Penny Sayings Quotes

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The four sayings that lead to wisdom: I was wrong I'm sorry I don't know I need help
Louise Penny
His chest, heaving harder this time. His words, almost gasping this time. “You destroy me.” I am falling to pieces in his arms. My fists are full of unlucky pennies and my heart is a jukebox demanding a few nickels and my head is flipping quarters heads or tails heads or tails heads or tails heads or tails “Juliette,” he says, and he mouths the name, barely speaking at all, and he’s pouring molten lava into my limbs and I never even knew I could melt straight to death. “I want you,” he says. He says “I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you.” He says it like it’s a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says “It’s never been a secret. I’ve never tried to hide that from you. I’ve never pretended I wanted anything less.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Life is choice. All day, everyday. Who we talk to, where we sit, what we say, how we say it. And our lives become defined by our choices. It's as simple and as complex as that. And as powerful. so when I'm observing that's what I'm watching for. The choices people make
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
There are four things that lead to wisdom. You ready for them?' She nodded, wondering when the police work would begin. "They are four sentences we learn to say, and mean." Gamache held up his hand as a fist and raised a finger with each point. "I don't know. I need help. I'm sorry. I was wrong'.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
I had a missed call. It’s probably the all you can eat buffet calling to say, “Come back! We know you can eat just a little bit more.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
Ha! Does Agatha know we're coming?" "It'll be a surprise!" Penny says. "Surprise!" Baz singsongs. "It's your ex-boyfriend and his boyfriend and that girl you never liked very much!"
Rainbow Rowell (Wayward Son (Simon Snow, #2))
Some people say—not to my face, mind you—that I’m a cowardly son of a bitch. And that is simply not true. My mom is not a bitch.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
Sometimes when I’m walking through the dining hall, just saying hello to people, she’ll drag me by my sleeve to hurry me up. “You have too many friends,” she’ll say. “I’m pretty sure that’s not possible. And, anyway, I wouldn’t call them all ‘friends.’” “There are only so many hours in the day, Simon. Two, three people—that’s all any of us have time for.” “There are more people than that in your immediate family, Penny.” “I know. It’s a struggle.
Rainbow Rowell (Carry On (Simon Snow, #1))
She said I owned the clothes of a radiologist and the shoes of an OBGYN; which is like the medical doctor equivalent of saying that I dressed like a librarian with a propensity of fuckmeboots.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Penny thought of this Korean saying for when you really, really liked something. You'd say it 'fit your heart exactly.' Sam fit her heart exactly.
Mary H.K. Choi (Emergency Contact)
What’d you wish?” “I can’t tell you that!” I say indignantly. “Why not?” “Because it won’t come true.” Do I really need to say this? I’m pretty sure it’s a given in wish situations. “Bullshit.” “It’s the rule,” I insist. “It’s only the rule with birthday cakes and shooting stars, not pennies in fountains.
Katja Millay (The Sea of Tranquility)
Saying someone would make a great politician is like saying someone would make a great serial killer. It’s not a compliment.
Penny Reid (Beard Science (Winston Brothers, #3))
I trust you,” she says. “That doesn’t mean I won’t hurt you.” Penny shrugs. “Pain is temporary.” “That doesn’t mean I won’t damage you.
Rainbow Rowell (Carry On (Simon Snow, #1))
In America, they think that you become more powerful the more magic you use." "Just like fossil fuels." Penny glances over at me, then snorts. "Don't look so surprised," I say. "I know about fossil fuels.
Rainbow Rowell (Carry On (Simon Snow, #1))
Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone shakes from the ripple of a thousand butterflies inside a single stomach. Somewhere someone is packing their bags to see the world with someone else. Somewhere someone is reaching through the most terrifying few feet of space to hold the hand of someone else. Somewhere someone is watching someone else’s chest rise and fall with the breath of slumber. Somewhere someone is pouring ink like blood onto pages fighting to say the truth that has no words. Somewhere someone is waiting patient but exhausted to just be with someone else. Somewhere someone is opening their eyes to a sunrise in someplace they have never seen. Somewhere someone is pulling out the petals twisting the apple stem picking up the heads up penny rubbing the rabbits foot knocking on wood throwing coins into fountains hunting for the only clover with only 4 leaves skipping over the cracks snapping the wishbone crossing their fingers blowing out the candles sending dandelion seeds into the air ushering eyelashes off their thumbs finding the first star and waiting for 11:11 on their clock to spend their wishes on someone else. Somewhere someone is saying goodbye but somewhere someone else is saying hello. Somewhere someone is sharing their first or their last kiss with their or no longer their someone else. Somewhere someone is wondering if how they feel is how the other they feels about them and if both theys could ever become a they together. Somewhere someone is the decoder ring to all of the great mysteries of life for someone else. Somewhere someone is the treasure map. Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone is wrong.
Tyler Knott Gregson
If they don’t learn about launching rockets at home, then they’ll just learn about it on the streets.” I glowered at him. “That sounds like something Hitler would say.
Penny Reid (Happily Ever Ninja (Knitting in the City, #5))
Whenever we’d pass a penny on the sidewalk, Matt wouldn’t touch it. ‘Let someone else have a lucky day,’ he’d say.
Sarah Ockler (Twenty Boy Summer)
You’re saying the gods don’t have free will.” “The power to make mistakes,” Penny said. “Only we have that. Mortals.
Lev Grossman (The Magician King (The Magicians, #2))
Your mother was a hero. She developed a spell for gnomeatic fever. And she was the youngest headmaster in Watford history.” Baz is looking at Penny like they’ve never met. “And,” Penny goes on, “she defended your father in three duels before he accepted her proposal.” “That sounds barbaric,” I say. “It was traditional,” Baz says. “It was brilliant,” Penny says. “I’ve read the minutes.” “Where?” Baz asks her. “We have them in our library at home,” she says “My dad loves marriage rites. Any sort of family magic, actually. He and my mother are bound together in five dimensions.
Rainbow Rowell (Carry On (Simon Snow, #1))
Greg’s eyes narrowed on me, but this mouth curved to one side. “I don’t know . . . that feels like something Hitler would say.
Penny Reid (Happily Ever Ninja (Knitting in the City, #5))
Life is choice. All day, everyday. Who we talk to, where we sit, what we say, how we say it. And our lives become defined by our choices. It’s as simple and as complex as that. And as powerful. So when I’m observing, that’s what I’m watching for. The choices people make.
