Phoebe Quotes

We've searched our database for all the quotes and captions related to Phoebe. Here they are! All 100 of them:

Some people are just not meant to be in this world. It's just too much for them.
Phoebe Stone (The Boy on Cinnamon Street)
I guess we're oil and water. (Phoebe) I'd say we're more like gasoline and a blowtorch. (Dan)
Susan Elizabeth Phillips (It Had to Be You (Chicago Stars, #1))
Then the carousel started, and I watched her go round and round...All the kids tried to grap for the gold ring, and so was old Phoebe, and I was sort of afraid she's fall off the goddam horse, but I didn't say or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it is bad to say anything to them.
J.D. Salinger (The Catcher in the Rye)
Disagreements over money are the biggest cause of divorce." She waved her hand. "Absolutely no problem. Your money is our money. My money is my money." She wrote away. "I should make you negotiate with Phoebe.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
Two of my fav pieces of wisdom from Phoebe: - Men are like parking spots. All the good ones are taken, and those that aren't are inaccessible. - Remember, it's always better to be the smartass rather than the dumbass.
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
Pain is weakness leaving the body
Tera Lynn Childs (Oh. My. Gods. (Oh. My. Gods., #1))
The door closed behind her (Phoebe), and the two men regarded each other for a moment. Viktor spoke first. "I must have your promise, Coach, that you won't hurt her." Dan: "I won't." Viktor: "You spoke a little too quickly for my taste. I don't quite believe you." Dan: "I'm a man of my word, and I promise I won't hurt her." He flexed his hands. "When I murder her, I'll do it real quick so she won't feel a thing." Viktor sighed. "That's exactly what I was afraid of.
Susan Elizabeth Phillips (It Had to Be You (Chicago Stars, #1))
Your husband is not going to take care of you the way you think,” Phoebe says. “Nobody can take care of you the way you need to take care of yourself. It’s your job to take care of yourself like that.
Alison Espach (The Wedding People)
Phoebe Marks was a person who never lost her individuality. Silent and self-contained, she seemed to hold herself within herself, and take no colour from the outer world.
Mary Elizabeth Braddon (Lady Audley's Secret)
I think you know how to love better than any of us. That's why you find it all so painful.
Phoebe Waller-Bridge (Fleabag: The Scriptures)
I was wishing I was invisible. Outside, the leaves were falling to the ground, and I was infinitely sad, sad down to my bones. I was sad for Phoebe and her parents and Prudence and Mike, sad for the leaves that were dying, and sad for myself, for something I had lost.
Sharon Creech (Walk Two Moons)
But while I was sitting down, I saw something that drove me crazy. Somebody'd written 'fuck you' on the wall. It drove me damn near crazy. I thought how Phoebe and all the other little kids would see it, and how they'd wonder what the hell it meant, and then finally some dirty kid would tell them— all cockeyed naturally— what it meant, and how they'd all think about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it.
J.D. Salinger (The Catcher in the Rye)
I chose the path less traveled but only because I was lost. Carry a map. - Phoebe Traeger
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
There you are," he said when she bobbed up. "I was getting worried." "What are you doing?" "Waiting till you're ready to drown." He smiled and eased back down on the seat. "And then I'm going to save your life. Dan did it for Phoebe and I'm going to do it for you." "Dan didn't try to murder her first!" she screamed. "I go the extra mile.
Susan Elizabeth Phillips (This Heart of Mine (Chicago Stars, #5))
Not belonging is a terrible feeling. It feels awkward and it hurts, as if you were wearing someone else's shoes.
Phoebe Stone (The Romeo and Juliet Code (Felicity Bathburn, #1))
On that night after Phoebe had given her Pandora report, I thought about the Hope in Pandora's box. Maybe when everything seemed sad and miserable, Phoebe and I could both hope that something might start to go right.
