Pie Face Quotes

We've searched our database for all the quotes and captions related to Pie Face. Here they are! All 100 of them:

Do as little harm to others as you can; make any sacrifice for your true friends; be responsible for yourself and ask nothing of others; and grab all the fun you can. Don't give much thought to yesterday, don't worry about tomorrow, live in the moment, and trust that your existence has meaning even when the world seems to be all blind chance and chaos. When life lands a hammer blow in your face, do your best to respond to the hammer as if it had been a cream pie.
Dean Koontz
I don't know. They could put up a warning sign or something. Hello. Welcome to Hindstrap. We will murder you in the night and eat your bloody face if you stay past sunset. Try the pies. Martna Maily makes them fresh daily.
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
It felt like life had thrown a pie right in my face. And that pie was full of bricks.
Molly Harper (And One Last Thing ...)
I trudged back to my bedroom and pushed the door open, intending to wash my face or brush my teeth or make some stab at smoothing my hair, because I thought it might make me feel a little less trampled. Eric was sitting on my bed, his face buried in his hands. He looked up at me as I entered, and he looked shocked. Well, no wonder, what with the very thorough takeover and traumatic changing of the guard. Sitting here on your bed, smelling your scent,” he said in a voice so low I had to strain to hear it. Sookie . . . I remember everything.” Oh, hell,” I said, and went in the bathroom and shut the door. I brushed my hair and my teeth and scrubbed my face, but I had to come out. I was being as cowardly as Quinn if I didn’t face the vampire. Eric started talking the minute I emerged. “I can’t believe I—” Yeah, yeah, I know, loved a mere human, made all those promises, was as sweet as pie and wanted to stay with me forever,” I muttered. Surely there was a shortcut we could take through this scene. I can’t believe I felt something so strongly and was so happy for the first time in hundreds of years,” Eric said with some dignity. “Give me some credit for that, too.
Charlaine Harris (From Dead to Worse (Sookie Stackhouse, #8))
Face your problems! Unless your problem is your face.
PewDiePie
Humor without sadness is just pie in the face
Cath Crowley (Graffiti Moon)
It's like the old pie-in-the-face routine: it stops being funny when it starts being you.
Stephen King (The Stand)
And now here he was in my kitchen. Smelling like apple pies and looking at me with a direct seriousness that made him even cuter. The bruising spreading up the side of his face had halted, and under it he was very pretty. Not jock-pretty, or the hurtful kind of pretty that tells you a guy is too busy taking care of his royal self to think about you.
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
What (we) wanted more than anything was to be close to each other, washing the dirt and dust from each other’s faces after our train chases, brushing the tangles out of our hair, sharing advice about boys and basketball, learning how to curse, grabbing a bottle of Coca-Cola and a Moon Pie from Mr. Shotts’ grocery store after school, dipping in a pond during the seven steamy months of the year.
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
The woman was putting her purse in the drawer and settling down behind the desk, and I realized I had never seen her before in my life. Her face was as wrinkled as one of those forgotten apples you sometimes find in the pocket of last year's winter jacket. Yes?" she said, peering over her spectacles. They teach them to do that at the Royal Academy of Library Science.
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
You can be our critic. Would you dig that? (Yes, he was the last Man in America who could say “dig” with a straight face without referring to the process of using a tool to remove dirt from the ground.)
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
I stuff another handful of Raisinets in my mouth. What gets me is the 'pretty face' bit. 'Cause I won't mind being reminded I'm fat as long as you water it down first. Why not say, Hey I'm going to insult you, but first I will congratulate your fortunate genetics and appropriate appliclation of Bobbi Brown cosmetics to prevent you from hitting me. Sh*t; I kind of prefer being called a 'fat bitch.' At least it doesn't pull any punches.
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
Then in one move, I pick up his plate—and smash the apple pie in his stupid, handsome face. “Kiss this, asshole.” I straighten up and slap the check down. “Here’s your bill; leave the money on the table. There’s the door—use it before I come back with my baseball bat and show you why they used to call me Babe Ruthette.” I
Emma Chase (Royally Screwed (Royally, #1))
Joe crowded into my side, sitting down next to me, not leaving any room between us. The meal was an exercise in torture. He leaned in often when talking to me, breath on my neck, whispering in my ear. He touched my arm, my hand, my thigh. He had a straw in his soda. He never used straws. Never. But he had one now, pulled from somewhere, eyelashes fluttering up at me as he sucked, cheeks hollowing. I dropped my fork. It clattered loudly onto my plate. “Joe,” Thomas sighed. “Really?” “Oops,” Joe said. “Sorry.” He didn’t sound sorry at all. Kelly said, “Oh man, this makes so much more sense now. And is much more gross.” “I made pie for dessert,” Elizabeth said, coming back to the table. “Whip cream topping.” I groaned. Joe looked delighted. Even more so when he ran a finger through the cream, licking it from his skin, never taking his eyes off of me. Carter and Kelly had matching looks of disgust and horror on their faces. “Stop it,” I hissed at him. Joe cocked his head at me before leaning in and saying in a low voice, “Oh, Ox. I’m just getting started.
T.J. Klune (Wolfsong (Green Creek, #1))
Guthrie handed him the mug, a wee pout pulling his pale face out of shape. With his semi-skimmed skin, faint ginger hair, and blond eyebrows he looked like a ghost that had been at the pies. "Milk, two sugars.
Stuart MacBride (Shatter The Bones (Logan McRae, #7))
I put my face to the window so nobody would see, if I tore up. Was this me now, for life? Taking up space where people wished I wasn’t? Once on a time I was something, and then I turned, like sour milk. The dead junkie’s kid. A rotten little piece of American pie that everybody wishes could just be, you know. Removed.
Barbara Kingsolver (Demon Copperhead)
You’re late.” Fang stepped out of the shadows, eating an apple. He was dressed in black, as usual, and his face looked like a lumpy plum pie. But his eyes shone as he came toward me, and then I was running to him over the sand, my wins out in back or me. We smashed together awkwardly, with fang standing stiffly for a moment, but then his arms slowly came around me, and he hugged me back. I held him tight trying to swallow the lump of cotton in my throat, my head on his shoulder, my eyes squeezed shut. Don’t ever leave me again,” I said in a tiny voice. I won’t,” he promised into my hair, most un-fang like. I won’t. Not ever.” And just like that, a cold shard of ice that had been inside my chest ever since we’d spilt up – well, it just disappeared. I felt myself relax for the first time in I don’t know how long. The wind was chilly, but the sun was bright, and my whole flock was together. Fang and I were together. “Excuse me? I’m alive too.” Iggy’s plaintive voice made me pull back.
James Patterson
They could put up a warning sign or something. Hello. Welcome to Hinderstap. We will murder you in the night and eat your bloody face if you stay past sunset. Try the pies. Martna Baily makes them fresh daily.
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
But truth be told, I'm not as dour-looking as I would like. I'm stuck with this round, sweetie-pie face, tiny heart-shaped lips, the daintiest dimples, and apple cheeks so rosy I appear in a perpetual blush. At five foot four, I barely squeak by average height. And then there's my voice: straight out of second grade. I come across so young and innocent and harmless that I have been carded for buying maple syrup. Tourists feel more safe approaching me for directions, telemarketers always ask if my mother is home, and waitresses always, always call me 'Hon.
Sarah Vowell (Take the Cannoli)
If I ever get a car I’m going to hang a miniature garbage can from the rear view mirror and tell people it’s my “dream catcher.
Brian Alan Ellis (Failure Pie in a Sadness Face)
How do you feel about me? Usually? Irritation and an extreme urge to shove a whipped-cream pie in your face. But also, desperation. Desire. And, fuck, I want to kiss you.
Angie Hockman (Shipped)
Her whole body shivered and her face fell apart like a bride’s pie crust. She put it together again slowly, as if lifting a great weight, by sheer will power. The smile came back, with a couple of corners badly bent.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
What happened?” she breathed, staring at me. “I got hit in the face with a pie,” I said. Mags stopped, blinking. “You got...hit in the face with a pie,” she repeated. “I...what? I’m sorry, but I’ve been in charge of this Library for a long time. I’ve seen a lot of really ridiculous things. I lived in Wales. And there is no way being hit with a pie should have turned you human.” “It was a really evil pie,” I said.
Seanan McGuire (Chimes at Midnight (October Daye, #7))
An "attack on SeaWorld" might mean a bomb, or it might mean graffiti and glitter and a cream pie in the face. The government doesn't always seem to distinguish between the two.
