Persuasion Mary Quotes

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We shall either find what we are seeking, or free ourselves from the persuasion that we know what we do not know.
Mary Renault (The Last of the Wine)
Cato was the most vociferous enemy of Carthage, notoriously, tediously but ultimately persuasively ending every speech he made with the words ‘Carthage must be destroyed’ (‘Carthago delenda est’, in the still familiar Latin phrase).
Mary Beard (SPQR: A History of Ancient Rome)
I saw goats. A party can’t be all bad when you have goats,” Lucy said.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
After attacking the sacred majesty of Kings, I shall scarcely excite surprise by adding my firm persuasion that every profession, in which great subordination of rank constitutes its power, is highly injurious to morality.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
I think it's degrading of you, Flora,' cried Mrs Smiling at breakfast. 'Do you truly mean that you don't ever want to work at anything?' Her friend replied after some thought: 'Well, when I am fifty-three or so I would like to write a novel as good as "Persuasion", but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say "Collecting material." No one can object to that. Besides, I shall be.' Mrs Smiling drank some coffee in silent disapproval. 'If you ask me,' continued Flora, 'I think I have much in common with Miss Austen. She liked everything to be tidy and pleasant and comfortable around her, and so do I. You see Mary,' - and here Flora began to grow earnest and to wave one finger about - 'unless everything is tidy and pleasant and comfortable all about one, people cannot even begin to enjoy life. I cannot endure messes.
Stella Gibbons (Cold Comfort Farm)
They were poor and living in the farthest corners of the Bronx. How did they afford tickets? "Mary got a quarter," Friedman says. "There was a Mary who was a ticket taker, and if you gave Mary a quarter, she would let you stand in the second balcony, without a ticket." ... and what you learn in that world is that through your own powers of persuasion and initiative, you can take your kids to Carnegie Hall. There is no better lesson for a budding lawyer than that. The garment industry was boot camp for the professionals.
Malcolm Gladwell (Outliers: The Story of Success)
I am sure Lady Russell would like him. He is just Lady Russell's sort. Give him a book, and he will read all day long.' 'Yes, that he will!' exclaimed Mary tauntingly. 'He will sit poring over his book, and not know when a person speaks to him, or when one drops ones' scissors, or anything that happens.
Jane Austen (Persuasion)
Louisa seemed the principal arranger of the plan; and, as she went a little way with them, down the hill, still talking to Henrietta, Mary took the opportunity of looking scornfully around her, and saying to Captain Wentworth, ‘It is very unpleasant, having such connexions! But I assure you, I have never been in the house above twice in my life.’ She received no answer, other than an artificial, assenting smile, followed by a contemptuous glance, as he turned away, which Anne perfectly knew the meaning of.
Jane Austen (Persuasion)
Mary, often a little unwell, and always thinking a great deal of her own complaints,
Jane Austen (Persuasion)
Either we shall find what we are seeking, or at least we shall free ourselves from the persuasion that we know what we do not know.
Mary Renault (The Last of the Wine)
He is eloquent and persuasive; and once his words had even power over my heart: but trust him not. His soul is as hellish as his form, full of treachery and fiend-like malice. Hear
Mary Wollstonecraft Shelley (Frankenstein)
persuasions
Mary Wollstonecraft Shelley (Frankenstein: The Original 1818 Unabridged and Complete Edition (A Mary Shelley Classics))
I wish you could persuade Mary not to be always fancying herself ill.
Jane Austen (Persuasion)
Mary, born November 20, 1791.
Jane Austen (Persuasion)
I am in a strange state of mind. I am alone—quite alone—in the world—the blight of misfortune has passed over me and withered me; I know that I am about to die and I feel happy—joyous.—I feel my pulse; it beats fast: I place my thin hand on my cheek; it burns: there is a slight, quick spirit within me which is now emitting its last sparks. I shall never see the snows of another winter—I do believe that I shall never again feel the vivifying warmth of another summer sun; and it is in this persuasion that I begin to write my tragic history. Perhaps a history such as mine had better die with me, but a feeling that I cannot define leads me on and I am too weak both in body and mind to resist the slightest impulse. While life was strong within me I thought indeed that there was a sacred horror in my tale that rendered it unfit for utterance, and now about to die I pollute its mystic terrors. It is as the wood of the Eumenides none but the dying may enter; and Oedipus is about to die.
