Pets Death Quotes

We've searched our database for all the quotes and captions related to Pets Death. Here they are! All 100 of them:

Sometimes dead is better
Stephen King (Pet Sematary)
May be she’ll learn something about what death really is, which is where the pain stops and the good memories begin. Not the end of life but the end of pain.
Stephen King (Pet Sematary)
Death is a mystery, and burial is a secret.
Stephen King (Pet Sematary)
Eve: "She had big plans for me. Kind of a pet, I imagine. Like William. Her little trained dog. And with you dead, she figured I'd inherit all your goodies. You're not going to do that to me are you?" Roarke: "What, die?" Eve: "Leave me all this stuff." Roarke: "Only you would be annoyed by that.
J.D. Robb (Rapture in Death (In Death, #4))
Heaven is a place where all the dogs you've ever loved come to greet you.
Oliver Gaspirtz (Pet Humor!)
Death can take away your friends and pets, but it can't take away the weird shit they did.
Allie Brosh (Solutions and Other Problems)
At That Moment, it seemed the whole world cared what happened to him. All those people were hugging him and petting his hair. Everybody asked if he was okay. It seemed that moment would last forever. That you had to risk your life to get love. You had to get right to the edge of death to ever be saved.
Chuck Palahniuk (Choke)
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
I hope your dick gets whore poisoning and shrivels to its death! And then I hope all the girls see it and laugh at you! And then I hope it falls off! You can stare down at it and cry like a little bitch, just like you did when your pet hamster died!
Jay McLean (More Than Forever (More Than, #4))
Love is love," I told her, as I tell all of my patients who are ashamed to find themselves shattered by the death of a dog. "Loss is loss.
Meg Donohue (Dog Crazy)
Hey police? I just saw the world's oldest, slowest kid climbing into Pleasantview Cemetery. Looked like he was dying to get in. Yeah, looked like a grave matter to me. Kidding? Oh no, I'm in dead earnest. Maybe you ought to dig into it.
Stephen King (Pet Sematary)
Valkyrie walked to the back door, which hadn't been closed properly, shut it and locked it. There was now a baby in the house, after all. She couldn't take the chance that a wild animal might wander in and make off with Alice, like those dingoes in Australia. She was probably being unfair to both dingoes and Australia, but she couldn't risk it. Locked doors kept the dingoes out, and that's all there was to it, even if she didn't know what a dingo actually was. She took out her phone, searched the Internet, found a picture of a baby dingo and now she really wanted a baby dingo for a pet.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
I asked this heroic pet lover how it felt to have died for a schnauzer named Teddy. Salvador Biagiani was philosophical. He said it sure beat dying for absolutely nothing in the Viet Nam War.
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
Life's just a dream. It isn't real. I know that you can't see that yet. You want me to wake up but in my death I did wake up and I saw you were still sleeping.
Kate McGahan (JACK McAFGHAN: Reflections on Life with my Master)
So…that’s like your pet monkey?” – Nick (The tiny horse snorted flames and whinnied at him.) “Easy, girl. You’d do well to show her respect. She can understand you, and she doesn’t take well to insults.” – Death “Sorry, Flicka. Didn’t mean to rattle your bridle.” – Nick
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
Dogs will give you unconditional love until the day they die. Cats will make you pay for every mistake you've ever made since the day you were born.
Oliver Gaspirtz (A Treasury of Pet Humor)
But really, anybody could die any day, whether you were ready or not. It could be your pet fish or your sister or you. Nothing is the same forever. Maybe all the people on Earth are God's little pet fish. God lives such a long time that people's lives probably seem really short to him. He watches them swim for a little while, and then they stop swimming.
Suzanne LaFleur (Love, Aubrey)
There are not enough words in the English language to describe the experience of this. Death is more than life. Humans put their animals “to sleep” when it’s really waking them up. Everybody has it all backwards.
Kate McGahan (JACK McAFGHAN: Reflections on Life with my Master)
Who shall tell the lady's grief When her Cat was past relief? Who shall number the hot tears Shed o'er her, beloved for years? Who shall say the dark dismay Which her dying caused that day?
Christina Rossetti
Who wanted to be smiled at by the girl that trailed shadows like pets, conjured snakes and waited for Death, her bridegroom, to steal her from these walls?
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Like the cat who finds her way back home over a thousand miles, like the dog who waits for his master to arrive on the train that never comes, like the one who keeps a vigil at her master’s grave until she too can cross the bridge, some people and their pets are woven together by threads of life and they cannot, and will not, for long be separated.
Kate McGahan
As for her cat, Galahad made an appearance, regally ignored everyone under four feet until he clued in that this variety of humans was more likely to drop food on the floor, or sneak him handouts. He ended in a gluttonous coma, tubby belly up under a table.
J.D. Robb (Origin in Death (In Death, #21))
The truest form of love is where you are able to put your own needs aside to do what is best for the one you love. If you could know where I am now and if you love as you say you do, you would never ever wish me back from the love and the comfort and the bliss of where I am and where I wait for you.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
You think the final act of love is setting them free to Rainbow Bridge? That is not the final act of love. The final act of love is releasing them from your leash of grief so they can be free in the heaven on the other side of the Bridge. Until you resolve your grief, you bind them to you in the land between Heaven and Earth while they wait, suspended between the worlds, for you to heal. When you are free of your grief, they are free of your grief.
Kate McGahan (JACK McAFGHAN: Reflections on Life with my Master)
Perhaps, the death of thirty-seven rarest animals on the planet shouldn’t keep you calm after all. Even if they are ‘Not-Pets’.
Misba (The High Auction (Wisdom Revolution, #1))
He held her and rocked her, believing, rightly or wrongly, that Ellie wept for the very intractability of death, its imperviousness to argument or to a little girl’s tears; that she wept over its cruel unpredictability; and that she wept because of the human being’s wonderful, deadly ability to translate symbols into conclusions that were either fine and noble or blackly terrifying. If all those animals had died and been buried, then Church could die (any time!) and be buried; and if that could happen to Church, it could happen to her mother, her father, her baby brother. To herself. Death was a vague idea; the Pet Sematary was real. In the texture of those rude markers were truths which even a child’s hands could feel.
