Picnic Day Quotes

We've searched our database for all the quotes and captions related to Picnic Day. Here they are! All 60 of them:

I'm the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible...
Elizabeth Wurtzel (Prozac Nation)
Now, now," Bast said. "It's not so bad." "Right," I said. "We're stuck in Washington, D.C. We have two days to make it to Arizona and stop a god we don't know how to stop. And if we can't, we'll never see our dad or Amos again, and the world might end." "That's the spirit!" Bast said brightly. "Now, let's have a picnic.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
You have to love a nation that celebrates its independence every July 4, not with a parade of guns, tanks, and soldiers who file by the White House in a show of strength and muscle, but with family picnics where kids throw Frisbees, the potato salad gets iffy, and the flies die from happiness. You may think you have overeaten, but it is patriotism.
Erma Bombeck
It was lemon verbena day, so the house was filled with a sweet-tart scent that conjured images of picnic blankets and white clouds shaped like true-love hearts.
Sarah Addison Allen (First Frost (Waverley Family, #2))
Give me Pablo Neruda, picnic beneath a full moon & iridescent stars, black olives, cherries, dark things, canoe on a river...that's romance.
Brandi L. Bates (Soledad)
Afterwards, go to a pub for lunch. I've got $260 in my savings account and I really want you to use it for that. Really, I mean it--lunch is on me. Make sure you have pudding--sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
Jenny Downham (Before I Die)
Heavily and hypnotically,with her soul flattening itself back like the ears of a hissing cat,Kizzy leaned in and drank of Jack Husk's full,moist mouth,and his red,red lips were hungry against hers,drinking her in return.Their eyes closed.Fingers clutched at collars and hair,at the picnic blanket,at the grass.And as they sank down,pinning their shadows beneath them,the horizon tipped on its side,and slowly,thickly,hour by hour,the day spilled out and ebbed away. It was Kizzy's first kiss, and maybe it was her last, and it was delicious.
Laini Taylor (Lips Touch: Three Times)
I slipped in and out of consciousness as time stretched and flowed around me. Dreams and reality blurred, but I liked the dreams better. Noah was in them. I dreamed of us, walking hand in hand down a crowded street in the middle of the day. We were in New York. I was in no rush—I could walk with him forever—but Noah was. He pulled me alongside him, strong and determined and not smiling. Not today. We wove among the people, somehow not touching a single one. The trees were green and blossoming. It was spring, almost summer. A strong wind shook a few steadfast flowers off of the branches and into our path. We ignored them. Noah led me into Central Park. It was teeming with human life. Bright colored picnic blankets burst across the lawn, the pale, outstretched forms of people wriggling over them like worms in fruit. We passed the reservoir, the sun reflecting off its surface, and then the crowd began to thicken. They funneled into a throbbing mass as we strode up a hill, over and through. Until we could see them all below us, angry and electric. Noah reached into his bag. He pulled out the little cloth doll, my grandmother’s. The one we burned.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
Although we are necessarily concerned, in a chronicle of events, with physical action by the light of day, history suggests that the human spirit wanders farthest in the silent hours between midnight and dawn. Those dark fruitful hours, seldom recorded, whose secret flowerings breed peace and war, loves and hates, the crowning or uncrowning of heads.
Joan Lindsay (Picnic at Hanging Rock (Hanging Rock, #1))
How did people get over this? They obviously did. Every day someone fell in love with the wrong person and had to pack up all their fragile, misguided hopes and unwanted affection, and move on to the next picnic table.
Josh Lanyon (Perfect Day (Wyatt & Graham, #1))
I could see the road ahead of me. I was poor and I was going to stay poor. But I didn't particularly want money. I didn't know what I wanted. Yes, I did. I wanted someplace to hide out, someplace where one didn't have to do anything. The thought of being something didn't only appall me, it sickened me. The thought of being a lawyer or a councilman or an engineer, anything like that, seemed impossible to me. To get married, to have children, to get trapped in the family structure. To go someplace to work every day and to return. It was impossible. To do things, simple things, to be part of family picnics, Christmas, the 4th of July, Labor Day, Mother's Day . . . was a man born just to endure those things and then die? I would rather be a dishwasher, return alone to a tiny room and drink myself to sleep.
Charles Bukowski
My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges.
Vladimir Nabokov (Lolita)
That's Lily all over, you know: she works like a slave preparing the ground and sowing her seed; but the day she ought to be reaping the harvest she over-sleeps herself or goes off on a picnic.
Edith Wharton (The House of Mirth)
There were monsters in the night but there were monsters in the day too, and monsters inside people who smiled and showed you all their teeth like they were nice. There were monsters inside Alice, but they only had power if she gave it to them, and other things had power too, like the laughter of children enjoying a picnic together and like the love she had for this terrible, wonderful, imperfect man, this man who hid inside the body of a wolf because he thought that was where he belonged.
Christina Henry (Red Queen (The Chronicles of Alice, #2))
I took her outside on to a little roof terrace that looked like it never got the sun at nay time of the day r year, but there was a picnic table and a grill out there anyway. Those little grills are everywhere in England, right? To me they've come to represent the trumph of hope over circumstance, seeing as all you can do is peer at them out the window through the pissing rain.
