Pencil Sharpener Quotes

Do you know what breakfast cereal is made of? It's made of all those little curly wooden shavings you find in pencil sharpeners!

Don't you love New York in the fall? It makes me want to buy school supplies. I would send you a bouquet of newly sharpened pencils if I knew your name and address.

Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Saturday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books . . . books . . . books. . . .

I am a little pencil in God's hands. He does the thinking. He does the writing. He does everything and sometimes it is really hard because it is a broken pencil and He has to sharpen it a little more.

Oh, my sainted aunt! Don't mention that disgusting stuff in front of me! Do you know what breakfast cereal is made of? It's made of all those little curly wooden shavings you find in pencil sharpeners!

He looked like his brother, in a harder way, like Declan Lynch had been inserted into a pencil sharpener and Ronan Lynch had been taken out after Declan's teeth were even; Ronan's were bared. Declan's eyes were narrow; Ronan's were arrow slits. Declan's hair was curled; Ronan's was obliterated. Declan looked like the kind of person you forgot you'd ever seen. Ronan looked like the kind of person that made you cross to the other side of the street.

Some boys walk by and you cry, seeing them. They feel good, they look good, they are good. Oh, they're not above peeing off a bridge, or stealing an occasional dime-store pencil sharpener; it's not that. It's just, you know, seeing them pass, that's how they'll be all their life; they'll get hit, hurt, cut, bruised, and always wonder why, why does it happen? how can it happen to them?

2.3.06.02.087: Unnecessary sharpening of pencils constitutes a waste of public resources, and will be punished as appropriate.

There’s no need to sharpen your pencils any more. Even the dull ones can make a mark.

Did my mother ever get to see a cicada molting? Did she wish that she could do exact that? Shed her skin and be someone new? There were days when she seemed to transform into something quieter, darker. Her colors deeper but also muted. Both her truer self, and not. Or maybe it wasn't a transformation. Maybe it was a momentary reveal. A peeling back of the protective layers. A sharpening of a pencil, bringing the tip to its most focused point.

Nothing in the world is like this- a bright white page with pale blue lines. The smell of a newly sharpened pencil the soft hush of it moving finally one day into letters.

But Paris, all in all, isn't what it used o be, ever since that pencil sharpener, the Eiffel Tower, has been sticking up in the distance, visible from every angle.

Well, well. Lucinda Hutton. One flexible little gal.” He is reclining in his chair again. Both feet are flat on the floor and they point at me like revolvers in a Wild West shootout. “HR,” I clip at him. I’m losing this game and he knows it. Calling HR is virtually like tapping out. He picks up the pencil and presses the sharpened tip against the pad of his thumb. If a human could grin without moving their face, he just did it.

Clean this place out. I want hard drives, gadgets, papers, circuit boards, everything. Grab the pencil sharpener if it looks interesting.

The only perfection available to you without compromise is that of intention and effort. If you endeavor to be the best pencil sharpener you can be, and tailor your actions accordingly, you can be certain all else will be forgiven in the final accounting.

Sharpen your life always; even though it will come to an end like a pencil, we have to keep on writing

Pencil breaks when you sharpen it fully. A student who wants to write only after fully sharpening the pencil will never be able to write. He will waste whole pencil in sharpening.

Take a pencil to write with on aeroplanes. Pens leak. But if the pencil breaks, you can't sharpen it on the plane, because you can't take knives with you. Therefore: take two pencils.

Each action we take is an act of self-expression. We often think of large-scale or important deeds as being indications of our real selves, but even how we sharpen a pencil can reveal something about our feelings at that moment. Do we sharpen the pencil carefully or nervously so that it doesn’t break? Do we bother to pay attention to what we’re doing? How do we sharpen the same pencil when we’re angry or in a hurry? Is it the same as when we’re calm or unhurried? Even the smallest movement discloses something about the person executing the action because it is the person who’s actually performing the deed. In other words, action doesn’t happen by itself, we make it happen, and in doing so we leave traces of ourselves on the activity. The mind and body are interrelated.

The blue-backed notebooks, the two pencils and the pencil sharpener (a pocket knife was too wasteful) the marble-topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed. For luck you carried a horse chestnut and a rabbit's foot in your right pocket. The fur had been worn off the rabbit's foot long ago and the bones and the sinews were polished by wear. The claws scratched in the lining of your pocket and you knew your luck was still there.