Stephen King (Pet Sematary)
Ellie wept for the very intractability of death, its imperviousness to argument.
Stephen King (Pet Sematary)
Yuan frowns. Nothing should interrupt a Sufi Raag. His frown disappears soon after. A monk must never lose control over his emotions. Not even the deaths of thirty-seven seemingly-pet, rare animals can make him lose it.
Misba (The High Auction (Wisdom Revolution, #1))
You think God created us to be born only to grow and then die? Not even the tiniest perennial grows only to die. It comes back again and again when the season and the time is right. Even annual flowers grow seeds as they grow so that they can drop the seeds of themselves and live again year after year, life after life.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
When you love without condition, your spirits can never be separated. The love you gave each other holds you together far beyond this life.
Kate McGahan (Only Gone From Your Sight: Jack McAfghan's Little Guide to Pet Loss and Grief (Jack McAfghan Pet Loss Trilogy))
...man can survive ...he can kill and be twisted and broken and desperate and insane and fuck barnyard pets in the dark and wear a dress if he chooses, and hate and destroy everything that's beautiful, and wish for death for himself and others with every breath, and still be a perfect child of God.
Dan Fante
Sometimes a tragedy must happen to keep a soul on schedule. This is the reason for things that seem to have no reason. This is the reason that we cannot fathom when we are going through it. Perhaps I will get very sick. People wonder why cancer exists when it is just a clever method to teach people lessons about love and loss. It borrows time or steals it depending on the needs of Heaven. It is a vehicle to get us where we need to be. It calls us home because something needs us there.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
Death gets a bad rap. People think that euthanasia is putting their pets “down” when it really is lifting us up. In the first moment, when we come back to earth, we remember the comfort of the Heaven we came from and this is why we cry when we are born. When we are born in Heaven we come in laughing not crying! In birth we have the passage and then the pain. In death we have the pain and then the passage.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
We think that we are living when we walk upon the earth but the very moment we “die” there, we wake up here! This life on the other side of the Rainbow Bridge is the real one. We find that our life on earth was just a dream, a dream designed to lead us further and further into love. True love grows and then cannot be destroyed. It grows and grows until it is stronger than death.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
...The fact is that Dale and Grady had made a pact long before they ever came into this earthly existence. This is why so often there is one physical death that follows another. They are from the same soul family. They are so intertwined that they need to leave together. They are all returning home together.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
Life is not separate from death. It only looks that way.” –Blackfoot Indian proverb
Sylvia Browne (All Pets Go To Heaven: The Spiritual Lives of the Animals We Love)
It seems we've been at cross purposes, doesn't it? But it's no use now. As long as there was Bonnie, there was a chance that we might be happy. I liked to think that Bonnie was you, a little girl again, before the war, and poverty had done things to you. She was so like you, and I could pet her, and spoil her, as I wanted to spoil you. But when she went, she took everything.
Margaret Mitchell (Gone with the Wind)
Sometimes people feel they need to control everything, as if they could! Matters of life and death are out of your hands. The more you come to realize this, the harder you try to prove that you can control SOMETHING, anything. All you can really control is your response to what happens. You cannot control matters of life or death and because of this you are not accountable. You cannot be held liable for anything that you have no power over. Guilt, shame and blame make no sense when circumstances are beyond your control.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way. From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW. Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73.” There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.” Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?” Without replying, Ronan climbed out of the car and slammed the door. Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah. Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
She casts her eyes to the floor and nods slowly. I reach forward, instinctively and tip her chin up to face me. "I'm sure she's very pretty." I tell her. Inside, I'm not sure of any such thing. In my mind, the woman flies around on a broom, has pet monkeys and is deathly afraid of water.
Lori L. Clark (I Breathe You)
There are recovery programs for people grieving the loss of a parent, sibling, or spouse. You can buy books on how to cope with the death of a beloved pet or work through the anguish of a miscarriage. We speak openly with one another about the bereavement that can accompany a layoff, a move, a diagnosis, or a dream deferred. But no one really teaches you how to grieve the loss of your faith. You’re on your own for that.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
In his long, eternal life, he had never witnessed a mortal who could defeat his creatures. He purposely created these monsters to be indestructible. And yet the little mortal murdered like it was the easiest thing in the world.
Holly Guy (Deaths New Pet)
Death. I wish the word could be removed from the vocabulary and from the dictionary. It simply does not exist, except in the human mind that was taught that it does exist. People think they are a body and they come to believe that when the body dies, everything they are will die too. It’s not true. The soul lives on. The soul of consciousness exists not only in the body but outside of the body too. We are all souls that cannot be contained or limited by time or space or the physical body. For souls there is no death.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
I loved her. I did not know what state of mind I would be in when I got where I was going and I was most worried that in the process I might forget her. I did not ever want to forget her! I held the image of her in my mind so strongly and the eternal love for her so deep within my heart that it could never ever be erased, no matter what. My love for her was stronger than anything that could happen to me.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
I took one long last look at her before disappearing into the Rainbow Forest where another Master was calling me Home. “I love you Jack I love you Jack I love you Jack…” she kept saying, until I was far from her sight. To this day she still whispers, “I love you Jack,” even when she thinks I can't hear her anymore...but I can. Sometimes what seems to be the ending of something is just the beginning of everything.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
People do not love pets that will outlive them. A short life is a condition for love.
Yukio Mishima (The Decay of the Angel (The Sea of Fertility, #4))
Try repeating “man is an animal" a few times, just to notice how unconvincing it sounds. There seems to be no way to get this idea into our heads, except by long rumination over the facts of evolution or perhaps by exposure to a primitive tribe or by being raised on a farm. Primitives sometimes see little difference between themselves and the animals around them. Karl von den Steinen was told by a Xingu that the only difference between them and the monkey was that they monkeys lacked the bow and arrow. And Jules Henry observed on the Kningang that dogs are not considered pets, like some of the other animals, but are on a level of emotional equality, like a relative. But in our own Western culture we have, for the most part, set a great distance between ourselves and the rest of nature, and language helps us to do this. Thus we say that a sheep “drops" its lamb, but a woman “gives birth"—it’s much more noble. Yet we have the right to make such distinctions because we assign the meaning to the world by naming names of things; we inhabit a different sphere and we capitalize naturally on the privilege.