Mary Wollstonecraft Shelley (Mathilda)
Her sensations on the discovery made her perfectly speechless. She could not even thank him. She could only hang over little Charles, with most disordered feelings. His kindness in stepping forward to her relief – the manner— the silence in which it had passed – the little particulars of the circumstance – with the conviction soon forced on her by the noise he was studiously making with the child, that he meant to avoid hearing her thanks, and rather sought to testify that her conversation was the last of his wants, produced such a confusion of varying, but very painful agitation, as she could not recover from, till enabled by the entrance of Mary and the Miss Musgroves to make over her little patience to their cares, and leave the room. She could not stay. It might have been an opportunity of watching the loves and jealousies of the four; they were now all together, but she could stay for none of it. It was evident that Charles Hayter was not well inclined towards Captain Wentworth. She had a strong impression of his having said, in a vext tone of voice, after Captain Wentworth’s interference, ‘You ought to have minded me, Walter; I told you not to teaze your aunt;’ and could comprehend his regretting that Captain Wentworth should do what he ought to have done himself. But neither Charles Hayter’s feelings, nor any body’s feelings, could interest her, till she had a little better arranged her own. She was ashamed of herself, quite ashamed of being so nervous, so overcome by such a trifle; but so it was; and it required a long application of solitude and reflection to recover her.
Jane Austen (Persuasion)
I was at first touched by the expressions of his misery; yet, when I called to mind what Frankenstein had said of his powers of eloquence and persuasion, and when I again cast my eyes on the lifeless form of my friend, indignation was rekindled within me. "Wretch!" I said, "it is well that you come here to whine over the desolation that you have made. You throw a torch into a pile of buildings; and when they are consumed you sit among the ruins and lament the fall. Hypocritical fiend! if he whom you mourn still lived, still would he be the object, again would he become the prey, of your accursed vengeance. It is not pity that you feel; you lament only because the victim of your malignity is withdrawn from your power.
Mary Wollstonecraft Shelley (Frankenstein)
was at first touched by the expressions of his misery; yet when I called to mind what Frankenstein had said of his powers of eloquence and persuasion, and when I again cast my eyes on the lifeless form of my friend, indignation was re-kindled within me. “Wretch!” I said,
Mary Wollstonecraft Shelley (Frankenstein)
Her eye half met Captain Wentworth’s, a bow, a curtsey passed; she heard his voice; he talked to Mary, said all that was right, said something to the Miss Musgroves, enough to mark an easy footing; the room seemed full, full of persons and voices, but a few minutes ended it.
Jane Austen (Persuasion)
It’s just a party. You eat some food and drink a beer and pretend you don’t want to be crawdad fishing,” Angie said. “No, it’s an echo chamber of sycophants and I can’t listen to some bimbo recite her newest purchases while pretending I don’t want to throw myself from the roof.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Mary spoke with animation of their meeting with, or rather missing, Mr Elliot so extraordinarily. "He is a man," said Lady Russell, "whom I have no wish to see. His declining to be on cordial terms with the head of his family, has left a very strong impression in his disfavour with me.
Jane Austen (Persuasion)
a thousand feelings rushed on Anne, of which this was the most consoling, that it would soon be over. And it was soon over. In two minutes after Charles's preparation, the others appeared; they were in the drawing-room. Her eye half met Captain Wentworth's; a bow, a curtsey passed; she heard his voice - he talked to Mary; said all that was right; said something to the Miss Musgroves, enough to mark an easy footing: the room seemed full-full of persons and voices - but a few minutes ended it.