Nick Hornby (A Long Way Down)
With this ring, I promise you a strong shoulder to cry on. I promise to hold and care for you whenever you need me. I promise to bring you comfort when you’re sad and to defend you to the last. I give you faith, trust and commitment unfailing. I promise to love you with every breath in my lungs and beat of my heart until the end of time. I promise that the only heart I own will always belong to you and it will never beat for another as long I live. I promise picnics in the summer and cozy nights by the fire in winter. I promise to always cherish and appreciate you and everything you do and to show you every day just how much you mean to me. I will always be yours and you will always be mine. This I promise you
Marie Coulson (Bound Together (Bound Together, #1))
I didn’t particularly want money. I didn’t know what I wanted. Yes, I did. I wanted someplace to hide out, someplace where one didn’t have to do anything. The thought of being something didn’t only appall me, it sickened me. The thought of being a lawyer or a councilman or an engineer, anything like that, seemed impossible to me. To get married, to have children, to get trapped in the family structure. To go someplace to work every day and to return. It was impossible. To do things, simple things, to be part of family picnics, Christmas, the 4th of July, Labor Day, Mother’s Day … was a man born just to endure those things and then die? I would rather be a dishwasher, return alone to a tiny room and drink myself to sleep.
Charles Bukowski (Ham on Rye)
He went back to his first morning in Oxford: climbing a sunny hill with Ramy, picnic basket in hand. Elderflower cordial. Warm brioche, sharp cheese, a chocolate tart for dessert. The air that day smelled like a promise, all of Oxford shone like an illumination, and he was falling in love. 'It's so odd,' Robin said. Back then they'd already passed the point of honesty; they spoke to one another unfiltered, unafraid of the consequences. 'It's like I've known you forever.' 'Me too,' Ramy said. 'And that makes no sense,' said Robin, drunk already, though there was no alcohol in the cordial. 'Because I've known you for less than a day, and yet...' 'I think,' said Ramy, 'its' because when I speak, you listen.' 'Because you are fascinating.' 'Because you're a good translator.' Ramy leaned back on his elbows. 'That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands.
R.F. Kuang (Babel)
To do things, simple things, to be part of family picnics, Christmas, the 4th of July, Labor Day, Mother’s Day … was a man born just to endure those things and then die?
Charles Bukowski (Run With The Hunted: A Charles Bukowski Reader – The Best Novels, Stories, and Poems from a Harrowing and Exhilarating Life)
Leonard had let them go alone with the young boy who Ali was now convinced, was a couple falafel's short of a picnic
L.R. Currell (Curve Day)
You may be dying, but I’m going to have a picnic and enjoy this glorious day. I won’t let your impending death spoil my afternoon.
Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
We carried the sleeping dog out to the garden and laid him on a mat on the lawn so that we could watch him as he came round from the anesthetic. Out there in the old high-walled garden the sun shone down on the flowers and the apple trees. Helen put on her fancy hat again and I put my smart jacket back on and we sat there, enjoying the good things from the picnic basket, we felt that we were still having a day out. But Helen kept glancing anxiously at the little dog and I knew she was thinking the same thing I was. Would he be all right after all that we had done for him and, even then, what was going to happen to him? Would his owners ever come to claim him, because if they didn’t, he had nobody in the world to look after him.
James Herriot (The Market Square Dog)
The picture would remind Oliver of the morning when I first spoke out. Or of the day when we rode by the berm pretending not to notice it. Or of that day we'd decided to picnic there and had vowed not to touch each other, the better to enjoy lying in bed together the same afternoon. I wanted him to have the picture before his eyes for all time, his whole life, in front of his desk, of his bed, everywhere. Nail it everywhere you go, I thought.
André Aciman (Call Me by Your Name)
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
The outside world might have finally turned into autumn, but inside the Waverley house it still smelled of summer. It was lemon verbena day, so the house was filled with a sweet-tart that conjured images of picnic blankets and white clouds like true-love hearts.
Sarah Addison Allen (First Frost (Waverley Family, #2))
They'd eaten every meal outdoors, hard-boiled eggs and cheese from a picnic basket, and drunk wine under the lilac tree in the walled garden. They'd disappeared inside the woods, and stolen apples from the farm next door, and floated down the stream in her little boat as one silken hour spun itself into the next. On a clear, still night, they'd dug the old bicycles out of the shed and cycled together along the dusty lane, racing, laughing, breathing in salt from the warm air as moonlight made the stones, still hot from the day, shine lustrous white.
Kate Morton (The Lake House)
After we became a couple, she composed our time together. She planned days as if they were artistic events. One afternoon we went to Tybee Island for a picnic; we ate blueberries and drank champagne tinted with curacao and listened to Miles Davis, and when I asked the name of her perfume, she said it was L'Heure Bleue. She talked about 'perfect moments.' One such moment happened that afternoon; she'd been napping; I lay next to her, reading. She said, 'I'll always remember the sounds of the sea and of pages turning, and the smell of L'Heure Bleue. For me they signify love.
Susan Hubbard (The Society of S (Ethical Vampire, #1))
He went back to his first morning in Oxford: climbing a sunny hill with Ramy, picnic basket in hand. Elderflower cordial. Warm brioche, sharp cheese, a chocolate tart for dessert. The air that day smelled like a promise, all of Oxford shone like an illumination, and he was falling in love.
R.F. Kuang (Babel)
What is known is that in 1805 in the dead of night a group of white landowners, chafing at the limits of their own manifest destiny, set fire to the last remaining indigenous village on the teardrop-shaped peninsula that would become Charon County. Those who escaped the flames were brought down by muskets with no regard to age, gender, or infirmity. That was the first of many tragedies in the history of Charon. The cannibalism of the winter of 1853. The malaria outbreak of 1901. The United Daughters of the Confederacy picnic poisoning of 1935. The Danforth family murder-suicide of 1957. The tent revival baptismal drownings of 1968, and on and on. The soil of Charon County, like most towns and counties in the South, was sown with generations of tears. They were places where violence and mayhem were celebrated as the pillars of a pioneering spirit every Founders’ Day in the county square.
