Perfect Click Quotes

We've searched our database for all the quotes and captions related to Perfect Click. Here they are! All 100 of them:

I didn’t know what I was going to say, a feeling that was compounded when the line clicked open and Trent’s very muzzy voice murmured, “Rachel? Mmm, hi.
Kim Harrison (A Perfect Blood (The Hollows, #10))
As we look at each other, something inside me is trying to click, trying to fall into place. I feel it in my mind and in my chest, like a puzzle piece you know has to go somewhere so you keep trying to push it in from all different angles. And then, just like that, it fits. So perfect and complete that you can't imagine how it was without it there, even seconds ago.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
I could have done that, Marilyn thought. And the words clicked into place like puzzle pieces, shocking her in their rightness. The hypothetical past-perfect. The tense of missed chances. Tears dripped down her chin. No! She though suddenly. I could do that.
Celeste Ng (Everything I Never Told You)
Maybe I'm missing something, but I don't rightly see how somebody who claims to have had -What'd you say? One partner?-can be welled trained." He had a point. Her brain clicked away. "I was referring to the instructional videotapes my agency has all its new employees watch." "They train you by watching videos?" His eyes narrowed reminding her of a hunter looking down a gun sight,"Now, ain't that interesting." She felt a little surge of pleasure as her child lost another few points on the Iowa Test of Basic Skills. Even a computer couldn't have picked a more perfect match.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
There are few things ever dreamed of, smoked or injected that have as addictive an effect on our brains as technology. This is how our devices keep us captive and always coming back for more. The definitive Internet act of our times is a perfect metaphor for the promise of reward: we search. And we search. And we search some more, clicking that mouse like – well, like a rat in a cage seeking another “hit”, looking for the elusive reward that will finally feel like enough.
Kelly McGonigal (Maximum Willpower)
She fit against him like a teaspoon inside a tablespoon, curves angling together in all the right places to lock them into place with a nearly audible click of perfection
Louisa Edwards (Just One Taste (Recipe for Love, #3))
We laughed and something inside me clicked into place. It was as if the mix of colors on the canvas was finally perfect for the picture I wanted so desperately to create.
Mia Sheridan (Finding Eden)
So I'm biding my time, like a surfer waiting for a wave. I'm pretty good at surfing, as it happens, and I know the wave will come. When the moment is right, I'll get Demeter's attention. She'll look at my stuff, everything will click, and I'll start riding my life. Not paddling, paddling, paddling, like I am right now.
Sophie Kinsella (My Not So Perfect Life)
So you’re a reader,” My mom sighs, as if somehow this elevates Isabel to yet another realm of perfection.
Denis Markell (Click Here to Start)
I used to think that if only I could make everything perfect, then I could relax and have fun. If I could just eliminate all mistakes, my life would settle into place - click! - and my mind would rest. If I'm being truthful, I have to acknowledge that on some unchangeable, deep-down level, there's still a part of me that thinks that. I'm still a first grader at a spelling bee, thinking that what matters more than anything is that I get every word right. But by now, I've built up a crowd of selves who can set that little girl at ease. It's okay, they tell her. Mistakes will happen - they have happened - and it's not the end of the world. They get her to loosen up a little bit. They help her see that doing things wrong is part of doing life right. They show her that joy is bigger than fear. It can even be funny when things go haywire.
Mary Laura Philpott (I Miss You When I Blink: Essays)
Something inside him shifted and came to rest, as if it had found its proper place. It was like one of his sister’s wooden tumbling puzzles, like the satisfying click it made when all its many turning pieces were perfectly aligned.
Lena Goldfinch (The Language of Souls)
Jack was led out of the dark room into the strong light, and as they guided him up the steps he could see nothing for the glare. 'Your head here sir, if you please,' said the sheriff's man in a low, nervous, conciliating voice, 'and your hands just here.'    The man was slowly fumbling with the bolt, hinge and staple, and as Jack stood there with his hands in the lower half-rounds, his sight cleared: he saw that the broad street was filled with silent, attentive men, some in long togs, some in shore-going rig, some in plain frocks, but all perfectly recognizable as seamen. And officers, by the dozen, by the score: midshipmen and officers. Babbington was there, immediately in front of the pillory, facing him with his hat off, and Pullings, Stephen of course, Mowett, Dundas . . . He nodded to them, with almost no change in his iron expression, and his eye moved on: Parker, Rowan, Williamson, Hervey . . . and men from long, long ago, men he could scarcely name, lieutenants and commanders putting their promotion at risk, midshipmen and master's mates their commissions, warrant-officers their advancement.    'The head a trifle forward, if you please, sir,' murmured the sheriff's man, and the upper half of the wooden frame came down, imprisoning his defenceless face. He heard the click of the bolt and then in the dead silence a strong voice cry 'Off hats'. With one movement hundreds of broad-brimmed tarpaulin-covered hats flew off and the cheering began, the fierce full-throated cheering he had so often heard in battle.
Patrick O'Brian (The Reverse of the Medal (Aubrey/Maturin, #11))
With his release imminent, Knight seems more unsettled than ever. He scratches furiously at his knees. Jail, he's realized, might not be all bad. There's routine and order in jail, and he's able to click into a survival mode that is not too dissimilar, in terms of steeliness of mental state, to the one he'd perfected during winters in the woods. "I'm surrounded in here by less than desirable people," he says, "but at least I wasn't thrown into the waters of society and expected to swim.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man—the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognize each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine. And then you run into Nick Dunne on Seventh Avenue as you’re buying diced cantaloupe, and pow, you are known, you are recognized, the both of you. You both find the exact same things worth remembering. (Just one olive, though.) You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it’s so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It’s finally arrived.
Gillian Flynn (Gone Girl)
Language master that I was, my own word game never clicked well with guys. I'd never quite mastered the art of perfect response, either.
Laura Taylor Namey (The Library of Lost Things)
Sitting in this small pub with its cool flagged floor, listening to the murmuring voices of the haymakers and the click of dominoes falling, drinking beer here in the midle of summer in England in 1914, he suddenly felt a stillness creep up on him as if he were suffering from a form of mental palsy -- as if time had stopped and the world's turning, also. It was a strange sensation -- that he would be for ever stuck in this late June day in 1914 like a fly in amber -- the past as irrelevant to him as the future. A perfect statis; the most alluring inertia.
William Boyd (Waiting for Sunrise)
The modern world was not alive to the tremendous Reality that encompassed it. We were surrounded by an immeasurable abyss of darkness and splendor. We built our empires on a pellet of dust revolving around a ball of fire in unfathomable space. Life, that Sphynx, with the human face and the body of a brute, asked us new riddles every hour. Matter itself was dissolving under the scrutiny of Science; and yet, in our daily lives, we were becoming a race of somnambulists, whose very breathing, in train and bus and car, was timed to the movement of the wheels; and the more perfectly, and even alertly, we clicked through our automatic affairs on the surface of things, the more complete was our insensibility to the utterly inscrutable mystery that anything should be in existence at all.
Alfred Noyes (The Unknown God)
What is the perfect amount of possessions? I think that most people don’t know. If you have lived in Japan or the United States all your life, you have almost certainly been surrounded by far more than you need. This makes it hard for many people to imagine how much they need to live comfortably. As you reduce your belongings through the process of tidying, you will come to a point where you suddenly know how much is just right for you. You will feel it as clearly as if something has clicked inside your head and said, “Ah! This is just the amount I need to live comfortably. This is all I need to be happy. I don’t need anything more.” The satisfaction that envelops your whole being at that point is palpable. I call this the “just-right click point.” Interestingly, once you have passed this point, you’ll find that the amount you own never increases. And that is precisely why you will never rebound.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
outrage gets clicks, outrage can make your voice heard above the deafening din of voices squalling over one another in this nightmarish new culture—and the outrage is often tied to a lunacy demanding human perfection, spotless citizens, clean and likable
Bret Easton Ellis (White)
we were perfect just two souls clicking with each other fitting like puzzle pieces two broken hearts healing each other and holding onto each other there's no one that i trusted the way i trusted you with my secrets my dreams my fears my insecurities my passions
Bela H (Healing my heart)
But I want to try. I know that. Whatever that means…It’s like, the second I saw him, my life started. The second I started loving him, everything clicked into place for me. As confusing as our situation is, inside it feels like it all makes the most perfect sense.
Mia Sheridan (Archer's Voice (Where Love Meets Destiny, #1))
I lost my breath, actually fought for breath at how stunning she looked. Before I had even thought it through, I had my camera in my hand. I felt the weight transfer into my hands, and closing my eyes, I let the urge succeed. Opening my eyes, I lifted the camera to my eye. Uncapping the lens, I found the most perfect angle of my girl dancing in the waves. And I clicked. I clicked the button on the camera, my heart stuttering at every snap of the shutter, sure in the knowledge that I was capturing Poppy in this moment—happy.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
After we've been dancing awhile and need a breather, we walk off the dance floor. I whip out my cell and say, "Pose for me." The first picture I take is of him trying to pose like a cool bad boy. It makes me laugh. I take another one before he can strike a pose this time. "Let's take one of the both of us," he says, pulling me close. I press my cheek against his while he takes my cell and puts it as far away as he can reach, then freezes this perfect moment with a click. After the picture is taken, he pulls me into his arms and kisses me.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
She can do that for ages, and tonight it makes me feel super tense because I feel like the time we have left before Lucas and Chris get home is on one of those kitchen timers that click madly like a bomb that’s going to detonate until they make a screechy buzz that Lucas says sounds like a small bird being strangled.
