Pictures Of Good Morning Quotes

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I think the way I feel when I look at Evan comes from her. In pictures taken the day she married my dad, she was reckless, laughing, spinning around in circles. She looked like her whole world was him. She looked a kind of happy I can't even imagine. I don't want that. I don't want to be like that. I don' want to feel the way she did because I know what happens when you do. You love with your whole heart, with everything, and you wake up one morning and kiss someone good-bye the way you always do except you mean it as good-bye forever.
Elizabeth Scott (Bloom)
Texts between Dr. Stayner & Livie(with a little help from Kacey) Dr. Stayner: Tell me you did one out-of-character thing last night Livie: I drank enough Jell-O shots to fill a small pool, and then proceeded to break out every terrible dance move known to mankind. I am now the proud owner of a tattoo and if I didn’t have a video to prove otherwise, I’d believe I had it done in a back alley with hepatitis-laced needles. Satisfied? Dr. Stayner: That’s a good start. Did you talk to a guy? Kacey(answering for Livie): Not only did I talk to a guy but I’ve now seen two penises, including the one attached to the naked man in my room this morning when I woke up. I have pictures. Would you like to see one? Dr. Stayner: Glad you’re making friends. Talk to you on Saturday
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
when I was four years old they tried to test my I.Q. they showed me a picture of 3 oranges and a pear they said, which one is different? it does not belong they taught me different is wrong but when I was 13 years old I woke up one morning thighs covered in blood like a war like a warning that I live in a breakable takeable body an ever-increasingly valuable body that a woman had come in the night to replace me deface me see, my body is borrowed yeah, I got it on loan for the time in between my mom and some maggots I don't need anyone to hold me I can hold my own I got highways for stretchmarks see where I've grown I sing sometimes like my life is at stake 'cause you're only as loud as the noises you make I'm learning to laugh as hard as I can listen 'cause silence is violence in women and poor people if more people were screaming then I could relax but a good brain ain't diddley if you don't have the facts we live in a breakable takeable world an ever available possible world and we can make music like we can make do genius is in a back beat backseat to nothing if you're dancing especially something stupid like I.Q. for every lie I unlearn I learn something new I sing sometimes for the war that I fight 'cause every tool is a weapon - if you hold it right.
Ani DiFranco
He took his hands off the oars and pulled in the mooring rope. If I make a couple of loops, he thought, I can strap the axe on to my back. He had a mental picture of what could happen to a man who plunged into the cauldron below a waterfall with a sharp piece of metal attached to his body. GOOD MORNING. Vimes blinked. A tall dark robed figure was now sitting in the boat. 'Are you Death?' IT'S THE SCYTHE, ISN'T IT? PEOPLE ALWAYS NOTICE THE SCYTHE. 'I'm going to die?' POSSIBLY. 'Possibly? You turn up when people are possibly going to die?' OH, YES. IT'S QUITE THE NEW THING. IT'S BECAUSE OF THE UNCERTAINTY PRINCIPLE. 'What's that?' I'M NOT SURE. 'That's very helpful.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
At twenty-two, you are built for poverty and rejection. And you know why? Because you're good-looking. You might not realize it this morning, but thirty years from now, you will pull out pictures of yourself taken on this day and think, Why did nobody tell me I was so fucking attractive? You maybe can't see it now because you're comparing yourself to the person next to you, or two rows up. But you are stunning.
David Sedaris (Happy-Go-Lucky)
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
Charlotte Brontë (Jane Eyre)
The ego—one’s sense of self—is an abstract concept; it’s hard to define it concretely. Picture it as a house built brick by brick. It protects you from the stresses of the outside world, providing a metaphorical home to shelter in—a safe place.
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
Somewhere among the commotion I grew rather depressed. The depression stayed with me for over a year; it was like an animal, a well-defined, spatially localizable thing. I would wake up, open my eyes, listen-is it here or isn’t it? No sign of it. Perhaps it’s asleep. Perhaps it will leave me alone today. Carefully, very carefully, I get out of bed. All is quiet. I go to the kitchen, start breakfast. Not a sound. TV-Good Morning America, David what’s-his-name, a guy I can’t stand. I eat and watch the guests. Slowly the food fills my stomach and gives me strength. Now a quick excursion to the bathroom, and out for my morning walk-and here she is, my faithful depression: “Did you think you could leave without me?" I had often warned my students not to identify with their work. I told them, “if you want to achieve something, if you want to write a book, paint a picture, be sure that the center of your existence if somewhere else and that it’s solidly grounded; only then will you be able to keep your cool and laugh at the attacks that are bound to come." I myself had followed this advice in the past, but now I was alone, sick with some unknown affliction; my private life was in a mess, and I was without a defense. I often wished I had never written that fucking book.
Paul Karl Feyerabend (Killing Time: The Autobiography of Paul Feyerabend)
Here," I said, the morning after the lazy, stupid Derek incident, as I intercepted Camden on his way to his locker shortly before the first-period bell and dragged him into an empty physics lab. I handed him three problem sets with the words PECKER and BALLS written all over them in multicolored highlighters, plus pictures of stick-figure people having sex in different positions. "This is to force your douche-bag friends to copy over the stuff in their own handwriting before they hand it in. There's no way I'm letting us get caught just because our clients get lazy." I crossed my arms and stared at him, daring him to get mad. He didn't. He just looked at the papers, surprised, then looked at me. "That's actually a really good idea," he said, sounding impressed. "I know," I said. "And these pictures you drew are weirdly hot." "I don't disagree," I said. "By the way, I'm charging you for the highlighters I bought." I think he might've said "I love you" as I walked out of the classroom, but the hallway was noisy, so I couldn't be sure.
Cherry Cheva (She's So Money)
Lauren's eyes widened.An entire page had been devoted to the Children's Hospital Benefit Ball.In the center was a color picture of her-with Nick. They were dancing, and he was grinning down at her. Lauren's face was in profile, tilted up to his. The caption read, "Detroit industrialist J. Nicholas Sinclair and companion." "It does look like me, doesn't it?" she hedged, glancing at the excited, avidly curious faces surrounding her desk. "Isn't that an amazing coincidence?" She didn't want her relationship with Nick to be public knowledge until the time was right, and she certainly didn't want her co-workers to treat her any differently. "You mean it isn't you?" one of the women said disappointedly. None of them noticed the sudden lull, the silence sweeping over the office as people stopped talking and typewriters went perfectly still... "Good morning, ladies," Nick's deep voice said behind Lauren. Six stunned women snapped to attention, staring in fascinated awe as Nick leaned over Lauren from behind and braced his hands on her desk. "Hi," he said, his lips so near her ear that Lauren was afraid to turn her head for fear he would kiss her in front of everyone. He glanced at the newspaper spread out on her desk. "You look beautiful, but who's that ugly guy you're dancing with?" Without waiting for an answer, he straightened, affectionately rumpled the hair on the top of her head and strolled into Jim's office, closing the door behind him. Lauren felt like sinking throught the floor in embarrassment. Susan Brook raised her brows. "What an amazing coincidence," she teased.
Judith McNaught (Double Standards)
He takes the view that mornings happen to other people. I think I once saw him at breakfast, although possibly it was just someone who looked a bit like him who was lying with their head in the plate of baked beans. He likes good sushi, and quite likes people, too, although not raw; he is kind to fans who are not total jerks, and enjoys talking to people who know how to talk. He doesn't look as though he's forty; that may have happened to someone else, too. Or perhaps there's special picture locked in his attic.
Terry Pratchett (Prince of Stories: The Many Worlds of Neil Gaiman)
Good morning, dear lady," he said. "By Jove! what a picture of health and freshness you are!" Miss Mapp cast one glance at her basket to see that the paper quite concealed that article of clothing which the perfidious laundry had found. (Probably the laundry knew where it was all the time, and--in a figurative sense, of course--was "trying it on".)
E.F. Benson (Miss Mapp (Lucia, #2))
But it was not in Mr. Gruber's nature to look for reasons. That was why he was an ideal secretary. He had been given much fancier assignments in the past. Find out by six in the evening whether Hubermann played any Tschaikovsky after the first intermission of his concert in Brussels last year. Produce a narwhal tusk at least five feet long by eight o'clock Thursday morning. Buy, in your own name, the Domino Motion Picture Theater in Zurich. On Wednesday afternoon between five and six in the Café Meteor in Budapest, slap the face of a character known as Ervin Kugyec. A good secretary does not look for reasons but gets results.
Lajos Zilahy (The Dukays)
In one tragicomic incident in October 2017, a Palestinian laborer posted to his private Facebook account a picture of himself in his workplace, alongside a bulldozer. Adjacent to the image he wrote “Good morning!” An automatic algorithm made a small error when transliterating the Arabic letters. Instead of ysabechhum (which means “good morning”), the algorithm identified the letters as ydbachhum (which means “kill them”). Suspecting that the man might be a terrorist intending to use a bulldozer to run people over, Israeli security forces swiftly arrested him. He was released after they realized that the algorithm made a mistake. But the offending Facebook post was nevertheless taken down. You can never be too careful. 29 What Palestinians are experiencing today in the West Bank might be just a primitive preview of what billions will eventually experience all over the planet.
Yuval Noah Harari (21 Lessons for the 21st Century)
He grinned through the window as I made my way to his car. His blue eyes glistened in the early light, making them look as pale as ice. Cole Benson and I had been friends since we were babies. Mum had pictures of Cole holding my hand as I’d learned to walk. He was two years older than me, but he certainly didn’t act like it. My mum, Sarah, and his mum, Jenna, had met in high school and had been friends ever since. “Good morning, sunshine,” he greeted with a wide grin. Unlike
Natasha Preston (Silence (Silence, #1))
goodness tries to get the upper hand in us whenever it seems to have the slightest chance—on Sunday mornings, perhaps, when we are set free from the grinding hurry of the week, and take the little three-year old on our knee at breakfast to share our egg and muffin; in moments of trouble, when death visits our roof or illness makes us dependent on the tending hand of a slighted wife; in quiet talks with an aged mother, of the days when we stood at her knee with our first picture-book, or wrote her loving letters from school.
George Eliot (Scenes of Clerical Life)
Kai’s kids had great manners and were fairly quiet. Athos was smart, ambitious, and determined. Will’s children never fought him on anything. They did what they were told the first time he asked. My kids… But I stopped the thought in its tracks, remembering Ivar helping his mom make pancakes this morning. My kids could be really sweet, actually, couldn’t they? Gunnar was so good about helping with spills, so his mom wouldn’t slip. Fane helped her pick out books at the store for Dag and Octavia, describing the pictures and story, so she knew what to buy.
Penelope Douglas (Fire Night (Devil's Night, #4.5))
But from the Parthenon and the Timaeus a specious logic leads to the tyranny which, in the Republic, is held up as the ideal form of government. In the field of politics the equivalent of a theorem is a perfectly disciplined army; of a sonnet or picture, a police state under a dictatorship. The Marxist calls himself scientific and to this claim the Fascist adds another: he is the poet - the scientific poet - of a new mythology. Both are justified in their pretentions; for each applies to human situations the procedures which have proved effective in the laboratory and the ivory tower. They simplify, they abstract, they eliminate all that, for their purposes, is irrelevant and ignore whatever they choose to regard as inessential; they impose a style, they compel the facts to verify a favorite hypothesis, they consign to the waste paper basket all that, to their mind, falls short of perfection. And because they thus act like good artists, sound thinkers and tried experimenters, the prisons are full, political heretics are worked to death as slaves, the rights and preferences of mere individuals are ignored, the Gandhis are murdered and from morning till night a million schoolteachers and broadcasters proclaim the infallibility of the bosses who happen at the moment to be in power.
Aldous Huxley (Ape and Essence)
OLIVER DAVENANT did not merely read books. He snuffed them up, took breaths of them into his lungs, filled his eyes with the sight of the print and his head with the sound of words. Some emanation from the book itself poured into his bones, as if he were absorbing steady sunshine. The pages had personality. He was of the kind who cannot have a horrifying book in the room at night. He would, in fine weather, lay it upon an outside sill and close the window. Often Julia would see a book lying on his doormat. As well as this, his reading led him in and out of love. At first, it was the picture of Alice going up on tiptoe to shake hands with Humpty Dumpty; then the little Fatima in his Arthur Rackham book, her sweet dusky face, the coins hanging on her brow, the billowing trousers and embroidered coat. Her childish face was alive with excitement as she put the key to the lock. “Don’t!” he had once cried to her in loud agony. In London, he would go every Saturday morning to the Public Library to look at a picture of Lorna Doone. Some Saturdays it was not there, and he would go home again, wondering who had borrowed her, in what kind of house she found herself that week-end. On his last Saturday, he went to say good-bye and the book was not there, so he sat down at a table to await its return. Just before the library was to be shut for lunch-time, he went to the shelf and kissed the two books which would lie on either side of his Lorna when she was returned and, having left this message of farewell, made his way home, late for lunch and empty of heart. If this passion is to be called reading, then the matrons with their circulating libraries and the clergymen with their detective tales are merely flirting and passing time. To discover how Oliver’s life was lived, it was necessary, as in reading The Waste Land, to have an extensive knowledge of literature. With impartiality, he studied comic papers and encyclopaedia, Eleanor’s pamphlets on whatever interested her at the moment, the labels on breakfast cereals and cod liver oil, Conan Doyle and Charlotte Brontë.