S.A. Cosby (All the Sinners Bleed)
Standing there at that picnic table with them, it was like someone just took an ax to me, just shattered all the crust. I felt raw. In the way you can feel everything, feel it deep down into your nerves. I had build a family. By accident and without thinking and without so many of the qualities that you should have to deserve a family. I fell to my knees. I was so grateful for Camila. I couldn't believe what I put Camila through and I couldn't believe that she was still there, giving me another chance. I didn't deserve it and I knew it. I told her that I would spend the rest of my life trying to be twice as good as she deserved. I didn't know that I've ever promised anyone anything as humbly and with as much gratitude in my heart as I promised her that day.
Taylor Jenkins Reid (Daisy Jones & The Six)
It’s Thursday, March twenty-ninth!” she basically screamed, a demented smile plastered to her face. “You are really excited about knowing the date!” I yelled back. “HAZEL! IT’S YOUR THIRTY-THIRD HALF BIRTHDAY!” “Ohhhhhh,” I said. My mom was really super into celebration maximization. IT’S ARBOR DAY! LET’S HUG TREES AND EAT CAKE! COLUMBUS BROUGHT SMALLPOX TO THE NATIVES; WE SHALL RECALL THE OCCASION WITH A PICNIC!, etc.
John Green (The Fault in Our Stars)
Fourth of July picnic. And by the way, that picnic, like everything else in this land, is a model of efficiency: you drive at top speed, set up in a previously reserved space, spread out the baskets, bolt your food, kick the ball, and rush home to avoid the traffic. In Chile, a similar project would take three days.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
So what," the Chelgrian asked, "is the point of me or anybody else writing a symphony, or anything else?" The avatar raised its brows in surprise. "Well, for one thing, you do it, it's you who gets the feeling of achievement." "Ignoring the subjective. What would be the point for those listening to it?" "They'd know it was one of their own species, not a Mind, who created it." "Ignoring that, too; suppose they weren't told it was by an AI, or didn't care." "If they hadn't been told then the comparison isn't complete; information is being concealed. If they don't care, then they're unlike any group of humans I've ever encountered." "But if you can—" "Ziller, are concerned that Minds—AIs, if you like—can create, or even just appear to create, original works of art?" "Frankly, when they're the sort of original works of art that I create, yes." "Ziller, it doesn't matter. You have to think like a mountain climber." "Oh, do I?" "Yes. Some people take days, sweat buckets, endure pain and cold and risk injury and—in some cases—permanent death to achieve the summit of a mountain only to discover there a party of their peers freshly arrived by aircraft and enjoying a light picnic." "If I was one of those climbers I'd be pretty damned annoyed." "Well, it is considered rather impolite to land an aircraft on a summit which people are at that moment struggling up to the hard way, but it can and does happen. Good manners indicate that the picnic ought to be shared and that those who arrived by aircraft express awe and respect for the accomplishment of the climbers. "The point, of course, is that the people who spent days and sweated buckets could also have taken an aircraft to the summit if all they'd wanted was to absorb the view. It is the struggle that they crave. The sense of achievement is produced by the route to and from the peak, not by the peak itself. It is just the fold between the pages." The avatar hesitated. It put its head a little to one side and narrowed its eyes. "How far do I have to take this analogy, Cr. Ziller?
Iain M. Banks (Look to Windward (Culture, #7))
The farmers, who rent out their house so they can stay afloat, and sleep all together in a studio, but spend their days off outside on a picnic blanket, living the lives they want to live. Drew and Melanie, with their two homes and their horses and their love story. And Rene, traveling across the world, painting temporary masterpieces. Even my uncle Pete has something good worked out with Melinda and his day trips and his best friend, my dad, who has a small nice house in San Francisco and a dozen neighborhood vendors who know him by name. All of these different ways of living. Even Sophie, with her baby in that apartment, with her record store job and her record collection. I imagine her twirling with her baby across her red carpet with Diana Ross crooning, the baby laughing, the two of them getting older in that apartment, eating meals on red vinyl chairs. Walt, too, as pathetic as his situation is, seems happy in his basement, providing entertainment to Fort Bragg's inner circle. All of them, in their own ways, manage to make their lives work.
Nina LaCour (The Disenchantments)
I judge myself by the shiny, pretty people I see at parent-teacher meetings, or on Facebook, or Pinterest, who seem to totally have their shit together and never have unwashed hair. They never wait until Thursday night to help their kid with the entire week's homework. They don't have piles of dusty boxes in corners waiting to be opened from the move before last. They have pretty, pastel lives, and they are happy, and they own picnic baskets and napkins and know how to recycle, and they never run out of toilet paper or get their electricity turned off. And it's not even that I want to be one of those people. I fucking hate picnics. If God wanted us to eat on the ground He wouldn't have invented couches. I just don't want to feel like a failure because my biggest accomplishment of the day was going to the bank.
Jenny Lawson
Remember at the junior picnic, when someone whipped that dog at Jennifer's head? And Jennifer was laughing, like it was funny? Ted never copped to it, but I know he did it. I saw him. A-hole.' Rachel shakes her head in disgust. 'She probably deals with that kind of crap every day...' 'That's it. I'm going to ask Jennifer if she wants to sit with us today... I don't like those little turds thinking they can make fun of her because she's on the list. Don't they have any respect for the fact that she's a senior? If she's with us, they wouldn't dare say anything.
