Period After Question Mark In Quotes

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The trouble with us today, there are too many of us who put question marks instead of periods after what the Lord says. I want you to think about that. We shouldn't be concerned about why He said something, or whether or not it can be made so. Just trust the Lord. We don't try to find the answers or explanations. We shouldn't try to spend time explaining what the Lord didn't see fit to explain. We spend useless time.
Harold B. Lee
They got to the classroom she and Jay shared this period, but it wasn’t Grady’s class. Instead of walking on, Grady paused. “Violet, can I talk to you for a minute?” His deep voice surprised her again. “Yeah, okay,” Violet agreed, curious about what he might have to say to her. Jay stopped and waited too, but when Grady didn’t say anything, it became clear that he’d meant he wanted to talk to her . . . alone. Jay suddenly seemed uncomfortable and tried to excuse himself as casually as he could. “I’ll see you inside,” he finally said to Violet. She nodded to him as he left. Violet was a little worried that the bell was going to ring and she’d be tardy again, but her curiosity had kicked up a notch when she realized that Grady didn’t want Jay to hear what he had to say, and that far outweighed her concern for late slips. When they were alone, and Grady didn’t start talking right away, Violet prompted him. “What’s going on?” She watched him swallow, and his Adam’s apple bobbed up and down along the length of his throat. It was strange to see her old guy friends in this new light. He’d always been a good-looking kid, but now he looked like a man . . . even though he still acted like a boy. He shifted back and forth, and if she had taken the time to think about it, she would have realized that he was nervous. But she misread his discomfort altogether. She thought that, like her, he was worried about being late. “Do you want to talk after school? I could meet you in the parking lot.” “No. No. Now’s good.” He ran his hand through his hair in a discouraged gesture. He took a deep breath, but his voice was still shaking when he spoke. “I . . . I was wondering . . .” He looked Violet right in the eye now, and suddenly she felt very nervous about where this might be going. She was desperately wishing she hadn’t let Jay leave her here alone. “I was wondering if you’re planning to go to Homecoming,” Grady finally blurted out. She stood there, looking at him, feeling trapped by the question and not sure what she was going to say. The bell rang, and both of them jumped. Violet was grateful for the excuse, and she clung to it like a life preserver. Her eyes were wide, and she pointed to the door behind her. “I gotta . . . can we . . .” She pointed again, and she knew she looked and sounded like an idiot, incapable of coherent speech. “Can we talk after school?” Grady seemed relieved to have been let off the hook for the moment. “Sure. Yeah. I’ll talk to you after school.” He left without saying good-bye, and Violet, thankful herself, tried to slip into her classroom unnoticed. But she had no such luck. The teacher marked her tardy, and everyone in class watched as she made her way to her seat beside Jay’s. Her face felt flushed and hot. “What was that all about?” Jay asked in a loud whisper. She still felt like her head was reeling. She had no idea what she was going to say to Grady when school was out. “I think Grady just asked me to Homecoming,” she announced to Jay. He looked at her suspiciously. “The game?” Violet cocked her head to the side and gave him a look that told him to be serious. “No, I’m pretty sure he meant the dance,” Violet clarified, exasperated by the obtuse question. Jay frowned at her. “What did you say?” “I didn’t say anything. The bell rang and I told him we’d have to talk later.” The teacher glanced their way, and they pretended not to be talking to each other.
Kimberly Derting (The Body Finder (The Body Finder, #1))
I had never previously met him, but I had seen him and knew his name well, because he was one of those persons who, from their earliest years, are marked down to do great things; and who so often remain a legend at school, or university, for a period of time after leaving the one or the other: sometimes long after any hope remains, among the world at large, that promise of earlier years will be fulfilled.