Jane Austen (Persuasion)
The ascent of the soul through love, which Plato describes in the Phaedrus, is symbolized in the figure of Aphrodite Urania, and this was the Venus painted by Botticelli, who was incidentally an ardent Platonist, and member of the Platonist circle around Pico della Mirandola. Botticelli’s Venus is not erotic: she is a vision of heavenly beauty, a visitation from other and higher spheres, and a call to transcendence. Indeed, she is self-evidently both the ancestor and the descendant of the Virgins of Fra Filippo Lippi: the ancestor in her pre-Christian meaning, the descendant in absorbing all that had been achieved through the artistic representation of the Virgin Mary as the symbol of untainted flesh. The post-Renaissance rehabilitation of sexual desire laid the foundations for a genuinely erotic art, an art that would display the human being as both subject and object of desire, but also as a free individual whose desire is a favour consciously bestowed. But this rehabilitation of sex leads us to raise what has become one of the most important questions confronting art and the criticism of art in our time: that of the difference, if there is one, between erotic art and pornography. Art can be erotic and also beautiful, like a Titian Venus. But it cannot be beautiful and also pornographic—so we believe, at least. And it is important to see why. In distinguishing the erotic and the pornographic we are really distinguishing two kinds of interest: interest in the embodied person and interest in the body—and, in the sense that I intend, these interests are incompatible. (See the discussion in Chapter 2.) Normal desire is an inter-personal emotion. Its aim is a free and mutual surrender, which is also a uniting of two individuals, of you and me—through our bodies, certainly, but not merely as our bodies. Normal desire is a person to person response, one that seeks the selfhood that it gives. Objects can be substituted for each other, subjects not. Subjects, as Kant persuasively argued, are free individuals; their non-substitutability belongs to what they essentially are. Pornography, like slavery, is a denial of the human subject, a way of negating the moral demand that free beings must treat each other as ends in themselves.
Roger Scruton (Beauty: A Very Short Introduction (Very Short Introductions))
The words seemed, as I spoke, to be my own thoughts that I owed to no one, only to some memory in my soul; but when I looked beyond the Stadium, to where they were kindling the lights on the High City in the falling dark, I saw the lamps of Samos shine through a doorway, and the wine-cup standing on the table of scoured wood. Then the pain of loss leaped out on me, like a knife in the night when one has been on one’s guard all day. The world grew hollow, a place of shadows; yet none would hold out the cup of Lethe to let me drink. “No,” I thought, “I would not drink it. For here he lives in the thing we made: the boys down there, dancing for Zeus; people watching in freedom, their thoughts upon their faces; this silly old man speaking his mind, such as it is, with none to threaten him; and Sokrates saying among his friends, ‘We shall either find what we are seeking, or free ourselves from the persuasion that we know what we do not know.’” I looked down the benches, and saw him in conversation with the wine-seller, from whom Chairophon was buying a round. The flambeaux had been kindled ready for the race, showing me his old Silenos mask, and Plato and Phaedo laughing. I touched the ring on my finger, saying within me, “Sleep quietly, Lysis. All is well.