Siobhan Vivian (The List)
Independence isn't all it's cracked up to be, you know. What country could be more independent than Russia? And in Russia now there isn't a squeak or a pinpoint of light. I have nowhere to publish. The Contemporary has stuck its head up out of harm's way. So I've stopped quarrelling with the world. I sat in this chair the first morning I woke up in this house ... and for the first time ... for a long time, there was silence. I didn't have to talk or think or move, nothing was expected of me, I knew nobody and nobody knew where i was, everything was behind me, all the moving from place to place, the quarrels and celebrations, the desperate concerns of health and happiness, love, death, printer's errors, picnics ruined by rain, the endless tumult of life ... and I just sat quiet and alone all day, looking at the tops of trees on Primrose Hill through the mist.
Tom Stoppard (The Coast of Utopia)
Clare,” said a voice behind me. Not Nate’s, but just as familiar. “I’ll get going,” Nate said, backing up. “If you see the dumbass, tell him I’m mad at him for standing me up.” I turned around. “The dumbass?” Justin asked. “Yes, you’re not the only one in town. Who knew?” He smiled. Every time I tried to hurt him, he just smiled. I’d have to try harder. “You look beautiful tonight,” he said, looking me up and down. “You wore that dress on the picnic we took in the spring. Remember, it was the first warm day of the season . . .” His voice trailed off. “I’d love to wax nostalgic, Justin, but I’ve got work to do.
Kim Harrington (Clarity (Clarity, #1))
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
The thought of being something didn't only appall me, it sickened me. The thought of being a lawyer or a councilman or an engineer, anything like that, seemed impossible to me. To get married, to have children, to get trapped in the family structure. To go someplace to work every day and to return. It was impossible. To do things, simple things, to be part of family picnics, Christmas, the 4th of July, Labor Day, Mother's Day. . . was a man born just to endure those things and then die?
Charles Bukowski (Ham on Rye)
He went back to his first morning in Oxford: climbing a sunny hill with Ramy, picnic basket in hand. Elderflower cordial. Warm brioche, sharp cheese, a chocolate tart for dessert. The air that day smelled like a promise, all of Oxford shone like an illumination, and he was falling in love. 'It's so odd,' Robin said. Back then they'd already passed the point of honesty; they spoke to one another unfiltered, unafraid of the consequences. 'It's like I've known you forever.' 'Me too,' Ramy said. 'And that makes no sense,' said Robin, drunk already, though there was no alcohol in the cordial. 'Because I've known you for less than a day, and yet...' 'I think,' said Ramy, 'it's because when I speak, you listen.' 'Because you are fascinating.' 'Because you're a good translator.' Ramy leaned back on his elbows. 'That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands.
R.F. Kuang (Babel)
An open car drove by, fleeing into the country. The car was overfilled with people bound for a picnic. There was a jumble of bright sweaters, and scarfs fluttering in the wind; a jumble of voices shrieking without purpose over the roar of the motor, and overstressed hiccoughs of laughter; a girl sat sidewise, her legs flung over the side of the car; she wore a man's straw hat slipping down to her nose and she yanked savagely at the strings of a ukelele, ejecting raucous sounds, yelling 'Hey!' These people were enjoying a day of their existence; they were shrieking to the sky their release from the work and the burdens of the days behind them; they had worked and carried the burdens in order to reach a goal -- and this was the goal.
Ayn Rand (The Fountainhead)
Kids aren’t learning science right these days! The teachers teach it like it’s just supposed to be useful, like, here, learn this geometry so you can design a building, here, learn this chemistry so you can make a plastic bag. Of course kids don’t like it! No kid comes home from school and says, ‘I want to make plastic bags when I grow up!’ We already have plastic bags, and comfy chairs, and flying cars, we’ve had them for centuries, and they aren’t getting better because they work already so no one’s interested in replacing them, just making them cheaper, or with more games. That isn’t science! Science is figuring out where the universe is going! Science is noticing that the ants crawling up the picnic table like your sandwich better than your ba’sib’s and asking, ‘Why?’ Not ‘How is this useful?’ not ‘Can I make this into a plastic bag?’ but ‘Why?
Ada Palmer (Too Like the Lightning (Terra Ignota, #1))
The oak was, of course, a great stealer of the surrounding pasture—its only value to provide shade for the livestock—but it was a magnificent tree. It had been there at least as long as Luxtons had owned the land. To have removed it would have been unthinkable (as well as a forbidding practical task). It simply went with the farm. No one taking in that view for the first time could have failed to see that the tree was the immovable, natural companion of the farmhouse, or, to put it another way, that so long as the tree stood, so must the farmhouse. And no mere idle visitor—especially if they came from a city and saw that tree on a summer’s day—could have avoided the simpler thought that it was a perfect spot for a picnic.
Graham Swift (Wish You Were Here)
Why is it their business? They expect me to go sit at their fucking picnic—alone—and watch them with their happy fucking little families, and I’m supposed to pretend like the one person in this town I give a damn about doesn’t even exist?” “Uh….” I couldn’t really think of anything to say to that. I couldn’t believe that he had said any of it and was pretty sure he wouldn’t have on any normal day. But it didn’t matter. He was still talking, and the pull on the back of my head had resumed.