Sharon Creech (Walk Two Moons)
In order to get the things I want, it helps me to pretend I’m a figure in a daytime drama, a schemer. Soap opera characters make emphatic pronouncements. They ball up their fists and state their goals out loud. ‘I will destroy Buchanan Enterprises,’ they say. ‘Phoebe Wallingford will pay for what she’s done to our family.’ Walking home with the back half of the twelve-foot ladder, I turned to look in the direction of Hugh’s loft. ‘You will be mine,’ I commanded.
David Sedaris (Me Talk Pretty One Day)
What is that?" I asked, pointing at the ceiling. Part of me didn't expect Aiden to answer, but he did. "It's Phoebe's symbol." "Phoebe? Obviously you don't mean a Charmed one." He snorted.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
FLEABAG (CONT’D) I love you. They sit with the words. Pause. She looks at him. He takes her hand. PRIEST (gently) It’ll pass. Beat. She smiles. Beat.
Phoebe Waller-Bridge (Fleabag: The Scriptures)
Phoebe didn't think she'd end up being a woman like this. But if the last few years have taught her anything, it's that you really can't ever know who you are going to become.
Alison Espach (The Wedding People)
I stood there watching Phoebe arrange the pillows and the sheets. She isn't thinking that I... I mean, she doesn't think that she and I would... WHAT?
James Patterson (The Dangerous Days of Daniel X (Daniel X, #1))
-I don't know what to do with it - -With what? -With all the love I have for her. I don't know...where to - put it now.
Phoebe Waller-Bridge (Fleabag: The Scriptures)
Phoebe tapped the toe of her sneaker against the dock. “There’s only one good use for a man like Heath Champion.” “Here we go again,” Molly muttered. Phoebe’s lip curled. “Target practice.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
(At the back of the cave, Phoebe placed her hand against one of the stones where a spring release opened an elevator door. Chris gave an over exaggerated gape.) Holy Hand Grenade, Batman, it’s a bat cave. (Chris)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
Fleabag: I have a horrible feeling I'm a greedy, perverted, selfish, apathetic, cynical, depraved, mannish-looking, morally bankrupt woman who can't even call herself a feminist. Dad: Well... You get all that from your mother.
Phoebe Waller-Bridge (Fleabag: The Original Play)
A great idea should always be left to steep like loose tea leaves in a teapot for a while to make sure that the tea will be strong enough and that the idea truly is a great one.
Phoebe Stone (The Romeo and Juliet Code (Felicity Bathburn, #1))
People are all we've got.
Phoebe Waller-Bridge (Fleabag: The Scriptures)
Being proper and sweet and nice and pleasing is a fucking nightmare. It’s exhausting. As women, we get the message about how to be a good girl – how to be a good, pretty girl – from such an early age. Then, at the same time, we’re told that well-behaved girls won’t change the world or ever make a splash. So it’s sort of like, well, what the fuck am I supposed to be? I’m supposed to be a really polite revolutionary?” Phoebe Waller-Bridge spreads her arms and starts to laugh. “It’s impossible.
Phoebe Waller-Bridge
Don't make me an optimist, you will ruin my life!
Phoebe Waller-Bridge (Fleabag: The Scriptures)
If Rafe had drawn up a list of tasks at Phoebe’s age, he could only imagine it would have looked thusly: 1. Skip lessons. 2. Chase girls. 3. Any excuse for a fistfight. 4. Is that a squirrel? End of list.
Tessa Dare (Say Yes to the Marquess (Castles Ever After, #2))
I am still jealous that Phoebe’s mother came back and mine did not. I miss my mother.
Sharon Creech (Walk Two Moons)
This is the gift random strangers can give you, Phoebe is realizing - the freedom to say or be anything around them. Because who cares? He doesn't know her, will never know her.
