Pepper Quotes

We've searched our database for all the quotes and captions related to Pepper. Here they are! All 100 of them:

What do you think? I'm not a starfish or a pepper tree. I'm a living, breathing human being. Of course I've been in love.
Haruki Murakami (Kafka on the Shore)
There are some things, after all, that Sally Owens knows for certain: Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
I’m forever near a stereo saying, ‘What the fuck is this garbage?’ And the answer is always the Red Hot Chili Peppers.
Nick Cave
We ran, plowing through another pile of peppers. [No, I didn't pick a peck of them, Sadie - just shut up.]
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
To reiterate, no matter how much pepper you eat, it won’t undo the ludicrous amount of salt you ate before it.
Allie Brosh (Hyperbole and a Half)
When she catches you," the guard snarled, "my queen will eat your heart with salt and pepper." "Well," said Cinder, unconcerned, "my heart is half synthetic, so it'll probably give her indigestion." Kinney looked almost amused.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I want to hurt you. I want to own you. I want to devour you. I want to make you mine. I’m already yours.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
I’m just keeping the faith. I continue to eat well, take turmeric, cayenne pepper, milk and honey, and exercise my eye muscles frequently.
Traci Medford-Rosow (Unblinded: One Man's Courageous Journey Through Darkness to Sight)
People said the towers looked like giant salt and pepper shakers, but I’d always thought they looked like Daleks from Doctor Who.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
I’m sorry, Livvie, I really am. You kill me. Pepper spray? I’ve tracked you all over the world and that’s what’s going to stop me―pepper spray.
C.J. Roberts (Epilogue (The Dark Duet, #3))
Alexander Rostov was neither scientist nor sage; but at the age of sixty-four he was wise enough to know that life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate and our opinions evolve--if not glacially, then at least gradually. Such that the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew.
Amor Towles (A Gentleman in Moscow)
Je suis a toi.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
The show's writers had peppered the piece with words like "savage," "wild," and "animalistic." What bullshit. Show me the animal that kills for the thrill of watching something die. Why does the stereotype of the animalistic killer persist? Because humans like it. It neatly explains things for them, moving humans to the top of the evolutionary ladder and putting killers down among mythological man-beast monsters like werewolves. The truth is, if a werewolf behaved like this psychopath it wouldn't be because he was part animal, but because he was still too human. Only humans kill for sport.
Kelley Armstrong (Bitten (Otherworld, #1))
I don't know what you think of me. And you certainly would never picture us together. But probably peanut butter was just peanut butter for a long time, before someone ever thought of pairing it with jelly. And there was salt, but it started to taste better when there was pepper. And what's the point of butter without bread? (Why are all these examples of FOODS?!!?!?!?!?!?!) Anyway by myself I'm nothing special. But with you I could be.
Jodi Picoult (Nineteen Minutes)
If you're ever in doubt, throw a pepper in the air. If it fails to come down, you have gone mad, so don't trust in anything.
Gregory Maguire (Mirror Mirror)
monsters find each other in the dark
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
I don’t know, Sage. You threw yourself in the line of pepper spray for me. You must like me just a little bit.” “I— I figured it’d be a shame to ruin your pretty face,” I stammered.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
You Stole my loneliness. I may have given you wings, but you've become my gravity. I'll never be free of your force.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
In the kitchens of love, after all, vice is like the pepper in a good sauce; it brings out the flavor, it’s indispensable.
Louis-Ferdinand Céline (Journey to the End of the Night)
The more I see, the less I know, the more I'd like to let it go.
The Red Hot Chili Peppers
The motto of West African cooking is that if the food doesn't set fire to the tablecloth the cook is being stingy with the pepper.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
Losses do that. One life-loss can infect the whole of a life. Like a rash that wears through our days, our sight becomes peppered with black voids. Now everywhere we look, we only see all that isn’t: holes, lack, deficiency.
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
It’s weird, how you have no idea how far you’ve come until suddenly you can’t find the way back.
