Pencils Of Promise Quotes

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She loved all the wolves behind her house, but she loved one of them most of all. And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant for ever. Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying goodbye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile. It was a life I didn't want to leave behind. It was a life I didn't want to forget. I wasn't done with it yet. There was so much more to say.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
The single most powerful element of youth is that you don't have the life experiences to know what can't be done.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Most of all, I'll remind them each morning that we make a choice to bring positivity or negativity into the world, and that within every single person where lies an extraordinary story waiting to unfold.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Your life should be a story you are excited to tell.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
It's the presence of others who are smarter, kinder, wiser, and different from you that enables you to evolve. Those are the people to surround yourself with at all times.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
In moments of uncertainty, when you must chose between two paths, allowing yourself to be overcome by either the fear of failure or the dimly lit light of possibility, immerse yourself in the life you would be most proud to live.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Creating something new is easy, creating something that lasts is the challenge.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Every person has a revolution beating within his or her chest
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
I realized that even big waves start with small ripples
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
your dreams do not scare you, they are not big enough.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
At certain moments in your life you just know that everything after will change. You can ignore these moments by not acting on the new set of possibilities they enable, and your life will stay the same. But if you say yes to their reverberating potential, your life path alters permanently.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Sometimes you have to leave things behind to understand their true value.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Your twenties are the time to both accept and fight your way into the person you're destined to become.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
If you want to go fast, go alone. If you want to go far, go together.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
You may be safe, but I am free.' Take advantage of the freedom that comes with your youth. Inhale life, exhale fire, and embrace the late, sleepless nights, because that's when the magic happens- when everyone else is asleep and you're awake thinking about the world as it is, and the world as it would be. Make the most of those moments," I said forcefully. "And in the coming years people will tell you that you're too young to change the world. I'm here to tell you, that's fucking bullshit.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Adversity bonds people more often than it breaks them.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
The biggest difference between the person who lives his or her dreams and the person who aspires is the decision to convert that first spark of motivation into immediate action.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
It's Harvest Time. Jewish New Year. Back to School. The new theatrical season. These are September to me. Apples and honey, sharpened pencils and the sounds of warm-ups, voices and bodies getting going. Hope and promise and things re-newed.
Shellen Lubin
Many of us spend our entire lives in the same bubble - we surround ourselves with people who share our opinions, speak the way we speak, and look the way we look. We fear leaving those familiar surroundings, which is natural, but through exploration of the unfamiliar we stop focusing on the labels that define WHAT we are and discover WHO we are.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Tell the world what scares you the most” says Brandy. She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future” Seth writes on the back of a card and hands the card to Brandy for her to read. On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.” Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle. Seth hands her another, and Brandy reads: Game shows are designed to make us feel better about the random useless facts that are all we have left from our education” A kiss and the card’s on it’s way toward Lake Washington. From Seth: When did the future switch from being a promise to being a threat?” A kiss and it’s off on the wind toward Ballard. Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.” Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write: I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again. Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net. While I watch my future trapped in the suicide net Brandy reads another card from Seth. We are all self-composting” I write another card from the future and Brandy reads it: When we don’t know who to hate, we hate ourselves” An updraft lifts up my worst fears from the suicide net and lifts them away. Seth writes and Brandy reads. You have to keep recycling yourself”. I write and Brandy reads. Nothing of me is original. I am the combined effort of everybody I’ve ever known.” I write and Brandy reads. The one you love and the one who loves you are never ever the same person.
Chuck Palahniuk (Invisible Monsters)
Each time you love—be it a man or a child, a cat or a horse—you add color to this world. When you fail to love, you erase color.” She smiles. “Love, in any of its forms, is what takes this journey from a bleak black-and-white pencil sketch to a magnificent oil painting.” She touches my cheek. “It’s the sweet fruit that paints the field and wakes our senses. I’m not saying you must be on a constant quest for it, but please, if love comes to you, if you find it within your grasp, promise me you’ll pluck it from the vine and give it a good looking-over, won’t you?