Elizabeth Taylor (At Mrs Lippincote's)
...I drag the kids to the farmers' market and fill out the week's cheap supermarket haul with a few vivid bunches of organic produce...Once home, I set out fresh flowers and put the fruit in a jadeite bowl. A jam jar of garden growth even adorns the chartreuse kids' table...I found some used toddler-sized chairs to go around it...It sits right in front of the tall bookcases...When the kids are eating or coloring there, with the cluster or mismatched picture frames hanging just to their left, my son with his mop of sandy hair, my daughter just growing out of babyhood...they look like they could be in a Scandinavian design magazine. I think to myself that maybe motherhood is just this, creating these frames, the little vistas you can take in that look like pictures from magazines, like any number of images that could be filed under familial happiness. They reflect back to you that you're doing it - doing something - right. In my case, these scenes are like a momentary vacation from the actual circumstances of my current life. Children, clean and clad in brightly striped clothing, snacking on slices of organic plum. My son drawing happy gel pen houses, the flourishing clump of smiley-faced flowers beneath a yellow flat sun. To counter the creeping worry that I am a no-good person, I must collect a lot of these images, postage-stamp moments I can gaze upon and think, I can't be fucking up that bad. Can I?
Nina Renata Aron (Good Morning, Destroyer of Men's Souls: A Memoir of Women, Addiction, and Love)
Will you dare to say so?–Have you never erred?–Have you never felt one impure sensation?–Have you never indulged a transient feeling of hatred, or malice, or revenge?–Have you never forgot to do the good you ought to do,–or remembered to do the evil you ought not to have done?–Have you never in trade overreached a dealer, or banquetted on the spoils of your starving debtor?–Have you never, as you went to your daily devotions, cursed from your heart the wanderings of your heretical brethren,–and while you dipped your fingers in the holy water, hoped that every drop that touched your pores, would be visited on them in drops of brimstone and sulphur?–Have you never, as you beheld the famished, illiterate, degraded populace of your country, exulted in the wretched and temporary superiority your wealth has given you,–and felt that the wheels of your carriage would not roll less smoothly if the way was paved with the heads of your countrymen? Orthodox Catholic–old Christian–as you boast yourself to be,–is not this true?–and dare you say you have not been an agent of Satan? I tell you, whenever you indulge one brutal passion, one sordid desire, one impure imagination–whenever you uttered one word that wrung the heart, or embittered the spirit of your fellow-creature–whenever you made that hour pass in pain to whose flight you might have lent wings of down–whenever you have seen the tear, which your hand might have wiped away, fall uncaught, or forced it from an eye which would have smiled on you in light had you permitted it–whenever you have done this, you have been ten times more an agent of the enemy of man than all the wretches whom terror, enfeebled nerves, or visionary credulity, has forced into the confession of an incredible compact with the author of evil, and whose confession has consigned them to flames much more substantial than those the imagination of their persecutors pictured them doomed to for an eternity of suffering! Enemy of mankind!' the speaker continued,–'Alas! how absurdly is that title bestowed on the great angelic chief,–the morning star fallen from its sphere! What enemy has man so deadly as himself? If he would ask on whom he should bestow that title aright, let him smite his bosom, and his heart will answer,–Bestow it here!
Charles Robert Maturin (Melmoth the Wanderer)
And is one to be sorry that the doctors brought her back to life and operated, or not? She, who did not want to lose a single day, “won” thirty: they brought her joys; but they also brought her anxiety and suffering. Since she did escape from the martyrdom that I sometimes thought was hanging over her, I cannot decide for her. For my sister, losing Maman the very day she saw her again would have been a shock from which she would scarcely have recovered. And as for me? Those four weeks have left me pictures, nightmares, sadnesses that I should never have known if Maman had died that Wednesday morning. But I cannot measure the disturbance that I should have felt since my sorrow broke out in a way that I had not foreseen. We did derive an undoubted good from this respite; it saved us, or almost saved us, from remorse. When someone you love dies you pay for the sin of outliving her with a thousand piercing regrets. Her death brings to light her unique quality; she grows as vast as the world that her absence annihilates for her and whose whole existence was caused by her being there; you feel that she should have had more room in your life—all the room, if need be. You snatch yourself away from this wildness: she was only one among many. But since you never do all you might for anyone—not even within the arguable limits that you have set yourself—you have plenty of room left for self reproach. With regard to Maman we were all guilty, these last years, of carelessness, omission, and abstention. We felt that we atoned for this by the days that we gave up to her, by the peace that our being there gave her, and by the victories gained over fear and pain. Without our obstinate watchfulness she would have suffered far more.
Simone de Beauvoir (A Very Easy Death)
I feel like finally, I’ve gotten it together: I’ve hit my stride. I can do this. So when I walk into school that cold January morning, holding Peter’s hand, full on banana pancakes, with a new job and wearing Margot’s Fair Isle sweater she left behind, I am feeling good. Great, even. Peter wants to stop in the computer lab to print out his English paper, so that’s our first stop. He logs in, and I gasp out loud when I see the wallpaper. Someone has taken a still of the hot tub video, of me in Peter’s lap in my red flannel nightgown, skirt hitched up around my thighs, and across the top it reads HOT HOT TUB SEX. And on the bottom--YOU’RE DOING IT WRONG. “What the hell?” Peter mutters, looking around the computer lab. Nobody looks up. He goes to the next computer--same picture, different caption. SHE DOESN’T KNOW ABOUT SHRINKAGE on top. HE’S HAPPY WITH WHAT HE CAN GET across the bottom. We are a meme.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
He boots up his story and scrolls down to where Taco was handing the squad bullhorn to Fareed, their terp. He’s about to pick up where he left off when Merton Richter interrupted him, then notices there’s a picture on the wall. He gets up for a closer look, because it’s in the far corner—weird place for a painting—and the morning light doesn’t quite reach there. It appears to show a bunch of hedges that have been clipped into animal shapes. There’s a dog on the left, a couple of rabbits on the right, two lions in the middle, and what might be a bull behind the lions. Or maybe it’s supposed to be a rhinoceros. It’s a poorly executed thing, the greens of the animals too violent, and the artist has for some reason plinked a dab of red in the lions’ eyes to give them a devilish aspect. Billy takes the painting down and turns it to face the wall. He knows that if he doesn’t his eyes will be continually drawn to it. Not because it’s good but because it isn’t.
Stephen King (Billy Summers)
I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.
Chuck Palahniuk (Fight Club)
In America the magazines in which one can frequently publish stories or poems about Negroes are very few, and most of these do not pay, since they are of a social service or proletarian nature. The big American bourgeois publications are very careful about what they publish by or about colored people. Exotic or humorous tales they will occasionally use. Stories that show Negroes as savages, fools, or clowns, they will often print. And once in a blue moon there may be a really sound and serious literary picture of black life in a big magazine--but it doesn't happen often enough to feed an author. They can't live on blue moons. Most colored writers find their work turned down with a note that the files are already full of "Negro material," or that the subject is not suitable, or, as happened to me recently when I submitted a story about a more or less common situation in American interracial life--the manuscript was returned with regrets since the story was "excellently written, but it would shock our good middle-class audience to death." And thus our American publications shy away from the Negro problem and the work of Negro writers.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
Donna Tartt (The Secret History)
The Smiths were unable to conceive children and decided to use a surrogate father to start their family. On the day the surrogate father was to arrive, Mr. Smith kissed his wife and said, "I'm off. The man should be here soon" Half an hour later, just by chance a door-to-door baby photographer rang the doorbell, hoping to make a sale. "Good morning, madam. I've come to...." "Oh, no need to explain. I've been expecting you," Mrs. Smith cut in. "Really?" the photographer asked. "Well, good. I've made a specialty of babies" "That's what my husband and I had hoped. Please come in and have a seat" After a moment, she asked, blushing, "Well, where do we start?" "Leave everything to me. I usually try two in the bathtub, one on the couch and perhaps a couple on the bed. Sometimes the living room floor is fun too; you can really spread out!" "Bathtub, living room floor? No wonder it didn't work for Harry and me" "Well, madam, none of us can guarantee a good one every time. But, if we try several different positions and I shoot from six or seven different angles, I'm sure you'll be pleased with the results" "My, that's a lot of....." gasped Mrs. Smith. "Madam, in my line of work, a man must take his time. I'd love to be in and out in five minutes, but you'd be disappointed with that, I'm sure"  "Don't I know it," Mrs. Smith said quietly. The photographer opened his briefcase and pulled out a portfolio of his baby pictures. "This was done on the top of a bus in downtown London" "Oh my God!" Mrs. Smith exclaimed, tugging at her handkerchief. "And these twins turned out exceptionally well, when you consider their mother was so difficult to work with" "She was difficult?" asked Mrs. Smith. "Yes, I'm afraid so. I finally had to take her to Hyde Park to get the job done right. People were crowding around four and five deep, pushing to get a good look" "Four and five deep?" asked Mrs. Smith, eyes widened in amazement. "Yes," the photographer said, "And for more than three hours too. The mother was constantly squealing and yelling. I could hardly concentrate. Then darkness approached and I began to rush my shots. Finally, when the squirrels began nibbling on my equipment, I just packed it all in." Mrs. Smith leaned forward. "You mean squirrels actually chewed on your, um......equipment?" "That's right. Well, madam, if you're ready, I'll set up my tripod so we  can get to work." "Tripod?????" "Oh yes, I have to use a tripod to rest my Canon on. It's much too big for me to hold for very long. Madam? Madam? ....... Good Lord, she's fainted!!
Adam Kisiel (101 foolproof jokes to use in case of emergency)
He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one. Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other. He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too. Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons. He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon. p. 282-3
Steve Burrows (A Siege of Bitterns (Birder Murder Mystery, #1))
The kid in the newspaper was named Stevie, and he was eight. I was thirty-nine and lived by myself in a house that I owned. For a short time our local newspaper featured an orphan every week. Later they would transition to adoptable pets, but for a while it was orphans, children your could foster and possibly adopt of everything worked out, the profiles were short, maybe two or three hundred words. This was what I knew: Stevie liked going to school. He made friends easily. He promised he would make his bed every morning. He hoped that if he were very good we could have his own dog, and if he were very, very good, his younger brother could be adopted with him. Stevie was Black. I knew nothing else. The picture of him was a little bigger than a postage stamp. He smiled. I studied his face at my breakfast table until something in me snapped. I paced around my house, carrying the folded newspaper. I had two bedrooms. I had a dog. I had so much more than plenty. In return he would make his bed, try his best in school. That was all he had to bargain with: himself. By the time Karl came for dinner after work I was nearly out of my mind. “I want to adopt him,” I said. Karl read the profile. He looked at the picture. “You want to be his mother?” “It’s not about being his mother. I mean, sure, if I’m his mother that’s fine, but it’s like seeing a kid waving from the window of a burning house, saying he’ll make his bed if someone will come and get him out. I can’t leave him there.” “We can do this,” Karl said. We can do this. I started to calm myself because Karl was calm. He was good at making things happen. I didn’t have to want children in order to want Stevie. In the morning I called the number in the newspaper. They took down my name and address. They told me they would send the preliminary paperwork. After the paperwork was reviewed, there would be a series of interviews and home visits. “When do I meet Stevie?” I asked. “Stevie?” “The boy in the newspaper.” I had already told her the reason I was calling. “Oh, it’s not like that,” the woman said. “It’s a very long process. We put you together with the child who will be your best match.” “So where’s Stevie?” She said she wasn’t sure. She thought that maybe someone had adopted him. It was a bait and switch, a well-written story: the bed, the dog, the brother. They knew how to bang on the floor to bring people like me out of the woodwork, people who said they would never come. I wrapped up the conversation. I didn’t want a child, I wanted Stevie. It all came down to a single flooding moment of clarity: he wouldn’t live with me, but I could now imagine that he was in a solid house with people who loved him. I put him in the safest chamber of my heart, he and his twin brother in twin beds, the dog asleep in Stevie’s arms. And there they stayed, going with me everywhere until I finally wrote a novel about them called Run. Not because I thought it would find them, but because they had become too much for me to carry. I had to write about them so that I could put them down.
