Physics Jokes Quotes

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The power of women! I've never felt so full of mysterious power. Men are a joke. We're so weak physically, so helpless with things. Still, even today. But we're stronger than they are. We can stand their cruelty. They can't stand ours.
John Fowles (The Collector)
When it came time for me to give my talk on the subject, I started off by drawing an outline of the cat and began to name the various muscles. The other students in the class interrupt me: "We *know* all that!" "Oh," I say, "you *do*? Then no *wonder* I can catch up with you so fast after you've had four years of biology." They had wasted all their time memorizing stuff like that, when it could be looked up in fifteen minutes.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
Genya—” David tried. “Don’t you dare,” she said roughly, tears welling up again. “You never looked at me twice before I was like this, before I was broken. Now I’m just something for you to fix.” I was desperate for words to soothe her, but before I could find any, David bunched up his shoulders and said, “I know metal.” “What does that have to do with anything?” Genya cried. David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
None of this is important in itself, but I feel somewhere that it has a lot to do with why I have always felt separate, why I have always felt unable to join in, to let go, to become part of the tribe, why I have always sniped or joked from the sidelines, why I have never, ever, lost my overwhelmingly self-conscious self-consciousness. It's not all that bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing - they are not all bad. Those devils have also been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
One good thing about New York is that most people function daily while in a low-grade depression. It's not like if you're in Los Angeles, where everyone's so actively working on cheerfulness and mental and physical health that if they sense you're down, they shun you. Also, all that sunshine is a cruel joke when you're depressed. In New York, even in your misery, you feel like you belong.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
David furrowed his brow. "I ... I don't understand half of what goes on around me. I don't get jokes or sunsets or poetry, but I know metal." His fingers flexed unconsciously as if he were physically grasping for words. "Beauty was your armor. Fragile stuff, all show. But what's inside you? That's steel. It's brave and unbreakable. And it doesn't need fixing." He drew in a deep breath then awkwardly stepped forward. He took her face in his hands and kissed her. Genya went regid. I thought she'd push him away. But then she threw her arms around him and kissed him back. Emphatically. Mal cleared his throat, and Tamar gave a low whistle. I had to bite my lip to stifle a nervous laugh. They broke apart. David was blushing furiously. Genya's grin was so dazzling it made my heart twist in my chest.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
There was a Princess Somebody of Denmark sitting at a table with a number of people around her, and I saw an empty chair at their table and sat down. She turned to me and said, "Oh! You're one of the Nobel-Prize-winners. In what field did you do your work?" "In physics," I said. "Oh. Well, nobody knows anything about that, so I guess we can't talk about it." "On the contrary," I answered. "It's because somebody knows something about it that we can't talk about physics. It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance--gold transfers we can't talk about, because those are understood--so it's the subject that nobody knows anything about that we can all talk about!" I don't know how they do it. There's a way of forming ice on the surface of the face, and she did it!
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
Spooky,” I whispered under my breath, and wondered if the last thing I ever said was going to be a not-very-funny physics joke.
Elizabeth Bear (Ancestral Night (White Space, #1))
Worship isn't destructive, Martin. I know that. I don't. I only know it's the core of his life. What else has he got? He can hardly read. He knows no physics or engineering to make to world real for him. No paintings to show him how others have enjoyed it. No music except television jingles. No history except tales from a desperate mother. No friends. Not one kid to give him a joke, or make him know himself more moderately. He's a modern citizen for whom society doesn't exist.
Peter Shaffer (Equus (Penguin Plays))
Small Man can be a very funny or a very tiresome Tour Companion, depending on how this kind of thing grabs you. He gambles, he drinks too much and he always runs away. Since the Rules allow him to make Jokes, he will excuse his behaviour in a variety of comical ways. Physically he is stunted and not at all handsome, although he usually dresses flamboyantly. He tends to wear hats with feathers in. You will discover he is very vain. But, if you can avoid smacking him, you will come to tolerate if not love him. He will contrive, in some cowardly way, to play a major part in saving the world.
Diana Wynne Jones (The Tough Guide to Fantasyland)
Marissa felt physically sick. Had Jack been married? “The rest of the crew was joking around with him about it, and I don’t remember exactly what was said except one of them said ‘Married now is it? To some chick you met this afternoon?’ And Jack said, ‘We are. She just doesn’t know it yet.
Lisa Gillis (Weathering Jack Storm (Silver Strings G, #2))
Mania was a mental state every bit as dangerous as depression. At first, however, it felt like a rush of euphoria. You were completely captivating, completely charming; everybody loved you. You took ridiculous physical risks, jumping out of a third-floor dorm room into a snowbank, for instance. It made you spend your year's fellowship money in five days. It was like having a wild party in your head, a party at which you were the drunken host who refused to let anyone leave, who grabbed people by the collar and said, "Come on. One more!" When those people inevitably did vanish, you went out and found others, anyone and anything to keep the party going. You couldn't stop talking. Everything you said was brilliant. You just had the best idea. Let's drive down to New York! Tonight! Let's climb on top of List and watch the sunrise! Leonard got people to do these things. He led them on incredible escapades. But at some point things began to turn. His mind felt as if it was fizzing over. Words became other words inside his head, like patterns in a kaleidoscope. He kept making puns. No one understood what he was talking about. He became angry, irritable. Now, when he looked at people, who'd been laughing at his jokes an hour earlier, he saw that they were worried, concerned for him. And so he ran off into the night, or day, or night, and found other people to be with, so that the mad party might continue...
Jeffrey Eugenides (The Marriage Plot)
Sympathy once more reveals its limits when faced with madness.
José Alaniz (Death, Disability, and the Superhero: The Silver Age and Beyond)
entanglement: (n.) quantum physics term for when the sheets wrap around two bodies in space.
Sol Luckman (The Angel's Dictionary)
I noticed that the [drawing] teacher didn't tell people much... Instead, he tried to inspire us to experiment with new approaches. I thought of how we teach physics: We have so many techniques - so many mathematical methods - that we never stop telling the students how to do things. On the other hand, the drawing teacher is afraid to tell you anything. If your lines are very heavy, the teacher can't say, "Your lines are too heavy." because *some* artist has figured out a way of making great pictures using heavy lines. The teacher doesn't want to push you in some particular direction. So the drawing teacher has this problem of communicating how to draw by osmosis and not by instruction, while the physics teacher has the problem of always teaching techniques, rather than the spirit, of how to go about solving physical problems.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
My question for Will is: Does this feel like a country at peace or at war? I’m joking, sort of, but he answers seriously. He says it feels the way it does just before it starts. It’s a weird thing, but you learn to pick up on it. Even while everybody’s convincing themselves it’s going to be okay, it’s there in the air somehow. The whole thing is more physical than mental, he tells me. Like hackles? The way a dog’s hackles go up? Yes, he says.
Jenny Offill (Weather)
A billion neutrinos go swimming in heavy water: one gets wet.
Kamakana
If a guy can‘t handle it when you talk about quantum physics, Manga, or Dungeons and Dragons, then he probably isn‘t the guy for you. If he gets embarrassed by your bluntness, you‘re probably not a good match. If he doesn‘t get your jokes, references, etc., then do you really want to pursue it? We tend to feel flawed and want to change ourselves to be accepted. We are good mimics and we think that we can mimic being the kind of girl that guys will like. By all means work on yourself, but most important, be yourself.
Rudy Simone (Aspergirls: Empowering Females with Asperger Syndrome)
To find out actually what takes place when you die you must die. This isn't a joke. You must die - not physically but psychologically, inwardly, die to the things you have cherished and to the things you are bitter about. If you have died to one of your pleasures, the smallest or the greatest, naturally, without any enforcement or argument, then you will know what it means to die. To die is to have a mind that is completely empty of itself, empty of its daily longing, pleasure; and agonies. Death is a renewal, a mutation, in which thought does not function at all because thought is old. When there is death there is something totally new. Freedom from the known is death, and then you are living.
J. Krishnamurti (Freedom from the Known)
I used to joke I'd escaped the curse of the male gaze, because so many men have to physically look up to meet my eyes. But the male gaze is a gods-eye view. Which is to say: omni-present, and internalized. There's still a man in the mirror, watching me look at myself.
Meg Howrey (They're Going to Love You)
A police officer pulls over Werner Heisenberg for speeding. “Do you know how fast you were going?” asks the cop. “No,” Heisenberg replies, “but I know exactly where I am!” I think we can all agree that physics jokes are the funniest jokes there are. They are less good at accurately conveying physics. This particular chestnut rests on familiarity with the famous Heisenberg uncertainty principle, often explained as saying that we cannot simultaneously know both the position and the velocity of any object. But the reality is deeper than that.
Sean Carroll (Something Deeply Hidden: Quantum Worlds and the Emergence of Spacetime)
Then the son told me what happened. The last time he was there, Bohr said to his son, “Remember the name of that little fellow in the back over there? He’s the only guy who’s not afraid of me, and will say when I’ve got a crazy idea. So next time when we want to discuss ideas, we’re not going to be able to do it with these guys who say everything is yes, yes, Dr. Bohr. Get that guy and we’ll talk with him first.” I was always dumb in that way. I never knew who I was talking to. I was always worried about the physics. If the idea looked lousy, I said it looked lousy. If it looked good, I said it looked good. Simple proposition. I’ve always lived that way. It’s nice, it’s pleasant—if you can do it. I’m lucky in my life that I can do this.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
The show doesn’t go on because it’s ready; it goes on because it’s 11:30. This is something Lorne [Michaels] has said often about Saturday Night Live, but I think it’s a great lesson about not being too precious about your writing. You have to try your hardest to be at the top of your game and improve every joke you can until the last possible second, and then you have to let it go. You can’t be that kid standing at the top of the waterslide, overthinking it. You have to go down the chute. (And I’m from a generation where a lot of people died on waterslides, so this was an important lesson for me to learn.) You have to let people see what you wrote. It will never be perfect, but perfect is overrated. Perfect is boring on live TV. What I learned about ‘bombing’ as an improviser at Second City was that bombing is painful, but it doesn’t kill you. No matter how badly an improv set goes, you will still be physically alive when it’s over. What I learned about bombing as a writer at Saturday Night is that you can’t be too worried about your ‘permanent record.’ Yes, you’re going to write some sketches that you love and are proud of forever—your golden nuggets. But you’re also going to write some real shit nuggets. And unfortunately, sometimes the shit nuggets will make it onto the air. You can’t worry about it. As long as you know the difference, you can go back to panning for gold on Monday.
Tina Fey (Bossypants)
For all the clever jokes that could be made here involving "mind" and "matter" there is one sure and certain variation you can take with you to the grave: "In the grand scheme of things you don't matter very much, and the laws of physics don't mind at all.
Patrick E. McLean (Hostile Takeover (How to Succeed in Evil))
So right away I found out something about biology: it was very easy to find a question that was very interesting, and that nobody knew the answer to. In physics you had to go a little deeper before you could find an interesting question that people didn't know.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
I started studying law, but this I could stand just for one semester. I couldn't stand more. Then I studied languages and literature for two years. After two years I passed an examination with the result I have a teaching certificate for Latin and Hungarian for the lower classes of the gymnasium, for kids from 10 to 14. I never made use of this teaching certificate. And then I came to philosophy, physics, and mathematics. In fact, I came to mathematics indirectly. I was really more interested in physics and philosophy and thought about those. It is a little shortened but not quite wrong to say: I thought I am not good enough for physics and I am too good for philosophy. Mathematics is in between.
George Pólya
Jesus, what a complicated process,” Venkat said. “Try updating a Linux server sometime,” Jack said. After a moment of silence, Tim said, “You know he was telling a joke, right? That was supposed to be funny.” “Oh,” said Venkat. “I’m a physics guy, not a computer guy.” “He’s not funny to computer guys, either.” “You’re a very unpleasant man, Tim,” Jack said.
Andy Weir (The Martian)
He knows no physics or engineering to make the world real to him… no paintings to show him how others have enjoyed it… no music except television jingles… no history except tales from a desperate mother… no friends to give him a joke or make him know himself more moderately. He’s a modern citizen for whom society doesn’t exist.
Peter Shaffer (Equus (Penguin Plays))
But since death is inevitable we don’t have to deal with it (it’ll deal with us when it decides to). What we do have to deal with is the psychic, physical, and fusion diseases wrought during our so-called lives as byproducts of the elemental clash. In other words we’re all terminally psychotic and no doctor, hospital, pill, needle, book or guru holds the cure. Because the disease is called life and there is no cure for that but death and death’s just part of the set-up designed to keep you terrified and thus in bondage from the cradle to the crypt so ha ha the joke’s on you except there’s no punchline and the comedian forgot you ever existed as even a comma.
Lester Bangs
That night, Brazilian TV audiences saw the director of the Center for Physical Research welcome the Visiting Professor from the United States, but little did they know that the subject of their conversation was finding a girl to spend the night with!
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
Hell, no. A church is the one thing we don't have. Physics is the religion around here. Use the Lord's name in vain all you like,' he laughed, 'just don't slander any quarks or mesons.
Dan Brown (Angels & Demons (Robert Langdon, #1))
That name was a kind of joke, and not a very good one. An author, Leon Lederman, wanted to call it 'that goddamn particle' because it was clear it was going to be a tough job finding it experimentally. His editor wouldn't have that, and he said, 'okay, call it the God particle,' and the editor accepted it. I don't think he should've have done, because it's so misleading'.
Peter Higgs
Indeed, a faint hypnopædic prejudice in favour of size was universal. Hence the laughter of the women to whom he made proposals, the practical joking of his equals among the men. The mockery made him feel an outsider; and feeling an outsider he behaved like one, which increased the prejudice against him and intensified the contempt and hostility aroused by his physical defects. Which in turn increased his sense of being alien and alone. A chronic fear of being slighted made him avoid his equals, made him stand, where his inferiors were concerned, self-consciously on his dignity.
Aldous Huxley (Brave New World)
Of course, it was a lie, and that bald man in a blue suit was definitely harassing her, teasing her with dirty, rude jokes. Nothing physical from the body of a High Grade can heal. No matter if it’s blood or sperm or saliva or even a discarded hair or nail—as some fraudulent religious groups claim, taking advantage of Low Grades’ fascination with the living gods among them. Though, the archive mentions a however as a footnote: ***However, when they pass strong prana (the energy controllable by the evolved, High Grade humans) to the sick or wounded, it heals, no matter whether they are plants or animals. Their prana flows strongly when they feel strong emotions. Some people say their sperm heals, but it’s not the semen. It’s the strong prana-boosts the High Grades experience when they reach climax during intimacy … Kusha felt a tinge of pride, exponentially multiplied by her Low-Grade inferiority complex, reading this footnote.
Misba (The Oldest Dance (Wisdom Revolution, #2))
David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
So the drawing teacher has this problem of communicating how to draw by osmosis and not by instruction, while the physics teacher has the problem of always teaching techniques, rather than the spirit, of how to go about solving physical problems.
Richard P. Feynman (Surely You're Joking Mr Feynman: Adventures of a Curious Character)
Another time somebody gave a talk about poetry. He talked about the structure of the poem and the emotions that come with it; he divided everything up into certain kinds of classes. In the discussion that came afterwards, he said, “Isn’t that the same as in mathematics, Dr. Eisenhart?” Dr. Eisenhart was the dean of the graduate school and a great professor of mathematics. He was also very clever. He said, “I’d like to know what Dick Feynman thinks about it in reference to theoretical physics.” He was always putting me on in this kind of situation. I got up and said, “Yes, it’s very closely related. In theoretical physics, the analog of the word is the mathematical formula, the analog of the structure of the poem is the interrelationship of the theoretical bling-bling with the so-andso”–and I went through the whole thing, making a perfect analogy. The speaker’s eyes were _beaming_ with happiness. Then I said, “It seems to me that no matter _what_ you say about poetry, I could find a way of making up an analog with _any_ subject, just as I did for theoretical physics. I don’t consider such analogs meaningful.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
A police officer pulls over Werner Heisenberg for speeding. "Do you know how fast you were going?" asks the cop. "No," Heisenberg replies. "But I know exactly where I am." I think we can all agree that physics jokes are the funniest jokes there are.
Sean Carroll (Something Deeply HIdden: Quantum Worlds and the Emergence of Spacetime)
None of this is important in itself, but I feel somewhere that it has a lot to do with why I have always felt separate, why I have always felt unable to join in, to let go, to become part of the tribe, why I have always sniped or joked from the sidelines, why I have never, ever, lost my overwhelmingly self-conscious self-consciousness. It’s not all bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing – they are not all bad. Those devils have also been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.
Stephen Fry (Moab Is My Washpot)
As we chatted, cracking the expected jokes at Danita’s expense, I thought about how Danita let her search for the real her take a physical shape while mine seemed to be taking a more internal shape. At least with my exploration, I didn’t have to worry about how I’m going to pay for it, since just like cosmetic surgery isn’t covered by most insurance plans,neither is searching for your true sexuality.
La Toya Hankins (SBF Seeking)
I poisoned my skin,” Genya said harshly, “my lips. So that every time he touched me—” She shuddered slightly and glanced at David. “Every time he kissed me, he took sickness into his body.” She clenched her fists. “He brought this on himself.” “But the poison would have affected you too,” Nikolai said. “I had to purge it from my skin, then heal the burns the lye would leave. Every single time.” Her fists clenched. “It was well worth it.” Nikolai rubbed a hand over his mouth. "Did he force you?" Genya nodded once. A muscle in Nikolai's jaw ticked.” -//- She held up her hands, warding us off. “I don’t want your pity,” she said ferociously. Her voice was raw, wild. We stood there helplessly. “You don’t understand.” She covered her face with her hands. “None of you do.” “Genya—” David tried. “Don’t you dare,” she said roughly, tears welling up again. “You never looked at me twice before I was like this, before I was broken. Now I’m just something for you to fix.” I was desperate for words to soothe her, but before I could find any, David bunched up his shoulders and said, “I know metal.” “What does that have to do with anything?” Genya cried. David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Among many, many others, the following things were definitely not interesting: the pupillary sphincter, mitosis, baroque architecture, jokes that have physics equations as punch lines, the British monarchy, Russian grammar, and the significant role that salt has played in human history.
John Green (An Abundance of Katherines)
RULES OF LYING: 1. Figure out your lie before you open your mouth. 2. Play on your opponent's sympathies and weaknesses 3. Dance around the lie with distracting truth. They're far more convincing. 4. Picture the lie in your head as if it were the truth. They want to see how it's coming up. 5. Never forget which is the lie and which is the truth. 6. If you say something that brings you trouble, pretend that was actually the lie. Lie and say you were joking before, and aren't you funny? It's a quick escape from a sticky situation. It's the liars trapdoor. 7. Avoid it if at all possible. 8. Keep up your poker face. Never have a "tell" or a physical gesture that will give yourself away and let your opponent know your bluffing.
Kristin Walker (7 Clues to Winning You)
Now that I am burned out and I'll never accomplish anything, I've got this nice position at the university teaching classes which I rather enjoy, and just like I read the Arabian Nights for pleasure, I'm going to play with physics, whenever I want to, without worrying about any importance whatsoever.