Alison Espach (The Wedding People)
I know what it’s like to be torn between a love so pure it burns you deep down in a place you didn’t know someone could touch you and between your oath and duties. Between the love of a father you’ve always known and one you know you can depend on forever versus a love that’s new and untested. But you know what I learned? It’s a lot easier to live without my father’s love than it is to live without Phoebe’s. (Urian) (Acheron didn’t speak as Urian left him alone.) That just makes you want to vomit, doesn’t it? (Jaden)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
Phoebe doesn't quite believe in fate the way I do. She says you have to chase your destiny, and she always expects life to be like a romantic comedy: all you have to do is dress the part of the heroine, and pretty soon you'll be kissing some hottie while fountains spew and music swells in the background.
Lauren Morrill (Meant to Be)
Ideal reading experience? Wine. Armchair. Raining. Or reading in the same room as someone else who’s reading. It’s rare, but there’s a particular sort of peace to it.
Phoebe Waller-Bridge
Yeah, well, your people happen to be soul-sucking demons. (Wulf) You ever met a banker or a lawyer? Tell me who’s worse, my Urian or one of them? At least we need the food; they do it just for profit margins. (Phoebe)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
Women are born with pain built in. It's our physical destiny. Period pains, sore boobs, child birth, you know. We carry it within ourselves throughout our lives. Men don't. They have to seek it out. “Women are born with pain built in,” she says. “It’s our physical destiny: period pains, sore boobs, childbirth, you know. We carry it within ourselves throughout our lives, men don’t. They have to seek it out, they invent all these gods and demons and things just so they can feel guilty about things, which is something we do very well on our own. And then they create wars so they can feel things and touch each other and when there aren’t any wars they can play rugby. We have it all going on in here inside.
Phoebe Waller-Bridge (Fleabag: The Scriptures)
Men are like parking spots. All the good ones are taken, and those that aren’t are inaccessible.” PHOEBE TRAEGER
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
THUMB, I HOPE I WILL NOT BORE YOU WITH HOW TOTALLY, TOTALLY I ADORE YOU. THE FUNNY WAY YOU HAVE OF TALKING, THE CUTE WAY YOU HAVE OF WALKING. PLEASE DO NOT FEEL THAT I AM STALKING YOU. LOVE, HENDERSON
Phoebe Stone (The Boy on Cinnamon Street)
She loves him so but he didn't stay. The wind can't blow this storm away.
Phoebe Stone (Romeo Blue (Felicity Bathburn, #2))
So why the sudden girlspeak, Urian? Neither one of us is really into discussing our feelings…and no offense, I like the fact we don’t. (Acheron) I do too most times and I’m truly grateful you don’t pry, but as a man who defied everything he once valued in this world and one who sacrificed the love of a father he worshiped…even though it ended badly, the days I had with Phoebe were worth every wound I’ve suffered. (Urian)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
This is for Phoebe,' she snarled in his ear. 'For Kinzie. For all those you killed. You will die at the hands of a girl.' Orion thrashed and fought, but Reyna's will was unshakeable. The power of Athena infused her cloak. Bellona blessed her with strength and resolve. Not one but two powerful goddesses aided her, yet the kill was for Reyna to complete. Complete it she did.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
What have you done to your hair?” Mom’s broken voice said, pinning me back to this tiny hospital room. “Holy shit!” Icka patted her head as if searching. “You think the nurse stole it? She looked shady.
Phoebe Kitanidis (Whisper)
She's your lobster. C'mon you guys. It's a known fact that lobsters fall in love and mate for life. You can actually see old lobster couples, walking around their tank, you know, holding claws". ...
Phoebe Buffay
The healing process can only truly begin when we are willing to remember.
Phoebe Stone
Addy gives me hope, because even though her life fell apart when Simon’s blog revealed her worst mistake, she put things back together–better than before. She’s stronger, happier, and much closer to her sister. Addy is the queen of second chances, and right now I really need the reminder that those exist.
Karen M. McManus (One of Us Is Next (One of Us Is Lying, #2))
Justin tugged at Phoebe’s sleeve. “Mama, if I must have a governess, I want a pretty one.” Another snort from the nursemaid. “They start early, don’t they?” she remarked in an aside. “In my family, they do,” Phoebe replied ruefully.
