Pi Movie Quotes

We've searched our database for all the quotes and captions related to Pi Movie. Here they are! All 14 of them:

It’s not like the movies. There are rarely gunshots or explosions, bad guys hunting you down. You follow a lead to where it takes you. Most times it takes you to a dead end and you have to return to the beginning and follow another. Usually, you have to follow dozens of leads before you get anywhere. But, sometimes, you get lucky, and every door you open leads you to another until, finally, you stumble upon the truth. It’s not about justice, you see, or money—God knows it’s not about money. It’s about bringing the truth to light. It’s not glamorous, but it makes the world a little more truthful a place. That’s enough for me.
Philip Elliott (Porno Valley)
What's that thing?” The young man looked horrified. “That’s Winky.” How dare he call my darling cat a thing? Sure, Winky had only one eye, and looked as though he’d just walked off the set of a slasher movie, but deep down, underneath all that fur and latent aggression, he was sweet and adorable. At least, that’s what the woman at the cat re-homing centre had told me. Gullible? Who? Me? Winky jumped onto my desk, and immediately the young man pushed his chair back. He probably thought he’d be safe at that distance, but he hadn’t seen how far Winky could jump.
Adele Abbott (Witch Is When It All Began (A Witch P.I. Mystery, #1))
that it’s getting tougher and tougher to pin their jobs on hoods, tougher to make a rap stick. For good or ill, that’s the way it is. You damn near have to catch them in the act of dismembering the body … And I had it. I was lugging my damned camera. Maybe there’d been a reason—besides the fact that I had some splendidly provocative shots of Tootsie in the exposed footage—for my hanging onto the Bolex. The next best thing to actually catching hoods in the commission of a crime should be a movie of them in the middle of it. A shot of them chasing after me, shooting at me, should be enough for any court in the land, temporarily. That meant I would have to get into the film somehow, myself, while taking care that the action was merely of the boys shooting at me, not in me. So, for one, I couldn’t stand holding the camera, filming them while they ran down on top of me. And for another, I was going to have to run at least another mile. But I was quite a bit ahead of them now—though a shot still rang out from time to time—so I sprinted as hard as I could for a hundred yards, the last thirty of which were quite straight, and then skidded to a stop. The Bolex was battery-operated and, once started, would function unaided until the film ran out, if I locked the shutter release down. But there was only one hundred feet of film, and that would run past the lens in four minutes. I didn’t think I could be sure of running another mile in four minutes—not after what I’d recently been through. In fact, I was pretty sure I couldn’t. But there was still a way. If I set the camera speed to expose not the normal sixteen frames a second but only eight, which I could do merely by turning a little knob on the side of the camera, the thing would run twice as long, or for eight minutes. True, when projected it would be in fast motion, the action speeded up, but that didn’t matter. The faces—and guns—of those lobs would be identifiable. The only ticklish part, actually, after adjusting the lens aperture and frames-per-second setting, was spotting a limb in the right place and at the right angle to hold the camera firmly. But I found one suitable, jammed the Bolex into place pointing back down the path, depressed and locked the shutter release to start it whirring and moved out of there.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Six)
It wasn’t a horror movie, Mama,” said Jody adamantly. “It had zombies, didn’t it?” “Yes, ma’am, but it’s a love story.” Rick laughed. He was amused with the young girl’s defense. “Have you seen it?” asked Jody. “It’s called Warm Bodies.” Rick shook his head. “No, I haven’t. Is it good?” Jody’s eyes brightened. “Oh my gosh! You have to see it…
Linda Weaver Clarke (Mystery on the Bayou (Amelia Moore Detective Series #6))
1.              “Following the leader” 2.              “Fork it over” 3.              “Look out!” 4.              “Nerves of steel” 5.              “Odd ball” 6.              “Top dawg” 7.              “Scene from a Disney movie” 8.              “Greetings!” 9.              “What’s wrong with this picture?” 10.              “Here’s Your Sign” 11.              “Sharing” 12.              “No pain, no gain” 13.              “Wing it” 14.              “More than meets the eye” 15.              “Jammin’” 16.              “It’s in the bag” 17.              “It ain’t over ‘till . . .” 18.              “Happy Camper” 19.              “Shiny” 20.              “Easy as pi” 21.              “Heroes of a different sort” 22.              “Cut your losses” 23.              “Crime doesn’t pay” 24.              “Tough nut to crack” 25.              “Beauty is in the eye” 26.              “Red-handed” 27.              “Whatever floats your boat” 28.              “Stand off” 29.              “Blue” 30.              “Tragedy!
