Picnic Memories Quotes

Things could change, Gabe," Jonas went on. "Things could be different. I don't know how, but there must be some way for things to be different. There could be colors. And grandparents," he added, staring through the dimness toward the ceiling of his sleepingroom. "And everybody would have the memories." "You know the memories," he whispered, turning toward the crib. Garbriel's breathing was even and deep. Jonas liked having him there, though he felt guilty about the secret. Each night he gave memories to Gabriel: memories of boat rides and picnics in the sun; memories of soft rainfall against windowpanes; memories of dancing barefoot on a damp lawn. "Gabe?" The newchild stirred slightly in his sleep. Jonas looked over at him. "There could be love," Jonas whispered.

And I never started to plow in my life That some one did not stop in the road And take me away to a dance or picnic. I ended up with forty acres; I ended up with a broken fiddle— And a broken laugh, and a thousand memories, And not a single regret.

My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges.

Her favourite summer memories were not of events themselves, of picnics, sea bathing, tennis afternoons and cricket matches, but of watching Hugh and Daniel enjoying them and locking into memory the delight in their faces and their open laughter.

Sometimes, when I'm feeling sorry for myself, it seems that I'm made to carry an impossibly heavy weight, the crushing weight of losing her. I have moments of bitterness and doubt. You know? But the weight is a blessing, really, and I shouldn't be bitter about it. The weight is on my heart because I knew her and loved her. The weight is the accumulation of all we had together, all the hopes and worries, all the laughs, the picnics at St. Bart's bell tower, the adventures we shared because of my gift... If they had taken her away on their yacht, if I had never met her, there would be no weight to carry—and no memories to sustain me.

The picture would remind Oliver of the morning when I first spoke out. Or of the day when we rode by the berm pretending not to notice it. Or of that day we'd decided to picnic there and had vowed not to touch each other, the better to enjoy lying in bed together the same afternoon. I wanted him to have the picture before his eyes for all time, his whole life, in front of his desk, of his bed, everywhere. Nail it everywhere you go, I thought.

...yes, I do smile for them. But I smile for myself too. My memories of them will be gone as I leave; their memories will stay with them forever. Don’t we all smile for the pictures we click even on the worst picnics? That’s all I want to do. I want to smile for their last pictures of me.

FIDDLER JONES The earth keeps some vibration going There in your heart, and that is you. And if the people find you can fiddle, Why, fiddle you must, for all your life. What do you see, a harvest of clover? Or a meadow to walk through to the river? The wind's in the corn; you rub your hands For beeves hereafter ready for the market; Or else you hear the rustle of skirts. Like the girls when dancing at Little Grove. To Cooney Potter a pillar of dust Or whirling leaves meant ruinous drouth; They looked to me like Red-Head Sammy Stepping it off, to Toor-a-Loor. How could I till my forty acres Not to speak of getting more, With a medley of horns, bassoons and piccolos Stirred in my brain by crows and robins And the creak of a will-mill – only these? And I never started to plow in my life That some one did not stop in the road And take me away to a dance or picnic. I ended up with forty acres; I ended up with a broken fiddle – And a broken laugh, and a thousand memories, And not a single regret.

We are brought up in the ethic that others, any others, all others, are be definition more interesting that ourselves; taught to be diffident, just this side of self-effacing ... Only the very young and the very old may recount their dreams at breakfast, dwell upon self, interrupt with memories of beach picnics and favorite Liberty lawn dresses and the rain trout in a creek near Colorado Springs. The rest of us are expected, rightly, to affect absorption in other people's favorite dresses, other people's trout.

The buggy is mine; that is, it was bought for me when I was born. It is made of wicker, rather unraveled, and the wheels wobble like a drunkard’s legs. But it is a faithful object; springtimes, we take it to the woods and fill it with flowers, herbs, wild fern for our porch pots; in the summer, we pile it with picnic paraphernalia and sugar-cane fishing poles and roll it down to the edge of a creek;

It is the food that looks backwards through our shared family memories. It is comfort food, the food inextricably linked in our cultural consciousness with motherhood and nationhood. Even though the pies are no longer a daily item on our dinner tables, they still figure large in many of our memories: pies mean Thanksgiving and Christmas and picnics and silly old Aunt Mabel and going to the football with Dad.