Lori Nelson Spielman (The Star-Crossed Sisters of Tuscany)
It was only by focusing on creating joy in her life that I discovered the greatest feeling of happiness in my own.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
I looked around and acknowledged that what you see around you is proof of what exists within you.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
what you see around you is proof of what exists within you.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Every great inventor, architect, scientist, and mathematician began as a child holding nothing more then a pencil. That single stick of wood and graphite could enable him to explore worlds within that he would never otherwise access.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
The purest joys are available to all of us, and they're unrelated to status, recognition, or material desires.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
At the greatest levels of affluence, and the deepest levels of poverty, parents share the same desire for their children to have a better future.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
I understood that I might fail, but I wouldn't let it happen because I changed my compass along the way.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Your twenties are the time to both accept and fight your way into the person you’re destined to become.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
How many times have I missed an incredible connection that could have been made because I had my face in my phone instead of paying attention to those around me?
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
True self-discovery begins where your comfort zone ends,
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
So many of the people I admired—the musicians, the artists, the writers—created their greatest works not during a period of happiness and contentment, but during a period of struggle.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Rare contact creates a stir. Gossip spreads. Tensions build. Denying Pissec, miserable Obelmäker and repressed Baumauer are all seething-jealous – openly or reservedly – within the hour. The pay rise promise is working a treat. Brichacek’s licking the tip of a pencil with her sticky pink tongue. “Stop flirting,” he tells her, but he looks at her breasts and thinks, The girls with the bruises in the sex films are just dead dolls, but this pretty toy is alive.
Carla H. Krueger (From the Horse’s Mouth)
This dead man is bound up with my life, therefore I must do everything, promise everything in order to save myself; I swear blindly that I mean to live only for his sake and his family, with wet lips I try to placate him--and deep down in me lies the hope that I may buy myself off in this way and perhaps even get out of this; it is a little stratagem: if only I am allowed to escape, then I will see to it. So I open the book and read slowly:--Gerard Duval, compositor. With the dead man's pencil write the address on an envelope, then swiftly thrust everything back into his tunic. I have killed the printer, Gerard Duval. I must be a printer, I think confusedly, be a printer, printer...
Erich Maria Remarque (All Quiet on the Western Front)
Weak speakers look down at the floor, good speakers look up but scan the room, great speakers make eye contact selectively, and exceptional speakers deliver every complete thought directly to one person in the audience, making that person feel like the center of the room—and then they move on and do it again.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
I nodded, still unable to speak, digesting the weight of what she had just said. We exist because of the sacrifice of those who came before us, but how often can we make them feel the full value of their impact? ... It was only by focusing on creating joy in her life that I discovered the greatest feelings of happiness in my own.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
It’s easy. Pretend to know what you don’t, and pretend not to know when you do. Hear what you don’t understand and don’t hear what you do. Promise what you cannot deliver, what you have no intention of delivering. Make a great secret of hiding what isn’t there. Plead you’re busy as you spend your time sharpening pencils. Speak profoundly to cover up your emptiness, encourage spies, reward traitors, tamper with seals, intercept letters, hide the ineptitude of your goals by speaking of them glowingly—that’s all there is to politics, I swear. —Beaumarchais, The Marriage of Figaro
Stacy Schiff (A Great Improvisation: Franklin, France, and the Birth of America)
This realization led me to institute a personal policy of going off email from Friday night until Sunday morning. I would use my weekends to rest, rejuvenate, and reconnect with those I cherished most. For one day a week, it’s important to allow yourself to be a human being, rather than a human doing.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
People were differentiated by this substance, which was called nganon. Nganon was a concentrate which was defined in each person by nurture and circumstance. She believed that she and a certain few others were not of the same nganon as the rest of Earth's people. At first Deborah had thought that it was only she who was set apart from human kind, but others of the un-dead on D ward seemed to be tainted as she was. All of her life, herself and all her possessions had been imbued with her essence, the poisonous nganon. She had never lent her clothes or books or pencils, or let anyone touch any of her things, and she had often borrowed or stolen from other children at school or camp, delighting, until their stolen nganon wore off them, in the health and purity and grace of the possessions.