Richard P. Feynman
Spheres are indeed fertile theoretical tools that help us gain insight into all manner of astrophysical problems. But one should not be a sphere-zealot. I am reminded of the half-serious joke about how to increase milk production on a farm: An expert in animal husbandry might say, "Consider the role of the cow's diet..." An engineer might say, "Consider the design of the milking machines..." But it's the astrophysicist who says, "Consider a spherical cow...
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
It was no secret joke that brought the smile and the sparkle in his eye, it was physics.
Richard P. Feynman
Watney entered the hack earlier today, and we confirmed it worked. We updated Pathfinder’s OS without any problems. We sent the rover patch, which Pathfinder rebroadcast. Once Watney executes the patch and reboots the rover, we should get a connection.” “Jesus, what a complicated process,” Venkat said. “Try updating a Linux server sometime,” Jack said. After a moment of silence, Tim said, “You know he was telling a joke, right? That was supposed to be funny.” “Oh,” said Venkat. “I’m a physics guy, not a computer guy.” “He’s not funny to computer guys, either.
Andy Weir (The Martian)
Being with you . . .” he began, drawing my eyes back to his face. His were dazed, unfocused, like he was looking within and without. “Being with me?” I prompted after almost a minute, curious, a bubble of something reluctantly hopeful expanding in my chest. So of course, a joke slipped out. “Is as the prophesy foretold?” Abram’s gaze sharpened on mine. He smiled, a real smile. His left dimple making its first appearance, stealing my breath before his words could. “It’s living artistry, Mona.” Abram’s gaze turned cherishing, earnest. “Being with you is like living in a song.
Penny Reid (Time (Laws of Physics, #3; Hypothesis, #2.3))
[...] It is. Philosophy is a field that, unfortunately, reminds me of that old Woody Allen joke, "those that can't do, teach, and those that can't teach, teach gym." And the worst part of philosophy is the philosophy of science; the only people, as far as I can tell, that read work by philosophers of science are other philosophers of science. It has no impact on physics what so ever, and I doubt that other philosophers read it because it's fairly technical. And so it's really hard to understand what justifies it. And so I'd say that this tension occurs because people in philosophy feel threatened, and they have every right to feel threatened, because science progresses and philosophy doesn't. [the atlantic, Has Physics Made Philosophy and Religion Obsolete? - interview, apr 23 2012]
Lawrence M. Krauss
It’s because somebody knows something about it that we can’t talk about physics. It’s the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance—gold transfers we can’t talk about, because those are understood—so it’s the subject that nobody knows anything about that we can all talk about!
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
I didn’t know what it meant to have a nervous breakdown. I’d heard people jokingly exaggerate that they’d had one. Until that moment on my bathroom floor, I had no concept. Then the frayed strands of my sanity that I’d fought so hard to keep together snapped in two, and I started to free fall into chaos. First, I screamed. I screamed and I screamed until I was hoarse. Then my screams turned over to cries of agony. Pain, both physical and emotional, consumed me. Will tried to console me, but it was useless. He panicked and called my parents. When they heard my sobs in the background, they told him to call the paramedics. So he did. By the time they arrived, I was spent of emotions. Instead, I lay motionless on the floor. They were a hazy blur of blue uniforms and soft voices. I could hear them calling my name from far off—like I was under the surface of water. But I couldn’t muster the strength to reply. I heard crying behind me. It must’ve been Will because one of the paramedics said, “Don’t worry, son, we’re gonna take good care of her.” Then I felt myself floating upwards as they put me on a gurney. I rattled and shook as they pulled me out of the house. The flashing lights hurt my eyes. But then a needle pierced my vein, bringing liquid peace to my soul."--Melanie
Katie Ashley (Nets and Lies)
Physical love only rarely merges with the soul's love. What does the soul actually do when the body unites (in that age-old, universal, immutable motion) with another body? What a wealth of invention it finds in those moments, thus reaffirming its superiority over the monotony of the corporeal life! How it scorns the body, and uses it (together with its partner) as a pretext for insane fantasies a thousand times more carnal than the two coupled bodies! Or conversely: how it belittles the body by leaving it to its pendular to-and-fro while the soul (already wearied by the caprices of the body) turns its thoughts entirely elsewhere: to a game of chess, to recollections of dinner, to a book...
Milan Kundera (The Joke)
The brain is in the body, and memories are in the brain. Are my memories therefore not physical extensions of me, and able to be frozen for all of eternity, so that someone in the future can dethaw them and laugh at all the jokes I once enjoyed?
Jarod Kintz (94,000 Wasps in a Trench Coat)
It had never fully occurred to Jean Louise that she was a girl: her life had been one of reckless, pummeling activity; fighting, football, climbing, keeping up with Jem, and besting anyone her own age in any contest requiring physical prowess. When she was calm enough to listen, she considered that a cruel practical joke had been played upon her: she must now go into a world of femininity, a world she despised, could not comprehend nor defend herself against, a world that did not want her.
Harper Lee (Go Set a Watchman)
The train gives off an earsplitting insect hum. It seems like you’re watching something physically impossible, like a person lifting a house, or hearing a joke so funny the laughter threatens to rip you apart, and then, with a puff of air, it’s over. When
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
There's folly in her stride that's the rumor justified by lies I've seen her up close beneath the sheets and sometime during the summer she was mine for a few sweet months in the fall and parts of December ((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. ))) I found her looking through a window the same window I'd been looking through She smiled and her eyes never faltered this folly was a crime ((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” ))) She had an identity I could identify with something my fingertips could caress in the night ((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other. What constitutes peace is in the mind of the beholder. ))) Have you heard the argument? This displacement of men and women and women and men the minds we all have the beliefs we all share Slipping inside of us thoughts and religions and bodies all bare ((( “Without darkness, there can be no light,” he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. ))) When she left she kissed with eyes open I knew this because I'd done the same Sometimes we saw eye to eye like that Very briefly, she considered an apotheosis a synthesis a rendering of her folly into solidarity ((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. ))) Experiencing the subsequent sunrise inhaling and drinking breaking mirrors and regurgitating just to start again all in all I was just another gash in the bark ((( Plato once said: “Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. ))) Leaving town and throwing shit out the window drinking boroughs and borrowing spare change I glimpsed the rear view mirror stole a glimpse really I've believed in looking back for a while it helps to have one last view a reminder in case one ever decides to rebel in the event the self regresses and makes the declaration of devastation once more ((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
The guide gasped and looked at me like I was covered in fecal matter or something equally heinous. “We don’t destroy art in this realm!” I squinted at her. They were fine with torturing innocent people in aggressive physical combat situations, but destroying art was where they crossed the line? She squinted back. After a long, awkward standoff, I realized she wasn’t joking, and I chuckled to myself. I definitely would not be telling her about the time I’d broken a statue in school because I’d run into it.
Jasmine Mas (Psycho Fae (Cruel Shifterverse, #2))
The Mayo Clinic, for example, claims that laughing has a whole host of physical benefits—ranging from pain relief to organ stimulation to a stronger immune system—so the last thing we should do is make people too afraid to make the jokes that can elicit it.
Kat Timpf (You Can't Joke About That: Why Everything Is Funny, Nothing Is Sacred, and We’re All in This Together)
Of course, it was a lie, and that bald man in a blue suit was definitely harassing her, teasing her with dirty, rude jokes. Nothing physical from the body of a High Grade can heal. No matter if it’s blood or sperm or saliva or even a discarded hair or nail—as some fraudulent religious groups claim, taking advantage of Low Grades’ fascination with the living gods among them. Though, the archive mentions a however as a footnote: ***However, when they pass strong prana (the energy controllable by the evolved, High Grade humans) to the sick or wounded, it heals, no matter whether they are plants or animals. Their prana flows strongly when they feel strong emotions. Some people say their sperm heals, but it’s not the semen. It’s the strong prana-boosts the High Grades experience when they reach climax during intimacy … Kusha felt a tinge of pride, exponentially multiplied by her Low-Grade inferiority complex, reading this footnote. It worsened when ads started coming up on her HOME page after reading it. The ads had horrible titles: Dream Youth For The Low Grades. Alternate Longevity. A Secret Pleasurable Way To Youth. Get Your Dream Citizenship With Pleasing Pleasure Contract. The last one is for non-citizens, of course. At least, she’s a citizen. But when Kusha discovered how many unevolved men and women enter such contracts just for citizenship, it made her face crease. As if she’d caught a nasty smell. For a moment, she even thought, she hated every High Grade in the world, including everyone in her adoptive family. Right now, standing in front of Meera, the hatred swells.
Misba (The Oldest Dance (Wisdom Revolution, #2))
Musk would later talk about—even joke about—having Asperger’s, a common name for a form of autism-spectrum disorder that can affect a person’s social skills, relationships, emotional connectivity, and self-regulation. “He was never actually diagnosed as a kid,” his mother says, “but he says he has Asperger’s, and I’m sure he’s right.” The condition was exacerbated by his childhood traumas. Whenever he would later feel bullied or threatened, his close friend Antonio Gracias says, the PTSD from his childhood would hijack his limbic system, the part of the brain that controls emotional responses. As a result, he was bad at picking up social cues. “I took people literally when they said something,” he says, “and it was only by reading books that I began to learn that people did not always say what they really meant.” He had a preference for things that were more precise, such as engineering, physics, and coding.
Walter Isaacson (Elon Musk)
Sometimes there was humor in Max Vandenburg’s voice, though its physicality was like friction—like a stone being gently rubbed across a large rock. It was deep in places and scratched apart in others, sometimes breaking off altogether. It was deepest in regret, and broken off at the end of a joke or a statement of self-deprecation.
Anonymous
I ... I don't understand half of what goes on around me. I don't get jokes or sunsets or poetry, but I know metal." His fingers flexed unconsciously as if he were physically grasping for words. "Beauty was your armor. Fragile stuff, all show. But what's inside you? That's steel. It's brave and unbreakable. And it doesn't need fixing.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
All their lives they had slaved at some kind of dull, heavy labor, behind desks and counters, in the fields and at tedious machines of all sorts, saving their pennies and dreaming of the leisure that would be theirs when they had enough. Finally that day came. They could draw a weekly income of ten or fifteen dollars. Where else should they go but California, the land of sunshine and oranges? Once there, they discover that sunshine isn’t enough. They get tired of oranges, even of avocado pears and passion fruit. Nothing happens. They don’t know what to do with their time. They haven’t the mental equipment for leisure, the money nor the physical equipment for pleasure. Did they slave so long just to go to an occasional Iowa picnic? What else is there? They watch the waves come in at Venice. There wasn’t any ocean where most of them came from, but after you’ve seen one wave, you’ve seen them all. The same is true of the airplanes at Glendale. If only a plane would crash once in a while so that they could watch the passengers being consumed in a “holocaust of flame,” as the newspapers put it. But the planes never crash. Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, wars. Their daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.
Nathanael West
And then, because it was the middle of the night and I was slightly delirious, that bizarro Comic Sans website from the vampire vigilante group popped into my mind. "I've got it. You're a vampire fugitive, aren't you." "I..." He cleared his throat. A nervous laugh. "How did you know?" I snorted. When he'd told me he was a fan of practical jokes, he hadn't been kidding. "Got it. You're a vampire fugitive." I flopped back down onto my pillow and threw an arm over my eyes. "Look. It's late, and I don't really care what your deal is. I just need to know you aren't going to hurt me. Can you promise me that?" "I swear that I would never hurt you," he said, more earnestly than I'd ever heard him say anything. "Excellent," I said. "Then we're good." Whatever the real thing was that he was too nervous to tell me, if it didn't implicate my physical safety, it didn't matter. The only requirements for this fake boyfriend role were having a pulse, not being a serial killer, and willingness to go along with my plans. It sounded like he fit the bill.
Jenna Levine (My Vampire Plus-One (My Vampires, #2))
She held up her hands, warding us off. “I don’t want your pity,” she said ferociously. Her voice was raw, wild. We stood there helplessly. “You don’t understand.” She covered her face with her hands. “None of you do.” “Genya—” David tried. “Don’t you dare,” she said roughly, tears welling up again. “You never looked at me twice before I was like this, before I was broken. Now I’m just something for you to fix.” I was desperate for words to soothe her, but before I could find any, David bunched up his shoulders and said, “I know metal.” “What does that have to do with anything?” Genya cried. David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.” He drew in a deep breath then awkwardly stepped forward. He took her face in his hands and kissed her.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Do I get to choose what she commands you to do? Come on, let me, it’ll be fun.” Jai laughed humorlessly. “I said I don’t want her commanding me to do something asinine, kid.” Charlie’s grin disappeared as quickly as it had surfaced. “I told you not to call me, kid, Jinn boy. I’m what… two years younger than you, douchebag?” “Try five. And that’s only in physical years.” “What, you trying to say I’m not mature?” “Oh those socks you’re wearing definitely are. Have you heard of detergent? A shower? Hygiene?” “I shower, you militant, glorified fucking babysitter.” “Watch it, kid.” “Kid? I am this close to taking a swing at you, you overblown piece of-” “Oh for the love of God!” Ari cried, throwing her hands up, her head pounding. So much for their strained peace treaty. “Shut up. Shut up. Shut up!”Despite their matching glowers, both of them slammed their lips closed and glared at one another. Ari heaved a sigh of relief as she pulled a chilled can of soda out of the refrigerator. At least the soda still felt nice sliding down her throat. Not the same as an ice cold Coke on a blazing summer day but still nice. She took a refreshing swig and turned towards her male companions once again. Blasts of frost shot out from Jai’s eyes only to be met by the simmering black heat of Charlie’s angry gaze. Rolling her eyes and biting back the guilt that she was somehow responsible for the animosity between the only two people she could count on right now, Ari spilled into the chair between them and Jai slowly sunk back down into his. “So what will I command you?” she asked quietly, ignoring the way her fingers trembled as she played with the tab on her soda can. When she got no answer, she glanced up to see Jai’s face going red, the veins in his head throbbing. “Dude, what’s wrong?” Charlie asked quietly, looking at Ari in alarm. “Is he choking?” Ari’s heart flipped in her chest at the thought and she reached across the table to grab his arm. “Jai?” His eyes widened and he waved a large hand at his throat and mouth and then pointed at her. What the hell?! “Jesus Christ, he can’t talk?” Charlie asked incredulously. “Is this a joke?
Samantha Young (Smokeless Fire (Fire Spirits, #1))
There was a Princess Somebody of Denmark sitting at a table with a number of people around her, and I saw an empty chair at their table and sat down. She turned to me and said, “Oh! You’re one of the Nobel-Prize-winners. In what field did you do your work?” “In physics,” I said. “Oh. Well, nobody knows anything about that, so I guess we can’t talk about it.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
All day, every day, we are flooded with the truly extraordinary. The best of the best. The worst of the worst. The greatest physical feats. The funniest jokes. The most upsetting news. Nonstop. Our lives today are filled with information from the extremes of the bell curve of human experience, because in the media business that's what gets eyeballs, and eyeballs bring dollars. That's the bottom line. Yet the vast majority of life resides in the humdrum middle. The vast majority of life is unextraordinary, indeed quite average. The deluge of exceptional information drives us to feel pretty damn insecure and desperate, because clearly we are somehow not good enough. So more and more we feel the need to compensate through entitlement and addiction.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Einstein had a similar conversation with his friend in Prague, Philipp Frank. “A new fashion has arisen in physics,” Einstein complained, which declares that certain things cannot be observed and therefore should not be ascribed reality. “But the fashion you speak of,” Frank protested, “was invented by you in 1905!” Replied Einstein: “A good joke should not be repeated too often.”61 The
Walter Isaacson (Einstein: His Life and Universe)
MAN: Mr. Chomsky, I’m wondering what specific qualifications you have to be able to speak all around the country about world affairs?   None whatsoever. I mean, the qualifications that I have to speak on world affairs are exactly the same ones Henry Kissinger has, and Walt Rostow has, or anybody in the Political Science Department, professional historians—none, none that you don’t have. The only difference is, I don’t pretend to have qualifications, nor do I pretend that qualifications are needed. I mean, if somebody were to ask me to give a talk on quantum physics, I’d refuse—because I don’t understand enough. But world affairs are trivial: there’s nothing in the social sciences or history or whatever that is beyond the intellectual capacities of an ordinary fifteen-year-old. You have to do a little work, you have to do some reading, you have to be able to think, but there’s nothing deep—if there are any theories around that require some special kind of training to understand, then they’ve been kept a carefully guarded secret. In fact, I think the idea that you’re supposed to have special qualifications to talk about world affairs is just another scam—it’s kind of like Leninism [position that socialist revolution should be led by a “vanguard” party]: it’s just another technique for making the population feel that they don’t know anything, and they’d better just stay out of it and let us smart guys run it. In order to do that, what you pretend is that there’s some esoteric discipline, and you’ve got to have some letters after your name before you can say anything about it. The fact is, that’s a joke.   MAN: But don’t you also use that system too, because of your name-recognition and the fact that you’re a famous linguist? I mean, would I be invited to go somewhere and give talks?   You think I was invited here because people know me as a linguist? Okay, if that was the reason, then it was a bad mistake. But there are plenty of other linguists around, and they aren’t getting invited to places like this—so I don’t really think that can be the reason. I assumed that the reason is that these are topics that I’ve written a lot about, and I’ve spoken a lot about, and I’ve demonstrated a lot about, and I’ve gone to jail about, and so on and so forth—I assumed that’s the reason. If it’s not, well, then it’s a bad mistake. If anybody thinks that you should listen to me because I’m a professor at M.I.T., that’s nonsense. You should decide whether something makes sense by its content, not by the letters after the name of the person who says it. And the idea that you’re supposed to have special qualifications to talk about things that are common sense, that’s just another scam—it’s another way to try to marginalize people, and you shouldn’t fall for it.
Noam Chomsky (Understanding Power: The Indispensable Chomsky)
Suddenly, I missed Jenna so much that it was almost a physical ache. I wanted to hold her hand, and hear her say something that would make this whole situation funny instead of incredibly screwed up. Archer would’ve been nice, too. He probably would’ve raised an eyebrow in that annoying/hot way he had, and made a dirty joke about Elodie possessing me. Or Cal. He wouldn’t say anything, but just his presence would make me feel better. And Dad- “Sophie,” Mom said, shaking me out of my reverie. “I don’t…I don’t even know how to start explaining all of this to you.” She looked at me, her eyes red. “I meant to, so many times, but everything was always so…complicated. Do you hate me?” I took a deep breath. “Of course not. I mean, I’m not thrilled. And I totally reserve the right to angst over all this later. But honestly, Mom? Right now, I’m so happy to see you that I wouldn’t care if you’re secretly a ninja sent from the future to destroy kittens and rainbows.” She chuckled, a choked and watery sound. “I missed you so much, Soph.” We hugged, my face against her collarbone. “I want the whole story, though,” I said, my words muffled. “All of it on the table.” She nodded. “Absolutely. After we talk to Aislinn.” Pulling back, I grimaced. “So how exactly are you related to her? Are you guys like, cousins?” “We’re sisters.” I stared at her. “Wait. So you’re like, a Brannick Brannick? But you don’t even have red hair.” Mom got off the bed, twisting her ponytail into a bun. “It’s called dye, Soph. Now, come on. Aislinn is already in a mood.” “Yeah, picked up on that,” I muttered, shoving the covers off and standing up
Rachel Hawkins (Spell Bound (Hex Hall, #3))
You can easily find out her real name and address with your hacker skills, and I’ll just pop out to Cleveland or wherever and kill her. That way she won’t beat you anymore at your game. I’ll let you choose whether I Own her or not, and how slowly and painfully you want her to die. I’ll bring home a trophy for you to display so everyone will see how much I care for you.” I looked around his place. “A garland with her teeth maybe, or her scalp if she has nice hair.” Wyatt made a kind of gurgling sound. “Sam. You’re joking aren’t you? In that weird way you do sometimes? You can’t just kill her. I want to beat her at the game, not physically harm her person. I’ll work on my technique and I’ll win eventually.” Why would he want to do that? This idea was growing on me. What boyfriend wouldn’t want a garland of teeth?