Emma Lord (Tweet Cute)
Her fluency was marvelous. She would say things at random, intricate, flamelike, or slide off into a parenthetical limbo peppered with fireworks-- admirable linguistic feats which a practiced writer might struggle for hours to achieve.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
Richard exhaled. It was like somebody sprinkling pepper on his wound: Thousands of Biafrans were dead, and this man wanted to know if there was anything new about one dead white man. Richard would write about this, the rule of Western journalism: One hundred dead black people equal to one dead white person.
Chimamanda Ngozi Adichie (Half of a Yellow Sun)
I promise to protect you, ravage you, hunt those who hurt you, and give you the life you deserve. My fortune is yours. My secrets are yours. And I will give you the corpses of the men who hurt you.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
I hadn’t gone Stockholmy- I hated him, knew what he did was wrong, but my body, shit, my body didn’t care.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
Dangerous as a lightning strike, as lethal as a pair of crisscrossing short swords, William whispered, “You’re about to find out how your liver tastes, my friend.” “I have tasted it already,” Zacharel said, his voice its usual monotone. The snowflakes began to fall in earnest, tiny at first, but growing in diameter. An arctic wind blustered around him. “It was a bit salty.” How the hell was a guy supposed to respond to that? Apparently William didn’t know, either, because he gaped at the angel. Then, “Maybe if you added a little pepper?” O-kay. It was official. William had an answer for everything.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
You’re my obsession, I’m your possession You own the deepest part of me You crawled into the darkness, set my monster free So scream, bleed, call out to me But never say stop, never flee
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
I’m offering you my pain. My blood. My pleasure. I’m offering you the right to whip and fuck. To debase and harm. I’m offering to fight your needs with my own. I’m willing to join you in the darkness and find pleasure in excruciating pain. I’m willing to be your monster, Q.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
there’s always light in the darkness.
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
Kiss me" “You’re a fucking nightmare.” “Kiss me.” “You’re ruining my life.” “Kiss me, Jethro. Kiss me.
Pepper Winters (First Debt (Indebted, #2))
You may not be mine but i'm fast becoming yours
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
Kiss your own fingertips and hug your own curves. You are made of waves and honey and spicy peppers when it is necessary. You are a goddess, I hope you haven’t forgotten.
-Emery Allen
I truly was Cinderella, only my prince threw away the glass slipper and stole me away before midnight struck. My prince was evil. My prince was the villain.
Pepper Winters (Debt Inheritance (Indebted, #1))
Only think of me and what I’m doing. There is intimacy in pain esclave. Let me make your pain my pleasure.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
You know, for someone named Pepper, you're pretty salty about losing.
Emma Lord (Tweet Cute)
I pepper kisses on the side of her head as I watch a smile pull at her lips through the mirror. And though I love every single curve on her body, that one right there is my favorite.
Liz Tomforde (Mile High (Windy City, #1))
The same chemicals were used in the cooking as were used on the composition of her own being: only those which caused the most violent reaction, contradiction, and teasing, the refusal to answer questions but the love of putting them, and all the strong spices of human relationship which bore a relation to black pepper, paprika, soybean sauce, ketchup and red peppers.
Anaïs Nin (Ladders to Fire (Cities of the Interior #1))
I may be a monster but I was her monster.!
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
I think falling in love should come with a warning label: CAUTION—side effects may include breaking up, accompanied by heartache, severe mood swings, withdrawal from people and life itself, wasted hours obsessing over bitter reflections, a need to destroy something (preferably something expensive that shatters), uncontrollable tear ducts, stress, a loss of appetite (Cheetos and Dr. Pepper exempt), a bleak and narrow outlook on the future, and an overall hatred of everyone and everything (especially all the happy couples you see strolling hand-in-hand, placed on your path only to exacerbate your isolation and misery). All above reactions will be intensified with the consumption of one or more alcoholic beverages.
Katie Kacvinsky (Second Chance (First Comes Love, #2))
Fix yourself something to drink," she said. "I don't have any Mr. Pepper." "You mean Dr. Pepper?" "For the love of God!" She exploded. "People expect everything from a psychic! 'Doctor,' 'mister,' I was close enough. I didn't call it 'Mrs. Salt,' did I?
Elizabeth Chandler (The Back Door of Midnight (Dark Secrets, #5))
I'm not afraid of hurting you. I'm afraid of how far I'm willing to go.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
But in real life, happily-ever-after is just the beginning. It's where life starts.