Joanne Greenberg (I Never Promised You a Rose Garden)
You never realize how much you value something until you are faced with the prospect of losing it.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Purpose can manifest from so many different places, but it most often appears through the small things that enable us to feel connected to a broader whole
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
The mind delivers logic and reason, but the heart is where faith resides.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
They chose to be different. And in doing so, they proved that through struggle, sacrifice and service, staggering personal transformation is possible.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
The real voyage of discovery consists not in seeking new landscapes but in having new eyes.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Creating a company means you’re going to go through hell and high water along the way. You need to know the character of the people at your side. Trust is everything.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
...when your faith is tested you simply have to believe that there will be light ahead and continue moving forward.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Most ventures fail in the early stages because people stop trying after they're told no too many times.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Sometimes you have to show someone that you’re willing to run through a wall before they’ll open the front door.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
They served as a constant reminder that to achieve exceptional things, you must hold yourself to exceptional standards, regardless of what others may think.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
People think big ideas suddenly appear on their own, but they’re actually the product of many small, intersecting moments and realizations that move us toward a breakthrough.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
In truth we re-create our reputation every day.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Here's my best advice: make the little decisions with your head and the big ones with your heart. Do that, and you'll be just fine.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Non is defined as “of little or no consequence: unimportant: worthless.” Worthless? Clearly, something needed to change. Why were we the only industry that introduced itself with a negative when we existed not to reduce profits, but to foster a profusion of purpose? Instead of introducing ourselves by touting what we didn’t do, shouldn’t we share what we did do?
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Sometimes you know something in your head, and other times you know it in your heart. The mind delivers logic and reason, but the heart is where faith resides. In moments of uncertainty, when you must choose between two paths, allowing yourself to be overcome by either the fear of failure or the dimly lit light of possibility, immerse yourself in the life you would be most proud to live.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
certain concrete signs of optimism were no longer as central a part of the school experience: the smell of pencils, for instance, with their suggestion of woodshop and campgrounds and the promise of some precocious kid’s standout in-class essay.
Meg Wolitzer (The Uncoupling: A Novel)
I always went to bed like someone getting ready for a long trip: books, pills, glasses of water, clocks, a light, pencils, notebooks. To go to bed and switch off the light has been for me to submit to a totally unknown world, full of delicious as well as sinister promises.
Reinaldo Arenas (Before Night Falls)
In certain situations you ask to see a sign to guide you in the right direction. Sometimes these calls to a higher power are answered and sometimes we are left to seek counsel from within. But if you look for them, the signs will usually present themselves to those with open eyes.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
But deep down inside, I was no longer enamored with the life I’d created. The only purpose I was serving was self-interest. While I rarely showed it to outsiders, my happiness waned day after day. A restless voice kept me up at night, telling me that until I found meaning, the money wouldn’t matter.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