Merrow have long memories. And remember, we live longer. So while most humans have forgotten the brutality and injustice that led to the merrow wars, the older merrow are still angry. They hate all humans. And now that the royal family is missing… some merrow think it’s time to stop hiding. They argue that the humans are destroying the world, and that it’s our duty to wipe them out.” “Wait—what?” He’d said the last statement so casually, I almost didn’t grasp its significance. “There are merrow who want to destroy the human race?” I pictured a hundred thousand Sebastians, capable of punching through picnic tables and moving faster than we could even see them. It would be a slaughter. A mermaid apocalypse. I almost laughed at the thought, but the impulse died in my throat. I felt sick. I couldn’t believe I’d wanted to kiss him just a few moments ago.

For a heartbeat, Catherine was too stunned to move. Then memories washed over her, of all the years Aunt Kelmarsh had spent with Mother at Ruche Abbey. Picnics in the summer. Walking together every evening at twilight. Letters flowing back and forth whenever they were separated by so much as a single day. As she watched, the light flickered and shifted, the blurred lens of a young girl’s notice sharpening into the more precise view of mature adulthood. Of course it was a love affair. It had been love the whole time.

Maybe the affecting aspect was that Madame Ko's tanukis sparked in an onlooker's muscles a kinetic memory of the innocent freedom of early childhood, when one could let one's body go all akimbo on the slightest whim, could bounce, flop, and skip about in pure corporeal joy without embarrassment, judgement, or restraint. Or maybe there was a more "mature" associations, memories, say, of being falling-down drunk at the company picnic-but now crazy little animals were serving as surrogates, allowing one to vicariously relive those deliciously liberating and rebellious moment while maintaining one's veneer of civilized respectability, protecting in the process, one's marriage, one's standing in the community, one's job. Or maybe, on a strictly subconscious level, circusgoers recognized in the antics of the tanukis-antics that appeared goofy and bumbling yet, at the same time, brave and successful-an analogy to their own blindly hopeful gyrations in a complex, impermanent universe where every happy dance was danced in the lengthening shadow of death. And maybe they were inspired, if only for a night, to emulate the tanuki capacity for self-enjoyment, a gift that ought to be the birthright of every Homo sapiens. or maybe not. Maybe all those interpretations are just so much god-fodder (The God-Fodder, The God-Fodder II), the very sort of bullshit responsible, some say, for keeping alive a modicum of divine interest in our discredited race.

I'd take her to the top of the widow's tower at Ainsdale Castle, late at night, and we'd watch the moon rise. The widow's tower was very high but she wasn't afraid. Sometimes I'd steal a pie from the kitchens and we'd picnic up there. I brought up a blanket, too, so she wouldn't have to sit on the bare stone floor." Mrs. Crumb made an aborted movement, as if she'd meant to turn to face him and then changed her mind. He let the wineglass dangle by his side. "I told her a rabbit lived on the moon and she believed me. She believed everything I told her then." "What rabbit?" "There." He roused himself, straightening. He drew back, fitting her against his chest and setting his chin on her shoulder. She smelled of tea and housekeeperly things, and she was warm, so warm. He caught up her right hand in his and traced the moon with it. "D'you see? There are the long ears, there the tail, there the forepaws, there the back." "I see," she whispered. "I told her the rabbit had lavender fur and ate pink moon clover up there." His mouth twisted, as he remembered. "She'd watch me with big blue eyes, her mouth half-open, a bit of piecrust on her dress. She hung on every word." He could hear her breath, could feel the tremble of her limbs. Did she fear him? "D'you believe me?" he asked against her ear, his lips wet with wine. She was a housekeeper and housekeepers didn't matter in the grand schemes of kings and dukes and little girls who wished upon rabbit moons. But she was silent, damnable housekeeper. They breathed together for a moment, there in the night air, London twinkling before them, overhung by a pagan moon. At last she stirred and asked, "What happened to the girl?" He broke away from her, draining his glass of wine. "She grew up and knew me for a liar.

