Permanent Tattoo Quotes

We've searched our database for all the quotes and captions related to Permanent Tattoo. Here they are! All 100 of them:

You should have asked her first, Trav," America said, shaking her head and covering her mouth with her fingers. "Asked her what? If I could get a tattoo?" he frowned, turning to me. "I love you. I want everyone to know I'm yours. I shifted nervously. "That's permanent, Travis." "So are we," he said, touching my cheek.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Cordelia had thought a tattoo would be rather more like their Marks, but it reminded her of something else instead. It was ink, the way books and poems were made of ink, telling a permanent story.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
What have you done to me?" Rhysand stood, running a hand through his short, dark hair. It's custom in my court for bargains to be permanently marked upon flesh." I rubbed my left forearm and hand, the entirety of which was now covered in swirls and whorls of black ink. Even my fingers weren't spared, and a large eye was tattooed in the center of my palm. It was feline, and its slitted pupil stared right back me. "Make it go away," I said, and he laughed. "You humans are truly grateful creatures, aren't you?
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
life decision is permanent other than a tattoo.
Colleen Hoover (Confess)
John's tattoo..Goddamn..He'd done it as a memorial to her-putting her name in his skin so she'd be with him always. After all, there was nothing more permanent than that-hell, that was why in the mating ceremony males got their backs carved up: Rings could get lost.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Technically, all tattoos are temporary, even permanent ones.
Mokokoma Mokhonoana
Seeing those scars, those marks that he most definitely had never asked for, I had to wonder how he felt about being permanently marked up against his will.
Jay Crownover (Rome (Marked Men, #3))
Tattoos are a permanent commitment of passion
Tawny Lara
If all of our sins, bad habits, and poor choices were permanently inked into our skin like tattoos, we would all dress quite modestly.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
The two syllables of his name tattooed a permanent echo inside her.
Christina Lauren (The Soulmate Equation)
Tattoos were self-expression at its rawest and most permanent form. They weren’t for one set of people or another.
Karina Halle (Shooting Scars (The Artists Trilogy, #2))
She said 'a tattoo is a badge of validation'. But the truth of the matter is far more revealing. It's a permanent reminder of a temporary feeling.
Jimmy Buffett (Beach House On The Moon)
This is the tattoo of life decisions." "Tattoo of life decisions?" "Yes. Tattoo. Marriage is the forever and permanent branding of one person to another. Sure, you can get it removed - but it's expensive, it's a process, and you're never the same after. You're scarred. It's always a part of you, visible or not. You get a tattoo with the intention of a life-long commitment. You have to defend its existence and take ownership of it in front of others for the rest of your life regardless of how it sags or droops or changes shape and color - because it will! It will change and fade, and not in an aesthetically pleasing way.
Penny Reid (Neanderthal Marries Human (Knitting in the City, #1.5))
And don’t miss Frank Otto, the world’s most tattooed man! Held hostage in the darkest jungles of Borneo and tried for a crime he didn’t commit, and his punishment? Well, folks, his punishment is written all over his body in permanent ink!
Sara Gruen (Water for Elephants)
She was tattooed on every part of his body. Deeper, in his heart, his very soul. A permanent brand that would never wear off.
Maya Banks (Rush (Breathless, #1))
My father used to tell me that no life decision is permanent other than a tattoo.
Colleen Hoover (Confess)
Racist” and “antiracist” are like peelable name tags that are placed and replaced based on what someone is doing or not doing, supporting or expressing in each moment. These are not permanent tattoos. No one becomes a racist or antiracist. We can only strive to be one or the other.
Ibram X. Kendi (How to Be an Antiracist)
Noooooo!Noooooo! Noooooooo!” I rubbed my hand against the sheet till the skin turned red and sore.But all the rubbing and scrubbing wouldn’t make it go away. It was permanent, that tattoo. The tattoo that said ‘Done With Men’. And it hurt! What on earth was I thinking? My habit of thinking out loud was bad enough, but tattooing my thoughts onto myself? This wasn’t happening to me.
Shuchi Singh Kalra (Done With Men)
I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.” As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.” Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.” “I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.” “Again, thanks,” he gritted. He wants us! Stupid demon. William grinned. “Maybe we can make out later. I know you want me.” Tell him yes! Not another word out of you, or— “Paris? Warrior?” Zacharel said. “Are you listening to me?” “No.” Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.” “Oh, yeah. I definitely have attention deficient demon.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
Being open-minded dramatically reduces one’s chances of getting a permanent tattoo.
Mokokoma Mokhonoana
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too. Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
Amy Schumer (The Girl with the Lower Back Tattoo)
And even if she loses the charms, she thinks, they’ll always be a part of her. The things that matter stay with you, seep into your skin. People get tattoos to have a permanent reminder of things they love or believe or fear, but though she’ll never regret the turtle, she has no need to ink her flesh again to remember the past. She had not known the markings would be etched so deep.
Christina Baker Kline (Orphan Train)
If you want to have a child in order to have a beautiful, permanent experience, just get a tattoo of a dolphin riding a unicorn over a manatee, It will always be with you, stay exactly the way you made it, and bring you and the world joy without ever crashing your car or getting a stupid tattoo of its own.
Sarah Bennett (F*ck Feelings: One Shrink's Practical Advice for Managing All Life's Impossible Problems)
What had happened was going to be always on me, in me, as permanent as one of Roberta’s tattoos. “Dolores,” I said. I repeated my name over and over until it sounded warped and unreal. I was never going to be myself again.
