Perfume Addiction Quotes

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Love may be able to force you into precarious situations, it may lead you into double-edged bonfires and you don't smell the smoke, you only see the temptation of a perfume.
Laura Gentile (Seraphic Addiction)
Her loving hands, soft lips, and perfumed scents were an addiction for which he had no cure.
Travis Luedke (The Nightlife: Paris (The Nightlife, #3))
Kenny is a drug, and I’ve just had the best hit of my life. I’m not losing this addiction. I’m in, all the way, pledging my voluntarily servitude to the gateway of my desire. Kenny was the freedom I was longing for. Love and all this wild pent up desire, proved to be the combination that set me free. But only Kenny had the power to unleash me. She scrubbed the impurity from my life and washed clean the world, so I could see it stark and clear for the very first time. Kenny perfumed my existence with her regal charm, her sovereign splendor. Kenny is in everyway sublime.
Addison Moore (Someone to Love (Someone to Love, #1))
Most memoirs about alcoholism, promiscuity, and addiction are deep, sobering tales full of scars that will never heal and include alarming statistics and reflection about recovery. This is not one of those memoirs.
Kate Madison (Spilled Perfume: A Memoir (Spilled Perfume #1))
This is the heart of it, the scared woman who does not want to go alone to the man any longer, because when she does, when she takes of her baggy dress, displaying to him rancid breasts each almost as big as his own head, or no breasts, or mammectomized scar tissues taped over with old tennis balls to give her the right curves; when, vending her flesh, she stands or squats waiting, congealing the air firstly with her greasy cheesey stench of unwashed feet confined in week-old socks, secondly with her perfume of leotards and panties also a week old, crusted with semen and urine, brown-greased with the filth of alleys; thirdly with the odor of her dress also worn for a week, emblazoned with beer-spills and cigarette-ash and salted with the smelly sweat of sex, dread, fever, addiction—when she goes to the man, and is accepted by him, when all these stinking skins of hers have come off (either quickly, to get it over with, or slowly like a big truck pulling into a weigh station because she is tired), when she nakedly presents her soul’s ageing soul, exhaling from every pore physical and ectoplasmic her fourth and supreme smell which makes eyes water more than any queen of red onions—rotten waxy smell from between her breasts, I said, bloody pissy shitty smell from between her legs, sweat-smell and underarm-smell, all blended into her halo, generalized sweetish smell of unwashed flesh; when she hunkers painfully down with her customer on bed or a floor or in an alley, then she expects her own death. Her smell is enough to keep him from knowing the heart of her, and the heart of her is not the heart of it. The heart of it is that she is scared.
William T. Vollmann (The Royal Family)
I went upstairs and tried to talk some sense into her but it was a waste of time. When she was high, she would babble about whatever came into her head. It was painful to watch and even worse to listen to. At one point Amy told me to cancel a proposed deal to license a perfume with her name attached to it. ‘I don’t want to hurt my credibility,’ she told me, as she sat there high on crack. ‘Hurt your credibility? What do you think smoking crack cocaine is doing to your credibility?’ It was an impossible conversation. I stormed out, with Amy shouting for me to come back. I felt as low as I’d ever been. I didn’t think Amy would die, but I just couldn’t see a way out of this. You don’t become an expert in anything overnight, and I was still learning how best to deal with an addict. Somehow or other I had to speed up the learning process.
Mitch Winehouse
Outlawing drugs in order to solve drug problems is much like outlawing sex in order to win the war against AIDS. We recognize that people will continue to have sex for nonreproductive reasons despite the laws and mores. Therefore, we try to make sexual practices as safe as possible in order to minimize the spread of the AIDS viruses. In a similar way, we continually try to make our drinking water, foods, and even our pharmaceutical medicines safer. The ubiquity of chemical intoxicants in our lives is undeniable evidence of the continuing universal need for safer medicines with such applications. While use may not always be for an approved medical purpose, or prudent, or even legal, it is fulfilling the relentless drive we all have to change the way we feel, to alter our behavior and consciousness, and, yes, to intoxicate ourselves. We must recognize that intoxicants are medicines, treatments for the human condition. Then we must make them as safe and risk free and as healthy as possible. Dream with me for a moment. What would be wrong if we had perfectly safe intoxicants? I mean drugs that delivered the same effects as our most popular ones but never caused dependency, disease, dysfunction, or death. Imagine an alcohol-type substance that never caused addiction, liver disease, hangovers, impaired driving, or workplace problems. Would you care to inhale a perfumed mist that is as enjoyable as marijuana or tobacco but as harmless as clean air? How would you like a pain-killer as effective as morphine but safer than aspirin, a mood enhancer that dissolves on your tongue and is more appealing than cocaine and less harmful than caffeine, a tranquilizer less addicting than Valium and more relaxing than a martini, or a safe sleeping pill that allows you to choose to dream or not? Perhaps you would like to munch on a user friendly hallucinogen that is as brief and benign as a good movie? This is not science fiction. As described in the following pages, there are such intoxicants available right now that are far safer than the ones we currently use. If smokers can switch from tobacco cigarettes to nicotine gum, why can’t crack users chew a cocaine gum that has already been tested on animals and found to be relatively safe? Even safer substances may be just around the corner. But we must begin by recognizing that there is a legitimate place in our society for intoxication. Then we must join together in building new, perfectly safe intoxicants for a world that will be ready to discard the old ones like the junk they really are. This book is your guide to that future. It is a field guide to that silent spring of intoxicants and all the animals and peoples who have sipped its waters. We can no more stop the flow than we can prevent ourselves from drinking. But, by cleaning up the waters we can leave the morass that has been the endless war on drugs and step onto the shores of a healthy tomorrow. Use this book to find the way.