THE COUNCIL WAS NOTHING LIKE Jason imagined. For one thing, it was in the Big House rec room, around a Ping-Pong table, and one of the satyrs was serving nachos and sodas. Somebody had brought Seymour the leopard head in from the living room and hung him on the wall. Every once in a while, a counselor would toss him a Snausage. Jason looked around the room and tried to remember everyone’s name. Thankfully, Leo and Piper were sitting next to him—it was their first meeting as senior counselors. Clarisse, leader of the Ares cabin, had her boots on the table, but nobody seemed to care. Clovis from Hypnos cabin was snoring in the corner while Butch from Iris cabin was seeing how many pencils he could fit in Clovis’s nostrils. Travis Stoll from Hermes was holding a lighter under a Ping-Pong ball to see if it would burn, and Will Solace from Apollo was absently wrapping and unwrapping an Ace bandage around his wrist. The counselor from Hecate cabin, Lou Ellen something-or-other, was playing “got-your-nose” with Miranda Gardiner from Demeter, except that Lou Ellen really had magically disconnected Miranda’s nose, and Miranda was trying to get it back. Jason had hoped Thalia would show. She’d promised, after all—but she was nowhere to be seen. Chiron had told him not to worry about it. Thalia often got sidetracked fighting monsters or running quests for Artemis, and she would probably arrive soon. But still, Jason worried. Rachel Dare, the oracle, sat next to Chiron at the head of the table. She was wearing her Clarion Academy school uniform dress, which seemed a bit odd, but she smiled at Jason. Annabeth didn’t look so relaxed. She wore armor over her camp clothes, with her knife at her side and her blond hair pulled back in a ponytail. As soon as Jason walked in, she fixed him with an expectant look, as if she were trying to extract information out of him by sheer willpower. “Let’s come to order,” Chiron said. “Lou Ellen, please give Miranda her nose back. Travis, if you’d kindly extinguish the flaming Ping-Pong ball, and Butch, I think twenty pencils is really too many for any human nostril. Thank you. Now, as you can see, Jason, Piper, and Leo have returned successfully…more or less. Some of you have heard parts of their story, but I will let them fill you in.” Everyone looked at Jason. He cleared his throat and began the story. Piper and Leo chimed in from time to time, filling in the details he forgot. It only took a few minutes, but it seemed like longer with everyone watching him. The silence was heavy, and for so many ADHD demigods to sit still listening for that long, Jason knew the story must have sounded pretty wild. He ended with Hera’s visit right before the meeting.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
In the late afternoon, Lily approached Ian as he reclined on the couch sketching. “I’ve got something to ask you,” she said, the tiniest waver in her voice betraying her nervousness. Ian went on high alert and placed his pad and pencil on the coffee table. “What is it, sweetheart?” he managed to get out, keeping his voice even. Lily wrung her hands. “Okay. Now, you don’t have to if you don’t want to, okay? I promise I’ll understand if you say no. Really, I will.” His shoulders slumped in relief and he rescued her hands from each other before either was damaged. “Darlin’, you needn’t be afraid to ask. I would love for you to take me to bed and spend the rest of the day making wild, passionate love to me. Tonight and tomorrow too, if that would make you happy,” Ian assured her. Lily blinked and frowned uncertainly. “Umm…tempting as that sounds, no, that’s not it.” “Need an organ donated, then? I’ve got one in mind just for you.” “This is serious.” She giggled, thumping him on the chest. “Damn right it is. Do you have any idea how long it’s been since I’ve seen you naked?” he said, raising an eyebrow in challenge. “How the hell am I supposed to get better under these horrific conditions? I may end up in therapy yet. See, look, my eye’s already starting to twitch…
Shannon MacLeod (The Celtic Knot: Suit of Cups (Arcana Love Vol. 1))
Many of us spend our entire lives in the same bubble—we surround ourselves with people who share our opinions, speak the way we speak, and look the way we look. We fear leaving those familiar surroundings, which is natural, but through exploration of the unfamiliar we stop focusing on the labels that define what we are and discover who we are.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Shekiba was born at the turn of the twentieth century, in an Afghanistan eyed lasciviously by Russia and Britain. Each would take turns promising to protect the borders they had just invaded, like a pedophile who professes to love his victim. The borders between Afghanistan and India were drawn and redrawn from time to time, as if only penciled in. People belonged to one country and then the other, nationalities changing as often as the direction of the wind. For Great Britain and the Soviet Union, Afghanistan was the playing field for their "Great Game," the power struggle to control Central Asia. But the game was slowly coming to an end, the Afghan people ferociously resisting outside control. Chests expanded with pride when Afghans talked about their resilience. But parts of Afghanistan were taken—little by little until its borders shrank in like a wool sweater left in the rain. Areas to the north like Samarkand and Bukhara had been lost to the Russian Empire. Chunks of the south were chipped away and the western front was pushed in over the years.