Ann Patchett (These Precious Days: Essays)
These are merely a few of the things that went through my mind, and are related for the sake of vindicating myself in advance in the weak and helpless role I was destined to play. But I thought, also, of my mother and sisters, and pictured their grief. I was among the missing dead of the Martinez disaster, an unrecovered body. I could see the head-lines in the papers; the fellows at the University Club and the Bibelot shaking their heads and saying, “Poor chap!” And I could see Charley Furuseth, as I had said good-bye to him that morning, lounging in a dressing-gown on the be-pillowed window couch and delivering himself of oracular and pessimistic epigrams. And all the while, rolling, plunging, climbing the moving mountains and falling and wallowing in the foaming valleys, the schooner Ghost was fighting her way farther and farther into the heart of the Pacific—and I was on her. I could hear the wind above. It came to my ears as a muffled roar. Now and again feet stamped overhead. An endless creaking was going on all about me, the woodwork and the fittings groaning and squeaking and complaining in a thousand keys. The hunters were still arguing and roaring like some semi-human amphibious breed. The air was filled with oaths and indecent expressions. I could see their faces, flushed and angry, the brutality distorted and emphasized by the sickly yellow of the sea-lamps which rocked back and forth with the ship. Through the dim smoke-haze the bunks looked like the sleeping dens of animals in a menagerie. Oilskins and sea-boots were hanging from the walls, and here and there rifles and shotguns rested securely in the racks. It was a sea-fitting for the buccaneers and pirates of by-gone years. My imagination ran riot, and still I could not sleep. And it was a long, long night, weary and dreary and long.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
When Diana returned to work on Monday, September 16, she came directly to my bedroom and announced, “Mrs. Robertson, I have something important to tell you.” I could see out of the corner of my eye that she had a slight, mischievous grin on her face. “Go right ahead,” I said as I continued to blow-dry my hair in front of the mirror above the dresser. “No, Mrs. Robertson, I’d like your full attention.” I switched off my hair dryer and faced her as she stood in the doorway. “When you leave for work this morning, you’ll notice a lot of reporters and photographers at the entrance to the mews.” I wondered aloud if the press were following either Lord Vestey, a notorious international financier, or John Browne, a bright young M.P. known as one of “Maggie’s boys,” both of whom lived on our small street. “No, actually, Mrs. Robertson, they’re waiting for me,” Diana said with a great deal of blushing, staring at the floor, and throat clearing. “Good heavens, Diana, why?” “Well . . . I spent last weekend at Balmoral.” “With Prince Andrew?” I asked, remembering my friend Lee’s comment on the way to Glyndebourne. “No, actually, I was there to see Prince Charles.” More blushes and throat clearing, quickly followed by her disclaimer, “But he didn’t invite me. His mother did.” Hearing Diana speak of Her Majesty the Queen as “his mother” certainly gave me a clear picture of the circles in which Diana moved. I gasped and asked, probably rather tactlessly, “Gosh, do you think there’s any chance of a romance developing?” “Not really,” she said with noticeable regret. “After all, he’s thirty-one and I’m only nineteen. He’d never look seriously at me.” So modest, so appealing. I couldn’t imagine him not learning to love her. We certainly had. “Well, Diana, I wouldn’t be so sure,” I replied, thinking of my prediction from July.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
My phone rang at midnight, just as I was clearing my bed of the scissors and magazines and glue. It was Marlboro Man, who’d just returned to his home after processing 250 head of cattle in the dark of night. He just wanted to say good night. I would forever love that about him. “What’ve you been doing tonight?” he asked. His voice was scratchy. He sounded spent. “Oh, I just finished up my homework assignment,” I answered, rubbing my eyes and glancing at the collage on my bed. “Oh…good job,” he said. “I’ve got to go get some sleep so I can get over there and get after it in the morning…” His voice drifted off. Poor Marlboro Man--I felt so sorry for him. He had cows on one side, Father Johnson on the other, a wedding in less than a week, and a three-week vacation in another continent. The last thing he needed to do was flip through old issues of Seventeen magazine for pictures of lip gloss and Sun-In. The last thing he needed to deal with was Elmer’s glue. My mind raced, and my heart spoke up. “Hey, listen…,” I said, suddenly thinking of a brilliant idea. “I have an idea. Just sleep in tomorrow morning--you’re so tired…” “Nah, that’s okay,” he said. “I need to do the--” “I’ll do your collage for you!” I interrupted. It seemed like the perfect solution. Marlboro Man chuckled. “Ha--no way. I do my own homework around here.” “No, seriously!” I insisted. “I’ll do it--I have all the stuff here and I’m totally in the zone right now. I can whip it out in less than an hour, then we can both sleep till at least eight.” As if he’d ever slept till eight in his life. “Nah…I’ll be fine,” he said. “I’ll see you in the morning…” “But…but…,” I tried again. “Then I can sleep till at least eight.” “Good night…” Marlboro Man trailed off, probably asleep with his ear to the receiver. I made the command decision to ignore his protest and spent the next hour making his collage. I poured my whole heart and soul into it, delving deep and pulling out all the stops, marveling as I worked at how well I actually knew myself, and occasionally cracking up at the fact that I was doing Marlboro Man’s premarital homework for him--homework that was mandatory if we were to be married by this Episcopal priest. But on the outside chance Marlboro Man’s tired body was to accidentally oversleep, at least he wouldn’t have to walk in the door of Father Johnson’s study empty-handed.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
Matthew Alan
Once a little boy went to school. One morning, when the little boy had been in school a while, his teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. He liked to make pictures. He could make all kinds. Lions and tigers, Chickens and cows, trains and boats, and he took out his box of crayons and began to draw. But the teacher said: “Wait! It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make flowers.” “Good!” thought the little boy, he liked to make flowers, and he began to make beautiful ones with his pink and orange and blue crayons. But the teacher said “Wait! And I will show you how.” And it was red with a green stem. “There,” said the teacher, “Now you may begin.” The little boy looked at the teacher’s. Then he looked at this own flower. He liked his flower better than the teacher’s. But he did not say this. He just turned his paper over. And made a flower like the teacher’s. It was red with a green stem. On another day, when the little boy had opened the door from the outside all by himself, the teacher said: “Today we are going to make something with clay.” “Good!” thought the little boy. Snakes and snowmen, elephants and mice, cars, and trucks, and he began to pull and pinch his ball of clay. But the teacher said: “Wait!” It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make a dish.” He liked to make dishes. And he began to make some that were all shapes and sizes. But the teacher said, “Wait! And I will show you how.” And she showed everyone how to make a deep dish. “There,” said the teacher. “Now you may begin.” The little boy looked at the teacher’s dish, then he looked at his own. He liked his dish better than the teacher’s. But he did not say this. He just rolled his clay into a big ball again. And made a dish like the teacher’s. It was a deep dish. And pretty soon the little boy learned to wait, and to watch and to make things just like the teacher. And pretty soon he didn’t make things of his own anymore. Then it happened that the little boy and his family moved to another house, in another city, and the little boy had to go to another school. And the very first day he was there the teacher said: “Today we are going to make a picture.” “Good!” Thought the little boy and he waited for the teacher to tell him what to do. But the teacher didn’t say anything. She just walked around the room. When she came to the little boy she said, “Don’t you want to make a picture?” “Yes,” said the little boy. “What are we going to make?” “I don’t know until you make it,” said the teacher. “How shall I make it?” asked the little boy. “Why, any way you like,” said the teacher. “Any color?” asked the little boy. “Any color,” said the teacher. “If everyone made the same picture, and the used the same colors, how would I know who made what?” “I don’t know,” said the little boy. And he began to make a red flower with a green stem.
Helen E. Buckley
We are living now, not in the delicious intoxication induced by the early successes of science, but in a rather grisly morning-after, when it has become apparent that what triumphant science has done hitherto is to improve the means for achieving unimproved or actually deteriorated ends. In this condition of apprehensive sobriety we are able to see that the contents of literature, art, music—even in some measure of divinity and school metaphysics—are not sophistry and illusion, but simply those elements of experience which scientists chose to leave out of account, for the good reason that they had no intellectual methods for dealing with them. In the arts, in philosophy, in religion men are trying—doubtless, without complete success—to describe and explain the non-measurable, purely qualitative aspects of reality. Since the time of Galileo, scientists have admitted, sometimes explicitly but much more often by implication, that they are incompetent to discuss such matters. The scientific picture of the world is what it is because men of science combine this incompetence with certain special competences. They have no right to claim that this product of incompetence and specialization is a complete picture of reality. As a matter of historical fact, however, this claim has constantly been made. The successive steps in the process of identifying an arbitrary abstraction from reality with reality itself have been described, very fully and lucidly, in Burtt’s excellent “Metaphysical Foundations of Modern Science"; and it is therefore unnecessary for me to develop the theme any further. All that I need add is the fact that, in recent years, many men of science have come to realize that the scientific picture of the world is a partial one—the product of their special competence in mathematics and their special incompetence to deal systematically with aesthetic and moral values, religious experiences and intuitions of significance. Unhappily, novel ideas become acceptable to the less intelligent members of society only with a very considerable time-lag. Sixty or seventy years ago the majority of scientists believed—and the belief often caused them considerable distress—that the product of their special incompetence was identical with reality as a whole. Today this belief has begun to give way, in scientific circles, to a different and obviously truer conception of the relation between science and total experience. The masses, on the contrary, have just reached the point where the ancestors of today’s scientists were standing two generations back. They are convinced that the scientific picture of an arbitrary abstraction from reality is a picture of reality as a whole and that therefore the world is without meaning or value. But nobody likes living in such a world. To satisfy their hunger for meaning and value, they turn to such doctrines as nationalism, fascism and revolutionary communism. Philosophically and scientifically, these doctrines are absurd; but for the masses in every community, they have this great merit: they attribute the meaning and value that have been taken away from the world as a whole to the particular part of the world in which the believers happen to be living.
Aldous Huxley (The Perennial Philosophy: An Interpretation of the Great Mystics, East and West)
... we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and sometimes one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn't exist, and when you were in it, neither did you, for a while that was enough, but only for a while, we required more rules, on our second anniversary we marked off the entire guest room as a Nothing Place, it seemed like a good idea at the time, sometimes a small patch at the foot of the bed or a rectangle in the living room isn't enough privacy, the side of the door that faced the guest room was Nothing, the side that faced the hallway was Something, the knob that connected them was neither Something nor Nothing. The walls of the hallway were Nothing, even pictures need to disappear, especially pictures, but the hallway itself was Something, the bathtub was Nothing, the bathwater was Something, the hair on our bodies was Nothing, of course, but once it collected around the drain it was Something, we were trying to make our lives easier, trying, with all of our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say. It became difficult to navigate from Something to Something without accidentally walking through Nothing, and when Something—a key, a pen, a pocketwatch—was accidentally left in a Nothing Place, it never could be retrieved, that was an unspoken rule, like nearly all of our rules have been. There came a point, a year or two ago, when our apartment was more Nothing than Something, that in itself didn't have to be a problem, it could have been a good thing, it could have saved us. We got worse. I was sitting on the sofa in the second bedroom one afternoon, thinking and thinking and thinking, when I realized I was on a Something island. "How did I get here," I wondered, surrounded by Nothing, "and how can I get back?" The longer your mother and I lived together, the more we took each other's assumptions for granted, the less was said, the more misunderstood, I'd often remember having designated a space as Nothing when she was sure we had agreed that it was Something, our unspoken agreements led to disagreements, to suffering, I started to undress right in front of her, this was just a few months ago, and she said, "Thomas! What are you doing!" and I gestured, "I thought this was Nothing," covering myself with one of my daybooks, and she said, "It's Something!" We took the blueprint of our apartment from the hallway closet and taped it to the inside of the front door, with an orange and a green marker we separated Something from Nothing. "This is Something," we decided. "This is Nothing." "Something." "Something." "Nothing." "Something." "Nothing." "Nothing." "Nothing." Everything was forever fixed, there would be only peace and happiness, it wasn't until last night, our last night together, that the inevitable question finally arose, I told her, "Something," by covering her face with my hands and then lifting them like a marriage veil. "We must be." But I knew, in the most protected part of my heart, the truth.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
22. Giving up Distraction Week #4 Saturday Scripture Verses •Hebrews 12:1–2 •Mark 1:35 •John 1:14–18 Questions to Consider •What distracts you from being present with other people around you? •What distracts you from living out God’s agenda for your life? •What helps you to focus and be the most productive? •How does Jesus help us focus on what is most important in any given moment? Plan of Action •At your next lunch, have everyone set their phone facing down at the middle of the table. The first person who picks up their phone pays for the meal. •Challenge yourself that the first thing you watch, read, or listen to in the morning when you wake up is God’s Word (not email or Facebook). •Do a digital detox. Turn off everything with a screen for 24 hours. Tomorrow would be a great day to do it, since there is no “40 Things Devotion” on Sunday. Reflection We live in an ever connected world. With smart phones at the tip of our fingers, we can instantly communicate with people on the other side of the world. It is an amazing time to live in. I love the possibilities and the opportunities. With the rise of social media, we not only connect with our current circle of friends and family, but we are also able to connect with circles from the past. We can build new communities in the virtual world to find like-minded people we cannot find in our physical world. Services like Facebook, Twitter, YouTube, and Instagram all have tremendous power. They have a way of connecting us with others to shine the light of Jesus. While all of these wonderful things open up incredible possibilities, there are also many dangers that lurk. One of the biggest dangers is distraction. They keep us from living in the moment and they keep us from enjoying the people sitting right across the room from us. We’ve all seen that picture where the family is texting one another from across the table. They are not looking at each other. They are looking at the tablet or the phone in front of them. They are distracted in the moment. Today we are giving up distraction and we are going to live in the moment. Distraction doesn’t just come from modern technology. We are distracted by our work. We are distracted by hobbies. We are distracted by entertainment. We are distracted by busyness. The opposite of distraction is focus. It is setting our hearts and our minds on Jesus. It’s not just putting him first. It’s about him being a part of everything. It is about making our choices to be God’s choices. It is about letting him determine how we use our time and focus our attention. He is the one setting our agenda. I saw a statistic that 80% of smartphone users will check their phone within the first 15 minutes of waking up. Many of those are checking their phones before they even get out of bed. What are they checking? Social media? Email? The news of the day? Think about that for a moment. My personal challenge is the first thing I open up every day is God’s word. I might open up the Bible on my phone, but I want to make sure the first thing I am looking at is God’s agenda. When I open up my email, my mind is quickly set to the tasks those emails generate rather than the tasks God would put before me. Who do I want to set my agenda? For me personally, I know that if God is going to set the agenda, I need to hear from him before I hear from anyone else. There is a myth called multitasking. We talk about doing it, but it is something impossible to do. We are very good at switching back and forth from different tasks very quickly, but we are never truly doing two things at once. So the challenge is to be present where God has planted you. In any given moment, know what is the one most important thing. Be present in that one thing. Be present here and now.