Ronald K. Siegel (Intoxication: The Universal Drive for Mind-Altering Substances)
Moving with infinite reluctance, Westcliff gingerly put his arms around her. The escalation of Lillian’s heartbeat seemed to drive the air from her lungs. One of his broad hands settled between her tense shoulder blades, while the other pressed at the small of her back. He touched her with undue care, as if she were made of some volatile substance. And as he brought her body gently against his, her blood turned to liquid fire. Her hands fluttered in search of a resting place until her palms grazed the back of his coat. Flattening her palms on either side of his spine, she felt the flex of hard muscle even through the layers of silk-lined broadcloth and linen. “Is this what you were asking for?” he murmured, his low voice at her ear. Lillian’s toes curled inside her slippers as his hot breath tickled her hairline. She responded with a wordless nod, feeling crestfallen and mortified as she realized that she had lost her gamble. Westcliff was going to show her how easy it was to release her, and then he would forever afterward subject her to ruthless mockery. “You can let me go now,” she whispered, her mouth twisting in self-derision. But Westcliff didn’t move. His dark head dropped a little lower, and he drew in a breath that wasn’t quite steady. Lillian perceived that he was taking in the scent of her throat…absorbing it with slow but ever-increasing greed, as if he were an addict inhaling lungfuls of narcotic smoke. The perfume, she thought in bemusement. So it hadn’t been her imagination. It was working its magic again. But why did Westcliff seem to be the only man to respond to it? Why— Her thoughts were scattered as the pressure of his hands increased, causing her to shiver and arch. “Damn it,” Westcliff whispered savagely. Before she quite knew what was happening, he had pushed her up against a nearby wall. His fiercely accusing gaze moved from her dazed eyes to her parted lips, his silent struggle lasting another burning second, until he suddenly gave in with a curse and brought their mouths together with an impatient tug.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
God. Damn. She's fucking addictive. I want her. Her taste. Must have her. The scent of her perfume. Say yes to this, Scout. The softness of her lips. Say yes to me. The tentativeness of her tongue as she fights her will to dive right in. Let me the fuck in.
K. Bromberg (The Player (The Player, #1))
a frigid night of an Italian winter, crimson flows through the veins of nature’s sweet orange, staining its flesh. Cold-pressing releases its addictive oil: tangy, warm, balsamic. Blends well with frankincense, cedar, and clove. And always transports me to Italy. —DB
Jan Moran (Scent of Triumph: A Novel of Perfume and Passion)
Our sense of scent has a limited vocabulary. Across known languages, anthropologists have found fewer words for our olfactory experience than any other sensation. So, we speak of our olfactory experience in similes and metaphors. We reach for language to describe smells in relation to our other senses. Bright, green, metallic, smoky, floral, fecal, loud, round, sharp, or citrus are words I might use, but these notes can be traced to objects, not the odors themselves. My favorite perfumes are slightly addictive, like the feeling of devouring a book. Perfume language is purple, its prose comfortable for me, it’s as if I revert to sensory language when I forget the performance of writing for a society (a country? a culture?) that loves a bare, spare sentence. I’ve been a devotee of purple anything since childhood: clothes, lipstick—a sentence. I admit that when I write in perfumed language, I feel truer as a writer, wilder and messier, anachronistic or mystic, I feel more embodied, when I write the physical materials I work with, encapsulating a story inside of a vessel. I perfume with materials distilled from the earth, but also aroma chemicals extracted from fossil fuels. This leaves me with more questions than answers, but perhaps that’s how we know there is a future, when we continue seeking answers to eternal questions: What is real, what is false? What is natural, what is artificial? What is necessary, what must be thrown away?
Tanaïs (In Sensorium: Notes for My People)
Then I grab the butter and flour and start on the banana bread, a recipe I've made so many times I know it by heart. I've made numerous variations over the years---sometimes adding chocolate chips and crystallized ginger, at others drizzling a lime-coconut glaze over the top---but no matter what tweaks I make, licking the streaks of golden batter left in the bowl is pretty much mandatory. Once I've poured the batter into the pan and stuck it in the oven, I finish cleaning up the kitchen, dusting the bits of flour off the counter and washing the bowls and spatulas. The caramel-laced scent of banana bread wafts across the kitchen, filling the room with its sweet perfume. If I had to draw up a list of the best baking smells in the world, banana bread would, without question, rank in the top five. Possibly the top two. I'm not sure why its smell is so intoxicating, but one whiff and I'm ready to attack that baking pan like a cheetah on a fresh kill.
Dana Bate (Too Many Cooks)
Nor are the ravages of this vice confined only to man himself. They extend to all his possessions. There is no revenue so great that the exactions and follies of impurity will not exhaust; for it is closely allied to gluttony, and these two vices combine to ruin their victim. Men given to impurity are generally addicted to intemperance, and squander their substance iri rich apparel and sumptuous living. Moreover, their impure idols are insatiable in their demands for costly jewels, rich adornments, rare perfumes, which gifts they love much better than they love the donors, their unfortunate victims. The example of the prodigal son, exhausting his inheritance in these pleasures, shows how terrible is such a passion.
Louis of Granada (The Sinner's Guide)