Pics With Friends Quotes

We've searched our database for all the quotes and captions related to Pics With Friends. Here they are! All 16 of them:

Tristan Vega: Thanks for accepting my friend request . I promise to try my hardest to refrain from sending you too many dick pics.
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
When my sister starts dating someone, I expect a full report. Vivid descriptions, photos, videos, oil paintings—I don’t care. Even those dick pics I mentioned, which you never sent.” “Isabel.” I lowered my voice. “Shut up. He will hear you.” We were only a few feet away from the group. She cocked an eyebrow and then tilted her head slowly. Dammit. “He is dating you. What’s the big deal with him hearing you talk about it with your sister? You’ve seen his penis. We are allowed to discuss it.” She rolled her eyes. “Actually, I think we are expected to do that. I’m sure he’s talked to his friends about your bubbies.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Later she told me that many of her friends are Muslim. I told her the story of that one time I went to Istanbul and hundreds of Turkish men DM’d me pictures of their cats. It was a nice break from the poorly lit dick pics and the demands to “fukx me” sent by douchebags of all nations and faiths.
Stoya (Philosophy, Pussycats, and Porn)
I walk out of the cafe on a high. I met a stranger, had coffee and a great conversation. My first friend-date. A roaring success. But I don’t know how to proceed at this point. Do I contact Abigail again? Wait for her? This is when my friendship mentor, Rachel B, steps in. ‘My biggest piece of advice is make the first move and also make the second move.’ I take out my phone and text Abigail: ‘I hereby promise to never send you a dick pic.’ Abigail texts me back to promise me the same thing. She says she’d love to meet up again, but for the next few weeks she’s very busy with book edits. We agree to get in touch in a month or so.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
I walk out of the cafe on a high. I met a stranger, had coffee and a great conversation. My first friend-date. A roaring success. But I don’t know how to proceed at this point. Do I contact Abigail again? Wait for her? This is when my friendship mentor, Rachel B, steps in. ‘My biggest piece of advice is make the first move and also make the second move.’ I take out my phone and text Abigail: ‘I hereby promise to never send you a dick pic.’ Abigail texts me back to promise me the same thing. She says she’d love to meet up again, but for the next few weeks this she’s very busy with book edits. We agree to get in touch in a month or so.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
Peter Joseph
This is the best idea you’ve had all day. And you’ve had a ton of good ones. You are so the idea girl. Quitting your job? Great idea. Getting Lay to give you the latex replica of yourself? Stellar. Just gotta follow through. The excessive drinking? Also masterful. And now we’re going to kick ass in person. I love it. Let’s dress you up, though. We’ll make Hudson’s balls cry big, girly tears when he thinks of all the anal he could have had with you tonight.” “Did I tell you he has his tongue pierced? And his dick pierced?” Verity asked, holding Angie by her face. “Do you know what that means to a vagina? Are you aware of the commitment he’s made to my vagina’s happiness? He slapped his man meat out somewhere…” She waved a boozy hand at the city. “Thought about pleasure, and took a stab in his pee hole. Do you even understand that?” “You did mention that already. And the tongue one is hard to miss.” Angie nodded seriously. “Let’s find the hottest thing you own and pour your boobs in it. Have I told you you have great tits? Your tits are the sweetest friends with my tits.” They proceeded to bump their boobs together. “Okay, let’s go.” Angie dragged Verity to her closet.   Verity Michaels @VerityPics03 I’ve never thunk Fireball was a bad idea. #RageDrinking   Verity Michaels @VerityPics03 Angie made me sexlicious. #GreatTitBuddies   Verity Michaels @VerityPics03 Pierced dicks are fucktacular. #PoundTown
Helena Hunting (Felony Ever After)
How do these online distraction systems work? They start with an external trigger or notification. You may visit a Website or sign up for a service. They will then send you an email, follow you on the Internet with ads, or send you a push notification with very specific language that has been tested to get you to click on it. You click on the link and your attachment or connection to that distraction system gets a little bit stronger. You, unintentionally, provide that system with more information when you read an article, add a friend, or comment on a photo. Without realizing it, and behind the scenes, the machinery of distraction is starting to turn. On a scale of 1-10, with 10 being completely attached, you are a 2 at this point. These companies know that you don’t really care about the company itself, but you do care about your friends, family, and co-workers. They leverage these relationships by showing your profile to these contacts. These people are then asked to add you as a contact, friend, or to comment on your photo. Guess what this does? It brings you back to the site and increases the attachment. Think about this just for a second. If a company wants me to come back to their site, then they have a much higher chance of getting me back if they tell me my nephew added