb-Wends, members of basic European stock, with nothing in common with the Slavs. As for the ridiculous hundred million Slavs, we will mould the best of them to the shape that suits us, and we will isolate the rest of them in their own pig-styes; and anyone who talks about cherishing the local inhabitant and civilising him, goes straight off into a concentration camp !
Adolf Hitler (Hitler's Table Talk, 1941-1944)
Future visitors from outer space, who mount archaeological digs of our planet, will surely find ways to distinguish designed machines such as planes and microphones, from evolved machines such as bat wings and ears. It is an interesting exercise to think about how they will make the distinction. They may face some tricky judgements in the messy overlap between natural evolution and human design. If the alien scientists can study living specimens, not just archaeological relics, what will they make of fragile, highly strung racehorses and greyhounds, or snuffling bulldogs who can scarcely breathe and can't be born without Caesarian assistance, of blear-eyed Pekinese baby surrogates, of walking udders such as Friesian cows, walking rashers such as Landrace pigs, or walking woolly jumpers such as Merino sheep? Molecular machines - nanotechnology - crafted for human benefit on the same scale as the bacterial flagellar motor, may pose the alien scientists even harder problems... Given that the illusion of design conjured by Darwinian natural selection is so breathtakingly powerful, how do we, in practice, distinguish its products from deliberately designed artefacts?... [Graham] Cairns-Smith was writing in a different context, but his point works here too. An arch is irreducible in the sense that if you remove part of it, the whole collapses. Yet it is possible to build it gradually by means of scaffolding[, which after] the subsequent removal of the scaffolding... no longer appears in the visible picture...
Richard Dawkins (The Ancestor's Tale: A Pilgrimage to the Dawn of Evolution)
He didn't tell his mom, fearing if she knew that he was a Pig Dog, she'd turn away, too.
Samantha Childs (Henri and the Magnificent Snort : A Children's Book about Bullying, Belonging, and Love)
The mythic journey to the village of the pig people can be compared to the first trip into space and the view of Earth afforded thereby: the space trip does not actually distance us from ourselves as much as the mythic trip does. The journey from human reality to pig reality reprises an ancient 'reversal' in roles, from hunter to hunted, which has been an important wellspring of metaphoric thinking. The universal human value of being able to look back from a different place was noted by Wittgenstein, who also noted the difficulty of doing so - a dilemma of the human consciousness.
Michael R. Dove (Bitter Shade: The Ecological Challenge of Human Consciousness (Yale Agrarian Studies Series))
pigs are omnivorous, which reduces the land required to graze a herd of animals. As such, pigs can be raised in relatively small areas, increasing the yield for a given space. When the Chinese first domesticated pigs, it was their general tractability that made the pig a desirable candidate for domestication.
Henry Freeman (The History of China in 50 Events (History by Country Timeline #2))
With a low growl, the king pushed the food off the table. Rage burned in Ursula’s chest. Is he clearing space for us to mate? Am I supposed to replace the suckling pig?