Lisa Kleypas (Devil's Daughter (The Ravenels #5))
Actually everybody has a story, a fairy tale in their heart that they adhere to.
Phoebe Stone (The Boy on Cinnamon Street)
If she were running through the rye, if she were headed towards the abyss, I would grab hold with every ounce of my strength, with every scared beat of my heart, with every thought that could only be for her. And if I were to be running the same way, I’d like to think she’d do the same. But maybe her hands would be busy holding the book. Maybe she wouldn’t see me, too intent on looking for Phoebe from the carousel. Or waiting for Holden to hold her, to wrap her in the pages of his arms, to say she was the only one who truly knew him, as I plunged past her, sad to be leaving, and a little happy to be away.
David Levithan (The Realm of Possibility)
That's why they put rubbers on the ends of pencils.
Phoebe Waller-Bridge (Fleabag: The Original Play)
That's the very reason why they put rubbers on the end of pencils...Because people make mistakes.
Phoebe Waller-Bridge
Love is awful. It’s awful. It’s painful. It’s frightening. It makes you doubt yourself, judge yourself, distance yourself from the other people in your life. Makes you selfish. Makes you creepy. It makes you obsessed with your hair. Makes you cruel. Makes you say and do things you never thought you would do. It’s all any of us want, and it’s hell when we get there. So no wonder it’s something we don’t want to do on our own. I was taught if we’re born with love, then life is about choosing the right place to put it. People talk about that a lot. It 'feeling right'. 'When it feels right, it’s easy.' But I’m not sure that’s true. It takes strength to know what’s right. And love isn’t something that weak people do. Being a romantic takes a hell of a lot of hope. I think what they mean is... When you find somebody that you love... it feels like hope.
Phoebe Waller-Bridge (Fleabag: The Scriptures)
I felt so damn happy all of a sudden, the way all Phoebe kept going around and around. I was damn near bawling, I felt so damn happy, if you want to know the truth. I don't know why. It was just that she looked so damn nice, the way she kept going around and around, in her blue coat and all. God, I wish you could've been there.
J.D. Salinger (The Catcher in the Rye)
Annabelle gnawed her bottom lip. “I know I have to tell him the truth. I just need to find the right moment.” Krystal cocked her hip. “Girl, there is no right moment to die.” Charmaine clucked her tongue. “You are going straight on the top of my prayer list.” Only Phoebe looked pleased, and her amber eyes glowed like a cat’s. “I love this. Not the fact that you’ll end up in a shallow grave – I’m really sorry about that, and I’ll make sure he’s prosecuted to the fullest extent of the law. But I love knowing that a mere slip of a female put one over on the great Python.” Molly glared at her sister. “This is the exact reason why Christine Jeffreys won’t let her daughters have a sleepover with the twins. You frighten people.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
I’m not going to ask a thousand people for their opinions,” Phoebe said evenly. “Only one opinion is required, and it happens to be mine.” She went to the doorway and paused, unable to resist adding, “That’s leadership.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
I'm not obsessed with sex. I just can't stop thinking about it.
Phoebe Waller-Bridge (Fleabag: The Original Play)
(gently) It'll pass.
Phoebe Waller-Bridge (Fleabag: The Scriptures)
Paul, careening down the slide with his arms out flung, and Phoebe, present somehow through her absence.
Kim Edwards (The Memory Keeper's Daughter)
I don't regret any of it... Not the last few weeks not today... I don't regret giving you my heart, Phoebe. I just wish you'd taken more care with it.
Alicia Thompson (Love in the Time of Serial Killers)
the best things in life aren't things...
Phoebe Stone (Deep Down Popular)
I started out reading as an escape, then a chore, then a habit, then a luxury. Only now I've realised what a necessity it is.
Phoebe Waller-Bridge
It's 'If a body meet a body coming through the rye'!" old Phoebe said. "It's a poem. By Robert Burns." "I know it's a poem by Robert Burns." She was right, though. It is "If a body meet a body coming through the rye." I didn't know it then, though. "I thought it was 'If a body catch a body,'" I said. "Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around — nobody big, I mean — except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff — I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy.
