β
After nourishment, shelter and companionship, stories are the thing we need most in the world.
β
β
Philip Pullman
β
We donβt need a list of rights and wrongs, tables of dos and donβts: we need books, time, and silence. Thou shalt not is soon forgotten, but Once upon a time lasts forever.
β
β
Philip Pullman
β
You cannot change what you are, only what you do.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
People are too complicated to have simple labels.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
All the history of human life has been a struggle between wisdom and stupidity.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
I think it's perfectly possible to explain how the universe came about without bringing God into it, but I don't know everything, and there may well be a God somewhere, hiding away. Actually, if he is keeping out of sight, it's because he's ashamed of his followers and all the cruelty and ignorance they're responsible for promoting in his name. If I were him, I'd want nothing to do with them.
β
β
Philip Pullman
β
You speak of destiny as if it was fixed.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
When you choose one way out of many, all the ways you don't take are snuffed out like candles, as if they'd never existed.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
I have stolen ideas from every book I have ever read.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
I write almost always in the third person, and I don't think the narrator is male or female anyway. They're both, and young and old, and wise and silly, and sceptical and credulous, and innocent and experienced, all at once. Narrators are not even human - they're sprites.
β
β
Philip Pullman
β
We are all subject to the fates. But we must act as if we are not, or die of despair.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
I don't profess any religion; I don't think itβs possible that there is a God; I have the greatest difficulty in understanding what is meant by the words βspiritualβ or βspirituality.'
[Interview, The New Yorker, Dec. 26, 2005]
β
β
Philip Pullman
β
That's the duty of the old,' said the Librarian, 'to be anxious on the behalf of the young. And the duty of the young is to scorn the anxiety of the old.'
They sat for a while longer, and then parted, for it was late, and they were old and anxious.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
Iorek Byrnison: Can is not the same as must.
Lyra Silvertongue: But if you must and you can, then there's no excuse.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
Every little increase in human freedom has been fought over ferociously between those who want us to know more and be wiser and stronger, and those who want us to obey and be humble and submit.
β
β
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
β
I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they wont' just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...
β
β
Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
β
There's a hunger for stories in all of us, adults too. We need stories so much that we're even willing to read bad books to get them, if the good books won't supply them.
β
β
Philip Pullman
β
Children are not less intelligent than adults; what they are is less informed.
β
β
Philip Pullman
β
I am a strong believer in the tyranny, the dictatorship, the absolute authority of the writer.
β
β
Philip Pullman
β
If you want something you can have it, but only if you want everything that goes with it, including all the hard work and the despair, and only if you're willing to risk failure.
β
β
Philip Pullman (Clockwork (Cover to Cover))
β
Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glittering in the dew under the stars and the moon out there in the physical world, which is our true home and always was.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
So Lyra and her daemon turned away from the world they were born in, and looked toward the sun, and walked into the sky.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
When he'd sworn at her and been sworn at in return, they became great friends.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
We shouldn't live as if [other worlds] mattered more than this life in this world, because where we are is always the most important place.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
Maybe sometimes we don't do the right thing because the wrong thing looks more dangerous, and we don't want to look scared, so we go and do the wrong thing just because it's dangerous. We're more concerned with not looking scared than with judging right.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
Human beings can't see anything without wanting to destroy it. That's original sin. And I'm going to destroy it. Death is going to die.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
I will love you for ever, whatever happens. Till I die and after I die, and when I find my way out of the land of the dead Iβll drift about forever, all my atoms, till I find you againβ¦
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness; he looked so deep I felt sure he'd see the truth. But I lied too well. I was lying with every nerve and fiber and everything I'd ever done...I wanted him to find no good in me, and he didn't. There is none.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
Being a practiced liar doesn't mean you have a powerful imagination. Many good liars have no imagination at all; it's that which gives their lies such wide-eyed conviction.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
Without stories, we wouldn't be human beings at all
β
β
Philip Pullman (His Dark Materials (His Dark Materials #1-3))
β
I'm for open-mindedness and tolerance. I'm against any form of fanaticism, fundamentalism or zealotry, and this certainty of 'We have the truth.' The truth is far too large and complex. Nobody has the truth.
β
β
Philip Pullman
β
When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, βItβs all in Platoβ β meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife.
[The New York Times interview, 2000]
β
β
Philip Pullman
β
And I came to believe that good and evil are names for what people do, not for what they are. All we can say is that this is a good deed, because it helps someone or that's an evil one because it hurts them. People are too complicated to have simple labels.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
Tell them stories.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
What is worth having is worth working for.