Karen Joy Fowler (We Are All Completely Beside Ourselves)
I brought to mind the image of the stranger lying there in the first light of dawn: the slight growth of whiskers on his chin, strands of his red hair shifting gently on the faint stirrings of the morning breeze, the pallor, the extended legs, the quivering fingers, that last, sucking breath. And that word, blown into my face ... "Vale." The thrill of it all! Yes," I said, "it was devastating.
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
Seattle, the mild green queen: wet and willing, cedar-scented, and crowned with slough grass, her toadstool scepter tilted toward Asia, her face turned ever upward in the rain; the sovereign who washes her hands more persistently than the most fastidious proctologist.
Tom Robbins (Tibetan Peach Pie: A True Account of an Imaginative Life)
Begin. Keep on beginning. Nibble on everything. Take a hike. Teach yourself to whistle. Lie. The older you get the more they'll want your stories. Make them up. Talk to stones. Short-out electric fences. Swim with the sea turtle into the moon. Learn how to die. Eat moonshine pie. Drink wild geranium tea. Run naked in the rain. Everything that happens will happen and none of us will be safe from it. Pull up anchors. Sit close to the god of night. Lie still in a stream and breathe water. Climb to the top of the highest tree until you come to the branch where the blue heron sleeps. Eat poems for breakfast. Wear them on your forehead. Lick the mountain's bare shoulder. Measure the color of days around your mother's death. Put your hands over your face and listen to what they tell you.
Ellen Kort
It would take more than long-stemmed roses to change my view that you're a despicable cowardy custard and a disgrace to a proud family. Your ancestors fought in the Crusades and were often mentioned in despatches, and you cringe like a salted snail at the thought of appearing as Santa Claus before an audience of charming children who wouldn't hurt a fly. It's enough to make an aunt turn her face to the wall and give up the struggle.
P.G. Wodehouse (Plum Pie (Jeeves, #13.5))
Predatory animals usually devour prey in order to convert flesh into fuel. Most human predators, however, seek power, not food. To destroy or damage something is to take its power. This applies equally to a political movement, a government, a campaign, a career, a marriage, a performance, a fortune, or a religion. To push a pie into the face of the world’s richest man is to take his power, if only for a moment.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Havel had said that people struggling for independence wanted money and recognition from other countries; they wanted more criticism of the Soviet empire from the West and more diplomatic pressure. But Havel had said that these were things they wanted; the only thing they needed was hope. Not that pie in the sky stuff, not a preference for optimism over pessimism, but rather 'an orientation of the spirit.' The kind of hope that creates a willingness to position oneself in a hopeless place and be a witness, that allows one to believe in a better future, even in the face of abusive power. That kind of hope makes one strong.
Bryan Stevenson (Just Mercy)
There have been very few moments in my life where I have actually wished I had one of those enormous crème pies you can just smash in somebody's face. But this is definitely one of them.
- Lorelai Gilmore
His statement flew in the face of everything I knew. He thought of relationships as finite, like a pie that could only be cut into so many pieces. Take a piece away, and there was that much less for him. I knew, however, that relationships are more like muscles - the more you work them, the stronger they become.
Keith Ferrazzi (Never Eat Alone: And Other Secrets to Success, One Relationship at a Time)
[T]he only thing they needed was hope. Not that pie in the sky stuff, not a preference for optimism over pessimism, but rather “an orientation of the spirit.” The kind of hope that creates a willingness to position oneself in a hopeless place and be a witness, that allows one to believe in a better future, even in the face of abusive power. That kind of hope makes one strong.
Bryan Stevenson (Just Mercy)
Five thousand dollars? For a kiss?” “That’s what I said.” “With tongue?” “It’s not really a kiss without it. Just say yes, pet. You obviously need the money.” I gasp before I can stop myself. I didn’t think five words from a stranger could hurt so much. What a dick. “For fuck’s sake, Nicholas,” Simon says. But he just looks at me, waiting, those arrogant green eyes alight with anticipation. So I give him what he’s waiting for. “Hands under the table,” I order. He smiles wider, puts his flask in his pocket, and does what he’s told. “Close your eyes.” “I like a woman who’s not afraid to take charge.” “No more talking.” He’s said more than enough. I lean in, keeping my eyes open the whole time, memorizing every angle of that face, feeling his warm breath against my cheek. This close, I can see the shadow of stubble on his chin and for just a second, I let myself wonder what it would feel like scratching against my stomach, my thighs—everywhere. Then in one move, I pick up his plate—and smash the apple pie in his stupid, handsome face. “Kiss this, asshole.
Emma Chase (Royally Screwed (Royally, #1))
My greatest pleasure has been in resuming my evening walks along the cliff tops. The Channel is no longer framed in rolls of barbed wire, the view is unbroken by huge VERBOTEN signs. The mines are gone from our beaches, and I can walk when, where, and for as long as I like. If I stand on the cliffs and turn out to face the sea, I don't see the ugly cement bunkers behind me, or the land naked without its trees. Not even the Germans could ruin the sea.
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
That's him!" he said. "That's the one!" "Is it, indeed?" Inspector Hewitt asked, as he lifted the cap from my head and took the gown from my shoulders with the gentle deference of a valet. The little man's pale blue eyes bulged visibly in their sockets. "Why, it's only a girl!" he said. I could have slapped his face.
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
The event that will light the way for immigration in North America is the talking picture. The silent film brings nothing but entertainment—a pie in the face, a fop being dragged by a bear out of a department store—all events governed by fate and timing, not language and argument. The tramp never changes the opinion of the policeman. The truncheon swings, the tramp scuttles through a corner window and disturbs the fat lady’s ablutions. These comedies are nightmares. The audience emits horrified laughter as Chaplin, blindfolded, rollerskates near the edge of the unbalconied mezzanine. No one shouts to warn him. He cannot talk or listen. North America is still without language, gestures and work and bloodlines are the only currency.
Michael Ondaatje
We're attacking all accepted values. Authority, class differences, shared perceptions. We don't care what happens to our social structure -- revolutions are for suckers. Our target is people's collective consciousness. It's like throwing a cream pie in their face.
Fuminori Nakamura (Evil and the Mask)
Harwin's eyes went from her face to the flayed man on her doublet. "How do you know me?" he said, frowning suspiciously. "The flayed man . . . who are you, some serving boy to Lord Leech?" For a moment she did not know how to answer. She'd had so many names. Had she only dreamed Arya Stark? "I'm a girl," she sniffed. "I was Lord Bolton's cupbearer but he was going to leave me for the goat, so I ran off with Gendry and Hot Pie. You have to know me! You used to lead my pony, when I was little." His eyes went wide. "Gods be good," he said in a choked voice. "Arya Underfoot? Lem, let go of her." "She broke my nose." Lem dumped her unceremoniously to the floor. "Who in seven hells is she supposed to be?" "The Hand's daughter." Harwin went to one knee before her. "Arya Stark, of Winterfell.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
if you ever see me on Tinder, make sure you swipe up, up, down, down, left, right, left, right, b, a, start.
Brian Alan Ellis (Failure Pie in a Sadness Face)
I’ve always had the morbid inclination to fuck my life up and yet I’ve never had children so go figure.
Brian Alan Ellis (Failure Pie in a Sadness Face)
Thank God I didn't have to see his smug face. Sometimes, I wished I had a pie that I could smash into it. Well, if by pie I meant anvil, then yes. I smiled at the visual. I really was sick.
Emily Cyr (The Lightning Legacy (The Lightning Witch Trilogy #2))
You gave me hope that maybe, just maybe, you might feel the same way about me as I feel about you.” “How do you feel about me?” I whisper. “Usually? Irritation and an extreme urge to shove a whipped-cream pie in your face. But also, desperation. Desire. And, fuck, I want to kiss you.
Angie Hockman (Shipped)
When I look at a pumpkin muffin, I see the brilliant orange glow of a sugar maple in its full autumnal glory. I see the crisp blue sky of October, so clear and restorative and reassuring. I see hayrides, and I feel Halloween just around the corner, kids dressed up in homemade costumes, bobbing for apples and awaiting trick or treat. I think of children dressed as Pilgrims in a pre-school parade, or a Thanksgiving feast, the bounty of harvest foods burdening a table with its goodness. I picture pumpkins at a farmer's market, piled happy and high, awaiting a new home where children will carve them into scary faces or mothers will bake them into a pie or stew.
Jenny Gardiner (Slim to None)
It was the tequila that did it. Tequila is spiteful, two-faced, sweet as pie when you’re saying hi, paying your monies and throwing ‘em back, but nasty in a metal fangs kind of way when last night’s fun-lovin’ fast-forwards into next day’s buggering regret. I tell you, Tequila is unwise.