Mary Renault (The Last of the Wine)
Lucy gripped her chilled glass of orange and raspberry juice. When Rebecca talked about Austen, she’d mostly mentioned Mr. Darcy or Mr. Knightley. She hadn’t really thought of the doe-eyed, pale-skinned heroines. On the screen, Anne Elliot walked down a long hallway, glancing just once at covered paintings, her mouth a grim line. Lucy thought Jane Austen would start the story with the romance, or the loss of it, but instead the tale seemed to begin with Anne’s home, and having to make difficult decisions. Maybe this writer from over two hundred years ago knew how everything important met at the intersection of family, home, love, and loss. This was something Lucy understood with every fiber of her being.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Linnie. And this Winnie.” They wore identical smiles, their bright black eyes sparked with curiosity. “Are you the doctor?” “No, I’m just volunteering.” “I knowed that, too.” Winnie gave her an exaggerated shake of the head. “Girls is never the doctor. They’s the nurses.” “Oh no, what about Dr. Clare? Huh? The lady doctor who took care of Grammy in the hospital when she broke her hip bone?” Linnie asked. “Yeah, but she was a white lady. They can be doctors.” Winnie looked at Lucy. “Right? There are white lady doctors. I seen ‘em.” Lucy felt her eyes go wide. Were there children who still believed your gender or color dictated your career? “There are white lady doctors, black lady doctors, white man doctors, black man doctors.” They stared at her. She thought for a moment. “And there are white man nurses and black man nurses, too.” “Now you’re just bein’ silly,” Linnie said and let out a laugh.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
What was at stake for the Romans was whether they could win in battle and then whether – by persuasion, bullying or force – they could impose their will where, when and if they chose. The style of this imperium is vividly summed up in the story of the last encounter between Antiochus Epiphanes and the Romans. The king was invading Egypt for the second time, and the Egyptians had asked the Romans for help. A Roman envoy, Gaius Popilius Laenas, was dispatched and met Antiochus outside Alexandria. After his long familiarity with the Romans, the king no doubt expected a rather civil meeting. Instead, Laenas handed him a decree of the senate instructing him to withdraw from Egypt immediately. When Antiochus asked for time to consult his advisors, Laenas picked up a stick and drew a circle in the dust around him. There was to be no stepping out of that circle before he had given his answer. Stunned, Antiochus meekly agreed to the senate’s demands. This was an empire of obedience.
Mary Beard (SPQR: A History of Ancient Rome)
Once she did contrive to push him away, but the boy had the greater pleasure in getting upon her back again directly. "Walter," said she, "get down this moment. You are extremely troublesome. I am very angry with you." "Walter," cried Charles Hayter, "why do you not do as you are bid? Do not you hear your aunt speak? Come to me, Walter, come to cousin Charles." But not a bit did Walter stir. In another moment, however, she found herself in the state of being released from him; some one was taking him from her, though he had bent down her head so much, that his little sturdy hands were unfastened from around her neck, and he was resolutely borne away, before she knew that Captain Wentworth had done it." Her sensations on the discovery made her perfectly speechless. She could not even thank him. She could only hang over little Charles, with most disordered feelings. His kindness in stepping forward to her relief -- the manner -- the silence in which it had passed -- the little particulars of the circumstance -- with the conviction soon forced on her by the noise he was studiously making with the child, that he meant to avoid hearing her thanks, and rather sought to testify that her conversation was the last of his wants, produced such a confusion of varying, but very painful agitation, as she could not recover from, till enabled by the entrance of Mary and the Miss Musgroves to make over her little patient to their cares, and leave the room. She could not stay.
Jane Austen (Persuasion)
Lucy rubbed her back, a feeling of panic tightening her chest. She was the last person to give love advice. She hadn’t done anything but pine for Jem since he’d gone, and done nothing but pine for him since he’d returned. She hadn’t taken her love for him and put it anywhere at all. Alda looked up, eyes red. “I need to take that love and spread it around. What a waste to just keep it tucked inside.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
I’m not Janessa. I want to celebrate my wedding, with friends and family, while having a really good time. If someone spills punch on my dress, I’m not going to cry about it.” Lucy raised an eyebrow. “Okay, I may cry just a bit but it’s only because it’s an Austen-era reproduction and anybody would feel the pain of destroying something so lovely.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