Nadia Hashimi (The Pearl That Broke Its Shell)
When you're part of something special, you have to cherish it and defend it against many outside distractions and temptations. But nothing is more potent or deceptive than the competing interests or another great opportunity. In those moments when priorities clash, always stay guided by your values, not your perceived necessities. Necessities exist in a state of mind that will not last, whereas values are transcendent and enduring.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
When you align individually high-performing people around the idea that they are collectively underdogs, you tap into the cohesive gel that brings early adopters together. We created an enemy for us to rebel against (this belief that our approach was “impossible”), which is one of the fastest ways to unite people around a common goal. And with each new person who joined our volunteer army, we received both the validation and the skills necessary to prove that we could carve a different path from those who came before us.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
The unhappy priest was breathing hard; sincere horror at the foreseen dispersal of Church property was linked with regret at his having lost control of himself again, with fear of offending the Prince, whom he genuinely liked and whose blustering rages as well as disinterested kindness he knew well. So he sat down warily, glancing every now and again at Don Fabrizio, who had taken up a little brush and was cleaning the knobs of a telescope, apparently absorbed. A little later he got up and cleaned his hands thoroughly with a rag; his face was quite expressionless, his light eyes seemed intent only on finding any remaining stain of oil in the cuticles of his nails. Down below, around the villa, all was luminous and grandiose silence, emphasised rather than disturbed by the distant barking of Bendicò baiting the gardener’s dog at the far end of the lemon-grove, and by the dull rhythmic beat from the kitchen of a cook’s knife chopping meat for the approaching meal. The sun had absorbed the turbulence of men as well as the harshness of earth. The Prince moved towards the priest’s table, sat down and began drawing pointed little Bourbon lilies with a carefully sharpened pencil which the Jesuit had left behind in his anger. He looked serious but so serene that Father Pirrone no longer felt on tenterhooks. “We’re not blind, my dear Father, we’re just human beings. We live in a changing reality to which we try to adapt ourselves like seaweed bending under the pressure of water. Holy Church has been granted an explicit promise of immortality; we, as a social class, have not. Any palliative which may give us another hundred years of life is like eternity to us. We may worry about our children and perhaps our grandchildren; but beyond what we can hope to stroke with these hands of ours we have no obligations. I cannot worry myself about what will happen to any possible descendants in the year 1960. The Church, yes, She must worry for She is destined not to die. Solace is implicit in Her desperation. Don’t you think that if now or in the future She could save herself by sacrificing us She wouldn’t do so? Of course She would, and rightly.
Giuseppe Tomasi di Lampedusa (The Leopard)
Allan found his place for the second time, and fell headlong into the bottomless abyss of the English Law. “Page 280,” he began. “Law of husband and wife. Here’s a bit I don’t understand, to begin with: ‘It may be observed generally that the law considers marriage in the light of a Contract.’ What does that mean? I thought a contract was the sort of a thing a builder signs when he promises to have the workmen out of the house in a given time, and when the time comes (as my poor mother used to say) the workmen never go.” “Is there nothing about Love?” asked Neelie. “Look a little lower down.” “Not a word. He sticks to his confounded ‘Contract’ all the way through.” “Then he’s a brute! Go on to something else that’s more in our way.” “Here’s a bit that’s more in our way: ‘Incapacities. If any persons under legal incapacities come together, it is a meretricious, and not a matrimonial union.’ (Blackstone’s a good one at long words, isn’t he? I wonder what he means by meretricious?) ‘The first of these legal disabilities is a prior marriage, and having another husband or wife living — ’“ “Stop!” said Neelie; “I must make a note of that.” She gravely made her first entry on the page headed “Good,” as follows: “I have no husband, and Allan has no wife. We are both entirely unmarried at the present time.” “All right, so far,” remarked Allan, looking over her shoulder. “Go on,” said Neelie. “What next?” “‘The next disability,’“ proceeded Allan, “‘is want of age. The age for consent to matrimony is, fourteen in males, and twelve in females.’ Come!” cried Allan, cheerfully, “Blackstone begins early enough, at any rate!” Neelie was too business-like to make any other remark, on her side, than the necessary remark in the pocketbook. She made another entry under the head of “Good”: “I am old enough to consent, and so is Allan too. Go on,” resumed Neelie, looking over the reader’s shoulder. “Never mind all that prosing of Blackstone’s, about the husband being of years of discretion, and the wife under twelve. Abominable wretch! the wife under twelve! Skip to the third incapacity, if there is one.” “‘The third incapacity,’“ Allan went on, “‘is want of reason.’“ Neelie immediately made a third entry on the side of “Good”: “Allan and I are both perfectly reasonable. Skip to the next page.” Allan skipped. “‘A fourth incapacity is in respect of proximity of relationship.’“ A fourth entry followed instantly on the cheering side of the pocketbook: “He loves me, and I love him — without our being in the slightest degree related to each other. Any more?” asked Neelie, tapping her chin impatiently with the end of the pencil. “Plenty more,” rejoined Allan; “all in hieroglyphics. Look here: ‘Marriage Acts, 4 Geo. IV., c. 76, and 6 and 7 Will. IV., c. 85 (q).’ Blackstone’s intellect seems to be wandering here. Shall we take another skip, and see if he picks himself up again on the next page?