Gilly Macmillan (The Perfect Girl)
Perhaps love in the digital age is more like Netflix binge-watching: we enjoy bursts of fantasy, and then move on to something else when it’s done. Like browsing for a new series on Netflix, if the relationship doesn’t fit perfectly, you can trade it in for something new with the click of a button or a swipe on your phone.
Shannon Mullen (See What Flowers)
What was shocking were the rewards my father's cousins had gathered in the intervening couple of decades. They farmed now on thousands of acres, not hundreds. They drove fancy pickup trucks, owned lakefront property and second homes. A simple Internet search offered the truth of where their riches had come from: good ol' Uncle Sam. Recently I clicked again on a database of farm subsidy payments, and found that five of my father's first cousins had been paid, all told, $3 million between 1995 and 2005 - and that on top of whatever they'd earned outright for the sale of their corn and soybeans. They worked hard, certainly. They'd saved and scrimped through the lean years. They were good and honorable yeoman, and now they'd come through to their great reward: a prime place at the trough of the welfare state. All that corn syrup guzzled down the gullets of America's overweight children, all that beef inefficiently fattened on cheap feed, all that ethanol being distilled in heartland refineries: all of it underwritten by as wasteful a government program as now exists this side of the defense industry. In the last ten years, the federal government has paid $131 million in subsidies and disaster insurance in just the county [in Minnesota] where I grew up. Corn is subsidized to keep it cheap, and the subsidies encourage overproduction, which encourages a scramble for ever more ways to use corn, and thus bigger subsidies - the perfect feedback loop of government welfare.
Philip Connors
I quite love memorizing lines, actually. I sort of enjoy... quoting them to narrate my own life in some ways." He laughs, self-conscious. "That sounds absurd, I'm sure. I promise you it makes more sense than it seems." "No, I think it makes perfect sense," Louis replies with a shrug. "That's what I enjoy about reading, you know? Remembering certain poignant lines. Spewing 'em out later and keeping them with you. Sometimes you'll be in a certain situation and you'll be a bit speechless almost? You know?" Harry nods, now watching him with light in his eyes, a smile barely hidden. "And suddenly this borrowed line will just pop into your head and it just clicks into place with you. Sometimes you need someone else to fill in your blanks, I reckon.
Velvetoscar (The Actor)
Where is he?” Leo sat up, but his head felt like it was floating. They’d landed inside the compound. Something had happened on the way in—gunfire? “Seriously, Leo,” Jason said. “You could be hurt. You shouldn’t—” Leo pushed himself to his feet. Then he saw the wreckage. Festus must have dropped the big canary cages as he came over the fence, because they’d rolled in different directions and landed on their sides, perfectly undamaged. Festus hadn’t been so lucky. The dragon had disintegrated. His limbs were scattered across the lawn. His tail hung on the fence. The main section of his body had plowed a trench twenty feet wide and fifty feet long across the mansion’s yard before breaking apart. What remained of his hide was a charred, smoking pile of scraps. Only his neck and head were somewhat intact, resting across a row of frozen rosebushes like a pillow. “No,” Leo sobbed. He ran to the dragon’s head and stroked its snout. The dragon’s eyes flickered weakly. Oil leaked out of his ear. “You can’t go,” Leo pleaded. “You’re the best thing I ever fixed.” The dragon’s head whirred its gears, as if it were purring. Jason and Piper stood next to him, but Leo kept his eyes fixed on the dragon. He remembered what Hephaestus had said: That isn’t your fault, Leo. Nothing lasts forever, not even the best machines. His dad had been trying to warn him. “It’s not fair,” he said. The dragon clicked. Long creak. Two short clicks. Creak. Creak. Almost like a pattern…triggering an old memory in Leo’s mind. Leo realized Festus was trying to say something. He was using Morse code—just like Leo’s mom had taught him years ago. Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
I found the world of the Little House books to be so much less confusing, not just because it was "simpler," as plenty of people love to insist, but because it reconciled all the little contradictions of my modern girlhood. On the Banks of Plum Creek clicked with me especially, with its perfect combination of pinafores and recklessness. (I will direct your attention to the illustration on page 31 of my Plum Creek paperback, where you will note how fabulous Laura looks as she pokes the badger with a stick; her style is casual yet feminine, perfect for precarious nature adventures!) At an age when I found myself wanting both a Webelos uniform and a head of beautiful Superstar Barbie hair, On the Banks of Plum Creek was a reassuring book. Being a girl sometimes made more sense in Laura World than it did in real life.
Wendy McClure (The Wilder Life: My Adventures in the Lost World of Little House on the Prairie)
I helped Master Crawford, the watchmaker, now that his sight had gone and faded to a thin pinpoint of light. That were my favorite time. I loved the beauty of all them parts working perfectly together, a little world that could be put to rights with the click of gears, like time itself answered to your fingers. “There is a beauty to the way things work. Remove one part, add another, you’ve changed the mechanism
Kelly Link (Steampunk! An Anthology of Fantastically Rich and Strange Stories)
Her insanely high Christian Louboutin stilettos made a click-clacking sound on the airport floor. Amber rolled a small Louis Vuitton luggage bag behind her. She wore a baby-blue Chanel skirt suit, which made her look like an elegant celebrity. Her hair was long and blond today and pinned up into a perfectly smooth up-do. A pair of gold earrings in the shape of four-leaf clovers and a matching pendant completed the outfit.
A.O. Peart
I was going to click my heels and go home, where life would be, as it is anywhere, a little bit dull Knasas, a little bit great and terrible Oz. I just wanted to stand here for a minute, first, and fix in my memory the life I wasn't choosing, the way Rajiv looked at me before I told him I was leaving, the cottonwood snow. Nathan watched me, an uncertain look on his perfectly, terribly familiar face. "Are you ready?" he said
Leah Stewart (Husband and Wife)
[I]t seems that everyone has fallen under the thrall of this idea that we’re all writers and dramatists now, that each of us has a special voice and something very important to say, usually about a feeling we have, and all this gets expressed in the black maw of social media billions of times a day. Usually this feeling is outrage, because outrage gets attention, outrage gets clicks, outrage can make your voice heard above the deafening din of voices squalling over one another in this nightmarish new culture—and the outrage is often tied to a lunacy demanding human perfection, spotless citizens, clean and likable comrades, and requiring thousands of apologies daily. Advocating while creating your own drama and your brand is where the game is now. And if you don’t follow the new corporate rules accordingly you are banished, exiled, erased from history.
Bret Easton Ellis (White)
Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.
Richard Powers (The Overstory)
Today’s dating sites mean easy access to countless singles tailored to your exact desires, with your perfect match only a click of a button away. Or at least that’s how we think it should be—but sometimes too much choice can just make it harder to weed out the bad options. For some of us, online dating is a succession of frogs with no prince at the end of it. For others, more choice seems to equal more rejection. The good news, as ever, is that math can help.
Hannah Fry (The Mathematics of Love: Patterns, Proofs, and the Search for the Ultimate Equation)
Good-bad problems are major destroyers. People who can’t reconcile either their own or anyone else’s faults suffer tremendous isolation because they are unable to attach to real, whole people who are both good and bad. The ideals of what “should” be get in the way. Perfectionists demand that their friends be perfect. Initially, when they click with someone, they will experience a wonderful honeymoon period, full of discoveries about “all the things we have in common” and how “compatible” they are. Then a conflict will arise. They will start to see the other person’s faults: they’re always late; they don’t listen well; they are too controlling. Suddenly the perfectionists are confused and disappointed. Someone they’d believed in, hoped for, expected more from has seriously let them down. And they tend to leave and reenter the fruitless, futile search for the ideal. Since safe people aren’t perfect people, they are disqualified, and the perfectionist goes on alone.
Henry Cloud (Safe People: How to Find Relationships That Are Good for You and Avoid Those That Aren't)
Beauty isn’t an arrangement of features, even features as perfect as Finlay Hart’s, it’s a feeling. This is how it feels in the split second you suddenly become aware that you’re falling in love with someone. The click of a jigsaw’s last piece, the rainfall of coins in a jackpot slot machine, the right song striking up and your being swept away by its opening bars. That conviction of making complete sense of the universe, in one moment. Of course. You’re where I should be. You’re here.
Mhairi McFarlane (Just Last Night)
The essential point of the system was social equality between officers and men. Everyone from general to private drew the same pay, ate the same food, wore the same clothes, and mingled on terms of complete equality. If you wanted to slap the general commanding the division on the back and ask him for a cigarette, you could do so, and no one thought it curious. In theory at any rate each militia was a democracy and not a hierarchy. It was understood that orders had to be obeyed, but it was also understood that when you gave an order you gave it as comrade to comrade and not as superior to inferior. There were officers and N.C.O.S. but there was no military rank in the ordinary sense; no titles, no badges, no heel-clicking and saluting. They had attempted to produce within the militias a sort of temporary working model of the classless society. Of course there was no perfect equality, but there was a nearer approach to it than I had ever seen or than I would have thought conceivable in time of war.