Marie Sexton (Promises (Coda, #1))
This may have looked like a cookbook, but what it really is is an annotated list of things worth living for: a manifesto of moments worth living for. Dinner parties, and Saturday afternoons in the kitchen, and lazy breakfasts, and picnics on the heath; evenings alone with a bowl of soup, a or a heavy pot of clams for one. The bright clean song of lime and salt, and the smoky hum of caramel-edged onions. Soft goat's cheese and crisp pastry. A six-hour ragù simmering on the stove, a glass of wine in your hand. Moments, hours, mornings, afternoons, days. And days worth living for add up to weeks, and weeks worth living for add up to months, and so on and so on, until you've unexpectedly built yourself a life worth having: a life worth living.
Ella Risbridger (Midnight Chicken: & Other Recipes Worth Living For)
. That’s Lily all over, you know: she works like a slave preparing the ground and sowing her seeds, but the day she ought to be reaping the harvest, she oversleeps herself or goes off on a picnic.” Mrs. Fisher paused and looked reflectively at the deep shimmer of sea between the cactus-flowers. “Sometimes,” she added, “I think it’s just flightiness, and sometimes I think it’s because, at heart, she despises the things she’s trying for. And it’s the difficulty of deciding that makes her such an interesting study.
Edith Wharton (The House of Mirth)
That day and night, the bleeding and the screaming, had knocked something askew for Esme, like a picture swinging crooked on a wall. She loved the life she lived with her mother. It was beautiful. It was, she sometimes thought, a sweet emulation of the fairy tales they cherished in their lovely, gold-edged books. They sewed their own clothes from bolts of velvet and silk, ate all their meals as picnics, indoors or out, and danced on the rooftop, cutting passageways through the fog with their bodies. They embroidered tapestries of their own design, wove endless melodies on their violins, charted the course of the moon each month, and went to the theater and the ballet as often as they liked--every night last week to see Swan Lake again and again. Esme herself could dance like a faerie, climb trees like a squirrel, and sit so still in the park that birds would come to perch on her. Her mother had taught her all that, and for years it had been enough. But she wasn't a little girl anymore, and she had begun to catch hints and glints of another world outside her pretty little life, one filled with spice and poetry and strangers.
Laini Taylor (Lips Touch: Three Times)
I love London. I love everything about it. I love its palaces and its museums and its galleries, sure. But also, I love its filth, and damp, and stink. Okay, well, I don’t mean love, exactly. But I don’t mind it. Not any more. Not now I’m used to it. You don’t mind anything once you’re used to it. Not the graffiti you find on your door the week after you painted over it, or the chicken bones and cider cans you have to move before you can sit down for your damp and muddy picnic. Not the everchanging fast food joints – AbraKebabra to Pizza the Action to Really Fried Chicken – and all on a high street that despite its three new names a week never seems to look any different. Its tawdriness can be comforting, its wilfulness inspiring. It’s the London I see every day. I mean, tourists: they see the Dorchester. They see Harrods, and they see men in bearskins and Carnaby Street. They very rarely see the Happy Shopper on the Mile End Road, or a drab Peckham disco. They head for Buckingham Palace, and see waving above it the red, white and blue, while the rest of us order dansak from the Tandoori Palace, and see Simply Red, White Lightning, and Duncan from Blue. But we should be proud of that, too. Or, at least, get used to it.
Danny Wallace (Charlotte Street)
What’s it about?” Danny seemed authentically curious. “The night. It’s got its own set of rules.” “Day’s got rules too.” “Oh, I know,” Joe said, “but I don’t like them.” They stared through the mesh at each other for a long time. “I don’t understand,” Danny said softly. “I know you don’t,” Joe said. “You, you buy into all this stuff about good guys and bad guys in the world. A loan shark breaks a guy’s leg for not paying his debt, a banker throws a guy out of his home for the same reason, and you think there’s a difference, like the banker’s just doing his job but the loan shark’s a criminal. I like the loan shark because he doesn’t pretend to be anything else, and I think the banker should be sitting where I’m sitting right now. I’m not going to live some life where I pay my fucking taxes and fetch the boss a lemonade at the company picnic and buy life insurance. Get older, get fatter, so I can join a men’s club in Back Bay, smoke cigars with a bunch of assholes in a back room somewhere, talk about my squash game and my kid’s grades. Die at my desk, and they’ll already have scraped my name off the office door before the dirt’s hit the coffin.” “But that’s life,” Danny said. “That’s a life. You want to play by their rules? Go ahead. But I say their rules are bullshit. I say there are no rules but the ones a man makes for himself.
Dennis Lehane (Live by Night (Coughlin, #2))
All their lives they had slaved at some kind of dull, heavy labor, behind desks and counters, in the fields and at tedious machines of all sorts, saving their pennies and dreaming of the leisure that would be theirs when they had enough. Finally that day came. They could draw a weekly income of ten or fifteen dollars. Where else should they go but California, the land of sunshine and oranges? Once there, they discover that sunshine isn’t enough. They get tired of oranges, even of avocado pears and passion fruit. Nothing happens. They don’t know what to do with their time. They haven’t the mental equipment for leisure, the money nor the physical equipment for pleasure. Did they slave so long just to go to an occasional Iowa picnic? What else is there? They watch the waves come in at Venice. There wasn’t any ocean where most of them came from, but after you’ve seen one wave, you’ve seen them all. The same is true of the airplanes at Glendale. If only a plane would crash once in a while so that they could watch the passengers being consumed in a “holocaust of flame,” as the newspapers put it. But the planes never crash. Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, wars. Their daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.