My cousin Rebecca teaches comparative English literature at Midlands College. She’s always seeing Austen in the world around her.” “Exactly.” Theresa beamed. “Life is easier to understand when you think of it in terms of Pride and Prejudice. And all the others.” “I didn’t realize there were that many others.” She thought for a moment. “Wait, I think I saw a bit of Emma on the BBC one year.” “Wasn’t it amazing?” Theresa gripped her hand, blue eyes bright with excitement. “What was your favorite part? The dance? Or the proposal?” She searched her memory for any bit of the plot line but came up empty. “I… I liked the hats,” she said. Theresa stared for a moment, then burst into laughter. Lucy felt her face warming as curious guests turned to watch. “You liked the hats. Oh, girl.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Let’s get this movie started. There’s nothing like a little Austen to soothe the wounded soul,” Theresa said.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Maybe I should have got some chili-slaw dogs from Shorty’s. Everybody loves those.” “Buddy,” Lars said, dropping his shoes to the deck with a thump, “sit yourself down and stop fussing. You’re reminding me of my Aunt Glynna with all this temperature takin’ and foil tuckin’. This food is fine.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Her face crumpled and he felt her pain as if it was his own. He wanted to take it back, but just like that memory, it was always going to be there. She worked to get control over her features, then said, “I’m sorry I didn’t defend you. I’m sorry I didn’t tell them you were my guest.” Jem hadn’t thought he cared anymore, not really, but her words were tugging loose the hard, painful knot in his chest. “It’s okay.” She shook her head. “It’s not. It wasn’t.” He reached out and cupped her cheek in his hand. He didn’t know what else to say and all he wanted was to touch her skin, let her know that he wasn’t that boy anymore and that she wasn’t that girl.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Her face crumpled and he felt her pain as if it were his own. He wanted to take it back, but just like that memory, it was always going to be there. She worked to get control over her features, then said, “I’m sorry I didn’t defend you. I’m sorry I didn’t tell them you were my guest.” Jem hadn’t thought he cared anymore, not really, but her words were tugging loose the hard, painful knot in his chest. “It’s okay.” She shook her head. “It’s not. It wasn’t.” He reached out and cupped her cheek in his hand. He didn’t know what else to say and all he wanted was to touch her skin, let her know that he wasn’t that boy anymore and that she wasn’t that girl.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Ah, a romantic.” Danny leaned back, threading his fingers behind his head. “I used to be one, until my wife died. And then I was just pathetic.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Lucy saw the delighted expressions of the guests and knew they looked like something out an Austen movie. Well, at least Jem did. She giggled a little and cleared her throat. “Something funny?” he murmured out of the corner of his mouth. “Just thinking how you’re just like Captain Wentworth and I’m just like Tina Turner.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
I have a bad feeling about this,” she said. “We’ll fake it. And if push comes to shove, we can just sing Goober Peas and waltz around.” “Rebecca might not find that very funny.” “Rebecca is a Northerner. You can tell because there aren’t any cheese straws on the snack table.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Thank you. There were three of us kids, all right together. I’m the oldest, she was the knee-baby, and my brother Henry came last. Funny, I miss her all the time, but I miss her most when I’m reading Austen. We’d been fans since we were in the seventh and eighth grade, two Creole girls gigglin’ about marriage proposals gone bad. Our daddy teased us about reading each other passages during a Fourth of July crawfish boil, so he named the biggest one Mr. Darcy and threw him in the pot.” She looked up, a smile fighting the tears in her eyes. “We refused to eat him.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Her beauty was classic, timeless. Just the line of her neck, the curve of her cheek, the way the dress draped her hips, was enough to stop the room. When she’d turned away to look at something on the table and he’d seen the back of the dress, he thought he might have to sit down. The smooth skin of her back looked impossibly soft and he ached to reach out, just for a moment, and splay his hand against it.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
No, I went to the bar to ask for a mojito and that guy Johnny said he didn’t make mojitos. Then he offered to make me a mint julep, in one of those silver cups and everything.” “Did you know say the true cause of the Civil War was some Northerner adding nutmeg to a mint julep?” Lucy asked.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Lucy paused, hands full of green beans, her memory flashing back to the giant pots of crawfish on the stove. Her Mama’s green eyes would squint into the steam, hair pulled back, a frown of concentration on her face. The salted water was flavored and ready to receive the “mudbugs” out of their burlap sacks. Other than an onion or maybe an ear of corn, if it wasn’t alive when you threw it in, then it shouldn’t be in the pot, she’d say. Did her Mama mind that Lucy didn’t cook those old family recipes? Was she turning her back on her culinary heritage as surely as Paulette was? She snapped the ends of the beans faster, glancing at the clock. This whole dinner was breaking her Mama’s cardinal rule: don’t hurry. She thought if a cook was in a hurry, you might as well just make a sandwich and go on your way.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Mary Wollstonecraft, the mother of Mary Shelley, who wrote the first and most persuasive feminist tract, A Vindication of the Rights of Woman. “Women are every where in [a] deplorable state,” she would write; “for, in order to preserve their innocence, as ignorance is courteously termed, truth is hidden from them, and they are made to assume an artificial character before their faculties have acquired any strength. Taught from their infancy that beauty is woman’s sceptre, the mind shapes itself to the body, and, roaming round its gilt cage, only seeks to adorn its prison.