Wilkie Collins (Armadale)
The beauty of inflections Or the beauty of innuendoes, The blackbird whistling Or just after. I begged him, “Miguel, write! Write something! Try!” He hadn’t written a thing for months, he rarely had his homework, and in class he couldn’t sit still. Miguel was immensely confident, capable of unusual, interesting thought, yet lazy and disorganized, angry and socially awkward. He often drew while other children wrote, but he wasn’t very good at it, and what he drew upset me. “May I see?” Miguel had scrunched his drawing in a corner of the page. It was typically sloppy and mostly indecipherable. There were scratchy men with limbs that didn’t bend, and there were guns and bombs. At least he had a bird, an eagle decently drawn, but even it was bleeding from the heart. There were blotches of explosion and lots of smudgy death, not the joyful ruin happy children draw, no flashing zigzag lines and gaudy color. “Oh, Miguel,” I sighed. “Why are your pictures always so violent?” He smiled, happy to be noticed, and continued drawing. We had had this conversation many times before. “It worries me, Miguel. It makes me feel like you’re not happy.” “Oh, I’m happy, Mr. Swope. I just like drawing violence, that’s all.” I knew him well enough to say, “This picture makes me think you’re going to grow up and be a mass murderer, Miguel, and I think you can do a little better than that.” Miguel giggled as he kept on drawing. “Do me a favor. Stop drawing and try to write. Write at least one way of looking at a tree, okay? You can do this.” “Okay,” he said, and cheerfully pulled out his writing folder. It grows big but he is small although big things are happening inside.    MIGUEL There are no euphonies here, and even though his poem isn’t perfectly clear, it has some interesting innuendo going on, a lot of promise. I gave it a Good!!! But it’s hard to know what I responded to—the poem itself, or the boy behind it; my student as he was, or as I wanted him to be.
Sam Swope (I Am a Pencil: A Teacher, His Kids, and Their World of Stories)
Love always finds a way to disappoint. Or I find ways to disappoint love. You can kiss and touch and promise. You can give away all of your Matchbox cars and your metallic pencils, and it's still not enough. At a point, there is nothing you can do to make someone love you, nothing you can do to make your love better or lasting, but you want it, search for it, and make every effort to sustain it regardless.
M.E. Thomas
We both laughed it off, but it was an important reminder to never take oneself too seriously, and to never feel too self-satisfied. The only truth about first impressions is that you only get one. The way people perceive you in those first few moments will set the anchor around which all future interactions are based. Fortunately, few people noticed my blunder, but you can’t get those moments back; you can only prepare for making the best possible first impression on those new people you’ll meet in the future. As
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
We each bear responsibility to prove ourselves day in and day out and have no one to blame but ourselves for the outcome.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
The paperwork would make me CEO and grant me a salary, equity, and benefits. Between the money and the health insurance, I could cover all of my immediate needs. But I’d have to change everything I stood for.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Make your life a story worth telling
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Purpose can manifest from so many different places, but it most often appears through the small things that enable us to feel connected to a broader whole. Although
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Make your life a story worth telling.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Many presentations follow a traditional hero’s journey, with the presenter portraying himself or herself as the hero to win over the audience. But the best presentations - the ones that inspire action - are those where the same journey is portrayed, except the audience is the focus. It’s not about the presenter; it’s about the chance that the audience has to become the hero by completing a well-defined task.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
It's the presence of others who are smarter, kinder, wiser, and different from you that enables you to evolve.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
When you make a promise, you’re not giving your word in erasable pencil, you’re inscribing your commitment in indelible ink.