me as a friend, or posted a new pic. I care about my nephew. I don’t care about the company. This happens a few times and the attachment goes from a 2 to a 5. Soon, you have more and more connections on the site. Many of these sites have a magic number. Once you cross that threshold they know they really have you. Let’s say it is 10 connections. Once you have 10 connections they know with a level of statistical certainty that they can get you coming back to the site several times a week. Your attachment then goes from a 5 to a 7. All this time they are still pinging you via email, ads or push notifications to get you back to the site. The prompts or triggers to get you back are all external. You may be experiencing uncomfortable emotions like anxiety, sadness, or boredom, but you are not yet feeling these as triggers to go to the site and escape these feelings. Instead, what happens gradually, is that the trigger moves from being external like an email prompt and moves internal. Soon, they do not have to remind you or leverage your relationships to go back to the site. You are now doing it on your own. You are checking it regularly on your own. Your attachment has moved from a 7 to an 8. They’ve got you now, but they don’t completely have you. The tendrils are not yet deep into your brain and that is really where they want to go. They want to get as wrapped around your brain as possible, because the deeper they are - the more unconscious this behavior of checking the site - the more time you spend on the site and the more money they make. When you start living your life, not for what you are actually experiencing at the moment, but instead for how you imagine it will look to other people on these sites, then they really have you. When the experience itself is less meaningful than the image of you on the site and the number of likes it gets, then they are getting really deep. They have moved the center of your self from your actual life and transferred it to the perception of your life on their site. You now mostly live for reactions from other people on these company’s sites. By this time, you are likely refreshing the page, habitually looking at your phone, and wondering why your pic or video has not received more comments or likes. By this time you are fully hooked, as my good friend Nir Eyal would say, and your attachment has gone from an 8 to a full 10. They’ve got you hook, line, and sinker. Scary
7Cups (7 Cups for the Searching Soul)
lot for me when I get off the bus. “Hey,” he says. “Are you seriously taking the bus every day?” “My car is being fixed, remember? My accident?” He sighs like this is somehow offensive to him, me taking the bus to school. Then he grabs my hand and holds it as we walk into school together. This is the first time I’ve walked down the school hallway holding hands with a boy. It should feel momentous, special, but it doesn’t, because it’s not real. Honestly, it feels like nothing. Emily Nussbaum does a double take when she sees us. Emily is Gen’s best friend. She’s staring so hard I’m surprised she doesn’t take a quick pic on her phone to send to Gen. Peter keeps stopping to say hi to people, and I stand there smiling like it’s the most natural thing in the world. Me and
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Raffe lifted the latch on the heavy door and sidled in. As usal, he gagged as he took his first breath in the cloying, fishy stink of the smoke that rose from the burning seabirds, which were skewered on to the wall spikes in place of candles. In the dim oily light, he could make out the vague outlines of men sitting in twos and threes around the tables, heard the muttered conversations, but could no more recognize a face than see his own feet in the shadows. A square, brawny woman deposited a flagon and two leather beakers on a table before waddling across to Raffe. Pulling his head down towards hers, she planted a generous kiss on his smooth cheek. Thought you'd left us,' she said reprovingly. You grown tired of my eel pic?' How could anyone grow tired of a taste of heaven?' Raffe said, throwing his arm around her plump shoulders and squeezing her. The woman laughed, a deep, honest belly chuckle that set her pendulous breasts quivering. Raffe loved her for that. 'He's over there, your friend,' she murmured. 'Been wait ing a good long while.' Raffe nodded his thanks and crossed to the table set into a dark alcove, sliding on to the narrow bench. Even in the dirty mustard light he could recognize Talbot's broken nose and thickened ears. Talbot looked up from the rim of his beaker and grunted. By way of greeting he pushed the half-empty flagon of ale towards Raffe. Raffe waited until the serving woman had set a large portion of eel pie in front of him and retreated out of earshot. He hadn't asked for food, no one ever needed to here. In the Fisher's Inn you ate and drank whatever was put in front of you and you paid for it too. The marsh and river were far too close for arguments, and the innkeeper was a burly man who had beaten his own father to death when he was only fourteen, so rumour had it, for taking a whip to him once too often. Opinion was divided on whether the boy or the father deserved what they suffered at each other's hands, but still no one in those parts would have dreamed of report ing the killing. And since the innkeeper's father lay rotting somewhere at the bottom of the deep, sucking bog, he wasn't in a position to complain.