C.N. Crawford (Infernal Magic (Shadows & Flame, #1))
Our most immediate oppressors are the pigs. We are beaten, entrapped, enticed, raided, taunted, arrested and jailed. In jail we are jeered at, gang-raped, beaten and killed, with full encouragement and participation by the pigs. Every homosexual lives in fear of the pigs, except that we are beginning to fight back! The reasons are not that the pigs are just prejudiced (which they are) or that they “over-react,” but that they are given silent approval by the power structure for their violence against us. Since our lives are defined as illegal, immoral, and unnatural, there is no reason why the pigs shouldn't harass us—and they are never punished for it.16
Christina B. Hanhardt (Safe Space: Gay Neighborhood History and the Politics of Violence (Perverse Modernities))
So when Finn sailed back down the Negro at dawn, he saw no flames and heard no roaring as the house was destroyed. Everything at first seemed to be as it had always been: the big trees by the river, the huts of the Indians, the Carters’ launch riding at anchor. Then the dog, standing beside him, threw back his head and howled. “What is it?” asked Finn. But now he, too, smelled the choking, lingering smoke. And as he sailed toward the landing stage, he saw it--the space, the nothingness, where the Carters’ house should have been. Not even an empty shell. Nothing. He had thought that the news of his father’s death was the worst thing that had happened to him, but this was worse, because he was to blame. If he had taken Maia as she had begged… He was shivering so much that it was difficult to steer the Arabella to the jetty and make her fast. There was no point in searching the ruins; it was so obvious that no one could survive such a blaze. But there was one last hope. The huts of the Indians had been spared. Perhaps they had gotten Maia out; perhaps he would find her sleeping there. He pushed open the door of the first hut and went inside…then the second and the third. They were completely empty. Even the parrot on his perch had gone, even the little dog. A broken rope in the run outside showed where the pig, terrified by the flames, had rushed back into the forest. There was no doubt now in Finn’s mind. They had let Maia burn and fled in terror and shame. What would it be like, Finn wondered, going on living and knowing that he had killed his friend? The howler monkeys had been right to laugh when he said he wasn’t going back. He had turned downriver again almost at once to fetch Maia, and he had made good time, traveling with the current--but he had come too late.
Eva Ibbotson (Journey to the River Sea)
with future American disasters on the island nation, first at the Bay of Pigs, then the Cuban Missile Crisis, that Kennedy stepped out of the shadow of the military leaders in the Pentagon and decided that the Space
Charles River Editors (Apollo 11: The History and Legacy of the First Moon Landing)
abandoned and ruined. In the north east of the city, where the imperial gardens had once been, people had constructed rickety hovels from scraps of wood salvaged from the ruins. In the empty space that had once been a garden full of exotic plants, they were growing grain and vegetables. Men with sharpened sticks and clubs watched over the struggling plants day and night. There were a few goats tethered to posts, one or two pigs and some scrawny chickens pecking at the barren earth. The children were dressed in tattered rags and just as grimy as children in the rest of the city, but
Carole Wilkinson (Blood Brothers (Dragon Keeper, #4))
The lounge of the private terminal in Delhi. A place of beige leather sofas and cappuccinos, set deep in that world where a seeling modernity has yet to close over the land, and where in the empty spaces that lie between the elevated roads and the coloured glass buildings there are still, like insects taking shelter under the veined roof of a leaf, the encampments of families who built them. Black pigs still thread their way through the weeds, there are still patient lorry-loads of labourers, waiting among the dazzle of the new cars, for the lights to change. One India, dwarfed and stunted, adheres like a watchful undergrowth to another India which, in very physical ways, as with the roads that fly up out of the pale land, or the chunks of monorail that rise up from the ground like the remnants of an ancient wall, or the blank closed faces of the glass buildings, wishes to shrug off its poorer opposite: to leave it behind; to shut it out; to soar over it. One man, above all, captures the mood of this time: the security guard. In him, this man of expectation – a man not rich himself, but standing guard at the doorway to a world of riches – it is possible to feel the boredom and restlessness of a world that inspires ambition, but cannot answer it. Skanda watches him watching the lounge, with eyes glazed and yellowing from undernourishment. A favourite phrase from college returns: Quis custodiet ipsos custodes?
Aatish Taseer (The Way Things Were)
Heritage breeds, with or without Chinese “blood,” are threatened primarily because they are not suitable for the ultraintensive farming practices that predominate in the West today. Generally, they don’t grow fast enough for factory farming, or they require too much space and resources. The Iberico, for example, needs about an acre of oak woodland (called dehesa forest) per pig to supply the acorns for its famous hams.35
Anonymous
It was standing quite still, all six eyes staring at them, and Harry knew that the only reason they weren’t already dead was that their sudden appearance had taken it by surprise, but it was quickly getting over that, there was no mistaking what those thunderous growls meant. Harry groped for the doorknob — between Filch and death, he’d take Filch. They fell backward — Harry slammed the door shut, and they ran, they almost flew, back down the corridor. Filch must have hurried off to look for them somewhere else, because they didn’t see him anywhere, but they hardly cared — all they wanted to do was put as much space as possible between them and that monster. They didn’t stop running until they reached the portrait of the Fat Lady on the seventh floor. “Where on earth have you all been?” she asked, looking at their bathrobes hanging off their shoulders and their flushed, sweaty faces. “Never mind that — pig snout, pig snout,” panted Harry, and the portrait swung forward. They scrambled into the common room and collapsed, trembling, into armchairs. It was a while before any of them said anything. Neville, indeed, looked as if he’d never speak again. “What do they think they’re doing, keeping a thing like that locked up in a school?” said Ron finally. “If any dog needs exercise, that one does.” Hermione
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
Clavain was looking at a hyperpig: a genetic chimera of pig and human.