Wally Lamb (She's Come Undone)
During a tattoo, pain is constant and sometimes it lasts hours, but it doesn’t necessarily register the same way pain normally does. I am not to be trusted on this. I do not register pain as most people do, which is to say, my tolerance is high. It is probably too high. But the pain of a tattoo is something to which you have to surrender because once you’ve started, you cannot really go back or you’ll be left with something not only permanent but unfinished. I enjoy the irrevocability of that circumstance. You have to allow yourself this pain. You have chosen this suffering, and at the end of it, your body will be different. Maybe your body will feel more like yours.
Roxane Gay (Hunger: A Memoir of (My) Body)
When I meet young girls in Montreal or elsewhere who injure their bodies intentionally, deliberately, who want permanent scars to be drawn on their skin, I can't help secretly wishing they could meet other young girls whose permament scars are so deep they're invisible to the naked eye. I would like to seat them face to face and hear them make comparisons between a wanted scar and an inflicted scar, one that's paid for, the other that pays off, one visible, the other impenetrable, one inordinately sensitive, the other unfanthomable, one drawn, the other misshapen.
Kim Thúy
Your tattoo,” I said without thinking. “Does it mean anything?” “Don't most tattoos?” he said. “I kind of want something to have significance if it's in permanent ink. On my skin.” “What does it mean?” “It's a warning,” he said. Right. “Do you have others?” I couldn't see any, despite his short sleeves. “I mean, under your clothes?” What was wrong with me? Was it inappropriate hour or something? “One more.” He was trying not to smile. “But I need to know you a little better first.
Mary Watson (The Wren Hunt (The Wren Hunt, #1))
she fought back an urge to curl her finger s into claws or slap a sign on luc's back reading, MINE! and just in case they missed seeing that one, she'd put another, permanent one someplace lower. but now that she had time to thin the second tattoo wouldn't be on his ass, and it wouldn't be made of chocolate, and - damn it -Corinne D'Alessandro
Christine Warren (Not Your Ordinary Faerie Tale (The Others, #5))
While I’m happy for everyone who wants a family, I look at the notion of having kids the same way I look at people who get tattoos on their faces, like, “Hoo-boy, that’s permanent.
Jen Lancaster (Welcome to the United States of Anxiety: Observations from a Reforming Neurotic)
Maybe it had to be that way. Maybe she’d had to fight for everything, so the fight in her was permanent—like a scar or an immutable tattoo.
Benjamin Alire Sáenz (In Perfect Light)
While they all ink their skin, I crave something permanent within. Bare your soul Open your heart Tattoo your love within.
Melody Lee (Moon Gypsy)
Keep smiling, I tell myself. It's all good. That's what my wrist tattoo says and you only ink permanent words on your person if you plan to live by them.
J.C. Lillis (A&B (Mechanical Hearts, #2))
A tattoo is permanent; with a marriage you can more easily change your mind.
Carolyn V. Hamilton
The tattoo of the History is permanent; once a nation or a man is marked by this tattoo, erasing is impossible.
Mehmet Murat ildan
His red-haired companion wore a similar outfit but without the tattoo and piercings, lacking the courage—or the idiocy—to turn a fashion statement into permanent disfigurement. They
Kelley Armstrong (Bitten (Women of the Otherworld, #1))
watch myself in the mirrors at work constantly. It makes it more interesting. I used to do this ages ago out of worry of my body not looking right. Now I’m curious about what my “work moves” look like, my whiteness with a slash of dark lace underwear, my tattoos (my “permanent epaulets”) in contrast, in profile, my back arching doing a downward dog over the guy’s back before I slide down it, serpentine chin first to rub my cheek against his neck. I think about sex all the time because it’s my job. I want to make room for other stuff. I want to think about other stuff. I think? …it’s strange to watch because it’s really just a long-ago choreographed dance, every time with a different partner. There are slightly different turns and dips, but I can almost do the counts. I feel unfair for offering this processed sex. They don’t care. Maybe I am good enough of an actress, or good enough of an empathy to make it seem authentic. Sometimes it feels that way. Sometimes they catch me watching myself bend and writhe. They usually watch. I watch myself kissing them out of the corner of my eye, to see what it looks like.
Kelley Kenney (Prose and Lore: Memoir Stories About Sex Work (Issue 1))
There’s no denying the possessive streak that awakens inside me or the way my cock immediately stiffens when I see my name being slowly tattooed onto her skin, permanently marking her as mine.
Sonja Grey (Devil from Moscow (Medvedev Bratva, #1))
It'd been years since Neil stood in the same room as Kevin [...]. Everything about him was different. Everything was the same, from his dark hair and green eyes to the black number two tattooed onto his left cheekbone. Neil saw that number and wanted to retch. Kevin had that number back then, too, but he'd been too young to have it done permanently. Instead he and his adopted brother Riko Moriyama wrote the numbers one and two on their faces with markers, tracing them over and over anytime they started to fade. Neil didn't understand it then, but Kevin and Riko were aiming for the stars. They were going to be famous, they promised him.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
From a distance, the tattoo looked like an elbow-length lace glove, but when I held it close to my face, I could detect the intricate depictions of flowers and curves that flowed throughout to make up a larger pattern. Permanent. Forever.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I grasped her waist and moved her to kneel over my face so that I could kiss the ink on her thigh. I traced each and every line of that tattoo with my tongue, my heart racing at the knowledge that she'd placed it on her skin permanently for me.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
Racist” and “antiracist” are like peelable name tags that are placed and replaced based on what someone is doing or not doing, supporting or expressing in each moment. These are not permanent tattoos. No one becomes a racist or antiracist. We can only strive to be one or the other. We can unknowingly strive to be a racist. We can knowingly strive to be an antiracist. Like fighting an addiction, being an antiracist requires persistent self-awareness, constant self-criticism, and regular self-examination.