George Orwell (Homage to Catalonia)
We all lie. We all guard secrets—sometimes terrible ones—a side to us so dark, so shameful, that we quickly avert our own eyes from the shadow we might glimpse in the mirror. Instead we lock our dark halves deep in the basement of our souls. And on the surface of our lives, we work industriously to shape the public story of our selves. We say, “Look, world, this is me.” We craft posts on social media . . . See this wonderful lunch I’m eating at this trendy restaurant with my besties, see my sexy shoes, my cute puppy, boyfriend, tight ass in a bikini. See my gloriously perfect life . . . see what a fucking fabulous time I’m having drunk and at this party with my boobs swelling out of my sparkly tank top. Just look at those hot guys draped all over me. Aren’t you jealous . . . And then you wait to see how many people LIKE this fabricated version of yourself, your mood hinging on the number of clicks. Comments. Who commented. But darkness has a way of seeping through the cracks. It seeks the light . . .
Loreth Anne White (The Drowned Girls (Angie Pallorino, #1))
AIDS orphans, and while she was there, she felt alive and full of purpose for the first time in years. When she returned, her fiancé wasn’t all that interested in hearing about it. All the things her friends had been saying for years clicked into place, and a few weeks later, she gave back the ring. She’s literally like a new person these days, full of bright energy, hope, clarity. And those things are worth a whole lot more than a diamond from the wrong man, even if he’s a really good man, like this one was. Twenty-five is also a great time to start counseling, if you haven’t already, and it might be a good round two of counseling if it’s been awhile. You might have just enough space from your parents to start digging around your childhood a little bit. Unravel the knots that keep you from living a healthy whole life, and do it now, before any more time passes. Twenty-five is the perfect time to get involved in a church that you love, no matter how different it is from the one you were a part of growing up. Be patient and prayerful, and
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now." I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine." I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not." Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you." My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him. Don't!" I said, but she didn't pause. Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked. Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers. Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides. Ta da!" she said, clapping her hands at her own accomplishment. Very impressive," Jerry said in a low voice. "Now put the pony away." Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once. Now," she said evenly. "Tell me again what isn't mine." Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers." Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me." Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her. My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion. You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
Aryn Kyle (The God of Animals)
As the iPod phenomenon grew, it spawned a question that was asked of presidential candidates, B-list celebrities, first dates, the queen of England, and just about anyone else with white earbuds: “What’s on your iPod?” “Simply handing over your iPod to a friend, your blind date, or the total stranger sitting next to you on the plane opens you up like a book,” Steven Levy wrote in The Perfect Thing. “All somebody needs to do is scroll through your library on that click wheel, and, musically speaking, you’re naked. It’s not just what you like—it’s who you are.
Walter Isaacson (Steve Jobs)
Oh God,was all Keeley could think. Oh God, get me out of here. When they swung through the stone pillars at Royal Meadows,she had to fight the urge to cheer. "I'm so glad our schedules finally clicked. Life gets much too demanding and complicated, doesn't it? There's nothing more relaxing than a quiet dinner for two." Any more relaxed, Keeley thought, and unconsciousness would claim her. "It was nice of you to ask me, Chad." She wondered how rude it would be to spring out of the car before it stopped, race to the house and do a little dance of relief on the front porch. Pretty rude,she decided.Okay, she'd skip the dance. "Drake and Pamela-you know the Larkens of course-are having a little soiree next Sunday evening.Why don't I pick you up at eightish?" It took her a minute to get over the fact he'd actually used the word soiree in a sentence. "I really can't Chad. I have a full day of lessons on Saturday. By the time it's done I'm not fit for socializing.But thanks." She slid her hand to the door handle, anticipating escape. "Keeyley,you can't let your little school eclipse so much of your life." Her and stiffened,and though she could see the lights of home, she turned her head and studied his perfect profile. One day,someone was going to refer to the academy as her little school, and she was going to be very rude.And rip their throat out.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
He doesn’t move. Please, I beg him inwardly. Please go up to bed. It’s hard enough to look at his face each day and not feel heartbreak. I can’t be close to him right now. I’m afraid I’ll give in and kiss him again. The way his hard body had aligned so perfectly with mine is burned in my consciousness. I’ll be trying not to remember that for weeks. I wait, and I ache. Finally the door clicks open. I hear him exit the car. When the door slams shut, I feel it like a sledgehammer to the heart. Don’t look, I coach myself. But my self-control isn’t infinite. His fair hair glints under the streetlight as his long legs eat up the walkway in just a few paces. Seeing him walk away from me splinters something inside me.
Sarina Bowen (Him (Him, #1))
As soon as I got an editor title I was met with raised eyebrows from peers and people older than me. I don’t think that men face this challenge; what I’ve observed is that men in my industry who get ahead early are called trailblazers, while women who get ahead early are simply not taken seriously. The messaging is confusing: we’re repeatedly told we should want to look young. Our culture is, in fact, obsessed with it; the global antiaging industry was valued at 250 billion dollars in 2016 and has grown year over year ever since. But if we do look young, and furthermore if we are young, we’re treated like we don’t know anything. For a culture that is so preoccupied with maintaining female youth, we certainly have quite a few parameters around what kind of power that youth is allowed to access.
Gabrielle Korn (Everybody (Else) Is Perfect: How I Survived Hypocrisy, Beauty, Clicks, and Likes)
Neliss, why is this rug wet?” Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before. “We have a rug there?” “Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?” “Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.” “You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.” “Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?” “I swear, Magdelegna, I am never letting you visit that Druid ever again.” “Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.” “I would be a hell of a lot less moody if I could figure out what that damn noise is.” Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them. “What is that?” “Remember when you asked me why I cut my hair?” “Ah yes, the surprise. Took you long enough to get to it.” “If you do not stop, I am not going to give it to you.” “Okay. I am stopping. What is it?” She held out the box tied with a ribbon to him and he accepted it with a lopsided smile. “I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away. “Open it.” He reached for the ribbon and soon was pulling the top off the box. “What is this?” “Gideon, what does it look like?” He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom. “What does it say?” “It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.” “I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?” “Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.” “I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.” “See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him. “Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Condom,” she gasped. A movement stopped. “What?” Phoebe felt the earth open up in preparation of swallowing her. How could she have not mentioned this before? “I’m not on anything right now,” she whispered. “Birth control. I’m not on the Pill.” She gestured helplessly. “Shit, fuck, damn.” Disappointment tied her in knots. “I was really only interested in that middle part,” she joked. There was a second of silence, followed by a low chuckle. “You’re never predictable, Phoebe. I’ll give you that. Cross your fingers.” “What?” “Cross your fingers. I might have a condom in my shaving kit.” There was movement and rustling, then the sound of a zipper being opened. “I’m going to have to put on the light.” She briefly debated being polite and closing her eyes, but who was she kidding? She wanted to see Zane naked. In preparation, she raised up on one elbow and stared in his general direction. When the light came on, she saw all she wanted and more. He was kneeling at the end of the sleeping bag. Naked, aroused and more physically perfect than any man had a right to be. She saw the definition in his arms, the broad strength of his chest and his flat stomach before lowering her attention to his large, hard penis. The physical proof of his desire for her made her so happy, she nearly cried. Her other instinct was to part her legs, tell him never mind with birth control and protection and demand he take her right there. As that last bit was only ever going to happen in her fantasies, she contended herself with stretching out her arm and lightly grazing the tip of him with her fingers. He stiffened instantly, then turned to look at her. If she’d had any doubts about his willingness to participate, they were put to rest by the fire in his eyes and the tightness of his expression. He was a man on the sexual edge, and she couldn’t wait to push him over. He shook his head and forced his attention back to the shaving kit. At first he set the various items on the foot of the sleeping bag, but after a couple of seconds, he simply turned the container over and dumped out the contents. “Be here, be here, be here,” he muttered as he pawed through everything. Then he grabbed a square packet in triumph. “Got one.” She couldn’t help smiling. “Only one?” He grinned. “We’ll have to be creative after that.” He handed her the condom, then clicked off the light. “Where was I?” he asked. “You can pretty much be anywhere you want to be,” she told him. “Good. Then I want to be here.” He pulled off her panties in one smooth move. Then there was nothing.