Louise Penny (Still Life (Chief Inspector Armand Gamache #1))
If you know who you are, rejection matters very little. It says more about the small-mindedness of the person who is doing the rejecting than it does about you.
Penny Reid (Kissing Tolstoy (Dear Professor, #1))
And now you see why lies matter. The actual fib might not matter, but what it shows us is that what you say can’t always be trusted. You can’t always be trusted.
Louise Penny (Kingdom of the Blind (Chief Inspector Armand Gamache, #14))
Chief Inspector Gamache’s says there are ‘four sentences that lead to wisdom: I don’t know. I need help. I’m sorry. I was wrong.
Louise Penny (A Better Man (Chief Inspector Armand Gamache, #15))
Great snakes!” Penny says, snatching her hand away from me and jumping off the bed. “Fuck a nine-toed troll, Simon.” She’s shaking her hand, and there are tears in her eyes. “Stevie Nicks and Gracie Slick! Fuck!
Rainbow Rowell (Carry On (Simon Snow, #1))
Baz has stopped glaring at Penelope and started glaring at me. “What on earth are you drinking, Snow?” “A Unicorn Frappuccino.” He frowns. “Why’s it called that—does it taste like lavender?” “It tastes like strawberry Dip Dab,” I say. Penny’s grimacing at Baz. “For heaven’s snakes, Basil, I can’t believe you know what unicorns taste like.” “Shut up, Bunce, it was sustainably farmed.” “Unicorns can talk!” “They’re only capable of small talk; it’s not like eating a dolphin.” Baz takes my Frappuccino and sucks down a huge gulp. “Disgusting.” He hands it back to me. “Not like a unicorn at all.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
But we don't have to react. That's what I'm saying. A police force, like a government, should be above that. Just because we're provoked doesn't mean we have to act. -- Still Life
Louise Penny
I have a problem. I wouldn’t say I’m in a pickle. More like a vinegarized cucumber.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
I know what you’re going to say.” “Then we can skip it and you can admit you’re wrong.” “I can’t admit I’m wrong about two things in the same day.” I brought my attention back to him, found him smirking at me. “It might bring about the apocalypse.” “Then admit it tomorrow
Penny Reid (Beard Science (Winston Brothers, #3))
It's God that's worrying me. That's the only thing that's worrying me. What if He doesn't exist? What if Rakitin's right -that it's an idea made up by men? Then, if He doesn't exist, man is the king of the earth, of the universe. Magnificent! Only how is he going to be good without God? That's the question. I always come back to that. Who is man going to love then? To whom will he be thankful? To whom will he sing the hymn? Rakitin laughs. Rakitin says that one can love humanity instead of God. Well, only an idiot can maintain that. I can't understand it. Life's easy for Rakitin. 'You'd better think about the extension of civic rights, or of keeping down the price of meat. You will show your love for humanity more simply and directly by that, than by philosophy.' I answered him: 'Well, but you, without a God, are more likely to raise the price of meat if it suits you, and make a rouble on every penny.' He lost his temper. But after all, what is goodness? Answer that, Alyosha. Goodness is one thing with me and another with a Chinaman, so it's relative. Or isn't it? Is it not relative? A treacherous question! You won't laugh if I tell you it's kept me awake for two nights. I only wonder now how people can live and think nothing about it. Vanity!
Fyodor Dostoevsky (The Brothers Karamazov)
I’d learned from my mother that when someone gives you a subjective compliment—meaning one that can’t be disproven and is based on opinion—but that you find to be completely false, rather than argue, it’s much better to just say thank you, or I appreciate that and strive to be that compliment. Fools fight compliments, she’d said, and sometimes other people see you better than you can see yourself.
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
Why do the gingerbread girls have to wear pink?" Penny asks. "Why should the gingerbread girls feel like they shouldn't wear pink?" I say. "I like pink." "Only because you've been conditioned to like it by Barbies and gendered Lego." "Lay off, Penny. I've never played with Lego.
Rainbow Rowell (Carry On)
My 30th birthday will be arriving in a few months. It’s not arriving unexpectedly, I just wish it would have given me more of an advance notice, say another 30 years.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
I’m in like Flynn, as the saying goes. But why is it going? It just got here.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
I wondered what steps I could take to remove the word ‘moisture’ or even ‘moist’ from the English language; I really hated the way it sounded and always went out of my way to avoid saying it. I also really didn’t like the word slacks
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
How does the ocean say hello to the shore… it gives it a little wave.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
There are at least two sides to every issue, and I like my issues sunny side up. I also like bacon and toast on the side. Are you eating what I’m saying?
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
Listen to me for one fucking second, okay?” I also whispered, but only because he was whispering, “Only if you stop using the f-word like you get paid royalties every time you say it.” “I’ll fucking use whatever fucking word I want to fucking use whenever I fucking want to.
Penny Reid (Heat (Elements of Chemistry, #2; Hypothesis, #1.2))
Fire         i   The morning you were made to leave she sat on the front steps, dress tucked between her thighs, a packet of Marlboro Lights near her bare feet, painting her nails until the polish curdled. Her mother phoned–   What do you mean he hit you? Your father hit me all the time but I never left him. He pays the bills and he comes home at night, what more do you want?   Later that night she picked the polish off with her front teeth until the bed you shared for seven years seemed speckled with glitter and blood.       ii   On the drive to the hotel, you remember “the funeral you went to as a little boy, double burial for a couple who burned to death in their bedroom. The wife had been visited by her husband’s lover, a young and beautiful woman who paraded her naked body in the couple’s kitchen, lifting her dress to expose breasts mottled with small fleshy marks, a back sucked and bruised, then dressed herself and walked out of the front door. The wife, waiting for her husband to come home, doused herself in lighter fluid. On his arrival she jumped on him, wrapping her legs around his torso. The husband, surprised at her sudden urge, carried his wife to the bedroom, where she straddled him on their bed, held his face against her chest and lit a match.       iii   A young man greets you in the elevator. He smiles like he has pennies hidden in his cheeks. You’re looking at his shoes when he says the rooms in this hotel are sweltering. Last night in bed I swear I thought my body was on fire.
Warsan Shire (Teaching My Mother How to Give Birth)
You've thrown a lot of pennies in ponds," she says. "Haven't you.