Ernest Becker (The Birth and Death of Meaning: An Interdisciplinary Perspective on the Problem of Man)
Okay.' I can feel the letters vomit off my tongue. O. K. A. Y. I watch the vet insert the syringe into the catheter and inject the second drug. And then the adventures come flooding back: The puppy farm. The gentle untying of the shoelace. THIS! IS! MY! HOME! NOW! Our first night together. Running on the beach. Sadie and Sophie and Sophie Dee. Shared ice-cream cones. Thanksgivings. Tofurky. Car rides. Laughter. Eye rain. Chicken and rice. Paralysis. Surgery. Christmases. Walks. Dog parks. Squirrel chasing. Naps. Snuggling. 'Fishful Thinking.' The adventure at sea. Gentle kisses. Manic kisses. More eye rain. So much eye rain. Red ball. The veterinarian holds a stethoscope up to Lily's chest, listening for her heartbeat. All dogs go to heaven. 'Your mother's name is Witchie-Poo.' I stroke Lily behind her ears the way that used to calm her. 'Look for her.' OH FUCK IT HURTS. I barely whisper. 'She will take care of you.
Steven Rowley (Lily and the Octopus)
There's a strange intimacy between a lost animal and the person who finds him. In terms of time, what you've shared is tiny and insignificant, but that moment is a vital pivot in the animal's life, the line between his old life and a better, new one. In some cases that fine line is the one between life and death.
Ken Foster (The Dogs Who Found Me: What I've Learned from Pets Who Were Left Behind)
Over half the admits to psych wards are things like cheerleaders who swallow two bottles of Mydol over a high-school breakup or gray lonely asexual depressing people rendered inconsolable by the death of a pet. The cathartic trauma of actually going in somewhere officially Psych-, some understanding nods, some bare indication somebody gives half a damn – they rally, back out they go.
David Foster Wallace (Infinite Jest)
So many people are afraid of the ending of their life on earth. Then there are others who are afraid of not being able to leave after their bodies have long failed them. There's nothing at all to be afraid of. Death is the last lesson in the school of life. It is the final stage of growth. Death is the one event that is designed to remove all of your remaining fears. Someday you will find that the things you were most afraid of, like death, were only illusions.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
The days are passing so quickly. This is the only time of year when I want to slow time down. I spend the entire year trying to get here as fast as I can, then once I'm here I want to slam on the brakes. I'm beginning to have those moments when the feel of autumn is so strong it drowns out everything else. Lately it's been making me think about the perfect soundtrack for a Halloween party. The top of any Halloween music list as to be the theme song from the movie Halloween; right on its heels is "Pet Sematary" by the Ramones. For some reason I've always equated the old Van Morrison song "Moondance" with Halloween, too. I love that song. "Bela Lugosi's Dead" by Bauhaus is an October classic, as well as anything by Type O Negative. And Midnight Syndicate. If you've never heard anything by Midnight Syndicate, look them up right this moment. If you distilled the raw essence of every spooky story you ever heard, you would have Midnight Syndicate. I have a friend who swears by them, believing them to be a vital element of any Halloween party. To finish off the list you must have "The Lyre of Orpheus" by Nick Cave and "I Feel Alright" by Steve Earle.
Damien Echols (Life After Death)
Rachel would call the vet this morning, they would get Church fixed, and that would put this whole nonsense of Pet Semataries(it was funny how that misspelling got into your head and began to seem right) and death fears behind them.
Stephen King (Pet Sematary)
Do you know what I love most about humans, pet? It’s our utter dogged stupidity. When it comes to love we never learn. Ever. Even when we know the risks. Even when it makes much more sense to relocate to individualized climate-controlled caves, where our hearts have at least a fighting chance at remaining intact. We know the risks of opening our hearts up. And yet we keep doing it anyway. We keep falling in love and having babies and buying shoes that look incredible but feel like death. We keep adopting puppies and making friends and buying white sofas that we know we’re going to drop a slice of pizza facedown on. We just keep doing it. Is it ignorance? Amnesia? Or is it something else? Something braver?
Jenna Evans Welch (Love & Luck (Love & Gelato, #2))
Shouldn’t we feel sorry for someone who has so little else in her life that she can be so totally floored by the death of her pet?
Adam Kay (This Is Going to Hurt: Secret Diaries of a Medical Resident)
Lucky bit on to Bob’s robe and dragged him onward. “Ah! Your pet is trying to run me to death.
Steve the Noob (Diary of Steve the Noob 6 (An Unofficial Minecraft Book))
When a pet dies, as with any beloved person or thing, you do not just mourn the departed. You mourn the life you've lived along with the departed.
David DiBenedetto (Good Dog: True Stories of Love, Loss, and Loyalty)
Maybe she’ll learn something about what death really is, which is where the pain stops and the good memories begin. Not the end of life but the end of pain.
Stephen King (Pet Sematary)
You left paw prints on my heart.
Unknown
Remember back in forty-four when someone killed that pet parrot of yours? What was his name, Reynold? You know, the only friend you ever had? That was me, George. I fucked it to death then fed it to Goshy.
Will Elliott (The Pilo Family Circus)
Social media wasn't usually my thing, as it had the word "social" in it, but I'd taken to the platform after a personal tragedy. I had a cat, the cat died, and now what I used to say to my cat all day, I tweeted. It helped that 140 characters was roughly my preferred limit when it came to human interaction.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
Understand there’s no right or wrong way to grieve, including anticipatory grief. It’s like the ocean. It ebbs and it flows. There can be moments of calm. But out of nowhere, it can feel like you're drowning.