Debra Dunbar
Grandpa recently turned sixty-five and went to the doctor for a complete physical. After an exam the doctor said grandpa was doing “fairly well” for his age. Grandpa was a little concerned and asked, “Doc, do you think I’ll live to eighty?” The doctor asked, “Do you smoke tobacco or drink alcohol?” “Oh no,” Grandpa replied, “and I don’t do drugs, either.” “Do you have many friends and entertain frequently?” Grandpa said, “No, I usually stay home and keep to myself.” “Do you eat beef and pork?” “No, my other doctor said red meat is unhealthy!” “Do you spend a lot of time doing things in the sun, like playing golf, sailing, or bicycling?” “No, I don’t.” “Do you gamble, drive fast cars, or have lots of sex?” “No, I don’t do any of those things anymore.” The doctor looked at Grandpa and said, “Then why do you care?
Scott McNeely (Ultimate Book of Jokes: The Essential Collection of More Than 1,500 Jokes)
In the split second where you understand a joke you experience a moment of “enlightenment.” This cannot be achieved by “explaining” the joke, i.e. by intellectual analysis. This must be well known to enlightened men and women, since they almost invariably show a great sense of humor. In the Tao Te Ching we read, “If it were not laughed at it would not be sufficient for the Tao.” —Fritjov Capra, The Tao of Physics
Oliver Benjamin (The Tao of the Dude: Awesome Insights of Deep Dudes from Lao Tzu to Lebowski)
...you're not the first I've interrupted by mistake. You've not shocked me, and you've not surprised me either." I look up at him too quickly, and my vision swims. He puts a steadying hand on my shoulder. "If you thought I was ignorant as to the nature of your relationship with Mr. Newton, you may need to reexamine your concept of appropriate of physical fondness between friends." I nod, trying to pretend its fine when really my muscles are clenched, and I'm fighting the urge to run. I don't want to have this conversation. I don't know where it's going, but my instincts tell me to scoot away from it. I can feel my shoulders rise, and perhaps he notices for he lets his his hands fall away, and instead, folds them in his lap. Perhaps its only in my own mind, but it feels like a deliberate gesture, as though he's putting his hands away to show he won't raise them against me. "We aren't that obvious," I say, and when Scipio gives me a pointed look I add," I know plenty of lads who are fond without being unchaste. "But its clear you're not those lads." I'm not sure he hears the way my breath hitches for he quickly adds, "which is fine. Who gives a fig for chastity anyways." He laughs at his own joke, glancing over at me like he hoping I might join in. I wonder suddenly if this is what it's meant to be like with a father and a son and a first real love.
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
My court-appointed psychiatrist says I should vent my anger in nonviolent physical excercise." She smacked him in the chest again, and he winced and caught her wrists. "You know, Agnes, that's not the hottest thing any woman has ever said to me." She yanked her wrists free and pounded her fists into his chest again, then let go of his shirt to strip off her dress and throw it on the floor. He stopped frowning. "Course, it's not the worst thing any woman has ever said to me, either.
Jennifer Crusie (Agnes and the Hitman (The Organization, #0))
I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It’s difficult to describe because it’s an emotion. It’s analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there’s a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run “behind the scenes” by the same organization, the same physical laws. It’s an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It’s a feeling of awe—of scientific awe—which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
Finally, when he’s all finished, he says, “I’m telling you about our plans because we want to know if you would like to be the director of the laboratory.” “Have you really got the right fella?” I say. “I’m a professor of theoretical physics. I’m not a rocket engineer, or an airplane engineer, or anything like that.” “We’re sure we have the right fellow.” “Where did you get my name then? Why did you decide to call me?” “Sir, your name is on the patent for nuclear-powered, rocket-propelled airplanes.
Richard P. Feynman ("Surely You're Joking, Mr. Feynman!": Adventures of a Curious Character)
This hour I tell things in confidence. I might not tell everybody, but I will tell you. To publish these lines is, of course, to tell everybody. Much as he wants to take us into his confidence, seduce with the warmth and directness of his voice, he's also making one of his sly jokes: he's created an intimacy with all the doors and windows open, in which you could be anyone at all. Even as I laugh at the line, I feel the gesture of his arm around my shoulder, drawing my ear nearer his mouth. What is the difference, in a poem, between performed intimacy and the real thing? What, in a work of art, is not performed? Whitman, perhaps more than any poet before him, explored and exploited poetry's strange duality. In the best poems, we feel the poet's breath, the almost-physical presence of the speaker created by all the tools at the writer's disposal. I sometimes feel that Walt has just walked into the room, as present now as he ever was, a sensual, breathing body that he somehow seems to have constructed of nothing but words.
Mark Doty (What Is the Grass: Walt Whitman in My Life)
I find sleeping very odd,” Pattern said. “I know that all beings in the Physical Realm engage in it. Do you find it pleasant? You fear nonexistence, but is not unconsciousness the same thing?” “With sleep, it’s only temporary.” “Ah. It is all right, because in the morning, you each return to sentience.” “Well, that depends on the person,” Shallan said absently. “For many of them, ‘sentience’ might be too generous a term. . . .” Pattern hummed, trying to sort through to the meaning of what she said. Finally, he buzzed an approximation of a laugh. Shallan cocked an eyebrow at him. “I have guessed that what you said is humorous,” Pattern said. “Though I do not know why. It was not a joke. I know of jokes. A soldier came running into camp after going to see the prostitutes. He was white in the face. His friends asked if he had found a good time. He said that he had not. They asked why. He said that when he’d asked how much the woman charged, she’d said one mark plus the tip. He told his friends that he hadn’t realized they were charging body parts now.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
All day, every day, we are flooded with the truly extraordinary. The best of the best. The worst of the worst. The greatest physical feats. The funniest jokes. The most upsetting news. The scariest threats. Nonstop. Our lives today are filled with information from the extremes of the bell curve of human experience, because in the media business that's what gets eyeballs, and eyeballs bring dollars. That's the bottom line. Yet the vast majority of life resides in the humdrum middle. The vast majority of life is unextraordinary, indeed quite average.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
David bunched up his shoulders and said, "I know metal." "What does that have to do with anything? Genya cried. David furrowed up his brow. "I... I don't understand half of what goes on around me. I don't get jokes or sunsets or poetry, but I know metal." His fingers flexed unconsciously as if physically grasping for words. "Beauty is your armour. fragile stuff, all show. But what's inside you? That's steel. It's brave and unbreakable. And it doesn't need fixing." He drew in a deep breath and awkwardly stepped forward. He took her face in her hands and kissed her.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
I'm Tessa," she said. "I'm a friend of these girls. And I could ask who the fuck you are, coming over here, trying to be intimidating, and throwing your pitiful masculinity around like it's something to be either proud or afraid of, which is a joke. Since you obviously can't threaten anybody physically--I'm fairly certain Hailey here could pound you into a crimson stain on the pavement in a hot minute--you're trying to overcompensate by making veiled sexual and financial threats, acting like homosexuality is somehow an insult, and basically being an asshole." Harold
Cathy Yardley (Level Up (Fandom Hearts, #1))
David bunched up his shoulders and said, “I know metal.” “What does that have to do with anything?” Genya cried. David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.” He drew in a deep breath then awkwardly stepped forward. He took her face in his hands and kissed her.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Something else happened at that time which is worth mentioning here. One of the questions the rabbinical students and I discussed at some length was why it is that in academic things, such as theoretical physics, there is a higher proportion of Jewish kids than their proportion in the general population. The rabbinical students thought the reason was that the Jews have a history of respecting learning: They respect their rabbis, who are really teachers, and they respect education. The Jews pass on this tradition in their families all the time, so that if a boy is a good student, it’s as good as, if not better than, being a good football player. It was the same afternoon that I was reminded how true it is. I was invited to one of the rabbinical students’ home, and he introduced me to his mother, who had just come back from Washington, D.C. She clapped her hands together, in ecstasy, and said, “Oh! My day is complete. Today I met a general, and a professor!” I realized that there are not many people who think it’s just as important, and just as nice, to meet a professor as to meet a general. So I guess there’s something in what they said.
Richard P. Feynman ("Surely You're Joking, Mr. Feynman!": Adventures of a Curious Character)
Seems safe enough,” Cal said, and Aislinn shrugged. “Well, there you go,” she said. Without so much as a “Hey, try not to get killed,” she turned back for the stone hut. I wouldn’t let my eyes follow Aislinn. If I looked back, I was afraid I’d go running after her. Instead I walked out to stand next to Cal. Underfoot, the surface gave slightly. Gingerly, we made our way down the watery road. “Brannicks and magic and hell, oh my,” I joked, and Cal gave a snort of what might have been laughter. I hit a particularly slipper spot and wobbled for a second before Cal grabbed my elbow. I didn’t want it to be awkward, and I really didn’t want my entire face to go red, but that’s exactly what happened. I glanced up. Our eyes met, and Cal jerked his hand back so fast that he overbalanced. As he started to fall, I went to grab him, and the next thing I knew, we both went down. I hit the wall of water to my right, just as Cal slid to the left. I fell into the water, completely immersed, only to have it spit me back out onto the path. I sat there, arms and legs akimbo, hair dripping water into my eyes. Cal sat opposite me, every bit as drenched, looking totally bewildered. Once again, we locked eyes. And this time, we both burst out laughing. “Oh God,” I spluttered. “Your face!” “My face?” he said, his laughter dwindling to a chuckle. “You should see your hair.” He rose to his feet, leaning down to offer me a hand. I took it gratefully. Once I was upright again, I ran my hand in front of my body, magic fluttering out of my fingertips to dry my hair and clothes. Cal did the same to himself, and then we studied each other. “All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Now,” Samite continued, “after Essel has just spent time warning you about generalities and how they often don’t apply, I’m going to use some. Because some generalities are true often enough that we have to worry about them. So here’s one: men will physically fight for status. Women, generally, are more clever. The why of it doesn’t matter: learned, innate, cultural, who cares? You see the chest-bumping, the name-calling, performing for their fellows, what they’re really doing is getting the juices flowing. That interval isn’t always long, but it’s long enough for men to trigger the battle juice. That’s the terror or excitation that leads people to fight or run. It can be useful in small doses or debilitating in large ones. Any of you have brothers, or boys you’ve fought with?” Six of the ten raised their hands. “Have you ever had a fight with them—verbal or physical—and then they leave and come back a little later, and they’re completely done fighting and you’re just fully getting into it? They look like they’ve been ambushed, because they’ve come completely off the mountain already, and you’ve just gotten to the top?” “Think of it like lovemaking,” Essel said. She was a bawdy one. “Breathe in a man’s ear and tell him to take his trousers off, and he’s ready to go before you draw your next breath. A woman’s body takes longer.” Some of the girls giggled nervously. “Men can switch on very, very fast. They also switch off from that battle readiness very, very fast. Sure, they’ll be left trembling, sometimes puking from it, but it’s on and then it’s off. Women don’t do that. We peak slower. Now, maybe there are exceptions, maybe. But as fighters, we tend to think that everyone reacts the way we do, because our own experience is all we have. In this case, it’s not true for us. Men will be ready to fight, then finished, within heartbeats. This is good and bad. “A man, deeply surprised, will have only his first instinctive response be as controlled and crisp as it is when he trains. Then that torrent of emotion is on him. We spend thousands of hours training that first instinctive response, and further, we train to control the torrent of emotion so that it raises us to a heightened level of awareness without making us stupid.” “So the positive, for us Archers: surprise me, and my first reaction will be the same as my male counterpart’s. I can still, of course, get terrified, or locked into a loop of indecision. But if I’m not, my second, third, and tenth moves will also be controlled. My hands will not shake. I will be able to make precision movements that a man cannot. But I won’t have the heightened strength or sensations until perhaps a minute later—often too late. “Where a man needs to train to control that rush, we need to train to make it closer. If we have to climb a mountain more slowly to get to the same height to get all the positives, we need to start climbing sooner. That is, when I go into a situation that I know may be hazardous, I need to prepare myself. I need to start climbing. The men may joke to break the tension. Let them. I don’t join in. Maybe they think I’m humorless because I don’t. Fine. That’s a trade I’m willing to make.” Teia and the rest of the girls walked away from training that day somewhat dazed, definitely overwhelmed. What Teia realized was that the women were deeply appealing because they were honest and powerful. And those two things were wed inextricably together. They said, I am the best in the world at what I do, and I cannot do everything. Those two statements, held together, gave them the security to face any challenge. If her own strengths couldn’t surmount an obstacle, her team’s strengths could—and she was unembarrassed about asking for help where she needed it because she knew that what she brought to the team would be equally valuable in some other situation.
Brent Weeks (The Blinding Knife (Lightbringer, #2))
You probably don't come to visit as often as you should, and when you do come to visit, it is offensive to Auntie Tina how little you'll eat. All this seems like an Italian grandmother joke, but I assure you Tina Caramanico is quite serious. There are two ways to handle this overfeeding situation. You can yell at her to stop putting food on your plate, then feel guilty about yelling at an old woman. Or you can avoid conflict, eat quietly, and suffer only physically afterward. The first time I brought my husband to meet her, Auntie Tina told me admiringly, “He eats so nicely.” This is a thing Italian grandmothers say about men who don’t yell at them during dinner.
Juliet Grames (The Seven or Eight Deaths of Stella Fortuna)
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
Geraldine Brooks (The Best American Short Stories 2011)
Finally, when he’s all finished, he says, “I’m telling you about our plans because we want to know if you would like to be the director of the laboratory.” “Have you really got the right fella?” I say. “I’m a professor of theoretical physics. I’m not a rocket engineer, or an airplane engineer, or anything like that.” “We’re sure we have the right fellow.” “Where did you get my name then? Why did you decide to call me?” “Sir, your name is on the patent for nuclear-powered, rocket-propelled airplanes.” “Oh,” I said, and I realized why my name was on the patent, and I’ll have to tell you the story. I told the man, “I’m sorry, but I would like to continue as a professor at Cornell University.
Richard P. Feynman ("Surely You're Joking, Mr. Feynman!": Adventures of a Curious Character)
Many people who celebrate the arts and the humanities, who applaud vigorously the tributes to their importance in our schools, will proclaim without shame (and sometimes even joke) that they don’t understand math or physics. They extoll the virtues of learning Latin, but they are clueless about how to write an algorithm or tell BASIC from C++, Python from Pascal. They consider people who don’t know Hamlet from Macbeth to be Philistines, yet they might merrily admit that they don’t know the difference between a gene and a chromosome, or a transistor and a capacitor, or an integral and a differential equation. These concepts may seem difficult. Yes, but so, too, is Hamlet. And like Hamlet, each of these concepts is beautiful.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
There is an inherent, humbling cruelty to learning how to run white water. In most other so-called "adrenaline" sports—skiing, surfing and rock climbing come to mind—one attains mastery, or the illusion of it, only after long apprenticeship, after enduring falls and tumbles, the fatigue of training previously unused muscles, the discipline of developing a new and initially awkward set of skills. Running white water is fundamentally different. With a little luck one is immediately able to travel long distances, often at great speeds, with only a rudimentary command of the sport's essential skills and about as much physical stamina as it takes to ride a bicycle downhill. At the beginning, at least, white-water adrenaline comes cheap. It's the river doing the work, of course, but like a teenager with a hot car, one forgets what the true power source is. Arrogance reigns. The river seems all smoke and mirrors, lots of bark (you hear it chortling away beneath you, crunching boulders), but not much bite. You think: Let's get on with it! Let's run this damn river! And then maybe the raft hits a drop in the river— say, a short, hidden waterfall. Or maybe a wave reaches up and flicks the boat on its side as easily as a horse swatting flies with its tail. Maybe you're thrown suddenly into the center of the raft, and the floor bounces back and punts you overboard. Maybe you just fall right off the side of the raft so fast you don't realize what's happening. It doesn't matter. The results are the same. The world goes dark. The river— the word hardly does justice to the churning mess enveloping you— the river tumbles you like so much laundry. It punches the air from your lungs. You're helpless. Swimming is a joke. You know for a fact that you are drowning. For the first time you understand the strength of the insouciant monster that has swallowed you. Maybe you travel a hundred feet before you surface (the current is moving that fast). And another hundred feet—just short of a truly fearsome plunge, one that will surely kill you— before you see the rescue lines. You're hauled to shore wearing a sheepish grin and a look in your eye that is equal parts confusion, respect, and raw fear. That is River Lesson Number One. Everyone suffers it. And every time you get the least bit cocky, every time you think you have finally figured out what the river is all about, you suffer it all over again.
Joe Kane (Running the Amazon)
Until that day at the dress department Lucie had been many things to me: a child, a source of comfort, a balm, an escape from myself; she was literally everything for me – but a woman. Our love in the physical sense of the word had proceeded no further than the kissing stage. And even the way she kissed was childish (I'd fallen in love with those kisses, long but chaste, with dry closed lips counting each other's fine striations as they touched in emotion).In short, until then I had felt tenderness for Lucie, but no sensual desire; I'd grown so accustomed to its absence that I wasn't even conscious of it; my relationship with Lucie seemed so beautiful that I could never have dreamed anything was missing. Everything fit so harmoniously together: Lucie, her monastically gray clothes, and my monastically chaste relation with her.
Milan Kundera (The Joke)
There was only one thing that happened at that meeting that was pleasant or amusing. At this conference, every word that every guy said at the plenary session was so important that they had a stenotypist there, typing every goddamn thing. Somewhere on the second day the stenotypist came up to me and said, “What profession are you? Surely not a professor.” “I am a professor,” I said. “Of what?” “Of physics—science.” “Oh! That must be the reason,” he said. “Reason for what?” He said, “You see, I’m a stenotypist, and I type everything that is said here. Now, when the other fellas talk, I type what they say, but I don’t understand what they’re saying. But every time you get up to ask a question or to say something, I understand exactly what you mean—what the question is, and what you’re saying—so I thought you can’t be a professor!