Simon Pont (Remember to Breathe)
Faced with the unfamiliar, we the public have been trained to rely on museums, like schools, to serve up art and culture like pieces of pie: little wedges of esthetics, criticism, politics and history.
Lynne Tillman (The Complete Madame Realism and Other Stories)
I'd grown fond of quoting Václav Havel, the great Czech leader who had said that "hope" was the one thing that people struggling in Eastern Europe needed during the era of Soviet domination. Havel had said that people struggling for independence wanted money and recognition from other countries; they wanted more criticism of the Soviet empire from the West and more diplomatic pressure. But Havel had said that these were things they wanted; the only thing they needed was hope. Not that pie in the sky stuff, not a preference for optimism over pessimism, but rather "an orientation of the spirit." The kind of hope that creates a willingness to position oneself in a hopeless place and be a witness, that allows one to believe in a better future, even in the face of abusive power. That kind of hope makes one strong.
Bryan Stevenson (Just Mercy)
...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get. See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On. The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour. And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.
Catherynne M. Valente
Personally, I’ve found maturity an overrated quality except in wine, for both creative artists and lively people in general have much to gain from facing the world with the unsullied vision, flexible responses, and playful sensibilities of a child.
Tom Robbins (Tibetan Peach Pie: A True Account of an Imaginative Life)
The aroma of chicken broth and beef pie wafted into the parlor. She set down the tray of food on the low table next to him. “Are you all right?” He grunted. “You don’t want to eat anything?” “No.” He did not want to tax his stomach for the next twelve hours. “So what now? Are we going on the run?” He removed his arm from his face and opened his eyes. She was sitting on the carpet before the low table, wearing his gray, hooded tunic, but not his trousers. Her legs were bare below mid-thigh. The sight jolted him out of his lethargy. “Where are your trousers?” “They had no braces and won’t stay up. Besides, it’s warm enough in here.” He was feeling quite hot. It was not unusual to see girls in short robes come summertime in Delamer. But in England skirts always skimmed the ground and men went mad for a glimpse of feminine ankles. So much skin—boys at school would faint from overexcitement. He might have been a bit unsteady too, if he were not already lying down. “You never answered my question,” she said, as if the view of long, shapely legs should not scramble his thoughts at all.
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
When I closed the door and turned to the guys, I saw they were all leaned slightly to the right, heads tipped, eyes on my behind or, in the case of the lanky guy, my legs. I felt warmth hit my cheeks and called, “Is Joker around?” They all came to and looked to my face. “She brought him pie,” the lanky guy muttered. “Fuckin’ brilliant,” the greasy jeans guy also was muttering. “Does Joker even like pie?” the coverall guy was only slightly muttering. But my heart squeezed. Didn’t he like pie? Didn’t everyone like pie? Oh no! What if he didn’t like pie? “Does Joker like anything?” greasy jeans guy asked. “I bet, today, he’s gonna like butterflies,” lanky guy noted. “Today, I like butterflies,” greasy jeans guy declared.
Kristen Ashley (Ride Steady (Chaos, #3))
People I had never seen before flocked in, their faces showing a longing you never saw for cake. People's eyes lit up for a cupcake, cake seemed to signal celebration. But their eyes got filmy, watery, misty when we handed them a slice of pie. Pie was memory. Nostalgia. Pie made people recall simpler, maybe happier times.
Judith M. Fertig (The Memory of Lemon)
In the center is Judge Theodore Sedgwick, the first of the Stockbridge Sedgwicks and a great-great-great-grandfather of Edie's and of mine, is buried under his tombstone, a high rising obelisk, and his wife Pamela is beside him. They are like the king and queen on a chessboard, and all around them like a pie are more modest stones, put in layers, back and round in a circle. The descendants of Judge Sedgwick, from generation unto generation, are all buried with their heads facing out and their feet pointing in toward their ancestor. The legend is that on Judgement Day when they arise and face the Judge, they will have to see no one but Sedgwicks.
Jean Stein (Edie: American Girl)
When I peeked out the window into the yard, there was Kurt with some kind of contraption on his head that resembled a tin-foil hat, sneaking around the yard followed by a half a dozen laughing toddlers. Kurt had that million-dollar grin on his face and I could tell he was definitely in nirvana. I guess you could say he was the Pied Piper of compassion.
Michael Azerrad (Come As You Are: The Story of Nirvana)
Everyone has a bad day here and there, but I’ve been having a bad year. Life has smashed a giant creme pie in my face over and over for the past five months.
Jacob Chance (Drive (Boston Terriers #2))
Gentlefolks in general have a very awkward rock ahead in life - the rock ahead of their own idleness. Their lives being, for the most part, passed in looking about them for something to do, it is curious to see - especially when their tastes are of what is called the intellectual sort - how often they drift blindfold into some nasty pursuit. [...] But there! the poor souls must get through the time, you see - they must get through the time. You dabbled in nasty mud, and made pies, when you were a child; and you dabble in nasty science, and dissect spiders, and spoil flowers, when you grow up. In the one case and in the other, the secret of it is, that you have got nothing to think of in your poor empty head, and nothing to do with your poor idle hands. And so it ends in your spoiling canvas with paints, and making a smell in the house; or in keeping tadpoles in a glass box full of dirty water, and turning everybody's stomach in the house; or in chipping off bits of stone here, there, and everywhere, and dropping grit into all the victuals in the house; or in staining your fingers in the pursuit of photography, and doing justice without mercy on everybody's face in the house. It often falls heavy enough, no doubt, on people who are really obliged to get their living, to be forced to work for the clothes that cover them, the roof that shelters them, and the food that keeps them going. But compare the hardest day's work that you ever did with the idleness that splits flowers and pokes its way into spiders' stomachs, and thank your stars that your head has got something it must think of, and your hands something that they must do.
Wilkie Collins (The Moonstone)
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.' The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston. The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums. After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies? She looked at the nurse... She thought the nurse might say something like: Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.' A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise. When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up. My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice. I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
Betty Smith (A Tree Grows in Brooklyn)
The way my face is without a jaw, my throat just ends in sort of a hole with my tongue hanging out. Around the hole, the skin is all scar tissue: dark red lumps and shiny the way you’d look if you got the cherry pie in a pie eating contest. If I let my tongue hang down, you can see the roof of my mouth, pink and smooth as the inside of a crab’s back, and hanging down around the roof is the white vertebrae horseshoe of the upper teeth I have left.
Chuck Palahniuk (Invisible Monsters)
A little boy of five or six was standing there, in fact, utterly motionless. He was dressed in grey, grey stockings above the knee, grey shorts, and a grey jersey. He was standing absolutely still, staring down the road towards them. His face was a dead, greyish white in colour. Howard caught his breath at the sight of him, and said very softly: ‘Oh, my God!’ He had never seen a child looking like that, in all his seventy years. He crossed quickly over to him,
Nevil Shute (Pied Piper)
But liberalism has no obvious answers to the biggest problems we face: ecological collapse and technological disruption. Liberalism traditionally relied on economic growth to magically solve difficult social and political conflicts. Liberalism reconciled the proletariat with the bourgeoisie, the faithful with atheists, natives with immigrants, and Europeans with Asians by promising everybody a larger slice of the pie. With a constantly growing pie, that was possible. However, economic growth will not save the global ecosystem; just the opposite, in fact, for economic growth is the cause of the ecological crisis. And economic growth will not solve technological disruption, for it is predicated on the invention of more and more disruptive technologies.
Yuval Noah Harari (21 Lessons for the 21st Century)
Fattening!” said Troy, looking at Tabitha’s round face and plump arms. “If I don’t mind being fat, I don’t see why other people should feel they’ve got to mind for me,” Tabitha replied cheerfully. “And pies have got some food value – they’ve got vitamins or something, haven’t they, Claire?
Margaret Mahy (The Haunting)
Our guiding principles are simple: Do as little harm to others as you can; make any sacrifice for your true friends; be responsible for yourself and ask nothing of others; and grab all the fun you can. Don’t give much thought to yesterday, don’t worry about tomorrow, live in the moment, and trust that your existence has meaning even when the world seems to be all blind chance and chaos. When life lands a hammer blow in your face, do your best to respond to the hammer as if it had been a cream pie. Sometimes black humor is the only kind we can summon, but even dark laughter can sustain.
Dean Koontz (Seize The Night (Moonlight Bay, #2))
I love seeing somebody act real earnest and serious, like Jackie Gleason. He makes me laugh because he reflects back to me my own serious-mindedness and how ridiculous it all is. It’s always easier to see somebody else in that position than yourself, and you laugh. It’s like the classic slipping on the banana peel, or someone getting hit by a pie in the face. Why do those things make us laugh? Is it from relief, like: Thank God it wasn’t me? Or is it something else: I’m being very serious now. I’m pontificating earnestly and solemnly about—POW! PIE IN THE FACE! The bust-up of certainty.