Alastair Reynolds (Redemption Ark (Revelation Space, #2))
You’re a pig.” “No, wench, I am a randy pirate. You must be referring to the Piorcuma species. They are true swine.” “I really think you should talk to your doctor about prescribing new meds. I don’t think the ones you’re taking are strong enough.
Eve Langlais (Pirate (Space Gypsy Chronicles, #1))
■Invest in Simple Upgrades Little things matter, friends. If you are living in a space that does not have “good bones,” I say put some lipstick on that pig and invest in some simple, impactful upgrades. A fresh coat of paint, new light fixtures, and stylish window coverings can instantly transform your entire space. When we were renting the home we lived in before the one we are in now, I paid an electrician to swap out all of the overhead light fixtures with modern, stylish lights. That single effort completely transformed the look and feel of our home, and we were able to store the originals and swap them back when we moved. Even changing the plates around your light switches can make an impact without a high price tag.
Shira Gill (Minimalista: Your Step-by-Step Guide to a Better Home, Wardrobe, and Life)
Rhysand chuckled. 'If you're that desperate for release, you should have asked me.' 'Pig,' I snapped, covering my breasts with the folds of my gown. With a few easy steps, he crossed the distance between us and pinned my arms to the wall. My bones groaned. I could have sworn shadow-talons dug into the stones beside my head. 'Do you actually intend to put yourself at my mercy, or are you truly that stupid?' His voice was composed of sensuous, bone-breaking ire. 'I'm not your slave.' 'You're a fool, Feyre. Do you have any idea what could have happened had Amarantha found you two in here? Tamlin might refuse to be her lover, but she keeps him at her side out of the hope that she'll break him- dominate him as she loves to do with our kind.' I kept silent. 'You're both fools,' he murmured, his breathing uneven. 'How did you not think that someone would notice you were gone? You should thank the Cauldron Lucien's delightful brothers weren't watching you.' 'What do you care?' I barked, and his grip tightened enough on my wrists that I knew my bones would snap with a little more pressure. 'What do I care?' he breathed, wrath twisting his features. Wings- those membranous, glorious wings- flared from his back, crafted from the shadows behind him. 'What do I care?' But before he could go on, his head snapped to the door, then back to my face. The wings vanished as quickly as they had appeared, and then his lips were crushing into mine. His tongue pried my mouth open, forcing himself into me, into the space where I could still taste Tamlin. I pushed and thrashed, but he held firm, his tongue sweeping over the roof of my mouth, against my teeth, claiming my mouth, claiming me- The door was flung wide, and Amarantha's curved figure filled the space. Tamlin- Tamlin was beside her, his eyes slightly wide, shoulders tight as Rhys's lips crushed mine. Amarantha laughed, and a mask of stone slammed down on Tamlin's face, void of feeling, void of anything vaguely like the Tamlin I'd been tangled up with moments before. Rhys casually released me with a flick of his tongue over my bottom lip as a crowd of High Fae appeared behind Amarantha and chimed in with her laughter. Rhysand gave them a lazy, self-indulgent grin and bowed. But something sparked in the queen's eyes as she looked at Rhysand. Amarantha's whore, they'd called him.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