Phil Ressler (40 Things to Give Up for Lent and Beyond: A 40 Day Devotion Series for the Season of Lent)
What in the seven levels of hell did my son see in this place?” Horace asks. We’re standing on the street on Thursday morning, staring up at the house, after taking inventory of the place. From here, I can see five different spots where the brick needs to be repaired and pick out where shingles are missing on the sloped roof. The porch sags, and the windows are dingy. But if I let my eyes go out of focus and ignore all that, I can kinda picture what the place might look like after a little—never mind—a lot of TLC. “It has good bones?” I suggest. “It’s got old bones,” he mutters. I smirk. “Yeah? So do you. Doesn’t mean they’re all bad.” He smacks my arm, but he’s grinning. “Just wait till you get to be my age, and then tell me how good old bones are.
Erica Cameron (Sing Sweet Nightingale (The Dream War Saga, #1))
Nowadays, people often ask me what it’s like hunting with my dad. We’ve actually had offers of tens of thousands of dollars from people who want to spend a day in Phil’s blind. It always amazes us because when we were growing up, duck hunting was our everyday life. When we were kids, we were always in the blind with Dad. I don’t remember my first hunt or the first duck I killed, like other young hunters. It was a different time and Phil wasn’t exactly a traditional dad. He didn’t take pictures of our first duck. It wasn’t sentimental; it was just life. We hunted and fished because we wouldn’t eat if we didn’t. Phil’s number one concern was always safety. If you were careless with a loaded gun, you would not come back to the blind. You’d be stuck at home with Mom the next time. Also, you had to be prepared because Phil wasn’t gonna baby you out there. If you didn’t wear the proper clothes, you were gonna freeze your butt off. And I did many times! You had to get your stuff together as well: shells, guns, and whatever you needed. I will never forget a time when I was about ten and we were all going on a dove hunt. It was opening day, and we were all excited. I was shooting a .410 shotgun, but I could only find one shell. Since we were leaving early in the morning, Phil let me know we wouldn’t be able to stop at a store because none of them would be open that early in the morning. “You better make that shot count,” Phil told me. So I shadowed Phil during the entire hunt, watching him drop ‘em. I rant to fetch the birds for Phil, and if any were still alive, he would pinch their heads. With one flick of Phil’s wrist, the dove’s head separated from its body. I was fascinated and yet a little freaked out. You can’t be sensitive when you’re hunting with Phil. I kept throwing my shotgun up to shoot, but I knew I had only one shot. Finally, about eleven o’clock in the morning, I saw my opportunity. I told Phil I was gonna take my shot. He was supportive and told me to make it count. Boom! Wouldn’t you know I smoked the dove? I couldn’t believe it. I went one-for-one with only one shell. As I turned to look at my dad with the biggest smile ever, I noticed he was putting his gun down. He’d shot at the exact same time. He wanted to make sure my shot counted. “Good shot, Willie boy, put your safety back on,” Phil told me. I didn’t know why the safety mattered since I only had one shell, but he wanted to instill the practice in my brain. We’ll never know who hit that bird, but believe me, I told Jase that I got it for sure.
Willie Robertson (The Duck Commander Family)
MAINTAINING DOCTRINAL PURITY IS good, but it is not the whole picture for a New Testament church. The apostles wanted to do much more than simply “hold the fort,” as the old gospel song says. They asked God to empower them to move out and impact an entire culture. In too many places where the Bible is being thumped and doctrine is being argued until three in the morning, the Spirit of that doctrine is missing. William Law, an English devotional writer of the early 1700s, wrote, “Read whatever chapter of Scripture you will, and be ever so delighted with it—yet it will leave you as poor, as empty and unchanged as it found you unless it has turned you wholly and solely to the Spirit of God, and brought you into full union with and dependence upon him.”1
Jim Cymbala (Fresh Wind, Fresh Fire: What Happens When God's Spirit Invades the Heart of His People)
Next time you face the unexpected, a moment of difficulty you really don’t want to go through, remember that such a moment doesn’t picture a God who has forgotten you, but one who is near to you and doing in you a very good thing. He is rescuing you from thinking that you can live the life you were meant to live while relying on the inadequate resources of your wisdom, experience, righteousness, and strength; and he is transforming you into a person who lives a life shaped by radical God-centered faith.
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
February 14 MORNING “And his allowance was a continual allowance given him of the king, a daily rate for every day, all the days of his life.” — 2 Kings 25:30 JEHOIACHIN was not sent away from the king’s palace with a store to last him for months, but his provision was given him as a daily pension. Herein he well pictures the happy position of all the Lord’s people. A daily portion is all that a man really wants. We do not need tomorrow’s supplies; that day has not yet dawned, and its wants are as yet unborn. The thirst which we may suffer in the month of June does not need to be quenched in February, for we do not feel it yet; if we have enough for each day as the days arrive we shall never know want. Sufficient for the day is all that we can enjoy. We cannot eat or drink or wear more than the day’s supply of food and raiment; the surplus gives us the care of storing it, and the anxiety of watching against a thief. One staff aids a traveller, but a bundle of staves is a heavy burden. Enough is not only as good as a feast, but is all that the veriest glutton can truly enjoy. This is all that we should expect; a craving for more than this is ungrateful. When our Father does not give us more, we should be content with his daily allowance. Jehoiachin’s case is ours, we have a sure portion, a portion given us of the king, a gracious portion, and a perpetual portion. Here is surely ground for thankfulness. Beloved Christian reader, in matters of grace you need a daily supply. You have no store of strength. Day by day must you seek help from above. It is a very sweet assurance that a daily portion is provided for you. In the word, through the ministry, by meditation, in prayer, and waiting upon God you shall receive renewed strength. In Jesus all needful things are laid up for you. Then enjoy your continual allowance. Never go hungry while the daily bread of grace is on the table of mercy.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
February 11 MORNING “And they took knowledge of them, that they had been with Jesus.” — Acts 4:13 A Christian should be a striking likeness of Jesus Christ. You have read lives of Christ, beautifully and eloquently written, but the best life of Christ is His living biography, written out in the words and actions of His people. If we were what we profess to be, and what we should be, we should be pictures of Christ; yea, such striking likenesses of Him, that the world would not have to hold us up by the hour together, and say, “Well, it seems somewhat of a likeness;” but they would, when they once beheld us, exclaim, “He has been with Jesus; he has been taught of Him; he is like Him; he has caught the very idea of the holy Man of Nazareth, and he works it out in his life and every-day actions.” A Christian should be like Christ in his boldness. Never blush to own your religion; your profession will never disgrace you: take care you never disgrace that. Be like Jesus, very valiant for your God. Imitate Him in your loving spirit; think kindly, speak kindly, and do kindly, that men may say of you, “He has been with Jesus.” Imitate Jesus in His holiness. Was He zealous for His Master? So be you; ever go about doing good. Let not time be wasted: it is too precious. Was He selfdenying, never looking to His own interest? Be the same. Was He devout? Be you fervent in your prayers. Had He deference to His Father’s will? So submit yourselves to Him. Was He patient? So learn to endure. And best of all, as the highest portraiture of Jesus, try to forgive your enemies, as He did; and let those sublime words of your Master, “Father, forgive them; for they know not what they do,” always ring in your ears. Forgive, as you hope to be forgiven. Heap coals of fire on the head of your foe by your kindness to him. Good for evil, recollect, is godlike. Be godlike, then; and in all ways and by all means, so live that all may say of you, “He has been with Jesus.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
oday so many children aren't involved in their families' lives. Let's change that! Get them active in your family. Start by creating times for sharing and conversation.. .at the dinner table. Turn off the TV, all phones (including cells), and any other distractions. Toward the end of the meal, ask everyone this question: "What's the best thing that happened to you today?" Make dinnertime fun. Find out what's happening in your children's hearts and lives, and let them know what's happening in yours. Honor jobs well done, good grades, and positive contributions to the family and community. love having family pictures all over the house. It's a great way to promote family identity. Do team sports together. Have a family night out every now and then. The apostle Paul says, "If you have any encouragement from being united with Christ. . .then make my joy complete by being like-minded, having the same love, being one in spirit and purpose" (Philippians 2:1-2). hen was the last time you did something really special to say "I love you" to your husband or boyfriend? In the morning, tell your husband, "Honey, tonight is a special evening-just for the two of us." Then get busy. Set up a card table on your patio or deck-or even in the living room. Get out a beautiful tablecloth, your best napkins, flowers, and candles! Fix him his favorite meal and your best dessert, put on some soft romantic music, give yourself enough time to look your best, and you're all set for when he gets home. He'll feel like a king and know he's a top priority in your life.
Emilie Barnes (365 Things Every Woman Should Know)
When you wake up in the morning, tell yourself: The people I deal with today will be meddling, ungrateful, arrogant, dishonest, jealous, and surly. They are like this because they can’t tell good from evil. But I have seen the beauty of good, and the ugliness of evil, and have recognized that the wrongdoer has a nature related to my own—not of the same blood or birth, but the same mind, and possessing a share of the divine [p. 17].
Walter Rankin (Grimm Pictures: Fairy Tale Archetypes in Eight Horror and Suspense Films)
Young children with anxiety often respond well to visual sequences of events. Small pictures of daily events may be drawn out on felt, and arranged on a larger piece of felt. Children and parents can arrange the felt pictures in an order of events, displaying what will happen for that day or the next day. Children who seem to expect abandonment can see that in the morning Mom is there, or see and talk about what it feels like when Mom picks them up at day care. A difficulty common with younger, anxious children is that they tend to stop processing information when they come to the part of a daily sequencing that involves separation. This visual aid helps them to get to the other side of the sequence in which there is reunion. This is a good aid for children with permanent auditory processing problems or emotionally produced auditory processing problems.