J.C. Lillis (How to Repair a Mechanical Heart (Mechanical Hearts, #1))
time, as they say, heals all wounds that aren’t affected by sepsis or gangrene.
Penny Reid (Dr. Strange Beard (Winston Brothers, #5))
You have too many friends,” she’ll say. “I’m pretty sure that’s not possible. And, anyway, I wouldn’t call them all ‘friends.’” “There are only so many hours in the day, Simon. Two, three people—that’s all any of us have time for.” “There are more people than that in your immediate family, Penny.” “I know. It’s a struggle.
Rainbow Rowell (Carry On (Simon Snow, #1))
You never know when you might come home and find Mam sitting by the fire chatting with a woman and a child, strangers. Always a woman and child. Mam finds them wandering the streets and if they ask, Could you spare a few pennies, miss? her heart breaks. She never has money so she invites them home for tea and a bit of fried bread and if it's a bad night she'll let them sleep by the fire on a pile of rags in the corner. The bread she gives them always means less for us and if we complain she says there are always people worse off and we can surely spare a little from what we have.
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
I’m in love with you. You’re my fucking—fucking sunshine. My goddamn everything. You’re the center of my whole fucking universe. I’d give up swearing for you, I swear. If you asked, I’d never say the word fuck ever again, that’s how much I love you. I love you more than fuck, so that’s a whole fuckavalot.
Penny Reid (Marriage of Inconvenience (Knitting in the City, #7))
I think that I cannot preserve my health and spirits, unless I spend four hours a day at least—and it is commonly more than that—sauntering through the woods and over the hills and fields, absolutely free from all worldly engagements. You may safely say, A penny for your thoughts, or a thousand pounds. When sometimes I am reminded that the mechanics and shopkeepers stay in their shops not only all the forenoon, but all the afternoon too, sitting with crossed legs, so many of them—as if the legs were made to sit upon, and not to stand or walk upon—I think that they deserve some credit for not having all committed suicide long ago.
Henry David Thoreau (Walking)
Advice to friends. Advice to fellow mothers in the same boat. "How do you do it all?" Crack a joke. Make it seem easy. Make everything seem easy. Make life seem easy and parenthood and marriage and freelancing for pennies, writing a novel and smiling after a rejection, keeping the faith after two, reminding oneself that four years of work counted for a lot, counted for everything. Make the bed. Make it nice. Make the people laugh when you sit down to write and if you can't make them laugh make them cry. Make them want to hug you or hold you or punch you in the face. Make them want to kill you or fuck you or be your friend. Make them change. Make them happy. Make the baby smile. Make him laugh. Make him dinner. Make him proud. Hold the phone, someone is on the other line. She says its important. People are dying. Children. Friends. Press mute because there is nothing you can say. Press off because you're running out of minutes. Running out of time. Soon he'll be grown up and you'll regret the time you spent pushing him away for one more paragraph in the manuscript no one will ever read. Put down the book, the computer, the ideas. Remember who you are now. Wait. Remember who you were. Wait. Remember what's important. Make a list. Ten things, no twenty. Twenty thousand things you want to do before you die but what if tomorrow never comes? No one will remember. No one will know. No one will laugh or cry or make the bed. No one will have a clue which songs to sing to the baby. No one will be there for the children. No one will finish the first draft of the novel. No one will publish the one that's been finished for months. No one will remember the thought you had last night, that great idea you forgot to write down.
Rebecca Woolf
I don’t have any money to speak of. And if I did, what’s there to say? They say money talks, but it doesn’t talk to me. Money won’t even look at me half the time.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
I had always buried things, even when I was small; I remember that once I quartered the long field and buried something in each quarter to make the grass grow higher as I grew taller, so I would always be able to hide there. I once buried six blue marbles in the creek bed to make the river beyond run dry. 'Here is a treasure for you to bury,' Constance used to say to me when I was small, giving me a penny, or a bright ribbon; I had buried all my baby teeth as they came out one by one and perhaps someday they would grow as dragons. All our land was enriched with my treasures buried in it, thickly inhabited just below the surface with my marbles and my teeth and my colored stones, all perhaps turned to jewels by now, held together under the ground in a powerful taut web which never loosened, but held fast to guard us.
Shirley Jackson (We Have Always Lived in the Castle)
The fact that ‘attention seeking’ is still considered a slur says much about the role of women in public life, on every scale.
Laurie Penny (Cybersexism: Sex, Gender and Power on the Internet)
Growing up spoiled a lot of things. It spoiled the nice game they had when there was nothing to eat in the house. When money gave out and food ran low, Katie and the children pretended they were explorers discovering the North Pole and had been trapped by a blizzard in a cave with just a little food. They had to make it last till help came. Mama divided up what food there was in the cupboard and called it rations and when the children were still hungry after a meal, she'd say, 'Courage, my men, help will come soon.' When some money came in and Mama bought a lot of groceries, she bought a little cake as celebration, and she'd stick a penny flag in it and say, 'We made it, men. We got to the North Pole.' One day after one of the 'rescues' Francie asked Mama: 'When explorers get hungry and suffer like that, it's for a reason . Something big comes out of it. They discover the North Pole. But what big things comes out of us being hungry like that?' Katie looked tired all of a sudden. She said something Francie didn't understand at the time. She said, 'You found the catch in it.
Betty Smith (A Tree Grows in Brooklyn)
Ha! Does Agatha know we're coming?" "It'll be a surprise!" Penny says. "Surprise!" Baz singsongs. "It's your ex-boyfriend and his boyfriend and that girl you never liked very much!">
Rainbow Rowell (Wayward Son (Simon Snow, #2))
There are four statements that lead to wisdom. I want you to remember them and follow them. Are you ready?’ Agent Lemieux had taken out his notebook and, pen poised, he’d listened. ‘You need to learn to say: I don’t know. I’m sorry. I need help and I was wrong.
Louise Penny (The Cruelest Month (Chief Inspector Armand Gamache, #3))
Penny sets down her book. “You don’t want to know why your girlfriend was snogging your sworn enemy?” “I don’t know about ‘sworn,’ ” I say. “I’ve never taken an oath.” “I’m pretty sure Baz has.” “Anyway, they weren’t snogging.” Penny shakes her head. “If I caught Micah holding hands with Baz, I’d want an explanation.” “So would I.” “Simon.