Ibram X. Kendi (How to Be an Antiracist)
Some flavor of all of this would have remained undiscovered to me. If you try to observe the world for long enough through the perfect lens, then one day it will surely settle permanently into place, and then every object is a still life. You live in the moments between blinks.
Jeff Johnson (Tattoo Machine: Tall Tales, True Stories, and My Life in Ink)
Smiling doesn’t mean she doesn’t care. It’s only a symptom of life carrying on, which inevitably it does. No matter how cataclysmic the events, and even in light of the worst tragedies, hearts continue to beat, lungs continue to draw air, and sometimes things continue to be funny. Some pain changes you, alters you permanently and tattoos your soul. “Forever pain,” her grandmother called it, but amazingly you still live through it. And eventually, even forever pain recedes and grows less sharp. You wake up one day to discover it no longer fills every corner of your mind. It’s still there, lurking in the background, but it’s less present and pronounced, a throb deep within you that almost takes focus to feel.
Suzanne Redfearn (Hadley & Grace)
The first prick stung—holy gods, with the salt and iron, it hurt. She clamped her teeth together, mastered it, welcomed it. That was what the salt was for with this manner of tattoo, Rowan had told her. To remind the bearer of the loss. Good—good, was all she could think as the pain spiderwebbed through her back. Good. And when Rowan made the next mark, she opened her mouth and began her prayers. They were prayers she should have said ten years ago: an even-keeled torrent of words in the Old Language, telling the gods of her parents’ death, her uncle’s death, Marion’s death—four lives wiped out in those two days. With each sting of Rowan’s needle, she beseeched the faceless immortals to take the souls of her loved ones into their paradise and keep them safe. She told them of their worth—told them of the good deeds and loving words and brave acts they’d performed. Never pausing for more than a breath, she chanted the prayers she owed them as daughter and friend and heir. For the hours Rowan worked, his movements falling into the rhythm of her words, she chanted and sang. He did not speak, his mallet and needles the drum to her chanting, weaving their work together. He did not disgrace her by offering water when her voice turned hoarse, her throat so ravaged she had to whisper. In Terrasen she would sing from sunrise to sunset, on her knees in gravel without food or drink or rest. Here she would sing until the markings were done, the agony in her back her offering to the gods. When it was done her back was raw and throbbing, and it took her a few attempts to rise from the table. Rowan followed her into the nearby night-dark field, kneeling with her in the grass as she tilted her face up to the moon and sang the final song, the sacred song of her household, the Fae lament she’d owed them for ten years. Rowan did not utter a word while she sang, her voice broken and raw. He remained in the field with her until dawn, as permanent as the markings on her back. Three lines of text scrolled over her three largest scars, the story of her love and loss now written on her: one line for her parents and uncle; one line for Lady Marion; and one line for her court and her people. On the smaller, shorter scars, were the stories of Nehemia and of Sam. Her beloved dead. No longer would they be locked away in her heart. No longer would she be ashamed.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
But these are the last remaining years of choice. In the stainless nurseries of the future, the feds will work their way through all the squalling pinkness tattooing a combination tax number and credit number on one wrist, followed closely by the I.T. and T. team putting the permanent phone number, visaphone doubtless, on the other wrist. Die and your number goes back in the bank. It will be the first provable immortality the world has ever known.
John D. MacDonald (The Deep Blue Good-By)
When I asked her once how she could allow her body to be marked up so casually with permanent ink, she said, “Oh, but you misunderstand! It’s not permanent. It’s just temporary.” Confused, I asked, “You mean, all your tattoos are temporary?” She smiled and said, “No, Liz. My tattoos are permanent; it’s just my body that’s temporary. So is yours. We’re only here on earth for a short while, so I decided a long time ago that I wanted to decorate myself as playfully as I can, while I still have time.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
A complete back tattoo, stretching from the collar of the neck down to the tailbone can take one hundred hours. Such extensive tattooing, then, became a test of strength, and the gamblers eagerly adopted the practice to show the world their courage, toughness, and masculinity. It showed, at the same time, another, more humble purpose - as a self-inflicted wound that would permanently distinguish the outcasts from the rest of the world. The tattooing marks the yakuza as misfits, forever unable or unwilling to adapt themselves to Japanese society.
