Perennial Garden Quotes

Friends are "annuals" that need seasonal nurturing to bear blossoms. Family is a "perennial" that comes up year after year, enduring the droughts of absence and neglect. There's a place in the garden for both of them.

Looking at these pictures, I wonder, did that part of me that flourished around him, like prized perennials under a tender gardener's care, die along with him?

Gardens come and go, but I find myself getting attached to certain perennials. My tulips are bridesmaids, with fat faces and good posture. Hollyhocks are long necked sisters. Daffodils are young girls running out of a white church, sun shining on their heads. Peonies are pink-haired ladies, so full and stooped you have to tie them up with string. And roses are nothing but (I hate to say it) bitches--pretty show-offs who'll draw blood if you don't handle them just right. -Vangie Galliard Nepper, From her "Garden Diary," March 1952

I have a feeling you’re someone who will appreciate that we grow the real beauties here,” Eudora said. “Not the gaudy sun perennials that want to flash everything they’ve got like cheap hookers. You have to look hard to find the pockets of beauty in my garden.

Peonies are beautiful perennials. A classic, really. Every garden should have them. They're dependable, have a timeless, elegant beauty and will bloom with very little attention." He was silent for a moment while she switched branches and he followed. "Like you

It has been said that all the stories have already been told, that there is nothing left to say. At best, a writer’s job is to pour new wine in old bottles, to retell in a new way the same emotional predicaments that humans have felt since the beginnings of time. Yet many authors find this a worthwhile challenge; they think of themselves as gardeners whose task is to cultivate perennial ideas generation after generation. The same flowers will bloom each spring, but if the gardener slacks off, weeds will take over.

Aside the narrow path leading from the house entrance door to the wicket, the perennials like variegated carnations and creamy color spots of pyrethrum made a curvy line looking like a kind of flowery brook falling into the odorous ocean of phloxes at the gate.

Does the sacred quest end with cultivating our own gardens and dwelling within our private and incommunicable experiences? Because we human beings are verbal and communal animals, we cannot remain wonder-struck and dumb. We need to say something. We are a species given to storytelling and philosophizing to explain our world. Ergo, it is pure folly to suppose we can avoid speaking about the ultimate context and meaning of our existence. We cannot simply be content with the private experience of elementary emotions and the great encompassing mystery. Our feelings demand expression. How are we to understand this perennial need to speak to G-d and about G-d even when what we say involves contradictions, paradoxes, and sacred nonsense? To communicate is to come back into the community. The hero must return from the inner journey to the common life of dialogue and engagement.

Oh! to think that he should actually let her come as near to him as that! He knew nothing in the world would make her put out her hand toward him or startle him in the least tiniest way. He knew it because he was a real person—only nicer than any other person in the world. She was so happy that she scarcely dared to breathe. The flower-bed was not quite bare. It was bare of flowers because the perennial plants had been cut down for their winter rest, but there were tall shrubs and low ones which grew together at the back of the bed, and as the robin hopped about under them she saw him hop over a small pile of freshly turned up earth. He stopped on it to look for a worm. The earth had been turned up because a dog had been trying to dig up a mole and he had scratched quite a deep hole. Mary looked at it, not really knowing why the hole was there, and as she looked she saw something almost buried in the newly-turned soil. It was something like a ring of rusty iron or brass and when the robin flew up into a tree nearby she put out her hand and picked the ring up. It was more than a ring, however; it was an old key which looked as if it had been buried a long time.

Depending on which flavor of academic scholarship you prefer, that age had its roots in the Renaissance or Mannerist periods in Germany, England, and Italy. It first bloomed in France in the garden of Jean-Jacques Rousseau in the 1780s. Others point to François-René de Chateaubriand’s château circa 1800 or Victor Hugo’s Paris apartments in the 1820s and ’30s. The time frame depends on who you ask. All agree Romanticism reached its apogee in Paris in the 1820s to 1840s before fading, according to some circa 1850 to make way for the anti-Romantic Napoléon III and the Second Empire, according to others in the 1880s when the late Romantic Decadents took over. Yet others say the period stretched until 1914—conveniently enduring through the debauched Belle Époque before expiring in time for World War I and the arrival of that other perennial of the pigeonhole specialists, modernism. There are those, however, who look beyond dates and tags and believe the Romantic spirit never died, that it overflowed, spread, fractured, came back together again like the Seine around its islands, morphed into other isms, changed its name and address dozens of times as Nadar and Balzac did and, like a phantom or vampire or other supernatural invention of the Romantic Age, it thrives today in billions of brains and hearts. The mother ship, the source, the living shrine of Romanticism remains the city of Paris.