Kendel Christensen (Come Closer, 101+ Charming Date Ideas: The Creative, Outside-the-box Way to Connect and Romance.)
Winky had only one eye, and looked as though he’d just walked off the set of a slasher movie,
Adele Abbott (Witch Is When It All Began (A Witch P.I. Mystery, #1))
the Westlander Theater. I'd never been to the Westlander, but I knew what and where it was—and I was very soon going to visit it for the first time. The Westlander was a burlesque house, but it was to the burlesque circuit about what Spike Jones is to classical music, or one pair of bloomers is to the Arabian Nights. On occasion newcomers to the game got their start at the Westlander, but usually the game was almost over before an act hit the small theater on Los Angeles Street. I headed for Los Angeles Street. The Westlander was showing a twin movie bill—Dope Hell of the Sadistic Nudists, and a film about a real negative thinker, I Even Went Wrong Wrong.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Two)
My job, should I decide to undertake it, as it were, is to determine if the accident was by fault of impaired equipment or that of a preternatural event as the screaming boom operator would have one believe. I vote for a ghost. It makes things infinitely more interesting or my name isn‘t Beluga Stein, P.I. — Psychic Investigator. Part-time anyway. That is, when I‘m not teaching biology to a bunch of undergrads who know everything about libido except how to spell it. So my ballot is cast for a ghost.
Wendy W. Webb
Robbie, at the moment, was very much full of hell. I was trying out a big Zoomar telescopic lens on my new Bell & Howell movie camera, holding on Robbie while she danced and pranced. She posed, flew around, wiggled a little. The word for it was: sensational.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Three)
Oculus[2,3,8,12,8,6] = [14,2,10,7,5] = [12,2,3,17] = [14,12,13] = [1,15] = 14, Box Model For Paisbox Molecular Portal [phirand, ring, circlet, diadem, itemizer, abstracter] Attributes= pi= Modulation, phi= Abstraction, HP[health], MP[mana] Elements= Hexagonal Sphere= HP, MP; Mana Prism= pi, phi Finally, POAMULET[3,2,1,13,8,12,5,7]= "The (Oculus) Is Injected Into (Paisbox) To Create The Amulet
Jonathan Roy Mckinney Gero EagleO2
movie, but deep down, underneath all that fur and latent aggression, he was sweet and adorable. At least, that’s what the woman at the cat re-homing centre had told me. Gullible? Who? Me? Winky jumped onto my desk, and immediately the young man pushed his chair back. He probably thought he’d be safe at that distance, but he hadn’t seen how far Winky could jump. “Get down!” I tried to push Winky off the desk, but he managed to avoid my arm. His meowing grew louder as he walked around in circles, directing his attention first at me and then at the young man. “Sorry about this.” I forced a smile, and pressed the intercom. “Mrs V?” “Hello.” Mrs V’s voice crackled
Adele Abbott (Witch Is When It All Began (A Witch P.I. Mystery, #1))
One of Dene's favorite directors, Darren Aronofsky, used a Bolex in his movies Pi and Requiem for a Dream -- which Dene would say is one of his favorite movies, though it's hard to call such a fucked-up movie a favorite. But that for Dene is what is so good about the movie, aesthetically it's rich, so you enjoy the experience, but you don't exactly come away from the film glad that you watched it, and yet you wouldn't have it any other way.
Tommy Orange (There There)
‬Scarecrow's‬‭ face‬‭ lit‬‭ up‬‭ as‬‭ he‬‭ took‬‭ the‬‭ diploma,‬ his‬‭ eyes‬‭ shining‬‭ with‬‭ newfound‬‭ confidence.‬‭ "E‬‭= mc‬‭ squared.‬‭ Pi‬‭ is‬‭ an‬‭ irrational‬‭ number‬‭ representing‬‭ any‬‭ circle's‬‭ ratio‬‭ between‬‭ its‬‭ circumference‬‭ and‬‭ diameter.‬ There‬‭ is‬‭ something‬‭ profoundly‬‭ immoral‬‭ and‬ ‭unsustainable‬‭ when‬‭ one‬‭ family‬‭ owns‬‭ more‬‭ wealth‬‭ than‬ the‬‭ bottom‬‭ 130‬‭ million‬‭ Americans."‬‭ He‬‭ paused,‬‭ a‬ contemplative beat. "Die Hard is a Christmas movie."‬
GLEN NESBITT (We're Off)
Each contained a tooth. One a canine. Another a premolar. Here an incisor. There another molar. Thirty-two teeth. A complete human set. Not one tooth missing. Understanding dawned upon me. I did not scream. I think only in movies is horror vocal. I simply shuddered and left the tree.
Yann Martel (Life of Pi)