Deborah D. Gray (Attaching in Adoption: Practical Tools for Today's Parents)
And if by grace, then it cannot be based on works; if it were, grace would no longer be grace. —Romans 11:6 (NIV) I couldn’t help noticing something on the dashboard of the cab I was riding in this morning: a snapshot of a college grad with mortarboard and gown, holding a diploma, smiling proudly; maybe the driver’s son. “Congratulations,” I said. “Your son?” “No,” he answered, “that’s me.” Momentarily mortified, I found myself thinking, Tough luck, driving a cab with a college degree. I got a better look at the driver. Middle Eastern, middle-aged. Probably has a PhD in astrophysics back in his home country. “Well,” I said awkwardly, “congratulations all the same. That’s great.” “An education is the best thing this country has given me. I just got an accounting degree and pretty soon I will find a job in my field, God willing. But meanwhile I have a family to support. Want to see them?” “Sure.” He flipped open the glove box where there were pictures of two boys and a girl, all in caps and gowns, all recent grads of high school and college. “I try to set a good example for them,” he said with a laugh. “God willing, they will find good jobs too. Education is the key to everything.” As we pulled to the curb, I thought of my own family coming to this country and struggling to reach the American dream, just like this man and his family. I thought of all the opportunities I’d been blessed with and how I can take it all too much for granted at times. “It was an honor to ride in your cab,” I said, handing the driver his fare. “Have a good day, sir,” he replied. “I shall,” I said, “God willing.” Jesus, they called You “Rabbi,” which means teacher. This month please bless all those who have worked so hard and so long for that great key to the future, a diploma. —Edward Grinnan
Guideposts (Daily Guideposts 2014)
April 14 MORNING “All they that see me laugh me to scorn: they shoot out the lip, they shake the head.” — Psalm 22:7 MOCKERY was a great ingredient in our Lord’s woe. Judas mocked Him in the garden; the chief priests and scribes laughed Him to scorn; Herod set Him at nought; the servants and the soldiers jeered at Him, and brutally insulted Him; Pilate and his guards ridiculed His royalty; and on the tree all sorts of horrid jests and hideous taunts were hurled at Him. Ridicule is always hard to bear, but when we are in intense pain it is so heartless, so cruel, that it cuts us to the quick. Imagine the Saviour crucified, racked with anguish far beyond all mortal guess, and then picture that motley multitude, all wagging their heads or thrusting out the lip in bitterest contempt of one poor suffering victim! Surely there must have been something more in the crucified One than they could see, or else such a great and mingled crowd would not unanimously have honoured Him with such contempt. Was it not evil confessing, in the very moment of its greatest apparent triumph, that after all it could do no more than mock at that victorious goodness which was then reigning on the cross? O Jesus, “despised and rejected of men,” how couldst Thou die for men who treated Thee so ill? Herein is love amazing, love divine, yea, love beyond degree. We, too, have despised Thee in the days of our unregeneracy, and even since our new birth we have set the world on high in our hearts, and yet Thou bleedest to heal our wounds, and diest to give us life. O that we could set Thee on a glorious high throne in all men’s hearts! We would ring out Thy praises over land and sea till men should as universally adore as once they did unanimously reject. “Thy creatures wrong Thee, O Thou sovereign Good! Thou art not loved, because not understood: This grieves me most, that vain pursuits beguile Ungrateful men, regardless of Thy smile.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
THE BIGGER PICTURE   During World War II, thousands in factories across the United States constructed parachutes. From the worker’s point of view, the job was tedious. It required stitching endless lengths of colorless fabric, crouched over a sewing machine eight to ten hours a day. A day’s work produced a formless, massive heap of cloth with no visible resemblance to a parachute. In order to motivate workers and keep them concerned with quality, the management in one factory held a meeting. Management informed workers each day of the approximate number of parachutes that had been strapped to the back of pilots, copilots, and other “flying” personnel the previous day. They learned just how many men had jumped to safety from disabled planes as a result of their high-quality work. The managers encouraged their workers to see the big picture on their job. As a second means of motivation, the workers were asked to form a mental picture of a husband, brother, or son who might be the one saved by the parachute they sewed. That factory held one of the highest levels of quality on record!3 Don’t let the tedium of each day’s chores and responsibilities wear you down so you only see the “stitching” in front of you. Keep your eyes on the big picture. Focus on why you do what you do and who will benefit from your work, including those you don’t know and may never meet. You may not have all the answers to the question, “Why am I here?” but you can rest assured, the Lord does! Ultimately, the Bible tells us we will be in heaven for eternity—and that is the biggest picture of all! God is preparing us for heaven, just as He is preparing heaven for us. He is creating us to be the people He wants to live with forever. Whatever mundane tasks or trivial pursuits you undertake today, see them in the light of eternity. They will take on a whole new meaning!   “I GO TO PREPARE A PLACE FOR YOU. AND IF I GO AND PREPARE A PLACE FOR YOU, I WILL COME AGAIN AND RECEIVE YOU TO MYSELF; THAT WHERE I AM, THERE YOU MAY BE ALSO.” JOHN 14:2-3 NKJV
David C. Cook (Good Morning, God: Wake-up Devotions to Start Your Day God's Way)
He’s not just using me for my body,” Megan said. “He’s also using me as Prozac. Yesterday morning, Drew basically told me his life was all bleak like a black-and-white movie, and then I came into the picture and started rocking his world in Technicolor.” “That’s not using someone,” Rory said. “That’s happiness.” “No. It’s like a drug. I’m like a drug. But the effect on a guy only lasts for a while. When the drug high wears off, where does that leave me?” “I don’t think that’s…” Rory trailed off, confused. “You’ve never had a boyfriend, and you’ve never done drugs, so this is all a foreign concept to you. How can I put this in a metaphor you can understand?” Megan thought about it then went with the first idea that popped into her head, as she usually did. “I’m like cheap birthday cake. I’m the corner slice with all the icing. Drew is the greedy kid at the party. He wants me, the chunky corner piece with all the icing, but he’s going to get a stomach ache, and soon, he’s going to want his plain sandwiches again.” Rory looked down, and there was only the sound of the washer and dryer. Finally, she looked up, her eyes sad and hopeful at the same time, and said, “You’re not cake.” “But I’m not exactly Tina, am I? I’m not the marrying kind. I’ll never get a guy as good as Luca. Nobody’s going to sell out the flower shop just to take me on a date. I’m the girl they call to help them fix a flat tire.
Angie Pepper (Romancing the Complicated Girl (Baker Street Romance #2))
• Focus on quantity. You’ve got to get the basics first. If you’re not in bed longer, you can’t get more sleep. For me that meant getting to bed 10 minutes earlier, then another 10, and so on. • Focus on quality. I found two things made a difference: paying more attention to what I eat and drink in the afternoon and evening (no more afternoon lattes!) and doing something other than work, like sudoku or a crossword puzzle, right before falling asleep. • Be accountable. It helps to have help. In my case, I had Arianna as my sleep coach. I can picture her talking about the tough choices she’s made to get enough sleep and I’m motivated to do the same. And on the delicious mornings when I wake up more rested (okay, not every day) I imagine her smiling and saying, “Oh, good, darling, you’ve slept!” • Play the long game. Change is never a straight line, and trying to get more sleep has been no exception. Stuff comes up at work that I want to tackle. I’m with my family and friends, and I don’t want to leave the party. Some nights I just don’t sleep well—but I remind myself that this is a long game, and little incremental changes add up.
Arianna Huffington (The Sleep Revolution: Transforming Your Life, One Night at a Time)
What's that, mister?" "That's the green for the gentleman's coat. No--don't pinch it, or you'll get it all over you. Yes, you can put the cap on. Yes, that's to keep it from drying up. Yes, put it back in the box.... That's yellow. No, I know there isn't any yellow in the picture, but I want it to mix with the green to make it brighter. You'll see. Don't forget the cap. What? Oh, anywhere in the box. White--yes, it's a big tube, isn't it? You see, you have to put a little white into most of the colours--why? Well, they wouldn't come right without it. You'll see when I do the sky. What's that? You want the dog made white all over? No, I can't make it a picture of Scruggs. Why not? Well, Scruggs isn't the right sort of dog to take out shooting. Well, he's not, that's why. This has got to be a retriever. All right, well, I'll put in a liver-and-white spaniel. Oh, well, it's rather a pretty dog with long ears. Yes, I daresay it is like Colonel Amery's. No, I don't know Colonel Amery. Did you put the cap on that white paint? Dash it! if you go losing things like that I'll send you back to Mother and she'll spank you. What? Well, the gentleman has a green coat because he's a gamekeeper. Possibly Colonel Amery's gamekeeper doesn't, but this one does. No, I don't know why gamekeepers wear green coats--to keep them warm, I expect. No, I haven't got any brown paint same as that tree-trunk. I get that by mixing other colours. No, I've got all the colours I want now. You can put 'em away and shut the box. Yes, I can tell pretty well how much I want before I start. That's called a palette knife. No, it isn't meant to be sharp. It's meant for cleaning your palette and so on. Some people use a knife to paint with. Yes, it's nice and wiggly, but it won't stand too much of that kind of treatment, my lad. Yes, of course you can paint with a knife if you want to. You can paint with your fingers if it comes to that. No, I shouldn't advise you to try. Yes, well, it makes a rougher kind of surface, all blobs and chunks of paint. All right, I'll show you presently. Yes, I'm going to begin with the sky. Why? Well, why do you think? Yes, because it's at the top. Yes, of course that blue's too dark, but I'm going to put some white in it. Yes, and some green. You didn't know there was any green in the sky? Well, there is. And sometimes there's purple and pink too. No, I'm not going to paint a purple and pink sky. The gentleman and the dogs have only just started out. It's morning in this picture. Yes, I know, on the other side they're coming home with a lot of birds and things. I'll put a pink and purple sunset into that if you're good and don't ask too many questions. No, be a good girl and don't joggle my arm. Oh, Lord!
Dorothy L. Sayers (The Five Red Herrings (Lord Peter Wimsey, #6))
Governor Fielding Wright’s radio address to the “Negroes of Mississippi.” His speech was aired eighteen months after the shooting in Anguilla. He was a Sharkey County native and a lawyer, who might have represented my father. But the reason this article jumped out of the library files and into my hands was the fact that Dad was then the editor of the Deer Creek Pilot, and he was a press agent for Governor Wright, who said: This morning I am speaking primarily to the negro citizens of Mississippi … We are living in troublous times and it is vital and essential that we maintain and preserve the harmonious and traditional relationship which has existed in this state between the white and colored races. It is a matter of common knowledge to all of you who have taken an interest in public affairs that in my inaugural address as governor some four months ago, I took specific issue with certain legislative proposals then being made by President Truman … These proposals of President Truman are concerned with the enactment of certain laws embraced within the popular term of “Civil Rights.” … [O]ur opposition to such legislation is that it is a definite, deliberate and outright invasion of the rights of the states to control their own affairs and meet their own duties and responsibilities. This same radical group pressing this particular proposal is also seeking to abolish separate schools in the South, separate cars on trains, separate seats in the picture shows, and every other form of physical separation between races. Another recommendation made by the President, and one of the main objectives of the many associations claiming to represent the negroes of this nation, is the abolition of segregation. White people of Mississippi and the Southland will not tolerate such a step. The good negro does not want it. The wise of both races recognize the absolute necessity of segregation. With all of this in mind, and with all frankness, as governor of your state, I must tell you that regardless of any recommendation of President Truman, despite any law passed by Congress, and no matter what is said to you by the many associations claiming to represent you, there will continue to be segregation between the races in Mississippi. If any of you have become so deluded as to want to enter our white schools, patronize our hotels and cafes, enjoy social equality with the whites, then true kindness and true sympathy requires me to advise you to make your homes in some state other than Mississippi.
Molly Walling (Death in the Delta: Uncovering a Mississippi Family Secret (Willie Morris Books in Memoir and Biography))
Cards on the table, girls? Karl has served a sentence at Exeter prison for assault; Antony for theft. Karl was merely sticking up for a friend, you understand, and – hand on heart – would do the same again. His friend was being picked on in a bar and he hates bullying. Me, I am struggling with the paradox – bullying versus assault, and do we really lock people up for minor altercations? – but the girls seem fascinated, and in their sweet and liberal naivety are saying that loyalty is a good thing and they had a bloke from prison who came into their school once and told them how he had completely turned his life around after serving time over drugs. Covered in tattoos, he was. Covered. ‘Wow. Jail. So what was that really like?’ It is at this point I consider my role. Privately I am picturing Anna’s mother toasting her bottom by her Aga, worrying with her husband if their little girl will be all right, and he is telling her not to fuss so. They are growing up fast. Sensible girls. They will be fine, love. And I am thinking that they are not fine at all. For Karl is now thinking that the safest thing for the girls would be to have someone who knows London well chaperoning them during their visit. Karl and Antony are going to stay with friends in Vauxhall and fancy a big night to celebrate their release. How about they meet the girls after the theatre and try the club together? This is when I decide that I need to phone the girls’ parents. They have named their hamlet. Anna lives on a farm. It’s not rocket science. I can phone the post office or local pub; how many farms can there be? But now Anna isn’t sure at all. No. They should probably have an early night so they can hit the shops tomorrow morning. They have this plan, see, to go to Liberty’s first thing because Sarah is determined to try on something by Stella McCartney and get a picture on her phone. Good girl, I am thinking. Sensible girl. Spare me the intervention, Anna. But there is a complication, for Sarah seems suddenly to have taken a shine to Antony. There is a second trip to the buffet and they swap seats on their return – Anna now sitting with Karl and Sarah with Antony, who is telling her about his regrets at stuffing up his life. He only turned to crime out of desperation, he says, because he couldn’t get a job. Couldn’t support his son. Son? It sweeps over me, then. The shadow from the thatched canopy of my chocolate-box life –
Teresa Driscoll (I Am Watching You)
The fragrance that permeates his picture of the good life is not the heavy fragrance of rose-petals and incense falling upon languorous couches: it is the fragrance of the morning grass, and the scent of crushed mint or marjoram beneath the feet.
Lewis Mumford (The Story of Utopias)
If you hadn’t been there, I’m not entirely sure I would’ve been able to stop myself from hurting the guy worse. That’s why I need to get to the lake house and be alone.” She sniffed. There was so much in that one little derisive sound that he had to look her way. “What?” Her expression went deadpan. “You realize that is a completely ridiculous plan, right?” He frowned. “Come on, Finn.” She pursed those red-glossed lips like she could barely tolerate his foolishness. “That is such a man plan.” “A man plan.” “Yes. You don’t know how to be among the living anymore so you’re going to…go live alone in a cave. Right. Good thinking. That will pop your how-to-be-human skills right back into place.” He made a frustrated sound and pulled into the lot of the hotel to park so he could face her, make her understand. “You saw what happened today. I’m not fit to be around other people right now. I beat a guy down for taking a picture. And I was…aggressive with you last night.” “Aggressive?” Her mouth flattened, and she put a finger to her chest. “I kissed you. I was the aggressor. You were just…complicit in the aggressiveness. And you’re lucky I haven’t gone two years’ celibate, because had I been in your shoes, I would’ve convinced you to go up to my room and used you eight ways to Sunday and back again by now. You’d be limping.” His libido gave a hard kick and knocked the logical thoughts out of his head for a moment. “I—” “You need to be around people.” That snapped his attention back to where it needed to be—mostly. “No.” “You promised your boss you’d be around friends. You made me promise your boss that I’d make sure you did that. You made me lie to the FBI. That’s got to be a federal offense or something.” “Made is a strong word.” “Finn.” He groaned. “What would you have me do? You want to babysit me, Livvy? Come stay at my lake house and make sure I don’t turn into a deviant?” She stared at him, her gaze way too sharp, and then tipped her chin up in challenge. “Is that an invitation? Because you know you shouldn’t test me. I could babysit the hell out of you, Finn Dorsey. I know who you used to be. You don’t get to become a bad guy. I will make you do slumber-party things like play charades or watch crappy nineties movies or incessant reruns of Friends. You won’t be able to fight your old goofy side. It will emerge like a freaking butterfly and smother scary Finn.” He blinked and stared, and then he couldn’t help it—he laughed. “A freaking butterfly?” She smiled triumphantly. “A goofy freaking butterfly.” He let out a long breath, some of the tension from the morning draining out of him. “You’re weird.” “So are you.
