Pi's Father Quotes

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To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures who people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It is like losing--I'm sorry, I would rather not go on.
Yann Martel (Life of Pi)
Just beyond the ticket booth Father had painted on a wall in bright red letters the question: DO YOU KNOW WHICH IS THE MOST DANGEROUS ANIMAL IN THE ZOO? An arrow pointed to a small curtain. There were so many eager, curious hands that pulled at the curtain that we had to replace it regularly. Behind it was a mirror.
Yann Martel (Life of Pi)
And what a story. The first thing that drew me in was disbelief. What? Humanity sins but it's God's Son who pays the price? I tried to imagine Father saying to me, 'Piscine, a lion slipped into the llama pen today and killed two llamas. Yesterday another one killed a black buck. Last week two of them ate a camel. The situation has become intolerable. Something must be done. I have decided that the only way the lions can atone for their sins is if I feed them you.' ... 'Yes, Father, that would be the right and logical thing to do. Give me a moment to wash up'. What a downright weird story. What a peculiar psychology.
Yann Martel (Life of Pi)
But once a dead God, always a dead God, even resurrected. The Son must have the taste of death forever in his mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself? Why not leave death to mortals? Why make dirty what is beautiful, spoil what is perfect? -- Love. That was his answer.
Yann Martel (Life of Pi)
What a thing to acknowledge in your heart! To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures to people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It is like losing-I’m sorry, I would rather not go on.
Yann Martel (Life of Pi)
Father Jakob mentioned to her that military men took it personally when women at home were assaulted. They were away fighting for their country and they believed the men left behind had an obligation to take care of and protect the women on the homefront. Maeve knew from experience women mostly had to take care of themselves.
A.G. Russo (Bangtails, Grifters, and a Liar's Kiss (O'Shaughnessy Investigations Inc. 2))
She swore she'd never turn into her P.I. father...but that was before she ran over the body.
Lida Sideris (Murder and Other Unnatural Disasters (Southern California Mysteries, #1))
Mamaji remembered, Father dreamed.
Yann Martel (Life of Pi)
They were dead; I could no longer deny it. What a thing to acknowledge in your heart! To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures to people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you.
Yann Martel (Life of Pi)
If God on the Cross is God shamming a human tragedy, it turns the Passion of Christ into the Farce of Christ. The death of the Son must be real. Father Martin assured me it was. But once a dead God, always a dead God, even resurrected. The Son must have the taste for death forever in His mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself? Why not leave death to the mortals? Why make dirty what is beautiful, spoil what is perfect? Love. That was Father Martin's answer.
Yann Martel (Life of Pi)
Just beyond the ticket booth Father had painted on a wall in bright red letters the question: DO YOU KNOW WHICH IS THE MOST DANGEROUS ANIMAL IN THE ZOO? An arrow pointed to a small curtain. There were so many eager, curious hands that pulled at the curtain that we had to replace it regularly. Behind it was a mirror. (1.8.4)
Yann Martel
To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches.
Yann Martel (Life of Pi)
Go therefore and  k make disciples of  l all nations,  j baptizing them  m in [2]  n the name of the Father and of the Son and of the Holy Spirit, 20teaching them  o to observe all that  p I have commanded you. And behold,  q I am with you always, to  r the end of the age.
Anonymous (Holy Bible: English Standard Version (ESV))
j Go therefore and  k make disciples of  l all nations,  j baptizing them  m in [2]  n the name of the Father and of the Son and of the Holy Spirit, 20teaching them  o to observe all that  p I have commanded you. And behold,  q I am with you always, to  r the end of the age.
Anonymous (Holy Bible: English Standard Version (ESV))
just beyond the ticket booth father had painted on a wall in bright red letters the question: DO YOU KNOW WHICH IS THE MOST DANGEROUS ANIMAL IN THE ZOO? an arrow pointed to a small curtain. there were so many eager, curious hands that pulled at that curtain that we had to replace it regularly. behind it was a mirror
Yann Martel (Life of Pi)
authority  i in heaven and on earth has been given to me. 19 j Go therefore and  k make disciples of  l all nations,  j baptizing them  m in [2]  n the name of the Father and of the Son and of the Holy Spirit, 20teaching them  o to observe all that  p I have commanded you. And behold,  q I am with you always, to  r the end of the age.
Anonymous (Holy Bible: English Standard Version (ESV))
Father raised his hands. "Gentlemen, gentlemen,please!" he interjected. "I would like to remind you there is freedom of practice in this country." Three apoplectic faces turned to him. "Yes! Practice--singular!" the wise men screa,ed in unison. Three index fingers, like punctuation marks, jumped to attention in the air to emphasize their point.
Yann Martel (Life of Pi)
But once a dead God, always a dead God, even resurrected. The Son must have the taste of death forever in His mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself ? Why not leave death to the mortals? Why make dirty what is beautiful, spoil what is perfect? Love.
Yann Martel (Life of Pi)
This Son is a god who walked, a pedestrian god—and in a hot place, at that—with a stride like any human stride, the sandal reaching just above the rocks along the way; and when He splurged on transportation, it was a regular donkey. This Son is a god who died in three hours, with moans, gasps and laments. What kind of a god is that? What is there to inspire in this Son? Love, said Father Martin.
Yann Martel (Life of Pi)
To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures to people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It
Yann Martel (Life of Pi)
To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures to people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It is like losing—I'm sorry, I would rather not go on.