Frank Sonnenberg (BookSmart: Hundreds of real-world lessons for success and happiness)
How many times do you have thirty things to do and you focus on the twenty-five that matter least?
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Dear Moldenke, Whether or not you have feelings for me, or feelings at all, I do have feelings about you. They increased when you compared my nipples to pencil erasers. No one has been so gentle to me. The clouds are promising rain. Love, Cock Roberta.
David Ohle (Motorman)
Once upon a time, there was a girl named Grace Brisbane. There was nothing particularly special about her, except that she was good with numbers, and very good at lying, and she made her home in between the pages of books. She loved all the wolves behind her house, but she loved one most of all. And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant forever. Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying good-bye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile. It was a life I didn't want to leave behind. It was a life I didn't want to forget. I wasn't done with it yet. There was so much more to say.
Maggie Stiefvater
Once upon a time, there was a girl named Grace Brisbane. There was nothing particularly special about her, except that she was good with numbers, and very good at lying, and she made her home in between the pages of books. She loved all the wolves behind her house, but she loved one of them most of all. And this one loved her back. He loved her back so hard that even the things that weren’t special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant forever. Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying good-bye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam’s smile. It was a life I didn’t want to leave behind. It was a life I didn’t want to forget. I wasn’t done with it yet. There was so much more to say.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Once upon a time, there was a girl named Grace Brisbane. There was nothing particularly special about her, except that she was good with numbers, and very good at lying, and she made her home in between the pages of books. She loved all the wolves behind her house, but she loved one of them the most. And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant forever. Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying good-bye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile. It was a life I didn't want to leave behind. It was a life I didn't want to forget. I wasn't done with it yet. There was so much more to say.
Maggie Steifvater
Adam Braun’s book, The Promise of a Pencil.
Joshua Medcalf (Chop Wood Carry Water: How to Fall In Love With the Process of Becoming Great)
When the Ottoman Empire began to collapse, the British and French had a different idea. In 1916 the British diplomat Colonel Sir Mark Sykes took a Chinagraph pencil and drew a crude line across a map of the Middle East. It ran from Haifa on the Mediterranean in what is now Israel to Kirkuk (now in Iraq) in the north-east. It became the basis of his secret agreement with his French counterpart François Georges-Picot to divide the region into two spheres of influence should the Triple Entente defeat the Ottoman Empire in the First World War. North of the line was to be under French control, south of it under British hegemony. The term ‘Sykes–Picot’ has become shorthand for the various decisions made in the first third of the twentieth century which betrayed promises given to tribal leaders and which partially explain the unrest and extremism of today. This explanation can be overstated, though: there was violence and extremism before the Europeans arrived. Nevertheless, as we saw in Africa, arbitrarily creating ‘nation states’ out of people unused to living together in one region is not a recipe for justice, equality and stability.
Tim Marshall (Prisoners of Geography: Ten Maps That Tell You Everything You Need to Know About Global Politics)
The biggest of dreams often start with small, unreasonable acts.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Most ventures fail in the early stages because people stop trying after they’re told no too many times.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Listening intensely is a far more valuable skill than speaking immensely.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
The key is to think big and then take small, incremental steps forward day by day. Start by changing the subjects of your daily conversation from the life you are living to the life you aspire to create. By speaking the language of the person you seek to become, you will soon find yourself immersed in the conversations that make you most come alive. You’ll sense the energy you emit attracting similar energy from others. Your conversations will lead to opportunities, which will become actions, which will become footprints for good.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Purpose can manifest from so many different places, but it most often appears through the small things that enable us to feel connected to a broader whole.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
The more we speak in the voice of our most aspirational self, the closer we pull our future into our present.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