β
β
Philip Pullman
β
Thatβs the duty of the old, to be anxious on behalf of the young. And the duty of the young is to scorn the anxiety of the old.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
It takes long practice, yes. You have to work. Did you think you could snap your fingers, and have it as a gift? What is worth having is worth working for.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
All good things pass away.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
As for what it's against - the story is against those who pervert and misuse religion, or any other kind of doctrine with a holy book and a priesthood and an apparatus of power that wields unchallengeable authority, in order to dominate and suppress human freedoms.
β
β
Philip Pullman (His Dark Materials)
β
For a human being, nothing comes naturally,' said Grumman. 'We have to learn everything we do.
β
β
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
β
I am a religious person, although I am not a believer.
β
β
Philip Pullman
β
Lonely? I don't know. They tell me this is cold. I don't know what cold is, because I don't freeze. So I don't know what lonely means either. Bears are made to be solitary.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
The idea hovered and shimmered delicately, like a soap bubble, and she dared not even look at it directly in case it burst. But she was familiar with the way of ideas, and she let it shimmer, looking away, thinking about something else.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
You don't win races by wishing, you win them by running faster than everyone else does.
β
β
Philip Pullman (Clockwork (Cover to Cover))
β
I'm trying to undermine the basis of Christian belief... I'm not in the business of offending people. I find the books upholding certain values that I think are important, such as life is immensely valuable and this world is an extraordinarily beautiful place. We should do what we can to increase the amount of wisdom in the world.
[Washington Post interview, 19 February 2001]
β
β
Philip Pullman
β
We have to build the Republic of Heaven where we are, because for us, there is no elsewhere.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
We feel cold, but we don't mind it, because we will not come to harm. And if we wrapped up against the cold, we wouldn't feel other things, like the bright tingle of the stars, or the music of the aurora, or best of all the silky feeling of moonlight on our skin. It's worth being cold for that.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
Stories are the most important thing in the world. Without stories, we wouldn't be human beings at all.
β
β
Philip Pullman
β
because he's Will
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
Tell them stories. They need the truth you must tell them true stories, and everything will be well, just tell them stories.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
...But it gradually seemed to me that I'd made myself believe something that wasn't true. I'd made myself believe that I was fine and happy and fulfilled on my own without the love of anyone else. Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would. I'd spend all my life without ever going to China, but it wouldn't matter, because there was all the rest of the world to visit... And I thought: am I really going to spend the rest of my life without feeling that again? I thought: I want to go to China. It's full of treasures and strangeness and mysteries and joy.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
People should decide on the books' meanings for themselves. They'll find a story that attacks such things as cruelty, oppression, intolerance, unkindness, narrow-mindedness, and celebrates love, kindness, open-mindedness, tolerance, curiosity, human intelligence.
β
β
Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
β
Seems to me-" Lee said, feeling for the words, "seems to me the place you fight cruelty is where you find it, and the place you give help is where you see it needed....
β
β
Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
β
When you live for many hundreds of years, you know that every opportunity will come again.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
She wondered whether there would ever come an hour in her life when she didn't think of him -- didn't speak to him in her head, didn't relive every moment they'd been together, didn't long for his voice and his hands and his love. She had never dreamed of what it would feel like to love someone so much; of all the things that had astonished her in her adventures, that was what astonished her the most. She thought the tenderness it left in her heart was like a bruise that would never go away, but she would cherish it forever.
β
β
Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
β
From what we are, spirit; from what we do, matter. Matter and spirit are one.
β
β
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
β
It comes from history. It comes from the record of the Inquisition, persecuting heretics and torturing Jews and all that sort of stuff; and it comes from the other side, too, from the Protestants burning the Catholics. It comes from the insensate pursuit of innocent and crazy old women, and from the Puritans in America burning and hanging the witches β and it comes not only from the Christian church but also from the Taliban. Every single religion that has a monotheistic god ends up by persecuting other people and killing them because they don't accept him. Wherever you look in history, you find that. Itβs still going on.
β
β
Philip Pullman
β
You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..."
"No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..."
"Everyone except us! And you and I could live here forever and just love each other."
"I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..."
"I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..."
They lay side by side, hand in hand, looking at the sky.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
...because where we are is always the most important place.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
If a coin comes down heads, that means that the possibility of its coming down tails has collapsed. Until that moment the two possibilities were equal.
But on another world, it does come down tails. And when that happens, the two worlds split apart.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
No,' he said, 'memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much...
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
One moment several things are possible, the next moment only one happens, and the rest don't exist. Except that other worlds have sprung into being, on which the did happen.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
But think of Adam and Eve like an imaginary number, like the square root of minus one: you can never see any concrete proof that it exists, but if you include it in your equations, you can calculate all manner of things that couldn't be imagined without it.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
All stories teach, whether the storyteller intends them to or not. They teach the world we create. They teach the morality we live by. They teach it much more effectively than moral precepts and instructions.