David E. Kaplan (Yakuza: Japan's Criminal Underworld)
Tattoo of life decisions?” “Yes. Tattoo. Marriage is the forever and permanent branding of one person to another. Sure, you can get it removed—but it’s expensive, it’s a process, and you’re never the same after. You’re scarred. It’s always a part of you, visible or not. You get a tattoo with the intention of a life-long commitment. You have to defend its existence and take ownership of it in front of others for the rest of your life regardless of how it sags or droops or changes shape and color—because it will! It will change and fade, and not in an aesthetically pleasing way.” The
Penny Reid (Neanderthal Marries Human (Knitting in the City, #1.5))
My tattoos are permanent; it’s just my body that’s temporary. So is yours. We’re only here on earth for a short while, so I decided a long time ago that I wanted to decorate myself as playfully as I can, while I still have time.” I love this so much, I can’t even tell you. Because—like Eileen—I also want to live the most vividly decorated temporary life that I can. I don’t just mean physically; I mean emotionally, spiritually, intellectually. I don’t want to be afraid of bright colors, or new sounds, or big love, or risky decisions, or strange experiences, or weird endeavors, or sudden changes, or even failure.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Hennessy carefully patted the blood away to reveal the tattoo. It was difficult to not be overwhelmed by the realness of it, the permanence of it. Part of him expected her to just wipe the blood and ink away to reveal bare skin, but instead, his entire left arm was patterned darkly from shoulder to wrist with something like chain mail. No, like snakeskin. Each scale was a pure dark green, and the only place his skin showed through was in a narrow line to indicate the edge of each interlocking scale. It felt like a lifetime ago he and Hennessy had held a snake in the abandoned museum. Bryde had ordered them to look at the reptile, to study it, take in its details in case they wanted to dream it later. They had. But Hennessy had been wide awake, not dreaming, when she’d painted these scales up and down his skin. “Fuck you,” he told her. “This is so good.” She gave him the ghost of a smile. “Welcome back, Ronan Lynch.” It was still jarring to be Ronan Lynch. Time behaved so differently here; it was important here. One did not have endless dark moments to fill; human lives were so short, so urgent— “Where’s Adam?” Hennessy asked, “What?” “Adam. My Adam. Adam!
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
That life and this. This life. That life. The one beneath is drawn in solid lines and bold strokes; it is a picture drawn in permanence with ink. It’s a tattoo. Indelible. The one on top of it is sketched on vellum in soft brushes of charcoal, easily smudged. It covers the one beneath, but can’t hide it. That life. This life. It looks as if you can have both. I mean, they’re both right there, one on top of the other, and it looks as if they’ll blend. But they never will. So, you take this thing. You take this thing you want, and you put it in a box and you close the lid. You can let your fingers trace the cracks, the places where the light gets in, the dark gets out, but the lid stays on. You don’t look inside. You don’t look at this thing you want so much, because you can. Not. Have. It. So there’s this box, you know, with the thing inside, and you could throw it away or bury it or shoot it into space; you could set it on fire and watch it burn to ashes, but really, none of that would make a difference, because you cannot destroy what you want. It only makes you want it more. So. You take this thing you want and you put it in a box and you close the lid. And you hold the box close to your heart, which is where it wants to go, and you pretend it doesn’t kill you every time you feel yourself breathe.
Megan Hart (Tear You Apart)
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
I shake my head, knowing that if it hadn’t been for me, Ben wouldn’t have been there in the first place. I try to tell him that, but he swats my words away with his hand and says he wants to show me something. “Sure,” I say, wondering if he’s really as nervous as he seems. He clenches his teeth and hesitates a couple of moments; the angles of his face seem to grow sharper. Finally, he motions to the pant leg of his jeans. There’s a tear right over his thigh. “I know you saw it in the hospital,” he says, exposing the chameleon tattoo through the torn fabric. “I felt you . . . looking at it. Anyway, I wanted you to know that I did this back home, before I ever came to Freetown. Before I ever met you.” “So it’s a coincidence?” His dark gray eyes swallow mine whole. “Do you honestly believe that?” “No,” I say, listening as he proceeds to tell me that a few months before he got to town, he touched his mother’s wedding band—something that reminded him of soul mates—and the image of a chameleon stuck inside his head. “I couldn’t get it out of my mind,” he explains. “It was almost like the image was welded to my brain, behind my eyes, haunting me even when I tried to sleep.” “And you got the tattoo because of that?” “Because I hoped its permanence might help me understand it more—might help me understand what it had to do with my own soul mate.” “And do you understand now?” I ask, swallowing hard. “Yeah.” He smiles. “I suppose I do.” I take a deep breath, trying to hold myself together, desperate to know what he’s truly trying to say here, and what I should say to him as well. I close my eyes, picturing that moment in the hospital when I held his hand and wondering if he would’ve recovered as quickly as if it hadn’t been for the connection between us—the electricity he must have sensed from my touch.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
My tattoo Tattooed in my memory and the pain it brings me. I scream within. All cried out, not a tear to soothe me. Drugs and Alcohol numb me. People say to see a therapist. I don't think so. Christians say to forgive. I don't believe so. My pain will never let me forget. my tattoo is permanent.
Juanita Ortiz
In 2015 tattoos are more permanent than marriages
E.Grathwohl
It’s not just the permanence of the finished product, but the discomfort inherent in the process that draws people in mourning to translate an emotional throbbing into a physical one and emerge intact on the other side with a beautiful scar.
Kate Sweeney (American Afterlife: Encounters in the Customs of Mourning)
Bethany was horrified. Rose called tattoos "permanent evidence of temporary insanity".
Suzanne Woods Fisher (The Calling (Inn at Eagle Hill #2))
We can't do something that might make us look ridiculous, because first impressions last forever. We can't try and fail, because then we'll be ruined forever. Think a scar (or a tattoo, for that matter) is permanent? It's not. Your body was literally formed from stardust and will eventually return there. The duration of a scar doesn't even register on the big time line. In fact, I heard that God watches jewelry commercials and LOL's when they say that diamonds are forever. It's all a big joke up there. There's a drinking game in Heaven, where angels do a shot every time humans invest "for the long term." What are you so fucking worried about?