Dana Arcuri (Sacred Wandering: Growing Your Faith In The Dark)
Poshlust,” or in a better transliteration poshlost, has many nuances, and evidently I have not described them clearly enough in my little book on Gogol, if you think one can ask anybody if he is tempted by poshlost. Corny trash, vulgar clichés, Philistinism in all its phases, imitations of imitations, bogus profundities, crude, moronic, and dishonest pseudo-literature—these are obvious examples. Now, if we want to pin down poshlost in contemporary writing, we must look for it in Freudian symbolism, moth-eaten mythologies, social comment, humanistic messages, political allegories, overconcern with class or race, and the journalistic generalities we all know. Poshlost speaks in such concepts as “America is no better than Russia” or “We all share in Germany’s guilt.” The flowers of poshlost bloom in such phrases and terms as “the moment of truth,” “charisma,” “existential” (used seriously), “dialogue” (as applied to political talks between nations), and “vocabulary” (as applied to a dauber). Listing in one breath Auschwitz, Hiroshima, and Vietnam is seditious poshlost. Belonging to a very select club (which sports one Jewish name—that of the treasurer) is genteel poshlost. Hack reviews are frequently poshlost, but it also lurks in certain highbrow essays. Poshlost calls Mr. Blank a great poet and Mr. Bluff a great novelist. One of poshlost’s favorite breeding places has always been the Art Exhibition; there it is produced by so-called sculptors working with the tools of wreckers, building crankshaft cretins of stainless steel, Zen stereos, polystyrene stinkbirds, objects trouvés in latrines, cannonballs, canned balls. There we admire the gabinetti wall patterns of so-called abstract artists, Freudian surrealism, roric smudges, and Rorschach blots—all of it as corny in its own right as the academic “September Morns” and “Florentine Flowergirls” of half a century ago. The list is long, and, of course, everybody has his bête noire, his black pet, in the series. Mine is that airline ad: the snack served by an obsequious wench to a young couple—she eyeing ecstatically the cucumber canapé, he admiring wistfully the hostess. And, of course, Death in Venice. You see the range.
Vladimir Nabokov (Strong Opinions)
No one prepares you for the death of a pet. It’s not quite like losing a human loved one, obviously, but you cannot help but feel a tiny bit of despair. After all, they serve you so loyally. I think they genuinely love you, and they’re so protective of you. They do their jobs so instinctually and so exceptionally because that’s how God made them.
Fisher Amelie (Greed (The Seven Deadly, #2))
The angels came to tell me what I could expect and how to get where I needed to go. I was reassured that I would not have to cross the Bridge alone. There were so many things I did not yet know. I could feel my mental clarity leaving. I fixed my gaze upon her. I watched her as I left. It was like shutting the door of a beloved home for the last time. Like closing up camp for the season. One last look at the ocean before you must leave it behind with hopes of return but with no guarantee. You eventually have to turn away and look the other direction so that you can see where it is you are going.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
Over half the admits to psych wards are things like cheerleaders who swallow two bottles of Mydol over a high-school breakup or gray lonely asexual depressing people rendered inconsolable by the death of a pet. The cathartic trauma of actually going in somewhere
David Foster Wallace (Infinite Jest)
Many of the volumes had spines covered in numbers, symbols, or languages she didn't read. There were also a few spines with titles that she would have liked to read, had she not felt pressed for time. Mermaids and Mermen and How to Become One Ten Essential Rules of Time Travel Shape-shifting for Beginners Cakes, Cakes, and More Cakes Turning Your Shadow into a Pet Love, Death, and Immortality
Stephanie Garber (Finale (Caraval, #3))
No one knows for sure what the Mayan pyramids are for-navigation and chronography, some say, like Stonehenge-but we know damn well what the Egyptian pyramids were and are . . . great monuments to death, the world's biggest gravestones. Here Lies Ramses II, He Was Obedient . . .
Stephen King (Pet Sematary)
Now, in death, he looked to Louis like the old Church. The mouth, so small and bloody, filled with needle-sharp cat’s teeth, was frozen in a shooter’s snarl. The dead eyes seemed furious. It was as if, after the short and placid stupidity of his life as a neuter, Church had rediscovered his real nature in dying. ‘Yeah,
Stephen King (Pet Sematary)
Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.” “Typhon was the father of all monsters,” John said. He’d given up trying to suppress his grin. “The deadliest of all the creatures in Greek mythology.” “Nice,” I said sarcastically. “Well, I prefer to name my pets something that reminds me there’s-“ “Hope?” His grin broadened. “Very funny.” True, I’d admitted to him that I was inexperienced. But I didn’t have to prove it by acting like I was twelve.
Meg Cabot (Underworld (Abandon, #2))
Mourning is the experience of grief that we have when something we had a deep connection to has ended. It is the feelings that we go through and the ways we express our sadness and emotions. It is both an internal and external experience that makes us feel like we are barely able to control anything happening, even ourselves and our emotions.
Nira Hardeen (Mourning Love: It is time to let go of that pain you have been carrying around for so long...)
Readers have pet-peeved the cliché to death.