Kay Hooper (If There Be Dragons (Pepper, #2))
I checked my pocketbook to make sure I had the essentials... beeper, tissues, hair spray, flashlight, cuffs, lipstick, gun with bullets, recharged cell phone, recharged stun gun, hairbrush, gum, pepper spray, nail file. Was I a kick-ass bounty hunter, or what?"(Three to get deadly)Janet evanovich
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
A human is adaptable. A human heart is not.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
patience, prayer and turmeric; the foundation, the corner stones of my journey out of the darkness. Each one of these elements has played a critical role in the process. Since October, in addition to a diet replete in anti-oxidant rich foods, I’ve been ingesting cayenne pepper and turmeric four times a day. The cayenne I mix in a glass of water; the turmeric is hidden in lemon or blueberry yogurt.
Traci Medford-Rosow (Unblinded: One Man's Courageous Journey Through Darkness to Sight)
That took all of three minutes," he pointed out, sprinkling red pepper across his noodles. "And was kind of anticlimactic," Mal said, "since you just stared at the microwave the entire time. I figured you'd at least give some kind of invocation, maybe some gnawing the plastic. Growling." She ate another forkful of spaghetti, then offered, "Clawing the ground. Barking." "I'm a vampire, not a corgie.
Chloe Neill
Q was no longer the devil. He was my master and I belonged to him.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
A lie is when you say something happened which didn't happen. But there is only ever one thing which happened at a particular time and a particular place. And there are an infinite number of things which didn't happen at that time and that place. And if I think about something which didn't happen I start thinking about all the other things which didn't happen. For example, this morning for breakfast I had Ready Brek and some hot raspberry milkshake. But if I say that I actually had Shreddies and a mug of tea I start thinking about Coco-Pops and lemonade and Porridge and Dr Pepper and how I wasn't eating my breakfast in Egypt and there wasn't a rhinoceros in the room and Father wasn't wearing a diving suit and so on and even writing this makes me feel shaky and scared, like I do when I'm standing on the top of a very tall building and there are thousands of houses and cars and people below me and my head is so full of all these things that I'm afraid that I'm going to forget to stand up straight and hang onto the rail and I'm going to fall over and be killed. This is another reason why I don't like proper novels, because they are lies about things which didn't happen and they make me feel shaky and scared. And this is why everything I have written here is true.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
Paris had its sweetest smell, the smell of chestnut trees in bloom and of petrol with a few grains of dust that crack under your teeth like pepper. In the darknes the danger seemed to grow. You could smell the suffering in the air, in the silence. Everyone looked at their house and thought, "Tomorrow it will be in ruins, tomorrow I'l have nothing left.
Irène Némirovsky (Suite Française)
Two things I wanted most in the world: for Q to die a miserable death, and for him to fuck me.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
He looked at her in complete devotion. “We made a little baby…” She smiled and giggled. “It wasn’t that hard either, was it?” “I don’t know about you but I was working pretty hard.
Pepper Pace (Beast (Estill County Mountain Man #1))
I had no fucking life before you. You are my life. Without you, I might as well take a shotgun to my head and join you in the dirt because, Tess, if you leave me—if you’re so fucking weak not to fight, then that is what will happen to me. You’ll crucify me.
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
She’s flying free,” Q whispered, freezing me. He raised his head to look at a sparrow that landed on the mesh by his hand. “She’s leaving soon and I don’t think I’ll survive it.
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
You are no one's but mine. Do you understand?
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
Monsters find each other in the dark.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
Don't get me wrong. I love a Denver omelette as much as the next girl. But I'm curious whether that’s your thing, or if you try to change up the routine depending on the specific woman. You know… like, green pepper because I have green eyes, ham because I’m so funny, and onions for all the tears you’ll shed after I leave.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
I think it's a response to terrorism. From the time we're little girls, we're taught to fear the bad man who might get us. We're terrified of being raped, abused, even killed by the bad man, but the problem is, you can't tell the good ones from the bad ones, so you have to wary of them all. We're told not to go out by ourselves late at night, not to dress a certain way, not to talk to male strangers, not to lead men on. We take self-defense classes, keep our doors locked, carry pepper spray and rape whistles. The fear of men is ingrained in us from girlhood. Isn't that a form of terrorism?