Karen Maitland (The Gallows Curse)
antithesis synthesis. The whole works. How are you? I miss you. Oh, and guess what? I’m thinking of coming back to the UK in June. For good. Miss you, my friend. Also, have a TON of humpback pics coming your way. xxx Nora made a slight noise of involuntary joy at the back of her throat. She texted back. It was interesting, she mused to herself, how life sometimes simply gave you a whole new perspective by waiting around long enough for you to see it. She went on the Facebook page of the International Polar Research Institute. There was a photograph of the woman she had shared a cabin with – Ingrid – standing with the field leader Peter, using a thin measuring drill to gauge the
Matt Haig (The Midnight Library)
Yep, big surprise. I reported for duty, the Robert De Niro to Ron’s Marty Scorsese. I played Card Player #3, the one who got shot in the back. My friend Scott Greene manned the bicycle pump. His brother, Steve, played the sheriff. The other two cardplayers were Hoke Howell’s sons, Scott and Stark. Dad sometimes included me in his moviegoing outings with Ron. When we went to see The Wild Bunch, I witnessed in real time the idea for Ron’s splatter pic sparking in his brain—an expression of excitement came over his face. At home, I helped him work out the logistics of using the tubes and the pump. Then we scrounged up hats, bandannas, ponchos, and sunglasses so that the cardplayers looked convincingly outlawlike. But our attempts at authentic period costuming were compromised by budget constraints. We all wore white T-shirts because we needed cheap clothes that we could sacrifice to the ketchup-stain gods.
Ron Howard (The Boys: A Memoir of Hollywood and Family)
me in with an ‘accidental’ dick pic so we’ll become friends and meet for a drink where you can later strangle me with a shoelace and dump me in a river? DICK GUY: You caught me.
Emma Hart (Kiss Me Tonight (Kiss Me, #2))
Family is not always blood. It is also whom we have bonded with most. With whom we have grown up together. And this pic reminds me of my brothers Arunav Bose, Kaushik Mitra, Subhrajit Mishra, Himadri Panda, Amit Agarwal, Swaraj Pattnaik and me. We all grew up together.
Avijeet Das
So, how’s the dating going?” Everly asks. “Have you gotten any more POD’s?” “What’s a POD?” I ask her, confused. “Proof of dick,” Everly says with a nod when we all stare at her. “Is that what it’s called now?” Sophie asks while rubbing the side of her bump with a grimace. “Not yet,” Everly says while swirling the straw in her glass. “But I’m trying to make it catch on. It’s a little classier than ‘dick pic’, don’t you think?” She takes a sip of her iced tea and then sets the glass down, brows raised as we all stare at her. “What?” “How exactly are you intending to make it catch on?” “I’m so glad you asked, Chloe. The thing is, I’m married, so no one is sending me POD’s anymore,” she begins. “Right,” I agree. “I would hope not.” “But you, my friend, are still dating, so I thought you could—” “No,” I interrupt. “No. Stop talking.” “All you need to do,” she continues anyway, “is reply to the dick pics you get and say, ‘Nice POD.’ Or even, ‘Nice POD, LOL.’” “Nope, not doing it. I am not going to encourage dick pics so you can coin a new phrase. No.” “Okay, no problem,” she says with a shrug. She’s quiet for exactly three seconds before her mouth opens again. “How about, ‘Why are you sending me a POD?’ That way you’re still delivering the branding message, but without the encouragement.” I stuff a forkful of pasta into my mouth, glare at Everly and shake my head no.
Jana Aston (Trust (Cafe, #3))
The next morning, Peter is waiting in the parking lot for me when I get off the bus. “Hey,” he says. “Are you seriously taking the bus every day?” “My car is being fixed, remember? My accident?” He sighs like this is somehow offensive to him, me taking the bus to school. Then he grabs my hand and holds it as we walk into school together. This is the first time I’ve walked down the school hallway holding hands with a boy. It should feel momentous, special, but it doesn’t, because it’s not real. Honestly, it feels like nothing. Emily Nussbaum does a double take when she sees us. Emily is Gen’s best friend. She’s staring so hard I’m surprised she doesn’t take a quick pic on her phone to send to Gen. Peter keeps stopping to say hi to people, and I stand there smiling like it’s the most natural thing in the world. Me and Peter Kavinsky. At one point I try to let go of his hand, because mine is starting to feel sweaty, but he tightens his grip. “Your hand is too hot,” I hiss. Through clenched teeth he says, “No, your hand is.” I’m sure Genevieve’s hands are never sweaty. She could probably hold hands for days without getting overheated. When we get to my locker, we finally drop hands so I can dump my books inside. I’m shutting my locker door when Peter leans in and tries to kiss me on the mouth. I’m so startled I turn my head, and we hit foreheads. “Ow!” Peter rubs his forehead and glares at me. “Well, don’t just sneak up on me like that!” My forehead hurts too. We really banged them hard, like cymbals. If I looked up right now, I would see blue cartoon birdies. “Lower your voice, dummy,” he says through clenched teeth. “Don’t you call me a dummy, you dummy,” I whisper back. Peter heaves a big sigh like he’s really annoyed with me. I’m about to snap at him that it’s his fault, not mine, when I catch a glimpse of Genevieve gliding down the hallway. “Gotta go,” I say, and I dart off in the opposite direction. “Wait!” Peter calls out. But I keep darting.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))