Jeff Bridges (The Dude and the Zen Master)
Finn stood by the counter, having just finished making his thirteenth cup of coffee of the day. As always, the chicory fumes warmed me from the inside out and made me think of his father. I wished that the old man were here tonight. Fletcher would have known exactly what to do about the mess we were in—the mess I’d dragged us all into by declaring war on Mab in the first place. Finn stared at me with his green eyes. “Any chance of getting something sweet to go with my coffee?” he asked in a hopeful voice. I arched an eyebrow at him. “You mean all those pieces of strawberry pie that you ate for lunch weren’t enough?” “I’m a growing boy,” Finn said in a sincere tone. “I need my vitamins.” Bria snorted. “The only thing that’s growing on you, Lane, is your ego.” Finn sidled up to my sister and gave her a dazzling smile. “Well, other things of mine also tend to swell up in your presence, detective.” I rolled my eyes at Finn’s attempt at witty banter. Jo-Jo just chuckled, amused by his antics. Bria returned Finn’s smile with a syrupy sweet one of her own. “Oh, really? So it’s gone from what, pencil eraser to cocktail sausage by now?” Finn sputtered and almost spit out a mouthful of coffee. His face flushed, and he glared at Bria.
Jennifer Estep (Spider's Revenge (Elemental Assassin, #5))
If I have any memories of this time, they are of castle walls and chocolate-brown pews and bright banners hanging in high places. Lutherans have a passion for banners that approaches the erotic. They are never happier than when they are scissoring big purple grapes out of felt and gluing them onto other felt. I can picture a few members of the congregation, who were square-faced and blue-eyed and gently brimming with pie filling. I also recall consuming an enormous quantity and variety of mayonnaise salads, which Lutherans loved and excelled at making. If Jesus himself appeared in their midst and said, "Eat my body," they would first slather mayonnaise all over him.
Patricia Lockwood (Priestdaddy)
We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.
Hilary Mantel (An Experiment in Love: A Novel)
He was shaking his head as he read some of the words that were written in the pie sections of the wheel; Meat Snatch, Gash and Stitch, Jaws of Life, Tongue Twister, Enema of Horror, Nailed, Dissection, Musical Hair Patches, Eye Deflation, Intestinal Jump Rope, Cooked Until Dripping, Spoon of Pain, Needle Works, Ball Squats, Cut and Rip, Two Headed Cock, Bone Collector, Joint Screws, Fused, Human Tesla Coil, Barbed Wired, Shit Faced, Root and Rod, Colon Blow, Skin Deep, Boiling Nuts, Sewn, Muscle Stimulator, Urethra Tug-o-war, Crack a Cap, Tendon Rubber Bands, Weenie Roast, Musical Extremities, Root Canal, Needle Mania, Tattooed Wall Art, Rod and Prod, Slice and Dice, Sex Change and Torched Beyond Recognition. I
Wade H. Garrett (The Angel of Death - The Most Gruesome Series on the Market (A Glimpse into Hell, #2))
I remember the only time I ever saw my mother cry. I was eating apricot pie. I remember how much I used to stutter. I remember the first time I saw television. Lucille Ball was taking ballet lessons. I remember Aunt Cleora who lived in Hollywood. Every year for Christmas she sent my brother and me a joint present of one book. I remember a very poor boy who had to wear his sister's blouse to school. I remember shower curtains with angel fish on them. I remember very old people when I was very young. Their houses smelled funny. I remember daydreams of being a singer all alone on a big stage with no scenery, just one spotlight on me, singing my heart out, and moving my audience to total tears of love and affection. I remember waking up somewhere once and there was a horse staring me in the face. I remember saying "thank you" in reply to "thank you" and then the other person doesn't know what to say. I remember how embarrassed I was when other children cried. I remember one very hot summer day I put ice cubes in my aquarium and all the fish died. I remember not understanding why people on the other side of the world didn't fall off.
Joe Brainard (I Remember)
He was on his second plate of steaming-hot kidney pie by the time his chewing slowed. And that's when he heard it. The faintest sounds escaping her room, sweeping across the antechamber, and sliding under the door to him. The sounds of bathing. A splash. A trickle. A faint series of drips. It all added up to torture. Pure, liquid torture. He pushed his plate away, propped his elbows on the table, and buried his face in his hands with a groan. Even plugging his ears didn't help. When he closed his eyes, he could picture her. Naked in a shallow tub. Her feet dangling over the lip at one end, and her head reclined against the other. And all that water embracing her with heat, lapping at her nakedness, pouring over her most secret curves and furrows. He was immediately, startlingly hard.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
I was greeted at the Magraths’ apartment door by a dumpy, pie-faced woman with a frizz of unsprung black hair. She wore black spandex leggings and an oversized T-shirt with an equally oversized message stamped across the front: Don’t Give Me Attitude, I Have One of My Own. This witticism ran six full lines, drawing my eyes southward over her person from wavering bosom to detumescent belly, a journey I regret even now.
William Landay (Defending Jacob)
Some have contended that it was America’s love of pie-throwing that led the nation to develop the atomic bomb. This may or may not be true, but certainly it does help explain the country’s current panic over the possible proliferation of the bombs to unfriendly nations: it’s a cardinal rule of the act that one custard pie leads to another, and he who throws one must sooner or later face one coming from the other direction.
Robert Coover
Happiness is fleeting, fickle, often based on our circumstances....If you chase happiness, you will more often than not end up disappointed by the very nature of life. Life is hard, brutal at times, and often unfair. But following your bliss, that's entirely different. It means facing your present reality with honesty and courage and, in the midst of it all, continuing to pursue each spark of joy, even if it is a tiny pinpoint in the darkness of your life. Do not give up. Continue to look for the light in your life--it is always present somewhere, some small thing to be grateful for, something to celebrate, a way to give joy to others, a new way to grow. Move toward the light in life, seek it out no matter what. This is the essence of what it means to follow your bliss. You must be honest. Pay attention. Seek joy. [GERTRUDE LUND, to her great-niece Lolly Blanchard]
Rachel Linden (The Magic of Lemon Drop Pie)
I'd take her to the top of the widow's tower at Ainsdale Castle, late at night, and we'd watch the moon rise. The widow's tower was very high but she wasn't afraid. Sometimes I'd steal a pie from the kitchens and we'd picnic up there. I brought up a blanket, too, so she wouldn't have to sit on the bare stone floor." Mrs. Crumb made an aborted movement, as if she'd meant to turn to face him and then changed her mind. He let the wineglass dangle by his side. "I told her a rabbit lived on the moon and she believed me. She believed everything I told her then." "What rabbit?" "There." He roused himself, straightening. He drew back, fitting her against his chest and setting his chin on her shoulder. She smelled of tea and housekeeperly things, and she was warm, so warm. He caught up her right hand in his and traced the moon with it. "D'you see? There are the long ears, there the tail, there the forepaws, there the back." "I see," she whispered. "I told her the rabbit had lavender fur and ate pink moon clover up there." His mouth twisted, as he remembered. "She'd watch me with big blue eyes, her mouth half-open, a bit of piecrust on her dress. She hung on every word." He could hear her breath, could feel the tremble of her limbs. Did she fear him? "D'you believe me?" he asked against her ear, his lips wet with wine. She was a housekeeper and housekeepers didn't matter in the grand schemes of kings and dukes and little girls who wished upon rabbit moons. But she was silent, damnable housekeeper. They breathed together for a moment, there in the night air, London twinkling before them, overhung by a pagan moon. At last she stirred and asked, "What happened to the girl?" He broke away from her, draining his glass of wine. "She grew up and knew me for a liar.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Steak is in what we ordered, right? I heard you say steak." Alec looked at me and nodded. "Yeah it's steak, mashed potatoes, vegetables, and gravy." "Oh thank God," I said and breathed a sigh of relief. "I didn't know what any of the names meant. I just heard you say steak and got the same." Alec laughed. "You’re so cute." I narrowed my eyes at him. "Every time you call me cute playboy, I will bite you." Alec looked me dead in the eye and said, "You're a cutie-mac-cute face, cutie pie.
L.A. Casey (Alec (Slater Brothers, #2))
Fresh start. Day two, socks around my ankles, way down, two Maori boys approached me before I could get to my desk. Probelm solved. That day and in the many enjoyable ones that followed, my classmates asked me dozen of questions about America, while detailing essential subjects for a New Zealand boy in 1976, including lollies, meat pies and chips, cricket and rugby, ABBA and Tintin comic books, and why their relatives with tattoos on their face did that funy dance while sticking out their tounges.