Susan Mallery (Kiss Me (Fool's Gold, #17))
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GCHQ has traveled a long and winding road. That road stretches from the wooden huts of Bletchley Park, past the domes and dishes of the Cold War, and on towards what some suggest will be the omniscient state of the Brave New World. As we look to the future, the docile and passive state described by Aldous Huxley in his Brave New World is perhaps more appropriate analogy than the strictly totalitarian predictions offered by George Orwell's Nineteen Eighty-Four. Bizarrely, many British citizens are quite content in this new climate of hyper-surveillance, since its their own lifestyle choices that helped to create 'wired world' - or even wish for it, for as we have seen, the new torrents of data have been been a source of endless trouble for the overstretched secret agencies. As Ken Macdonald rightly points out, the real drives of our wired world have been private companies looking for growth, and private individuals in search of luxury and convenience at the click of a mouse. The sigint agencies have merely been handed the impossible task of making an interconnected society perfectly secure and risk-free, against the background of a globalized world that presents many unprecedented threats, and now has a few boundaries or borders to protect us. Who, then, is to blame for the rapid intensification of electronic surveillance? Instinctively, many might reply Osama bin Laden, or perhaps Pablo Escobar. Others might respond that governments have used these villains as a convenient excuse to extend state control. At first glance, the massive growth of security, which includes includes not only eavesdropping but also biometric monitoring, face recognition, universal fingerprinting and the gathering of DNA, looks like a sad response to new kinds of miscreants. However, the sad reality is that the Brave New World that looms ahead of us is ultimately a reflection of ourselves. It is driven by technologies such as text messaging and customer loyalty cards that are free to accept or reject as we choose. The public debate on surveillance is often cast in terms of a trade-off between security and privacy. The truth is that luxury and convenience have been pre-eminent themes in the last decade, and we have given them a much higher priority than either security or privacy. We have all been embraced the world of surveillance with remarkable eagerness, surfing the Internet in a global search for a better bargain, better friends, even a better partner. GCHQ vast new circular headquarters is sometimes represented as a 'ring of power', exercising unparalleled levels of surveillance over citizens at home and abroad, collecting every email, every telephone and every instance of internet acces. It has even been asserted that GCHQ is engaged in nothing short of 'algorithmic warfare' as part of a battle for control of global communications. By contrast, the occupants of 'Celtenham's Doughnut' claim that in reality they are increasingly weak, having been left behind by the unstoppable electronic communications that they cannot hope to listen to, still less analyse or make sense of. In fact, the frightening truth is that no one is in control. No person, no intelligence agency and no government is steering the accelerating electronic processes that may eventually enslave us. Most of the devices that cause us to leave a continual digital trail of everything we think or do were not devised by the state, but are merely symptoms of modernity. GCHQ is simply a vast mirror, and it reflects the spirit of the age.
Richard J. Aldrich (GCHQ)
If you could be anyone else, who would you want to be?” I ask, because I’ve decided that I admire how David doesn’t self-censor. I should try it too. I think about this all the time. Waking up in the morning, looking in the mirror, and seeing someone wholly different staring back. These days I’d give anything to be the old me, the pre-accident me, who could sit at my old lunch table and chat about nothing. The pre-accident me who aspired to be more like Lauren Drucker, former benevolent ruler and social chair of Mapleview. I really wouldn’t mind being entirely full of shit, so long as I didn’t notice. “There’s this guy Trey who teaches me guitar,” David says. “He kind of pisses me off, actually, but he’s just the type of guy everyone likes. He always knows exactly what to say. Like has annoyingly pitch-perfect radio waves. So I guess him?” “I used to want my metaphorical radio waves to play music that was, like, quirky but also perfectly curated, you know? Something cool. But now I feel like I’ve become traffic on the hour.” “You are so not traffic on the hour,” he says, and to my dismay dabs at his chin with a napkin. “Though I wouldn’t mind even being that. Reliable, informative, albeit repetitive. At least people actually listen to it.” “I think your signal is in Morse code,” I say with a smile. “When I was eight, I taught myself Morse code. The clicks are highly irritating.” I lean over and for no reason I can think of—maybe because I have nothing smart to say, maybe because with David I feel like someone else entirely, I want to be someone else entirely—I take a lick of his ice cream. The vanilla part. He stares at my lips, as shocked as I am. “Sorry,” I say. “I liked your order better.” “The cold medicine is not for me. Just to be clear,” he says. “Wasn’t worried.
Julie Buxbaum (What to Say Next)
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
So I know I am right not to settle, but it doesn't make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I'm the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart - perfect-on-paper men who make me feel like I'm in a foreign land, trying to explain myself, trying to make myself known. Because isn't that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn't that the simple magic phrase? So you suffer through the night with the perfect-on-paper man - the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you've made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine. And then you run into Nick Dunne on Seventh Avenue as you're buying diced cantaloupe, and pow, you are known, you are recognised, the both of you. You both find the exact same things worth remembering. (Just one olive, though). You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it's so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It's finally arrived.
Gillian Flynn (Gone Girl)
The issue is not merely one of false stories, incorrect facts, or even election campaigns and spin doctors: the social media algorithms themselves encourage false perceptions of the world. People click on the news they want to hear; Facebook, YouTube, and Google then show them more of whatever it is that they already favor, whether it is a certain brand of soap or a particular form of politics. The algorithms radicalize those who use them too. If you click on perfectly legitimate anti-immigration YouTube sites, for example, these can lead you quickly, in just a few more clicks, to white nationalist sites and then to violent xenophobic sites. Because they have been designed to keep you online, the algorithms also favor emotions, especially anger and fear. And because the sites are addictive, they affect people in ways they don't expect. Anger becomes a habit. Divisiveness becomes normal. Even if social media is not yet the primary news source for all Americans, it already helps shape how politicians and journalists interpret the world and portray it. Polarization has moved from the online world into reality. The result is a hyper-partisanship that adds to the distrust of "normal" politics, "establishment" politicians, derided "experts," and "mainstream" institutions--including courts, police, civil servants--and no wonder. As polarization increases, the employees of the state are invariably portrayed as having been "captured" by their opponents. It is not an accident that the Law and Justice Party in Poland, the Brexiteers in Britain, and the Trump administration in the United States have launched verbal assaults on civil servants and professional diplomats. It is not an accident that judges and courts are now the object of criticism, scrutiny, and anger in so many other places too. There can be no neutrality in a polarized world because there can be no nonpartisan or apolitical institutions.
Anne Applebaum (Twilight of Democracy: The Seductive Lure of Authoritarianism)
Geraldine nodded and headed for Mrs. Armstrong's lawn. I felt sorry for her in her carrot pajamas, having no idea what was really going on. I followed the other girls and stood behind the shrubs. Mrs. Armstrong's house was ginormous. Her house was even bigger than Aunt Jeanie's. There was one light on upstairs. I figured that was the bedroom. The rest of the house was dark. Geraldine went to the far end of the yard and removed a can of spray paint from the bag. She shook it and began to spray. "She's such an idiot," Ava said, taking out her phone to record Geraldine's act of vandalism. "You guys are going to get her into so much trouble," I said. "So what?" Hannah replied. "She got us in trouble at the soup kitchen, it's not like she's ever going to become a Silver Rose anyway. She's totally wasting her time." Geraldine slowly made her way up and down the huge yard carefully spraying the grass. It would take her forever to complete it and there wasn't nearly enough spray paint. "Hey, guys!" Geraldine yelled from across the lawn. "How about I spray a rose in the grass? That would be cool, right?" I cringed. The light on upstairs meant the Armstrongs were still awake. Geraldine was about to get us all caught. "O-M-G," Hannah moaned. "Shhhh," Summer hissed, but Geraldine kept screaming at the top of her lungs. "Well, what do you guys think?" My heart dropped into my stomach as a light from downstairs clicked on. We ducked behind the hedges and froze. "Who's out there?" called a man's voice. I couldn't see him and I couldn't see Geraldine. I heard the door close and I peeked over the hedges. "He went back inside," I whispered, ducking back down. At that moment something went shk-shk-shk and Geraldine screamed. We all stood to see what was happening. Someone had turned the sprinklers on and Geraldine was getting soaked. The door flew open and I heard Mrs. Armstrong's voice followed by a dog's vicious barking. "Get 'em, Killer!" "Killer!" Ava screamed and we all took off running down the street with a soggy Geraldine trailing behind us. I was faster than all the other girls. I had no intentions of being gobbled up by a dog named Killer. We stopped running when we got to Ava's street and Killer was nowhere in sight. We walked back to the house at a normal pace. "So, did I prove myself to the sisterhood?" Geraldine asked. Hannah turned to her. "Are you kidding me? Your yelling woke them up, you moron. We got chased down the street by a dog because of you." Geraldine frowned and looked down at the ground. Hopefully what I had told her before about the girls not being her friends was starting to settle in. Inside all the other girls wanted to know what had happened. Ava was giving them the gory details when a knock on the door interrupted her. It was Mrs. Armstrong. She had on a black bathrobe and her hair was in curlers. I chuckled to myself because I was used to seeing her look absolutely perfect. We all sat on our sleeping bags looking as innocent as possible except for Geraldine who still stood awkwardly by the door, dripping wet. Mrs. Armstrong cleared her throat. "Someone has just vandalized my lawn with spray paint. Silver spray paint. Since I know it's a tradition for the Silver Roses to pull a prank on me on the night of the retreat, I'm going to assume it was one of you. More specifically, the one who's soaking wet right now." All eyes went to Geraldine. She looked at the ground and said nothing. What could she possibly say to defend herself? She even had silver spray paint on her fingers. Mrs. Armstrong looked her up and down. "Young lady, this is your second strike and that's two strikes too many. Your bid to become a Junior Silver Rose is for the second time hereby revoked." Geraldine's shoulders drooped, but most of the girls were smirking. This had been their plan all along and they had accomplished it.
Tiffany Nicole Smith (Bex Carter 1: Aunt Jeanie's Revenge (The Bex Carter Series))
The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.