gossamersilverglow
Dear Pen Pal, I know it’s been a few years since I last wrote you. I hope you’re still there. I’m not sure you ever were. I never got any letters back from you when I was a kid. But in a way it was always therapeutic. Everyone else judges everything I say. And here you are: some anonymous person who never says “boo.” Maybe you just read my letters and laughed or maybe you didn’t read my letters or maybe you don’t even exist. It was pretty frustrating when I was young, but now I’m glad that you won’t respond. Just listen. That’s what I want. My dog died. I don’t know if you remember, but I had a beagle. He was a good dog. My best friend. I’d had him as far back as I could remember, but one day last month he didn’t come bounding out of his red doghouse like usual. I called his name. But no response. I knelt down and called out his name. Still nothing. I looked in his doghouse. There was blood everywhere. Cowering in the corner was my dog. His eyes were wild and there was an excessive amount of saliva coming out of his mouth. He was unrecognizable. Both frightened and frightening at the same time. The blood belonged to a little yellow bird that had always been around. My dog and the bird used to play together. In a strange way, it was almost like they were best friends. I know that sounds stupid, but… Anyway, the bird had been mangled. Ripped apart. By my dog. When he saw that I could see what he’d done, his face changed to sadness and he let out a sound that felt like the word ‘help.’ I reached my hand into his doghouse. I know it was a dumb thing to do, but he looked like he needed me. His jaws snapped. I jerked my hand away before he could bite me. My parents called a center and they came and took him away. Later that day, they put him to sleep. They gave me his corpse in a cardboard box. When my dog died, that was when the rain cloud came back and everything went to hell…
Bert V. Royal (Dog Sees God: Confessions of a Teenage Blockhead)
Well, cats live as long as dogs,” he said, “mostly, anyway.” This was a lie, and he knew it. Cats lived violent lives and often died bloody deaths, always just below the usual range of human sight. Here was Church, dozing in the sun (or appearing to), Church who slept peacefully on his daughter’s bed every night, Church who had been so cute as a kitten, all tangled up in a ball of string. And yet Louis had seen him stalk a bird with a broken wing, his green eyes sparkling with curiosity and—yes, Louis would have sworn it—cold delight. He rarely killed what he stalked, but there had been one notable exception—a large rat, probably caught in the alley between their apartment house and the next. Church had really put the blocks to that baby. It had been so bloody and gore-flecked that Rachel, then in her sixth month with Gage, had had to run into the bathroom and vomit. Violent lives, violent deaths. A dog got them and ripped them open instead of just chasing them like the bumbling, easily fooled dogs in the TV cartoons, or another tom got them, or a poisoned bait, or a passing car. Cats were the gangsters of the animal world, living outside the law and often dying there. There were a great many of them who never grew old by the fire.
Stephen King (Pet Sematary)
There are worse things than to cross the bridge into the peace that is Heaven. In fact, there is really nothing better. I know it’s hard for you to face my death. It’s harder for you than it is for me. I am not grieving. You are. You do not grieve for me; you grieve for you for the loss of me. There is no loss in this scenario for me. I will have the peace that is Heaven and I will still have you. I will have everything.
Kate McGahan (Only Gone From Your Sight: Jack McAfghan's Little Guide to Pet Loss and Grief (Jack McAfghan Pet Loss Trilogy))
This morning, thanks to a controlled near-death experience, I was lucky enough to meet, at the far end of the blue tunnel, a man named Salvatore Biagini. Last July 8th, Mr. Biagini, a retired construction worker, age seventy, suffered a fatal heart attack while rescuing his beloved schnauzer, Teddy, from an assault by an unrestrained pit bull named Chele, in Queens. The pit bull, with no previous record of violence against man or beast, jumped a four-foot fence in order to have at Teddy. Mr. Biagini, an unarmed man with a history of heart trouble, grabbed him, allowing the schnauzer to run away. So the pit bull bit Mr. Biagini in several places and then Mr. Biagini's heart quit beating, never to beat again. I asked this heroic pet lover how it felt to have died for a schnauzer named Teddy. Salvador Biagini was philosophical. He said it sure as heck beat dying for absolutely nothing in the Viet Nam War.
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
When it came time for me to leave you, it felt to you like I had taken your love away with me. You think your love went with me but it did not. Feel it now. Feel the love you have for me. It is there, isn’t it? It is there inside your heart. It is there because it is YOURS. It is your love for me. Because it is yours, no one can ever take it away from you. It is your love for me and mine for you that hold us together like glue through everything, through good times and bad, through life and through death.
Kate McGahan (Only Gone From Your Sight: Jack McAfghan's Little Guide to Pet Loss and Grief (Jack McAfghan Pet Loss Trilogy))
in such a rush that I tripped over Mirna’s pet pig in the hallway. Oscar grunted and oinked, and even in the darkness I saw the disapproving glare in his piggy eyes. “Fuck you, Oscar, don’t be all judgey,” I whispered. More grunting. “One more look like that and I’ll tell Mirna how you like to dry hump her teddy bear collection during her afternoon nap.” The oinking stopped and he backed away into the bathroom, where I’d set up the giant dog bed he slept on. I flashed him a smug winning look and flipped him off. I
T.M. Frazier (Preppy: The Life & Death of Samuel Clearwater, Part One (King, #5))
All dogs are predators, but over thousands of generations, we’ve created sporting breeds to be exceptionally focused predators. All dogs like to dig and chase small prey, but terriers are superdriven to dig and find rodents. All dogs love to run, but greyhounds can run up to forty miles an hour, and huskies can run for hours and hours on end. All dogs have the natural ability to fight or wrestle with one another, but the bully breeds have been genetically engineered to fight to the death. The more pure the bloodline, the more that genetic “boost” will probably play a part in your dog’s behavior. That’s why some owners claim that their “mutts” make mellower pets, because, they theorize, their DNA has been somewhat diluted, and their breed-related drives diffused as a result.
Cesar Millan (How to Raise the Perfect Dog: Through Puppyhood and Beyond)
Death and Dying from the Animal’s Viewpoint   Us humans are extremely attached to our bodies. We adorn them with beautiful jewelry. We lavish them with lovely clothes. We work them out in health clubs and participate in various exercise routines. We stare at them in the mirror and determine ways that we can make them prettier, skinnier, more muscular, healthier, stronger and more perfect, or whatever. We use our time and energy cooking for them and feeding them. We fill them up with all kinds of medicines, drugs and other products to make them better when we forget how wonderfully they serve us. Sometimes, we even listen to them when they get tired and tell us to slow down and rest.   But the thing is, we are not our bodies. Our bodies are simply the vehicles or the cases or the shells which house us.   The animals already know this.   From their perspective, they know that they are not their body, and therefore, they are much less attached to it. They know that they will always be, with or with out a body, so they don’t feel as attached to those bodies as we humans do.
Lori Spagna (Animals in the Afterlife: Surviving Pet Loss and Turning Grief into a Gift)
There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour. Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear. Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration. Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain? Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week. But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why? Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats). So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one. Believe me in this; I've tried all the tricks of the lonely man.