Roni Loren (The Ones Who Got Away (The Ones Who Got Away, #1))
... the possibility of death presented itself to him, for the first time in his life, with no relation to the everyday, with no considerations of how it would affect others, but only in relation to himself, to his soul, vividly, almost with certainty, simply, and terribly. And from the height of that picture, all that used to torment and preoccupy him was suddenly lit up by a cold, white light, without shadows, without perspective, without clear-cut outlines. The whole of life presented itself to him as a magic lantern, into which he had long been looking through a glass and in artificial light. Now he suddenly saw these badly daubed pictures without a glass, in bright daylight. ... "There they are, those crudly daubed figures, which had presented themselves as something beautiful and mysterious. Glory, the general good, the love of a woman, the fatherland itself -- how grand those pictures seemed to me, how filled with deep meaning! And it's all so simple, pale, and crude in the cold, white light of the morning that I feel is dawning for me.
Leo Tolstoy (War and Peace)
A lady at the general store said the Walking Skeleton takes arms and hands from the statues so it can turn into a person again!” “That’s one of the tales going around, but, of course, it’s just a story,” Charlotte said. “I really don’t know how the statues got damaged recently. They are quite old and already worn away by the weather. But now a few pieces are missing--not just falling off, but disappearing. I do hope you can all keep an eye on the property.” This gave Jessie a good idea. “We gave Benny an instant camera for his birthday. If we take pictures of the statues and something happens to them, maybe we can figure out when it happened and who was around at that time.” “Excellent,” Charlotte said. “I’ll be dropping off a job list tomorrow morning with Hilda and William. I’ll make sure to tell them to let you children photograph and sketch around the property. That will give them more time to do other things.” “Here’s to catching the Walking Skeleton!” Jessie said. The Aldens clinked their lemonade glasses. The Mystery at Skeleton Point
Gertrude Chandler Warner (The Boxcar Children Halloween Special (The Boxcar Children Mysteries))
The next thing I knew, my heavy eyelids slowly opened when Brandon lowered me to my bed. “I’m sorry,” I whispered, my voice raspy from the short nap, “I didn’t mean to fall asleep.” He smiled and tucked a loose chunk of hair behind my ear, “Don’t worry about it, you were tired.” “Mhmm. I had a great time though, thanks for taking me.” “Anytime, get some sleep.” He leaned over and kissed my forehead softly once. As soon as his lips touched me, my gummy bear woke up. I laughed once, “I don’t think that will be happening, he’s been asleep until now, he’ll start kicking soon and won’t stop for the next few hours.” Brandon slid onto the bed and put his hands under my shirt, resting them on my stomach. I sucked in a quick gasp but didn’t say anything. We’d already gone way past our friend-only-touching-zone when he’d held me and I kissed him on the cheek this morning. He may talk to my gummy bear every day, but when his hands were on me, they were always over my shirt. Not now though. Now, I was lying in bed, he had his hands on my bare stomach, gently caressing it, and was looking at me from under thick black eyelashes. All I could think about was kissing him. My baby was going crazy, moving his legs and arms back and forth, and Brandon looked so happy I closed my eyes and pictured a world where this could be okay. A world where Brandon and I had stayed together, eventually gotten married and were now expecting. After what must have been at the very least ten minutes later, Brandon leaned forward, his deep voice husky and hypnotic, “Be good to your mom little man, she needs to sleep.” and then he kissed my stomach. So soft, so tender, I couldn’t be sure if I’d imagined it. Then he straightened and came closer to me, “Good night, I’ll see you tomorrow sweetheart.” I
Molly McAdams (Taking Chances (Taking Chances, #1))
I set out for my first overnight training hike that I have been on since I was on the PCT in May, 2016. Starting at the Roby Lake, Missouri area, I made my way down an unfamiliar trail, with an intentionally overloaded pack. Two tents, two sleeping bags, and just about every piece of gear and trail clothing I own. I didn’t bother to weigh the pack, but it was the heaviest I have ever carried. Some distance into the trail I found a trail register – I stopped to register and was curious to see if I might come across any kindred souls. Nope, not a soul on the trail register for the past 12 days, I would very likely be totally alone. The trail meandered uphill and down, by ponds, and eventually to a nice creek with a small waterfall. Along the way I came to a pine grove atop a ridge and what a mess that was – we recently had freezing rain here in Missouri and it looks like it took out several dozen along the trail – they literally look like they just exploded – with the trail being impassable for about ¼ mile – resulting in some bushwhacking and hopefully me not getting lost. Unlike the PCT where I have Halfmile, Guthooks, and other apps that can tell you that you are 400’ west of the trail, and which direction you need to go to get back on trail, here you just need to pay more attention. When finally done tramping around the blow downs I continued down the trail, and back up on top of another ridge and into some pines. I set up camp about 4:30 PM which would usually be early, but it was dark, cloudy and wet – I wanted to find a decent campsite and took the 2nd one that I thought looked nice. As I set up camp I found I was just above a nice running creek, which made for a nice setting. There was no rain in the forecast but heavy fog came in, which collected on the trees and might as well have been rain. Of course I packed everything, except my rain fly it turned out. Yes I had another tent, but that is my PCT tent and I am not going to chance damaging it before I even get there. I decide it’s not too bad, occasional drips would splatter through the netting but all would be well – and I did have my bivy sack so I put my sleeping bag in there, inside the tent, and made sure most things were covered. There were signs of bear throughout, and I could not locate my paracord rope for hanging my food, so I put the food in my pack, put the pack a ways up a tree, and strapped it on to hope for the best. I had a time getting a campfire going, with everything being wet, but eventually enjoyed a nice campfire until bed time. Unlike being on the PCT where you never really feel alone because there are so many other hikers out there, I knew I was truly alone out here, there were no other footprints in the mud – see the pictures of the trail/river – and this was a bit unusual, really feeling alone and way out there. I enjoyed that. It was one of those nights when every noise piques your curiosity, and every drop falling from the trees landing in leaves sounds like a footstep of some kind – I did hear some animal grunt, possibly a ferel hog, bear, or deer even – couldn’t really tell. Nothing bothered my pack, and all was well in the morning – but much of my gear was wet. I set off back down to the trail head, surprised at how little muscle or back pain I was in considering the workout provided by the trail and the heavy weight I was carrying. I would feel it a bit later however, but that’s a good thing, that’s why I am training – trying to get some sense of trail legs before I hit the PCT exactly 60 days from now! I received my permission to enter Canada, I have my plane tickets, and in 3 more days I will apply for and get my PCT permit for March 21, 2017 – time is flying by… Morgan
Morgan Clements - Publisher GlobalIncidentMap.com
Marcie felt something on her hair and woke to look into Ian’s rich brown eyes. Dawn was barely lighting the cabin and he was running his big hand over her curls. “Morning,” she said sleepily. He didn’t say anything. He just lowered his lips to hers and touched them gently, sweetly. She felt the brush of his beard, the soft flesh of his lips and let her eyes drop closed. He moved over her mouth for a moment. She moaned and slipped an arm around his neck, holding him there. He pulled back just a little and whispered, “We’re snowed in, honey.” “Good.” “I was jealous of Bobby, you know,” Ian said, petting her hair back along her temple, moving it over her ear. “Be careful, Ian—you’re talking about ‘it.’” “I’m ready to tell you anything you want to know. We were all a little jealous of Bobby. He had something real special with you. You sent him panties.” Her cheeks warmed in spite of herself. Her eyes got very round. “He showed you?” Ian chuckled. “He showed everyone. Very skimpy panties. I think they were lime-green with black lace or something.” “I cannot believe he showed you!” “He was proud of them. He kept them tucked in his inside pocket like a good-luck charm.” “They were perfectly clean, I’ll have you know.” “Aw, that almost comes as a disappointment,” Ian said, chuckling. “They should have had your scent on them.” “They had Tide and Downy on them!” “And you sent him that picture—on the motorcycle.” She put her hands over her face. In muffled tones she muttered, “I’m mortified.” He pulled her hands away and lightly kissed her again. “So the night I almost froze to death was actually the second time you’ve seen me in my underwear.” “Technically, I’ve seen your underwear a ton of times. I came home a couple of times to see your cute little rump sticking out of the covers, not to mention all that underwear on my tub, drying out,” he said. “And I’d trade my life to see you in your underwear again.” Her eyes got round for a minute, but then she smiled slightly and a little laugh escaped her. “I’ve heard some interesting come-ons in my limited experience, but that’s a new one. Tell me, do I have to shoot you after you peek?” “What if I told you, you might have to shoot me to stop me? Would that scare you?” “You don’t scare me, Ian. I know you’d protect me from anything. Even yourself.” He
Robyn Carr (A Virgin River Christmas (Virgin River #4))
See, you do care about him! Sarah, what Nolan Walker needs is a good wife to encourage him, to see that he eats properly, make sure he gets his rest.” The picture Prissy had painted of Sarah as devoted wife, caring for Nolan, was a very appealing one. But she couldn’t dwell on it, because Prissy wasn’t done. “When are you going to get off your lofty perch and let yourself love him?” she went on. “That excuse that he’s a Yankee’s wearing a little thin by now, don’t you think?” Sarah stared at her as they had reached their little cottage and went in. She hung up her coat with a sigh, then took Prissy’s coat and hung it up, too. “Dr. Walker and I have become friends. But how can he and I be anything more if he’s not a believer? The Bible warns about being unequally yoked, you know.” Prissy groaned exasperatedly. “Sarah Matthews, if you gave that man the slightest bit of encouragement, he’d be sitting in the front pew every Sunday morning, and you know it.
Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)
Robin M. King (Memory of Monet (Remembrandt, #3))
You can’t blame your boss for not giving you the support you need. Plenty of people will say, ‘It’s my boss’s fault.’ No, it’s actually your fault because you haven’t educated him, you haven’t influenced him, you haven’t explained to him in a manner he understands why you need this support that you need. That’s extreme ownership. Own it all.” A Good Reason to Be an Early Riser “I’m up and getting after it by 4: 45. I like to have that psychological win over the enemy. For me, when I wake up in the morning—and I don’t know why—I’m thinking about the enemy and what they’re doing. I know I’m not on active duty anymore, but it’s still in my head: that there’s a guy in a cave somewhere, he’s rocking back and forth, and he’s got a machine gun in one hand and a grenade in the other. He’s waiting for me, and we’re going to meet. When I wake up in the morning, I’m thinking to myself: What can I do to be ready for that moment, which is coming? That propels me out of bed.” TF: This story has compelled so many listeners to start waking early that there is a #0445club hashtag on Twitter, featuring pictures of wristwatches. It’s still going strong more than a year after the podcast.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
The picture enclosed here is of a hibiscus that has been flowering in the parlor window one bloom at a time for what seems like a year or more. It’s getting to where I don’t remember when there wasn’t a bud or two and a flower either out or on the way. This morning there is a fresh new flower just like the one in the picture, but right next to it is the one that was new yesterday and is already spent. I don’t know whether to be happy for the beautiful one or sad for the one that is gone. I guess if I wait until tomorrow I can be sad for the one that is so beautiful now. But how can I anticipate being sad for something that is so pretty? It’s really a good thing that people can only “see” the present because we are on the same train as a hibiscus except that we are on a longer trip. I’ve told you before but it fits in here so I will say it again. Sometimes I get feeling so good that I get afraid to anticipate the loss. If life could be a series of beautiful scenes and beautiful music and pleasant visits with people we love, then life should just go on forever. I suppose that’s why people get old and feeble with wandering minds. What is can end without too much loss, and what was did not stop so will be forever. Right now and as far as I can see, I want to be this morning’s flower. I’ll be a hibiscus. You be a rose…
M. Reed McCall (Moose Tracks on the Road to Heaven)
There was no opportunity to discuss his plans with Wynne that night, but the following morning he sought her out and issued his invitation. “It will give me great pleasure,” said Franz in a solemn voice, “it will give me great pleasure if you will dine with me tonight. I will telephone and order a nice dinner at the Grand Hotel and afterwards we will go to the Picture House. I see in the newspaper that Norma Shearer is there, and it says the film is very good.