Neal Stephenson (Snow Crash)
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A folded triangle of paper landed in the center of his notebook. Normally he’d unfold it discreetly, but Beamis was so clueless that the note could have hit him in the head and he wouldn’t notice. Loopy script in purple pen. The paper smelled like her. What’s your #? Wow. Hunter clicked his pen and wrote below her words. I have a theory about girls who ask for your number before asking for your name. Then he folded it up and flicked it back. It took every ounce of self-control to not watch her unfold it. The paper landed back on his desk in record time. I have a theory about boys who prefer writing to texting. He put his pen against the paper. I have a theory about girls with theories. Then he waited, not looking, fighting the small smile that wanted to play on his lips. The paper didn’t reappear. After a minute, he sighed and went back to his French essay. When the folded triangle smacked him in the temple, he jumped a mile. His chair scraped the floor, and Beamis paused in his lecture, turning from the board. “Is there a problem?” “No.” Hunter coughed, covering the note with his hand. “Sorry.” When the coast was clear, he unfolded the triangle. It was a new piece of paper. My name is Kate. Kate. Hunter almost said the name out loud. What was wrong with him? It fit her perfectly, though. Short and blunt and somehow indescribably hot. Another piece of paper landed on his notebook, a small strip rolled up tiny. This time, there was only a phone number. Hunter felt like someone had punched him in the stomach and he couldn’t remember how to breathe. Then he pulled out his cell phone and typed under the desk. Come here often? Her response appeared almost immediately. First timer. Beamis was facing the classroom now, so Hunter kept his gaze up until it was safe. When he looked back, Kate had written again. I bet I could strip na**d and this guy wouldn’t even notice. Hunter’s pulse jumped. But this was easier, looking at the phone instead of into her eyes. I would notice. There was a long pause, during which he wondered if he’d said the wrong thing. Then a new text appeared. I have a theory about boys who picture you na**d before sharing their name. He smiled. My name is Hunter. Where you from? This time, her response appeared immediately. Just transferred from St. Mary’s in Annapolis. Now he was imagining her in a little plaid skirt and knee-high socks. Another text appeared. Stop imagining me in the outfit. He grinned. How did you know? You’re a boy. I’m still waiting to hear your theory on piercings. Right. IMO, you have to be crazy hot to pull off either piercings or tattoos. Otherwise you’re just enhancing the ugly. Hunter stared at the phone, wondering if she was hitting on him—or insulting him. Before he could figure it out, another message appeared. What does the tattoo on your arm say? He slid his fingers across the keys. It says “ask me about this tattoo.” Liar. Mission accomplished, I’d say. He heard a small sound from her direction and peeked over. She was still staring at her phone, but she had a smile on her face, like she was trying to stifle a giggle. Mission accomplished, he’d say.
Brigid Kemmerer (Spirit (Elemental, #3))
Suddenly he felt his foot catch on something and he stumbled over one of the trailing cables that lay across the laboratory floor. The cable went tight and pulled one of the instruments monitoring the beam over, sending it falling sideways and knocking the edge of the frame that held the refractive shielding plate in position. For what seemed like a very long time the stand wobbled back and forth before it tipped slowly backwards with a crash. ‘Take cover!’ Professor Pike screamed, diving behind one of the nearby workbenches as the other Alpha students scattered, trying to shield themselves behind the most solid objects they could find. The beam punched straight through the laboratory wall in a cloud of vapour and alarm klaxons started wailing all over the school. Professor Pike scrambled across the floor towards the bundle of thick power cables that led to the super-laser, pulling them from the back of the machine and extinguishing the bright green beam. ‘Oops,’ Franz said as the emergency lighting kicked in and the rest of the Alphas slowly emerged from their hiding places. At the back of the room there was a perfectly circular, twenty-centimetre hole in the wall surrounded by scorch marks. ‘I am thinking that this is not being good.’ Otto walked cautiously up to the smouldering hole, glancing nervously over his shoulder at the beam emitter that was making a gentle clicking sound as it cooled down. ‘Woah,’ he said as he peered into the hole. Clearly visible were a series of further holes beyond that got smaller and smaller with perspective. Dimly visible at the far end was what could only be a small circle of bright daylight. ‘Erm, I don’t know how to tell you this, Franz,’ Otto said, turning towards his friend with a broad grin on his face, ‘but it looks like you just made a hole in the school.’ ‘Oh dear,’ Professor Pike said, coming up beside Otto and also peering into the hole. ‘I do hope that we haven’t damaged anything important.’ ‘Or anyone important,’ Shelby added as she and the rest of the Alphas gathered round. ‘It is not being my fault,’ Franz moaned. ‘I am tripping over the cable.’ A couple of minutes later, the door at the far end of the lab hissed open and Chief Dekker came running into the room, flanked by two guards in their familiar orange jumpsuits. Otto and the others winced as they saw her. It was well known already that she had no particular love for H.I.V.E.’s Alpha stream and she seemed to have a special dislike for their year in particular. ‘What happened?’ she demanded as she strode across the room towards the Professor. Her thin, tight lips and sharp cheekbones gave the impression that she was someone who’d heard of this thing called smiling but had decided that it was not for her. ‘There was a slight . . . erm . . . malfunction,’ the Professor replied with a fleeting glance in Franz’s direction. ‘Has anyone been injured?’ ‘It doesn’t look like it,’ Dekker replied tersely, ‘but I think it’s safe to say that Colonel Francisco won’t be using that particular toilet cubicle again.’ Franz visibly paled at the thought of the Colonel finding out that he had been in any way responsible for whatever indignity he had just suffered. He had a sudden horribly clear vision of many laps of the school gym somewhere in his not too distant future.
Mark Walden (Aftershock (H.I.V.E., #7))
There are many types of teachers out there from many traditions. Some are very ordinary and some seem to radiate spirituality from every pore. Some are nice, some are indifferent, and some may seem like sergeants in boot camp. Some stress reliance on one’s own efforts, others stress reliance on the grace of the guru. Some are very available and accessible, and some may live far away, grant few interviews, or have so many students vying for their time that you may rarely get a chance to talk with them. Some seem to embody the highest ideals of the perfected spiritual life in their every waking moment, while others may have many noticeable quirks, faults and failings. Some live by rigid moral codes, while others may push the boundaries of social conventions and mores. Some may be very old, and some may be very young. Some may require strict commitments and obedience, while others may hardly seem to care what we do at all. Some may advocate very specific practices, stating that their way is the only way or the best way, while others may draw from many traditions or be open to your doing so. Some may point out our successes, while others may dwell on our failures. Some may stress renunciation or even ordination into a monastic order, while others seem relentlessly engaged with “the world.” Some charge a bundle for their teachings, while others give theirs freely. Some like scholarship and the lingo of meditation, while others may never use or even openly despise these formal terms and conceptual frameworks. Some teachers may be more like friends or equals that just want to help us learn something they happened to be good at, while others may be all into the hierarchy, status and role of being a teacher. Some teachers will speak openly about attainments, and some may not. Some teachers are remarkably predictable in their manner and teaching style, while others swing wide in strange and unpredictable ways. Some may seem very tranquil and mild mannered, while others may seem outrageous or rambunctious. Some may seem extremely humble and unimposing, while others may seem particularly arrogant and presumptuous. Some are charismatic, while others may be distinctly lacking in social skills. Some may readily give us extensive advice, and some just listen and nod. Some seem the living embodiment of love, and others may piss us off on a regular basis. Some teachers may instantly click with us, while others just leave us cold. Some teachers may be willing to teach us, and some may not. So far as I can tell, none of these are related in any way to their meditation ability or the depths of their understanding. That is, don’t judge a meditation teacher by their cover. What is important is that their style and personality inspire us to practice well, to live the life we want to live, to find what it is we wish to find, to understand what we wish to understand. Some of us may wander for a long time before we find a good fit. Some of us will turn to books for guidance, reading and practicing without the advantages or hassles of teachers. Some of us may seem to click with a practice or teacher, try to follow it for years and yet get nowhere. Others seem to fly regardless. One of the most interesting things about reality is that we get to test it out. One way or another, we will get to see what works for us and what doesn’t, what happens when we do certain practices or follow the advice of certain teachers, as well as what happens when we don’t.
Daniel M. Ingram (Mastering the Core Teachings of the Buddha: An Unusually Hardcore Dharma Book)
All human language could be determined through this medium, which could not be expressed in any human language, and that was its perfection. The more a thing was clicked, the more perfect that thing would be. We would equate ourselves with that.
Joshua Cohen (Book of Numbers: A Novel)
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It’s more obvious than ever how unfair life is. In the past, your local community was your yardstick. Now your yardstick moves at the speed of light; no matter your situation, you’re just a click away to see someone who’s living utter perfection. Instagram and other media are bursting with highlights. How could you then not feel chronically jealous and unsatisfied?