Rainbow Rowell (Carry On (Simon Snow, #1))
You're Catholic, right? What do the Catholics say?" Nico lifted an eyebrow and regarded Sandra with sparkly eyes. "I'm not the Lorax of Catholics. I don't speak for the trees of the faithful. That's why we have the Pope.
Penny Reid (Happily Ever Ninja (Knitting in the City, #5))
It’s nice to hear your voice…?” The statement came out sounding like a question, as though I were playing jeopardy and I’d chosen my category- ‘I’ll take ‘Charming Chit Chat’ for $200, Alex’ and behind the $200 read: ‘This is what you say to the hot guy- you abandoned- when he returns after you inexplicably leave him and his private jet in Las Vegas after having amazing and multiple occurrences of the hot sex.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
He wished me luk. I hope I have luk. I got my rabits foot and my luky penny and my horshoe. Dr Strauss said dont be so superstishus Charlie. This is sience. I dont know what sience is but they all keep saying it so maybe its something that helps you have good luk.
Daniel Keyes (Flowers for Algernon)
The sight of all the food stacked in those kitchens made me dizzy. It's not that we hadn't enough to eat at home, it's just that my grandmother always cooked economy joints and economy meat loafs and had the habit of saying, the minute you lifted the first forkful to your mouth, "I hope you enjoy that, it cost forty-one cents a pound," which always made me feel I was somehow eating pennies instead of Sunday roast.
Sylvia Plath (The Bell Jar)
THE ONE THING YOU MUST DO There is one thing in this world you must never forget to do. If you forget everything else and not this, there's nothing to worry about, but if you remember everything else and forget this, then you will have done nothing in your life. It's as if a king has sent you to some country to do a task, and you perform a hundred other services, but not the one he sent you to do. So human being come to this world to do particular work. That work is the purpose, and each is specific to the person. If you don't do it, it's as though a priceless Indian sword were used to slice rotten meat. It's a golden bowl being used to cook turnips, when one filing from the bowl could buy a hundred suitable pots. It's like a knife of the finest tempering nailed into a wall to hang things on. You say, "But look, I'm using the dagger. It's not lying idle." Do you hear how ludicrous that sounds? For a penny an iron nail could be bought to serve for that. You say, "But I spend my energies on lofty enterprises. I study jurisprudence and philosophy and logic and astronomy and medicine and the rest." But consider why you do those things. They are all branches of yourself. Remember the deep root of your being, the presence of your lord. Give yourself to the one who already owns your breath and your moments. If you don't, you will be like the man who takes a precious dagger and hammers it into his kitchen wall for a peg to hold his dipper gourd. You'll be wasting valuable keenness and forgetting your dignity and purpose.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
I hope you wander into a hornet’s nest and die of an acetylcholineoverdose,” I spat. “You say the prettiest things.
Penny Reid (Truth or Beard (Winston Brothers, #1))
What are you running from?" That put a damper on the fluttering lashes. "Columbia House Music Club," I said, recovering my snarkiness quickly. "Oh, sure, they say they'll sell you six CDs for a penny, but they'll hunt you down like the hounds of hell if you miss the payments.
Molly Harper (How to Run with a Naked Werewolf (Naked Werewolf, #3))
I respect people who have such passion. Emile was saying. "I don't. I have a lot of interests, some I'm passionate about, but not to the exclusion of everything else. I sometimes wonder if that's necessary for geniuses to accomplish what they must, a singularity of purpose. We mere mortals just get in the way. Relationships are messy, distracting. He travels the fastest who travels alone, quoted Gamache. You sound as though you don't believe it. It depends where you're going, but no, I don't. I think you might go far fast, but eventually you'll stall. We need other people. ... We all need help.
Louise Penny (Bury Your Dead (Chief Inspector Armand Gamache, #6))
But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool Girl – I couldn’t have been Cool Girl with anyone else. I wouldn’t have wanted to. I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
Gillian Flynn (Gone Girl)
I wondered what steps I could take to remove the word ‘moisture’ or even ‘moist’ from the English language; I really hated the way it sounded and always went out of my way to avoid saying it.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
THE ONE THING YOU MUST DO There is one thing in this world you must never forget to do. If you forget everything else and not this, there's nothing to worry about, but if you remember everything else and forget this, then you will have done nothing in your life. It's as if a king has sent you to some country to do a task, and you perform a hundred other services, but not the one he sent you to do. So human being come to this world to do particular work. That work is the purpose, and each is specific to the person. If you don't do it, it's as though a priceless Indian sword were used to slice rotten meat. It's a golden bowl being used to cook turnips, when one filing from the bowl could buy a hundred suitable pots. It's like a knife of the finest tempering nailed into a wall to hang things on. You say, "But look, I'm using the dagger. It's not lying idle." Do you hear how ludicrous that sounds? For a penny an iron nail could be bought to serve for that. You say, "But I spend my energies on lofty enterprises. I study jurisprudence and philosophy and logic and astronomy and medicine and the rest." But consider why you do those things. They are all branches of yourself. Remember the deep root of your being, the presence of your lord. Give yourself to the one who already owns your breath and your moments. If you don't, you will be like the man who takes a precious dagger and hammers it into his kitchen wall for a peg to hold his dipper gourd. You'll be wasting valuable keenness and forgetting your dignity and purpose.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
I know it's common for old people to complain about the modern moment, and lament the passing of a golden age when children were polite and you could buy a kilo of meat for pennies, but in our case, my boy, I think I am not mistaken when I say that something fundamental has changed about the world in which we live. We have reached a state of constant reinvention. Revolutions have moved off the battlefield and on to home computers.
G. Willow Wilson (Alif the Unseen)
A refurbished Star Wars is on somewhere or everywhere. I have no intention of revisiting any galaxy. I shrivel inside each time it is mentioned. Twenty years ago, when the film was first shown, it had a freshness, also a sense of moral good and fun. Then I began to be uneasy at the influence it might be having. The first bad penny dropped in San Francisco when a sweet-faced boy of twelve told me proudly that he had seen Star Wars over a hundred times. His elegant mother nodded with approval. Looking into the boy's eyes I thought I detected little star-shells of madness beginning to form and I guessed that one day they would explode. 'I would love you to do something for me,' I said. 'Anything! Anything!' the boy said rapturously. 'You won't like what I'm going to ask you to do,' I said. 'Anything, sir, anything!' 'Well,' I said, 'do you think you could promise never to see Star Wars again?' He burst into tears. His mother drew herself up to an immense height. 'What a dreadful thing to say to a child!' she barked, and dragged the poor kid away. Maybe she was right but I just hope the lad, now in his thirties, is not living in a fantasy world of secondhand, childish banalities.