J.D. Salinger (The Catcher in the Rye)
It is not an easy thing to do, walk away from what you’ve built and save yourself. Destroying Phoebe’s marriage felt like destroying herself. Walking out of the classroom felt like killing the twenty-two-year-old who tried to save her own life by applying to graduate school. It is so much easier to sit in things and wait for something to save us. For the past two years, Phoebe sat in the bad things the way she used to sit in the snow as a child. An hour would go by and it would be very hard for her to get back up. Eventually she looked down at her toes and became confused: Why are they frozen? It was her father who picked her up, said, It’s time to come inside. But now she has to learn when it’s time to come inside. She has to learn to check in with her toes when nobody else is looking. To care for them when no one else will.
Alison Espach (The Wedding People)
I'm not letting you go after this." He raised his head. "Marry me, Phoebe, please. Damn the courtship. Damn your brother. Damn the waiting. I can't...I can't breathe when you're not with me. I love you with all my cynical heart. Be my wife and teach me to laugh and let me buy you beer and ride with me on the beaches of Cornwall. Be my love and my wife forevermore." (Captain James Trevellion)
Elizabeth Hoyt (Dearest Rogue (Maiden Lane, #8))
Captain Harvile: Poor Phoebe, she would not have forgotten him so soon. It was not in her nature. Anne Elliot: It would not be in the nature of any woman who truly loved. Captain Harvile: Do you claim that for your sex? Anne Elliot: We do not forget you as soon as you forget us. We cannot help ourselves. We live at home, quiet, confined, and our feelings prey upon us. You always have business of some sort or other to take you back into the world. Captain Harvile: I won't allow it to be any more man's nature than women's to be inconstant or to forget those they love or have loved. I believe the reverse. I believe... Let me just observe that all histories are against you, all stories, prose, and verse. I do not think I ever opened a book in my life which did not have something to say on women's fickleness. Anne Elliot: But they were all written by men.
Jane Austen
But Phoebe is starting to understand that on some nights, Lila is probably the loneliest girl in the world, just like Phoebe. And maybe they are all lonely. Maybe this is just what it means to be a person. To constantly reckon with being a single being in one body. Maybe everybody sits up at night and creates arguments in their head for why they are the loneliest person in the world.
Alison Espach (The Wedding People)
You're not seriously going?" Troy asks. "Of course I'm going," I say. "What other choice do I have?" "Um...not going.
Tera Lynn Childs (Goddess Boot Camp (Oh. My. Gods., #2))
I told you growing starts from the inside first, honey, and in that way, you've been growing like wildfire.
Phoebe Stone (The Boy on Cinnamon Street)
Here's to peace. And those who get in the way of it.
Phoebe Waller-Bridge (Fleabag: The Original Play)
At the time of this writing, Donald Trump seeks the Republican nomination supported largely by a bunch of angry white people who sense where history is going and DO NOT LIKE IT AT ALL and are therefore hoping that if they punch and shove enough brown people, it will fix it. Perhaps when you read this, Donald Trump will be president or maybe superking. But even if that happens, he shall pass. Time does not go backward.
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
I’m a big reader with no friends.
Phoebe Waller-Bridge
She hated using airplane toilets. She was always afraid the plane would choose the exact moment she was most defenseless to crash, and she'd spend her final seconds of life spiraling toward earth with her bottom bare to the world.
Susan Elizabeth Phillips (It Had to Be You (Chicago Stars, #1))
You have to live simply to survive happily.