BatWhaleDragon
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Terry Marselle (Perfectly Incorrect: Why The Common Core Is Psychologically And Cognitively Unsound)
The Interview The largest determining factor in whether you get a job is usually the interview itself. You’ve made impressions all along—with your telephone call and your cover letter and resume. Now it is imperative that you create a favorable impression when at last you get a chance to talk in person. This can be the ultimate test for a socially anxious person: After all, you are being evaluated on your performance in the interview situation. Activate your PMA, then build up your energy level. If you have followed this program, you now possess the self-help techniques you need to help you through the situation. You can prepare yourself for success. As with any interaction, good chemistry is important. The prospective employer will think hard about whether you will fit in—both from a production perspective and an interactive one. The employer may think: Will this employee help to increase the bottom line? Will he interact well as part of the team within the social system that already exists here? In fact, your chemistry with the interviewer may be more important than your background and experience. One twenty-three-year-old woman who held a fairly junior position in an advertising firm nonetheless found a good media position with one of the networks, not only because of her skills and potential, but because of her ability to gauge a situation and react quickly on her feet. What happened? The interviewer began listing the qualifications necessary for the position that was available: “Self-starter, motivated, creative . . .” “Oh,” she said, after the executive paused, “you’re just read my resume!” That kind of confidence and an ability to take risks not only amused the interviewer; it displayed some of the very skills the position required! The fact that interactive chemistry plays such a large role in getting a job has both positive and negative aspects. The positive side is that a lack of experience doesn’t necessarily mean you can’t get a particular job. Often, with the right basic education and life skills, you can make a strong enough impression based on who you are and how capable you seem that the employer may feel you are trainable for the job at hand. In my office, for example, we interviewed a number of experienced applicants for a secretarial position, only to choose a woman whose office skills were not as good as several others’, but who had the right chemistry, and who we felt would fit best into the existing system in the office. It’s often easier to teach or perfect the required skills than it is to try to force an interactive chemistry that just isn’t there. The downside of interactive chemistry is that even if you do have the required skills, you may be turned down if you don’t “click” with the interviewer.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
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It’s that Friday at the end of September when a storm blows in on a warm, muggy morning and it rains all day, but the rain clouds part for a crisp, bracing late afternoon and you know summer has finally lost its grasp. That Friday. It’s been one of those improbably perfect days when all the universe’s tumblers click into place. Every joke of yours kills. Everyone’s a little funnier than usual. Everyone’s a little more insightful and quick. One of those days when you feel like you’re going to be young and live forever. One of those days that feels perpetually like being at the top of the arc while you’re swinging on a swing set.
Jeff Zentner (Goodbye Days)
Something within them simply recognized one another, like companion pieces that click together perfectly, never meant to be without the other.
Zeppazariel (Best Friend’s Brother)
I am afraid of the dark, and this fear is gaining power over me with every moment I spend in the cellar. My stepmother is perfectly aware of this fear; I even used a nightlight to go to sleep when I lived upstairs. If she wanted to punish me, click, off it would go, leaving me to cry in the dark. Fear is not always rational, it is powered by your imagination, or an accumulation of past experiences that teaches you to be afraid. In this cellar I have an abundance of fears to choose from, be it the creations of my own mind or the reality of where I am.
David Leroy Harter Finch (Here There Be Monsters: A Terrifying True Story of Abuse, Endurance, and Hope in Small Town America)
The truth is that everyone is undergoing some sort of pain which they won’t talk about. Everybody hates some aspect of their life. The person you may see having a nice time abroad may be going through a real stressful time with his boss humiliating him daily. The person that seems perfectly healthy may have a horrible condition he refuses to talk about. People clicking photographs with their spouses as if they are in heaven maybe facing greatest marital discords. When you realize that truth is not what always what it seems on the surface, you will automatically be able to shift perspective and realize everyone’s life has a little bit of heaven and a little bit of hell. By shifting perspective, you can learn how to deal with jealousy better. It is up to you whether you want to enjoy the heaven or complain about the hell.
Anubhav Srivastava (UnLearn: A Practical Guide to Business and Life (What They Don't Want You to Know Book 1))
Love, love is enduring. Love is blind. Love is messy and so perfect, we search our entire lives for it, even when we think we aren’t. I guess I wasn’t either, but I found it anyway in the form of four criminals. Their hearts as dark as their souls. The thing is, I never tried to fight them, not really. I guess a part of me recognised them, and even though my mind was muddled with betrayal and anger, deep down, we clicked like pieces of a puzzle slotting together.
K.A. Knight (Den of Vipers)
Pausing at the threshold of the billiards room, she peered around the doorframe as gentlemen milled lazily around the table with drinks and cue sticks in hand. The clicks of ivory balls provided an arrhythmic undertone to the hum of masculine conversation. Her attention was caught by the sight of Matthew Swift in his shirtsleeves, leaning over the table to execute a perfect bank shot. His hands were deft on the cue stick, his blue eyes narrowed as he focused on the layout of balls on the table. Those ever-rebellious locks of hair had fallen over his forehead once more, and Daisy longed to push them back. As Swift sank a ball neatly into a side pocket, there was a scattering of applause, some low laughs, and a few coins changing hands. Standing, Swift produced one of his elusive grins and made a remark to his opponent, who turned out to be Lord Westcliff. Westcliff laughed at the comment and circled the table, an unlit cigar clamped between his teeth as he considered his options. The air of relaxed masculine enjoyment in the room was unmistakable. As Westcliff rounded the table, he caught sight of Daisy peeking around the doorframe. He winked at her.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
The comedian toys with our rational minds and brings about a "momentary fusion between two habitually incompatible matrices." The punch line comes a surprise but makes perfect sense. The sudden click of logic makes a joke funny; humor is reasonable. Someone without a strongly developed sense of logic is unlikely to have a good sense of humor either.
Éric Weiner (The Geography of Genius: A Search for the World's Most Creative Places from Ancient Athens to Silicon Valley)
Hannah is heartbroken—obsessed with the woman she saw kissing her man. In fact, she doesn’t even know whether Brandon was ever her man. She’s haunted by memories of blissful hours spent in his arms. But even if it kills her, she has to make the decision to let him go.   Thrill Book 4 Hannah is blissfully caught up in the attention of her Dom, living the perfect life. Only one thing is missing…one little sentence that would change it all. I love you. Will Brandon ever find the courage to utter those words? And if he doesn’t, will Hannah have to walk away?   CLICK HERE to get your copy of the COMPLETE SERIES
Lucia Jordan (Thrill)
As NASA put it in 1965 when defending the idea of sending humans into space, “Man is the lowest-cost, 150-pound, nonlinear, all-purpose computer system which can be mass-produced by unskilled labor.” But, for some tasks, we don’t have to pretend anymore. Everything changed in 1997 when IBM’s Deep Blue computer defeated then world chess champion Garry Kasparov. Predictive modeling was key. No matter how fast the computer, perfection at chess is impossible, since there are too many possible scenarios to explore. Various estimates agree there are more chess games than atoms in the universe, a result of the nature of exponential growth. So the computer can look ahead only a limited number of moves, after which it needs to stop enumerating scenarios and evaluate game states (boards with pieces in set positions), predicting whether each state will end up being more or less advantageous.
Eric Siegel (Predictive Analytics: The Power to Predict Who Will Click, Buy, Lie, or Die)
Backtesting against historical data, all indications whispered confident promises for what this thing could do once set in motion. As John puts it, “A slight pattern emerged from the overwhelming noise; we had stumbled across a persistent pricing inefficiency in a corner of the market, a small edge over the average investor, which appeared repeatable.” Inefficiencies are what traders live for. A perfectly efficient market can’t be played, but if you can identify the right imperfection, it’s payday.
Eric Siegel (Predictive Analytics: The Power to Predict Who Will Click, Buy, Lie, or Die)
Two weeks later I’m the last one in the locker room to change for gym. The click of heels makes me look up. It’s Carmen Sanchez. I don’t freak out. Instead, I stand and look right at her. “He was back in Fairfield, you know,” she tells me. “I know,” I say, remembering the hand warmers in my locker. But he left. Like a whisper, he was there and then disappeared. She looks almost nervous, vulnerable. “You know those giant stuffed-animal prizes at the carnival? The kind practically nobody wins, except the lucky few? I’ve never won one.” “Yeah. I’ve never won one, either.” “Alex was my giant prize. I hated you for taking him away,” she admits. I shrug. “Yeah, well, stop hating me. I don’t have him, either.” “I don’t hate you anymore,” she says. “I’ve moved on.” I swallow and then say, “Me, too.” Carmen chuckles. Then, just as she walks out of the room, I hear her mumble, “Alex sure as hell hasn’t.” What’s that supposed to mean?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Picture Perfect A few evenings into my bath time assignation, I heard clicking sounds from a camera shutter, every few seconds. As curious as I was to know who the photographer was, I was also excited by his voyeurism. It was curiosity versus exhibitionism; I wondered if I should discard my mask or just continue to be mystified and enjoy my lover and the voyeur. As the sounds of clicking magnified within my head, I rose to the occasion, giving a performance to whom-ever was viewing my lover and me through his lens. My overwhelming curiosity was too much. Whispering into my partner's ear I said, "Tell me, who’s taking the photographs." My seducer replied, "A friend who already knows our deepest darkest secrets." "Who and what might those secrets be?” I whispered into his ear in the heat of our passionate caresses. "Someone whom we adore -- you will find out when we return to your room because he is joining us tonight.
Young (Initiation (A Harem Boy's Saga Book 1))
We were perfectly placed, perfectly disposed to one another. Our pieces fit so well together, not in the way that puzzle pieces are carved to click, but in a clumsier, more accidental way; we were a city skyline – unplanned architectural mastery. Designed by the heavens, and you called me your angel – even when I was undeserving of that accolade. You’d call yourself the devil and I’d feel betrayed. Because for me, we were the same, either two sinners or two saints.