Franz Wisner (Honeymoon with My Brother)
On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervision Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father's chamber-door. 'Come in!' was always answered in a heart out-of-door voice from the inside. 'Papa,' she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; 'papa, will you not come downstairs this evening?' She spoke distinctly: he was rather deaf. 'Afraid not - eh-h-h! - very much afraid I shall not, Elfride. Piph-ph-ph! I can't bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper - piph-ph-ph! There 'tis again! No, I shan't get up till tomorrow.' 'Then I hope this London man won't come; for I don't know what I should do, papa.' 'Well, it would be awkward, certainly.' 'I should hardly think he would come today.' 'Why?' 'Because the wind blows so.' 'Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!... If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!' 'Must he have dinner?' 'Too heavy for a tired man at the end of a tedious journey.' 'Tea, then?' 'Not substantial enough.' 'High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.' 'Yes, high tea.' 'Must I pour out his tea, papa?' 'Of course; you are the mistress of the house.' 'What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?' 'Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies tonight. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels.
Thomas Hardy (A Pair of Blue Eyes)
A hurricane delayed our meeting. First date force majeure. Online late one night we rescheduled – "Right now! As-is!" Sleep pants and t-shirts were good enough for Waffle House. Over coffee and pie we said the same sorts things we had sent as instant messages. To a person not a screen name. After she gave me the tour. Her cat's old collar on the rear-view mirror. A place where graffiti was allowed. The Slab by the river. Places where the young could be young. She stopped for cigarettes. The cashier had dirt on her face and ate an onion like an apple. We pretended not to notice. It only seemed polite.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
But paging through it for the first time while actually sitting on the trail was less reassuring than I’d hoped. There were things I’d overlooked, I saw now, such as a quote on page 6 by a fellow named Charles Long, with whom the authors of The Pacific Crest Trail, Volume 1: California heartily agreed, that said, “How can a book describe the psychological factors a person must prepare for … the despair, the alienation, the anxiety and especially the pain, both physical and mental, which slices to the very heart of the hiker’s volition, which are the real things that must be planned for? No words can transmit those factors …” I sat pie-eyed, with a lurching knowledge that indeed no words could transmit those factors. They didn’t have to. I now knew exactly what they were. I’d learned about them by having hiked a little more than three miles in the desert mountains beneath a pack that resembled a Volkswagen Beetle. I read on, noting intimations that it would be wise to improve one’s physical fitness before setting out, to train specifically for the hike, perhaps. And, of course, admonishments about backpack weight. Suggestions even to refrain from carrying the entire guidebook itself because it was too heavy to carry all at once and unnecessary anyway—one could photocopy or rip out needed sections and include the necessary bit in the next resupply box. I closed the book. Why hadn’t I thought of that? Of ripping the guidebook into sections? Because I was a big fat idiot and I didn’t know what the hell I was doing, that’s why. And I was alone in the wilderness with a beast of a load to carry while finding that out. I wrapped my arms around my legs and pressed my face into the tops of my bare knees and closed my eyes, huddled into the ball of myself, the wind whipping my shoulder-length hair in a frenzy.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Her six-year-old brain had lost her father at sweet and was still stuck trying to decipher lemonade. "But lemon is pretty, Dad. It's yellow. Like sun." Her father nodded, his lips curved up at the corners. "Sun is pretty and it has a smiley face. Sun is not bad." "No, I guess it's not." Her father chuckled. "I love sun." "Of course you do, sweetie-pie." "So lemon is nice, too." "I believe so, but some people don't like the taste. It's too sour, they say." She looked back at her father and said with a tone that suggested what other people thought about lemon was crazy. "Then add sugar. No need to blame the lemon.
E. Mellyberry (My Lea (A Broken Love Story, #1))
A honey pie, lovingly made. The tiny sugar bee, still perched on the edge of the flaky crust, mocked me. That little bee nibbling on her honey pie. A pulse of sheer heat lit up my sex, licked down my thighs, tweaked my nipples. I shoved another messy bite into my mouth, relishing the taste, wanting...him. This was his work, made with his hands, his skill, his mind. My grumpy man with the ability to create sweetness in the most unexpected of ways. Somehow, at the back of my mind, I'd known from the start. From the way he'd all but ordered me to try his brest. How he'd watched me eat it with that strange intent look upon his face. Pride. That was what it was. He was proud of his work. I ate up my honey pie without pause, devouring it until it was nothing more than a sticky paste on my fingers, buttery crumble on my lips. Moaning, I licked my skin clean like a cat might. I swore I felt claws prickling, aching to come out. Because he had known, and I hadn't. Was it a joke to him? What had he said? The chef was temperamental. Oh, how he must have laughed on the inside at that. With a growl, I washed my hands and headed for the door, half of me more turned on than I'd ever been in my life, the other half ready to tear into the most irritating man I'd ever met.
Kristen Callihan (Make It Sweet)
What if my da is Breccan?” Frae kicked a pebble on the road, keeping her eyes on the ground. “Would you still want to walk me home?” Ella was quiet for a moment, but maybe only because the question had taken her by surprise. Frae snuck a glance at her. For the past several days, Ella had walked her home from school and the boys had not bothered her again. But there were still whispers and pointed glances. A few times during class, no one had wanted to partner up with Frae. “If your da is a Breccan,” Ella began to say, “then yes, I’d still walk you home, and I’d still be your friend, Frae. Do you want to know why?” Frae nodded, but she could feel her face flush, her relief knotted with shame that she even had to ask this question when no other children she knew did. “Because your heart is good and brave and kind,” Ella said. “You are thoughtful and smart. And those are the kind of people who I want to be friends with. Not the ones who think they are above everyone else. Who scowl and judge things they don’t understand and throw mud and have cowardly hearts.” Frae soaked in Ella’s words, which were warm and soft as a plaid, and she suddenly could walk faster, her chin held higher. “And,” Ella added with a mischievous smile, “you make the best berry pies.
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
From "Lunchtime At The Justice Cafe" : The waitress snarled a grin that lasted just long enough to show a mouthful of stained yellowed teeth, then turned suddenly serious. “‘Course I’m not the one to talk about these folks, I ‘spose. You see, I used to do a bit of eavesdroppin’ in my day before the sheriff put a stop to that.” 

She lifted the stringy blond hair from the side of her face, the opposite side from where she had hidden her pencil. There was a small hole about the size of a quarter where her ear should have been. “As you can see, Mr. McAllister, Sheriff Sweet puts a fairly high price on mindin’ your own business in Justice,” she added, refilling his cup. “You want some pie?” 

Kenneth C. Goldman (Fried!: Fast Food, Slow Deaths)
She stared in horror at the pie table. Each of Nick’s hands had landed in a pie. His gray shirt was splattered with crust and whipped cream and berries. Even worse, his face was completely covered. The pie ladies and the other judges rushed to help, trying to right the remaining pies while keeping Nick from dripping berry juice all over the table. At one time Maddie might have done something as impulsive as push Ashby back. But now she took a step away. When she looked at Ashby, she was holding a pie. Actually, she was a second away from launching it. “Just put down the pie and walk away, and we’ll let bygones be bygones.” Maddie felt like she should be wearing a police uniform and holding a stun gun instead of contemplating arming herself with pies. Ashby tossed her a defiant look and cranked up the pie. “Let’s just talk like civilized—” Too late. Ashby tossed the pie, a direct hit to Maddie’s face. The pie splattered all over—her hair, her clothes, blinding her and covering her nose so she couldn’t breathe. This was war. Maddie scooped enough pie off her face so she could see. “Okay, I guess we’re past talking.” Something devilish came over her, that feeling of pure kicking-someone’s-butt that she hadn’t felt since she was nine and Derrick ambushed her Barbies with his GI Joes and held them for ransom money. Maddie picked up a certain pie from the table. One of Ashby’s. It hovered in Maddie’s hands like a Frisbee. Clearing both her pie eyes for good aim, she let it rip. Fluffs of whipped cream spread everywhere, in Ashby’s perfect hair and all over her designer sundress.