Phoebe Gloeckner (The Diary of a Teenage Girl: An Account in Words and Pictures)
we do not choose our circumstances, the prejudices that we inherit, or our privilege or lack of it. It
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
We all have regrets, Urian. Nothing that lives is immune from that nasty emotion. (Acheron) So what? You want me to go kiss and make up? (Urian) Hardly. But I want you to set aside your own hurt and anger to see clearly for a minute. This isn’t about you and your father anymore than it’s about me and Nick hating each other over something we can’t change. This is about saving the lives of a million innocent people. People like Phoebe who don’t deserve to be hunted and killed. If I can stand at the side of my enemies for the greater good, so can you. (Acheron)
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
How could anyone resist you?" Phoebe asked, half-mocking, half-sincere. He gave her a dark glance. "Apparently she has no problem. The title, the fortune, the estate, the social position ... to her, they're all detractions. Somehow I have to convince her to marry me despite all those things." With raw honesty, he added, "And I'm damned if I even know who I am outside of them.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Of course I was committed to her beyond what was acceptable for the mission. I was so fascinated because I could see the parts of you in her. I've loved you this whole time, just split in two.
Chloe Gong (Foul Heart Huntsman (Foul Lady Fortune, #2))
He's so handsome," Phoebe commented just as Finley directed her attention at her. "Who?" she demanded. "The Duke of Greythorne," came the reply. "He just left." She glanced out the window, but all she saw was a tall gentleman with reddish-brown hair and wearing very fashionable clothing as he walked away from her. "Well, he has a tolerable back," she commented drily. Pheobe snickered. "Looking at his backside are you, Finley?
Kady Cross (The Strange Case of Finley Jayne (Steampunk Chronicles, #0.5))
Yep those are goosebumps. Or a bad case of arm acne. Or as I call it, armcne.
Daniel Waters (Generation Dead (Generation Dead, #1))
I want someone to care enough to say more than just "It's up to you what you do with your life." I don't have any opinions and I don't trust myself.
Phoebe Gloeckner
Harassment is not just about harming you that one time; it’s about lingering around for every time afterwards and chipping away at you without you realizing it.
Phoebe Robinson (Everything's Trash, But It's Okay)
The past is like the Gran Cavallo and you can’t fix the Gran Cavallo, right? I mean, sure, who doesn’t fantasize about drawing in the rest of the horse, and maybe the sky around the horse. But what would the painting be worth then? Absolutely nothing. So it is what it is. Imperfect, unfinished, forever. We just have to move on, call it a masterpiece, even if it’s not, and start working on a new goddamned painting.” “I suppose I didn’t realize that’s what it would feel like getting older,” Phoebe confesses.
Alison Espach (The Wedding People)
All the kids kept trying to grab for the gold ring, and so was old Phoebe, and I was sort of afraid she'd fall off the goddam horse, but I didn't say anything or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it's bad if you say anything to them. When the ride was over she got off her horse and came over to me. "You ride once, too, this time," she said. "No, I'll just watch ya. I think I'll just watch," I said.
J.D. Salinger (The Catcher in the Rye)
The Library of Alexandria?" I ask. "Didn't that burn down?" Mrs Philipoulus scoffs. "Damn fool Hypatia. Athena tried to convince her to install a sprinkler system. But no-o-o, no one was going to tell the librarianatrix how to run her library.
Tera Lynn Childs (Goddess Boot Camp (Oh. My. Gods., #2))
He kissed her without urgency, without haste, but with all the love he felt for her.
Phoebe Lane (Cursive)
Nothing unites humans like a common enemy.
James Fahy (Crescent Moon (Phoebe Harkness, #2))
The funeral liturgy says that life is changed and not ended. I've always loved that, if that's of any help.
Phoebe Waller-Bridge (Fleabag: The Scriptures)
But now I saw the real problem with chasing after a man. It wasn't a matter of being unseemly or socially unacceptable or not playing the game right. It was just this: if I chase him, I'll never really know if he cares enough to chase me.
Laura Jensen Walker (Dreaming in Technicolor (Phoebe Grant, #2))
Little Phoebe was one of those persons who possess, as their exclusive patrimony, the gift of practical arrangement. It is a kind of natural magic that enables these favored ones to bring out the hidden capabilities of things around them; and particularly to give a look of comfort and habitableness to any place which, for however brief a period, may happen to be their home. A wild hut of underbrush, tossed together by wayfarers through the primitive forest, would acquire the home aspect by one night's lodging of such a woman, and would retain it long after her quiet figure had disappeared into the surrounding shade.