Alec Guinness (A Positively Final Appearance)
I fear one day I’ll get a knock at my front door, and I’ll answer it to find myself standing there. Then I’ll hear myself say, “Hi, I’m from the future, and I’m here to destroy you.” But that is irrational. The future me isn’t out to destroy me, because the me of my past already did a thorough job demolishing my present and possible future.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
You and I will meet over the next however many days it takes, and I will tell you absolutely everything. And then our relationship will be over, and you will be free--or perhaps I should say bound--to write it into a book and sell it to the highest bidder. And I do mean highest. I insist that you be ruthless in your negotiating, Monique. Make them pay you what they would pay a white man. And then, once you've done that, every penny from it will be yours.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
What I was going to say is that my mentor had this theory that our lives are like an aboriginal longhouse. Just one huge room.” He swept one arm out to illustrate scope. “He said that if we thought we could compartmentalize things, we were deluding ourselves. Everyone we meet, every word we speak, every action taken or not taken lives in our longhouse. With us. Always. Never to be expelled or locked away.
Louise Penny (Kingdom of the Blind (Chief Inspector Armand Gamache, #14))
Baz takes me to a Starbucks to use the facilities, and when I come out—with a massive rainbow-striped Frappuccino—he’s shouting at Penny: “Thirty-one hours to San Diego?!” “That can’t be right,” Penny says. “That’s like driving from London to Moscow. Let me see.” Baz has been looking at her phone, and she takes it back. “But it’s the same country,” she says.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
Me, I believe in monogamy in much the same way as I believe in, say, cheese on toast. I'll eat it, but only for very special people, and not for every meal. There are other interesting and delicious toast options out there, and I support people's right to investigate those options without being punished.
Laurie Penny (Unspeakable Things: Sex, Lies and Revolution)
They’re kind. Content. They don’t judge. They don’t hide their feelings. There’s no hidden agenda. Complete acceptance. If that isn’t grace, I don’t know what is. I’m not saying people with Down syndrome are perfect or always easy. That would be to trivialize them, make them sound like pets. What I am saying is that in my experience they make better humans than most.” He smiled again. “Than me. And I think that’s worth fighting for, don’t you?
Louise Penny (The Madness of Crowds (Chief Inspector Armand Gamache, #17))
I will wake you up early even though I know you like to stay through the credits. I will leave pennies in your pockets, postage stamps of superheroes in between the pages of your books, sugar packets on your kitchen counter. I will Hansel and Gretel you home. I talk through movies. Even ones I have never seen before. I will love you with too many commas, but never any asterisks. There will be more sweat than you are used to. More skin. More words than are necessary. My hair in the shower drain, my smell on your sweaters, bobby pins all over the window sills. I make the best sandwiches you've ever tasted. You'll be in charge of napkins. I can't do a pull-up. But I'm great at excuses. I count broken umbrellas after every thunderstorm, and I fall asleep repeating the words thank you. I will wake you up early with my heavy heartbeat. You will say, Can't we just sleep in, and I will say, No, trust me. You don't want to miss a thing.
Sarah Kay (No Matter the Wreckage: Poems)
This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each. Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime. There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful. If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love: To Gaylene deceased To Ray deceased To Francy permanent psychosis To Kathy permanent brain damage To Jim deceased To Val massive permanent brain damage To Nancy permanent psychosis To Joanne permanent brain damage To Maren deceased To Nick deceased To Terry deceased To Dennis deceased To Phil permanent pancreatic damage To Sue permanent vascular damage To Jerri permanent psychosis and vascular damage . . . and so forth. In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.
Philip K. Dick (A Scanner Darkly)
Repo cast a narrowed glare over me. “You’re saying that Banana Cake girl—” “She’s a queen, not a girl.” He huffed impatiently. “Her majesty of bananas is your woman?” I gave an affirmative head bob. The three men traded stares, silently communicating with their eyeballs. This time I didn’t mind
Penny Reid (Beard Science (Winston Brothers, #3))
Only by remembering to say 'no' will the women of 21st century regain their voice and remember their power. 'No' is the most important word in a woman's dialectic arsenal, and it is the one word that our employers, our leaders, and quite often, the men in our lives would do anything to prevent us from saying. No, we will not serve. No, we will not settle for the dirty work, the low-paid work, the unpaid work. No, we will not stay late at the office, look after the kids, sort out the shopping. We refuse to fit the enormity of our passion, our creativity, and our potential into the rigid physical prison laid down for us since we were small children. No. We refuse. We will not buy your clothes and shoes and surgical solutions. No, we will not be beautiful; we will not be good. Most of all, we refuse to be beautiful and good.
Laurie Penny (Meat Market: Female Flesh Under Capitalism)
What does it even mean to you to be in a relationship, Penny?” “It— it means that we love each other and that we have this part of our lives figured out, that we know who we’re going to be with in the end.” “No,” he says, sounding, for the first time in this conversation, more sad than fed up. “A relationship isn’t about the end. It’s about being together every step of the way.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
She laughed. “Are you in love with Penny?” “How is that a conclusion? That’s a question.” Jude rolled her eyes. “She says she’s in love with you.” “She did not.” “Fine, she didn’t say those exact words, but it’s the only explanation. She’s in love with you.” “Stop,” he said. “You know she’s inscrutable. You ever notice how she seems furious when she’s super excited?” Jude laughed. “Or when she’s actually furious and starts bawling? That’s a classic,” she responded.
Mary H.K. Choi (Emergency Contact)
Cletus sneered. “You are the opposite of boastful, and your humbleness verges on infuriating.” “Gee, thanks.” I rolled my eyes. “Look, all I’m saying is that if a person is great at something, she shouldn’t have to pretend she's not, and she shouldn’t have to downplay her hard work. There's nothing wrong with humility or modesty, Jenn. But—for heaven's sake—take credit for being a badass.