Miranda Liasson (Heart and Sole (Kingston Family #1))
So…it wasn’t love at first sight then? With Dad? You fell in love later?” I don’t know why I feel disappointed. I don’t even believe in love at first sight. Except where it applies to my parents being perfect for each other. And anyways, isn’t that a kind of child-myth that all kids want to believe? “Sweetie…It was never love.” Screw disappointment. Now I feel gut-kicked. “What do you mean? But you had to…Then how did I…?” Mom sighs. “You were…the result of a moment of…weakness on my part.” But she takes too long to choose her words. I wonder what she thought of first, instead of “weakness.” Pity? Stupidity? She dabs her napkin at some imaginary syrup at the corner of her mouth. “The only weak moment we ever had, which is kind of extraordinary. Not that I regret it at all,” she says quickly. “I wouldn’t trade you for anything. You know that, right?” I wonder if “I wouldn’t trade you for anything” is also a child-myth. “So I was an accident. Not even the normal kind of accident. Like, a one-night stand, or a oops-I-didn’t-take-my-pill accident. I was an oops-I-accidentally-mated-with-my-first-experiment accident.” I put my head in my hands. “Lovely.” “That man loved you, Emma, from the moment you were born. He’d be very upset to hear you talking like that right now. Frankly, I am, too. I was not some experiment.” I bite my lip. “I know. It’s just…a lot, don’t you think?” “That’s why we’re going to have two pieces of strawberry pie, Agnes,” Mom says, her voice strained. I pull my stricken face from my hands and force it to smile. “Yes, please,” I say. I’m beginning to think Agnes isn’t a waitress for financial gain. I think she needs gossip to thrive. There’s no way a normal waitress would be or should be this attentive.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I had the grace to say that he flattered me but let it lie when he answered that I was too modest—even though I’m not handsome now and wasn’t then and modesty has never been one of my vices. “But Noisy thought all the girls were beautiful, too—and in one case this may have been true and certainly several of them were pretty. “But he asked me what had become of Olga and added, ‘Golly, what a little beauty she was!’ “Kinfolk, Olga wasn’t even homely, she was ugly. Face like a mud pie, figure like a gunnysack—only on an outpost like Mars could she get by. What she did have was a warm and gentle voice and a sweet personality—which was enough, as a customer might pick her through Hobson’s choice on a busy night, but once he had done so, he picked her some later time on purpose. Mean to say, dears, beauty will lure a man into bed, but it won’t bring him back a second time, unless he’s awfully young or very stupid.
Robert A. Heinlein (Time Enough for Love)
Not that I can throw stones, since, as a woman without a career or children, so much effort is poured into curating the perfect life. Your house must always be pristine because if not, people will wonder what the fuck else you do with your time. Your hosting skills must be tip-top; guests’ glasses should never be empty – like radio, there should never be dead air – and every aspect of the meals you serve must be impeccable because if not, people will wonder what the fuck else you do with your time. Your marriage must be loving and fun, but also meaningful, and you must make sure others know your marriage is loving and fun, but also meaningful, because if not, people will wonder what the fuck else you do with your time. It’s important to note they must know about your fun, loving but also meaningful marriage without you shoving it in their face like a cream pie. It is a pie to be smelt and displayed on a window ledge and admired.
Dandy Smith (One Small Mistake)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
You look terrible,” was Ron’s greeting as he entered the room to wake Harry. “Not for long,” said Harry, yawning. They found Hermione downstairs in the kitchen. She was being served coffee and hot rolls by Kreacher and wearing the slightly manic expression that Harry associated with exam review. “Robes,” she said under her breath, acknowledging their presence with a nervous nod and continuing to poke around in her beaded bag, “Polyjuice Potion . . . Invisbility Cloak . . . Decoy Detonators . . . You should each take a couple just in case. . . . Puking Pastilles, Nosebleed Nougat, Extendable Ears . . .” They gulped down their breakfast, then set off upstairs, Kreacher bowing them out and promising to have a steak-and-kidney pie ready for them when they returned. “Bless him,” said Ron fondly, “and when you think I used to fantasize about cutting off his head and sticking it on the wall.” They made their way onto the front step with immense caution: They could see a couple of puffy-eyed Death Eaters watching the house from across the misty square. Hermione Disapparated with Ron first, then came back for Harry. After the usual brief spell of darkness and near suffocation, Harry found himself in the tiny alleyway where the first phase of their plan was scheduled to take place. It was as yet deserted, except for a couple of large bins; the first Ministry workers did not usually appear here until at least eight o’clock. “Right then,” said Hermione, checking her watch. “She ought to be here in about five minutes. When I’ve Stunned her—” “Hermione, we know,” said Ron sternly. “And I thought we were supposed to open the door before she got here?” Hermione squealed. “I nearly forgot! Stand back—” She pointed her wand at the padlocked and heavily graffitied fire door beside them, which burst open with a crash. The dark corridor behind it led, as they knew from their careful scouting trips, into an empty theater. Hermione pulled the door back toward her, to make it look as though it was still closed. “And now,” she said, turning back to face the other two in the alleyway, “we put on the Cloak again—” “—and we wait,” Ron finished, throwing it over Hermione’s head like a blanket over a birdcage and rolling his eyes at Harry.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Ellie goes back to the kitchen . . . and screams bloody murder. “Nooooooo!” Adrenaline spikes through me and I dart to the kitchen, ready to fight. Until I see the cause of her screaming. “Bosco, noooooo!” It’s the rodent-dog. He got into the kitchen, somehow managed to hoist himself up onto the counter, and is in the process of demolishing his fourth pie. Fucking Christ, it’s impressive how fast he ate them. That a mutt his size could even eat that many. His stomach bulges with his ill-gotten gains—like a snake that ingested a monkey. A big one. “Thieving little bastard!” I yell. Ellie scoops him off the counter and I point my finger in his face. “Bad dog.” The little twat just snarls back. Ellie tosses the mongrel on the steps that lead up to the apartment and slams the door. Then we both turn and assess the damage. Two apple and a cherry are completely devoured, he nibbled at the edge of a peach and apple crumb and left tiny paw-prints in two lemon meringues. “We’re going to have re-bake all seven,” Ellie says. I fold my arms across my chest. “Looks that way.” “It’ll take hours,” she says. “Yeah.” “But we have to. There isn’t any other choice.” Silence follows. Heavy, meaningful silence. I glance sideways at Ellie, and she’s already peeking over at me. “Or . . . is there?” she asks slyly. I look at what remains of the damaged pastries, considering all the options. “If we slice off the chewed bits . . .” “And smooth out the meringue . . .” “Put the licked ones in the oven to dry out . . .” “Are you two out of your motherfucking minds?” I swing around to find Marty standing in the alley doorway behind us. Eavesdropping and horrified. Ellie tries to cover for us. But she’s bad at it. “Marty! When did you get here? We weren’t gonna do anything wrong.” Covert ops are not in her future. “Not anything wrong?” he mimics, stomping into the room. “Like getting us shut down by the goddamn health department? Like feeding people dog-drool pies—have you no couth?” “It was just a thought,” Ellie swears—starting to laugh. “A momentary lapse in judgment,” I say, backing her up. “We’re just really tired and—” “And you’ve been in this kitchen too long.” He points to the door. “Out you go.” When we don’t move, he goes for the broom. “Go on—get!” Ellie grabs her knapsack and I guide her out the back door as Marty sweeps at us like we’re vermin
Emma Chase (Royally Endowed (Royally, #3))
The long year passed slowly. Then one day, as October winds blew golden leaves around the farm, Autumn heard his mother say that even though her son was gone she would bake a pumpkin pie for Halloween. And of course she would need a pumpkin. At last an idea came to Autumn. If he could just get his mother to the barn and up to the loft she would find the magic pumpkin. Autumn began to pull at his mother’s apron. “What’s wrong with you today?” cried his mother. “I have many things to do and I have no time for playing.” But Autumn kept pulling on her apron until she was out of the house and in the barnyard. Then he ran into the barn, barking louder than he ever had. His mother followed him into the barn, where it was so dark she could not see the little dog. “Now where have you gone?” she cried. Autumn began barking again and it seemed to come from above her. She looked up and dimly saw Autumn at the top of the loft ladder, barking wildly. “What are you carrying on about up there? There’s nothing up in that old loft.” But Autumn did not stop barking. “All right, all right, I’ll come up and take a look,” she said as she began to climb the ladder. When she got to the top, the morning light lit up the corner of the loft where Autumn, smiling as much as a dog can smile, stood next to a very large pumpkin. It was one of the largest pumpkin she had ever seen. “Now, how did this pumpkin get up here?” Of course there was no one there to answer her question except Autumn and he could not talk. So she decided to use the pumpkin for the pie she planned to bake. She pulled at it and rolled it, and finally after a great effort she managed to get the magic pumpkin down the ladder and into the kitchen, where Autumn ran barking around the table. “Calm down, Autumn, and let me get to work on this pie.” As she was about to cut the stem from the pumpkin, she thought of the days when her husband carved the jack-o’-lantern for Angus. “Well, maybe I’ll just do the same.” She went to Angus’s room and found one of his old drawings. She traced a jack-o’-lantern face onto the pumpkin. Then, taking a large kitchen knife, she cut into the pumpkin. When only one eye was carved, there were streams of light. And when she carved the nose, and the smiling mouth, great shafts of light like sunbeams filled the room. Again Autumn began to bark. But when she turned to quiet him, there, standing in the wonderful light, was her son.