Johnny B. Truant (The Universe Doesn't Give a Flying Fuck About You)
I turned my wrist over and smiled at my very own butterfly imbedded artfully and permanently into my skin. It was simple…just a black outline...a cookie cutter tattoo.  At least that was what Max had called it. Gently I traced the outline and remembered the day I got it. I was just eighteen, and scared to death, but I wanted it so badly. To make me feel better, Max decided to get one as well. It would be his sixth tattoo…not his first time under the ink gun. He was a pro in my eyes and so having him there helped. He teased me about my choice saying I was too girly, but when the work was done, he had looked at me with admiration. “It suits you,” he had whispered. “It’s pretty and uncomplicated…just like you.” He’d leaned in and kissed me gently. I can still feel the scrape of his stubble and the warmth of his lips. The hazel eyes were earnest, as he pulled away. “What did you get?” I had asked, still overwhelmed by him. That crooked grin set the butterflies to flight in my stomach. He’d chuckled and went for the hem of his shirt, lifting it up on the left side. I’d seen the beautiful angel he had gone back time and time again to be finished. It was a twist of wings and shadows and it raveled down the entire rib cage ending just at his hip. It was a masterpiece.  I had admired it for an instant before I noticed the change. I had covered my mouth and gasped in surprise. Woven into one of the angel’s wings was my name.
Sarah Brocious (What Remains (Love Abounds, #1))
Why did you keep it?” I whispered. I ran my fingers over the letters again and pressed my cheek to his chest. His arms came up and about me and I was engulfed in him. It was the best spot on earth. “You have to ask?” His deep voice rumbled in his chest and against my ear. His lips moved against my hair, “It should be pretty obvious.” I smiled. “The whole angel would have been painful to remove, but you could have camouflaged my name. He chuckled and flexed his arms. “So why?” I wrapped my arms around him and peeked up at his face. The magic eyes were soft and happy on me now. “That tattoo is a permanent part of me, Hadley,” he murmured. “You are, too. Ain’t no way in hell I’m giving up either.” My heart slammed hard. “You get me?” He grinned. I nodded stupidly. He
Sarah Brocious (What Remains (Love Abounds, #1))
Some images, like Cyclops tattoos, are permanent once burned onto your brain.
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))
I could still feel the distinct sensation of her lips pressed to my forehead, as if the last kiss she gave me before her new husband drove away was permanently tattooed onto my skin.
Connilyn Cossette (To Dwell Among Cedars (The Covenant House, #1))
I knew early on that children weren’t in my plans. I never once played with baby dolls. I preferred Barbies because it would have been illegal to dress up a baby for her Studio 54 date with Ken. I never felt a biological tug looking at children. It’s not that I’m missing maternal feelings, it’s more like they apply only to cats and dogs, possibly small monkeys. While I’m happy for everyone who wants a family, I look at the notion of having kids the same way I look at people who get tattoos on their faces, like, “Hoo-boy, that’s permanent.
Jen Lancaster (Welcome to the United States of Anxiety: Observations from a Reforming Neurotic)
How wonderful to be a part of the artwork on his skin—to be carefully chosen, drawn with precision by his own hand, and permanently showcased on his amazing body. Not on a whim or because he was a tattoo artist, but because those people mattered enough to him to earn the privilege.
Jessica Lemmon (Bringing Home the Bad Boy (Second Chance, #1))
I never felt a biological tug looking at children. It’s not that I’m missing maternal feelings, it’s more like they apply only to cats and dogs, possibly small monkeys. While I’m happy for everyone who wants a family, I look at the notion of having kids the same way I look at people who get tattoos on their faces, like, “Hoo-boy, that’s permanent.
Jen Lancaster (Welcome to the United States of Anxiety: Observations from a Reforming Neurotic)
Racist” and “antiracist” are like peelable name tags that are placed and replaced based on what someone is doing or not doing, supporting or expressing in each moment. These are not permanent tattoos. No one becomes a racist or antiracist. We can only strive to be one or the other. We can unknowingly strive to be a racist. We can knowingly strive to be an antiracist.
Ibram X. Kendi (How to Be an Antiracist)
Beatrice held up a finger. “All sorcerous magic requires intent behind it. If Mrs M wrote this onto herself, it would have no effect, even if she knew the Fae components. These symbols are the language of human will. Without that will behind it, it is just writing. When you study sorcery, you must also be a student of concentration, of the focusing of intent. They are just as important.” “I’ll make sure I understand it all completely, then after I write it on myself, I’ll get it tattooed.” Beatrice looked appalled. “That would be very unwise. I would never advocate any sort of permanent warding on the body.” “Okay. But what if this smudges? Or I get wet and my clothes rub it off?” “I will show you how to make a robust form of ink for warding. But it will only last as long as it should.” “What’s that supposed to mean?” “Don’t you see? The Charm to express you in this formula would be worked on a particular day, and who knows how you will change over the next week, the next month, the next year? The only way for this ward to be truly permanent would be for you to refresh it, often. We never stay the same, physically, spiritually, and emotionally. Trying to hold yourself to who you are now for the sake of maintaining this protection would be unwise.
Emma Newman (All Good Things (The Split Worlds, #5))
I try to approach writing like I approach the permanence of tattoos: if you can find the joke first you’ll probably like it forever,” @anotherginsberg Aeon Ginsberg author of Greyhound @Noemi_Press
Aeon Ginsberg
Some pain changes you, alters you permanently and tattoos your soul. “Forever pain,” her grandmother called it, but amazingly you still live through it. And eventually, even forever pain recedes and grows less sharp. You wake up one day to discover it no longer fills every corner of your mind. It’s still there, lurking in the background, but it’s less present and pronounced, a throb deep within you that almost takes focus to feel. Jimmy
Suzanne Redfearn (Hadley & Grace)
about each other in order to make a decision like this. This is the tattoo of life decisions.” “Tattoo of life decisions?” “Yes. Tattoo. Marriage is the forever and permanent branding of one person to another. Sure, you can get it removed—but it’s expensive, it’s a process, and you’re never the same after. You’re scarred. It’s always a part of you, visible or not.