Richard P. Feynman ("Surely You're Joking, Mr. Feynman!": Adventures of a Curious Character)
My choosing which injuries to retain and my being blown up by a roadside bomb in the first place are assumed to be valuable, useful, and good from the perspective of my expanded awareness states. The experience isn’t a punishment for actions or thoughts that were bad or evil and isn’t bad luck or a mistake. My injuries are not reflections of some construct of original (or even mildly quirky) sin. From the expanded perspective of my Whole Self, the event and aftermath are experiences that I chose for various reasons with amusement and a sense of joy and excitement for this novel experience. That I’m not always as thrilled about the results from within the physical perspective as I was when I dreamed up this adventure often strikes me as amusing even within occasional frustration or discomfort. (In the meantime, getting blown up is a great source for jokes…)
Natalie Sudman (Application of Impossible Things - My Near Death Experience in Iraq)
We are all susceptible to the pull of viral ideas. Like mass hysteria. Or a tune that gets into your head that you keep on humming all day until you spread it to someone else. Jokes. Urban legends. Crackpot religions. Marxism. No matter how smart we get, there is always this deep irrational part that makes us potential hosts for self-replicating information. But being physically infected with a virulent strain of the Asherah virus makes you a whole lot more susceptible. The only thing that keeps these things from taking over the world is the Babel factor - the walls of mutual incomprehension that compartmentalize the human race and stop the spread of viruses. Babel led to an explosion in the number of languages. That was part of Enki's plan. Monocultures, like a field of corn, are susceptible to infections, but genetically diverse cultures, like a prairie, are extremely robust.
Neal Stephenson (Snow Crash)
Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean. I have a reputation to uphold. None of my friends will believe I suddenly turned into a monk to date you. How about at least a hand in your back jean pocket? Trust me, it’ll be strictly professional.” I don’t say what I’m thinking, which is that he cares way too much what people think about him. I just nod and write down, Peter is allowed to put a hand in Lara Jean’s back jean pocket. “But no more kissing,” I say, keeping my head down so he can’t see me blush. “You’re the one who started it,” he reminds me. “And also, I don’t have any STDs, so you can get that out of your head.” “I don’t think you have any STDs.” I look back up at him. “The thing is…I’ve never had a boyfriend before. I’ve never been on a real date before, or held hands walking down the hallway. This is all new for me, so I’m sorry about the forehead thing this morning. I just…wish all of these firsts were happening for real and not with you.” Peter seems to be thinking this over. He says, “Huh. Okay. Let’s just save some stuff, then.” “Yeah?” “Sure. We’ll have some stuff for you to do when it’s the real thing and not for show.” I’m touched. Who knew Peter could be so thoughtful and generous? “Like, I won’t pay for stuff. I’ll save that for a guy who really likes you.” My smile fades. “I wasn’t expecting you to pay for anything!” Peter’s on a roll. “And I won’t walk you to class or buy you flowers.” “I get the picture.” It seems to me like Peter’s less concerned about me and more concerned about his wallet. He sure is cheap.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Rape humor is designed to remind women that they are still not quite equal. Just as their bodies and reproductive freedom are open to legislation and public discourse, so are their other issues. When women respond negatively to misogynistic or rape humor, they are “sensitive” and branded as “feminist,” a word that has, as of late, become a catchall term for “woman who does not tolerate bullshit.” Perhaps rape jokes are funny, but I cannot fathom how. Humor is subjective, but is it that subjective? I don’t have it in me to find rape jokes funny or to tolerate them in any way. It’s too close a topic. Rape is many things—humiliating, degrading, physically and emotionally painful, exhausting, irritating, and sometimes, it is even banal. It is rarely funny for most women. There are not enough years in this lifetime to create the kind of distance where I could laugh and say, “That one time when I was gang-raped was totally hilarious, a real laugh riot.
Anonymous
Rape humor is designed to remind women that they are still not quite equal. Just as their bodies and reproductive freedom are open to legislation and public discourse, so are their other issues. When women respond negatively to misogynistic or rape humor, they are “sensitive” and branded as “feminist,” a word that has, as of late, become a catchall term for “woman who does not tolerate bullshit.” Perhaps rape jokes are funny, but I cannot fathom how. Humor is subjective, but is it that subjective? I don’t have it in me to find rape jokes funny or to tolerate them in any way. It’s too close a topic. Rape is many things—humiliating, degrading, physically and emotionally painful, exhausting, irritating, and sometimes, it is even banal. It is rarely funny for most women. There are not enough years in this lifetime to create the kind of distance where I could laugh and say, “That one time when I was gang-raped was totally hilarious, a real laugh riot.
Roxane Gay (Bad Feminist)
I was going to ask you,’ Nita said, ‘whether all that was what I thought it was.’ ‘If you thought that dogs now finally have their own version of the One,’ said the Transcendent Pig, ‘then the answer is yes.’ Kit was shaking his head. ‘I can’t believe it,’ he whispered. ‘Are you trying to tell me that my dog—my dog was—’ ‘Is. Yes, it’s the “spell-it-backward” joke again,’ the Pig said, with some resignation. ‘The One just loves those old jokes. The older, the better.’ It raised its bristly eyebrows. ‘Making a big BANG! and running off to hide behind the nearest chunk of physical existence, like some kid ringing the doorbell at Halloween. And the puns. Don’t get It started on the puns...you’ll be there forever.’ It smiled. ‘Literally. But what did you expect? Your dog started making universes out of nothing. That wasn’t a slight tip-off?’ ‘And not just making them,’ Nita said. ‘Saving them.’ ‘Or saving one person,’ Kit said. ‘It’s the same thing, I’m told,’ said the Pig, and it vanished.
Diane Duane (Wizards at War (Young Wizards, #8))
One day, the physicist Sir C.V. Raman came up from Bangalore to see Gandhi. Raman’s conceit was legendary. In the summer of 1930, he booked a passage for his wife and himself on a boat leaving for Europe in October, so confident was he of winning the Nobel Prize for physics that year (which he did). Now, meeting an Indian even more celebrated than himself, Raman told him: ‘Mahatmaji, religions cannot unite. Science offers the best opportunity for a complete fellowship. All men of science are brothers.’ ‘What about the converse?’ responded Gandhi. ‘All who are not men of science are not brothers?’ Raman had the last word, noting that ‘all can become men of science’. Raman had come with a Swiss biologist who wished to have a darshan of the Indian leader. Introducing his colleague, Raman said he had discovered an insect that could live without food and water for as long as twelve years. ‘When you discover the secret at the back of it,’ joked Gandhi to the Swiss scientist, ‘please pass it on to me.
Ramachandra Guha (Gandhi 1915-1948: The Years That Changed the World)
Our neighborhood ramen place was called Aoba. That's a joke. There were actually more than fifty ramen places with in walking distance of our apartment. But this one was our favorite. Aoba makes a wonderful and unusual ramen with a mixture of pork and fish broth. The noodles are firm and chewy, and the pork tender and almost smoky, like ham. I also liked how they gave us a small bowl for sharing with Iris without our even asking. What I really appreciated about this place, however, were two aspects of ramen that I haven't mentioned yet: the eggs and the dipping noodles. After these two, I will stop, but there's so much more to ramen. Would someone please write an English-language book about ramen? Real ramen, not how to cook with Top Ramen noodles? Thanks. (I did find a Japanese-language book called State-of-the-Art Technology of Pork Bone Ramen on Amazon. Wish-listed!) One of the most popular ramen toppings is a soft-boiled egg. Long before sous vide cookery, ramen cooks were slow-cooking eggs to a precise doneness. Eggs for ramen (ajitsuke tamago) are generally marinated in a soy sauce mixture after cooking so the whites turn a little brown and the eggs turn a little sweet and salty. I like it best when an egg is plunked whole into the broth so I can bisect it with my chopsticks and reveal the intensely orange, barely runny yolk. A cool egg moistened with rich broth is alchemy. Forget the noodles; I want a ramen egg with a little broth for breakfast. Finding hot and cold in the same mouthful is another hallmark of Japanese summer food, and many ramen restaurants, including Aoba, feature it in the form of tsukemen, dipping noodles. Tsukemen is deconstructed ramen, a bowl of cold cooked noodles and a smaller bowl of hot, ultra-rich broth and toppings. The goal is to lift a tangle of noodles with your chopsticks and dip them in the bowl of broth on the way to your mouth. This is a crazy way to eat noodles and, unless you've been inculcated with the principles of noodle-slurping physics from birth, a great way to ruin your clothes.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
Dawn’s afternoons at the Baker Institute for physically disabled kids sounded fascinating. She rode to Stamford in a specially equipped van with four children from Stoneybrook who went to Baker for physical therapy, classes in the arts, and a chance to make new friends. The bus driver was a woman who was going to college to learn to be a physical therapist. She drove the bus to earn some extra money, but the kids were more than just a job to her. She really enjoyed being with them. “Candace is so funny,” Dawn told me. “She jokes around with the kids, and they love her. She treats all of them the way you’d treat kids who aren’t in wheelchairs or wearing braces. She’ll say to them, ‘Hurry up! I haven’t got all day,’ and the kids just giggle. Most people tiptoe around the kids like they’re going to break. And never mention their braces or anything. But if a friend of yours got new clothes, you’d make a comment, right? So if a kid gets on the bus with decorations all over the back of his wheelchair, Candace will say, ‘Your chair looks great today! I think you should go into business as a decorator.
Ann M. Martin (Jessi's Wish (The Baby-Sitters Club, #48))
As with other childlike traits, human adults remain playful and trusting in a way that looks a lot more like Labradors than adult wolves or chimpanzees. When a grown wolf or a chimp bares its teeth, you’d better run. Humans, even adult humans, are by and large more into chasing balls than establishing dominance. The readiness with which we play with our friends and acquaintances and even strangers is remarkable, even though verbal banter or wordplay tends to gradually displace physical wrestling. When I joke with the hot dog vendor about his pathetic loyalty to the Mets, as evinced by the baseball cap he is wearing, we become very much like two dogs wrestling in a park: My verbal jabs are play-serious, not meant to genuinely wound, and the successful banter establishes an ephemeral but important trust connection in the midst of a busy metropolis. Insult a chimpanzee’s favorite baseball team, on the other hand, and you’re likely to lose an arm. The fact that humans retain into adulthood the complex and sophisticated cognitive machinery required to play, and in fact continue to enjoy playing with others, is a reflection of the profound importance of trust in human affairs.
Edward Slingerland (Drunk: How We Sipped, Danced, and Stumbled Our Way to Civilization)
There are many things that men and women ought to think about, and must think about, in private, that they would not for a moment discuss in public. There are books on the proper conduct of women in certain most sacred relations of life, relations of life which are as holy as any, and which can be entered into in the presence of a holy God with no question of His approval, but which do not permit of public mention. . . . That the Bible is a pure book is evidenced by the fact that it is not a favourite book in dens of infamy. But on the other hand, books that try to make out that the Bible is an obscene book, and that endeavour to keep people from reading it, are favourite books in dens of infamy. The unclean classes, both men and women, were devoted admirers of the most brilliant man this country ever produced who attacked what he called the "obscenity of the Bible." These unclean classes do not frequent Bible classes. They do frequent infidel lectures. These infidel objectors to the book as an "obscene book" constantly betray their insincerity and hypocrisy. Colonel Ingersoll . . . objected to the Bible for telling these vile deeds "without a touch of humour." In other words, he did not object to telling stories of vice, if only a joke was made of the sin. Thank God, that is exactly what the Bible does not do--make a joke of sin. It makes sin hideous, so men who are obscene in their own hearts object to the Bible as being an obscene book. . . . To sum up, there are in the Bible descriptions of sins that cannot wisely be read in every public assembly, but these descriptions of sin are morally most wholesome in the places where God, the Author of the Book, manifestly intends them to be read. The child who is brought up to read the Bible as a whole, from Genesis to Revelation, will come to know in the very best way possible what a child ought to know very early in life if he is to be safeguarded against the perils that surround our modern life on every hand. A child who is brought up upon a constant, thorough, continuous reading of the whole Bible is more likely than any other child to be free from the vices that are undermining the mental, moral, and physical strength of our boys and girls, and young men and young women. But the child who is brought up on infidel literature and conversation is the easiest prey there is for the seducer and procuress. The next easiest is the one who, through neglect of the Bible, is left in ignorance of the awful pitfalls of life.
Reuben A. Torrey
He starts whistling something else. It’s the Abba song about I have a dream. He doesn’t look the Abba type. He sings the lines about how if you see the wonder of a fairytale you’ll be fine in the future. He has a quite good voice. He’s singing quite loud, loud enough for her to be able to hear him clearly. In fact it’s almost as if he’s singing for her. Then, next, does he really sing this? I believe in Engels. That’s unbelievably witty, if that’s what he’s just sung and she hasn’t misheard. That’s the kind of thing only a really good friend of hers would have known to do to get her attention. Then the boy speaks, and it is to her. Come on, he says. He seems to want her to sing. She gives him her most withering look. You’re joking, she says. I only joke about really serious things, he says. Come on. Something good in everything you see. Don’t know it, she says. You do, he says. I don’t, actually, she says. You do, actually, he says, because Abba songs, as anyone who knows knows, are constructed, technically and harmonically, so as to physically imprint the human brain as if biting it with acid, to ensure we will never, ever, ever, be able to forget them. In twenty years’ time Abba songs will still be being sung, probably even more than they’re being sung now.
Ali Smith (There But For The)
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)
1. ‘ I hate people who collect things and classify things and give them names and then forget all about them. That’s what people are always doing in art.They call a painter an impressionist or a cubist or something and then they put him in a drawer and don’t see him as a living individual painter any more. But I can see they’re beautiful arranged.’ 2. ’ Do you know that every great thing in the history of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that?... Why do you keep on using these stupid words-nasty, nice, proper, right? Why are you so worried about what’s proper?...why do you take all the life out of life? Why do you kill all the beauty?’ 3. ‘ Because I can’t marry a man to whom I don’t feel I belong in all ways. My mind must be his, my heart must be his, my body must be his. Just as I must feel he belongs to me. ‘ 4.’ The only thing that really matters is feeling and living what you believe-so long as it’s something more than belief in your own comfort.’ 5. 'It’s weird. Uncanny. But there is a sort of relationship between us. I make fun of him, I attack him all the time, but he senses when I’m ‘soft’. When he can dig back and not make me angry. So we slip into teasing states that are almost friendly. It’s partly because I’m so lonely, it’s partly deliberate (I want make him relax, both for his own good and so that one dat he may make a mistake), so it’s part weakness, and part cunning, and part charity. But there’s a mysterious fourth part I can’t define. It can’t be friendship, I loathe him. Perhaps it’s just knowledge. Just knowing a lot about him. And knowing someone automatically makes you feel close to him. Even when you wish he was on another planet.’ 6.’ You must MAKE, always. You must act, if you believe something. Talking about acting is like boasting about pictures you’re going to paint. The most terrible form. If you feel something deeply, you’re not ashamed to show your feeling.’ 7. ‘ The women I’ve loved have always told me I’m selfish. It’s what makes them love me. And then be disgusted with me...But what they can’t stand is that I hate them when they don’t behave in their own way. ‘ 8. ‘ I love honesty and freedom and giving. I love making , I love doing, I love being to the full, I love everything which is not sitting and watching and copying and dead at heart. ‘ 9. ‘ I don’t know what love is...love is something that comes in different clothes, with a different way and different face, and perhaps it takes a long time for you to accept it, to be able to call it love.’ 10. ‘ All this business, it’s bound up with my bossy attitude to life. I’ve always known where I’m going, how I want things to happen. And they have happened as I have wanted, and I have taken it for granted that they have because I know where I’m going. But I have been lucky in all sorts of things. I’ve always tried to happen to life; but it’s time I let life happen to me. ‘ 11. ‘I said, what you love is your own love. It’s not love, it’s selfishness. It’s not me you think of, but what you feel about me.’ 12. ‘ The power of women! I’ve never felt so full of mysterious power. Men are a joke. We’re so weak physically, so helpless with things. Still, even today. But we’re stronger then they are. We can stand their cruelty. They can’t stand ours.
John Fowles
Since we’re on the topic, I’d also like to set some ground rules.” “What kind of ground rules?” he asks, leaning back. I press my lips together and take a breath. “Well…I don’t want you trying to kiss me again.” Peter curls his lip at me. “Trust me, I don’t want to do it either. My forehead still hurts from this morning. I think I have a bruise.” He pushes his hair off his forehead. “Do you see a bruise?” “No, but I see a receding hairline.” “What?” Ha. I knew that would get him. Peter’s so vain. “Calm down, I’m only kidding. Do you have a piece of paper and a pen?” “You’re gonna write this down?” Primly I say, “It’ll help us remember.” Rolling his eyes, Peter reaches into his backpack, pulls out a notebook, and hands it to me. I turn to a clean page and write at the top, Contract. Then I write No kissing. “Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean. I have a reputation to uphold. None of my friends will believe I suddenly turned into a monk to date you. How about at least a hand in your back jean pocket? Trust me, it’ll be strictly professional.” I don’t say what I’m thinking, which is that he cares way too much what people think about him. I just nod and write down, Peter is allowed to put a hand in Lara Jean’s back jean pocket. “But no more kissing,” I say, keeping my head down so he can’t see me blush. “You’re the one who started it,” he reminds me.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
A more complex way to understand this is the method used by Hermann Minkowski, Einstein’s former math teacher at the Zurich Polytechnic. Reflecting on Einstein’s work, Minkowski uttered the expression of amazement that every beleaguered student wants to elicit someday from condescending professors. “It came as a tremendous surprise, for in his student days Einstein had been a lazy dog,” Minkowski told physicist Max Born. “He never bothered about mathematics at all.”63 Minkowski decided to give a formal mathematical structure to the theory. His approach was the same one suggested by the time traveler on the first page of H. G. Wells’s great novel The Time Machine, published in 1895: “There are really four dimensions, three which we call the three planes of Space, and a fourth, Time.” Minkowski turned all events into mathematical coordinates in four dimensions, with time as the fourth dimension. This permitted transformations to occur, but the mathematical relationships between the events remained invariant. Minkowski dramatically announced his new mathematical approach in a lecture in 1908. “The views of space and time which I wish to lay before you have sprung from the soil of experimental physics, and therein lies their strength,” he said. “They are radical. Henceforth space by itself, and time by itself, are doomed to fade away into mere shadows, and only a kind of union of the two will preserve an independent reality.”64 Einstein, who was still not yet enamored of math, at one point described Minkowski’s work as “superfluous learnedness” and joked, “Since the mathematicians have grabbed hold of the theory of relativity, I myself no longer understand it.” But he in fact came to admire Minkowski’s handiwork and wrote a section about it in his popular 1916 book on relativity.