David Ray (Pumpkin Light)
A text comes from Wallace. An actual text too, not a message through the forum app. I gave him my number awhile back, before Halloween, but not because I wanted him to call me or anything. I wrote it on the edge of our conversation paper in homeroom and slid it over to him because sometimes I see something and think, Wallace would laugh at that, I should send him a picture of it, but the messaging app is terrible with pictures and texting is way better. So he texts me now, and it’s a picture. A regular sweet potato pie. Beneath the picture, he says, I really like sweet potato pie. I text back, Yeah, so do I. Then he sends me a picture of his face, frowning, and says, No, you don’t understand. Then another picture, closer, just his eyes. I REALLY like sweet potato pie. A series of pictures comes in several-second intervals. The first is a triangular slice of pie in Wallace’s hand. Then Wallace holding that slice up to his face—it’s soft enough to start collapsing between his fingers. The next one has him stuffing the slice into his mouth, and in the final one it’s all the way in, his cheeks are puffed out like a chipmunk’s, and he’s letting his eyes roll back like it’s the best thing he’s ever eaten. I purse my lips to keep my laugh in, but my parents are fine-tuned to the slightest hint of amusement from me, and they both look up. “What’s so funny, Eggs?” Dad says. “Nothing,” I reply. Nothing makes a joke less funny than someone wanting in on it, especially parents. Wow, I say to Wallace. You really like sweet potato pie. He sends one more picture, this one with him embracing the pie pan, gazing lovingly at it. We’re to be married in the spring. An actual laugh escapes me. I really hope Wallace is having a better Thanksgiving than I am. It seems like he is. I take a picture of myself pouting and send it to him, saying, Aw, the cutest of cute couples. ... Another picture from Wallace waits for me. In this one, an empty pie pan littered withcrumbs sits on the floor beside a large knife. Wallace kneels next to it with morecrumbs on his sweater, expression horrified. NOOOO WHAT HAVE I DONE MY LOVE OUR MARRIAGE ’TIS ALL FOR NAUGHT I text back: Oh no!! Not sweet potato bride! Another picture comes: Wallace sprawled on the floor beside the pie pan, one arm thrown over his eyes. Let me only be accused of loving her too much. Wallace is definitely having a better Thanksgiving than me.
Francesca Zappia (Eliza and Her Monsters)
We aren’t simply looking at a demographically induced economic breakdown; we are looking at the end of a half millennium of economic history. At present, I see only two preexisting economic models that might work for the world we’re (d)evolving into. Both are very old-school: The first is plain ol’ imperialism. For this to work, the country in question must have a military, especially one with a powerful navy capable of large-scale amphibious assault. That military ventures forth to conquer territories and peoples, and then exploits said territories and peoples in whatever way it wishes: forcing conquered labor to craft products, stripping conquered territories of resources, treating conquered people as a captive market for its own products, etc. The British Empire at its height excelled at this, but to be honest, so did any other post-Columbus political entity that used the word “empire” in its name. If this sounds like mass slavery with some geographic and legal displacement between master and slave, you’re thinking in the right general direction. The second is something called mercantilism, an economic system in which you heavily restrict the ability of anyone to export anything to your consumer base, but in which you also ram whatever of your production you can down the throats of anyone else. Such ramming is often done with a secondary goal of wrecking local production capacity so the target market is dependent upon you in the long term. The imperial-era French engaged in mercantilism as a matter of course, but so too did any up-and-coming industrial power. The British famously product-dumped on the Germans in the early 1800s, while the Germans did the same to anyone they could reach in the late 1800s. One could argue (fairly easily) that mercantilism was more or less the standard national economic operating policy for China in the 2000s and 2010s (under American strategic cover, no less). In essence, both possible models would be implemented with an eye toward sucking other peoples dry, and transferring the pain of general economic dislocation from the invaders to the invaded. Getting a larger slice of a smaller pie, as it were. Both models might theoretically work in a poorer, more violent, more fractured world—particularly if they are married. But even together, some version of imperialist mercantilism faces a singular, overarching, likely condemning problem: Too many guns, not enough boots.
Peter Zeihan (The End of the World is Just the Beginning: Mapping the Collapse of Globalization)
Being capable and productive feels somewhat beside the point these days. Either you're popular, and therefore exciting and successful and a winner, or you're unpopular, and therefore unimportant and invisible and devoid of redeeming value. Being capable was much more celebrated in the 1970s when I was growing up. People had real jobs that lasted a lifetime back then, and many workers seemed to embrace the promise that if you worked steadily and capably for years, you would be rewarded for it. Even without those rewards, working hard and knowing how to do things seemed like worthwhile enterprises in themselves. "Can she back a cherry pie, Billy Boy, Billy Boy?" my mom used to sing while rolling out pie crust with her swift, dexterous hands. Sexist as its message may have been, the modern version of that song might be worse. It would center around taking carefully staged and filtered photos of your pretty face next to a piece of cherry pie and posting it to your Instagram account, to be rewarded with two thousand red hearts for your efforts. Making food, tasting it, sharing it, understanding yourself as a human who can do things - all of this is flattened down to nothing, now, since only one or two people would ever know about it. Better to feed two thousand strangers an illusion than engage in real work to limited ends.
Heather Havrilesky (What If This Were Enough?: Essays)
Willow leaned forward and laid her head next to his on the pillow. "Is it too late to say I'm sorry, and that I love you more than anything else in this world?" "Oh God,no,love." With his good arm, he reached for the back of her head and brought her lips to his. They kissed as if they'd never get enough of each other, because they knew they never would. When Rider finally released her mouth, he smiled rakishly and pulled her hand under the covers. Willow smiled when he laid her hand over his throbbing desire. "Hmmm, you are feeling better." "Almost well enough to start Mr. Happy on his baby-making lessons again," he said in a deep sexy baritone. "Ah,Rider?" "Yes,love?" He was pulling her down for another stirring kiss. "About those lessons?" "Hmmm, I'm anxious to start practicing again, too,love. But at the moment Mr. Happy is a lot stronger than the rest of me." "Oh,I know,but...Rider, Mr. Happy must have learned his lessons real fast." Rider stilled. "What do you mean?" "I mean that I think Mr. Happy cooked something up in the kitchen." Forgetting his shoulder, Willow's husband sat straight up in bed. He winced, then asked, "You mean you're...going to have a baby?" "Of course I'm going to have a baby, you beefwit. Did you think I was baking another damn pie?" "Yahoooo!" he yelled at the top of his lungs, and hugged her with his good arm. Six men, Juan included, plus two women came pouring into the room. "What in the hell is going on in here?" Owen grumbled in mock irritation. Grinning like a Cheshire cat, Rider announced, "Owen, your daughter is about to make me a father and give you a second grandchild." "Oh,hell, I knew that." Nine people echoed, "You did?" "Hell, yes, all you gotta do is look at 'er face." Rider cocked his head and studied his wife's face. "She does have an extra glow about her, doesn't she?" "She sure does." Owen chuckled. "Her mama got the same glow with all five of her babies." "If I'm glowing, it's because all of you are staring at me like I just grew horns," Willow said, covering her flushed cheeks with her hands. "Dammit, I just thought of something," Owen said. "I s'pose this means I'll have to add another room to the house for when you come visiting." "Owen Vaughn," Miriam reprimanded, "stop that cursing. I swear every other word out of your mouth is a curse! I'm going to break you of that before your grandbabies get old enough to repeat that filth." "Break me of it?" Owen laughed and poked Nick in the ribs with his elbow. "Only one way for a woman to break a stallion, that's to ride 'im hard!" The man all guffawed loudly. Miriam's face turned ten shades of red. "Well,I never!" She turned on her heel and made an indignant exit.