D.E. Stevenson (The English Air)
My day just splits again, and I am at the table sitting with the girls, Jenny is hearing me say all this… I am saying at lunch to all of them not leaving out one gross detail- and Jenny said- ‘Damn I have loaded in my undies right now just leasing to this crap.’ Liv and Maddie are kissing like to ribbed- hot- b*tch dogs in heat over it, so yeah, it's hot. I said- ‘I am coming – OH-hh-Aaa- UM-mmm-COME-meeting!!!’ So loud that I know that the rooms in the apartments could hear me, one even said back to my god- yet Miss Wilddickersion is eighty-eight I know who you are… a girl over there, rolled my eyes feeling so award.’ I am so going to hell for this- I said out loud. Do you ever look back over the crap you say, and say what the freak was I thinking? I just had the thought of this crap I am saying. Jenny said- nope not really- my dad hears me coming all the time so- like last night he said- ‘Stop it! You’re going to go throw your bedroom floor girl, and it’s four in the morning! ‘Yet I hear their freaking headboard hitting my wall- but- but that’s okay?’ I said about to have the old b*tch over in the next apart room there getting off too- ‘We all do’ -said Maddie and Olivia. Have you ever had the cops come, over that crap? Jenny said- ‘Well- freak know- Maybe…? I’ve done an officer here at the school, said Jenny proudly, so the whole cafeteria could hear her. Hey- Jenny- no one cares to hear about you being a slutty ho,’ Said- Marcel, yelling it at a table or two away. Maddie- ‘So was it that good?’ ‘It’s good under the hood.’ Said Maddie, I said the same thing too, in a different way, I said- ‘If you know what you’re doing down there.’ Jenny- ‘I- am- the- one that showed you-you b*tch, and your sis too.’ It’s all good! I speak! Not sure if I am going to keep my nasty pizza down at this point really, I don’t want to have thoughts played around in my mind freaking and fingering my brain. I put my feet up all girly and per-die on the table, and he sits accused from me to check me out so why not give him what he wants, and I don’t give a crap if I am in a skirt, I spread them out sloughing like a dude, and Marcel turns bright red, I want him to see that, I was not wearing annoying underneath I know that someone took a picture of my p*ssy and all of his freaked-up face- yep jaw-dropping moments, good thing I shaved it! The teaching that was looking over us freaking fainted at the sight of my va-jay-jay, is that a good thing? Oliva was saying please don’t fart- please don’t fart- she had the set on the other side of me, yet she was all pressed up to Maddie, so I knew he could see all of this- YOU-NO! I said- ‘Dude shut up! You’re freaking me over, and I put my one hand down between my legs, and start to play with myself, caressing it all around, sometimes up and down or in a little circular pattern, making lots of sounds. I even put my long fingers down inside and feel all the wetness and wroth, and I hear voices coming out of me, so he could see the come on my fingers unstop of my dark purple nail polish, and I come right in front of everyone, but it was only for him to see.’ Jenny- ‘do I see a d*ick; you need one to freak that p*ssy? I said- ‘Nah- dude that’s just my heart throbbing clit, and I get written up by another old b*tch teach, that must have a hairy one, or something like that- she has always been up against my ass hole.’ ‘Sometimes you are as blunt as the butt end of a fork, freaking strapping you in the one boob!’ said- Oliva. I see Marcel in the lunch line making a cute almost kiss-ie face at me, and I rankle up my nose and turn my head off to the right side and shake it in a short fast yet deliberate quiver. I walk up to where more than friends and at this point, I hug him and the cafeteria gaps, he kisses me in front of everyone, and I look up before walking and saying with flirty eyes- (You’re such a weirdo!)
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
So that night, or that morning, actually, when we ended up in my bed, he was very gentle with me and I couldn’t bring myself to stop him, if he wanted to lick me all over and kiss me softly, let him, but soon I noticed that he wasn’t getting hard, and I took him in my hand and stroked him for a while, but nothing happened, and then I asked him, whispering in his ear, whether something was bothering him, and he said no, he was fine, and we kept touching each other for a while longer, but it was clear that he wasn’t going to get it up, and then I said this is no good, stop trying, that’s enough, if you’re not in the mood, you’re not in the mood, and he lit a cigarette (he smoked a kind called Bali, such a funny name) and then he started to talk about the last movie he’d seen, and then he got up and paced around the room naked, smoking and looking at my things, and then he sat on the floor, beside the bed, and started to look through my pictures, some of Jimmy Cetina’s artistic shots that I don’t know why I’d kept, because I’m stupid, probably, and I asked him whether they turned him on, and he said no but that they were all right, that I looked all right, you’re very beautiful, Simone, he said, and it was then, I don’t know why, that it occurred to me to tell him to get in bed, to get on top of me and slap me on the cheeks or the ass a little, and he looked at me and said I can’t do that, Simone, and then he corrected himself and said: that’s another thing I can’t do, Simone, but I said come on, be brave, get in bed, and he got in, and I turned over and raised my buttocks and said: just take it slowly, pretend it’s a game, and he gave me the first blow and I buried my face in the pillow, I haven’t read Rigaut, I said, or Max Jacob, or boring Banville, Baudelaire, Catulle Mendès, or Corbiere, required reading, but I have read the Marquis de Sade. Oh really? he said. Yes, I said, stroking his dick. He had started slapping me on the ass as if he meant it. What have you read by the Marquis de Sade? Philosophy in the Boudoir, I said. And Justine? Naturally, I said. And Juliette? Of course. By then I was wet and moaning and Arturo’s dick was as stiff as a rod, so I turned around, spread my legs and told him to put it in, but no more, not to move until I told him to. It was delicious to feel him inside of me. Hit me, I said. On the face, on the cheeks. Put your fingers in my mouth. He hit me. Harder! I said. He hit me harder. Now start to move, I said. For a few seconds the only sounds in the room were my moans and the blows. Then he started to moan too.
Roberto Bolaño (The Savage Detectives)
I love start gazing in morning, noon and night and anytime, I love smell of soil while raining, I love breezy air, I love twilight, I love petrol or any other natural hydrocarbon smell, I love Rain, Thunder, lightening and other space phenomenon, I love new hard copy book smell, I love taking microscopy pictures of micro organisms and soil, I love wearing white coat and I love hand shakes, small fights that leads to good memories to keep, I did not include my food or dynamic capabilities, music, those are according to situations but the things I mentioned above are my deep interests - But these things I show only If I like the person, else I ignore
Ganapathy K Siddharth Vijayaraghavan
At twenty-two, you are built for poverty and rejection. And you know why? Because you’re good-looking. You might not realize it this morning, but thirty years from now, you will pull out pictures of yourself taken on this day and think, Why did nobody tell me I was so fucking attractive? You maybe can’t see it now because you’re comparing yourself to the person next to you, or two rows up. But you are stunning.
David Sedaris (Happy-Go-Lucky)
Good Morning. This is Mr. Gold of Paramount Pictures Corporation. We are carrying out an authorized survey of the territory for a forthcoming "A" picture of the famous Confederate raid of 1861 which resulted in the capture of General Sherman at Muldraugh Hill. Yes, that's right. Cary Grant and Elizabeth Taylor in the lead. What's that? Clearance? Sure we've got clearance. Let me see now...yes, here it is. Signed by Chief of Special Services at the Pentagon. Sure, the Commanding officer at the Armored Center will have a copy. Okay and thanks. Hope you'll enjoy the picture. 'Bye.
Ian Fleming (Goldfinger (James Bond, #7))
FEBRUARY 11 MORNING AND THEY RECOGNIZED THAT THEY HAD BEEN WITH JESUS. — ACTS 4:1 3 A Christian should be a striking likeness of Jesus Christ. You have read lives of Christ, beautifully and eloquently written, but the best life of Christ is His living biography, written out in the words and actions of His people. If we were what we profess to be, and what we should be, we would be pictures of Christ; yes, such striking likenesses of Him that the world would not have to hold us to the mirror and say, “Well, it seems somewhat of a likeness”; they would, when they saw us, exclaim, “He has been with Jesus; he has been taught by Him; he is like Him; he has caught the very idea of the holy Man of Nazareth, and he works it out in his life and everyday actions.” A Christian should be like Christ in his boldness. Never blush to own your Christianity; your profession will never disgrace you: Take care you never disgrace that. Be like Jesus, very valiant for your God. Imitate Him in your loving spirit; think kindly, speak kindly, and do kindly, that men may say of you, “He has been with Jesus.” Imitate Jesus in His holiness. Was He zealous for His Master? So should you be, going about doing good. Do not waste time; it is too precious. Was He self-denying, never looking to His own interest? Be the same. Was He devout? Then be fervent in your prayers. Did He defer to His Father’s will? So submit yourselves to Him. Was He patient? So learn to endure. And best of all, as the highest portraiture of Jesus, try to forgive your enemies, as He did; and let those sublime words of your Master, “Father, forgive them, for they know not what they do,” always ring in your ears. Forgive, as you hope to be forgiven. Heap coals of fire on the head of your enemy by your kindness to him. Good for evil, remember, is Godlike. Be Godlike then; and in all ways and by all means so live that all may say of you, “He has been with Jesus.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
I explained that dreams have to present pictures, concrete images of emotional content. Just as mythology explains the human psyche through its images—its universal archetypes—dreams do the same thing on an individual level. They provide the dreamer with pictures of that individual’s unconscious mind.
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
...When my nephew was three, [his mother] was worrying about getting him into the right preschool. Kid's fifteen now. He's under pressure to make sure he gets good grades so he can get into a good school. He needs to show good extracurricular activities to get into a good school. He needs to be popular with his classmates. Which means be just like them. Dress right, use the proper slang, listen to proper music, go away on the proper vacations. Live in the right neighborhood, be sure his parents drive the right car, hang with the right group, have the right interests. He has homework. He has soccer practice and guitar lessons. The school decides what he has to learn, and when, and from whom. The school tells him which stairwell he can go up. It tells him how fast to move through the corridors, when he can talk, when he can't, when he can chew gum, when he can have lunch, what he is allowed to wear..." Rita paused and took a drink. "Boy", I said. "Ready for corporate life." She nodded. "And the rest of the world is telling him he's carefree," she said. "And all the time he's worried that the boys will think he's a sissy, and the school bully will beat him up, and the girls will think he's a geek." "Hard times," I said. "The hardest," she said. "And while he's going through puberty and struggling like hell to come to terms with the new person he's becoming, running through it all, like salt in a wound, is the self-satisfied adult smirk that keeps trivializing his angst." "They do learn to read and write and do numbers," I said. "They do. And they do that early. And after that, it's mostly bullshit. And nobody ever consults the kid about it." "You spend time with this kid," I said. "I do my Auntie Mame thing every few weeks. He takes the train in from his hideous suburb. We go to a museum, or shop, or walk around and look at the city. We have dinner. We talk. He spends the night, and I usually drive him back in the morning." "What do you tell him?" I said. "I tell him to hang on," Rita said. She was leaning a little forward now, each hand resting palm-down on the table, her drink growing warm with neglect. "I tell him that life in the hideous suburb is not all the life there is. I tell him it will get better in a few years. I tell him that he'll get out of that stultifying little claustrophobic coffin of a life, and the walls will fall away and he'll have room to move and choose, and if he's tough enough, to have a life of his own making." As she spoke, she was slapping the tabletop softly with her right hand. "If he doesn't explode first," she said. "Your jury summations must be riveting," I said. She laughed and sat back. "I love that kid," she said. "I think about it a lot." "He's lucky to have you. Lot of them have no one." Rita nodded. "Sometimes I want to take him and run," she said. The wind shifted outside, and the rain began to rattle against the big picture window next to us. It collected and ran down, distorting reality and blurring the headlights and taillights and traffic lights and colorful umbrellas and bright raincoats into a kind of Parisian shimmer. "I know," I said.
Robert B. Parker (School Days (Spenser, #33))
is the author of many novels, picture books, story collections, and nonfiction books. Her New York Times number one bestselling Magic Tree House series has been translated into numerous languages around the world. Highly recommended by parents and educators everywhere, the series introduces young readers to different cultures and times in history, as well as to the world’s legacy of ancient myth and storytelling. She and her husband, writer Will Osborne (author of Magic Tree House: The Musical), live in northwestern Connecticut with their three dogs. Ms. Osborne is coauthor of the companion Magic Tree House® Fact Trackers with Will and with her sister, Natalie Pope Boyce.
Mary Pope Osborne (Good Morning, Gorillas)
For some weeks now I have been engaged in dispersing the contents of this apartment, trying to persuade hundreds of inanimate objects to scatter and leave me alone. It is not a simple matter. I am impressed by the reluctance of one’s worldly goods to go out again into the world. During September I kept hoping that some morning, as by magic, all books, pictures, records, chairs, beds, curtains, lamps, china, glass, utensils, keepsakes would drain away from around my feet, like the outgoing tide, leaving me standing silent on a bare beach.
E.B. White (Essays of E. B. White)
Why don’t you picture pushing away all your defences and just sit with the question ‘Why am I still nice to my mother?’ And then see what floats into your mind.