A visible cloud of steam rose from a long wide pipe protruding from the roof of a large concrete factory-like building nearby, and the air all around was filled with the intensely savory scent of barbecue potato chips, a flavor being manufactured in quantity for one of Southern's vendors. Grace knew that the barbecue scent came from a massive vat of liquefied compounds, which could be cooled and then poured into hundreds of fifty-five-gallon drums in the morning, carefully sealed, loaded onto tractor-trailers, and shipped out, to be warehoused for as long as two years and then, eventually, utilized in the industrial production of billions of pounds of highly processed potato-based snack foods. She knew what she smelled was a by-product from the manufacture of a highly concentrated chemical. Nevertheless, the scent evoked picnics in the park, bag lunches in elementary school lunchrooms shared over laughter with her dearest friends, long-buried feelings from childhood that rose from her heart.

A fresh, uplifting mélange of Italian bergamot, mandarin, and raspberry that comprised the opening accord filled her nostrils with the carefree scents of spring. Her imagination soared with memories. The gardens of Bellerose, picnic baskets bursting with summer fruits on sunny Mediterranean beaches, summers spent on the Riviera, yacht parties, and the casino in Monte Carlo. The plain little bottle held the essence of the happy life she had known. She inhaled again, closed her eyes, and allowed her mind to wander, to visualize the images the aroma evoked. Excitement coursed through her veins. She imagined a glamorous, luxurious lifestyle of exotic locales, mysterious lovers, sandy beaches, glittering parties, elegant gowns, and precious jewels. And amid it all, sumptuous bouquets of fabulous flowers, enchanting and romantic, intense aromas of pure, bridal white jasmine and sultry tuberose, and the heady, evocative aroma of rose. Seductive spices, clove with musk and patchouli, smoothed with sandalwood and vanilla, elegant and sensual, like a lover in the night. And finally, she realized what was missing. A strong, smooth core, a warm amber blend that would provide a deep connection to the soul. Love.

What is it that makes a person the very person that she is, herself alone and not another, an integrity of identity that persists over time, undergoing changes and yet still continuing to be—until she does not continue any longer, at least not unproblematically? I stare at the picture of a small child at a summer’s picnic, clutching her big sister’s hand with one tiny hand while in the other she has a precarious hold on a big slice of watermelon that she appears to be struggling to have intersect with the small o of her mouth. That child is me. But why is she me? I have no memory at all of that summer’s day, no privileged knowledge of whether that child succeeded in getting the watermelon into her mouth. It’s true that a smooth series of contiguous physical events can be traced from her body to mine, so that we would want to say that her body is mine; and perhaps bodily identity is all that our personal identity consists in. But bodily persistence over time, too, presents philosophical dilemmas. The series of contiguous physical events has rendered the child’s body so different from the one I glance down on at this moment; the very atoms that composed her body no longer compose mine. And if our bodies are dissimilar, our points of view are even more so. Mine would be as inaccessible to her—just let her try to figure out [Spinoza’s] Ethics—as hers is now to me. Her thought processes, prelinguistic, would largely elude me. Yet she is me, that tiny determined thing in the frilly white pinafore. She has continued to exist, survived her childhood illnesses, the near-drowning in a rip current on Rockaway Beach at the age of twelve, other dramas. There are presumably adventures that she—that is that I—can’t undergo and still continue to be herself. Would I then be someone else or would I just no longer be? Were I to lose all sense of myself—were schizophrenia or demonic possession, a coma or progressive dementia to remove me from myself—would it be I who would be undergoing those trials, or would I have quit the premises? Would there then be someone else, or would there be no one? Is death one of those adventures from which I can’t emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists. A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? In this passage from Betraying Spinoza, the philosopher and novelist Rebecca Newberger Goldstein (to whom I am married) explains the philosophical puzzle of personal identity, one of the problems that engaged the Dutch-Jewish thinker who is the subject of her book.5 Like her fellow humanist Dawkins, Goldstein analyzes the vertiginous enigma of existence and death, but their styles could not be more different—a reminder of the diverse ways that the resources of language can be deployed to illuminate a topic.