Walter Isaacson (Einstein: His Life and Universe)
Pagans were not impressed by the torture of Christians merely because it showed that they honestly held their opinion; they knew that millions of people honestly held all sorts of opinions. The point of such extreme martyrdom is much more subtle. It is that it gives an appearance of a man having something quite specially strong to back him up, of his drawing upon some power. And this can only be proved when all his physical contentment is destroyed; when all the current of his bodily being is reversed and turned to pain. If a man is seen to be roaring with laughter all the time that he is skinned alive, it would not be unreasonable to deduce that somewhere in the recesses of his mind he had thought of a rather good joke. Similarly, if men smiled and sang (as they did) while they were being boiled or torn in pieces, the spectators felt the presence of something more than mere mental honesty: they felt the presence of some new and unintelligible kind of pleasure, which, presumably, came from somewhere. It might be a strength of madness, or a lying spirit from Hell; but it was something quite positive and extraordinary; as positive as brandy and as extraordinary as conjuring. The Pagan said to himself: "If Christianity makes a man happy while his legs are being eaten by a lion, might it not make me happy while my legs are still attached to me and walking down the street?" The Secularists laboriously explain that martyrdoms do not prove a faith to be true, as if anybody was ever such a fool as to suppose that they did. What they did prove, or, rather, strongly suggest, was that something had entered human psychology which was stronger than strong pain. If a young girl, scourged and bleeding to death, saw nothing but a crown descending on her from God, the first mental step was not that her philosophy was correct, but that she was certainly feeding on something.
G.K. Chesterton (All Things Considered)
Sometimes you don’t just want to risk making mistakes; you actually want to make them—if only to give you something clear and detailed to fix. Making mistakes is the key to making progress. Of course there are times when it is really important not to make any mistakes—ask any surgeon or airline pilot. But it is less widely appreciated that there are also times when making mistakes is the only way to go. Many of the students who arrive at very competitive universities pride themselves in not making mistakes—after all, that’s how they’ve come so much farther than their classmates, or so they have been led to believe. I often find that I have to encourage them to cultivate the habit of making mistakes, the best learning opportunities of all. They get “writer’s block” and waste hours forlornly wandering back and forth on the starting line. “Blurt it out!” I urge them. Then they have something on the page to work with. We philosophers are mistake specialists. (I know, it sounds like a bad joke, but hear me out.) While other disciplines specialize in getting the right answers to their defining questions, we philosophers specialize in all the ways there are of getting things so mixed up, so deeply wrong, that nobody is even sure what the right questions are, let alone the answers. Asking the wrongs questions risks setting any inquiry off on the wrong foot. Whenever that happens, this is a job for philosophers! Philosophy—in every field of inquiry—is what you have to do until you figure out what questions you should have been asking in the first place. Some people hate it when that happens. They would rather take their questions off the rack, all nicely tailored and pressed and cleaned and ready to answer. Those who feel that way can do physics or mathematics or history or biology. There’s plenty of work for everybody. We philosophers have a taste for working on the questions that need to be straightened out before they can be answered. It’s not for everyone. But try it, you might like it. In
Daniel C. Dennett (Intuition Pumps and Other Tools for Thinking)
I’ve worn Niki’s pants for two days now. I thought a third day in the same clothes might be pushing it.” Ian shrugged with indifference. “It might send Derian through the roof, but it doesn’t bother me. Wear what you want to wear.” Eena wrinkled her nose at him. “Do you really feel that way or are you trying to appear more laissez-faire than Derian?” “More laissez-faire?” “Yes. That’s a real word.” “Two words actually,” he grinned. “Laissez faire et laissez passer, le monde va de lui même!" He coated the words with a heavy French accent. Eena gawked at him. “Since when do you speak French?” “I don’t.” Ian chuckled. “But I did do some research in world history the year I followed you around on Earth. Physics was a joke, but history—that I found fascinating.” Slapping a hand against her chest, Eena exclaimed, “I can’t believe it! Unbeknownst to me, Ian actually studied something in high school other than the library’s collection of sci-fi paperbacks!” He grimaced at her exaggerated performance before defending his preferred choice of reading material. “Hey, popular literature is a valuable and enlightening form of world history. You would know that if you read a book or two.” She ignored his reproach and asked with curiosity, “What exactly did you say?” “In French?” “Duh, yes.” “Don’t ‘duh’ me, you could easily have been referring to my remark about enlightening literature. I know the value of a good book is hard for you to comprehend.” He grinned crookedly at her look of offense and then moved into an English translation of his French quote. “Let it do and let it pass, the world goes on by itself.” “Hmm. And where did that saying come from?” Ian delivered his answer with a surprisingly straight face. “That is what the French Monarch said when his queen began dressing casually. The French revolution started one week following that famous declaration, right after the queen was beheaded by the rest of the aristocracy in her favorite pair of scroungy jeans.” “You are such a brazen-tongued liar!
Richelle E. Goodrich (Eena, The Companionship of the Dragon's Soul (The Harrowbethian Saga #6))
We needed to drive down the road a couple of miles to meet the rest of the cowboys and gather the cattle from there. “Mom, why don’t you and Ree go ahead in her car and we’ll be right behind you,” Marlboro Man directed. His mother and I walked outside, climbed in the car, and headed down the road. We exchanged pleasant small talk. She was poised and genuine, and I chattered away, relieved that she was so approachable. Then, about a mile into our journey, she casually mentioned, “You might watch that turn up ahead; it’s a little sharp.” “Oh, okay,” I replied, not really listening. Clearly she didn’t know I’d been an L.A. driver for years. Driving was not a problem for me. Almost immediately, I saw a ninety-degree turn right in front of my face, pointing its finger at me and laughing--cackling--at my predicament. I whipped the steering wheel to the left as quickly as I could, skidding on the gravel and stirring up dust. But it was no use--the turn got the better of me, and my car came to rest awkwardly in the ditch, the passenger side a good four feet lower than mine. Marlboro Man’s mother was fine. Lucky for her, there’s really nothing with which to collide on an isolated cattle ranch--no overpasses or concrete dividers or retaining walls or other vehicles. I was fine, too--physically, anyway. My hands were trembling violently. My armpits began to gush perspiration. My car was stuck, the right two tires wedged inextricably in a deep crevice of earth on the side of the road. On the list of the Top Ten Things I’d Want Not to Happen on the First Meeting Between My Boyfriend’s Mother and Me, this would rate about number four. “Oh my word,” I said. “I’m sorry about that.” “Oh, don’t worry about it,” she reassured, looking out the window. “I just hope your car’s okay.” Marlboro Man and his dad pulled up beside us, and they both hopped out of the pickup. Opening my door, Marlboro Man said, “You guys okay?” “We’re fine,” his mother said. “We just got a little busy talking.” I was Lucille Ball. Lucille Ball on steroids and speed and vodka. I was a joke, a caricature, a freak. This couldn’t possibly be happening to me. Not today. Not now. “Okay, I’ll just go home now,” I said, covering my face with my hands. I wanted to be someone else. A normal person, maybe. A good driver, perhaps. Marlboro Man examined my tires, which were completely torn up. “You’re not goin’ anywhere, actually. You guys hop in the pickup.” My car was down for the count.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Condom,” she gasped. A movement stopped. “What?” Phoebe felt the earth open up in preparation of swallowing her. How could she have not mentioned this before? “I’m not on anything right now,” she whispered. “Birth control. I’m not on the Pill.” She gestured helplessly. “Shit, fuck, damn.” Disappointment tied her in knots. “I was really only interested in that middle part,” she joked. There was a second of silence, followed by a low chuckle. “You’re never predictable, Phoebe. I’ll give you that. Cross your fingers.” “What?” “Cross your fingers. I might have a condom in my shaving kit.” There was movement and rustling, then the sound of a zipper being opened. “I’m going to have to put on the light.” She briefly debated being polite and closing her eyes, but who was she kidding? She wanted to see Zane naked. In preparation, she raised up on one elbow and stared in his general direction. When the light came on, she saw all she wanted and more. He was kneeling at the end of the sleeping bag. Naked, aroused and more physically perfect than any man had a right to be. She saw the definition in his arms, the broad strength of his chest and his flat stomach before lowering her attention to his large, hard penis. The physical proof of his desire for her made her so happy, she nearly cried. Her other instinct was to part her legs, tell him never mind with birth control and protection and demand he take her right there. As that last bit was only ever going to happen in her fantasies, she contended herself with stretching out her arm and lightly grazing the tip of him with her fingers. He stiffened instantly, then turned to look at her. If she’d had any doubts about his willingness to participate, they were put to rest by the fire in his eyes and the tightness of his expression. He was a man on the sexual edge, and she couldn’t wait to push him over. He shook his head and forced his attention back to the shaving kit. At first he set the various items on the foot of the sleeping bag, but after a couple of seconds, he simply turned the container over and dumped out the contents. “Be here, be here, be here,” he muttered as he pawed through everything. Then he grabbed a square packet in triumph. “Got one.” She couldn’t help smiling. “Only one?” He grinned. “We’ll have to be creative after that.” He handed her the condom, then clicked off the light. “Where was I?” he asked. “You can pretty much be anywhere you want to be,” she told him. “Good. Then I want to be here.” He pulled off her panties in one smooth move. Then there was nothing.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Since emotions have to be programmed into robots from the outside, manufacturers may offer a menu of emotions carefully chosen on the basis of whether they are necessary, useful, or will increase bonding with the owner. In all likelihood, robots will be programmed to have only a few human emotions, depending on the situation. Perhaps the emotion most valued by the robot’s owner will be loyalty. One wants a robot that faithfully carries out its commands without complaints, that understands the needs of the master and anticipates them. The last thing an owner will want is a robot with an attitude, one that talks back, criticizes people, and whines. Helpful criticisms are important, but they must be made in a constructive, tactful way. Also, if humans give it conflicting commands, the robot should know to ignore all of them except those coming from its owner. Empathy will be another emotion that will be valued by the owner. Robots that have empathy will understand the problems of others and will come to their aid. By interpreting facial movements and listening to tone of voice, robots will be able to identify when a person is in distress and will provide assistance when possible. Strangely, fear is another emotion that is desirable. Evolution gave us the feeling of fear for a reason, to avoid certain things that are dangerous to us. Even though robots will be made of steel, they should fear certain things that can damage them, like falling off tall buildings or entering a raging fire. A totally fearless robot is a useless one if it destroys itself. But certain emotions may have to be deleted, forbidden, or highly regulated, such as anger. Given that robots could be built to have great physical strength, an angry robot could create tremendous problems in the home and workplace. Anger could get in the way of its duties and cause great damage to property. (The original evolutionary purpose of anger was to show our dissatisfaction. This can be done in a rational, dispassionate way, without getting angry.) Another emotion that should be deleted is the desire to be in command. A bossy robot will only make trouble and might challenge the judgment and wishes of the owner. (This point will also be important later, when we discuss whether robots will one day take over from humans.) Hence the robot will have to defer to the wishes of the owner, even if this may not be the best path. But perhaps the most difficult emotion to convey is humor, which is a glue that can bond total strangers together. A simple joke can defuse a tense situation or inflame it. The basic mechanics of humor are simple: they involve a punch line that is unanticipated. But the subtleties of humor can be enormous. In fact, we often size up other people on the basis of how they react to certain jokes. If humans use humor as a gauge to measure other humans, then one can appreciate the difficulty of creating a robot that can tell if a joke is funny or not.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
You are a totally pathetic, historical example of the phallocentric, to put it mildly." "A pathetic, historical example," Oshima repeats, obviously impressed. By his tone of voice he seems to like the sound of that phrase. "In other words you're a typical sexist, patriarchic male," the tall one pipes in, unable to conceal her irritation. "A patriarchic male," Oshima again repeats. The short one ignores this and goes on. "You're employing the status quo and the cheap phallocentric logic that supports it to reduce the entire female gender to second-class citizens, to limit and deprive women of the rights they're due. You're doing this unconsciously rather than deliberately, but that makes you even guiltier. You protect vested male interests and become inured to the pain of others, and don't even try to see what evil your blindness causes women and society. I realize that problems with restrooms and card catalogs are mere details, but if we don't begin with the small things we'll never be able to throw off the cloak of blindness that covers our society. Those are the principles by which we act." "That's the way every sensible woman feels," the tall one adds, her face expressionless. [...] A frozen silence follows. "At any rate, what you've been saying is fundamentally wrong," Oshima says, calmly yet emphatically. "I am most definitely not a pathetic, historical example of a patriarchic male." "Then explain, simply, what's wrong with what we've said," the shorter woman says defiantly. "Without sidestepping the issue or trying to show off how erudite you are," the tall one adds. "All right. I'll do just that—explain it simply and honestly, minus any sidestepping or displays of brilliance," Oshima says. "We're waiting," the tall one says, and the short one gives a compact nod to show she agrees. "First of all, I'm not a male," Oshima announces. A dumbfounded silence follows on the part of everybody. I gulp and shoot Oshima a glance. "I'm a woman," he says. "I'd appreciate it if you wouldn't joke around," the short woman says, after a pause for breath. Not much confidence, though. It's more like she felt somebody had to say something. Oshima pulls his wallet out of his chinos, takes out the driver's license, and passes it to the woman. She reads what's written there, frowns, and hands it to her tall companion, who reads it and, after a moment's hesitation, gives it back to Oshima, a sour look on her face. "Did you want to see it too?" Oshima asks me. When I shake my head, he slips the license back in his wallet and puts the wallet in his pants pocket. He then places both hands on the counter and says, "As you can see, biologically and legally I am undeniably female. Which is why what you've been saying about me is fundamentally wrong. It's simply impossible for me to be, as you put it, a typical sexist, patriarchic male." "Yes, but—" the tall woman says but then stops. The short one, lips tight, is playing with her collar. "My body is physically female, but my mind's completely male," Oshima goes on. "Emotionally I live as a man. So I suppose your notion of being a historical example may be correct. And maybe I am sexist—who knows. But I'm not a lesbian, even though I dress this way. My sexual preference is for men. In other words, I'm a female but I'm gay. I do anal sex, and have never used my vagina for sex. My clitoris is sensitive but my breasts aren't. I don't have a period. So, what am I discriminating against? Could somebody tell me?
Haruki Murakami (Kafka on the Shore)
Maude was so close to the flames that she was in danger of being singed. She was thirsty and hungry and half frozen and so fatigued she felt lightheaded. But none of that mattered. She was quite content to stay right where she was, in Brien's arms, surrounded by laughing, exultant men, men you were calling her Queen Maude as if they truly meant it, rejoicing in her triumph and making it their own. Brien was holding her as if he had no intention of letting her go, dark eyes never leaving her face. "You are the most amazing woman," he said, and laughed, too happy to hide it, to keep up the pretense between them any longer. Maude smiled at him as her own defense dropped, realizing what was happening and not caring, not now, not anymore. "My only regret," she said, "is that I'll not be there to see Stephen's face when he finds out I've bested him!" That set them all to laughing, and this time she knew the jokes were at Stephen's expense, not hers. "If I do not sit down soon, I'm likely to fall down," she confided to Brien, for she could admit to physical frailties now; she'd earned that right. His arm tightened around her shoulder, and when he called out for a chair, so many men volunteered that Maude began to laugh. Never had she felt like this, so in harmony with her world, so at ease with herself. It was a wonderful feeling, had been a long time coming.
Sharon Kay Penman (When Christ and His Saints Slept (Plantagenets #1; Henry II and Eleanor of Aquitaine, #1))
All day, every day, we are flooded with the truly extraordinary. The best of the best. The worst of the worst. The greatest physical feats. The funniest jokes. The most upsetting news. The scariest threats. Nonstop.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Banks remain twice as likely to offer loans to White entrepreneurs than to Black entrepreneurs. Customers avoid Black businesses like they are the “ghetto,” like the “White man’s ice is colder,” as antiracists have joked for years. I knew this then. But my dueling consciousness still led me to think like one young Black writer wrote in Blavity in 2017: “On an intellectual level, I know that Black people have been denied equal access to capital, training, and physical space. But does that inequitable treatment excuse bad service?” Does not good service, like every other commodity, typically cost more money? How can we acknowledge the clouds of racism over Black spaces and be shocked when it rains on our heads? I felt Black was beautiful, but Black spaces were not? Nearly everything I am I owe to Black space. Black neighborhood. Black church. Black college. Black studies. I was like a plant devaluing the soil that made me.
Ibram X. Kendi (How to Be an Antiracist (One World Essentials))
I say you are reading to slow. You need to read at least 93.5 mph. According to United Nations Educational, Scientific and Cultural Organization. Around 2.2 million new titles are published worldwide each year. If a book is in average 250 pages. Or 3 cm. That is 66 km of books every year. Or just 180 meters of books every day. If you can spend 4h/day to read you just need to read 45 meters of books an hour or 1500 bph (Books Per Hour). You are probably reading at 0.025-0.1 books per hour. But if you practice, you might have a chance? If each book contains 250 pages. And each page is on average 20 cm tall. And you can spend 4h on average each day reading. That means you have to read text at a speed of 187.5 km/h to keep up. However that is probably a bit too fast, since there is usually some white space on each page of a book so lets round it down to 150km/h. According to Stephen Hawking “if you stacked the new books being published next to each other, at the present rate of production you would have to move at ninety miles an hour just to keep up with the end of the line.” 90mph equals 144.841 km/h. I say, Stephen Hawking was a bit too generous. I calculated the reading speed needed on my own and came to the same approximately the same conclusion as Hawking. Yes I know. Great minds think a like, but since I think my calculation was a bit better. It must mean I'm a bit smarter than him, right? Not that I would want to flatter myself, just a little bit smarter is enough. Now I just need to study physics so I can solve how we may travel back in time to keep up reading all the books or make an alternative world with less authors so we can keep up reading. If you like me, think this situation is unacceptable. You too may sign my petition to forbid anyone from writing more than one book of 250 pages in their entire life for the next 2000-10.000 years. So we can catch up with reading all those books. You will have to excuse me but I tried to set my goal of reading 2.3 million books next year here on goodreads. But it only allowed to set the counter to 99 thousand so unfortunately it will have to wait until they fix this. I suspect the limit is there by intent. Since if everyone read all the books published each year and a few millions more, goodreads would not be needed. Their business model is based on you not reading 150kmbookpages/h. I have contacted customer support, unfortunately they did not take my suggestion seriously, if you could please help me and also email them then hopefully they will come to their senses and fix this once they see there is a demand. (Don't do this, it's just a joke.) In the meantime I will just go back to reading 10-20 books a year.
myself and Stephen Hawking?