B.A. Perry (Dear Ex)
Don’t think I’m getting on that thing.” His left eyebrow raises a fraction. “Why not? Julio’s not good enough for you?” “Julio? You named your motorcycle Julio?” “After my great uncle who helped my parents move here from Mexico.” “I like Julio just fine. I just don’t want to ride on him wearing this short dress. Unless you want everyone riding behind us to see my undies.” He rubs his chin, thinking about it. “Now that would be a sight for sore eyes.” I cross my arms over my chest. “I’m jokin’. We’re takin’ my cousin’s car.” We get in a black Camry parked across the street. After driving a few minutes he pulls a cigarette from a pack lying on the dashboard. The click of the lighter makes me cringe. “What?” he asks, the lit cigarette dangling from his lips. He can smoke if he wants. This might be an official date, but I’m not his official girlfriend or anything. I shake my head. “Nothing.” I hear him exhale, and the cigarette smoke burns my nostrils more than my mom’s perfume. As I lower my window all the way, I suppress a cough. When he stops at a stoplight, he looks over at me. “If you’ve got a problem with me smokin’, tell me.” “Okay, I’ve got a problem with you smoking,” I tell him. “Why didn’t you just say so?” he says, then smashes it into the car’s ashtray. “I can’t believe you actually like it,” I say when he starts driving again. “It relaxes me.” “Do I make you nervous?” His gaze travels from my eyes to my breasts and down to where my dress meets my thighs. “In that dress you do.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I want you, chula,” I say, my voice hoarse. She presses against my erection, the pleasure/pain almost unbearable. But when I start to pull her panties down, she stills my hand and pushes it away. “I…I’m not ready for that. Alex, stop.” I move off her and sit back in the seat, waiting for my body to cool down. I can’t look at her as she adjusts her straps, covering her body again. Shit, I went too fast. I told myself not to get too excited, to keep my wits when I’m with this girl. Raking my hand through my hair, I let out a slow breath. “I’m sorry.” “No, I’m sorry. It’s not your fault. I urged you on and you have every right to be pissed off. Listen, I just got out of a relationship with Colin and I’ve got a lot of stuff going on at home.” She puts her face in her hands. “I’m so confused.” She grabs her purse and opens the door. I follow her, my black shirt open and flying in the wind behind me like a vampire’s cape. Either that or the grim reaper’s. “Brittany, wait.” “Please…open the door to the garage. I need my car.” “Don’t go.” I press the keypad code. “I’m sorry,” she says once more. “Stop sayin’ that. Listen, no matter what happened, I’m not with you just to get into your pants. I got carried away with the way we clicked tonight, your vanilla scent that I wanted to keep inhalin’ forever and…shit, I really messed this up, didn’t I?” Brittany climbs inside her car. “Can we take it slow, Alex? This is going way too fast for me.” “Yeah,” I say, nodding. I keep my hands in my pockets, resisting the urge to pull her out of the car. And dammit if Brittany doesn’t drive away.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
All the models were preening and posing while Mario clicked away, twisting this way and that, upward, downward and every which way in order to capture the perfect shot. Not surprisingly, Andy was a natural in this modeling game. Like a well-trained Bahriji grad, he worked his seductive charms while posing with the three females, exuding an unmistakable flair and panache at every turn. Viewing the photographs later, I was definitely fooled by Andy playing the role of a 'straight’ man. It was strange for me to see how photographs trick the eye. I saw, until I analyzed it, exactly what the creator wanted me to see, and believe.
Young (Initiation (A Harem Boy's Saga Book 1))
Andy began losing his erection, and wasn’t able to perform. For me, the allure was Kismat’s unusualness. My erection was waning. If not for Nirob and Andy's alpha attention, I would not have been able to continue. I’d rather have been a voyeur, watching Kismat and Nirob, than an active participant. Nirob was completely turned on having a Lady Boy and a Pretty Boy simultaneously. He asked Andy to take photographs, thus providing him the perfect excuse to shy away from sexual participation (as he had totally lost his erection). He embraced the camera, clicking away, capturing our three-way action.
Young (Initiation (A Harem Boy's Saga Book 1))
I sit on the bathroom floor, wiping my eyes with toilet paper and doing my best to cover my nose. A loud knock interrupts my crying fit. “Brittany, you in there?” Alex’s voice comes through the door. “No.” “Please come out.” “No.” “Then let me in.” “No.” “I want to teach you somethin’ in Spanish.” “What?” “No es gran cosa.” “What does it mean?” I ask, the tissue still on my face. “I’ll tell you if you let me in.” I turn the knob until it clicks. Alex steps inside. “It means it’s not a big deal.” After locking the door behind him, he crouches beside me and takes me in his arms, pulling me close. Then he sniffs a few times. “Holy shit. Was Paco in here?” I nod. He smoothes my hair and mutters something in Spanish. “What did my mother say to you?” I bury my face in his chest. “She was just being honest,” I mumble into his shirt. A loud knock at the door interrupts us. “Abre la puerta, soy Elena.” “Who’s that?” “The bride.” “Let me in!” Elena commands. Alex unlocks the door. A vision in white ruffles with dozens of dollar bills safety-pinned to the back of her dress squeezes her way into the bathroom, then shuts the door behind her. “Okay, what’s goin’ on?” She, too, sniffs a bunch of times. “Was Paco in here?” Alex and I nod. “What the fuck does that guy eat that it comes out his other end smelling so rotten? Dammit,” she says, wadding up tissue and putting it over her nose.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Meri, this is Jake, please don’t hang up. I know you don’t want to talk to me. That’s fine, just listen, ’kay?” His voice, all deep and . . . Jake-like, stopped her. She pressed the phone closer to her ear. “I know I only have a minute before this thing cuts me off. Remember when I came to Summer Place that first time? I’d heard about Eva and heard they’d granted custody of the kids to you. I came home to fight you for them, I admit that.” Meridith pressed a fist to her stomach. “I know I should have told you who I was right then, but when you thought I was there for the work, I started thinking how perfect this was, how I could get to see the kids and maybe—okay, I was trying to find reasons why you weren’t the best guardian, but I didn’t know you then. Was just trying to do what was best for the kids and—I was wrong. Meridith? I’m sorry you were caught in the crossfire. I’m sorry I hurt you . . .” There was a long pause. Then a click. The recording followed. “If you’d like to save the message . . .” Meridith returned the phone to the cradle, staring at the extension as if Jake would materialize from it. Part of her wished he would. Part of her wanted to pick up the phone and replay his message—the treacherous, self-sabotaging part that let her feelings and whims whip her around like a leaf in the wind. He’d
Denise Hunter (Driftwood Lane (Nantucket, #4))
I didn’t do it. How can you think so? I can’t stand what I’ve already done!” Neither of us says anything else. We don’t even move. Anna is pissed off and trying very hard not to cry. As we look at each other, something inside me is trying to click, trying to fall into place. I feel it in my mind and in my chest, like a puzzle piece you know has to go somewhere so you keep trying to push it in from all different angles. And then, just like that, it fits. So perfect and complete that you can’t imagine how it was without it there, even seconds ago. “I’m sorry,” I hear myself whisper. “It’s just that— I don’t know what’s happening.” Anna’s eyes soften, and the stubborn tears begin to recede. The way she stands, the way she breathes, I know she wants to come closer. New knowledge fills up the air between us and neither of us wants to breathe it in. I can’t believe this. I’ve never been the type. “You saved me, you know,” Anna says finally. “You set me free. But just because I’m free, doesn’t mean—that I can have the things that—” She stops. She wants to say more. I know she does. But just like I know that she does, I know that she won’t.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
Alex!” Brittany yells my name from the front of the gallery. I’m still smoking and trying to forget that she brought me here because I’m her dirty little secret. I don’t want to be a fucking secret anymore. My pseudo-girlfriend crosses the street. Her designer shoes click on the pavement, reminding me she’s a class above. She eyes Mandy and me, the two blue collars, smoking together. “Mandy here was about to show me her tattoos,” I tell Brittany to piss her off. “I’ll bet she was. Were you going to show her yours, too?” She eyes me accusingly. “I’m not into drama,” Mandy says. She throws down her cigarette and smashes it with the tip of her gym shoe. “Good luck, you two. God knows you need it.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
A woman I have never seen before Steps from the darkness of her town-house door At just that crux of time when she is made So beautiful that she or time must fade. What use to claim that as she tugs her gloves A phantom heraldry of all the loves Blares from the lintel? That the staggered sun Forgets, in his confusion, how to run? Still, nothing changes as her perfect feet Click down the walk that issues in the street, Leaving the stations of her body there Like whips that map the countries of the air.
Richard Wilbur
Jesus fuck, Dexter,” she said. “You go trotting away with a pistol and Anderson turns up shot dead and…How does that get our kids back? Can you tell me that?” “Not while you’re talking, I can’t,” I said, and I could hear her teeth click shut—but at least she was quiet, which allowed me to lower my voice. “As sad as it seems to me, I didn’t shoot Anderson,” I said softly. And at that moment, happily for me, I thought of the perfect explanation to let me off the hook. “But, Deborah—Anderson shot the men who could tell us where the kids are.