But, after one quick trace of his tongue between her lips, he abruptly pulled away and stepped back from her. She was leaning into him so hard he had to put his hands on her shoulders to steady her. Catherine’s eyes flew open. Releasing her shoulders, he pointed past her to the books he’d set on the desk. She opened her mouth to protest, but closed it again. As she followed Jim, she caught a glimpse of his profile when he picked up the books and slate. There was a smug grin on his face. He was toying with her, teaching her a lesson—that two could play at heating things up and abruptly cooling them down. Indignation and amusement competed in her as she took her seat beside him and he handed her the paper he’d written. She hadn’t set him any homework. He’d done it on his own, printed a brief description of their picnic in short sentences or single words. It was almost like a poem without rhyme. “Fish swim water. Sky. Trees. Leaves. Eat food. Drink.” She smiled at him. “Very good.” He touched his lips, puckering them in a kiss, and tapped the signing book. “Kiss,” she said and looked up the sign for it. “Fingers touching thumbs as both hands come together,” the text said. Her cheeks flushed as she read, “trembling slightly to indicate the degree of passion.” Catherine made the movement as she repeated the word aloud. “Kiss.” Jim copied the movement, shaping his lips like hers. He pointed to the slate and offered her the chalk so she could spell the word. He studied each letter as she wrote it, before printing them himself: K-i-s-s. Catherine’s cheeks flamed even hotter from seeing it written in glaring white against the black slate. Kiss. Kiss. Somehow there seemed to be no denying or hiding it now that it was written down. She glanced at Jim’s lips and her nipples tightened at the memory of his mouth sucking them.

I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges. “Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.” She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.” A low chuckle. “Well, this was a special circumstance, so they helped me out.” “I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”. “Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.” “Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?” “Not gonna give away my hand this early on, but I’ll take those into consideration.” “And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.” “What thing is that? Refresh my memory,” he said, a teasing note in his voice. She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.” He gave a low groan. “I loved every second of it. But think simpler.” Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled. “That works too, but it’s still not the key.” “Then what?” “You.” She blinked, her heart squeezing at the conviction behind his answer. “Me?” “Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable. “So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay. A masculine rumble filled her ears. “God, yeah.” She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.” “I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?” She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.” “Oh, baby, I’ll be so good to you, you have no idea.

To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.

He didn’t have to tell me that. I knew Hank better than anyone else. He went out of his way not to hurt people. “And I love you even more for it. But you should know, I’m willing to be hurt because that’s what love is.” Hank stared at me out of the corners of his eyes. Clearly he was questioning my sanity. “It’s true,” I said with a firm nod. “It’s not always hot sex and romantic candlelit dinners. Or picnics in the park or fun days at the zoo. True love exists in the gaps between those moments. It’s in the arguments, where you’re so angry at each other that you may want to throw a tantrum and walk out the door, but you don’t. It lives in the hard times when one of you is sick or exhausted, and you have to carry each other for miles with no rest, and even though your body aches and you want to let go, you don’t.” “I don’t think I’ve ever known that kind of love.” He glanced at his hands in his lap. “My relationships have always been the bad kind. Where one of us gives up or gives in.” “Well, love that is worth anything isn’t like that. It blooms in the dead of winter because we have fed its soul in the spring and summer. That is what I fight for. You may not feel what I do because you lack the memories I have, but you feel something. I can see it in the way you look at me or touch me, and I can see you fighting it. Maybe because you’re afraid of hurting me or because you don’t understand what these emotions are. I don’t really know, but you should know this: Fighting it won’t make it go away, and it won’t change how our story will end. We will get married. We will grow old together. And before we breathe our last, the final words we will utter will be each other’s names.