In longtime meditators, such as Tibetan monks who have meditated for over 10,000 hours, the parietal lobe shows greatly reduced activity during meditation. While the brain’s energy usage only fluctuates around 5% up or down each day, in these adepts it drops up to 40% as they enter an altered state of consciousness. People who are isolated and lonely show the opposite effect. Their parietal lobes may be highly active. Feelings of loneliness and isolation are increasing in our fragmented society, according to a number of studies, and they have detrimental effects on our health. We are social beings, and a sense of connectedness translates into overall physical and emotional well-being. In a meta-analysis of 148 studies with a total of 308,849 participants, the researchers found “a 50% increased likelihood of survival for participants with stronger social relationships. This finding remained consistent across age, sex, initial health status, cause of death, and follow up.” Even when the researchers corrected for behaviors such as smoking, obesity, and lack of exercise, the effect remained consistent. Think back to the times of your life when you were happiest. For most of us, special moments with family and friends come to mind. We may have been on vacation with loved ones or enjoying a meal or a joke with friends. It may have been singing carols during the holidays, when billions of people join in affirming “peace on earth, goodwill to men.” What’s common to all those happy times is that your attention was fully in the present moment, the “timelessness” of Chapter 2. You weren’t worrying about the past or stressing over the future, the way you might be doing if you didn’t have precious people to engage your thoughts. Time and space receded as the love-filled present occupied your attention. Only in the present moment can you escape the demon’s obsession with the mistakes of the past and the problems of tomorrow. Experiences of timelessness, as the parietal lobe shuts down, shape our perception of the world and how we act in it.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
In longtime meditators, such as Tibetan monks who have meditated for over 10,000 hours, the parietal lobe shows greatly reduced activity during meditation. While the brain’s energy usage only fluctuates around 5% up or down each day, in these adepts it drops up to 40% as they enter an altered state of consciousness. People who are isolated and lonely show the opposite effect. Their parietal lobes may be highly active. Feelings of loneliness and isolation are increasing in our fragmented society, according to a number of studies, and they have detrimental effects on our health. We are social beings, and a sense of connectedness translates into overall physical and emotional well-being. In a meta-analysis of 148 studies with a total of 308,849 participants, the researchers found “a 50% increased likelihood of survival for participants with stronger social relationships. This finding remained consistent across age, sex, initial health status, cause of death, and follow up.” Even when the researchers corrected for behaviors such as smoking, obesity, and lack of exercise, the effect remained consistent. Think back to the times of your life when you were happiest. For most of us, special moments with family and friends come to mind. We may have been on vacation with loved ones or enjoying a meal or a joke with friends. It may have been singing carols during the holidays, when billions of people join in affirming “peace on earth, goodwill to men.” What’s common to all those happy times is that your attention was fully in the present moment, the “timelessness” of Chapter 2. You weren’t worrying about the past or stressing over the future, the way you might be doing if you didn’t have precious people to engage your thoughts. Time and space receded as the love-filled present occupied your attention. Only in the present moment can you escape the demon’s obsession with the mistakes of the past and the problems of tomorrow. Experiences of timelessness, as the parietal lobe shuts down, shape our perception of the world and how we act in it. A Stanford study of people who experienced “the deep now” found that it changed their behavior.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
In longtime meditators, such as Tibetan monks who have meditated for over 10,000 hours, the parietal lobe shows greatly reduced activity during meditation. While the brain’s energy usage only fluctuates around 5% up or down each day, in these adepts it drops up to 40% as they enter an altered state of consciousness. People who are isolated and lonely show the opposite effect. Their parietal lobes may be highly active. Feelings of loneliness and isolation are increasing in our fragmented society, according to a number of studies, and they have detrimental effects on our health. We are social beings, and a sense of connectedness translates into overall physical and emotional well-being. In a meta-analysis of 148 studies with a total of 308,849 participants, the researchers found “a 50% increased likelihood of survival for participants with stronger social relationships. This finding remained consistent across age, sex, initial health status, cause of death, and follow up.” Even when the researchers corrected for behaviors such as smoking, obesity, and lack of exercise, the effect remained consistent. Think back to the times of your life when you were happiest. For most of us, special moments with family and friends come to mind. We may have been on vacation with loved ones or enjoying a meal or a joke with friends. It may have been singing carols during the holidays, when billions of people join in affirming “peace on earth, goodwill to men.” What’s common to all those happy times is that your attention was fully in the present moment, the “timelessness” of Chapter 2. You weren’t worrying about the past or stressing over the future, the way you might be doing if you didn’t have precious people to engage your thoughts. Time and space receded as the love-filled present occupied your attention. Only in the present moment can you escape the demon’s obsession with the mistakes of the past and the problems of tomorrow. Experiences of timelessness, as the parietal lobe shuts down, shape our perception of the world and how we act in it. A Stanford study of people who experienced “the deep now” found that it changed their behavior. They “felt they had more time available . . . and were less impatient . . . more willing to volunteer their time to help others . . . preferred experiences over material products . . . and experienced a greater boost in life satisfaction.” A quiet parietal lobe promotes empathy, compassion, relaxation, appreciation, connectedness, and self-esteem.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
Yashvin, a gambler, a carouser, a man not merely without any principles, but with immoral principles - Yashvin was Vronsky’s best friend in the regiment. Vronsky loved him for his extraordinary physical strength, which the man usually showed by his ability to drink like a fish, go without sleep and yet remain the same, and for his great force of character, which he showed in his relations with his superiors and comrades, making himself feared and respected, and at cards, where he staked tens of thousands and, despite the wine he drank, was always so subtle and steady that he was regarded as the foremost player in the English Club. Vronsky loved and respected him especially because he felt that Yashvin loved him not for his name or wealth but for himself. And of all people it was with him alone that Vronsky would have liked to talk about his love. He felt that Yashvin alone, though he seemed to scorn all feelings, could understand that strong passion which now filled his whole life. Besides, he was sure that Yashvin took no pleasure in gossip and scandal, but understood his feeling in the right way - that is, knew and believed that this love was not a joke, not an amusement, but something more serious and important. Vronsky did not speak to him of his love, but he knew that he knew everything and understood everything in the right way, and he was pleased to see it in his eyes.
Leo Tolstoy (Anna Karenina)
The Fragilista Our idea is to avoid interference with things we don’t understand. Well, some people are prone to the opposite. The fragilista belongs to that category of persons who are usually in suit and tie, often on Fridays; he faces your jokes with icy solemnity, and tends to develop back problems early in life from sitting at a desk, riding airplanes, and studying newspapers. He is often involved in a strange ritual, something commonly called “a meeting.” Now, in addition to these traits, he defaults to thinking that what he doesn’t see is not there, or what he does not understand does not exist. At the core, he tends to mistake the unknown for the nonexistent. The fragilista falls for the Soviet-Harvard delusion, the (unscientific) overestimation of the reach of scientific knowledge. Because of such delusion, he is what is called a naive rationalist, a rationalizer, or sometimes just a rationalist, in the sense that he believes that the reasons behind things are automatically accessible to him. And let us not confuse rationalizing with rational—the two are almost always exact opposites. Outside of physics, and generally in complex domains, the reasons behind things have had a tendency to make themselves less obvious to us, and even less to the fragilista. This property of natural things not to advertise themselves in a user’s manual is, alas, not much of a hindrance: some fragilistas will get together to write the user’s manual themselves, thanks to
Nassim Nicholas Taleb (Antifragile: Things That Gain From Disorder (Incerto, #4))
Oh no, dear sister,” purred Ilnezhara. “I think the drow has a dancer’s chance.” “A bet, then, sister!” Tazmikella said. “If Drizzt wins, you may take him for your own physical . . . competition. If Kane wins, I’ll eat the drow!” “Splendid!” Ilnezhara agreed. “They’re joking,” Drizzt told Kane as the two walked away toward a flat and open bit of ground, and he certainly hoped he was correct. “One never knows with dragons,” the monk replied.
R.A. Salvatore (Glacier's Edge (The Way of the Drow, #2; The Legend of Drizzt, #38))
Hope Solo, who had precious few touches by that point, ran from her goal to hug Lloyd, something the goalkeeper rarely did. She looked at Lloyd and said: “Are you even human?!” “I’ve dreamed of scoring a shot like that,” Lloyd later said. “I did it once when I was younger on the national team in a training environment. Very rarely do you just wind up and hit it. When you’re feeling good mentally and physically, those plays are just instincts and it just happens.” Now, Ali Krieger jokes that the most exhausting part of the final was celebrating Lloyd’s goals: “We had to chase Carli after she scored all her goals. I was like, Can she not run around the entire field?
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
In severe melancholia, pain and anger become so intense that you eventually split yourself into two entities. You disconnect from the hated, humiliated part of yourself. You say to it: 'You're obviously sick and you're going to do something dreadful, so now I am going to separate from you and become autonomous.' You decide to dispose of it, to kill it off. You imagine you will be able to watch as it jumps out of the window, and rid yourself of it forever. This is such insanity and you go so mad that you believe that there will be a physical part of you that won't be killed. A part of you, you think, will be left behind to watch the Bad You fall to its destruction, to observe your own death and gloat and say: 'Ha! ha! ha! See, I got you! Fool!' But halfway down you realize that you have made a terrible mistake. There is no other half. There's no one left to gloat. The joke is on you, but you're not laughing anymore. In the split second between your vengeful act and extinction you always regret it. I know because I did when I took the sleeping pills in Australia. You have a moment of truth where you see your gesture for what it is. Which is a very petty thing. It's a hostile act. And it's insane because you're trying to get back at things through an act of such ultimate revenge that it involves your own annihilation. At just that instant you hit the ground and it's all over.
Marianne Faithfull (Faithfull)
Ugandans were rated as the happiest people in East Africa, according to a recent UN report on happiness. The report concluded that it was not because of their physical circumstances, which were often adverse, but because of their outlook on life, and their appreciation of the little they have. There are many poor people in Uganda who don’t know where the next meal is coming from, but this does not stop them having fun or cracking a joke. Laughter is a big part of the society and, although there is often much to be sorrowful about in the harshness and rawness of life, people will generally see the funny side of things.
Ian Clarke (Uganda - Culture Smart!: The Essential Guide to Customs & Culture)
All day, every day, we are flooded with the truly extraordinary. The best of the best. The worst of the worst. The greatest physical feats. The funniest jokes. The most upsetting news. The scariest threats. Nonstop. Yet the vast majority of life resides in the humdrum middle. The vast majority of life is unextraordinary, indeed quite average. The problem is that the pervasiveness of technology and mass marketing is screwing up a lot of people’s expectations for themselves. The inundation of the exceptional makes people feel worse about themselves, makes them feel that they need to be more extreme, more radical, and more self-assured to get noticed or even matter.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Abuse is rarely physical. It’s verbal, dismissive, with constant analysis and criticism, shouting and swearing, insults, disparaging jokes, steady prodding about weight, body type, denying embraces, disregarding, threatening, confining. The list goes on. She’ll use guilt trips and fear or obligation. She’ll gaslight and shame her daughter.
Angela Marsons (Guilty Mothers (DI Kim Stone, #20))
I didn’t realize you paid that much attention to who flirted with me.” “I’m your publicist. It’s my job to pay attention to everything about you.” “Everything, huh?” I’d meant it as a joke, but when her gaze touched mine, oxygen thinned in a way that had nothing to do with the heat. Sloane was beautiful. Fact. I’d been physically attracted to her since the moment we met. Also fact. But it’d been a low-simmering attraction, the type I could brush off by focusing on something else. Recently, however, it’d ramped up to the point where there was nothing else.
Ana Huang (King of Sloth (Kings of Sin, #4))
Botox" In a friendly exchange with a shopper in a grocery story line, she joyfully declared: “Today is my 50th birthday!” I said, “It looks like the hands of Time have touched your face gently. Happy birthday!” “The hands of Time weren’t gentle on me, my dear. What you see are the wonders of botox,” she said. “They say it freezes face features and expressions. Is that true?” I inquired half-jokingly. “At this stage of my life, it makes no difference. I no longer need any expressions. There is nothing worth smiling for or frowning upon. I spent decades expressing in every physical and verbal way possible, all in vain,” she said. Her words were followed by a hopeless giggle that reminded me of the philosopher who wrote that as we advance in age, our fears are replaced with giggles. She then continued, “There is a time when you discover that all verbal and physical expressions are futile. In everyone’s life, there’s one defining event that freezes everything in their lives. Anything that happens after that event is no more than desperate and hopeless attempts to pretend that we are okay.” Before I managed to find the appropriate words, the cashier called on her. The timing was ideal as words froze on my tongue just like the botox freezes features and expression in a world in which words and expressions are of no use anymore. [Original text published in Arabic on October 14, 2024 at ahewar.org]
Louis Yako
I never told you this, but I was hard for the entirety of our first meeting.” “What?” “It’s true. One look at you, and I knew I needed to get my hands on you. And then you sassed me, letting your confidence shine through, and that physical attraction I felt blossomed into something more.” “You’re joking.” “Nope. Your body has always turned me on, even when I didn’t know if I’d ever get a chance to be with you.
Siena Trap (Frozen Heart Face-Off (Indy Speed Hockey, #2))
I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
The strength of the familiar electromagnetic force between two electrons, for example, is expressed in physics in terms of a constant known as the fine structure constant. The value of this constant, almost exactly 1/137, has puzzled many generations of physicists. A joke made about the famous English physicist Paul Dirac (1902-1984), one of the founders of quantum mechanics, says that upon arrival to heaven he was allowed to ask God one question. His question was: "Why 1/137?
Mario Livio (The Golden Ratio: The Story of Phi, the World's Most Astonishing Number)
West was physically on set by nine o’clock Monday morning, but his heart was in San Francisco. He was beginning to think it was some cruel joke that he lived in the Tony Bennett Suite.
Tracy Ewens (Exposure (A Love Story #8))
might be just a set of equations and eye-blearing numbers disembodied from all physical significance. She might not hear another word about the work until a piece appeared in Air Scoop or Aviation or Air Trails. Or never. For many men, a computer was a piece of living hardware, an appliance that inhaled one set of figures and exhaled another. Once a girl finished a particular job, the calculations were whisked away into the shadowy kingdom of the engineers. “Woe unto thee if they shall make thee a computer,” joked a column in Air Scoop. “For the Project Engineer will take credit for whatsoever thou doth that is clever and full of glory. But if he slippeth up, and maketh a wrong calculation, or pulleth a boner of any kind whatsoever, he shall lay the mistake at thy door when he is called to account and he shall say, ‘What can you
Margot Lee Shetterly (Hidden Figures: Young Readers' Edition of Hidden Figures—Celebrating African American Women Pioneers at NASA)
Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
It’s a cruel joke of the universe that the one person who makes me come alive is himself dead. And evil. His very existence defies all moral laws and all known laws of physics.” ~Juliette
Kitty Thomas (The Last Girl)
It’s a cruel joke of the universe that the one person who makes me come alive is himself dead. And evil. His very existence defies all moral laws and all known laws of physics.
Kitty Thomas (The Last Girl)
A number of collections and adaptations of his lectures have been published, including The Feynman Lectures on Physics, QED (Penguin, 1990), The Character of Physical Law (Penguin, 1992), Six Easy Pieces (Penguin, 1998), The Meaning of It All (Penguin, 1999), Six Not-So-Easy Pieces (Penguin, 1999), The Feynman Lectures on Gravitation (Penguin, 1999), The Feynman Lectures on Computation (Penguin, 1999) and The Pleasure of Finding Things Out (Penguin, 2001). His memoirs, Surely You’re Joking, Mr Feynman, were published in 1985.
Anonymous
At first Tatiana could not get through her day without physically holding herself together. There was no comfort inside her, and she knew it. There was nowhere she could turn to inside herself to leave the darkness. No memory she could fondly think of, no gentle joke, no musical refrain. There was no part of her body she could touch without shuddering. Nowhere she could look without seeing Alexander. This time she didn’t have the hunger to dull her sorrow. She didn’t have infected lungs. There was nothing for her healthy body to do but grit its teeth and lift the buckets that went on her shoulders every morning, and milk the goat and pour the warm milk for Raisa, who could not pour it herself, and hang the clothes on the line and have the women say at night how wonderful the clothes smelled, having been hung by Tania in the sunshine. Tatiana sewed for them and for herself, she read to them and to herself, she bathed them and herself, she tended their garden and looked after their chickens and took the apples off the trees, and little by little, bucket by bucket, book by book, shirt by shirt, their need enveloped her again, and Tatiana was comforted. Just like before.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
A ventriloquist was on stage at a bar in a small town. He was going through his usual run of dumb blonde jokes when a large blonde in the second row stood up and shouted, “I’ve heard just about enough of your denigrating blonde jokes! What makes you think you can stereotype blondes that way? What does a person’s physical attributes have to do with their worth as a human being?” The ventriloquist looked on in confused amazement. “It’s jerks like you who keep women like me from being respected,” she continued, “and from reaching my full potential as a person because you perpetuate discrimination against not only blondes but women at large. All in the name of a few pathetic jokes.” Flustered, the ventriloquist began to apologize. The blonde interrupted, “You stay out of this, mister. I’m talking to that little shithead on your knee.
Scott McNeely (Ultimate Book of Jokes: The Essential Collection of More Than 1,500 Jokes)
To peruse Larry Flynt's flagship is to encounter laughable facets of necrophilia, dildo-strapped nuns, ambulatory turds, walking anuses, the perceived discrepancy in penis size between black and white males, vaginas large enough to envelop an entire man, physical intimacies with anthropomorphic pets, lesbian love rituals, the ills and quirks of male homosexuality, the corrosive effect of vaginal discharge upon automobile upholstery, the danger that freshly licked African-american lips will accidentally adhere to some glasslike surface, bar sluts, gang-bangs, wastebasket fetuses, flatulence anal and vaginal, the handicapped, Ku Klux Klansmen, lynching, anal sex, prison romance, naked females whose faces are covered by paper bags, sex crimes of the rich and famous, sex in full-body traction, retards as playthings, practical jokes committed by Saint Peter, suicide, consanguinity, animal husbandry in the connubial sense, erectile dysfunction, voyeurs, panty-sniffewrs, menstruation, STDs and philosopher houseflies delivering piquant sophistries while nibbling on corn-studded nuggets of shit.
Allan MacDonell (Prisoner of X: 20 Years in the Hole at Hustler Magazine)
But it isn’t the fun of DIY invention, urban exploration, physical danger, and civil disorder that the Z-Boys enjoyed in 1976. It is fun within serious limits, and for all of its thrills it is (by contrast) scripted. And rather obedient. The fact that there are public skateparks and high-performance skateboards signals progress: America has embraced this sport, as it did bicycles in the nineteenth century. Towns want to make skating safe and acceptable. The economy has more opportunity to grow. America is better off for all of this. Yet such government and commercial intervention in a sport that was born of radical liberty means that the fun itself has changed; it has become mediated. For the skaters who take pride in their flashy store-bought equipment have already missed the Z-Boys’ joke: Skating is a guerrilla activity. It’s the fun of beating, not supporting, the system. P. T. Barnum said it himself: all of business is humbug. How else could business turn a profit, if it didn’t trick you with advertising? If it didn’t hook you with its product? This particular brand of humbug was perfected in the late 1960s, when merchandise was developed and marketed and sold to make Americans feel like rebels. Now, as then, customers always pay for this privilege, and purveyors keep it safe (and generally clean) to curb their liability. They can’t afford customers taking real risks. Plus it’s bad for business to encourage real rebellion. And yet, marketers know Americans love fun—they have known this for centuries. And they know that Americans, especially kids, crave autonomy and participation, so they simulate the DIY experience at franchises like the Build-A-Bear “workshops,” where kids construct teddy bears from limited options, or “DIY” restaurants, where customers pay to grill their own steaks, fry their own pancakes, make their own Bloody Marys. These pay-to-play stores and restaurants are, in a sense, more active, more “fun,” than their traditional competition: that’s their big selling point. But in both cases (as Barnum knew) the joke is still on you: the personalized bear is a standardized mishmash, the personalized food is often inedible. As Las Vegas knows, the house always wins. In the history of radical American fun, pleasure comes from resistance, risk, and participation—the same virtues celebrated in the “Port Huron Statement” and the Digger Papers, in the flapper’s slang and the Pinkster Ode. In the history of commercial amusement, most pleasures for sale are by necessity passive. They curtail creativity and they limit participation (as they do, say, in a laser-tag arena) to a narrow range of calculated surprises, often amplified by dazzling technology. To this extent, TV and computer screens, from the tiny to the colossal, have become the scourge of American fun. The ubiquity of TV screens in public spaces (even in taxicabs and elevators) shows that such viewing isn’t amusement at all but rather an aggressive, ubiquitous distraction. Although a punky insurgency of heedless satire has stung the airwaves in recent decades—from equal-opportunity offenders like The Simpsons and South Park to Comedy Central’s rabble-rousing pundits, Jon Stewart and Stephen Colbert—the prevailing “fun” of commercial amusement puts minimal demands on citizens, besides their time and money. TV’s inherent ease seems to be its appeal, but it also sends a sobering, Jumbotron-sized message about the health of the public sphere.