Nathanael West
In Fleury’s day, however, the grass was cut and the graves well cared for. Besides, as you might expect, he was fond of graveyards; he enjoyed brooding in them and letting his heart respond to the abbreviated biographies he found engraved in their stones . . . so eloquent, so succinct! All the same, once he had spent an hour or two pondering by his mother’s grave he decided to call it a day because, after all, one does not want to overdo the lurking in graveyards. This decision was not a very sudden one. From the age of sixteen when he had first become interested in books, much to the distress of his father, he had paid little heed to physical and sporting matters. He had been of a melancholy and listless cast of mind, the victim of the beauty and sadness of the universe. In the course of the last two or three years, however, he had noticed that his sombre and tubercular manner was no longer having quite the effect it had once had, particularly on young ladies. They no longer found his pallor so interesting, they tended to become impatient with his melancholy. The effect, or lack of it, that you have on the opposite sex is important because it tells you whether or not you are in touch with the spirit of the times, of which the opposite sex is invariably the custodian. The truth was that the tide of sensitivity to beauty, of gentleness and melancholy, had gradually ebbed leaving Fleury floundering on a sandbank. Young ladies these days were more interested in the qualities of Tennyson’s “great, broad-shouldered, genial Englishman” than they were in pallid poets, as Fleury was dimly beginning to perceive. Louise Dunstaple’s preference for romping with jolly officers which had dismayed him on the day of the picnic had by no means been the first rebuff of this kind. Even Miriam sometimes asked him aloud why he was looking “hangdog” when once she would have remained silent, thinking “soulful”. All
J.G. Farrell (The Siege of Krishnapur)
Hope is more than wishing things will work out. It is resting in the God who holds all things in his wise and powerful hands. We use the word hope in a variety of ways. Sometimes it connotes a wish about something over which we have no control at all. We say, “I sure hope the train comes soon,” or, “I hope it doesn’t rain on the day of the picnic.” These are wishes for things, but we wouldn’t bank on them. The word hope also depicts what we think should happen. We say, “I hope he will choose to be honest this time,” or, “I hope the judge brings down a guilty verdict.” Here hope reveals an internal sense of morality or justice. We also use hope in a motivational sense. We say, “I did this in the hope that it would pay off in the end,” or, “I got married in the hope that he would treat me in marriage the way he treated me in courtship.” All of this is to say that because the word hope is used in a variety of ways, it is important for us to understand how this word is used in Scripture or in its gospel sense. Biblical hope is foundationally more than a faint wish for something. Biblical hope is deeper than moral expectation, although it includes that. Biblical hope is more than a motivation for a choice or action, although it is that as well. So what is biblical hope? It is a confident expectation of a guaranteed result that changes the way you live. Let’s pull this definition apart. First, biblical hope is confident. It is confident because it is not based on your wisdom, faithfulness, or power, but on the awesome power, love, faithfulness, grace, patience, and wisdom of God. Because God is who he is and will never, ever change, hope in him is hope well placed and secure. Hope is also an expectation of a guaranteed result. It is being sure that God will do all that he has planned and promised to do. You see, his promises are only as good as the extent of his rule, but since he rules everything everywhere, I know that resting in the promises of his grace will never leave me empty and embarrassed. I may not understand what is happening and I may not know what is coming around the corner, but I know that God does and that he controls it all. So even when I am confused, I can have hope, because my hope does not rest on my understanding, but on God’s goodness and his rule. Finally, true hope changes the way you live. When you have hope that is guaranteed, you live with confidence and courage that you would otherwise not have. That confidence and courage cause you to make choices of faith that would seem foolish to someone who does not have your hope. If you’re God’s child, you never have to live hopelessly, because hope has invaded your life by grace, and his name is Jesus! For further study and encouragement: Psalm 20
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
Years before, a young girl had lain there naked on the iron bed in my room with her eyes closed and her hands folded over her breast, and I had been so struck by the pathos of her submissiveness and her trust in me and of the moment which would plunge her into the full, dark stream of the world that I had hesitated before laying my hands upon her and had, without understanding myself, called out her name. At that time I had had no words for what I felt, and now, too, it is difficult to find them. But lying there, she had seemed to be again the little girl who had, on the day of the picnic, floated on the waters of the bay, with her eyes closed under the stormy and grape-purple sky and the single white gull passing over, very high. As she lay there the image came into my head, and I had wanted to call her name, to tell her something—what, I did not know. She trusted me, but perhaps for that moment of hesitation I did not trust myself, and looked back upon the past as something precious about to be snatched away from us and was afraid of the future. I had not understood then what I think I have now come to understand: that we can keep the past only by having the future, for they are forever tied together. Therefore I lacked some essential confidence in the world and in myself. She came, as time passed, to suspect this fact about me. I do not know that she had words to describe the fact to herself. Or she only had the easy words people gave her: wanting to have a job, studying law, doing something. We went different ways in the world, as I have said, but I had with me always that image of the little girl on the waters of the bay, all innocence and trustfulness, under the stormy sky. Then, there came the day when that image was taken from me.