I told her one of the few stories that she'd told me of myself as a child. We'd gone to a park by a lake. I was no older than two. Me, my father, and my mother. There was an enormous tree with branches so long and droopy that my father moved the picnic table from underneath it. He was always afraid of me getting crushed. My mother believed that kids had stronger bones than grownups. "There's more calcium in her forearm than in an entire dairy farm," she liked to say. That day, my mother had made roasted tomato and goat cheese sandwiches with salmon she'd smoked herself, and I ate, she said, double my weight of it. She was complimenting me when she said that. I always wondered if eating so much was my best way of complimenting her. The story went that all through lunch I kept pointing at a gaping hole in the tree, reaching for it, waving at it. My parents thought it was just that: a hole, one that had been filled with fall leaves, stiff and brown, by some kind of ferrety animal. But I wasn't satisfied with that explanation. I wouldn't give up. "What?" my father kept asking me. "What do you see?" I ate my sandwiches, drank my sparkling hibiscus drink, and refused to take my eyes off the hole. "It was as if you were flirting with it," my mother said, "the way you smiled and all." Finally, I squealed, "Butter fire!" Some honey upside-down cake went flying from my mouth. "Butter fire?" they asked me. "Butter fire?" "Butter fire!" I yelled, pointing, reaching, waving. They couldn't understand. There was nothing interesting about the leaves in the tree. They wondered if I'd seen a squirrel. "Chipmunk?" they asked. "Owl?" I shook my head fiercely. No. No. No. "Butter fire!" I screamed so loudly that I sent hundreds of the tightly packed monarchs that my parents had mistaken for leaves exploding in the air in an eruption of lava-colored flames. They went soaring wildly, first in a vibrating clump and then as tiny careening postage stamps, floating through the sky. They were proud of me that day, my parents. My father for my recognition of an animal so delicate and precious, and my mother because I'd used a food word, regardless of what I'd actually meant.

As Annie Dillard wrote: "We have less time than we knew." I wanted my mother to understand that I didn't plan picnics and parties because life was perfect and easy—I planned them because it wasn't. I planned them because my friend had died, because another friend's father had been diagnosed with cancer, because none of us knew what the future held. I planned them because, on the long, difficult slog up the mountain, it's important to stop and look at the view. I planned them because what is all the work for if you cannot gather the people you love around you in a golden sunset and laugh together? I planned them because winter was coming and we needed warm memories to sustain us. We have less time than we knew. I understood that now.

The ultimate symbol of our religious devotion isn’t our churches, though it’s often beside them. In the South, we understand cemeteries as our final reward, and as Grits, we understand the importance of keeping them in shape. We visit the graves of our ancestors often, especially on a Sunday, and pray for their souls. We picnic in Confederate cemeteries, with their weather-worn memorials, and remember the sacrifices and sins of our past. Cemeteries are sacred ground in the South. They are the place where faith, family, history, and community meet. We can’t think of a better definition of the true power of Southern religion.

Only the very young and the very old may recount their dreams at breakfast, dwell upon self, interrupt with memories of beach picnics and favorite Liberty lawn dresses and the rainbow trout in a creek near Colorado Springs. The rest of us are expected, rightly, to affect absorption in other people's favorite dresses, other people's trout.

Listen close—my previous life was good. My mind has many pleasant memories: Camping on the Wensome’s chalk river shores, Running in green fields, picking spring flowers, Exploring the sand dunes and pine forests, A picnic on the mud flats, carefree days At home with my family in the village, Watching the terns, sedge warblers and swallows, Lessons in cooking and animal care, Untamed rivers and lakes, games with my friends, Sandy beaches, marshes, fens, and reed beds, The barn owl who liked to sing every night, Stirring conversations with my husband, Mundane chores alongside both my daughters, Magical countryside, large gray stone blocks, Tall flint walls in a nearby Roman town, Spongy saltmarsh, woodlands, and butterflies. It was all a gift, all blessed—and now I feel an unexpected clarity.

