Permanent Makeup Quotes

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Travis: I didn’t know they made permanent makeup. I looked like a clown for a month. Connor: Yeah. They put a curse on me so that no matter what I wore, my clothes were two sizes too small and I felt like a geek. Travis: You are a geek.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
What’s the best practical joke you’ve ever played on another camper? Connor: The golden mango! Travis: Oh, dude, that was awesome. Connor: So anyway, we took this mango and spray painted it gold, right? We wrote: “For the hottest” on it and left it in the Aphrodite cabin while they were at archery class. When they came back, they started fighting over it, trying to figure out which of them was the hottest. It was so funny. Travis: Gucci shoes were flying out the windows. The Aphrodite kids were ripping each other’s clothes and throwing lipstick and jewelry. It was like a rabid herd of wild Bratz. Connor: Then they figured out what we’d done, and they tracked us down. Travis: That was not cool. I didn’t know they made permanent makeup. I looked like a clown for a month. Connor: Yeah. They put a curse on me so that no matter what I wore, my clothes were two sizes too small and I felt like a geek. Travis: You are a geek.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
But later, just as we're turning the corner into my road, and I'm beginning to panic about the pain and difficulty of the impending conversation, I see a woman on her own, Saturday-night-smart, off to meet somebody somewhere, friends, or a lover. And when I was living with Laura, I missed... what? Maybe I missed somebody traveling on a bus or tube or cab, *going out of her way*, to meet me, maybe dressed up a little, wearing more makeup than usual, maybe even slightly nervous; when I was younger, the knowledge that I was responsible for any of this, even the bus ride, made me feel pathetically grateful. When you're with someone permanently, you don't get that: if Laura wanted to see me, she only had to turn her head, or walk from the bathroom to the bedroom, and she never bothered to dress up for the trip. And when she came home, she came home because she lived in my flat, not because we were lovers, and when we went out, she sometimes dressed up and sometimes didn't, depending on where we were going, but again, it was nothing whatsoever to do with me. Anyway, all this is by way of saying that the woman I saw out of the cab window inspired me and consoled me, momentarily: maybe I am not too old to provoke a trip from one part of London to another, and if I ever do have another date, and I arrange to meet that date in, say, Islington, and she has to come all the way from Stoke Newington, a journey of some three to four miles, I will thank her from the bottom of my wretched thirty-five-year-old heart.
Nick Hornby (High Fidelity)
This fear of dying would haunt me for the next forty years. It was an anguish that drove me to travel the world studying religions, magic, esotericism, alchemy, and the Kabbalah. It drove me to frequent initiatory groups, to meditate in the style of numerous schools, to seek out teachers, and in short wherever I went to search without limits for something that might console me in light of my transient existence. If I did not conquer death how could I live, create, love, prosper? I felt separated not only from the world but also from life. Those who thought they knew me only knew the makeup on a corpse. During those excruciating years, all the works I accomplished, as well as all my love affairs, were anesthetics to help me bear the anguish that gnawed at my soul. But in the depths of my being, in a hazy kind of way, I knew that this state of permanent agony was a disease that I had to cure by becoming my own therapist. At its heart, this was not about finding a magic potion to keep me from dying, but above all about learning to die with happiness.
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
How easily we accept the fact that this is a varied world, with many races, cultures, and mores. In America we rejoice in this diversity, this pluralism, which makes up the rich pattern of our national being. We should learn to accept this pluralism in ourselves, to rejoice in the truth that we human being consist of a variety of moods, impulses, traits, and emotions … If we become pluralistic in thinking about ourselves, we shall learn to take the depressed mood or the cruel mood or the uncooperative mood for what is, one of many, fleeting, not permanent. As pluralists we take ourselves for worse as well as for better, cease demanding a brittle perfection which can lead only to inner despair. There are facets of failure in every person’s makeup and there are elements of success. Both must be accepted while we try to emphasize the latter through self-knowledge.
Joshua Loth Liebman (Peace of Mind: Insights on Human Nature That Can Change Your Life)
To be genetically correct, man needs a modern version of a Neo-Paleolithic diet, a diet that's based on his current genetic makeup. That's exactly what a Zone-favorable diet is: a diet that is synergistic with mankind's genetic structure, which has changed very little in the last 100,000 years.
Barry Sears (The Zone: A Dietary Road Map to Lose Weight Permanently)
Clara smoked in the shallow pool as Lana del Rey poured from her phone. She shaded her eyes. She liked the shallow pool because she could lay out, half in the sun, half in the water, and not get her hair wet. She had black eyeliner smeared under her eyes from who-knows-when, and while she never bothered to fix it, she did apply more, so she looked permanently hung over. She liked that.