Sarai Walker (Dietland)
I’m not marrying you for the pleasure of calling you my wife, esclave. I’m not marrying you because it’s the evolution of a relationship. I’m marrying you so I have claim on you forever. Your soul will be mine for eternity. In sickness and in health, in life and in death, you will belong to me. And I will belong to you.
Pepper Winters (Twisted Together (Monsters in the Dark, #3))
Truth is, we all project a false front to the world, peppering our social media pages with witty words and silly emoticons. Life narrowed down to 140 characters, staged selfies, and tirades over opinion posts. Life lived for the approval of the masses, all while tearing strangers down for the slightest misstep.
Kristen Callihan (The Game Plan (Game On, #3))
When I’m a Duchess,” she said to herself (not in a very hopeful tone though), “I won’t have any pepper in my kitchen at all. Soup does very well without. Maybe it’s always pepper that makes people hot-tempered,” she went on, very much pleased at having found out a new kind of rule, “and vinegar that makes them sour—and camomile that makes them bitter—and—and barley-sugar and such things that make children sweet-tempered. I only wish people knew that; then they wouldn’t be so stingy about it, you know—
Lewis Carroll (Alice in Wonderland)
After she returned and the Gray Man had been encouraged to sit down on the worn couch, Maura said, “I’ll warn you that if you try anything, Calla has Mace.” By way of demonstration, Calla handed him his drink and then removed a small black container of pepper spray from her small red purse. Maura gestured toward the third member of their group. “And Persephone is Russian.” “Estonian,” Persephone correctly softly. “And”—Maura made an extremely convincing fist—“I know how to punch a man’s nose into his brain.” “What a coincidence,” the Gray Man said genially. “So do I.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I not only stole your past. I’ve already stolen your future.
Pepper Winters (Debt Inheritance (Indebted, #1))
You’ve destroyed me, Nila. And now it’s my job to make sure they don’t destroy you, too.
Pepper Winters (First Debt (Indebted, #2))
I inherited her. I preyed on her. I owned her life and had the piece of paper to prove it. Nila Weaver. Mine. And my task….. …. …. devour her.
Pepper Winters (Debt Inheritance (Indebted, #1))
You live in a fairytale, princess and I’m about to destroy it.
Pepper Winters (Debt Inheritance (Indebted, #1))
Her touch shattered me. Her touch awoke me. Her touch destroyed me.
Pepper Winters (Destroyed)
Being trustworthy requires: Doing the right thing. And doing things right.
Don Peppers
My role as your master is to debase you to the point of having no feelings, no emotions, no hopes or dreams
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
Live for me. Breathe for me. Come back to life for me.
Pepper Winters (Fourth Debt (Indebted, #5))
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
A mighty porterhouse steak an inch and a half thick, hot and sputtering from the griddle; dusted with fragrant pepper; enriched with little melting bits of butter of the most impeachable freshness and genuineness; the precious juices of the meat trickling out and joining the gravy, archipelagoed with mushrooms; a township or two of tender, yellowish fat gracing an out-lying district of this ample county of beefsteak; the long white bone which divides the sirloin from the tenderloin still in its place.
Mark Twain
His scent is intensified in here perfectly, baked by summer, preserved by snow, sealed and pressurized inside glass and metal. I inhale like a professional perfumer. Top notes of mint, bitter coffee, and cotton. Mid notes of black pepper and pine. Base notes of leather and cedar. Luxurious as cashmere. If this is what his car smells like, imagine his bed. Good idea. Imagine his bed. He
Sally Thorne (The Hating Game)
This wasn’t making love. This wasn’t even fucking. This was war. And hell it felt good.
Pepper Winters (Debt Inheritance (Indebted, #1))
Sometimes, the only way to make your dreams come true is to shatter them.
Pepper Winters (Twisted Together (Monsters in the Dark, #3))
Je suis à toi. Je suis ton monstre dans le noir pour toujours.