Jeff Lindsay (Dexter Is Dead (Dexter, #8))
They took Daisy to the orangery, where warm autumn light glittered through the windows, and the scents of citrus and bay hung thick in the air. Removing Daisy's heavy orange-blossom wreath and veil, Lillian set them aside on a chair. There was a silver tray on a nearby table, laden with a bottle of chilled champagne and four tall crystal glasses. "This is a special toast for you, dear," Lillian said, while Annabelle poured the sparkling liquid and handed the glasses out. "To your happy ending. Since you've had to wait for it longer than the rest of us, I'd say you deserve the entire bottle." She grinned. "But we're going to share it with you anyway." Daisy curved her fingers around the crystal stem. "It should be a toast for all of us," she said. "After all, three years ago we had the worst marriage prospects imaginable. We couldn't even get an invitation to dance. And look how well things turned out." "All it t-took was some devious behavior and a few scandals here and there," Evie said with a smile. "And friendship," Annabelle added. "To friendship," Lillian said, her voice suddenly husky. And their four glasses clicked in one perfect moment.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
A Latch to Start and Stop the Light Do you remember the SR latch from “Saving One Bit at a Time” on page 240? The start/stop circuit for this game is a similar SR latch but built with two NAND gates. (The SR latch in Chapter 11 used NOR gates.) The SR latch is a circuit that can remember a single bit. Its output is either 0 or 1, and it keeps that number until it gets set or reset with a new input. You can create a circuit that tells the latch what to output with two buttons: one for setting the output to 1 and one for setting the output to 0. Using NAND gates instead of NOR gates means the buttons must make the inputs low to output a 1. In this circuit, it doesn’t matter whether you click the buttons quickly or slowly. The 1-button always sets the output to 1, and the 0-button always sets the output to 0. That’s perfect for the reaction game! Connecting the output to the start/stop pin, or pin 13, on the decade counter gives you a button for starting and stopping the LEDs.
Oyvind Nydal Dahl (Electronics for Kids: Play with Simple Circuits and Experiment with Electricity!)
There are certain male figures we were just told to believe in, to trust. Our rock gods. Our politicians. Our medical professionals. A cornerstone of reaching adult womanhood is realizing that this is a myth—that men, no matter what their profession or how deeply their work speaks to you, can be dangerous.
Gabrielle Korn (Everybody (Else) Is Perfect: How I Survived Hypocrisy, Beauty, Clicks, and Likes)
Facebook Ads Checklist Does my copy look like news and demand attention? Are my Facebook ads selling the click? Is my tracking in place so I can determine which audiences and ads are generating sales? Is my focus on earnings per click (EPC) and sales volume? Is more money coming back to me than I’m putting into Facebook ads? Is my copy the perfect bait for my dream buyer? Are my conversions increasing? Is my cost per conversion decreasing?
Sabri Suby (SELL LIKE CRAZY: How to Get As Many Clients, Customers and Sales As You Can Possibly Handle)
Up there on the left,” Nero directed. “Perfect, you can put us down. I’ll take it from here.” Hugo set Seth on the ground. Seth clicked on his flashlight. The golem held Nero by his ankles. The troll hung upside down, staring into the stony hollows of the golem’s eyes. “No hurt Seth,” Hugo warned, the words coming out like massive boulders grinding against each other. “You have my word,” Nero pledged, placing a webbed hand over his chest. The golem turned Nero around and placed him on the ground.
Brandon Mull (Secrets of the Dragon Sanctuary (Fablehaven, #4))
I’ll always be his, and he’ll always be mine. The knowledge that I belong to him clicks in my heart like a long lost piece of a puzzle finally sliding into place to make a complete picture. The perfect picture of happiness.
Willow Prescott (Breakaway (Stolen Away Series Book 2))
As the next page loaded with another set of 25 emails, his eyes were drawn to the bottom of the screen, where for the first time previously-read messages stood out beneath the bold-type unread ones.  There was something powerfully sentimental, almost tangible, about the realization that his dad had sat before a computer somewhere ten years earlier and had clicked on these same messages.  The most recent one, received just hours before his parents’ death, was from his mom with the subject line, “re: Li’l Ryan’s Bday”. With a lump developing in his throat, he clicked on the message.  His mom had written: “That’s something dads should talk to their sons about ;)”  Hmm.  Didn’t make sense without context. Below the end of the message he found the option to “show quoted text,”  which he clicked on to reveal the entire exchange in reverse chronological order.  She had been responding to his dad’s message: “I’m sure he’ll get it.  I like the idea, but you better be prepared to have a discussion about the birds and bees.  You know how his mind works.  He’ll want to know how that baby got in there.” Ryan’s palms grew sweaty as he began to infer what was coming next.  Not entirely sure he wanted to continue, but certain he couldn’t stop, he scrolled to the end. The thread had started with his mother’s message, “I’m already showing big-time.  Sweaters only get so baggy, and it’s going to be warming up soon.  I think tonight would be the perfect time to tell Ryan.  I wrapped up a T-shirt for him in one of his presents that says ‘Big Brother’ on it.  A birthday surprise!  You think he’ll get it?” Having trouble taking in a deep breath, he rose to a stand and slowly backed away from his computer.  It wasn’t his nature to ask fate “Why?” or to dwell on whether or not something was “fair.”  But this was utterly overwhelming – a knife wound on top of an old scar that had never sufficiently healed. ~~~ Corbett Hermanson peered around the edge of Bradford’s half-open door and knocked gently on the frame.  Bradford was sitting at his desk, leafing through a thick binder.  He had to have heard the knock, Corbett thought, peeking in, but his attention to the material in the binder remained unbroken. Now regretting his timid first knock, Corbett anxiously debated whether he should knock again, which could be perceived as rude, or try something else to get Bradford’s attention.  Ultimately he decided to clear his throat loudly, while standing more prominently in the doorway. Still, Bradford kept his nose buried in the files in front of him. Finally, Corbett knocked more confidently on the door itself. “What!” Bradford demanded.  “If you’ve got something to say, just say it!” “Sorry, sir.  Wasn’t sure you heard me,” Corbett said, with a nervous chuckle. “Do you think I’m deaf and blind?” Bradford sneered.  “Just get on with it already.” “Well sir, I’m sure you recall our conversation a few days back about the potential unauthorized user in our system?  It turns out...” “Close the door!” Bradford whispered emphatically, waving his arms wildly for Corbett to stop talking and come all the way into his office. “Sorry, sir,” Corbett said, his cheeks glowing an orange-red hue to match his hair.  After self-consciously closing the door behind him, he picked up where he’d left off.  “It turns out, he’s quite good at keeping himself hidden.  I was right about his not being in Indiana, but behind that location, his IP address bounces
Dan Koontz (The I.P.O.)
This is a book about what happens when you put your own well-being on hold to achieve a version of success that you think you’re supposed to want, and how I finally was able to see—and then escape—the confines of perfection.
Gabrielle Korn (Everybody (Else) Is Perfect: How I Survived Hypocrisy, Beauty, Clicks, and Likes)
If you want to construct the perfect virtual team, there are a number of elements that you need to consider. The first is how many staff members will you require? If you have several employees, you may require more than one team to complete various jobs. If you are working with individuals from various histories, it will be harder to examine their capacities. If you employ people with varying degrees of experience, the team will be less efficient as well as will only wind up developing even more irritation. The 2nd aspect is the ability degree of each member. This is necessary since you will certainly require to produce a sense of neighborhood among employees. A virtual team-building video game will certainly aid you to attain this. A virtual team-building game called the 100 Information Obstacle is fun and also can make everyone included really feel even more connected. You can locate an assisted-in virtual team structure game with a business such as a Tag. If you do not intend to employ a team leader, you can attempt the 100 Things Challenge to discover exactly how you can develop a community within your business. Another attribute of a virtual team monitoring device is the capability to take care of digital teams from throughout the globe. This device makes it less complicated to take care of online teams from anywhere. As an example, if you have a remote employee, you can use the ClickUp app to appoint jobs and timetable meetings. You can even use it as a style accessory, which has been hailed by Path magazine. And also if you're seeking one more virtual team-building tool, it deserves to think about Donut. Virtual team structure video games are enjoyable ways to create a connection and also construct team comradery. Gamings like online retreat areas, murder mysteries, tests, as well as facts video games can also be an enjoyable way to connect with a staff member.
perfectvirtualteam
Another piece of her melody clicks in place, another bar of music that makes my fingers itch to play it on the keys, to see if it sounds the same in real life as it does in the perfect concert hall that is my head.
Ashley Schumacher (Full Flight)
American Airlines Customer Service Number +1-855-653-5007 American Airlines Customer Service the best way to contact AA customer service is through phone calls. For that, you need to find the customer service phone number from its official website. You should use the contact number based on your region or regional language. After dialing it, you have to follow the on-call voice guidelines to connect with the customer service representative of American Airlines. You can also contact AA customer service with the help of the live chat feature on its official website. To initiate the procedure, you only need to click on the live chat icon and start following the on-screen instructions to connect with the executive. You can use social media platforms to connect with the experts of American Airlines. Twitter will be perfect for you. For any queries, reviews, and complaints, you can use email to connect with the AA customer service.
NaxeBek O