β
β
Philip Pullman
β
I know whom we must fight...it is the Church. For all its history, it's tried to suppress and control every natural impulse.That is what the Church does, and every church is the same: control, destroy, obliterate every good feeling.
β
β
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
β
Read like a butterfly, write like a bee.
β
β
Philip Pullman
β
Itβs like having to make a choice: a blessing or a curse. The one thing you canβt do is choose neither.
β
β
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
β
Was there only one world after all which spent its time dreaming of others?
β
β
Philip Pullman
β
We are all subject to the fates. But we must all act as if we are not, or die of despair...death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
Religion begins in story. Yes, it does, because religion is an attempt to make sense of what is incomprehensible to us, what is inexplicable, what is awe-inspiring, what is frightening, what moves us to great wonder, and so on. That is the religious impulse, and it is part of our psychological makeup -- of everyone's psychological makeup.
β
β
Philip Pullman
β
Make this the golden rule, the equivalent of the Hippocratic oath: Everything we ask a child to do should be worth doing.
β
β
Philip Pullman
β
Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would... and then someone passed me a bit of some sweet stuff, and suddenly I realized that I had been to China. So to speak. And I'd forgotten it.
β
β
Philip Pullman (His Dark Materials (His Dark Materials #1-3))
β
Iβm just trying to wake up - Iβm so afraid of sleeping all my life and then dying - I want to wake up first. I wouldnβt care if it was just for an hour, as long as I was properly alive and awakeβ¦
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
I thought physics could be done to the glory of God, till I saw there wasnβt any God at all and that physics was more interesting anyway. The Christian religion is a very powerful and convincing mistake, thatβs all.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
Men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, and clever.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
Just sort of relax your mind and say yes, it does hurt, I know. Don't try and shut it out.
β
β
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
β
What work do I have to do then?" said Will, but went on at once, "No, on second thought, don't tell me. I shall decide what I do. If you say my work is fighting, or healing, or exploring, or whatever you might say, I'll always be thinking about it. And if I do end up doing that, I'll be resentful because it'll feel as if I didn't have a choice, and if I don't do it, I'll feel guilty because I should. Whatever I do, I will choose it, no one else.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
He meant the Kingdom was over, the Kingdom of Heaven, it was all finished. We shouldn't live as if it mattered more than this life in this world, because where we are is always the most important place.... We have to be all those difficult things like cheerful and kind and curious and patient, and we've got to study and think and work hard, all of us, in all our different worlds, and then we'll build... The Republic of Heaven.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
When you choose one way out of many, all the ways you don't take are snuffed out like candles, as if they'd never existed. At that moment all Will's choices existed at once. But to keep them all in existence meant doing nothing. He had to choose, after all.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
Lee saw the fireball and head through the roar in his ears Hester saying, "That's the last of 'em Lee."
He said, or thought, "Those poor men didn't have to come to this, nor did we."
She said, "We held 'em off. We held out. We're a-helping Lyra."
Then she was pressing her little proud broken self against his face, as close as she could get, and then they died.
β
β
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
β
Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would. I'd spend all my life without ever going to China, but it wouldn't matter, because there was all the rest of the world to visit.
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
Her last conscious thought was disgust at life; her senses had lied to her. The world was not made of energy and delight but of foulness, betrayal, and lassitude. Living was hateful, and death was no better, and from end to end of the universe this was the first and last and only truth.
β
β
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
β
The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend, you also do what the knife intends, without knowing.
β
β
Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
β
Symbols and emblems were everywhere. Buildings and pictures were designed to be read like books. Everything stood for something else; if you had the right dictionary, you could read Nature itself. It was hardly surprising to find philosophers using the symbolism of their time to interpret knowledge that came from a mysterious source.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
It was a shocking thing to say and I knew it was a shocking thing to say. But no one has the right to live without being shocked. No one has the right to spend their life without being offended. Nobody has to read this book. Nobody has to pick it up. Nobody has to open it. And if you open it and read it, you don't have to like it. And if you read it and you dislike it, you don't have to remain silent about it. You can write to me, you can complain about it, you can write to the publisher, you can write to the papers, you can write your own book. You can do all those things, but there your rights stop. No one has the right to stop me writing this book. No one has the right to stop it being published, or sold, or bought, or read.