John Beckman (American Fun: Four Centuries of Joyous Revolt)
A couple of women are playing golf one sunny Saturday morning. The first of the twosome tees off and watches in horror as her ball heads directly toward a foursome of men playing the next hole. The ball hits one of the men and he immediately clasps his hands over his groin, falls to the ground, and rolls around in evident agony. The woman rushes down to the man and begins apologizing profusely. “Please allow me to help. I’m a physical therapist and I know I could relieve your pain if you’d allow me,” she told him earnestly. “Ummph, oooh, nnooo, I’ll be all right. I’ll be fine in a few minutes,” he replies breathlessly, as he remains doubled over in pain. The woman persists in trying to help and he finally agrees. She gently takes his hands away from his groin and lays them to his sides. She loosens his pants and she puts her hands inside. She begins to massage him, asking, “How does that feel?” “It feels great—but my thumb still hurts like hell.
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
A young woman is having a physical examination and is very embarrassed about her weight. As she removes her last bit of clothing, she blushes. “I’m so ashamed, Doctor.” she says. “I guess I let myself go.” The physician is checking her eyes and ears. “Don’t feel ashamed, Miss. You look just fine.” “Do you really think so, Doctor?” “Of course,” he says, brandishing a tongue depressor. “Now open wide and say
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
our Daily life is an exam we are writing Everything you are passing through is for a purpose. From Sunday to Saturday, you're writing an exam that will be marked and you will know about the result one day when you are to leave this physical world. We are playing the extra times, then it is now that we have to get prepared for rapture will take place from now on. The Lord Jesus-Christ is the only escape, lay down your life and stop joking. For as the word says: " therefore, there is no condemnation to them that are in Jesus-Christ ". Are you in Jesus-Christ ? Are you aware that God sees everything you do ? God bless you.
Jean Faustin Louembe
You mean you’re bonded to Lock and Deep?” Liv demanded. “Not entirely,” Kat said quickly. “Only about halfway, if that makes any sense.” “Not a bit,” Liv said. “But go on.” “Well, with Twin Kindred the bond comes in two halves—the soul bond which is kind of a spiritual connection—and the physical bond. Which is what you get when you have bonding sex.” Kat made a face. “And girls, you would not believe how the Twin Kindred do it.” “One at a time?” Sophie guessed. “One in the front and one in the back,” Liv said. Kat shook her head. “Nope. I met a new friend here by the name of Piper who comes from Houston. And as Piper so charmingly put it, they put ‘two poles in the same hole.’” “No!” Both Liv and Sophie were aghast. “Jillian never told me that,” Liv protested. Kat shrugged. “Well, it’s true.” “But that’s barbaric,” Sophie protested. “Unless they have…do they have really tiny equipment?” “From what I’ve seen and felt, they’re every bit as endowed as all the other Kindred warriors,” Kat said dryly. “Remember how we used to joke that all Kindred were hung like Clydesdales?” “Oh no.” Sophie looked horrified. “It’s not as bad as it sounds,” Kat said, apparently worried by the way they were looking at her. “They have this stuff called bonding fruit that, uh, makes you more flexible in certain areas. If you know what I mean.” “And that’s supposed to make it okay?” Liv demanded. “I don’t know about ‘okay,’ but supposedly it keeps the whole process from hurting.” Kat’s cheeks were pink. “Not that I want to find out first hand.” “Kat,
Evangeline Anderson (Sought (Brides of the Kindred, #3))
Everything about you keeps me in awe, Hailee. From your face to your waist and from your hips to your thighs, you are remarkable. Every inch of your being is something I long for. But it’s not just the physical stuff either, even though holy fuck, your physical stuff,” he groaned in delight as he bit his fist jokingly, making me laugh. Then he grew more somber as he continued. “Your body, mind, and spirit, I want it all. You’re the most beautiful person I’ve ever met, Hailee Jones, and I’m in love with you. You’re the kindest, funniest, most caring person in this world, and I’m in love with you. You have the most stunning brown eyes I get lost in, and I’m in love with you. You have a smile that I dream about constantly, and I’m in love with you. You’re gentle and strong, and I’m in love with you. And every time someone disrespects you, it sets off a rage inside me because you are the most incredible person I’ve ever met, and I’m in love with you.
Brittainy C. Cherry (Northern Stars (The Compass, #4))
I wish I had some physical disease so I could tell people ‘Oh I have been resting. You know how it is with all the treatments going on.’ If I had a real illness, like heart disease or cancer, then maybe I wouldn’t have lost my friends. I wouldn’t have had to lie that I am fine. Maybe then people would have come to meet me, spend time with me, hold my hand for a while, crack jokes so that I could smile, and send over flowers and chocolates I couldn’t eat. Only if I had anything other than a mental illness, maybe I would have survived it.
Khushboo Aneja (If Anyone Could Have Saved Me)
Xander Schulz who regularly dated the models and actresses he worked with, who only ever cast beautiful women under the age of thirty, who often cracked puerile jokes about their physical attributes – that Xander Schulz is a good guy, in comparison to other men in the industry. And that is the sad truth of the matter.
Winnie M. Li (Complicit)
A related issue to the Anthropic Principle is the so-called “god-of-the-gaps” in which theists argue that the (shrinking) number of issues that science has not yet explained require the existence of a god. For example, science has not (yet) been able to demonstrate the creation of a primitive life-form in the laboratory from non-living material (though US geneticist Craig Venter’s recent demonstration lays claim to having created such a laboratory synthetic life-form, the “Mycoplasma Laboratorium”). It is therefore concluded that a god is necessary to account for this step because of the “gap” in scientific knowledge. The issue of creating life in the laboratory (and other similar “gap” issues such as those in the fossil record) is reminiscent of other such “gaps” in the history of science that have since been bridged. For example, the laboratory synthesis of urea from inorganic materials by Friedrich Wöhler in 1828 at that time had nearly as much impact on religious believers as Copernicus’s heliocentric universe proposal. From the time of the Ancient Egyptians, the doctrine of vitalism had been dominant. Vitalism argued that the functions of living organisms included a “vital force” and therefore were beyond the laws of physics and chemistry. Urea (carbamide) is a natural metabolite found in the urine of animals that had been widely used in agriculture as a fertilizer and in the production of phosphorus. However, Friedrich Wöhler was the first to demonstrate that a natural organic material could be synthesized from inorganic materials (a combination of silver isocyanate and ammonium chloride leads to urea as one of its products). The experiment led Wöhler famously to write to a fellow chemist that it was “the slaying of a beautiful hypothesis by an ugly fact,” that is, the slaying of vitalism by urea in a Petri dish. In practice, it took more than just Wöhler’s demonstration to slay vitalism as a scientific doctrine, but the synthesis of urea in the laboratory is one of the key advances in science in which the “gap” between the inorganic and the organic was finally bridged. And Wöhler certainly pissed on the doctrine of vitalism, if you will excuse a very bad joke.
Mick Power (Adieu to God: Why Psychology Leads to Atheism)
The number of axes of social division under intersectionality can be almost infinite—but they cannot be reduced to the individual. (People often joke that the individual is the logical endpoint of an intersectional approach that divides people into smaller and smaller groups—but this misunderstands the fundamental reliance on group identity. Even if a person were a unique mix of marginalized identities, thus intersectionally a unique individual, she would be understood through each and all of those group identities, with the details to be filled in by Theory. She would not be understood as an individual.) Consequently, the categories in which intersectionality is interested are numerous. In addition to those of race, sex, class, sexuality, gender identity, religion, immigration status, physical ability, mental health, and body size, there are subcategories, such as exact skin tone, body shape, and abstruse gender identities and sexualities, which number in the hundreds. These all have to be understood in relation to one another so that the positionality each intersection of them confers can be identified and engaged. Moreover, this doesn’t just make intersectionality incredibly internally complex. It is also messy because it is so highly interpretive and operates on so many elements of identity simultaneously, each of which has different claims to a relative degree of marginalization, not all of which are directly comparable. However, there is nothing complex about the overarching idea of intersectionality, or the Theories upon which it is built. Nothing could be simpler. It does the same thing over and over again: look for the power imbalances, bigotry, and biases that it assumes must be present and pick at them. It reduces everything to one single variable, one single topic of conversation, one single focus and interpretation: prejudice, as understood under the power dynamics asserted by Theory. Thus, for example, disparate outcomes can have one, and only one, explanation, and it is prejudicial bigotry.
Helen Pluckrose (Cynical Theories: How Activist Scholarship Made Everything about Race, Gender, and Identity—and Why This Harms Everybody)
She was lonely, that was the truth, really lonely. Her working hours were so long she’d given up on the idea of having a family—she couldn’t even hold down a relationship—and when she went on an expedition, she was set apart from her male colleagues by problems they didn’t have to think about. Not only periods, or where to pee safely, not even the endless jokes about her physical strength. But the sense she was never really going to get what she wanted. More than a few times a colleague had reached out a hand when she didn’t need help, and squeezed too hard. She’d been talked down and talked over. She’d missed a couple of promotions she should have got. And yet, deep down, she knew she couldn’t really blame anyone else. Out of some strange mad desire not to upset the status quo, she’d become complicit. She had laughed when she should have been angry, or said nothing when she should have said a lot. She’d belittled her own achievements, calling them small or unformed or even lucky when they were none of those things. And it wasn’t simply opportunities at work she’d lost out on: she had—and, again, this was her own choice—missed the weddings of her closest friends, just as she’d missed their children’s christenings. Only a month ago her oldest friend had written, inviting her to Scotland for her godson’s birthday, “But I guess it will be difficult for you to get away.” And it was true. Some nights Freya worked so late, she took her sleeping bag out of her locker and slept on the floor under her desk. She actually kept a toothbrush there and a set of spare clothes.
Rachel Joyce (Miss Benson's Beetle)
What is your preferred mode of transportation? How do you define a “crowd”? Think of a situation in your life where the crowd level felt good and right. What about an instance when a crowd felt stressful or scary? What’s your comfort level with sounds/noises? For example, are you comfortable in a space with loud music playing? Is there a type of noise or sound that you just can’t stand? What, if anything, is likely to make you feel physically unwell? What everyday activities do you prefer to do IRL? Which do you prefer to do virtually or through an app? How comfortable are you with technology? What technology do you rely on? What do you wish you relied on less? Feelings, Emotions, and Relating to Others Do you enjoy chatting with strangers and/or new people? Do you like physical touch? Are you a hugger? How comfortable are you talking about feelings (your own and other people’s)? What topics do you consider too private to discuss with casual friends? What about close friends? How modest would you say you are? Do you consider yourself a serious person? What kinds of jokes/humor/pranks do you like? What kinds piss you off? How sentimental are you? What holidays, anniversaries, or events do you care about the most? How comfortable are you with uncertainty?
Rachel Wilkerson Miller (The Art of Showing Up: How to Be There for Yourself and Your People)
Perhaps the most frightening thing about narcissism’s bite is that it often comes without leaving a physical wound. The trauma inflicted can look like humiliation, hypercriticism, silence, exclusion, affairs, flirtation, jealousy, extreme mood swings, crude jokes, constant jealousy, bargaining for love, guilt, shame, control of finances, sexual manipulation, blame shifting, isolating one from friends and family, threats, boundary violations, and much more.
Chuck DeGroat (When Narcissism Comes to Church: Healing Your Community From Emotional and Spiritual Abuse)
A guy goes to see his doctor for a physical. The doctor says, “I think you should stop masturbating.” The guy says, “Really? How come?” The doctor says, “Because I’m trying to examine you.
Nick Drnaso (Beverly)
Given the demonstrated benefits of interactivity, why do so many of us continue to solve problems with our heads alone? Blame our entrenched cultural bias in favor of brainbound thinking, which holds that the only activity that matters is purely mental in kind. Manipulating real-world objects in order to solve an intellectual problem is regarded as childish or uncouth; real geniuses do it in their heads. This persistent oversight has occasionally been the cause of some irritated impatience among those who do recognize the value of externalization and interactivity. There’s a classic story, for example, concerning the theoretical physicist Richard Feynman, who was as well known for authoring popular books such as Surely You’re Joking, Mr. Feynman! as for winning the Nobel Prize (awarded to him and two colleagues in 1965). In a post-Nobel interview with the historian Charles Weiner, Weiner referred in passing to a batch of Feynman’s original notes and sketches, observing that the materials represented “a record of the day-to-day work” done by the physicist. Instead of simply assenting to Weiner’s remark, Feynman reacted with unexpected sharpness. “I actually did the work on the paper,” he said. “Well,” Weiner replied, “the work was done in your head, but the record of it is still here.” Feynman wasn’t having it. “No, it’s not a record, not really. It’s working. You have to work on paper and this is the paper. Okay?” Feynman wasn’t (just) being crotchety. He was defending a view of the act of creation that would be codified four decades later in Andy Clark’s theory of the extended mind. Writing about this very episode, Clark argues that, indeed, “Feynman was actually thinking on the paper. The loop through pen and paper is part of the physical machinery responsible for the shape of the flow of thoughts and ideas that we take, nonetheless, to be distinctively those of Richard Feynman.” We often ignore or dismiss these loops, preferring to focus on what goes on in the brain—but this incomplete perspective leads us to misunderstand our own minds. Writes Clark, “It is because we are so prone to think that the mental action is all, or nearly all, on the inside, that we have developed sciences and images of the mind that are, in a fundamental sense, inadequate.” We will “begin to see ourselves aright,” he suggests, only when we recognize the role of material things in our thinking—when we correct the errors and omissions of the brainbound perspective, and “put brain, body, and world together again.
Annie Murphy Paul (The Extended Mind: The Power of Thinking Outside the Brain)
Rape jokes are very far from rebellious, subversive, or oppositional. They are fascist salutes to male supremacy. Laughing about the sexual (and thus the physical, emotional, and psychological) torture of females, signals one’s servile obedience to the misogynistic status quo.
Abigail Bray (Misogyny Re-Loaded)
He/She Gets Angry When Questioned Where you were until now just riles him/her up like the Hulk. He/she hates being questioned about their whereabouts. Their stories won’t match, their tone and pitch will change paces and they will try to avoid talking about it altogether. He/She Stays Up Late A sudden shift in their bedtime routine indicates an affair. Cheating partners consider a partner’s sleeping time as the safest to text or message their new love interest. His/Her Stories Seem Inconsistent Sometimes they won’t say a word about where they were and sometimes they would give away too much. When asked if a friend was there with them too, they will not only confirm their presence but also tell you about all the other people who were there, including someone’s pets. Too much information is another sign that there is something fishy going on or else they won’t be this particular about it. There Is No Intimacy Not just physically, but you also find them emotionally distant from you. Even when they are with you, their mind doesn’t seem to be. They have also lost interest in sex and always make excuses like being tired, not in the mood, had chili beef in the office and feeling bloated, etc. They Never Put Their Phone Down If they seem to be stuck with their phone all the time and even taking it with them when taking the trash or going for a bath, it is a sure tell sign that there is something in that phone they don’t want you to know about. He/She Pays Attention to Himself/Herself It’s always appraisable that your spouse dresses up for you, but if they are suddenly worried about how they look naked or whether they should get a bikini wax or not, it’s probably an effort to look good for someone other than you. You Only Get One-Word Answers from Them You sense a barrier in your communications because they have resorted to a yes, no, or hmm at most. When partners lose interest in their spouses or are having an affair, they fear to communicate too much. They want to play it carefully and not say or do something that would get them caught. They Are Spending Too Much If all of a sudden you notice too many credit card bills and receipts in their pockets and yet you don’t receive any supposed gifts, then someone else is on the receiving end of them. When asked, they will always have an explanation over how they had to lend some money to a friend, how they had to pitch in the last minute for an office party for a guy’s farewell or how they had to pay a medical bill of some relative. He/He’s Doing Things They Hated Before Remember the time you asked them to go golfing with you and they flat out refused and joked about how it’s an old man’s sport? Look who is all polo shirts and hats now! If their interests have changed all of a sudden and they are doing stuff they hated, know something is up.
Rachael Chapman (Healthy Relationships: Overcome Anxiety, Couple Conflicts, Insecurity and Depression without therapy. Stop Jealousy and Negative Thinking. Learn how to have a Happy Relationship with anyone.)
Other than showing up in white tie and tails for the lavish awards ceremonies—the event is so fancy that even the traffic cops outside wear tuxedos, and the sterling silver laid out for the ensuing banquet is never used for any other function—a Nobel laureate’s only unavoidable duty during prize week is to deliver a lecture. Jack Kilby’s Nobel lecture in physics took place in a classically Scandinavian lecture hall, all blond wood and sleek modern furniture, on the campus of Stockholm University. Jack was introduced by a Swedish physicist who noted that “Dr. Kilby’s” invention had launched the global digital revolution, making possible calculators, computers, digital cameras, pacemakers, the Internet, etc., etc. Naturally, Jack wasn’t going to let that go unanswered. “When I hear that kind of thing,” he said, “it reminds me of what the beaver told the rabbit as they stood at the base of Hoover Dam: ‘No, I didn’t build it myself, but it’s based on an idea of mine.’” Everybody liked that joke, so Jack quickly added that he had borrowed the story from Charles H. Townes, an American who won the physics prize in 1964.
T.R. Reid (The Chip: How Two Americans Invented the Microchip and Launched a Revolution)
When was your last physical?” Tony tried to joke. “Me? I’m Italian, I’m male, and I’m under fifty. I wouldn’t go to a doctor unless my eyeball was hanging out so far I could floss with it, or my piss was the color of pink lemonade, maybe even bloody mary mix.
Eli Easton (The Trouble With Tony (Sex in Seattle, #1))
Rarely was Arabic used for physics, chemistry, or mathematics in any of the schools of Beirut, whose main curriculum has always been community conformity. It seems that Arabic is not considered a language for logic. A joke that used to make the rounds when I was a child, probably still going strong: the definition of parallel lines in geometry textbooks in Saudi Arabia is two straight lines that never meet unless God in all His glory wills it.