What if I had made different choices from the start? What if I had stuck around to watch another year of seasons spin here in Oxford, staying to see the daffodils bloom or to wander beneath the privet tunnel hand in hand with Fisher? What if we had kept right on kissing until the naked ladies emerged near the Osage orange? What if I had lingered long enough to see cape jasmine arrive, her voluptuous white bundles an aromatic call for summer love? Or even longer, when the spider lilies burst open in the fall and the yellow autumn light fell low among missy roots? What if I had stayed through winter, forming snow angels with my lover beneath the icy cedar boughs? What if I had not let fear defeat me after Fisher knelt before me in my mother's backyard garden, ring in his hand and happy-ever-after in his heart?

Eventually, the men’s talk of politics turned to poetry. The recitations could begin with a quatrain from Omar Khayyam’s Rubaiyat: I need a jug of wine and a book of poetry, Half a loaf for a bite to eat, Then you and I, seated in a deserted spot, Will have more wealth than a Sultan’s realm. To which a voice might answer with a poem by Rumi: My arrow of love has arrived at the target I am in the house of mercy and my heart is a place of prayer. These gatherings went on for hours, with one guest after another reciting poems of the Persian masters—Rumi, Khayyam, Sa’adi, snd Hafez. That my father, the Colonel, who could make us cower with a single sidelong glance, produced the most skillful recitations both bewildered and fascinated me. His voice had a deep timbre perfectly suited to reciting verse, and the frequent cries of “Lovely!” and “Exquisite!” roused him to ever more passionate declamation. I listened from behind the window, enraptured by the music of a language that can sometimes sound like susurrations of a lover and sometimes like the reed’s plaintive song. The words hooked into me and wouldn’t let me go. Rivers, oceans, and deserts, the nightingale and the rose—the perennial symbols of Persian poetry first grew familiar to me through these late-night scenes in the garden, and even though I was still a young girl, only just a child, the verses called me away to different lands.

Nine hundred species of native plants. I have a feeling you’re someone who will appreciate that we grow the real beauties here,” Eudora said. “Not the gaudy sun perennials that want to flash everything they’ve got like cheap hookers. You have to look hard to find the pockets of beauty in my garden.” “Your garden?” But Eudora was no longer listening. She strode ahead, slowing down when they entered an intimate fairy-tale forest. The path narrowed and switched to pale stone. Crazy paving, Tom would have called it—stone slabs haphazardly slotted together in a way that defied time, feet, and the extremes of weather. The formal, structured sweep of the Historic Gardens was replaced by a hint of controlled but wild beauty. Above the towering hemlocks, the clouds broke apart to reveal slashes of blue sky. Eudora was right—so many pockets of beauty if you looked hard enough: trailing catkins and clusters of reddish pitcher plants that looked like rhubarb stalks with curling ends. (Such fascination he’d had for carnivorous plants after Tom had shown him a picture of a Venus flytrap in Encyclopædia Britannica.) A dead stick jutted up through the leaves; the sign next to it read “Northern Catalpa.” He would research that on the Web when he got to the office. See if he could find a picture of it in full leaf. “Here, smell this.” Eudora had stopped by a small, unimpressive tree, but as Felix moved close, he spotted tiny pom-poms of reddish blooms. He had never seen anything quite so weird or wonderful. Ella should definitely plant one of those. “Hmm.” “Witch hazel.

neighborhood. So the school, being unable to utilize this everyday experience, sets painfully to work, on another tack and by a variety of means, to arouse in the child an interest in school studies. (Dewey, 1959, pp. 76–77) During Dewey’s tenure at the University of Chicago, he and his colleagues created a model of an educational process that sought to immerse children in those fundamental community activities from which the contemporary academic disciplines have emerged. Using such perennial vocations as gardening, cooking, carpentry, and clothing manufacture, students at the Laboratory School were drawn into the forms of problem-solving and investigation that led to the invention of biology, mathematics, chemistry,

Marriage is a wonderful thing, the wonder of wonders. It is a veritable garden of delights, a perennial fountain of the most exquisite sweetness, happiness, a land of enchantment. The riches and honors of the world are nothing in comparison with it.