Next was the foursome I had been bracing myself to face all along: Tamara, Savona, the newly met Lady Elenet, and the Marquis of Shevraeth. Very conscious of Olervec’s pale eyes following me, I forced myself to greet the Marquis first: “Good morning,” I said, as if we’d been talking just the day before. “How much I wish to thank you for putting me in the way of finding the proper books for my project.” Again that laughter was evident in his glance as he sketched a bow. “If you have any further questions,” he said, “it would be my pleasure to accommodate you.” “I’d be honored.” I curtsied, my hands making the fan gesture of Unalloyed Gratitude. The shadow of humor in the corners of his mouth deepened. Then I turned to the others. Savona grinned at me, one hand moving slightly in the fencer’s salute of a good hit. I fought the urge to blush as Tamara murmured, “You’ll be in the race tomorrow?” “Of course,” I said, lifting my hands. “I have to prove whether my wins last time were luck, skill--or the kindness of well-wishers.” Tamara smiled a little. “And once you’ve proved which it is?” “Why then I either celebrate, commiserate--or fulminate!” They all laughed at that, even the quiet Elenet, though her laughter was so soft I scarcely heard it. I turned to Shevraeth and said, “Will you be there?” “I hope to be,” he said. “Riding your gray?” “Is that a challenge?” he replied with a hint of a smile. I opened my mouth, then a stray memory brought back our private wager before we reached Athanarel and nothing could prevent the heat that burned up my neck into my face; so I quickly bent over, making a business of ordering one of the flounces on my gown. After I had straightened up I’d have an excuse for a red face, or at least enough of one to pass the notice of the three who (presumably) knew nothing of that unpaid wager. “I think,” I said, retying a ribbon and patting it into place, then unbending with what I hoped was an expression of nonchalance, “I’d better find out if my luck is due to skill or kindness before I make any pledges.” “Very well,” he said. “A friendly race will suffice.” When the conversation came to a natural close, I retreated to Nee’s side and finished the rest of the picnic with her and Bran.

Tim Graham Tim Graham has specialized in photographing the Royal Family for more than thirty years and is foremost in his chosen field. Recognition of his work over the years has led to invitations for private sessions with almost all the members of the British Royal Family, including, of course, Diana, Princess of Wales, and her children. For at-home photographs, I found her chatty and easy to work with, and her sense of humor always showed through. Tours could be eventful. On one occasion, while photographing her at a Saudi Arabian desert picnic, I was walking backward in front of her--a position quite normal for photographers. What I didn’t realize while concentrating on hr was that I was backing straight into a fire. Just in time, the Princess called out to warn me, but couldn’t suppress her giggles as I stepped into the flames. She was a very lively person to photograph. You had to keep your camera on her at all times, because in a split second there could be just the picture of her expression or response to someone she was meeting or something that had happened. She had the ability to charm and relax whoever she met, whether the man in the street or a nation’s president. If things went wrong in the job, it always made her laugh--and it’s true to say that she must have found some of her royal duties a bit monotonous and stifling and been glad of some light relief.

To remember is far worse than to forget. This is not a discovery of mine. It was an old truth in the times of the Greek statesman Themistocles. Once he was approached—so the story goes—by a schoolmaster who asked him for a reward because he had thought out a system of teaching that greatly improved the memory of his pupils. Themistocles answered: “I shall give you a reward if you invent a method of enabling mankind to learn how to forget, not how to remember.

Her lips against his, the sun soaking into their skin, and the sweet, fragrant breezes that wafted through this isolated picnic area was nothing short of perfection.

We lived in our times, which were hard times. We had our interests, which were mainly literary and intellectual and only occasionally, inescapably, political. But what memory brings back from there is not politics, or the meagerness of living on $150 a month, or even the writing I was doing, but the details of friendship — parties, picnics, walks, midnight conversations, glimpses from the occasional unencumbered hours... Or so it seems now. What really illuminates those months is the faces of our friends.