Penny Reid (The Neanderthal Box Set)
The stainless-steel mold gives the cheese its disc shape, about ten inches thick and two feet in diameter. But the mold serves another increasingly important function, as an anticounterfeiting measure. The molds are specially produced by the Consorzio Parmigiano-Reggiano, an independent and self-regulating industry group funded by fees levied on cheese producers. Carefully tracked and numbered, molds are supplied only to licensed and inspected dairies, and each is lined with Braille-like needles that crate a pinpoint pattern instantly recognizable to foodies, spelling out the name of the cheese over and over again in a pattern forever imprinted on its rind. A similar raised-pin mold made of plastic is slipped between the steel and the cheese to permanently number the rind of every lot so that any wheel can be traced back to a particular dairy and day of origin. Like a tattoo, these numbers and the words Parmigiano-Reggiano become part of the skin. Later in its life, because counterfeiting the King of Cheeses has become a global pastime, this will be augmented with security holograms... One night, friends came to town and invited Alice out to dinner at celebrity chef Mario Batali's vaunted flagship Italian eatery, Babbo. As Alice told me this story, at one point during their meal, the waiter displayed a grater and a large wedge of cheese with great flourish, asking her if she wanted Parmigiano-Reggiano on her pasta. She did not say yes. She did not say no. Instead Alice looked at the cheese and asked, "Are you sure that's Parmigiano-Reggiano?" Her replied with certainty, "Yes." "You're sure?" "Yes." She then asked to see the cheese. The waiter panicked, mumbled some excuse, and fled into the kitchen. He returned a few minutes later with a different and much smaller chunk of cheese, which he handed over for examination. The new speck was old, dry, and long past its useful shelf-life, but it was real Parmigiano-Reggiano, evidenced by the pin-dot pattern. "The first one was Grana Padano," she explained. "I could clearly read the rind. They must have gone searching through all the drawers in the kitchen in a panic until they found this forgotten crumb of Parmigiano-Reggiano." Alice Fixx was the wrong person to try this kind of bait and switch on, but she is the exception, and I wonder how many other expense-account diners swallowed a cheaper substitute. This occurred at one of the most famous and expensive Italian eateries in the country. What do you think happens at other restaurants?
Larry Olmsted (Real Food/Fake Food: Why You Don’t Know What You’re Eating and What You Can Do About It)
But the pain of a tattoo is something to which you have to surrender because once you’ve started, you cannot really go back or you’ll be left with something not only permanent but unfinished. I enjoy the irrevocability of that circumstance. You have to allow yourself this pain. You have chosen this suffering, and at the end of it, your body will be different. Maybe your body will feel more like yours.
Roxane Gay (Hunger: A Memoir of (My) Body)
An obscure quote might have appealed to her, but Hildy would never get a tattoo. She was afraid of needles and, more importantly, permanence. She liked to think she was still at the pupa stage of existence.
Vicki Grant
With the standard time off for good behavior, I walked out the doors of the jail after eighteen days. That’s what Razzle’s life, and the permanent health of those other two kids, was worth, according to the judicial system.
Vince Neil (Tattoos & Tequila: To Hell and Back with One of Rock's Most Notorious Frontmen)
Some pain changes you, alters you permanently and tattoos your soul. “Forever pain,” her grandmother called it, but amazingly you still live through it. And eventually, even forever pain recedes and grows less sharp. You wake up one day to discover it no longer fills every corner of your mind. It’s still there, lurking in the background, but it’s less present and pronounced, a throb deep within you that almost takes focus to feel.
Suzanne Redfearn (Hadley & Grace)
Kala, this is what’s called drama. This is what we live for, baby girl.” Ian tipped his beer back. “Way better than TV.” Jake frowned and looked down at his identically dressed infant. “How do you know which one is which?” “A father always knows,” Big Tag said. “Also, I marked this one with a Sharpie. See, it looks like a tiny mole right behind her ear. That’s Kala.” Serena gasped. “Ian Taggart, that’s horrible.” He shrugged. “Nah, what’s horrible is I’m trying to figure out a way to make it permanent. Is it illegal to tattoo a baby?” “Yes,” Serena and Ally managed to say at the same time. Big Tag shook his head. “It’s nothing. It’s not like I’m putting a skull and crossbones on her. It’s a miniscule dot so neither one of these girls can pull one over on the old man.” He pointed to the baby in Jake’s arms. “Yeah, I’m looking at you, Kenz. I see how you roll over and try to pretend to be Kala. I’m not blind. Daddy sees everything. Including how you look at that Tristan kid. Stay away from him.” “Ian, she’s eight weeks old,” Serena pointed out. “Tristan recently turned one. I hardly think they’re planning to date.