John Sedgwick (War of Two: Alexander Hamilton, Aaron Burr, and the Duel that Stunned the Nation)
he had substituted one “monolithic reading of the past for another.” Zinn’s history was written in a manner that spoke “directly” to students’ “hearts,” but his “power of persuasion” was dangerous because it “extinguishes students’ ability to think.” A People’s History was a “history of certainty,” and whether of the Left or the Right, such histories invite a slide into “intellectual fascism,” according to Wineburg.
Mary Grabar (Debunking Howard Zinn: Exposing the Fake History That Turned a Generation against America)
Rebellious"™ You're a barefoot odyssey, perched on a granite counter. Perched on edgeless intensity and arched reasoning. Why do I succumb to valiant persuasions? Just shatter me with your mammoth reality, break me into shards you think will clatter. But, I'm not made of material gravity I'm a symphony of notes looking to burst free! Call me lyrical, call it mercy, call this poetic justice and end my dispassionate existence so criminal. Bang your gavel against my criminalistic loins, I'm guilty of animalistic tendencies and tamed to humanoid inadequacies. I can shatter you in all aspects, and put you back in form in all retrospectives. I do not care to mold you into material to use as an art plateau. My hilly curves canvas's your mighty sword, burst free! Sing to me! Write me your lies. I beckon to endure your truths passionately, injustice webbed upon us is it poetic? Or law abiding? Where will it begin? Where will it end? Time has frozen around me, and all I can think of is this consumption of you. Wholely intoxicating, and wholely seductive. And I can't decide; When your limbs are apart and pinned displayed like a canvas to be ravaged, will you be entirely vulnerable to my demonstrations? Or will you swallow me whole? Swallow you, wallow in you... I'm invaded by your touch. Caught up! Caught up! Caught up! So caught up to us. I say; just lay down my body, tie up my mind, spank my assets, kisses so low and divine. This hasn't yet fully begun, and for sure won't end soon. So meet in our place of desire this noon, when footsteps cross the moon. Darkness descends during daylight when I draw the curtains tight, shutting out the world that claims our time. Now you're mine, you can't escape me, you can't escape this! I won't let you! Now you're a convoluted odyssey subdued by ministration firm, tender, meticulous, smitten, sensitized and shackled. You're a richly tainted taste of sin. A resolute candle of insatiable inspiration. Whose wick lit quick, whose burn smoulders on. Lights out, darkness nears and you burn within me. If I'm a sin, get on bended knees. Prey on me, and you're forgiven. To hell with Mary I want to cum quick see? Rebel no more, we've found retribution! Call it retribution, call it mercy, call this poetic justice, call this confession. I want the marks of your claws to escort me out the door. I want the ruthless indulgence of rebellion tattooed across your psyche! Exhale my name, and blow the flame out! I'll lay and lay som more, till the next time my rebellious lover comes through the door...