There is nothing wrong with spontaneous worship, just as there’s nothing wrong with two friends meeting by chance, grabbing a sandwich from a shop, and going off together for an impromptu picnic. But if the friends get to know one another better and decide to meet more regularly, they might decide that, though they could indeed repeat the picnic from time to time, a better setting for their friendship, and a way of showing that friendship in action, might be to take thought over proper meals for one another and prepare thoroughly. In the same way, good Christian liturgy is friendship in action, love taking thought, the covenant relationship between God and his people not simply discovered and celebrated like the sudden meeting of friends, exciting and worthwhile though that is, but thought through and relished, planned and prepared—an ultimately better way for the relationship to grow and at the same time a way of demonstrating what the relationship is all about. In particular, Christian worship is all about the church celebrating God’s mighty acts, the acts of creation and covenant followed by the acts of new creation and new covenant. The church needs constantly to learn, and constantly to be working on, the practice of telling and retelling the great stories of the world and Israel, especially the creation and the Exodus; the great promises that emerged from those stories; and the ways in which those promises came to their fruition in Jesus Christ. The reading of scripture—the written account of those stories—has therefore always been central to the church’s worship. It isn’t only that people need to be reminded what the stories say. It’s that these stories should be rehearsed in acts of celebration and worship, “telling out the greatness of the Lord,” as Mary sang in the Magnificat. Good liturgy uses tried and tested ways of making sure that scripture is read thoroughly and clearly, and is constantly on the lookout for ways of doing it even more effectively—just as good liturgy is also eager to discover better and better ways of singing and praying the Psalms together, so that they come to be “second nature” within the memory, imagination, and spirituality of all the worshipping faithful, not just of a few musically minded leaders.

In the quiet of the kitchen my mind wanders. Fried chicken and potato salad. What's this man trying to re-create? A picnic? An outing? A meal his grandma made? A chess pie is old school. It's basically a pecan pie without the pecans. Syrupy sweet. I think about the memories he must have about this meal. Innocent. Pure. Happy.

For the best bounce house rentals and party rentals in New Braunfels & San Marcos, TX, trust the experts at Texas Party Hoppers to provide the fun! If you are planning a birthday party, school field day, church picnic or corporate event, Texas Party Hoppers is your one stop shop for all your party rentals, bounce houses, inflatable water slide rentals, carnival games, concession machines and more. We have the equipment and the experience to create lifelong memories for your guests.

Given that Dumpty is such a crude, paranoid, petulant, cowardly, vicious liar, con man, and crook, would you want to work in an office where he was in charge? Would you want to join his downtrodden White House staff or the weird cast of characters in his cabinet? Would you want him to invest your life savings for you? Would you want to sit next to him at a dinner party, picnic, or sporting event? Would you want to carpool or (God forbid!) drive cross-country with him? Would you hire him to babysit your toddler or fix him up with your best friend’s daughter? Would you ask him to speak at your own memorial service? If you answer no to all of these questions (and how could you not?) then why in the world would you entrust your country’s future and the future of this fragile planet to him? Pause for a moment and contemplate your own contradictory leanings.

With the oysters, I'm at the shore, swimming in the heat of the day. She serves us baby cream biscuits and smoked peach butter that taste exactly like those we'd eat around her mother's table during a Sunday dinner, only better, tweaked in a way that makes me want to taste it again and again. Buttermilk panna cotta with spot prawns and spring vegetables pulls me right into lazy picnics in Delilah's backyard, when we'd gorge on plump peas, sweet tomatoes, crisp cucumbers. The tender shrimp and tart buttermilk--- all of this is our childhood on a plate. I never wanted to look too closely at that time, but it's slapping me tight in the face. Oddly, it doesn't hurt. Not this version. It feels fragile and rare, like I should be protecting it, like I should be proud of where we come from and who we are. And then the menu changes on me. The servers bring out what Delilah says is butter-poached cod with potato galette and shellfish emulsion dotted with petals of mango and peach. It is the clean taste of the sea; it is buttery velvet along my tongue, bright bursts of juicy fruit. Underneath it all is a crisp, airy version of what is essentially a gourmet tater tot. The taste is erotic. Heat and lust wash over me in a wave that has my balls clenching and my cock stiffening. I can't figure out why. Then it hits me like a kick to the chest. This dish is us. Frantic kissing on the beach, eating juicy mangos at the market, peaches and tater tots. She's created us. A compilation of all she holds dear.

And because old men no longer need adhere to the convention of time, and because memory dissolves it, I can be there still. I can be sat on the grass at our lesser picnic on the top of Master Quinn’s field and feel the sun striking down and know something of the peace of that pause, the dawning that opens in a person, which is not yet at the point of understanding, not yet anything solid or sure as a thought, but happens in a way that you may not realise until years later and miles away when it comes to you that just then, just there, you were brushed with nothing less than eternity, catching a sense of a place that has been before you and will be after you, and both were contained in that moment.