David Marusek (Counting Heads (Counting Heads, #1))
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
The world was cruel and sudden. This he knew for sure. Relax for a moment, breathe in the scent of a rose, rest in the shade, pet a dog, take a sip of lemonade, fall in love with a dreamy-eyed girl or a haunted faced man, and you are just waiting for the other shoe to drop. Buzzing around the lemonade, you'll find flies. Follow the flies and you'll find death.
Kathy Hepinstall (Blue Asylum)
But the Easter sacrifice in their own homes - well, think it over. I used to think the same as you, and I still hate to see the lambs and calves going home to their deaths on Good Friday. But isn't it a million times better than the way we do it at home, however 'humane' we try to be? Here, the lamb's petted, unsuspicious, happy - you see it trotting along with the children like a little dog. Till the knife's in its throat, it has no idea it's going to die. Isn't that better than those dreadful lorries at home, packed full of animals, lumbering on Mondays and Thursdays to the slaughterhouses, where, be as humane as you like, they can smell the blood and the fear, and have to wait their turn in a place just reeking of death?
Mary Stewart (The Moon-Spinners)
In the center of a garden reared a tree, glinting golden in the darkness, peppered with flowers that smelled of blood. The great yawning hollows of the trunk invited her in, promising a snug sanctuary. "They will suffocate you like a pillow of sand and you will never emerge alive," a chittering voice cried out. The patterns engraved on the tree's bark dizzied her eyes. "If your finger brushes against them, you'll know true madness." She glanced away from the bark, her eyes caught by a movement in the branches. A squirrel scurried down the trunk towards her. It didn't seem to be bothered that its tail was swathed in flames, or that something had eaten away at half of its rot-black face and torso. Death's pet project bared its teeth at her. "Do you really want to be here?
Angela Panayotopulos (The Wake Up)
When the Black Death swept through 14th century Europe, killing upwards of 200 million people and forever altering the course of human history, one of the original culprits of the epidemic was said to be the black rat, carrying plague-infested fleas into population centers to wreak their destruction. This is, in fact, not true. The true perpetrator was actually the Asian great gerbil, who took advantage of the warmer climate to travel the silk road and bring the disease into Europe. This is only important to know because Ralph, champion pit fighter of the kobold training grounds, lives his life in a perpetual state of rage. Why? Because he feels that human death toll of 200 million is much too low, and he will do everything in his power to triple that number. Starting with you. The only survivor of a family of gerbils left to starve by a child who’d grown bored with the pets, Ralph had to commit unspeakable acts of cannibalism in order to endure. Part earth rodent, part the embodiment of death, Frenzied Gerbils are regular mobs one might encounter on the fifth or seventh floors. But Ralph here is special. He has dedicated his existence to fighting and training in hopes that one day he might exact his revenge against the humans he so despises. He is fast, he is angry,
Matt Dinniman (Dungeon Crawler Carl (Dungeon Crawler Carl, #1))
He was the one, however, with whom no one wanted his or her picture taken, the one to whom no one wanted to introduce his son or daughter. Louis and Gage knew him; they had met him and faced him down in New England, some time ago. He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boggie of electricity—Available at Your Nearest Switchplate or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want—hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha. And that thin voice is crying, “I love you, Tigger! I love you! I believe in you, Tigger! I will always love you and believe in you, and I will stay young, and the only Oz to ever live in my heart will be that gentle faker from Nebraska! I love you . . .” We cruise . . . my son and I . . . because the essence of it isn’t war or sex but only that sickening, noble, hopeless battle against Oz the Gweat and Tewwible. He and I, in our white van under this bright Florida sky, we cruise. And the red flasher is hooded, but it is there if we need it . . . and none need know but us because the soil of a man’s heart is stonier; a man grows what he can . . . and tends it.
Stephen King (Pet Sematary)
The absence of life is not the same as material privation: we will never again see the same soul occupying the same space. The world refers to them as pets, but that is what we do, not really what they are. Affection pays for itself in proportion to the love we offer, and if the love we lavished on him was any indication, we are inconsolable. The suffering is more on our side now, for he led an enormously happy and productive life, and we are left to remember and agonize. It is all wretchedness now. Grief is the currency for death, leaving us in emotional debt perhaps forever, but love is the tax we happily pay toward the investment of another's company, and we would all rather pay it and be happy and poor than be rich in a friendless life. He is gone, and we are now beholden to him, but we are so much happier for his having been here than we deserve to be. On the death of Ted, beloved cat
Michelle Franklin
Because whether through our whole lives, or through decades at the beginning of them--and, often, at the end of them, after divorces or deaths--it's our friends who move us into new homes, friends with whom we buy and care for pets, friends with whom we mourn death and experience illness, friends alongside who some of us may raise children and see them into adulthood. There aren't any ceremonies to make this official. There aren't weddings; there aren't health benefits or domestic partnerships or familial recognition.
Rebecca Traister (All the Single Ladies)
There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’ s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want— hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha.
Stephen King (Pet sematary)
You were an important part of my life, and I feel an overpowering grief and sadness over your loss. My life is affected in simple and profound ways. I am hurting emotionally, physically, and mentally. I am often distracted and unfocused during my regular workday. My sadness over missing you leaves me numb and unmotivated. What are the things that I miss the most, now that you are gone? What are my thoughts and feelings as I try to perform daily activities? What are the responsibilities and items on my todo list that I can put on the back burner while my attention is diverted by your death?
Linda Anderson (Saying Goodbye to Your Angel Animals: Finding Comfort after Losing Your Pet)
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
One of the more disturbing examples of “credential fraud” is that of Henrietta Goldacre, who received a diploma from the American Association of Nutritional Consultants (AANC) in 2004. Although she might sound plenty qualified to steer you toward a healthier diet, you’d want to think twice before enlisting her services. Not only did Henrietta earn her certification while dead; she was also a cat. Her owner, UK journalist and bad-science buster Ben Goldacre, applied for AANC membership on behalf of his deceased pet while investigating phony credentials—and soon found that the AANC would gladly dole out certificates to applicants of any species or mortality status, as long as they had $60 and a valid mailing address.