Perennials [10w] Greed and stupidity are perennials always blooming in man's garden.

Climbing Roses have so much use, as well as beauty, in a garden, that my advice is, wherever there is an excuse for having one,[132] plant it there. They do finely on the south side of a house, on arches, summer-houses and trellises. I have a trellis along one side of a grass walk three hundred and fifty feet long. At each post are planted two Roses, a Crimson Rambler and a Wichuraiana. The Wichuraiana blossoms when the Rambler is done. Imagine the beauty of this trellis when the Roses are in bloom! On the other side of this walk there is a border four feet wide, with shrubs at the back, filled, all of the three hundred and fifty feet, with many varieties of perennials, also with Lilies and annuals planted in wherever a foot of space can be found.

Of course, gardening naturally creates an awareness of cycles, particularly with perennials that come up on their own each year, alerting us to the changes of the seasons.

A collection of beautiful old adobe buildings connected by flagstone walkways sat beneath large trees. Bernie admired the way little walls gave the flowers their own separate home, calling attention to their beauty and the mountain views beyond. She knew enough to realize that such gorgeous gardens didn’t happen by accident. The mix of native plants, hardy perennials, and blooming annuals reflected a long history of steady effort.

The olfactory stem cells replenish constantly even in a healthy nose. They are some of the only neurons in the human body with the ability to regenerate from scratch. And they do so constantly, growing like the perennial flowers in my mother’s garden but on warp speed.

Like a perennial garden, our old friends follow us through the seasons of our lives.

She watched the early-morning sun filter out from the trees still glistening from frost, and imagined the way here perennial beds would be thick and wild with beauty in just a few months. And her zinnias and sunflowers and trumpet vine would cover the fence and keep Patsy out. The messy look. That is just how Patsy described it last summer. After Elizabeth dug up the boxwoods and hollies with their geometric precision, their obedient square ugliness, she planted daisies, black-eyed Susans, coneflowers, and phlox. She planted zinnias and cosmos that she had grown from seed. The border had exploded in color and texture. The plants had flowered wild and strong and generous. Every morning, Elizabeth had fingered the velvety petals.

digging up some of the perennials that needed dividing, and bringing them back to a small sunny strip he had fitted out as a garden in his new place in the mountains.

Endless Love Like the river never stops, I too shall never stop loving you, Like those shining stars, I too shall always shine for you, Like the wind that paces through the forest where I spent few moments with you, I too shall in that forest of memories always seek you, just you, Maybe it is my compulsive proneness that I only seek you, In my wakeful state and in my subconscious slumbers I only think of you, Maybe it is my memories that refuse to exist without you, And before this stubbornness of my mind and heart , I surrender and I allow myself to love you, just you, In the Summer garden where many roses bloom, I find none like you, Like the desperate butterflies seeking their flowers of choice, in the garden of life, I only seek you, just you, The roses have wilted, butterfly wings lie strewn on the grass blades, and they all remind me of you, But unlike the changing seasons, my heart always stays in the perennial state of loving you, Everything in this universe seems to be seeking something or someone, just like I endlessly seek you, In the summer joys, in the forest wind, in the gushing river, wherever I see, I just see a reflection of you, As the palpable world grows around me in these transient forms, I seek my world within you, In your beautiful eyes, in your smiles, in your scent and in every essence that reflects you, I transpose these beautiful reflections on this world, until everything looks like you, exactly like you, Maybe Irma, love is what I feel when I see you, when I touch you, when I just say nothing and simply sit beside you, And the palpable world transforms into your smile, and I resume loving you, In the forest of my endless memories of you, Where I often tread in the brightness of the day and the silence of the night, to be with you, just you, The river still flows, the stars still twinkle, the forest still grows, and with them your love in my heart grows too, I have entered a precarious state where there is only one certainty, that to keep on loving you, And wonder if you feel so too, I have every reason to believe you do too Irma, because the trails of life we tread together, still remind me of you, and there at discrete corners I hear the echoes of your longings too, And then my heart whispers, while my mind quietly lets it be its own master, “I love you!” And the river of my feelings gains a renewed momentum to rush endlessly and forever unto you, And as lovers, we fill our senses where you become me and I become you, And what a joy it is to love you, And say again and again, “my darling Irma. I love you!