Robert Penn Warren (All The King's Men)
The biggest fear for homeschooled children is that they will be unable to relate to their peers, will not have friends, or that they will otherwise be unable to interact with people in a normal way. Consider this: How many of your daily interactions with people are solely with people of your own birth year?  We’re not considering interactions with people who are a year or two older or a year or two younger, but specifically people who were born within a few months of your birthday. In society, it would be very odd to section people at work by their birth year and allow you to interact only with persons your same age. This artificial constraint would limit your understanding of people and society across a broader range of ages. In traditional schools, children are placed in grades artificially constrained by the child’s birth date and an arbitrary cut-off day on a school calendar. Every student is taught the same thing as everyone else of the same age primarily because it is a convenient way to manage a large number of students. Students are not grouped that way because there is any inherent special socialization that occurs when grouping children in such a manner. Sectioning off children into narrow bands of same-age peers does not make them better able to interact with society at large. In fact, sectioning off children in this way does just the opposite—it restricts their ability to practice interacting with a wide variety of people. So why do we worry about homeschooled children’s socialization?  The erroneous assumption is that the child will be homeschooled and will be at home, schooling in the house, all day every day, with no interactions with other people. Unless a family is remotely located in a desolate place away from any form of civilization, social isolation is highly unlikely. Every homeschooling family I know involves their children in daily life—going to the grocery store or the bank, running errands, volunteering in the community, or participating in sports, arts, or community classes. Within the homeschooled community, sports, arts, drama, co-op classes, etc., are usually sectioned by elementary, pre-teen, and teen groupings. This allows students to interact with a wider range of children, and the interactions usually enhance a child’s ability to interact well with a wider age-range of students. Additionally, being out in the community provides many opportunities for children to interact with people of all ages. When homeschooling groups plan field trips, there are sometimes constraints on the age range, depending upon the destination, but many times the trip is open to children of all ages. As an example, when our group went on a field trip to the Federal Reserve Bank, all ages of children attended. The tour and information were of interest to all of the children in one way or another. After the tour, our group dined at a nearby food court. The parents sat together to chat and the children all sat with each other, with kids of all ages talking and having fun with each other. When interacting with society, exposure to a wider variety of people makes for better overall socialization. Many homeschooling groups also have park days, game days, or play days that allow all of the children in the homeschooled community to come together and play. Usually such social opportunities last for two, three, or four hours. Our group used to have Friday afternoon “Park Day.”  After our morning studies, we would pack a picnic lunch, drive to the park, and spend the rest of the afternoon letting the kids run and play. Older kids would organize games and play with younger kids, which let them practice great leadership skills. The younger kids truly looked up to and enjoyed being included in games with the older kids.
Sandra K. Cook (Overcome Your Fear of Homeschooling with Insider Information)
I could do anything—be anything. I could be a blackberry farmer. I could worry about phone bills and nipping out to the corner shop for milk and bread of a morning. Little Declan Jr. could learn to walk and talk with his real father, alive and well, and I could teach him how to wear a waistcoat with just the right amount of tragic charm, take him to school in a few years, maybe makehim a little sister to look out for, someone to keep him on his toes. He could play a sport—tennis, maybe, or football. I’d attend parent-teacher meetings and have after-work drinks with the neighbors, talking about how well so-and-so is doing, and why yes, Declan Jr. is learning to play the piano. Top of his class, you know—he has his mother’s grace… I could see all of that, as clear in my mind as sunlight on fresh snow, and so much more. Just living day to day. One morning we could have picnics, my family and I, next to blue glacial lakes. One afternoon my son would be old enough to meet a girl, get in a fight, need to shave. One evening his sister will need help with her homework, and he’ll complain, but he’ll help. And then one day the Elder Gods would descend from a blood-red sky in chariots lashed together from bone and flame and take away all my blackberries.
Joe Ducie (Knight Fall (The Reminiscent Exile, #3))
This is a friendly forty winks, Mrs. FitzEngle.” He snagged her wrist. “Join me.” She regarded him where he lay. “Ellen.” The teasing tone in Val’s voice faded. “I will not ravish you in broad daylight unless you ask it of me, though I would hold you.” She nodded uncertainly and gingerly lowered herself beside him, flat on her back. “You’re out of practice,” Val observed, rolling to his side. “We must correct this state of affairs if we’re to get our winks.” Before she could protest, he arranged her so she was on her side as well, his body curved around hers, her head resting on his bicep, his arm tucking her back against him. “The benefit of this position,” his said, speaking very close to her ear, “is that I cannot behold your lovely face if you want to confide secrets, you see? I am close enough to hear you whisper, but you have a little privacy, as well. So confide away, and I’ll just cuddle up and perhaps even drift off.” “You would drift off while I’m confiding?” “I would allow you the fiction. It’s one of the rules of gentlemanly conduct owed on summer days to napping companions.” His arm was loosely draped over her middle so he could sense the tension in her. “I can hear your thoughts turning like a mill wheel. Let your mind rest too, Ellen.” “I am unused to this friendly napping.” “You and your baron never stole off for an afternoon nap?” Val asked, his fingers tracing the length of her arm. “Never kidnapped each other for a picnic on a pretty day?” “We did not.” Ellen sighed as his fingers stroked over her arm again. “He occasionally took tea with me, though, and we often visited at the end of the day.” But, Val concluded with some satisfaction, they did not visit in bed or on blankets or with their clothes off. Ellen had much to learn about napping. His right hand drifted up to her shoulder, where he experimentally squeezed at the muscles joining her neck to her back. “Blazes,” he whispered, “you are strong. Relax, Ellen.” His right hand was more than competent to knead at her tense muscles, and when he heard her sigh and felt her relax, he realized he’d found the way to stop her mill wheel from spinning so relentlessly. “Close your eyes, Ellen,” he instructed softly. “Close your eyes and rest.” In minutes, her breathing evened out, her body went slack, and sleep claimed her. Gathering her a little more closely, he planted a kiss on her nape and closed his eyes. His hand wasn’t throbbing anymore, his belly was full, and he was stealing a few private moments with a pretty lady on a pretty day. God