Yann Martel (Life of Pi)
But I learned at my expense that Father believed there was another animal even more dangerous than us, and one that was extremely common, too, found on every continent, in every habitat: the redoubtable species Animalus anthropomorphicus, the animal as seen through human eyes. We've all met one, perhaps even owned one. It is an animal that is "cute", "friendly", "loving", "devoted", "merry", "understanding". These animals lie in ambush in every toy store and children's zoo. Countless stories are told of them. They are the pendants of those "vicious", "bloodthirsty", "depraved" animals that inflame the ire of the maniacs I have just mentioned, who vent their spite on them with walking sticks and umbrellas. In both cases we look at an animal and see a mirror. The obsession with putting ourselves at the centre of everything is the bane not only of theologians but also of zoologists. I learned the lesson that an animal is an animal, essentially and practically removed from us, twice: once with Father and once with Richard Parker. Martel, Yann. Life of Pi (p. 39). Houghton Mifflin Harcourt.
Yann Martel (Life of Pi)
If, on the way back from the Passage des Patriarches to my apartment near Saint-Germain-des-Prés, I had thought of examining myself like a transparent foreign body, I should have discovered one of the laws which governs the behavior of "featherless bipeds unequipped to conceive the number pi"—Father Sogol's definition of the species to which he, you, and I belong. This law might be termed: inner resonance to influences nearest at hand. The guides on Mount Analogue, who explained it to me later, called it simply the chameleon law. Father Sogol had really convinced me, and while he was talking to me, I was prepared to follow him in his crazy expedition. But as I neared home, where I could again find all my old habits, I imagined my colleagues at the office, the writers I knew, and my best friends listening to an account of the conversation I had just had. I could imagine their sarcasm, their skepticism, and their pity. I began to suspect myself of naiveté and credulity, so much so that when I tried to tell my wife about meeting Father Sogol, I caught myself using expressions like "a funny old fellow," "an unfrocked monk," "a slightly daffy inventor," "a crazy idea.
René Daumal (Mount Analogue)
And as for returning to work as a reporter—something she’d given considerable thought to before taking over her father’s inquiry agency—the Sydney newspapers had dismissed most of their women reporters home once the men started to return from the war, or else confined them to the social pages, or covering the Easter Show, which was a bit too steep a downgrade for Billie after she’d chased Nazi activity across Europe, built a good portfolio of published articles, and worked alongside the likes of Lee Miller and Clare Hollingworth. No, she wouldn’t last in that kind of work. It was an imperfect world, and her chosen profession was decidedly imperfect, but for now she had a hint of that spark again, that sense of doing something that mattered to someone.
Tara Moss (The War Widow (Billie Walker Mystery, #1))
when all the eternal roads converge, meeting for one divine moment. And that vision of my dad—now I realized why it came. Because he was here, too. I felt him, standing beside me, yet also waiting at some infinite point where the veil opens and the spirit blows into our lives and all the sacred folds of the hearts hold fast to the things that will last forever. Love. Family. A father who always promised to walk his daughter down the aisle, and then he does it—from heaven. I blinked back the tears. I was not alone. I was never alone.
Sibella Giorello (The Wind Will Howl (Raleigh Harmon PI Mysteries #3))
Read even if you don’t like to read,” her father would say. “You will learn things that will prove useful when you least expect them to be.
Neelabh Pratap Singh (Pi Agency (Rashmi Purohit Mystery #1))
green liquid looked and smelled like no vegetables I'd ever seen. I had my suspicions that frogs or slugs might be involved. “Your loss.” She poured herself a bowlful, and joined me at the kitchen table. How was I supposed to concentrate when I was likely to throw up at any moment? “For your first lesson, I thought we'd focus on the 'hide', 'sleep' and 'rain' spells,” she said in between mouthfuls of (allegedly) vegetable soup. My name is Jill Gooder, and I'm a Private Investigator. My father was also a P.I. I joined the family business straight from school. When my father died, I took over. But I guess that doesn't explain why I was taking magic lessons from Grandma. I’d only recently discovered that I was a witch—I didn't find out until
Adele Abbott (Witch Is When Life Got Complicated (A Witch P.I. Mystery, #2))
Like a house on fire. Your father has a lot of stamina for a man of his age, if you know what I mean.” She grinned. Way too much information.
Adele Abbott (Witch Is Why Another Door Opened (A Witch P.I. Mystery #15))
But once a dead God, always a dead God, even resurrected. The Son must have the taste of death forever in his mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself? Why not leave death to mortals? Why make dirty what is beautiful, spoil what is perfect? - Love. That was his answer.
Yann Martel (Life of Pi)
With a new lease on life, and trying his best to fit the collegiate mold, he did join his father’s old fraternity, Beta Theta Pi, and in fact enjoyed the camaraderie—including the repeated trips he and a group of brothers took to Union City, New Jersey, or to the Globe in Boston to catch the burlesque shows. It was the comedy Foster liked, not the sex.
Martin Duberman (Stonewall: The Definitive Story of the LGBT Rights Uprising that Changed America)
Goodbye, Richard Parker. I'm sorry for having failed you. I did my best. Farewell. Dear Father, dear Mother, dear Ravi, greetings. Your loving son and brother is coming to meet you. Not an hour has gone by that I haven't thought of you. The moment I see you will be the happiest of my life. And now I leave matters in the hands of God, who is love and whom I love.
Yann Martel (Life of Pi)
The Son must have the taste of death forever in His mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real.
Yann Martel (Life of Pi)