The Crowned Snail by Stewart Stafford The vortex-shelled snail, Hermit rider of the dome, Silver trails cross the garden, This green, perennial home. Playing Russian Roulette, With giant feet or wheels, Survivor of stone attacks, Battering rams birds wield. A journey with no beginning, Nor a destination to travel to, Snug in his fortress castle, A crowned king, incognito. © Stewart Stafford, 2023. All rights reserved.

Who loves a garden, still his Eden keeps, Perennial pleasures plants, and wholesome harvests reaps.

What if I had made different choices from the start? What if I had stuck around to watch another year of seasons spin here in Oxford, staying to see the daffodils bloom or to wander beneath the privet tunnel hand in hand with Fisher? What if we had kept right on kissing until the naked ladies emerged near the Osage orange? What if I had lingered long enough to see cape jasmine arrive, her voluptuous white bundles an aromatic call for summer love? Or even longer, when the spider lilies burst open in the fall and the yellow autumn light fell low among mossy roots? What if I had stayed through winter, forming snow angels with my lover beneath the icy cedar boughs? What if I had not let fear defeat me after Fisher knelt before me in my mother's backyard garden, ring in his hand and happy-ever-after in his heart?

Reed is nothing like these men. Never was. Instead, he is a master of disguise. A man so broken, his form shifts completely based on the angle of the light that meets him. He's like the cleome that bloom here in Mother's garden, changing from dark pink at night to pale come morning, then to white again before the bloom falls. Or the heirloom petunias. Or the Confederate rose. Never know what we might find when we visit them. Fickle flowers, they behave as if they've forgotten who they really are, always hiding, fooling us by showing only what they want us to see. I now understand there have always been men like Reed in the world. A Judas. A wounded soul who causes tremendous harm for his own gain.

Thanks to greenhouse transplants, we spent the afternoon harvesting a basket of tender yellow squash and zucchini---the first of the season. Roasted with hand-pressed olive oil, the fresh produce serves as an early supper, dished with homegrown herbs and a piping-hot bowl of fettuccine. For dessert, Mother's peach pie, baked from preserves and balanced with a heaping scoop of vanilla ice cream, all drizzled with a warm, dark loop of honey tapped straight from my father's hives.

Next, I add a layer of Queen Anne's lace, its white clusters representative of the bridal veil worn by Mother and Bitsy, never by me. I can hear Mother's voice, teaching me that the flower is considered a weed by many, but she added it to her wildflower garden intentionally. She claims it has "a rebel heart, its snowflake appearance proof it was never meant to be a summer bloom at all." With its dark-purple center, this renegade flower represents all things feminine: delicate lace, the symbolic purity of snow, the red stain of suffering, and the long, deep taproot that keeps her growing against all odds.

I used to think the garden of Eden story was all about Eve breaking the rules and eating the forbidden fruit. Church lessons taught us that her selfishness and deception resulted in great suffering for every generation to follow. That's the guilt we have been taught to carry as women. The serpent tricks us, and it's all our fault. Others are harmed by our naive choice, and it's all our fault. Our children stray from the right path, and it's all our fault. Truth is, the dangers were here from the start. But so was the beauty. Now I realize the story is not about punishing all of humankind for Eve's mistake. It's about relationship. It's about gratitude and honesty and choosing the right person to be by your side in life. It's about trust and partnership and loyalty. It's about love. Now, as the garden comes to life around me, I no longer think of serpents and betrayals and lies and shame. Instead, I see what God sees. I see that it is good. All of it. Good.