Pepper Winters (Twisted Together (Monsters in the Dark, #3))
She felt so lost and lonely. One last chile in walnut sauce left on the platter after a fancy dinner couldn't feel any worse than she did. How many times had she eaten one of those treats, standing by herself in the kitchen, rather than let it be thrown away. When nobody eats the last chile on the plate, it's usually because none of them wants to look like a glutton, so even though they'd really like to devour it, they don't have the nerve to take it. It was as if they were rejecting that stuffed pepper, which contains every imaginable flavor; sweet as candied citron, juicy as pomegranate, with the bit of pepper and the subtlety of walnuts, that marvelous chile in the walnut sauce. Within it lies the secret of love, but it will never be penetrated, and all because it wouldn't feel proper.
Laura Esquivel (Like Water for Chocolate)
Love is something that strikes without warning to the most unsuspecting. It’s a fucking gift and so goddamn priceless, but only the worthy realise what they have. Only the ones truly deserving fight every fucking day to treasure it. And those who don’t…they end up alone.
Pepper Winters (Third Debt (Indebted, #4))
I tried, Tess. I really did. I did everything you asked of me. I did everything a man in love would do for his woman. But you don’t want me and my beast no longer wants to hurt you. Whatever we had…it’s lost.
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
You are mine. I can do what I want with you. I can dress you. Fuck you. Send you away. Loan you to others. You belong to me. And you've finally realized it isn't romantic, it isn't sexy, or fun. It's something no one should want or desire. You're a captive.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
If you try to make a shrimp boil, but the bag of spices bursts, and so you just toss it in along with whatever spices you can find in the pantry--you can make homemade pepper spray. Unintentionally. And everyone at your dinner party will run outside for the next hour, coughing and tearing up as if they've been maced, because technically they kind of have been, because mace was one of the spices I found in the panty. I blame whoever makes spice out of mace, and I remind my gasping dinner guests that even if I did mace them, I did it in an old fashioned, homemade, Martha Stewart sort of way. With love.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
The soft aroma of old worn cotton from a linen chest, the lingering smell of tobacco on an angora sweater; Jergen's hand lotion, sauteed green peppers and onions; the sweet, nutty smell of peanut butter and bananas, the oaken smell of good bourbon. A combination of lily of the valley, cedar, vanilla, and somewhere, the lingering of old rose. These smells are older than any thought. Mama, Teensy, Neecie, and Caro, each one of them had an individual scent, to be sure. But this is the Gumbo of their scents. This is the Gumbo Ya-Ya. This is the internal vial of perfume I carry with me everywhere I go.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other. “Are you sober?” I asked from the doorway. He turned and leveled a smile at me that made me a little wobbly. “I am." “Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook." Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.” “Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ” He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.
Myra McEntire (Hourglass (Hourglass, #1))
Similar to siblings, French Fries all stem from the same family, the potato family. Yet each and every one is different. A different shape, a different flavor, a different purpose, etc. Now, despite all these differences, each French fry in the batch will share a similar origin story. However, the outcome will be unique. The point is to have patience with your sibling French fry and realize that life imprints differently on each and every one of us. Some of us will be salty, some of us will be peppered, but in the end we are all just trying to catch up.
Hannah Hart
My name is Tess Mercer. I’m no longer weak or afraid or broken. I’ve taken control of my fate. I no longer need a tower or dark angels or help. I am fear. And I take your soul in penance for everything that was done to me. I take it for the women you’ve raped. I take it for the women you’ve sold. I take it for my master, soul-mate, and husband. I take you for me.