Denise Minger (Death by Food Pyramid: How Shoddy Science, Sketchy Politics and Shady Special Interests Have Ruined Our Health)
The genius of the biblical story is what it tells us about God himself: a God who sacrifices himself in death out of love for his enemies; a God who would rather experience the death we deserved than to be apart from the people he created for his pleasure; a God who himself bore our likeness, experienced our creatureliness, and carried our sins so that he might provide pardon and reconciliation; a God who would not let us go, but who would pursue us—all of us, even the worst of us—so that he might restore us into joyful fellowship with himself; a God who in Christ Jesus has so forever identified with his beloved creatures that he came to be known and praised as “the God and Father of our Lord Jesus Christ” (1 Pet 1:3).
Gordon D. Fee (How to Read the Bible Book by Book: A Guided Tour)
A businessman buys a business and tries to operate it. He does everything that he knows how to do but just cannot make it go. Year after year the ledger shows red, and he is not making a profit. He borrows what he can, has a little spirit and a little hope, but that spirit and hope die and he goes broke. Finally, he sells out, hopelessly in debt, and is left a failure in the business world. A woman is educated to be a teacher but just cannot get along with the other teachers. Something in her constitution or temperament will not allow her to get along with children or young people. So after being shuttled from one school to another, she finally gives up, goes somewhere and takes a job running a stapling machine. She just cannot teach and is a failure in the education world. I have known ministers who thought they were called to preach. They prayed and studied and learned Greek and Hebrew, but somehow they just could not make the public want to listen to them. They just couldn’t do it. They were failures in the congregational world. It is possible to be a Christian and yet be a failure. This is the same as Israel in the desert, wandering around. The Israelites were God’s people, protected and fed, but they were failures. They were not where God meant them to be. They compromised. They were halfway between where they used to be and where they ought to be. And that describes many of the Lord’s people. They live and die spiritual failures. I am glad God is good and kind. Failures can crawl into God’s arms, relax and say, “Father, I made a mess of it. I’m a spiritual failure. I haven’t been out doing evil things exactly, but here I am, Father, and I’m old and ready to go and I’m a failure.” Our kind and gracious heavenly Father will not say to that person, “Depart from me—I never knew you,” because that person has believed and does believe in Jesus Christ. The individual has simply been a failure all of his life. He is ready for death and ready for heaven. I wonder if that is what Paul, the man of God, meant when he said: [No] other foundation can [any] man lay than that is laid, which is Jesus Christ. Now if any man build upon this foundation gold, silver, precious stones, wood, hay, stubble; every man’s work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man’s work of what sort it is. If any man’s work abide which he hath built thereupon, he should receive a reward. If any man’s work shall be burned, he shall suffer loss: but he himself shall be saved; yet so as by fire (1 Cor. 3:11-15). I think that’s what it means, all right. We ought to be the kind of Christian that cannot only save our souls but also save our lives. When Lot left Sodom, he had nothing but the garments on his back. Thank God, he got out. But how much better it would have been if he had said farewell at the gate and had camels loaded with his goods. He could have gone out with his head up, chin out, saying good riddance to old Sodom. How much better he could have marched away from there with his family. And when he settled in a new place, he could have had “an abundant entrance” (see 2 Pet. 1:11). Thank God, you are going to make it. But do you want to make it in the way you have been acting lately? Wandering, roaming aimlessly? When there is a place where Jesus will pour “the oil of gladness” on our heads, a place sweeter than any other in the entire world, the blood-bought mercy seat (Ps. 45:7; Heb. 1:9)? It is the will of God that you should enter the holy of holies, live under the shadow of the mercy seat, and go out from there and always come back to be renewed and recharged and re-fed. It is the will of God that you live by the mercy seat, living a separated, clean, holy, sacrificial life—a life of continual spiritual difference. Wouldn’t that be better than the way you are doing it now?
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)
Došao sam u New Musical Express s dvadeset i dve godine...Ušao sam kao dečak, a izašao kao muškarac. A ako ne baš kao muškarac, onda kao dečak koji se mnogo drogira i koji je upoznao Debi Hari. No nisam ni mislio da će to trajati zauvek, pa se i završilo. S dvadeset pet godina bio sam nezaposleni siromašni otac. S dvadeset devet bio sam nezaposleni razvedeni siromašni otac. Kako god da se gleda, sve je išlo nizbrdo. ... Najzad sam postao pisac. Ali jedina stručna obuka koju sam prošao u muzičkom časopisu odnosila se na drogiranje sa zvezdama roka. Kako dodati džoint Bobu Marliju. Koja su pravila ponašanja na heroinskoj seansi kod Kita Ričardsa. Kako da ponudite amfetaminom Džonija Rotena a da ne prekršite etikeciju. Dok sam bio u NME, kreativno pisanje bilo je daleko beznačajnije od sposobnosti da se cele noći gluvari s Igijem Popom.Ja sam zaista želeo da pišem, jedino u tome sam bio iole dobar, ali kad sam napustio NME otkrio sam da sam izgubio temu čak i ne obavivši šegrtovanje.