Though the garden brought no profit in winter, it had its own beauty. The white canopy over the glass house sparkled on bright days. The gazing ball grew a crystalline moon. Downy snow on the herb beds and flower gardens caught the light in soft, variant blues and mauves. Reddily clustered berries against the drifts formed a pretty picture. A frosted crescent blanketed the bench where Lavender and her father used to sit, listening to Amaryllis Fitch's divine harp concerts. And the winter garden wasn't silent, either. Chickadees in their black caps twittered about, and Lavender left a pan of seeds out for them. Rabbits' tracks crooked across the slumbering perennials and bulbs.

In general, old-fashioned cottage garden perennials are the ones to go for, particularly garden herbs – lupins, hollyhocks, scabious, lavender, chives, sage, thyme and rosemary and so on. Most are easy to grow and low maintenance, so they are well suited to busy modern lifestyles – gardening for wildlife is easy.

Perennials

Who wants what? The answer to what any given plant prefers is found in the next two soil food web gardening rules. Rule #2 holds that most vegetables, annuals, and grasses prefer their nitrogen in nitrate form and do best in bacterially dominated soils. Rule #3 points out that most trees, shrubs, and perennials prefer their nitrogen in ammonium form and do best in fungally dominated soils.

I present... the courtyard!" The curtain slid away to reveal a wall of glass. Several production workers slid the transparent panels along the tracks until the entire room opened up onto a massive outdoor kitchen. The contestants filed outside, stunned by the extravagance. It doubled the size of their workspace. Stovetops and grills were set into brick counters. Refrigerators were tucked safely under a canvas canopy. And best of all- most thrilling of all- was a lush, vibrant perennial border that surrounded the entire kitchen, filled with edible plants, herbs, and flowers. Bright orange nasturtiums nodded in the afternoon sunshine, tender peas twined about a chicken wire fence. Bees hovered over patches of fuzzy thyme. Sophia laughed out loud. This was utterly delightful. "Your dream come true, Miss Garden Fairy?" The Scot's thick arms crossed his chest. He looked utterly disinterested. "There are fully-stocked pantries inside, as well. But the outdoor facility takes advantage of our beautiful Vermont landscape. Edibles in the garden." Mr. Smith pointed to glass-fronted coolers. "Local cheeses and other dairy products." He sauntered over to the canopied area and the cameras followed him. Baskets of fresh produce lined the tables. "We locally farmed proteins, fruits, and vegetables. Honey. Maple syrup. Anything and everything you can imagine." He took a perfectly ripe strawberry from one of the boxes and popped it into his mouth.

You can use annuals To fill an entire flowerbed (this popular use is why some places call annuals bedding plants) In container displays — in pots, windowboxes, patio planter boxes, and more To fill a hanging basket To edge a walkway To “spot” color in a perennial bed In edging and as decoration for a vegetable or herb garden To cover over or at least distract from a fading spring bulb display

So, what, exactly are perennials? They’re long-lived herbaceous (non-woody) plants — flowers and herbs, mainly. How long they last depends on the plant and the conditions in your garden.

The water needs of perennials vary. Some are moisture-lovers, others are drought-tolerant, and many are somewhere

Many perennials (like most people) enjoy being fed. They respond by growing more robustly and producing more flowers. You’re fine with a general, all-purpose garden fertilizer, applied according to the label directions during the height of the growing season.

I have to admit that fertilizing the majority of perennials isn’t mandatory. If you plant them in soil that suits them (and do your homework when choosing the plants), they may do just fine without it. Good, organically rich soil and good growing conditions and regular water can sustain healthy, hearty perennial growth for quite some time.

There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.

include perennial sunflowers (Helianthus spp.), various goldenrods (Solidago spp.), native willows (Salix spp.), asters (Symphyotrichum spp.), and blueberries (Vaccinium spp.). Including these plants in our gardens, along with the greatest diversity of native flowering plants we can muster, is our best defense against losing local native bee species.