Anthony Powell (A Question of Upbringing (A dance to the music of time, #1))
I want to ask you a question: Who buys bookmarks?"               "What do you mean? People who love books?"               "You would think, right? But you're wrong. People who read books on the regular, yes, they buy bookmarks. But that rare breed like myself, and apparently our Ms. Cardinal here, people who snuggle with books, they don’t buy bookmarks."               "No?"               "No, we don’t, said Allie, turning pages carefully. "We go through books like crazy. And we'll stop in the middle of one to start another, and then go back to the first one after a long period of time, and we use whatever's at hand to mark our place; a receipt, a ticket stub, a tissue—
Leslie Leigh (Murder in Wonderland (Allie Griffin Mystery #1))
trumpeting the quarter’s performance. After that came the question period. It started predictably enough, with requests for information about run-of-the-mill operating matters. Then the operator called on the next questioner. “Richard Grubman, of Highfield Capital.” As Skilling stared at the speakerphone, Mark Koenig, the investor-relations chief, began scrawling a note. Grubman asked what the balances of assets and liabilities were in the trading business
Kurt Eichenwald (Conspiracy of Fools)
Aren’t fears of disappearing jobs something that people claim periodically, like with both the agricultural and industrial revolution, and it’s always wrong?” It’s true that agriculture went from 40 percent of the workforce in 1900 to 2 percent in 2017 and we nonetheless managed to both grow more food and create many wondrous new jobs during that time. It’s also true that service-sector jobs multiplied in many unforeseen ways and absorbed most of the workforce after the Industrial Revolution. People sounded the alarm of automation destroying jobs in the 19th century—the Luddites destroying textile mills in England being the most famous—as well as in the 1920s and the 1960s, and they’ve always been wildly off the mark. Betting against new jobs has been completely ill-founded at every point in the past. So why is this time different? Essentially, the technology in question is more diverse and being implemented more broadly over a larger number of economic sectors at a faster pace than during any previous time. The advent of big farms, tractors, factories, assembly lines, and personal computers, while each a very big deal for the labor market, were orders of magnitude less revolutionary than advancements like artificial intelligence, machine learning, self-driving vehicles, advanced robotics, smartphones, drones, 3D printing, virtual and augmented reality, the Internet of things, genomics, digital currencies, and nanotechnology. These changes affect a multitude of industries that each employ millions of people. The speed, breadth, impact, and nature of the changes are considerably more dramatic than anything that has come before.
Andrew Yang (The War on Normal People: The Truth About America's Disappearing Jobs and Why Universal Basic Income Is Our Future)
At times I can barely contain my anger at students. How can you be an English major and not know that you don’t put a period after a question mark? Why do even graduate students not know the difference between a novel and a memoir, and why do they keep referring to full-length books as “pieces”?
Sigrid Nunez (The Friend)
When Wings toured Britain, Europe, Australia and North America between 1972 and 1976, Paul made a point of setting aside hefty rehearsal periods and working until the arrangements were tight and the performances were polished. But in October 1979, with a British tour set to begin at the end of November, Wings had barely rehearsed. And the British tour was just the start of what promised to be an extended touring period, with a visit to Japan planned for January pending the approval of the band’s visas—still a matter of concern, given the Japanese government’s refusal to allow Wings into the country in 1975 because of Paul’s earlier pot busts. Now, barely a month before their British tour was set to open, Wings did not even have a setlist. Paul had been able to suppress his feeling of discontent with Wings—not its current incarnation, particularly, but the idea of fronting a permanent band—while he was working on his solo project, and through all the activity in the weeks that followed. The question now was whether he could rekindle his love for the concept. The fact is, leading a band had been more of a slog than he bargained for, and the natural chemistry he had with the Beatles—developed as they grew from adolescent amateurs into stage-tested adults—had been impossible to replicate with a group of experienced players. He had been so desperate to have a band, after the Beatles broke up, that he approached it naively, believing it could be a band of equals. It took the departure of Henry McCullough and Denny Seiwell—the implosion of Wings Mark I—for him to realize that this was implausible. As the only marketable star in the band, it would never be equal, and more crucially, equality was not something he was suited for: he always had a clear idea of what he wanted to do and how he wanted to do it, and he was unwilling to brook any opposition. When Jimmy McCulloch, Geoff Britton and then Joe English joined the band, they were younger and the power relationships were clearer. But in Wings Mark II, Paul found himself having to sort out his young charges’ personal problems, and while he was generally there for them, the combined role of musician and guidance counselor grew tiresome. Laurence Juber and Steve Holley were excellent players and entirely professional, but Back to the Egg had not won critical accolades, and there were some in Paul’s circle who thought Juber and Holley lacked their predecessors’ rock and roll rawness.
Allan Kozinn (The McCartney Legacy: Volume 2: 1974 – 80: A comprehensive look at Paul McCartney's life and work post-Beatles.)