Pepper Winters (Twisted Together (Monsters in the Dark, #3))
So what now?" he said. "What do you mean?" "What do we do now? We can't just be roommates." "You said you didn't like me." "I don't like you. I don't like how your hair smells, and how I can't stop thinking about waking up and seeing your face. I hate how my bed felt empty when you left. I don't like how good you were with my family, especially Harper, and how I wanted to see you with then again, but not just as a guest. As a member. You're right. I don't like you at all." "When did you change your mind?" "My mind never changed. I've wanted you since the moment you opened the door and had that stunned look on your face. It just took me a while to admit it. Why deny it now? It is what it is and it's not going to change." "Oh." "This doesn't mean I'm going to be nice. I'm still going to be an ass. I'll just be an ass who apologizes and brings you flowers to say he's been a dick." "Chocolate," I said. "What?" "I'd rather have chocolate when you apologize." "Chocolate it is." He smiled. "So does that mean what I think it means?" "No. It just means that you get to bring me chocolate when you've been an ass. I'm going to weigh three hundred pounds." I focused my attention back on the peppers. I couldn't think about Hunter's declaration of... whatever it was. Footsteps didn't make me look up. "Taylor, look at me. Please." Damn. If only he didn't say please. "I can't promise to not make you mad. I can't promise that I won't hurt you. All I can promise is that I want you in my life, and I'll do anything to keep you there.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
Hannah returns to our booth carrying our drink orders. Or rather, Allie and Dex’s drink orders. Logan and I asked for sodas, but what we get is water. “Where’s my Dr. Pepper, Wellsy?” Logan whines. She levels him with a stern look. “Do you know how much sugar is in a soft drink?” “A perfectly acceptable amount and therefore I should drink it?” supplies Logan. “Wrong. The answer is too damn much. You’re playing Michigan in an hour—you can’t get all hopped up on sugar before a game. You’ll get a five-minute energy boost and then crash halfway through the first period.” Logan sighs. “G, why is your girl our nutritionist now?” I pick up my water glass and take a sip of defeat. “Do you want to argue with her?” Logan looks at Hannah, whose expression clearly conveys: you’ll get a soda over my dead body. Then he looks back at me. “No,” he says glumly.
Elle Kennedy (The Deal (Off-Campus, #1))
He cups the back of my neck with his hand and holds the other against my face, rubbing my cheek with his thumb. Slowly, he leans down and kisses me. Soft, then deep. I ooze against the house. I can feel his kiss in my whole body, like warm liquid pouring through me—gold, rich, and melting. After about a minute of what can only be described as sheer ecstasy, Corey rests his forehead against mine so we can both catch our breath. Then he takes my head into his hands and looks at me hard, like his heart is breaking. 'I have wanted to do that for so, so long.' I cannot speak. I can only nod yes and hope he knows what I mean. He kisses me more... "... for months and months..." "... when you sprayed me with Dr. Pepper..." "... at the bakery when you were holding that corned beef..." "... and every single time I see you..." I lean against the house and hold on to his wrists so I don't dissolve into a puddle. And I kiss him back. Over and over, I kiss him back.
Colleen J Clayton (What Happens Next)
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Life to the last drop If someone said to me again: ‘Supposing you were to die tomorrow, what would you do?’ I wouldn’t need any time to reply. If I felt drowsy, I would sleep. If I was thirsty, I would drink. If I was writing, I might like what I was writing and ignore the question. If I was having lunch, I would add a little mustard and pepper to the slice of grilled meat. If I was shaving, I might cut my earlobe. If I was kissing my girlfriend, I would devour her lips as if they were figs. If I was reading, I would skip a few pages. If I was peeling an onion, I would shed a few tears. If I was walking, I would continue walking at a slower pace. If I existed, as I do now, then I wouldn’t think about not existing. If I didn’t exist, then the question wouldn’t bother me. If I was listening to Mozart, I would already be close to the realms of the angels. If I was asleep, I would carry on sleeping and dream blissfully of gardenias. If I was laughing, I would cut my laughter by half out of respect for the information. What else could I do, even if I was braver than an idiot and stronger than Hercules?
Mahmoud Darwish (A River Dies of Thirst: Journals)
...be sure to wash every day, even if it is with your own spit; don't squat down to play marbles—you are not a boy, you know; don't pick people's flowers—you might catch something; don't throw stones at blackbirds, because it might not be a blackbird at all; this is how to make a bread pudding; this is how to make doukona; this is how to make pepper pot; this is how to make a good medicine for a cold; this is how to make a good medicine to throw away a child before it even becomes a child; this is how to catch a fish; this is how to throw back a fish you don't like, and that way something bad won't fall on you; this is how to bully a man; this is how a man bullies you; this is how to love a man; and if this doesn't work there are other ways, and if they don't work don't feel too bad about giving up; this is how to spit up in the air if you feel like it, and this is how to move quick so that it doesn't fall on you; this is how to make ends meet; always squeeze bread to make sure it's fresh; but what if the baker won't let me feel the bread?; you mean to say that after all you are really going to be the kind of woman who the baker won't let near the bread?