You have to find a mantra and live it fully. The one I’d adopt right now if I were you is something I found on the inside of a friend’s journal last year: ‘You may be safe, but I am free.’ Take advantage of the freedom that comes with your youth. Inhale life, exhale fire, and embrace the late, sleepless nights, because that’s when the magic happens—when everyone else is asleep and you’re awake thinking about the world as it is, and the world as it could be. Make the most of those moments,” I said forcefully. “And in the coming years people will tell you that you’re too young to change the world. I’m here to tell you, that’s fucking bullshit.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Sometimes you just know. With absolute conviction. The complete absence of doubt is so rare it generates a sense of excitement that’s so powerful it becomes shocking. . . . That name just appeared in my head, and I remember a hard closing of my eyes followed by an opening and a quick punch of breath. It literally knocked the wind out of me, left me searching for air, a tingling of excitement surging through my chest. Yes. With absolute conviction. Everything had changed.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Think about how the world will change in the next ten years, and how you and your resources and networks will change within it. Use that as a compass to determine how you can affect as many people as possible.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Expectations are the daunting shadows that trail behind accomplishments; no matter how high one goes, the other follows on its footsteps.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
The role of the founder should eventually be to listen to the echoes of his or her initial words, and then encourage and amplify the most genuine among those you hear.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Dancing with these kids, I looked around and acknowledged that what you see around you is proof of what exists within you. There is a primal energy that spurs us to move, to shake, to transform. And once ignited, it is a feeling that takes on a life of its own.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
True motivation is not found within reaching a goal, but rather getting to a place where you can confidently and audaciously move the finish line far off into the distance once again. It’s in the space between the known and the unknown, where you can craft a vision for the future that you hope to create and then chase it with relentless fervor.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Purpose is found when you stop thinking about how you exist in the world and start trying to figure out why you are here. Once you solve that question, everything else will fall into place.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
But the best presentations—the ones that inspire action—are those where the same journey is portrayed, except the audience is the focus. It’s not about the presenter; it’s about the chance that the audience has to become the hero by completing a well-defined task.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
Jim Biggers looked down at the puppy playing tug-of-war with one of his bootlaces. “Quit it,” he growled, gently shaking it off. The puppy yapped and scampered away, bumping into Truck’s furry side and bouncing off. The big dog didn’t bat an eye, but he raised his head when he heard a car door slam outside. Another puppy tumbled off his back as he got up. Jim rose too, looking out the window. “She’s here,” he announced, throwing down his pencil. In another minute Kenzie and Linc walked in. One of the puppies ran to her and she squatted down to say hi. “Oh my gosh. You are so cute!” “I can’t compete,” Jim grumbled to Linc. The puppy yapped and ran away. Kenzie went around to the other side of the desk to kiss her boss on the cheek. “Sorry.” Jim grinned. “You’re forgiven. How are you doing, Linc?” He’d noticed that the younger man was still limping. There wasn’t any need to mention it specifically. “Better every day, thanks. How did Truck get stuck with babysitting?” “I promised him half a steak,” Jim said. “He fell for it.” An eager puppy chomped down hard on Truck’s ear, then put his head and paws down in play position, wagging his stubby tail. “Poor Truck,” Kenzie said sympathetically. She looked back to Jim. “Why are they here? I mean, they’re cute but way too young to start with us.” “Merry Jenkins is fostering them for me. But she’s gone for the next two days, so I have them. It’s been fun. I’m seeing plenty of potential.” He glanced at the floor, frowning. “And a few puddles.” He unrolled several sheets from the paper towel dispenser on his desk and let them drift to the floor. A puppy pounced on the white stuff and dragged it away. Jim rolled his eyes. He unrolled more paper towels, and this time he put his boot down on them. “I can’t wait to come back full-time,” Kenzie said. “When you’re ready. Not a minute before,” Jim said sternly. “Everything’s under control. No rush.” Linc looked down. “Am I seeing things?” A tiny kitten was clawing its way up his jeans. Jim harrumphed. “That’s a stray. Buddy and Wells started feeding it, and now it won’t go away.” “Aww,” Kenzie exclaimed. “It’s adorable.” Linc detached the kitten from his front pocket and held it up. The warmth of his hands calmed it, but only for a minute. The kitten stared at him, bug-eyed, then batted at his nose. “Doesn’t seem to be afraid of anything.” “Reminds me of Kenzie. I guess I’ll have to keep it. So where are you two headed?” Linc put the kitten down. Tiny tail waving, it sauntered between Truck’s furry legs. The dog didn’t seem to mind.
Janet Dailey (Honor (Bannon Brothers, #2))