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Tell me something else instead. Tell me what you’re looking forward to most about going to school here.” “You go first. What are you most excited about?” Right away, Peter says, “That’s easy. Streaking the lawn with you.” “That’s what you’re looking forward to more than anything? Running around naked?” Hastily I add, “I’m never doing that, by the way.” He laughs. “It’s a UVA tradition. I thought you were all about UVA traditions.” “Peter!” “I’m just kidding.” He leans forward and puts his arms around my shoulders, rubbing his nose in my neck the way he likes to do. “Your turn.” I let myself dream about it for a minute. If I get in, what am I most looking forward to? There are so many things, I can hardly name them all. I’m looking forward to eating waffles every day with Peter in the dining hall. To us sledding down O-Hill when it snows. To picnics when it’s warm. To staying up all night talking and then waking up and talking some more. To late-night laundry and last-minute road trips. To…everything. Finally I say, “I don’t want to jinx it.” “Come on!” “Okay, okay…I guess I’m most looking forward to…to going to the McGregor Room whenever I want.” People call it the Harry Potter room, because of the rugs and chandeliers and leather chairs and the portraits on the wall. The bookshelves go from the floor to the ceiling, and all of the books are behind metal grates, protected like the precious objects they are. It’s a room from a different time. It’s very hushed--reverential, even. There was this one summer--I must have been five or six, because it was before Kitty was born--my mom took a class at UVA, and she used to study in the McGregor Room. Margot and I would color, or read. My mom called it the magic library, because Margot and I never fought inside of it. We were both quiet as church mice; we were so in awe of all the books, and of the older kids studying. Peter looks disappointed. I’m sure it’s because he thought I would name something having to do with him. With us. But for some reason, I want to keep those hopes just for me for now. “You can come with me to the McGregor Room,” I say. “But you have to promise to be quiet.” Affectionately Peter says, “Lara Jean, only you would look forward to hanging out in a library.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
That wasn’t necessary,” Benix told Kestrel. “It was,” she said. “He’s tiresome. I don’t mind taking his money, but I cannot take his company.” “You couldn’t spare a thought for me before chasing him away? Maybe I would like a chance to win his gold.” “Lord Irex can spare it,” Ronan added. “Well, I don’t like poor losers,” said Kestrel. “That’s why I play with you two.” Benix groaned. “She’s a fiend,” Ronan agreed cheerfully. “Then why do you play with her?” “I enjoy losing to Kestrel. I will give anything she will take.” “While I live in hope to one day win,” Benix said, and gave Kestrel’s hand a friendly pat. “Yes, yes,” Kestrel said. “You are both fine flatterers. Now ante up.” “We lack a fourth player,” Benix pointed out. Bite and Sting was played in pairs or fours. Despite herself, Kestrel looked at Arin standing not too far away, considering the garden or the house beyond it. From his position he would have had a view of Irex’s tiles, and Ronan’s. He would not, however, have been able to see hers. She wondered what he had made of the game--if he had bothered to follow it. Perhaps feeling her gaze on him, Arin glanced her way. His eyes were calm, uninterested. She could read nothing in them. “I suppose our game is over then,” she told the two lords in a bright voice. “Shall we join the others?” Ronan poured the gold into her purse and slipped its velvet strap over her wrist, unnecessarily fiddling with the broad ribbon until it lay flat against Kestrel’s skin without a winkle. He offered his arm and she took it, resting her palm on the cool silk of his sleeve. Benix fell in step, and the three walked toward the heart of the murmuring party. Kestrel knew, rather than saw, that Arin shifted position and followed, like the shadow line of a sundial. This was precisely what he was supposed to do as her attendant at Lady Faris’s picnic, yet she had the uncomfortable impression of being tracked.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
What is it that makes a person the very person that she is, herself alone and not another, an integrity of identity that persists over time, undergoing changes and yet still continuing to be—until she does not continue any longer, at least not unproblematically? I stare at the picture of a small child at a summer’s picnic, clutching her big sister’s hand with one tiny hand while in the other she has a precarious hold on a big slice of watermelon that she appears to be struggling to have intersect with the small o of her mouth. That child is me. But why is she me? I have no memory at all of that summer’s day, no privileged knowledge of whether that child succeeded in getting the watermelon into her mouth. It’s true that a smooth series of contiguous physical events can be traced from her body to mine, so that we would want to say that her body is mine; and perhaps bodily identity is all that our personal identity consists in. But bodily persistence over time, too, presents philosophical dilemmas. The series of contiguous physical events has rendered the child’s body so different from the one I glance down on at this moment; the very atoms that composed her body no longer compose mine. And if our bodies are dissimilar, our points of view are even more so. Mine would be as inaccessible to her—just let her try to figure out [Spinoza’s] Ethics—as hers is now to me. Her thought processes, prelinguistic, would largely elude me. Yet she is me, that tiny determined thing in the frilly white pinafore. She has continued to exist, survived her childhood illnesses, the near-drowning in a rip current on Rockaway Beach at the age of twelve, other dramas. There are presumably adventures that she—that is that I—can’t undergo and still continue to be herself. Would I then be someone else or would I just no longer be? Were I to lose all sense of myself—were schizophrenia or demonic possession, a coma or progressive dementia to remove me from myself—would it be I who would be undergoing those trials, or would I have quit the premises? Would there then be someone else, or would there be no one? Is death one of those adventures from which I can’t emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists. A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? In this passage from Betraying Spinoza, the philosopher and novelist Rebecca Newberger Goldstein (to whom I am married) explains the philosophical puzzle of personal identity, one of the problems that engaged the Dutch-Jewish thinker who is the subject of her book.5 Like her fellow humanist Dawkins, Goldstein analyzes the vertiginous enigma of existence and death, but their styles could not be more different—a reminder of the diverse ways that the resources of language can be deployed to illuminate a topic.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)