DragonPoetikFly© & Roger Brightley©
Deep Simplicity: Bringing Order to Chaos and Complexity John Gribbin, Random House (2005) F.F.I.A.S.C.O.: The Inside Story of a Wall Street Trader Frank Partnoy, Penguin Books (1999) Ice Age John & Mary Gribbin, Barnes & Noble (2002) How the Scots Invented the Modern World: The True Story of How Western Europe's Poorest Nation Created Our World & Everything in It Arthur Herman, Three Rivers Press (2002) Models of My Life Herbert A. Simon The MIT Press (1996) A Matter of Degrees: What Temperature Reveals About the Past and Future of Our Species, Planet, and Universe Gino Segre, Viking Books (2002) Andrew Carnegie Joseph Frazier Wall, Oxford University Press (1970) Guns Germs, and Steel: The Fates of Human Societies Jared M. Diamond, W. W. Norton & Company The Third Chimpanzee: The Evolution and Future of the Human Animal Jared Nt[. Diamond, Perennial (1992) Influence: The Psychology of Persuasion Robert B. Cialdini, Perennial Currents (1998) The Autobiography of Benjamin Franklin Benjamin franklin, Yale Nota Bene (2003) Living Within Limits: Ecology, Economics, and Population Taboos Garrett Hardin, Oxford University Press (1995) The Selfish Gene Richard Dawkins, Oxford University Press (1990) Titan: The Life of John D. Rockefeller Sr. Ron Chernow, Vintage (2004) The Wealth and Poverty of Nations: Why Some Are So Rich and Some So Poor David Sandes, W. W Norton & Company (1998) The Warren Buffett Portfolio: Mastering the Power of the Focus Investment Strategist Robert G. Hagstrom, Wiley (2000) Genome: The Autobiography of a Species in 23 Chapters Matt Ridley, Harper Collins Publishers (2000) Getting to Yes: Negotiating Agreement Without Giz.ting In Roger Fisher, William, and Bruce Patton, Penguin Books Three Scientists and Their Gods: Looking for Meaning in an Age of Information Robert Wright, Harper Collins Publishers (1989) Only the Paranoid Survive Andy Grove, Currency (1996 And a few from your editor... Les Schwab: Pride in Performance Les Schwab, Pacific Northwest Books (1986) Men and Rubber: The Story of Business Harvey S. Firestone, Kessinger Publishing (2003) Men to Match My Mountains: The Opening of the Far West, 1840-1900 Irving Stone, Book Sales (2001)
Peter D. Kaufman (Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger, Expanded Third Edition)
In the mystery and energy of loving, we all view time's shadow apon the beloved as wretchedly as any of Poe's narrators. We do not think of it every day but we never forget it: the beloved shall grow old or ill and be taken away finally. No matter how ferociously we fight, how tenderly we love, how bitterly we argue, how persuasively we berate the universe, how cunningly we hide, this is what shall happen.
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
Sometimes, you just needed a friend to sit on your couch and watch your favorite movie. They
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
The first step toward persuading others is an evident and sincere willingness to be persuaded yourself.
Anne-Marie Slaughter (The Chessboard and the Web: Strategies of Connection in a Networked World)
We can also increase the perceived long term value by the way we describe our emails. Nowadays many businesses mention a newsletter on their website, but the phrase ‘newsletter’ doesn’t have any implied value in it. In fact the word ‘news’ is probably something you don’t want to hear from a potential supplier. Who cares whether Mary in accounts has had a birthday? What you would like to get is useful, valuable information. So instead of calling it an email newsletter, I call mine ‘client winning tips via email’. Or you could call it a ‘divorce survival bulletin’. Or ‘the cash flow accelerator emails’ or ‘tax cutting tips’. Each of these names implies some kind of value or outcome your potential subscribers will get from your emails. To come up with a good name, go back to your customer insight map for your ideal clients and look at the big problems, challenges, goals and aspirations your clients have. If you can name your emails to relate to those big goals and problems then they’re likely to see they’ll get value by subscribing to them.
Ian Brodie (Email Persuasion: Captivate and Engage Your Audience, Build Authority and Generate More Sales With Email Marketing)