Lisa Martens (What Grows in Heavy Rain)
To start with, at that time I'd gone to bed with probably three dozen boys, all of them either German or English; never with a woman. Nonetheless -- and incredible thought it may seem -- I still assumed that a day would come when I would fall in love with some lovely, intelligent girl, whom I would marry and who would bear me children. And what of my attraction to men? To tell the truth, I didn't worry much about it. I pretended my homosexuality was a function of my youth, that when I "grew up" it would fall away, like baby teeth, to be replaced by something more mature and permanent. I, after all, was no pansy; the boy in Croydon who hanged himself after his father caught him in makeup and garters, he was a pansy, as was Oscar Wilde, my first-form Latin tutor, Channing's friend Peter Lovesey's brother. Pansies farted differently, and went to pubs where the barstools didn't have seats, and had very little in common with my crowd, by which I meant Higel and Horst and our other homosexual friends, all of whom were aggressively, unreservedly masculine, reveled in all things male, and held no truck with sissies and fairies, the overrefined Rupert Halliwells of the world. To the untrained eye nothing distinguished us from "normal" men. Though I must confess that by 1936 the majority of my friends had stopped deluding themselves into believing their homosexuality was merely a phase. They claimed, rather, to have sworn off women, by choice. For them, homosexuality was an act of rebellion, a way of flouting the rigid mores of Edwardian England, but they were also fundamentally misogynists who would have much preferred living in a world devoid of things feminine, where men bred parthenogenically. Women, according to these friends, were the “class enemy” in a sexual revolution. Infuriated by our indifference to them (and to the natural order), they schemed to trap and convert us*, thus foiling the challenge we presented to the invincible heterosexual bond. Such thinking excited me - anything smacking of rebellion did - but it also frightened me. It seemed to me then that my friends’ misogyny blinded them to the fact that heterosexual men, not women, had been up until now, and would probably always be, their most relentless enemies. My friends didn’t like women, however, and therefore couldn’t acknowledge that women might be truer comrades to us than the John Northrops whose approval we so desperately craved. So I refused to make the same choice they did, although, crucially, I still believed it was a choice.
David Leavitt (While England Sleeps)
Seeing you like this tonight makes me think of how much I want to marry you. Me in a tux, and you in a gorgeous dress with the hair and makeup and sparkles and heels. A beautiful reception where we share our first dance as husband and wife. And afterward, the seal between us will become permanent under God. Our wedding night will be the best night of my existence. It was foolish of me to assign it so quickly, but you make me do foolish things.
Ashlan Thomas (To Hold (The To Fall Trilogy, #2))
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Harry’s clip jammed. Of all the fucking bad times for his clip to jam, this had to take the cake. Some six and a half feet tall, six and a half feet wide gorilla had somehow gotten past him and was on top of the shelves about to permanently mess up Alessandra’s makeup by putting a bullet hole in her forehead. Moving at a dead run, Harry threw his gun—useless piece of crap—at the King of the Apes and it bounced off of Kong’s arm, distracting him for several brief seconds. But several seconds were all Harry needed. He launched into the air for a perfect intercept just as the gorilla fired a double burst. Both rounds caught him square in the chest, hundreds of pounds of energy pushing him back and down, on top of Alessandra, on top of George, on top of George’s semiautomatic. He couldn’t breathe, he could barely see, his ears were roaring from the tidal wave of pain, but his fingers closed around George’s Beretta. He raised his arm and squeezed off a shot and King Kong disappeared.
Suzanne Brockmann (Bodyguard)
Permanent Makeup is a one-step solution for all of your make up needs.
Karmina Lacku
Pajama Boy wasn’t the creation of the political far right meant to mock the moral and intellectual infantilism of today’s indiscriminate Left. In fact, the model was chosen and costumed, the set was staged and lit, the nation’s leading hair and make-up artists were called in and hundreds if not thousands of photos were shot before the Woke’s top marketing gurus selected just the right image to connect with their core constituents in an effort to sell them on their flagship policy known as Obamacare. What makes Pajama Boy the kind of person the Woke wishes to see everyone emulate is that, while chronologically he’s a grown-up, in every other way he remains a child. To the Woke, the perfect adult – the Supremacy’s version of the “worker,” the Aryan or the pious Islamicist – is the permanent child in a grown-up body.
Evan Sayet (The Woke Supremacy: An Anti-Socialist Manifesto)
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Lesage Cosmetic Tattoo
When we see that we are not disconnected from everything else, we also see that we are not our changing bodies.  We are not our changing bodies because nothing in our biological makeup is permanent.  We are conglomerates, and all conglomerates must dissolve.  Every nerve, muscle and bone in our bodies is changing and aging.  Our bodies are unable to exist separately from everything else.  Our bodies are unable to exist separately from what exists in everything else.  We cannot exist without matter, air, water, space and fire.  Without that which makes up the rest of nature, we cannot exist.
Ngawang Lundrup (The Way to Enlightenment: Living Beyond Time a philosophy and psychology of Quantum Physics as well as a philosophy and psychology of living in reality)
Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Each person is made up of a unique combination of strengths, weaknesses, abilities, and talents, and any one of us can only truly maximize our potential in the context of that individual makeup. That’s why it doesn’t make sense to think about competition in the context of any one opponent: If you are really in a Win Forever mind-set, the only comparison that matters is yourself. Your goal should be to maximize your potential and your performance as a permanent way of being, rather than just thinking in terms of individual victories
Pete Carroll