Rabih Alameddine (An Unnecessary Woman)
Never mind. Sorry. Everything can wait. Let’s stay on topic. You feel I’ve neglected you. Physically in general. Kissing specifically. Fair enough. Challenge accepted.” “Challenge? I didn’t issue any challenge.” Did I? “Let’s do this.” “Do what?” “I’m going to kiss you.” “Whoa!” My hands flew into the air and I moved to escape. “This is stupid.” He blocked my path. “Hold on. Not stupid at all. You have a valid point, just give me a minute.” He rolled his shoulders, shook out his arms, rocked on the balls of his feet a few times, took a deep breath, and exhaled slowly. “Okay. I’m ready.” I frowned. “You have to gear-up to kiss me?
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
I wasn’t joking: this whole business is serious and complicated. Contraception, abortion, infertility – they’re central to the physical and ethical experience of being female, but we never join up the dots and talk about them honestly.
Susan Spindler (Surrogate)
The nature of human consciousness is to seek completeness. It’s a good intention, but the nature of human consciousness is also to look for it in the wrong places. We have an instinctive drive that seeks wholeness in every way. At the physical level, it is perceived as joining with another, preferably loved and desired, body. Regardless of the shallow talk and jokes people commonly exchange about sex, most people look for a more profound sense of connection and unity in their sexual relationships. 

Donna Goddard (Touched by Love (Love and Spirit, #2))
Well, come in,” I snap, and then turn and walk into the kitchen. Dracula hesitates. In all his endless days, has no one ever surprised him? What a mind-numbingly boring existence. I can’t believe no one’s managed to kill him before now. He’s so predictable. So obvious. “Well?” I demand, hand on the fridge. Between one breath and the next, he’s beside me. I open the door and toss out containers of garlic and rotten food, everything foul, noxious and overwhelmingly malodorous. He recoils as if struck, lifting one arm over his nose to physically block the assault. Funny how much he hates being forced to experience something he didn’t consent to. And he’s so shocked. He really thought I didn’t know what he is. I can’t decide which is more offensive: that he believed my wide-eyes victim act, or that he doesn’t even remember we’ve met before. Guess traumatized little girls aren’t memorable. I grab the bag I got from the Cathedral of the Madeline the day I moved here and spread crumbs in a circle around myself. Lucy’s idiot suitors weren’t good for much, but their accounts of fighting Dracula did give me all the information I need on how to render him powerless. “Communion wafers,” I say, just in case Dracula hasn’t noticed. “Ground up into powder.” I wonder why only Christian religious iconography works on him. What it means, if anything, because it’s meaningless to me. Doesn’t matter how it works, though. Only that it does. I give myself a moment to relish his look of disgust. “I know exactly who you are, fuckface.” He twitches, rage overtaking him. I’m not allowed to be crude, I’m not allowed to be bold. All those nights on the trail I played the lost girl. A demure, proper young woman, one whose future he could steal by corrupting her. Joke’s on him. I don’t have any future at all. I never did.
Kiersten White (Lucy Undying)
Frog,’ Jamie said, unperturbed. ‘D’ye hear them singing?’ ‘Singing’ wasn’t the word that would have struck me about the chorus of croaks and grunts from the reedbeds near the river. On the other hand, Jamie was tone deaf, and made no bones about it. He extended the toe of his shoe and gently prodded the squat dark shape. ‘“Brekekekex, ko-ax, ko-ax,”’ he quoted. ‘“Brekekekex, ko-ax!”’ The shape hopped away and disappeared into the moist plants by the path. ‘I always knew you had a gift for tongues,’ I said, amused. ‘Didn’t know you spoke frog, though.’ ‘Well, I’m no ways fluent,’ he said modestly. ‘Though I’ve a fine accent, and I say it myself.’ I laughed, and he squeezed my hand and let it go. The brief spark of the joke faded, failing to kindle conversation, and we walked on, physically
Diana Gabaldon (Drums of Autumn (Outlander, #4))
I was always proud of my work on that low-budget, always-about-to-be-canceled science fiction show. I was proud of the fact that I was able to breathe some human life into a series that sometimes had little physical connection to the real world, all the while trying to remember nonsense words while talking into a cardboard prop. But at some point, as a defense mechanism, I just joined in on the big joke. In fact, I got in on the joke to protect myself from the joke.
William Shatner (Shatner Rules: Your Guide to Understanding the Shatnerverse and the World at Large)
The days that followed were what Matthew would remember for the rest of his life as a week of unholy torture. He had been to hell and back at a much earlier time in his life, having known physical pain, deprivation, near-starvation, and bone-chilling fear. But none of those discomforts came close to the agony of standing by and watching Daisy Bowman being courted by Lord Llandrindon. It seemed the seeds he had sown in Llandrindon’s mind about Daisy’s charms had successfully taken root. Llandrindon was at Daisy’s side constantly, chatting, flirting, letting his gaze travel over her with offensive familiarity. And Daisy was similarly absorbed, hanging on his every word, dropping whatever she happened to be doing as soon as Llandrindon appeared. On Monday they went out for a private picnic. On Tuesday they went for a carriage drive. On Wednesday they went to pick bluebells. On Thursday they fished at the lake, returning with damp clothes and sun-glazed complexions, laughing together at a joke they didn’t share with anyone else. On Friday they danced together at an impromptu musical evening, looking so well matched that one of the guests remarked it was a pleasure to watch them. On Saturday Matthew woke up wanting to murder someone.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Is this your idea of a joke?” she whispered as Mr. Jenkins stood to begin that day’s lesson. I pulled out my notebook and shook my head. “No joke. My plan is to win you back one physics problem at a time.” Connor laughed. “Does this make me Jacob?
R.S. Grey (Chasing Spring)
The ivory tower analogy is no joke – is it any coincidence that top management is often on the top floor? That’s physically about as far away from customers as you can get.
Sahar Hashemi (Switched On: You have it in you, you just need to switch it on)
Global behavior assessment – A behavior assessment strategy that focuses on maximizing information collection and analyzing general behavior, rather than focusing on specific behaviors exhibited in response to a question. Grooming gesture – A nonverbal deceptive behavior in which anxiety is dissipated through physical activity in the form of grooming oneself or the immediate surroundings. Halo effect – A cognitive bias in which a person is viewed favorably on the basis of a single positive attribute or impression. Hand-to-face activity – A nonverbal deceptive behavior in which a person touches his face or head region in response to a question, which can be prompted by discomfort associated with circulatory changes triggered by the fight-or-flight response. Hiding mouth or eyes – A nonverbal deceptive behavior in which a person uses a hand to shield his mouth or eyes when responding to a question, or closes his eyes when responding to a question that does not require reflection. Ideational fluency – The ability to shift one’s thinking instantaneously as the situation warrants. Inappropriate level of concern – A verbal deceptive behavior in which a person attempts to equalize the exchange by trying to diminish the importance of the matter at hand. He may focus on either the issue or the process (Example: “Why is everybody making such a big deal about this?”); or he might even attempt to joke about
Philip Houston (Get the Truth: Former CIA Officers Teach You How to Persuade Anyone to Tell All)
One good thing about New York is that most people function daily while in a low-grade depression. It’s not like if you’re in Los Angeles, where everyone’s so actively working on cheerfulness and mental and physical health that if they sense you’re down, they shun you. Also, all that sunshine is a cruel joke when you’re depressed. In New York, even in your misery, you feel like you belong.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Certainly the psychological work done by wit and humor is heavily overdetermined. It may control, or salute, the sudden release of tension. It may express anxiety or alleviate it; bravado joking is a whistling past the graveyard of physical fear or social uneasiness. Humor may serve as a salutary act of regression — an agreeable holiday from frowning responsibility, a temporary retreat from earnestness that circumvents the punitive superego humans carry about with themselves.
Peter Gay (The Bourgeois Experience: Victoria to Freud, Volume 3: The Cultivation of Hatred)
A rat can be trained to shock itself in order to get a treat. We do the same thing with our phones. Why would anyone in their right mind want to interrupt a physical conversation, pause a dinner party, or stop watching a great movie in the theater to answer a useless joke text from a friend? Yet, we all do it.
J.D. Yoder ([Minimalism] Simple- Live Life Minimal: The Unconventional Path to Minimalist Living [Declutter Your Home and Work] (Slow Down to Grow Book 1))
Fat people are the last remaining group that it’s socially accepted, in fact, socially encouraged, to be prejudiced against. Plenty of people who wouldn’t dream of bullying someone based on the colour of their skin or their level of physical ability will be the first to crack a fat joke and revel in their moral superiority.
Megan Jayne Crabbe (Body Positive Power: How to stop dieting, make peace with your body and live)
Social media also leaves an electronic trail, which enables activists like myself to gather evidence to discredit our opponents. For instance, it was recently discovered that James Gunn, director of the Guardians of the Galaxy film series, had tweeted some jokes about paedophilia many years ago. In my humble opinion, joking about paedophilia is even worse than actual paedophilia. Don’t get me wrong; an act of physical molestation is obviously abhorrent, but at least it can’t be retweeted.
Titania McGrath (Woke: A Guide to Social Justice)
What had dried up was not a well or pool or ocean of physical water. What had dried up was wit, and artistry, and congruence, and enjoyment, and the sparkle of the spirit. What had dried up was creativity in every form... Musicians couldn't improvise. They had nothing left to improvise with. The art of creative lying came to an end. Profanity became tired: it became louder and more in use, but it was repetitious and unoriginal. Pornography similarly lost gusto and increased in stridency. Jokes died out, and intuitions died. Problem-solving was a lost talent. And the roily oil that had made the slide through life so much easier had now lost its slickness and turned into an abrasive. The incredible creativity by which (and only by which) persons had managed to get along with each other at all was gone... At least one-third of the persons in the world had been super-creative in personal relations. If it hadn't been so, then personal relations would have been impossible.
R.A. Lafferty
Touch her in the right places – The best places to touch her are her elbow, upper arm, and the small of her back. You can touch her elbow and upper arm when you’re joking with her in conversation or leaning in to speak into her ear. And you can touch the small of her back when you’re showing her something with your hand, or leading her (i.e. walking with her to the bar). Touch her early in the conversation – The easiest way to do this is with a handshake (or a hug) and an introduction. By touching her immediately, you set a flirtatious tone for the conversation. You’ve broken the “physical barrier”. Touch her at the right moments– For example, touch her when the two of you are laughing or when she’s agreeing with you. That way, she’ll associate positive feelings with your touch. Make sure you’re close to her – There are few things more awkward than reaching out a few feet to touch a girl. The closer you are, the better. Hold her hand when walking through a crowd – For example, lets say you’re at the bar with her, and want to go for a drink. You can say, “Let’s go for a drink at the bar,” then take her hand and lead her through the crowd.
Dave Perrotta (Conversation Casanova: How to Effortlessly Start Conversations and Flirt Like a Pro)
In my experience, moving on is part of healing. Think of it like physical therapy during rehabilitation for an injury. You start to use the muscles again while they’re healing, but you have to take it slow and build the strength back before you can make a full recovery. The heart’s a muscle. Did you forget that already?” I laughed. “Are we talking about matters of the heart in doctor-speak?” “Why not? This is our shared language. We could use a golfing metaphor if that works better for you.” I laughed. “That would play more to my strengths.” He chuckled then leaned in, grasping my arm. “All joking aside, you’re my son and I’m your dad. Every other way in which we’re related is secondary. So think about that when I tell you that you have the potential to be a better surgeon than me. But nothing would make me prouder than if you became a better husband and father.
Renee Carlino (After the Rain)
I . . . I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.” He drew in a deep breath then awkwardly stepped forward. He took her face in his hands and kissed her.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Leibniz wanted to combine physics, mathematics, logic, and philosophy, and he would no doubt have loved this joke: An engineer, a mathematician, a logician, and a philosopher were traveling through Scotland when they saw a black sheep through the window of the train. "Aha", says the engineer, "I see that Scottish sheep are black." "Hmm", says the mathematician, "You mean that some Scottish sheep are black." "No", says the logician, "All we know is that there is at least one black sheep in Scotland." "And even", the philosopher continued, "The only thing we can be really sure of is that the side facing us is black.
Luc de Brabandere (Homo Informatix)
Despite the popular narrative ascribing to each scientist a founding role in this dramatic schism, Heisenberg believed that his discovery had a spirit similar to that of Einstein’s. He was not alone. Einstein’s friend Philipp Frank also rebuked Einstein for his resistance to what he took to calling the “new fashion” in physics of refusing to ascribe reality to what cannot be measured or seen, reminding him that “the fashion you speak of was invented by you in 1905!” Einstein’s sardonic reply, that a “good joke should not be repeated too often,” would join many others in a posterity replete with his bons mots.
William Egginton (The Rigor of Angels: Borges, Heisenberg, Kant, and the Ultimate Nature of Reality)
David bunched up his shoulders and said, “I know metal.” “What does that have to do with anything?” Genya cried. David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
KAREN O: I was at the tipping point, you know? NICK ZINNER: Initially my reaction was go go go go go. I’m a Sagittarius—momentum, movement, traveling, being busy, that’s my natural habitat. It’s what I like doing best. Whereas once things started to accelerate and get crazy, that’s when she first started to buckle. It affected her physically, emotionally, in every single way. She is Sagittarius/Scorpio cusp. So with her there’s this kind of push-pull. JON SPENCER: We used to call them the “Maybe Maybe Maybes.” That was the joke. Once when we were in England, they came to us in a dressing room and said—somebody had a cold or something—and said, “Would it be okay if we didn’t play tonight?” I didn’t know what to say. How do you respond to that? I think I may have said, “Well, yes, I don’t care.” It just seemed so weird that they were asking permission and I couldn’t believe that they would even do that. When we started with Pussy Galore, it was always incredibly hard early on, and a lot of it was just miserable, but you got to play. You know—no money, terrible food, sleeping on people’s floors, playing the worst shitholes around; you could feel like crap but you’d still play. So that was a little weird but also cute, I guess.
Lizzy Goodman (Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011)
For a split second he blessed me with a grin that acknowledged my stupid joke, but then…then. The grin was gone, and all that was left behind was this wildly potent, one-hundred-proof, undiluted expression of interest as he gave me full-on eye contact. With a jaw flex. The moment held, and I felt like I was being physically pulled closer to the guy. The entire world went quiet as an invisible string tugged me toward him.
Lynn Painter (Accidentally Amy)
The power of women! I've never felt so full of mysterious power. Men are a joke. We're so weak physically, so helpless with things. Still, even today. But we're stronger than they are. We can stand their cruelty. They can't stand ours.
John Fowles (The Collector)
Osteoporosis The Bone Density Solution Under Review: Blue Heron Health Osteoporosis - Diagnosis and treatment What is osteoporosis? Osteoporosis is a disease that weakens your bones. It makes your bones thinner and less dense than they should be. People with osteoporosis are much more likely to experience broken bones (bone fractures). Your bones are usually dense and strong enough to support your weight and absorb most kinds of impacts. As you age, your bones naturally lose some of their density and their ability to regrow (remodel) themselves. If you have osteoporosis your bones are much more fragile than they should be, and are much weaker. Most people don’t know they have osteoporosis until it causes them to break a bone. Osteoporosis can make any of your bones more likely to break, but the most commonly affected bones include your: Hips (hip fractures). Wrists. Spine (fractured vertebrae). The sooner a healthcare provider diagnoses osteoporosis, the less likely you are to experience bone fractures. Ask a healthcare provider about checking your bone density, especially if you’re over 65, have had a bone fracture after age 50, or someone in your biological family has osteoporosis. Click Here To Visit The Osteoporosis Official Website Click Here To Visit The Osteoporosis Official Website How common is osteoporosis? More than 50 million people in the U.S. live with osteoporosis. Osteoporosis is common in people over 50. Experts estimate that half of all women and 1 in 4 men over 50 have osteoporosis. Studies have found that 1 in 3 adults over 50 who don’t have osteoporosis yet have some degree of reduced bone density (osteopenia). People with osteopenia have early signs of osteoporosis. If it’s not treated, osteopenia can become osteoporosis. Symptoms and Causes What are osteoporosis symptoms? Osteoporosis doesn’t have symptoms the way lots of other health conditions do. That’s why healthcare providers sometimes call it a silent disease. You won’t feel or notice anything that signals you might have osteoporosis. You won’t have a headache, fever or stomachache that lets you know something in your body is wrong. The most common “symptom” is suddenly breaking a bone, especially after a small fall or minor accident that usually wouldn’t hurt you. Even though osteoporosis doesn’t directly cause symptoms, you might notice a few changes in your body that can mean your bones are losing strength or density. These warning signs of osteoporosis can include: Losing an inch or more of your height. Changes in your natural posture (stooping or bending forward more). Shortness of breath (if disks in your spine are compressed enough to reduce your lung capacity). Lower back pain (pain in your lumbar spine). It might be hard to notice changes in your own physical appearance. A loved one may be more likely to see changes in your body (especially your height or posture). People sometimes joke about older adults “shrinking” as they age, but this can be a sign that you should visit a healthcare provider for a bone density test. Where to Purchase You can purchase the official version of The Bone Density Solution only through the Blue Heron Health News website. This ensures you are getting the most recent, complete, and accurate version of the program. Pricing Overview As of the time of writing, The Bone Density Solution is available for a one-time cost of $49.00.This includes full digital access to the program and all future updates. Click Here To Visit The Osteoporosis Official Website Disclaimer on Pricing: Prices are subject to change. Always check the official website for the most accurate and up-to-date pricing information before purchasing.
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On one of the evenings, we all gathered at the mansion at Carlsberg in surroundings which for all those present were intimately linked with so many rich memories. After the Bohr family had moved into this house in 1932, it began to play an important part in the life of the Institute. Several times a year the whole staff came to the big Christmas tree. But mainly we thought of the hours when, undisturbed by the normal bustle at the Institute, we had sat in private with Niels Bohr and discussed problems either of physics or of a more general character. It was from this every-day contact that one acquired so much pleasure and instruction. But there were also the festive occasions, either within a small circle or in company with interesting foreign guests. After the meal, we used to settle down in a corner of the large drawing-room and there Bohr might lead the conversation onto those unexpected topics which were just then on his mind, often inspired by the books he had read, or a personality he had met and from whom he had learned something new. Sometimes Bohr disappeared for a time into his study with one of the guests to exchange ideas and to explain his views more clearly in seclusion. It was not only physicists who were invited to this hospitable. The mansion had through the years become an important centre in the cultural life of the country, not least by reason of Bohr's contacts abroad. There were authors, both Danish and foreign; they all enjoyed hospitality in this home create by Margrethe and Niels Bohr together, a home which was permeated by their own personalities. One could not avoid being stimulated by the inspiring surroundings and the vital atmosphere of the Bohr home, where serious discussion harmonized with artistic experience, with music or reading aloud, and also with games and jokes.
Stefan Rozental (Niels Bohr. Hans liv og virke fortalt af en kreds af venner og medarbejdere.)
jokes. In my whole life I don’t think I have ever come across someone who seems so perpetually at ease; he always has the physical bearing and relaxed mien of someone who has been recently massaged. My lasting impression of Andre (and I only met him on a handful of occasions) is of him shrugging – not out of exasperation
Orlando Whitfield (All That Glitters: A Story of Friendship, Fraud and Fine Art)
We need more Jamaican taxis
Cayden Fontaine