Penny Reid (Beard Science (Winston Brothers, #3))
Open up your chakra Because once that’s happened there’s no going back Once you start to see what is really happening Who the enemy you should be attackin’ is So READ, READ, READ! Stuck on the block, READ, READ! Sittin’ in the box, READ, READ! Don’t let them say what you can achieve Cos' when people are enslaved One of the first things they do is stop them reading Cos’ it is well understood that intelligent people will take their freedom Cos’ if we knew our power we would understand that we can’t be held down If we knew our power, we would not elevate not one of these clowns If we knew our power, we wouldn’t get arrogant when we get two pennies If we knew our power, we would see what everybody sees, that we’re rich already!
Akala
We all do stupid, cruel things as children. I remember I once took a neighbor's dog and shut it in my house, then told the little girl her dog had been picked up by the dog catcher and destroyed. I still wake up at three in the morning seeing her face. I tracked her down about ten years ago to say I was sorry but she'd been killed in a car accident." "You have to forgive yourself", said Gamache, holding up Being. "You're right, of course. But maybe I don't want to. Maybe that's something I don't want to lose. My own private hell. Horrible, but mine.
Louise Penny
You’re seeing someone else, aren’t you?" Seeing someone else? How on earth could that explain any of this? Why would seeing someone else necessitate bringing home a middle­-aged woman, a teenaged punk and an American with a leather jacket and a Rod Stewart haircut? What would the story have been? But then, after reflection, I realised that Penny had probably been here before, and therefore knew that infidelity can usually provide the answer to any domestic mystery. If I had walked in with Sheena Easton and Donald Rumsfeld, Penny would probably have scratched her head for a few seconds before saying exactly the same thing. In other circumstances, on other evenings, it would have been the right conclusion, too; I used to be pretty resourceful when I was being unfaithful to Cindy, even if I do say so myself. I once drove a new BMW into a wall, simply because I needed to explain a four­-hour delay in getting home from work. Cindy came out into the street to inspect the crumpled bonnet, looked at me, and said, “You’re seeing someone else, aren’t you?” I denied it, of course. But then, anything – smashing up a new car, persuading Donald Rumsfeld to come to an Islington flat in the early hours of New Year’s Day – is easier than actually telling the truth. That look you get, the look which lets you see right through the eyes and down into the place where she keeps all the hurt and the rage and the loathing... Who wouldn’t go that extra yard to avoid it?
Nick Hornby (A Long Way Down)
this post-modern individualism is harmful, that we—Western society—have become lazy in our dependencies and relationships. To say, ‘Don’t attempt to love another until you know what it is to love yourself,’ is imbecilic. We, humans, must be loved first to know how to love in return. This is why we are given families, ideally parents, who will love us, teach us that we are worthwhile, worthy of love and respect, provide a mirror, a reflection of our worth. We must know what love is, what it looks like, in order to give it to another.
Penny Reid (Kissing Tolstoy (Dear Professor, #1))
a full-throated, full-hearted thanks to my Penelope, who waited. And waited. She waited while I journeyed, and she waited while I got lost. She waited night after night while I made my maddeningly slow way home—usually late, the dinner cold—and she waited the last few years while I relived it all, aloud, and in my head, and on the page, even though there were parts she didn’t care to relive. From the start, going on half a century, she’s waited, and now at last I can hand her these hard-fought pages and say, about them, about Nike, about everything: “Penny, I couldn’t have done it without you.
Phil Knight (Shoe Dog)
Remy took a chair across from Jerado. A chess board and pieces sat in between them. “Are you sure you remember the moves?” Jerado looked forward to recouping his card game losses. “Y ..es. I . . . I practiced the moves in my office. I . . . I also read a scroll on playing the game.” “Then you won’t object to betting on the outcome of the game?” “N . . . o. H . . . ow much?” “Let’s bet a modest sum. Say, twenty-five silver?” Jerado pushed a stack of silver pennies into the middle. “A . . . ll right.” Remy pushed a similar stack forward. “I’’ll let you have the first move,” Jerado said. Remy moved a pawn forward to start the game. Five moves later, Remy said, “C . . . heckmate,” and scooped up the silver coins. Jerado sat stunned for a few moments. “Rematch.” After Remy won four more games — the last for seven gold pennies — Jerado said through clenched teeth, “That’s enough for tonight, Remy. I’m tired.
Hank Quense (The King Who Disappeared)
When confronted by a ‘believer’ it is easy for me to contrast the views of the skeptic with those of the rationalist. I simply reach into my pocket and pull out my change. Holding a quarter aloft, I say, ‘This is a most remarkable coin, for it is heavier than all the sins of humanity committed since the beginning of the human race.’ I then hold up a nickel and say, ‘This coin is even more amazing, as it is brighter and shinier than the flames that proceeded from the Burning Bush discovered on Mt. Sinai by Moses.’ Then I raise a penny and state, ‘This portrait of President Lincoln is more realistic and true-to-life than any portrait of Satan ever painted.’ And finally, I hold out a bright, shiny dime and say, ‘And this dime is the most amazing of all because it is heavier and contains more precious metals than all the gold bricks in the streets of Heaven.’ I end with ‘Give to Caesar what is his, and hold the rest of it dear—for it is all you see and touch—and the Christian god can take care of all his things, for they amount to less than this 41 cents I hold here in my hand.
E. Haldeman-Julius
To me, it seems unspeakably shabby to make a fuss over charity. You're walking along the street one day, the weather is so and so and you see such and such people, all of which builds up a certain mood in you. Suddenly you catch sight of a face, a child's face, a beggar's face----let's say a beggar's face---which makes you tremble. A strange sensation vibrates through your soul, and you stamp your foot and come to a halt. This face has struck an exceptionally sensitive chord in you, and you lure the beggar into an entranceway and press a ten-krone bill into his hand. If you give me away by as much as a world, I'll kill you! you whisper, and you fairly grind your teeth and shed tears of anger saying it. That's how important it is to you to remain undiscovered. And this can happen repeatedly, day after day, so that often you end up in the worst kind of scrape yourself, without a penny in your pocket...
Knut Hamsun (Mysteries)
We’d spent two years—two fucking years—with a misunderstanding between us. I didn’t want to do that again, not even for two hours. So what am I going to say? It was a particular place to be, this limbo. It had me asking myself philosophical questions and thinking things like, What is love? And, How do you know you’re in love? And, Why does she think she loves me? And, If this shitty feeling is love, I’m going to be so pissed. Because if this shitty feeling was love, if this choking, desperate mix of happiness and pain I felt every time I saw her or thought about her was love, if I’d been in love with her this whole fucking time and I’d been lying to myself and lying to her and wasting time, then I deserved a big, fat fucking punch in the face. “Crap,” I said, shaking my head at myself.