Lexi Blake (Luscious (Topped, #1; Masters and Mercenaries, #8.2))
Kala, this is what’s called drama. This is what we live for, baby girl.” Ian tipped his beer back. “Way better than TV.” Jake frowned and looked down at his identically dressed infant. “How do you know which one is which?” “A father always knows,” Big Tag said. “Also, I marked this one with a Sharpie. See, it looks like a tiny mole right behind her ear. That’s Kala.” Serena gasped. “Ian Taggart, that’s horrible.” He shrugged. “Nah, what’s horrible is I’m trying to figure out a way to make it permanent. Is it illegal to tattoo a baby?” “Yes,” Serena and Ally managed to say at the same time. Big Tag shook his head. “It’s nothing. It’s not like I’m putting a skull and crossbones on her. It’s a miniscule dot so neither one of these girls can pull one over on the old man.” He pointed to the baby in Jake’s arms. “Yeah, I’m looking at you, Kenz. I see how you roll over and try to pretend to be Kala.
Lexi Blake (Luscious (Topped, #1; Masters and Mercenaries, #8.2))
Olive’s tattoo played an important role in the book: it appears on the face of the returned captive, where it registers as a mark of permanent violation, unlike her Mohave wardrobe, which signaled only temporary membership. Olive’s portrait, with her tattoo drawn in finer, more delicate lines than those of the actual tattoo, served as the coda to Life Among the Indians. The blue tattoo was the flourish that would make it a stand-alone story, supplying visual evidence of Olive’s ordeal and its irreversible impact.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
None of my tattoos belong to me; other people wore them first. I have Gaga’s Rilke quote on the inside of my arm and Lana del Rey’s paradise on the side of my foot. Rihanna’s stars cascade across my hip; Cara Delevingne’s wasp stings my shoulder. These tattoos belong to people who are free and abundantly themselves. When they walk in, they belong, even though they look like they came from the moon or Mars or the Milky Way. They don’t have scars; they are the scar—the line that separates them from the ordinary is their entire existence. Their tattoos are my icons, little etched Patronus charms that fly across my body. So when I get ink, I get theirs. I reach for what they have; I cling to it in permanent colors.
Saundra Mitchell (All the Things We Do in the Dark)
What a waste! I have wasted time, resources, energy. Tattoo ink taints the flesh. It is more than a permanent scar—it is a nausea-inducing taste that I refuse to consume.
Shayla Raquel (Savage Indulgence: A Grisly Short Story with a Twist Ending)
We are surrounded by racial inequity, as visible as the law, as hidden as our private thoughts. The question for each of us is: What side of history will we stand on? A racist is someone who is supporting a racist policy by their actions or inaction or expressing a racist idea. An anti-racist is someone who is supporting an anti-racist policy by their actions or expressing an anti-racist idea. “Racist” and “antiracist” are like peelable name tags that are placed and replaced based on what someone is doing or not doing, supporting or expressing in each moment. These are not permanent tattoos. No one becomes a racist or anti-racist. We can only strive to be one or the other. We can unknowingly strive to be a racist. We can knowingly strive to be an anti-racist. Like fighting an addiction, being an anti-racist requires persistent self-awareness, constant self-criticism, and regular self-examination.
Ibram X. Kendi (How to Be an Antiracist)
Evidence of my evil deeds tattooed permanently into my skin.
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
Much classic work on tattooing draws upon postmodernist theory to explain the ways in which social actors ‘take control’ of constant change and social flux through inscribing permanent designs on their skin that ‘freeze’ their identities.
Lee Barron (Tattoo Culture: Theory and Contemporary Contexts)
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Lesage Cosmetic Tattoo
God, you’re right. It’s just… tattoos are permanent, you know?” I give him a flat look, cocking an eyebrow. “No shit? I thought you were just bad at showering.
Sav R. Miller (Vipers and Virtuosos (Monsters & Muses, #2))
As she put her PJs on, she caught a glimpse of herself in the full-length mirror in the corner, her eye drawn to her tattoo. It had been there so long now that she barely noticed it, like a picture that’s been hanging in a hallway too long. Actually, that wasn’t quite true. The truth was that she didn’t want to look at it, because of the memories it brought back. She had considered laser treatment but decided against it, and not because of the pain and cost. The tattoo would remain, a permanent reminder of what she’d lost.
Mark Edwards (The Devil's Work)
He attends what he calls an “atheist church,” a Sunday assembly of humanists who expend much energy opposing a God they don’t believe in. On my last visit, he had a copy of The God Delusion on his coffee table, along with a ticket to attend a lecture by its author, Richard Dawkins. The wounds of faith embed like permanent tattoos. “Do you think he will ever change?” friends ask me, and I have to answer no. It is never too late for grace and forgiveness—unless a person determines it is.
Philip Yancey (Where the Light Fell)
I don’t draw the black swan that’s the symbol for the Lebedev Bratva, the one my brothers have tattooed on their forearms. Instead, I draw a magpie, one of my favorite birds. I envy the freedom of a creature that can just take off any damn time it wants. I’d give anything to escape, but my brothers have made sure my wings are permanently clipped. I won’t be leaving my cage anytime soon.
Sonja Grey (Paved in Hate (Melnikov Bratva Book, # 4))
She is, but the Sanhedrin control her. That ink that she stole from us, for her tattoo, we can track her anywhere. It’s a permanent beacon. It doesn’t matter where she goes. I will find her. Not only that, but it has a built-in failsafe. Should she go off the deep end, well, it won’t be a pretty end to a beautiful woman,” he said with no heart at all.
Kimbra Swain (Fairy Tales of a Trailer Park Queen, Books 4-6 (Fairy Tales of a Trailer Park Queen, #4-6))
Some deeds are like tattoos, and the ink of regret is permanent.
Stephen P. Kiernan (Universe of Two: A Novel)
Everyone I’ve ever loved has left me and each one of them has left permanent scars on my heart. So, although you can’t see them, I do have tattoos. I have a tattooed heart.