Tony Parsons (Tony Parsons on Life, Death and Breakfast)
Ephesians 4:18 talks about “having the understanding darkened.” If you don’t renew your mind and use it to study and meditate God’s Word, it’ll automatically gravitate toward what you can see, taste, hear, smell, and feel. This darkens your understanding. Understanding is the application of knowledge. “Knowledge” puts food into your mouth and chews. “Understanding” actually swallows and digests it so that the beneficial nutrients can be released into your body. The knowledge of God is critical, but must be understood to be useful. Without understanding, you can’t release the life that’s in it. When a Christian walks like an unbeliever, they get the same results—death. Believers who don’t understand and apply the knowledge of God in their lives gravitate toward carnal mindedness. Without spiritual knowledge and understanding, your mind can’t be renewed, and the life of God in your spirit can’t be released. That’s why understanding this revelation of spirit, soul, and body is the first step toward walking in life and peace! When a believer’s understanding is darkened, they are “alienated from the life of God through the ignorance that is in them, because of the blindness of their heart” (Eph. 4:18). In other words, the life of God is still there, but they are alienated from it due to ignorance, which refers to the mind. This is where most Christians live their lives—separated from the life of God within, due to their own ignorance of spiritual truth. In His Word, God declares that by His stripes, you were healed (1 Pet. 2:24). You look at yourself and ask, “Is that cancerous tumor gone?” Still feeling pain, emotionally drained, and fearful, you continue, “God says I’m healed, but I’m not. It’s still there, so I must not be healed.” By adopting that attitude, you’ve allowed your five senses to dominate you more than God’s Word. The same power that raised Jesus from the dead is in you, but you didn’t believe it (Eph. 1:18-20). You let your mind be controlled by what it saw in the physical realm more than the spiritual realm. Therefore, even though you have the resurrection life of God in your spirit, it won’t manifest in the physical realm because you’re carnally minded, which equals death.
Andrew Wommack (Spirit, Soul and Body)
The suffering of abused pets amounts to a tiny fraction of the suffering we inflict on animals. In 2012 there were 164 million owned dogs and cats in the United States.2 The majority of them probably live reasonably good lives, but even if every single one of them were abused, this number would be dwarfed by the 9.1 billion animals annually raised and slaughtered for food in the United States.3 Factory-farmed animals have to endure a lifetime of suffering much more severe than the typical dog or cat, and in the United States there are fifty-five times as many factory-farmed animals as there are dogs and cats. Anyone who kept a dog confined in the way that breeding sows are frequently confined in factory farms—in crates so small they cannot even turn around or walk a single step—would be liable to prosecution for cruelty. In The Animal Activists’ Handbook Matt Ball and Bruce Friedrich make a startling claim that vividly illustrates the vastly greater suffering of animals raised for food compared to other ways in which we cause animals to suffer: “Every year, hundreds of millions of animals—many times more than the total number killed for fur, housed in shelters, and locked in laboratories combined—don’t even make it to slaughter. They actually suffer to death.
Peter Singer (The Most Good You Can Do: How Effective Altruism Is Changing Ideas About Living Ethically)
Dreams in which the dead interact with the living are typically so powerful and lucid that there is no denying contact was real. They also fill us with renewed life and break up grief or depression. In chapter 16, on communicating with the dead, you will learn how to make such dreams come about. Another set of dreams in which the dead appear can be the stuff of horror. If you have had a nightmare concerning someone who has recently passed, know that you are looking into the face of personal inner conflict. You might dream, for instance, that your dead mother is buried alive or comes out of her grave in a corrupted body in search of you. What you are looking at here is the clash of two sets of ideas about death. On the one hand, a person is dead and rotting; on the other hand, that same person is still alive. The inner self uses the appropriate symbols to try to come to terms with the contradiction of being alive and dead at the same time. I am not sure to what extent people on the other side actually participate in these dreams. My private experience has given me the impression that the dreams are triggered by attempts of the departed for contact. The macabre images we use to deal with the contradiction, however, are ours alone and stem from cultural attitudes about death and the body. The conflict could lie in a different direction altogether. As a demonstration of how complex such dreams can be, I offer a simple one I had shortly after the death of my cat Twyla. It was a nightmare constructed out of human guilt. Even though I loved Twyla, for a combination of reasons she was only second best in the hierarchy of house pets. I had never done anything to hurt her, and her death was natural. Still I felt guilt, as though not giving her the full measure of my love was the direct cause of her death. She came to me in a dream skinned alive, a bloody mass of muscle, sinew, veins, and arteries. I looked at her, horror-struck at what I had done. Given her condition, I could not understand why she seemed perfectly healthy and happy and full of affection for me. I’m ashamed to admit that it took me over a week to understand what this nightmare was about. The skinning depicted the ugly fate of many animals in human hands. For Twyla, the picture was particularly apt because we used to joke about selling her for her fur, which was gorgeous, like the coat of a gray seal. My subconscious had also incorporated the callous adage “There is more than one way to skin a cat.” This multivalent graphic, typical of dreams, brought my feelings of guilt to the surface. But the real meaning was more profound and once discovered assuaged my conscience. Twyla’s coat represented her mortal body, her outer shell. What she showed me was more than “skin deep” — the real Twyla underneath,
Julia Assante (The Last Frontier: Exploring the Afterlife and Transforming Our Fear of Death)
It's a stupendous day for Dr. Seuss fans, with the announcement of a new, previously unpublished picture book, What Pet Should I Get? , to be released on July 28th.  When Dr. Seuss (aka Ted Geisel) passed away in 1991 he left behind pages of text and sketches for book ideas and projects he had worked on over the years but hadn't completed before his death. Where were these hidden gems, you might ask?  Locked away in a safe? Buried in the backyard? Hidden behind a secret wall in his hat closet?  No.  Like many utterly ordinary people, Seuss had a box in his office filled with a paper trail of ideas and bursts of creativity--only in this case, it was a veryspecial box of creative bits and pieces... Who knew, when his wife, Audrey Geisel, packed away that box shortly after Seuss' death, that when she opened it up over two decades later, she would discover the complete manuscript and illustrations for What Pet Should I Get? . I'm envisioning a ray of bright green and blue and red sunshine beaming down on that moment...  In point of fact, the brilliant colors of Seuss' stories came later in the evolution of his books, so color is being added to the black and white sketches of What Pet Should I Get? by Seuss' former art director, Cathy Goldsmith, who worked with him on the last book he published before his death, Oh, The Places You'll Go!   I can't even imagine the goosebumps Goldsmith must have felt to see and hold never-before-seen Seuss artwork... So while we have to wait until the sun is beating down and summer vacation is nearing an end before we can get our hands on a brand new Dr. Seuss story, can also look forward to hearing about what else was found in that treasure trove of Seussy goodness--two more stories are promised as a result of the findings.
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