β
β
Philip Pullman
β
There is a correspondence between the microcosm and the macrocosm! The stars are alive, child! Did you know that? Everything out there is alive, and there are grand purpose abroad! The universe is full of intentions, you know. Everything happens for a purpose.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, Iβll drift about forever, all my atoms, till I find you againβ¦ Iβll be looking for you, every moment, every single moment. And when we do find each other again, weβll cling together so tight that nothing and no oneβll ever tear us apart. Every atom of me and every atom of youβ¦ Weβll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeamsβ¦ And when they use our atoms to make new lives, they wonβt just be able to take one, theyβll have to take two, one of you and one of me, weβll be joined so tightβ¦
β
β
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β
If a witch needs something, another witch will give it to her. If there is war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor. An insult to a bear is a deadly thing. To us...inconceivable. How could you insult a witch? What would it matter if you did?
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
Lord, if I thought you were listening, I'd pray for this above all: that any church set up in your name should remain poor, and powerless, and modest. That it should wield no authority except that of love. That it should never cast anyone out. That it should own no property and make no laws. That it should not condemn, but only forgive.
β
β
Philip Pullman (The Good Man Jesus and the Scoundrel Christ)
β
I feel with some passion that what we truly are is private, and almost infinitely complex, and ambiguous, and both external and internal, and double- or triple- or multiply natured, and largely mysterious even to ourselves; and furthermore that what we are is only part of us, because identity, unlike "identity", must include what we do. And I think that to find oneself and every aspect of this complexity reduced in the public mind to one property that apparently subsumes all the rest ("gay", "black", "Muslim", whatever) is to be the victim of a piece of extraordinary intellectual vulgarity.
β
β
Philip Pullman
β
But suppose your dæmon settles in a shape you don't like?
Well, then, you're discontented, en't you? There's plenty of folk as'd like to have a lion as a dæmon and they end up with a poodle. And till they learn to be satisfied with what they are, they're going to be fretful about it. Waste of feeling, that is.
But it didn't seem to Lyra that she would ever grow up.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
The best way to get kids to read a book is to say: 'This book is not appropriate for your age, and it has all sorts of horrible things in it like sex and death and some really big and complicated ideas, and youβre better off not touching it until youβre all grown up. Iβm going to put it on this shelf and leave the room for a while. Donβt open it.
β
β
Philip Pullman
β
This is whatβll happen,β she said, βand itβs true, perfectly true. When you go out of here, all the particles that make you up will loosen and float apart, just like your daemons did. If youβve seen people dying, you know what that looks like. But your daemons enβt just nothing now; theyβre part of everything. All the atoms that were them, theyβve gone into the air and the wind and the trees and the earth and all the living things. Theyβll never vanish. Theyβre just part of everything. And thatβs exactly whatβll happen to you, I swear to you, I promise on my honor. Youβll drift apart, itβs true, but youβll be out in the open, part of everything alive again.
β
β
Philip Pullman (His Dark Materials (His Dark Materials #1-3))
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The act of true reading is in its very essence democratic. Consider the nature of what happens when we read a book - and I mean, of course, a work of literature, not an instruction manual or a textbook - in private, unsupervised, un-spied-on, alone. It isn't like a lecture: it's like a conversation. There's a back-and-forthness about it. The book proposes, the reader questions, the book responds, the reader considers. We bring our own preconceptions and expectations, our own intellectual qualities, and our limitations, too, our own previous experiences of reading, our own temperament, our own hopes and fears, our own personality to the encounter.
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Philip Pullman
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But Balthamos couldn't tell; he only knew that half his heart had been extinguished. He couldn't keep still: he flew up again, scouring the sky as if to seek out Baruch in this cloud or that, calling, crying, calling; and then he'd be overcome with guilt, and fly down to urge Will to hide and keep quiet, and promise to watch over him tirelessly; and then the pressure of his grief would crush him to the ground, and he'd remember every instance of kindness and courage that Baruch had ever shown, and there were thousands, and he'd forgotten none of them; and he'd cry that a nature so gracious could ever be snuffed out, and he'd soar into the skies again, casting about in every direction, reckless and wild and stricken, cursing the air, the clouds, the stars.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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And at the word alone, Will felt a great wave of rage and despair moving outwards from a place deep within him, as if his mind were an ocean that some profound convulsion had disturbed. All his life he'd been alone, and now he must be alone again, and this infinitely precious blessing that had come to him must be taken away almost at once.He felt the wave build higher and steeper to darken the sky, he felt the crest tremble and begin to spill, he felt the great mass crashing down with the whole weight of the ocean behind it against the iron-bound coast of what had to be. And he felt himself crying aloud with more anger and pain than he had ever felt in his life, and he found Lyra just as helpless in his arms. But as the wave expended its force and the waters withdrew, the bleak rocks remained; there was no arguing with fate; neither his despair nor Lyra's had moved them a single inch.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.
'It would be merciful to kill it,' said Tialys.
'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.'
'If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.'
'But if it's in pain?' said Tialys.
'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.'
They moved on.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))