Sabrina Wagner (Tattooed Hearts (Tattooed Duet #1))
If a person is willing to put some design on their body permanently, it has to be something they feel very strongly about. Something that they are willing to stand behind and defend. People with tattoos generally have stronger convictions about things. They have their own opinions that, right or wrong, they
Cassandra Cripps (Love, Lust & Little Lies (Love & Lust, #1))
And you chose Machiavelli?” He chuckles, considering me from beneath the long curl of his lashes. “Remind me not to get on your bad side.” “You know much about him?” He pulls his T-shirt up from the hem, and my heart pops an artery or something because it shouldn’t be working this hard while at rest. I swallow hard at the layer of muscle wrapped around his ribs. One pectoral muscle peeks from under the shirt, tipped with the dark disc of his nipple. My mouth literally waters, and I can’t think beyond pulling it between my lips and suckling him. Hard. “Do you see it?” he asks. “Huh?” I reluctantly drag my eyes from the ladder of velvet- covered muscle and sinew to the expectant look on his face. “See what?” “The tattoo.” He runs a finger over the ink scrawled across his ribs. Makavelli. “I hate to break it to you,” I say with a smirk. “But someone stuck you with a permanent typo.” He laughs, dropping the shirt, which is really a shame because I was just learning to breathe with all that masculine beauty on display. “Bristol, stop playing. You know it’s on purpose, right?” “Oh, sure, it is, Grip.” I roll my eyes. “Nice try.” “Are you serious?” He looks at me like I’m from outer space. “You know that’s how Tupac referred to himself on his posthumous album, right? That he misspelled it on purpose?” I clear my throat and scratch at an imaginary itch on the back of my neck. “Um … yes?” His warm laughter at my expense washes over me, and it’s worth being the butt of the joke, because I get to see his face animated. He’s even more handsome when he laughs. “You’re funny.” He laughs again, more softly this time. “I didn’t expect that.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
But the pain of a tattoo is something to which you have to surrender because once you've started, you cannot really go back or you'll be left with something not only permanent but unfinished. I enjoy the irrevocability of that circumstance. You have to allow yourself this pain. You have chosen this suffering, and at the end of it, your body will be different. Maybe your body will feel more like yours.
Roxane Gay (Hunger: A Memoir of (My) Body)
His smile became a bit wild, and before I could brace myself, he grabbed my arm. There was a blinding, quick pain, and my scream sounded in my ears as bone and flesh were shattered, blood rushed out of me, and then- Rhysand was still grinning when I opened my eyes. I hadn't any idea how long I'd been unconscious, but my fever was gone, and my head was clear as I sat up. In face, the mud was gone, too. I felt as if I'd just been bathed. But then I lifted my left arm. 'What have you done to me?' Rhysand stood, running a hand through his short, dark hair. 'It's custom in my court for bargains to be permanently marked upon flesh.' I rubbed my left forearm and hand, the entirety of which was now covered in swirls and whorls of black ink. Even my fingers weren't spared, and a large eye was tattooed in the centre of my palm. It was feline, and it's slitted pupil stared right back at me. 'Make it go away,' I said, and he laughed. 'You humans are truly grateful creatures, aren't you?' From the distance, the tattoo looked like an elbow-length lace glove, but when I held it close to my face, I could detect the intricate depictions of flowers and curves that flowed throughout to make up a larger pattern. Permanent. Forever. 'You didn't tell me this would happen.' 'You didn't ask. So how am I to blame?' He walked to the door but lingered, even as pure night wafted off his shoulders. 'Unless this lack of gratitude and appreciation is because you fear a certain High Lord's reaction.' Tamlin. I could already see his face going pale, his lips becoming thin as the claws came out. I could almost hear the growl he'd emit when he asked me what I had been thinking. 'I think I'll wait to tell him until the moment's right, though,' Rhysand said. The gleam in his eyes told me enough. Rhysand hadn't done any of this to save me, but rather to hurt Tamlin. And I'd fallen into his trap- fallen into it worse than the worm had fallen into mine.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
We bear the scars of our past, permanent tattoos carved onto our skin, whoever we are.
Kathryn Croft (Silent Lies)
Think a scar (or a tattoo, for that matter) is permanent? It's not. Your body was literally formed from stardust and will eventually return there. The duration of a scar doesn't even register on the big time line. In fact, I heard that God watches jewelry commercials and LOL's when they say that diamonds
Johnny B. Truant
If you try to observe the world for long enough through the perfect lens, then one day it will surely settle permanently into place, and then every object is a still life. You live in the moments between blinks.
Jeff Johnson (Tattoo Machine: Tall Tales, True Stories, and My Life in Ink)
The bar was manned, or should I say womanned by a skeletal heroin chic concentration camp survivor with an elaborate set of tattoos and an incredibly bizarre set of piercings. I swear, if women continue to insist on making their selves this unattractive I’m going to swear off sex permanently.
Randall Moore (Falco, the Dark Angel)
Tyche's beauty is interestingly kinetic; it comes and goes and comes back again. Or maybe it's more that you observe it in the first second of seeing her and then she makes you shelve that exquisite first expression for a while so she can get on with things. Then in some moment when she's not talking or when she suddenly turns her head it hits you all over again. There's a four-star constellation on her wrist that isn't always there either. When it is, its appearance goes through various degrees of permanence, from drawn on the kohl to full tattoo.
Helen Oyeyemi (What Is Not Yours Is Not Yours)