Penny Reid (Marriage of Inconvenience (Knitting in the City, #7))
Most of us are pseudo-scholars...for we are a very large and quite a powerful class, eminent in Church and State, we control the education of the Empire, we lend to the Press such distinction as it consents to receive, and we are a welcome asset at dinner-parties. Pseudo-scholarship is, on its good side, the homage paid by ignorance to learning. It also has an economic side, on which we need not be hard. Most of us must get a job before thirty, or sponge on our relatives, and many jobs can only be got by passing an exam. The pseudo-scholar often does well in examination (real scholars are not much good), and even when he fails he appreciates their inner majesty. They are gateways to employment, they have power to ban and bless. A paper on King Lear may lead somewhere, unlike the rather far-fetched play of the same name. It may be a stepping-stone to the Local Government Board. He does not often put it to himself openly and say, "That's the use of knowing things, they help you to get on." The economic pressure he feels is more often subconscious, and he goes to his exam, merely feeling that a paper on King Lear is a very tempestuous and terrible experience but an intensely real one. ...As long as learning is connected with earning, as long as certain jobs can only be reached through exams, so long must we take the examination system seriously. If another ladder to employment were contrived, much so-called education would disappear, and no one be a penny the stupider.
E.M. Forster (جنبه‌های رمان)
 I’m . . . concerned. You appear to be upset. What’s wrong?” His voice gentled and his eyes searched mine. “What’s happened? And what can I do to help?” I crossed my arms because my stupid heart was fluttering again. He caught me off guard. I was not at all prepared for Cletus Winston’s concern. “Nothing. Nothing is wrong. I just wanted to bring y’all muffins. Can’t I bring y’all muffins?” He was scrutinizing me again. “No. Something’s off. Is it Jackson James? Do I need to maim him? Because I will. I could give him leprosy, you know. Armadillos are carriers.” My mouth fell open and a bubble of laughter emerged unchecked. “Cletus Winston, you will do no such thing.” “Sheriff’s deputy or not. Just say the word. It might improve him, actually.” “You are terrible.” I laughed, even though he was terrible, and I felt terrible laughing at such a terrible joke. At least, I hope it’s a joke
Penny Reid (Beard Science (Winston Brothers, #3))
Poor Quinn.” I glanced at my husband, and found him shaking his head mournfully. “Why poor Quinn?” Kat asked. “Dan still has his crush on Nico, and Quinn isn’t here to defend his bromance.” I snorted because this was true. Dan had a bit of a crush on Nico. But then, we all did. As though reading my thoughts, Sandra mock-whispered, “We all have a crush on Nico. Even you, Greg.” He didn’t deny it; instead, opting to say, “I’m going to start a rumor that Dan and Nico bought tickets to the Cubs opening game, they’re going together, and are hoping to get on the kiss-cam.” I clicked my tongue in mild disapproval. “You are a gossip, Greg Archer.” “Yes. I am. Annoyingly, Alex is worthless at spreading rumors because he’s smitten with Drew.” “And you’re smitten with no one,” I stated. “Untrue. I’m smitten with you.” This earned him an appreciative grin; I lifted my chin. “Well played, husband. Well played.
Penny Reid (Happily Ever Ninja (Knitting in the City, #5))
So . . . ,” she says, following him to the chalkboard. “You got a Visiting. An actual Visiting—Natasha Grimm-Pitch was here.” Baz glances back over his shoulder. “You sound impressed, Bunce.” “I am,” Penelope says. “Your mother was a hero. She developed a spell for gnomeatic fever. And she was the youngest headmaster in Watford history.” Baz is looking at Penny like they’ve never met. “And,” Penny goes on, “she defended your father in three duels before he accepted her proposal.” “That sounds barbaric,” I say. “It was traditional,” Baz says. “It was brilliant,” Penny says. “I’ve read the minutes.” “Where?” Baz asks her. “We have them in our library at home,” she says. “My dad loves marriage rites. Any sort of family magic, actually. He and my mother are bound together in five dimensions.” “That’s lovely,” Baz says, and I’m terrified because I think he means it. “I’m going to make time stop when I propose to Micah,” she says. “The little American? With the thick glasses?” “Not so little anymore.” “Interesting.” Baz rubs his chin. “My mother hung the moon.” “She was a legend,” Penelope beams. “I thought your parents hated the Pitches,” I say. They both look at me like I’ve just stuck my hand in the soup bowl. “That’s politics,” Penelope says. “We’re talking about magic.” “Obviously,” I say. “What was I thinking.” “Obviously,” Baz says. “You weren’t.” “What’s happening right now?” I say. “What are we even doing?” Penelope folds her arms and squints at the chalkboard. “We,” she declares, “are finding out who killed Natasha Grimm-Pitch.” “The legend,” Baz says. Penelope gives him a soft look, the kind she usually saves for me. “So she can rest in peace.
Rainbow Rowell (Carry On (Simon Snow, #1))
I’m gonna give you some unsolicited advice, okay?” Dan peered at me, as though making sure I knew to take his words seriously. “But it’s good advice, even though I’m tired as hell, so it might not make much sense.” “Sure. Go for it.” Even in my muddled state, I couldn’t help but smile at my friend. “You like that guy, you tell him flat out. You just lay what you want and everything out there. Don’t waste time not saying things that need to be said. He’ll always be in your mind, wrecking the possibility of things with other people, because your heart can’t move on until it knows for sure a door is closed.” I managed a reassuring smile. “Thanks for the ad—” “But then, if the door opens, make sure it’s the right door, not a different door. Because then you’ll be in the room, but it’s not the right room. And then you’re stuck in the room, you’ve committed to the room, and you’d be an asshole for trying a new door in the same house when you’re already in a room. And then your fucking heart won’t stop looking for a window.