Charlotte McPherren (Song of the Willow)
And there, until 1884, it was possible to gaze on the remains of a generally neglected monument, so-called Dagobert’s Tower, which included a ninth-century staircase set into the masonry, of which the thirty-foot handrail was fashioned out of the trunk of a gigantic oak tree. Here, according to tradition, lived a barber and a pastry-cook, who in the year 1335 plied their trade next door to each other. The reputation of the pastry-cook, whose products were among the most delicious that could be found, grew day by day. Members of the high-ranking clergy in particular were very fond of the extraordinary meat pies that, on the grounds of keeping to himself the secret of how the meats were seasoned, our man made all on his own, with the sole assistance of an apprentice who was responsible for the pastry. His neighbor the barber had won favor with the public through his honesty, his skilled hairdressing and shaving, and the steam baths he offered. Now, thanks to a dog that insistently scratched at the ground in a certain place, the ghastly origins of the meat used by the pastry-cook became known, for the animal unearthed some human bones! It was established that every Saturday before shutting up shop the barber would offer to shave a foreign student for free. He would put the unsuspecting young man in a tip-back seat and then cut his throat. The victim was immediately rushed down to the cellar, where the pastry-cook took delivery of him, cut him up, and added the requisite seasoning. For which the pies were famed, ‘especially as human flesh is more delicate because of the diet,’ old Dubreuil comments facetiously. The two wretched fellows were burned with their pies, the house was ordered to be demolished, and in its place was built a kind of expiatory pyramid, with the figure of the dog on one of its faces. The pyramid was there until 1861. But this is where the story takes another turn and joins the very best of black comedy. For the considerable number of ecclesiastics who had unwittingly consumed human flesh were not only guilty before God of the very venial sin of greed; they were automatically excommunicated! A grand council was held under the aegis of several bishops and it was decided to send to Avignon, where Pope Clement VI resided, a delegation of prelates with a view to securing the rescindment if not of the Christian interdiction against cannibalism then at least of the torments of hell that faced the inadvertent cannibals. The delegation set off, with a tidy sum of money, bare-footed, bearing candles and singing psalms. But the roads of that time were not very safe and doubtless strewn with temptation. Anyway, the fact is that Clement VI never saw any sign of the penitents, and with good reason.
Jacques Yonnet (Paris Noir: The Secret History of a City)
A child kicked me. “What the fuck?” I said, looking down and seeing a young Chinese girl with a vinyl Hello Kitty knapsack. She laughed, and then she kicked me again, harder. I looked at her parents, but they both had dead, distant faces. The resigned expressions of older parents who had accidentally had a child, late in life. No doubt their little girl had kicked them both senseless, and now they were oblivious. But I was not oblivious. And I was not amused. “Stop that,” I said, leaning down and speaking into the top of her head. “Don’t kick.” She kicked again. The little fucker. I bent down. “Do you speak English?” I asked, sweetly. I smiled. “Do you speak English, you little cutie pie?” She nodded, gave a little giggle, and then stepped on my toes, which were exposed through the straps of my sandals. I immediately stopped smiling and narrowed my eyes. I whispered, “You kick me one more time you little cocksucker, and once we get on the boat, I’ll push your mother into the ocean, and she’ll die. And then I’ll hurt your daddy. And then I’ll be your new daddy, and I’ll take you home with me.” She moved quickly to the other side of her parents, where she kept a wary, silent eye on me. “Next time people ask if we’re ever going to have kids, I think I’ll tell them this little story,” Dennis said. “What?” I said, indignant. “She’s a horrible, spoiled little bitch.” “She’s just a little girl,” he said. I laughed. “Little girl, my ass. She’s a little Chinese dragon.” Dennis rolled his eyes, and we finally boarded the glass-bottom boat.
Augusten Burroughs (Magical Thinking)
On the face of it, most people do not think of Jesus as a depressive realist. Yet the Biblical Jesus was clearly anything but a facilely happy consumerist, bureautype or bovine citizen. Rather, he espoused an ascetic lifestyle, nomadic, without possessions, possibly without sex, without career anxieties (‘consider the lilies’) and at best paying lip service to civic authorities and traditional religious institutions. Along with Diogenes, many anarchists, and latter day hip-pies, Jesus has been regarded as a model of the be-here-now philosophy, and hardly a champion of a work ethic and investment portfolio agenda. Jesus and others did not expect to find fulfilment in this world (meaning this civilisation) but looked forward to another world, or another kind of existence. Since that fantasised world has never materialised, we can only wonder about the likeness between early Christian communities and theoretical DR communities. There are certainly some overlaps but one distinctive dissimilarity: the DR has no illusory better world to look forward to, whereas the Christian had (and many Christians still have) illusions of rapture and heaven to look forward to. The key problematic here, however, for Jesus, the early Christians, anarchists, beats, hippies and DRs hoping for a DR-friendly society, is that intentional communities require some sense of overcoming adversity, having purpose, a means of functioning and maintaining morale in the medium to long-term. It is always one thing to gain identity from opposing society at large, and quite another to sustain ongoing commitment.
Colin Feltham (Depressive Realism: Interdisciplinary perspectives (ISSN))
He served Adaira the first slice and grinned when she cast a wary look his way. “You made this?” “Aye,” he said, standing close to her, waiting. Adaira took her spoon and poked at the pie. “What’s in it, Jack?” “Oh, what all did we dump in there, Frae? Blackberries, strawberries, pimpleberries—” “Pimpleberries?” Frae gasped in alarm. “What’s a pim—” “Honey and butter and a dash of good luck,” he finished, his gaze remaining on Adaira. “All of your favorite things, as I recall, heiress.” Adaira stared at him, her face composed save for her pursed lips. She was trying not to laugh, he realized. He was suddenly flustered. “Heiress, I did not put pimpleberries in there,” Frae frantically said. “Oh, sweet lass, I know you didn’t,” Adaira said, turning a smile upon the girl. “Your brother is teasing me. You see, when we were your age, there was a great dinner in the hall one night. And Jack brought me a piece of pie, to say sorry for something he had done earlier that day. He looked so contrite that I foolishly believed him and took a bite, only to realize something was very strange about it.” “What was it?” Frae asked, as if she could not imagine Jack doing something so awful. “He called it a ‘pimpleberry’, but it was actually a small skin of ink,” Adaira replied. “And it stained my teeth for a week and made me very ill.” “Is this true, Jack?” Mirin cried, setting her teacup down with a clatter. “‘Tis truth,” he confessed, and before any of the women could say another word, he took the plate and the spoon from Adaira and ate a piece of the pie. It was delicious, but only because he and Frae had found and harvested the berries and rolled out the dough and talked about swords and books and baby cows while they made it. He swallowed the sweetness and said, “I believe this one is exceptional, thanks to Frae.” Mirin bustled into the kitchen to cut a new slice for Adaira and find her a clean utensil, muttering about how the mainland must have robbed Jack of all manners. But Adaira didn’t seem to hear. She took the plate from his hands, as well as the spoon, and ate after him.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
When Florence Allen took a bite of her dessert the expression on her face changed completely. She looked puzzled at first, as if she wasn't at all sure it was cake that she was eating. She cut herself another bite and then held up her fork and looked at it for a minute before slipping it into her mouth. She chewed slowly, as if she were a scientist engaged in an important experiment. She lifted up her plate and held it up to the light, studied it from different angles. Then she dipped down her nose and inhaled the cake. "This is sweet potato." I dabbed at my eyes again and told her that it was. "Sweet potatoes and raisins and... rum? That's a spiked glaze?" I nodded. She took another bite and this time she ate it like a person who knew what she was getting into. She closed her eyes. She savored. "This is," she said. "This is..." "Easy," I said. "I can give you the recipe." She opened up her eyes. She had lovely dark eyes. "This is brilliant. This is a brilliant piece of cake." In my family people tended to work against the cake. They wished it wasn't there even as they were enjoying it. But Florence Allen's reaction was one I rarely saw in an adult: She gave in to the cake. She allowed herself to love the cake. It wasn't that she surrendered her regrets (Oh well, I'll just have to go to the gym tomorrow, or, I won't have any dinner this week). She had no regrets. She lived in the moment. She took complete pleasure in the act of eating cake. "I'm glad you like it," I said, but that didn't come close to what I meant. "Oh, I don't just like it. I think this is-" But she didn't say it. Instead she stopped and had another bite. I could have watched her eat the whole thing, slice by slice, but no one likes to be stared at. Instead I ate my own cake. It was good, really. Every raisin bitten gave a sweet exhalation of rum. It was one of those cakes that most people say should be made for Thanksgiving, that it was by its nature a holiday cake, but why be confined? I was always one to bake whatever struck me on any given day. Florence Allen pressed her fork down several times until she had taken up every last crumb. Her plate was clean enough to be returned to the cupboard directly. "I've made sweet potato pies," she said. "I've baked them and put them in casseroles, but in a cake? That never crossed my mind." "It isn't logical. They're so dense. I think of it as the banana bread principle.
Jeanne Ray (Eat Cake)
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))