THURSDAY, DECEMBER 24 Thursday of the Fourth Week of Advent No Place Like Home Like most Americans, I have wandered far from my family of origin. I miss my mother and my brother and my two sisters—and especially my little nieces and nephew!—most at Christmas. And so, a journey is planned. We will pack everyone in the car and drive to my mother’s home in Pennsylvania. For a short time the whole family will be together, and there will be joy. But after that, I know, I will come back to New York, and the sadness will return. I ask Christ to help me bear this. In the crèche we see him born among us, but in the manner of a refugee or exile. Everything around him speaks of being displaced: the smell of the manure, the rough feel of hay on skin, the cold air that comes in through a hole where there is no door. He knows our loneliness. But if we look again, we see he is at his Mother’s breast. Like every child, he could be anywhere, as long as he is with her. She is his all. He is her all. And Joseph is close by. And now the shepherds are crowding in, with their sheep. And now the angels are hovering, suffusing the space with golden light. This is the tender compassion of our God! Is it not amazing that we wanderers have found a home here, among the cows and the pigs, the grubby shepherds and the perfect angels—our very own home in the bosom of the Church?   Reflection based on Luke 1:67-79
Magnificat (2015 Magnificat Advent Companion)
Someone’s gotta do it. No one’s gonna do it. So I’ll do it. Your honor, I rise in defense of drunken astronauts. You’ve all heard the reports, delivered in scandalized tones on the evening news or as guaranteed punch lines for the late-night comics, that at least two astronauts had alcohol in their systems before flights. A stern and sober NASA has assured an anxious nation that this matter, uncovered by a NASA-commissioned study, will be thoroughly looked into and appropriately dealt with. To which I say: Come off it. I know NASA has to get grim and do the responsible thing, but as counsel for the defense—the only counsel for the defense, as far as I can tell—I place before the jury the following considerations: Have you ever been to the shuttle launchpad? Have you ever seen that beautiful and preposterous thing the astronauts ride? Imagine it’s you sitting on top of a 12-story winged tube bolted to a gigantic canister filled with 2 million liters of liquid oxygen and liquid hydrogen. Then picture your own buddies—the “closeout crew”—who met you at the pad, fastened your emergency chute, strapped you into your launch seat, sealed the hatch and waved smiling to you through the window. Having left you lashed to what is the largest bomb on planet Earth, they then proceed 200 feet down the elevator and drive not one, not two, but three miles away to watch as the button is pressed that lights the candle that ignites the fuel that blows you into space. Three miles! That’s how far they calculate they must go to be beyond the radius of incineration should anything go awry on the launchpad on which, I remind you, these insanely brave people are sitting. Would you not want to be a bit soused? Would you be all aflutter if you discovered that a couple of astronauts—out of dozens—were mildly so? I dare say that if the standards of today’s fussy flight surgeons had been applied to pilots showing up for morning duty in the Battle of Britain, the signs in Piccadilly would today be in German. Cut these cowboys some slack. These are not wobbly Northwest Airlines pilots trying to get off the runway and steer through clouds and densely occupied airspace. An ascending space shuttle, I assure you, encounters very little traffic. And for much of liftoff, the astronaut is little more than spam in a can—not pilot but guinea pig. With opposable thumbs, to be sure, yet with only one specific task: to come out alive. And by the time the astronauts get to the part of the journey that requires delicate and skillful maneuvering—docking with the international space station, outdoor plumbing repairs in zero-G—they will long ago have peed the demon rum into their recycling units.