Nathaniel Hawthorne (The House of the Seven Gables)
And maybe they don’t because they’re under the misapprehension that because I talk about race a lot, that I must love talking about it. I don’t. And I’ll let you in on a little secret about what other black people rarely say: Explaining your life to a world that doesn’t care to listen is often more draining than living in it.
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
"Get it you will. Worry you don't," he said in a weird voice. "Are you possessed?" Aislynn asked, making Jace throw back his head in laughter. "Did you just develop a speech impediment? Oh my God! Are you having a stroke? Is that why you can't talk right?" "Yoda is going to be so pissed. May the force protect you, because he sure won't.
Phoebe Lane (Cursive)
There was a child went forth every day, And the first object he look'd upon, that object he became, And that object became part of him for the day or a certain part of the day, Or for many years or stretching cycles of years. The early lilacs became part of this child, And grass and white and red morning glories, and white and red clover, And the song of the phoebe-bird, And the Third-month lambs and the sow's pink-faint litter, and the mare's foal and the cow's calf, And the noisy brood of the barnyard or by the mire of the pond-side, And the fish suspending themselves so curiously below there, and the beautiful curious liquid, And the water-plants with their graceful flat heads, all became part of him.
Walt Whitman (Leaves of Grass)
West turned his attention back to Cassandra. “Sweetheart, none of us could bear seeing you in a one-sided marriage. Don’t expect Severin to change. You can’t love someone into loving you back.” “I understand,” Cassandra said. “But even if Tom is never able to return my feelings, he has qualities that make up for it.” “What qualities?” Devon asked, plainly bewildered. “I’ve always thought I understood you well, but this … you and Severin … it makes no sense to me.” As Cassandra considered how to explain, she heard Phoebe point out with a touch of amusement, “It’s not that improbable, is it? Mr. Severin is a very attractive man.” Both Ravenel brothers looked at her blankly. “Oh, yes,” Kathleen agreed. “Not to mention charming.” West rolled his eyes and gave Devon a resigned glance. “He’s always had it,” he said flatly. “That thing women like.” “What thing?” Devon asked. “The secret, mysterious thing I’ve always wished someone would explain so we could pretend to have it too.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Somewhere, at some indefinable point, he'd crossed a bridge and the bridge had crumbled behind him. There was no going back. He cared for Lady Phoebe Batten more than anything else in life. More than his family. More than his honor. More than his freedom, should it come to that. Bringing her joy was worth more than any amount of money. He knew--without doubt, without fear--that he would kill for her. That he would die for her. It was almost a relief, this realization. He might fight intellectually against it, using all those well-worn arguments: he was too old, she was too young, they were too far apart in class, but it simply didn't matter. His heart performed a coup d'état over his mind and there was nothing more to be done about it. He loved Phoebe Batter, now and forevermore.
Elizabeth Hoyt (Dearest Rogue (Maiden Lane, #8))
You’ve got to get cold to get warm,” Phoebe said. Now that is the truth. That is so true about so many things. You learn it first with sheets and blankets: that the initial touch of the smooth sheets will send you shivering, but their warming works fast, and you must experience the discomfort to find the later contentment. It’s true with money and love, too. You’ve got to save to have something to spend. Think of how hard it is to ask out a person you like. In my case, Claire asked me to go on a date to the cash machine, so I didn’t actually have to ask her. Still, her lips were cold, but her tongue was warm.