Penny Reid (Dating-ish (Knitting in the City, #6))
Addy,” said Mrs. Kaur. “I’ll still have to log it, and account for it later.” “Blame me,” said Robin at once. One thick black eyebrow arched. Miss Morrissey leaned forward and smiled at her sister. “Would you say Sir Robert is a threatening figure?” “Er,” said Mrs. Kaur. It was the most diplomatic single syllable Robin had ever heard. “Are you afraid for your maidenly virtue?” “I’m married, Addy,” said Kitty Kaur dryly. “I have none.” She eyed Robin. “He does seem the kind of well-built, pugnacious fellow who would follow through on a threat of bodily harm.” “I beg your pardon,” Robin began to protest, and then the penny dropped. “Oh. Would it help if I raised my voice?” “Yes, that would do nicely. Sir Robert strong-armed my sister into bringing him here to seek my help, and threatened us with harm unless I abused my access to the lockroom in order to locate Mr. Courcey. Overcome by concern for his friend, of course, but still. Most brutish behavior.” “And we are but feeble women,” said Miss Morrissey. “Woe.” “Your sister is a magician,” Robin said, pointing out what seemed the largest hole in this story. “Woe,” said Mrs. Kaur firmly, and Robin recalled what Miss Morrissey had said about the assumptions made by men.
Freya Marske (A Marvellous Light (The Last Binding, #1))
The sun is setting, Ona reminds us, and our light is fading. We should light the kerosene lamp. But what of your question? asks Greta. Should we consider asking the men to leave? None of us have ever asked the men for anything, Agatha states. Not a single thing, not even for the salt to be passed, not even for a penny or a moment alone or to take the washing in or to open a curtain or to go easy on the small yearlings or to put your hand on the small of my back as I try, again, for the twelfth or thirteenth time, to push a baby out of my body. Isn't it interesting, she says, that the one and only request the women would make of the men would be to leave? The women break out laughing again. They simply can't stop laughing, and if one of them stops for a moment she will quickly resume laughing with a loud burst, and off they'll all go again. It's not an option, says Agata, at last. No, the others (finally in complete accord!) agree. Asking the men to leave is not an option. Greta asks the women to imagine her team, Ruth and Cheryl (Agata yelps in exasperation at the mention of their names), requesting that Greta leave them alone for the day to graze in the field and do nothing. Imagine my hens, adds Agata, telling me to turn around and leave the premises when I show up to gather the eggs. Ona begs the women to stop making her laugh, she's afraid she'll go into premature labour. This makes them laugh harder! They even find it uproariously funny that I continue to write during all of this. Ona's laughter is the finest, the most exquisite sound in all of nature, filled with breath and promise, and the only sound she releases into the world that she doesn't also try to retrieve.
Miriam Toews (Women Talking)
Waste of time," said the leper. "There's a dozen or more beggars who come here every day, pretending to be cripples, hiring themselves out to the holy men. A couple of drachmas and they'll swear they've been crippled or blind for years then stage a bloody miraculous recovery. Holy men? Healers? Don't make me laugh." "But this man is different," said Christ. "I remember him," said the blind man. "Jesus. He come here on the sabbath, like a fool. The priests wouldn't let him heal anyone on sabbath. He should've known that." "But he did heal someone," said the lame man. "Old Hiram. You remember that. He told him to take up his bed and walk." "Bloody rubbish," said the blind man. "Hiram went as far as the temple gate, then he lay down and went on begging. Old Sarah told me. He said what was the use of taking his living away? Begging was the only thing he knew how to do. You and your blether about goodness," he said, turning to Christ, "where's the goodness in throwing an old man out into the street without a trade, without a home, without a penny? Eh? That Jesus is asking too much of people." "But he was good," said the lame man. "I don't care what you say. You could feel it, you could see it in his eyes." "I never saw it," said the blind man.
Philip Pullman (The Good Man Jesus and the Scoundrel Christ)
And he wanted us to call him Twilight. I was too tired and melancholy to truly feel the level of bafflement this request deserved. However, I did notice the initial exchange between my brother and Isaac/Twilight when they arrived with Tina’s momma. It went something like this: Jackson: “Tina. I didn’t know you were bringing Isaac. Good to see you, man.” Isaac/Twilight: “It’s Twilight.” Jackson (looking bemused): “No it ain’t, it’s not even noon yet.” Isaac/Twilight: “No. My name is Twilight.” Jackson (still looking bemused): “Say what?” Isaac/Twilight: “My name. Call me Twilight.” Jackson: “You mean like that My Little Pony character?” Tina: “Jackson! I didn’t know you were a My Little Pony fan.” Jackson (scowling then motioning to Isaac/Twilight): “Jessica was always watching it growing up, and I’m not a fan—not like Twilight Sparkle over here.” Isaac/Twilight: “The name is Twilight, not Twilight Sparkle.” Jackson (irritated): “If you want me to call you Twilight, then don’t be surprised if I slip up a few times and call you Pinky Pie.” A similar conversation ensued when Twilight was brought in to greet my dad, except my dad said, “That’s not a name, son. That’s a time of day.
Penny Reid (Truth or Beard (Winston Brothers, #1))
They would tell you that governments could not manage things as economically as private individuals; they would repeat and repeat that, and think they were saying something! They could not see that “economical” management by masters meant simply that they, the people, were worked harder and ground closer and paid less! They were wage-earners and servants, at the mercy of exploiters whose one thought was to get as much out of them as possible; and they were taking an interest in the process, were anxious lest it should not be done thoroughly enough! Was it not honestly a trial to listen to an argument such as that? And yet there were things even worse. You would begin talking to some poor devil who had worked in one shop for the last thirty years, and had never been able to save a penny; who left home every morning at six o’clock, to go and tend a machine, and come back at night too tired to take his clothes off; who had never had a week’s vacation in his life, had never traveled, never had an adventure, never learned anything, never hoped anything—and when you started to tell him about Socialism he would sniff and say, “I’m not interested in that—I’m an individualist!” And then he would go on to tell you that Socialism was “paternalism,” and that if it ever had its way the world would stop progressing. It was enough to make a mule laugh, to hear arguments like that; and yet it was no laughing matter, as you found out—for how many millions of such poor deluded wretches there were, whose lives had been so stunted by capitalism that they no longer knew what freedom was! And they really thought that it was “individualism” for tens of thousands of them to herd together and obey the orders of a steel magnate, and produce hundreds of millions of dollars of wealth for him, and then let him give them libraries; while for them to take the industry, and run it to suit themselves, and build their own libraries—that would have been “Paternalism”!
Upton Sinclair (The Jungle)
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))