Charles Krauthammer (Things That Matter: Three Decades of Passions, Pastimes, and Politics)
My favorite idea to come out of the world of cultured meat is the 'pig in the backyard.' I say 'favorite' not because this scenario seems likely to materialize but because it speaks most directly to my own imagination. In a city, a neighborhood contains a yard, and in that yard there is a pig, and that pig is relatively happy. It receives visitors every day, including local children who bring it odds and ends to eat from their family kitchens. These children may have played with the pig when it was small. Each week a small and harmless biopsy of cells is taken from the pig and turned into cultured pork, perhaps hundreds of pounds of it. This becomes the community's meat. The pig lives out a natural porcine span, and I assume it enjoys the company of other pigs from time to time. This fantasy comes to us from Dutch bioethicists, and it is based on a very real project in which Dutch neighbourhoods raised pigs and then debated the question of their eventual slaughter. The fact that the pig lives in a city is important, for the city is the ancient topos of utopian thought. The 'pig in the backyard' might also be described as the recurrence of an image from late medieval Europe that has been recorded in literature and art history. This is the pig in the land of Cockaigne, the 'Big Rock Candy Mountain' of its time, was a fantasy for starving peasants across Europe. It was filled with foods of a magnificence that only the starving can imagine. In some depictions, you reached this land by eating through a wall of porridge, on the other side of which all manner of things to eat and drink came up from the ground and flowed in streams. Pigs walked around with forks sticking out of backs that were already roasted and sliced. Cockaigne is an image of appetites fullfilled, and cultured meat is Cockaigne's cornucopian echo. The great difference is that Cockaigne was an inversion of the experience of the peasants who imagined it: a land where sloth became a virtue rather than a vice, food and sex were easily had, and no one ever had to work. In Cockaigne, delicious birds would fly into our mouths, already cooked. Animals would want to be eaten. By gratifying the body's appetites rather than rewarding the performance of moral virtue, Cockaigne inverted heaven. The 'pig in the backyard' does not fully eliminate pigs, with their cleverness and their shit, from the getting of pork. It combines intimacy, community, and an encounter with two kinds of difference: the familiar but largely forgotten difference carried by the gaze between human animal and nonhuman animal, and the weirder difference of an animal's body extended by tissue culture techniques. Because that is literally what culturing animal cells does, extending the body both in time and space, creating a novel form of relation between an original, still living animal and its flesh that becomes meat. The 'pig in the backyard' tries to please both hippies and techno-utopians at once, and this is part of this vision of rus in urbe. But this doubled encounter with difference also promises (that word again!) to work on the moral imagination. The materials for this work are, first, the intact living body of another being, which appears to have something like a telos of its own beyond providing for our sustenance; and second, a new set of possibilities for what meat can become in the twenty-first century. The 'pig in the backyard' is only a scenario. Its outcomes are uncertain. It is not obvious that the neighbourhood will want to eat flesh, even the extended and 'harmless' flesh, of a being they know well, but the history of slaughter and carnivory on farms suggests that they very well might. The 'pig in the backyard' is an experiment in ethical futures. The pig points her snout at us and asks what kind of persons we might become.
Benjamin Aldes Wurgaft (Meat Planet: Artificial Flesh and the Future of Food (California Studies in Food and Culture) (Volume 69))
Engineers tell a bacon-and-eggs joke: the chicken is involved in breakfast, but the pig is committed.
Shoemaker, Martin L.
Killing is not something you do privately, in the space of your own head. It happens here.” She opened her arms, as though to embrace the whole world. “In the relationship between bodies…” “It's the same with love,” she went on. “You're going at the whole thing as though it's a problem with you, inside of you, sealed off from the rest of the world. It's not. Love isn't a part of you or your lover. It's not something you can have, like a pile of gold or a pet pig. Love is this,” She said, gesturing into the emptiness between us. “The space between.” “There's space everywhere,” I growled, “between everyone.” “Don't be obtuse, Pyrre. It's the nature of the space that matters.
Brian Staveley (Skullsworn (Chronicle of the Unhewn Throne, #4))
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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A few days before the Bay of Pigs disaster, the Soviets managed to put into space, for a little more than an hour and a half, and then bring back to earth, Lieutenant Yuri Gagarin (he was promoted to major in the middle of his flight, which he was not expected to survive). The world was treated to a glorious and peaceful technological achievement of the USSR, contrasted just a few days later with naked American aggression against Cuba. It was, especially for those who failed to recognise the underlying and deeply frightening violence that underpinned the Soviet sphere of influence, a telling comparison. That comparison did not favour the United States.
Frederick Taylor (The Berlin Wall: August 13, 1961 - November 9, 1989)
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How much is the pet fee on Frontier Airlines?