Jamaica Kincaid
Winter denial: therein lay the key to California Schadenfreude--the secret joy that the rest of the country feels at the misfortune of California. The country said: "Look at them, with their fitness and their tans, their beaches and their movie stars, their Silicon Valley and silicone breasts, their orange bridge and their palm trees. God, I hate those smug, sunshiny bastards!" Because if you're up to your navel in a snowdrift in Ohio, nothing warms your heart like the sight of California on fire. If you're shoveling silt out of your basement in the Fargo flood zone, nothing brightens your day like watching a Malibu mansion tumbling down a cliff into the sea. And if a tornado just peppered the land around your Oklahoma town with random trailer trash and redneck nuggets, then you can find a quantum of solace in the fact that the earth actually opened up in the San Fernando Valley and swallowed a whole caravan of commuting SUVs.
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
POCKET-SIZED FEMINISM The only other girl at the party is ranting about feminism. The audience: a sea of rape jokes and snapbacks and styrofoam cups and me. They gawk at her mouth like it is a drain clogged with too many opinions. I shoot her an empathetic glance and say nothing. This house is for wallpaper women. What good is wallpaper that speaks? I want to stand up, but if I do, whose coffee table silence will these boys rest their feet on? I want to stand up, but if I do, what if someone takes my spot? I want to stand up, but if I do, what if everyone notices I’ve been sitting this whole time? I am guilty of keeping my feminism in my pocket until it is convenient not to, like at poetry slams or my women’s studies class. There are days I want people to like me more than I want to change the world. There are days I forget we had to invent nail polish to change color in drugged drinks and apps to virtually walk us home at night and mace disguised as lipstick. Once, I told a boy I was powerful and he told me to mind my own business. Once, a boy accused me of practicing misandry. You think you can take over the world? And I said No, I just want to see it. I just need to know it is there for someone. Once, my dad informed me sexism is dead and reminded me to always carry pepper spray in the same breath. We accept this state of constant fear as just another part of being a girl. We text each other when we get home safe and it does not occur to us that our guy friends do not have to do the same. You could saw a woman in half and it would be called a magic trick. That’s why you invited us here, isn’t it? Because there is no show without a beautiful assistant? We are surrounded by boys who hang up our naked posters and fantasize about choking us and watch movies we get murdered in. We are the daughters of men who warned us about the news and the missing girls on the milk carton and the sharp edge of the world. They begged us to be careful. To be safe. Then told our brothers to go out and play.
Blythe Baird
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
We stood there for a minute or two, with John swaying gently against my arm. 'I'm feeling better,' he announced. Then he looked up at the stars. 'Wow..' he intoned. 'Look at that! Isn't that amazing?". I followed his gaze. The stars did look good but they didn't look that good. It was very unlike John to be over the top in that way. I stared at him. He was wired-pin-sharp and quivering, resonating away like a human tuning fork. No sooner had John uttered his immortal words about the stars than George and Paul came bursting out on the roof. They had come tearing up from the studio as soon as they found out where we were. They knew why John was feeling unwell. Maybe everyone else did, too - everyone except for father-figure George Martin here! It was very simple. John was tripping on LSD. He had taken it by mistake, they said - he had meant to take an amphetamine tablet. That hardly made any difference, frankly; the fact was that John was only too likely to imagine he could fly, and launch himself off the low parapet that ran around the roof. They had been absolutely terrified that he might do so. I spoke to Paul about this night many years later, and he confirmed that he and George had been shaken rigid when they found out we were up on the roof. They knew John was having a what you might call a bad trip. John didn't go back to Weybridge that night; Paul took him home to his place, in nearby Cavendish Road. They were intensely close, remember, and Paul would do almost anything for John. So, once they were safe inside, Paul took a tablet of LSD for the first time, 'So I could get with John' as he put it- be with him in his misery and fear. What about that for friendship?
George Martin (With A Little Help From My Friends: The Making of Sgt. Pepper)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))