Nicholson Baker (A Box of Matches)
I said it to the Flower, I'll say it again: There's a solace to be found in sadness. And I understand why ye’d think ye deserve that dark. Easier to find refuge in drink, in rage, to say hell with it all and push everyone away. Because ye think that cold is easier to live with than the pain that could come if ye let the warmth back in, only to be burned again. But that's the fire that lets us know we're alive, Gabriel." ‘I shook my head, two pale shadows now rising at my back. “‘You can't fix a broken blade, Phoebe." “‘But don't ye see? We don't get broken. We’re made broken. We are not whole alone. But if we're blessed, if we're brave, we might find those few whose edges fit against our own. Like pieces of the same puzzle, or shards of the same shattered blade. Those people who, in their own broken way, make our broken edge complete.
Jay Kristoff (Empire of the Damned (Empire of the Vampire, #2))
Boy, it began to rain like a bastard. In buckets, I swear to God. All the parents and mothers and everybody went over and stood right under the roof of the carrousel, so they wouldn't get soaked to the skin or anything, but I stuck around on the bench for quite a while. I got pretty soaking wet, especially my neck and my pants. My hunting hat really gave me quite a lot of protection, in a way; but I got soaked anyway. I didn't care, though. I felt so damn happy all of a sudden, the way old Phoebe kept going around and around. I was damn near bawling, I felt so damn happy, if you want to know the truth. I don't know why. It was just that she looked so damn nice, the way she kept going around and around, in her blue coat and all. God, I wish you could've been there.
J.D. Salinger (The Catcher in the Rye)
Here’s a hand to the boy who has courage To do what he knows to be right; When he falls in the way of temptation, He has a hard battle to fight. Who strives against self and his comrade Will find a most powerful foe. All honor to him if he conquers. A cheer for the boy who says, “No!” There’s many a battle fought daily The world knows nothing about; There’s many a brave little soldier Whose strength puts a legion to rout. And he who fights sin singlehanded Is more of a hero, I say, Than he who leads soldiers to battle And conquers by arms in the fray. Be steadfast, my boy, when you’re tempted, To do what you know to be right. Stand firm by the colors of manhood, And you will o’ercome in the fight. “The right,” be your battle cry ever In waging the warfare of life, And God, who knows who are the heroes, Will give you the strength for the strife.
Phoebe Cary
I think if you wanted a peaceful marriage and orderly household, you should have proposed to any one of the well-bred simpletons who've been dangled in front of you for years. Ivo's right: Pandora is a different kind of girl. Strange and marvelous. I wouldn't dare predict-" She broke off as she saw him staring at Pandora's distant form. "Lunkhead, you're not even listening. You've already decided to marry her, and damn the consequences." "It wasn't even a decision," Gabriel said, baffled and surly. "I can't think of one good reason to justify why I want her so bloody badly." Phoebe smiled, gazing toward the water. "Have I ever told you what Henry said when he proposed, even knowing how little time we would have together? 'Marriage is far too important a matter to be decided with reason.' He was right, of course." Gabriel took up a handful of warm, dry sand and let it sift through his fingers. "The Ravenels will sooner weather a scandal than force her to marry. And as you probably overheard, she objects not only to me, but the institution of marriage itself." "How could anyone resist you?" Phoebe asked, half-mocking, half-sincere. He gave her a dark glance. "Apparently she has no problem. The title, the fortune, the estate, the social position... to her, they're all detractions. Somehow I have to convince her to marry me despite those things." With raw honesty, he added, "And I'm damned if I even know who I am outside of them." "Oh, my dear..." Phoebe said tenderly. "You're the brother who taught Raphael to sail a skiff, and showed Justin how to tie his shoes. You're the man who carried Henry down to the trout stream, when he wanted to go fishing one last time." She swallowed audibly, and sighed. Digging her heels into the sand, she pushed them forward, creating a pair of trenches. "Shall I tell you what your problem is?" "Is that a question?" "Your problem," his sister continued, "is that you're too good at maintaining that façade of godlike perfection. You've always hated for anyone to see that you're a mere mortal. But you won't win this girl that way." She began to dust the sand from her hands. "Show her a few of your redeeming vices. She'll like you all the better for it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.
Jay Griffiths (A Country Called Childhood: Children and the Exuberant World)