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
Think of various ways to infuse your presence into your child’s room and bed area. Maybe you put a family photo next to your child’s sleep area and a photo of your child next to your bed as well. You can introduce this, during the daytime, by saying: “You know what I’ve been thinking about? Sometimes I have a hard time falling asleep and I think of you and miss you! I’d love to have a picture of you right next to my bed. Then I can see you and remind myself that you’re here and I’m safe, and that I’ll see you in the morning! I think it would be good for both of us to have pictures of each other. Maybe we can make picture frames and then put them by our beds.” I’d suggest making the frames together—nothing fancy, you can just decorate a piece of construction paper and glue the photo on top. This way your presence is infused into the room in your picture but also in your child’s memory of creating art with you, a memory that likely feels safe and connected, which
Becky Kennedy (Good Inside: A Guide to Becoming the Parent You Want to Be)
Whether you sweep the toilet of a school or you make cloths. Whether you take pictures of dancers or you are a full-time house wife. Whether you are a village jester or the president of a company, never trivialize what you do. Your work, no matter how small you think it is can make a difference in someone's life. It all begins with you. It's not what you do, it's how you do it. I have seen a traffic police bring minutes of joy and happiness to people's lives in a way that Presidents of nations cannot. Anytime you trivialize what gives you an income, you sell yourself cheap and lose your dignity. Do your work with all excitement, joy and positivity. Learn and grow from it. And if you haven't found a job to do, look for one with the same zeal as you would do the actual work. Good morning and may God bless our efforts. Emi Iyalla
Emi Iyalla
Into all our lives, in many simple, familiar, homely ways, God infuses this element of joy from the surprises of life, which unexpectedly brighten our days, and fill our eyes with light. He drops this added sweetness into His children's cup, and makes it to run over. The success we were not counting on, the blessing we were not trying after, the strain of music, in the midst of drudgery, the beautiful morning picture or sunset glory thrown in as we pass to or from our daily business, the unsought word of encouragement or expression of sympathy, the sentence that meant for us more than the writer or speaker thought,--these and a hundred others that every one's experience can supply are instances of what I mean. You may call it accident or chance--it often is; you may call it human goodness--it often is; but always, always call it God's love, for that is always in it. These are the overflowing riches of His grace, these are His free gifts. S. LONGFELLOW.
Mary W. Tileston (Daily Strength for Daily Needs)
Bennie knew her mother had loved her long after she was well enough to say so, though she barely remembered her mother’s caring for her as a child. Bennie guessed her mother had performed the routine functions that mothers do every day, for there had been evidence of it. Bennie had won awards in elementary school, tiny pins like tie tacks that lay ignored in her jewelry box, for getting good grades and having good penmanship. She had stumbled across one of the tacks this morning, dressing for her mother’s funeral, and it jarred loose a single memory: her mother teaching her cursive writing at the kitchen table, a fleeting picture of the rounded circles and elongated loops of
Lisa Scottoline (Mistaken Identity)
Naomi stretched as she woke with an exaggerated yawn in her own bed. How the hell did I get here? Recollection of the dirty trick the two men played on her the previous night made her sit up abruptly. The sheet fell away and she noticed her clothing of the previous eve gone, replaced with a t-shirt and shorts. “Those dirty, rotten pigs,” she cursed as she swung her legs out of bed and sat on the edge. “You called?” A head topped with tousled hair poked out from around the door frame of the bathroom. Number sixty-nine’s dark eyes twinkled and his lips curled in a sensual smile. Despite her irritation, her body flooded with warmth. “You!” She pointed at him and shot him a dark glare. He grinned wider. “What about me, darling?” “I’m going to kick your balls so hard you’re going to choke on them. How dare you drug me and then do despicable things to my body while I was unconscious?” Stepping forward from the bathroom, he raised his arms in surrender and her eyes couldn’t help drinking in the sight of him. No one should look that delicious, especially in the morning, was her disgruntled thought. Shirtless, Javier’s tight and toned muscles beckoned. Encased in smooth, tanned skin, his muscular torso tapered down to lean hips where his jeans hung, partially unbuttoned and displayed a bulge that grew as she watched. Unbidden heat flooded her cleft and her nipples shriveled so tight she could have drilled holes with them. She forced herself to swallow and look away before she did something stupid— say, like, licking her way down from his flat nipples to the dark vee of hair that disappeared into his pants. “It would take a braver man than me to disobey your mother’s orders. Besides, you needed the sleep,” he added in a placating tone. Scowling, Naomi mentally planned a loud diatribe for her mother. “Let me ask you, how does your head feel now?” His question derailed her for a second, and she paused to realize she actually felt pretty damned good— but now I’m horny and it’s all his friggin’ fault. She dove off the bed and stalked toward him, five foot four feet of annoyed woman craving coffee, a Danish, and him— naked inside her body. The first two she’d handle shortly, the third, she’d make him pay for. He stood his ground as she approached, the idiot. “What did you do to me while I was out?” she growled as she patted her neck looking for a mating mark. “Nothing. Contrary to your belief, snoring women with black and blue faces just don’t do it for me.” His jibe hurt, but not as much as her foot when it connected with his undefended man parts. He ended up bent over, wheezing while Naomi smirked in satisfaction. “That’s for knocking me out. But, if I find out you did anything to me other than dress me, like cop a feel or take nudie pictures, I’m going hurt you a lot worse.” “Has anyone ever told you you’re hot when you’re mad?” said the man with an obvious death wish. Only his speed saved him from her swinging fist as she screeched at him. “Go away. Can’t you tell I’m not interested?” “Liar.” He threw that comment at her from the other side of her bed. “I can smell your arousal, sweetheart. And might I say, I can’t wait to taste it.
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
stompers! The next morning, Judy was already hard at work on the case by the time Stink woke up. She sprawled on the floor with a rainbow of markers all around her. “What’re you doing to Officer Kopp’s flyers?” Stink asked. “Fixing them,” said Judy, coloring in blue eyes on the picture of Mr. Chips. Stink tilted his head, reading upside down. He was trying to figure out the words Judy had just added. “‘Have you seen this goo?’” “‘Have you seen this dog.’” “Oh. Your D looks like an O.” “Stink, a good detective can read backward and upside down.” Judy colored in a black letter R. “‘Drawer’?” Stink asked, squinching up his face. “‘Reward’!” said Judy. “We have to offer big bucks so that anyone who has seen Mr. Chips or has any information on his whereabouts will call the police. Rule Number One of being a good detective is don’t be afraid to ask for help.” “You mean Rule Number One Gazillion!
Megan McDonald (Judy Moody Girl Detective (Judy Moody #9))
In the scripture, God promised Abraham that he would be the father of many nations. In the natural it was impossible. Abraham didn’t have one child. He was eighty years old. But God didn’t just give him the promise; God gave him a picture to look at. God said, “Abraham, go out and look at the stars--that’s how many descendants you will have.” I’ve read where there are six thousand stars in the Eastern sky where he was. It’s not a coincidence that there are six thousand promises in the scripture. God was saying, “Every promise that you can get a vision for, I will bring it to pass.” God told him also to look at the grains of sand at the seashore, because that was how many relatives he would have. Why did God give him a picture? God knew there would be times when it would look as if the promise would not come to pass, and Abraham would be discouraged and tempted to give up. In those times, Abraham would go out at night and look up at the sky. When he saw the stars, faith would rise in his heart. Something would tell him, “It’s going to happen, I can see it.” In the morning when his thoughts told him, “You’re too old, it’s too late, you heard God wrong,” he would go down to the beach and look at the grains of sand. His faith would be restored. Like Abraham, there will be times when it seems as if your dreams are not coming to pass. It’s taking so long. The medical report doesn’t look good. You don’t have the resources. Business is slow. You could easily give up. But like Abraham, you’ve got to go back to that picture. Keep that vision in front of you. When you see the key to your new house, the outfit for your baby, the tennis shoes for when you’re healthy, the picture frame for your spouse, the article inspiring you to build an orphanage, those pictures of what you’re dreaming about will keep you encouraged. God is saying to you what He said to Abraham: “If you can see it, then I can do it. If you have a vision for it, then I can make a way. I can open up new doors. I can bring the right people. I can give you the finances. I can break the chains holding you back.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
When the sun comes out in Portland, the city changes. All spring, there are hints of how good it’s going to be. It’s a Saturday morning, you walk outdoors and there are no clouds. Suddenly, you see people emerging from their homes, looking at the sky, confused. Everyone just stands there, soaking up the vitamin D. A few minutes later, they snap out of their stupor. They say: “Oh. Outside! I get it! This is how life used to be!” Sunglasses are uncovered, bikes are taken out of storage, and men remember what women are. People point their cameras toward the sky, take a picture of pure blue and immediately post it online. The caption will be a series of capitalized vowels followed by a field of exclamation points. But this is just a tease, because it will rain again. The city has to wait for the Fourth of July. After that, there won’t be rain for four months. That four months is what Portland is all about.
Alexander Barrett (This Is Portland, 2nd Edition: The City You've Heard You Should Like (People's Guide))
From the long walk, distancing away from the coastal wave of sea, to be dissolved in the wide angle landscape of a misty mountain, to keep my ear open for the bird chirping, crows taunting, the breeze silent whisper which was welcoming and just making me feel very special. It was the change I saw in my space where peace was welcoming and passion was disowning me. When I saw the farmers cutting the new crop, the river falling through the hills. Everything looked so perfect and my escape to wander was the right one. Nature is my mother and travel is my father. Every village I passed by pictured them as most ancient yet distant chateau. The moving car, dining seat, singing and shaking gently in the dark, haunting past and welcoming future, took commitment with all nature associations outside of itself seem vaguely unreal. Hence they welcomed me at their table, for them I was one of them, a traveler, a vagabond, not one of those wraiths through whose night-lit cities I passed. Our destinations become a heart of who has the hunger to explore it. Good morning
Karan M. Pai
I felt the weight of that responsibility even more now that I had seen firsthand what life here had been like. I took the donuts and juice to a little table we had set up in the Blue Room. I opened the box and set out some paper cups. Matthews was the first to arrive at the table. “Thank you, Carrie Jo.” “My pleasure. Have you heard anything from C. M. Lowell on those mantelpieces? I know it’s only been a few weeks, but TD is going to need to install them before they cut the molding for the rest of the room.” “Right. I’ll put a call in to them this morning. I’d forgotten about that. I’ve got some leads on paintings for the two main parlors. One is pretty incredible; I emailed you photos of both of them. Don’t forget, we’ve got boxes of paintings in the attic. And good news—we have air up there now, too. If you can’t find what you want, there is plenty of room in the budget, but many of the local families are willing to allow us to use their pieces. With all credits, of course.” I couldn’t figure Hollis Matthews out: one minute he was cold and distant, and the next he was kind and friendly. One thing I knew for sure—he was always a man with a plan. “Great. I’ll check out those pictures and let you know. I’ve got some plans ready for the ladies’ parlor, including a significant display of Augusta Evans books. I’ll have those to you by the end of next week.” With a nod of his salt-and-pepper head, he walked away, probably off to call about those mantelpieces. I invited the interns to have a donut and took a few minutes to get to know them. There were two Rachels, Rachel Kowalski and Rachel McGhee, and James Pittman. All of them were excellent archaeological students who had earned their spots on our team. I’d Skyped with them individually before I came to Mobile, but this was the first time we’d met in person. “Well, guys, are you ready for the grand tour? It’s the same one visitors will take once the museum is open.” We started in the ladies’ parlor, continued on to the men’s parlor and the Blue Room, and then went up the opposite side of the hall to the servants’ waiting area, the music room and the ballroom. There were of course a myriad of
M.L. Bullock (The Ultimate Seven Sisters Collection)
Most of the cadets accepted an invitation to attend a reception at the Venezuelan Naval Academy in La Guaira. Don Silke and I had other ideas and figured on getting a cab to the capital city of Caracas. The ride would take about a half hour, if the car did not overheat going over the mountain pass on the newly constructed highway. The capital city had an elevation of 7,083 feet and we were at sea level. As we stepped off the gangway, I noticed two stunningly beautiful girls standing on the concrete dock looking at the ship. Neither of us could figure out why the girls were there. Perhaps they were tourists, but I would find out. Approaching them, I asked if we could help, but soon discovered that they didn’t speak English and we didn’t speak what seemed to be French. It could have led to an impasse but my knowledge of German saved the day. It turned out that both girls were from France and one of them came from the Alsace Province and spoke German. They were both quite bubbly and we soon found out that they were dancers with the Folies Bergère, on tour to South America. From what I understood, they would be performing in Caracas that night and could get us free tickets. It all sounded great except that we had to be back aboard by 10:00 p.m., since the ship would be leaving first thing in the morning. Rats! You win some and you lose some, but at least we were with them for now. Don and I offered to take them aboard for lunch. It all seemed exciting for them to board a ship with so many single men. Ooh là là. The girls attracted a lot of attention and the ship’s photographer couldn’t stop taking pictures. The rest of our classmates couldn’t believe what they saw and of course thought that we were luckier than we really were. For us, the illusion had to be enough and fortunately the lunch served that day was reasonably good.
Hank Bracker
The emotional roller coaster of that Christmas morning is a lighthearted and fun picture of a hard reality. God often withholds, or even takes away, something from us in order to give us something far greater. Our Father in heaven knows all our needs, has plans for us we never could have imagined for ourselves, and wields the whole universe for our good. But doing what’s best for us often requires causing us some pain or discomfort first, like drilling a cavity or resetting a bone. God’s love can be unpleasant, even excruciating in the moment, but it always steers us through every dark valley to unparalleled life and joy. It also saves us all kinds of grief and pain in the future.
Marshall Segal (Not Yet Married: The Pursuit of Joy in Singleness and Dating)
As a result, our morning news feed is not an accurate picture of the world. It is curated, not only with a sociopolitical agenda that is thoroughly secular (on both the left and the right) but also with an eye to all that is evil in the world, rarely to any of what is good. Because bad news is where the money is.
John Mark Comer (The Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the Modern World)
You listen to the street traders any morning. They don’t shout, ‘Nearly-fresh oranges, only slightly squashy, reasonable value,’ do they? No, they shout, ‘Git chore orinjes, they’re luvverly.’ Good business sense.” He
Terry Pratchett (Moving Pictures (Discworld, #10))