Jacque rolled her eyes. "Jen you were screaming at the top of your lungs that it wasn't fair that you had to give up your perky rack, and you were sick of your nipples feeling as though they had been stuck in a pencil sharpener while salt was poured on them." "How do you even know that? I was at the Serbian pack mansion when I had my moment.," Jen growled. "Your mate put you on speaker phone," Sally said trying not to laugh.

Confidence is a pencil best sharpened with paper.

Fresh as a new notebook — that's how anyone wanted to live. Hopeful as a pencil sharpened, clear as one beam of light landing on the table's far side.

I scattered J.Lo's tools around the car, searching for some kind of rope, or something that could be used like a rope. I should have paid more attention to anything that looked like a pencil sharpener made of lemon Jell-O that, when cranked, would spit out superstrong yarn that smelled like ginger ale. I only mention this because J.Lo really did have such a thing.

When grown-ups asked you to sit in a circle, they were usually about to tell you something you didn't want to hear. Ms. Aruba-Tate, Ivy and Bean's second-grade teacher, was forever gathering them in a circle for bad news. Like, the class fish died over the weekend. Or, everyone has to start using real punctuation. Or, the pencil sharpener is off-limits. Circles meant trouble.

I ordered another rum St. James and I watched the girl whenever I looked up, or when I sharpened the pencil with a pencil sharpener with the shavings curling into the saucer under my drink.

It's Harvest Time. Jewish New Year. Back to School. The new theatrical season. These are September to me. Apples and honey, sharpened pencils and the sounds of warm-ups, voices and bodies getting going. Hope and promise and things re-newed.

The Thirties had seen the first generation of American industrial designers; until the Thirties, all pencil sharpeners looked like pencil sharpeners—your basic Victorian mechanism, perhaps with a curlicue of decorative trim. After the advent of the designers, some pencil sharpeners looked as though they’d been put together in wind tunnels. For the most part, the change was only skin-deep; under the streamlined chrome shell, you’d find the same Victorian mechanism. Which made a certain kind of sense, because the most successful American designers had been recruited from the ranks of Broadway theater designers. It was all a stage set, a series of elaborate props for playing at living in the future.

I’ll have a desk like this in my parlor and white walls and a clean green blotter every Saturday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books…books…books….

I’ll try out the pencils sharpened to the point of infinity which always sees ahead: Green — good warm light Magenta — Aztec. old TLAPALI blood of prickly pear, the brightest and oldest [Brown —] color of mole, of leaves becoming earth [Yellow —] madness sickness fear part of the sun and of happiness [Blue —] electricity and purity love [Black —] nothing is black — really nothing [Olive —] leaves, sadness, science, the whole of Germany is this color [Yellow —] more madness and mystery all the ghosts wear clothes of this color, or at least their underclothes [Dark blue —] color of bad advertisements and of good business [Blue —]distance. Tenderness can also be this blue blood?

Things accumulated in purses. Unless they were deliberately unloaded and all contents examined for utility occasionally, one could find oneself transporting around in one's daily life three lipstick cases with just a crumb of lipstick left, an old eyebrow pencil sharpener without a blade, pieces of defunct watch, odd earrings, handkerchiefs (three crumpled, one uncrumpled), two grubby powder puffs, bent hairpins, patterns of ribbon to be matched, a cigarette lighter without fuel (and two with fuel), a spark plug, some papers of Bex and a sprinkling of loose white aspirin, eleven train tickets (the return half of which had not been given up), four tram tickets, cinema and theatre stubs, seven pence three farthings in loose change and the mandatory throat lozenge stuck to the lining. At least, those had been the extra contents of Phyrne's bag the last time Dot had turned it out.

And Will? Why, he’s the last peach, high on a summer tree. Some boys walk by and you cry, seeing them. They feel good, they look good, they are good. Oh, they’re not above peeing off a bridge, or stealing an occasional dime-store pencil sharpener; it’s not that. It’s just, you know, seeing them pass, that’s how they’ll be all their life; they’ll get hit, hurt, cut, bruised, and always wonder why, why does it happen? how can it happen to them?

We need to sharpen our focus & live to the point just like a pencil.

Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Sunday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books...books..books.

Of all the mad things we humans do, Rex once told him, there might be nothing more humbling, or more noble, than trying to translate the dead languages. We don’t know how the old Greeks sounded when they spoke; we can scarcely map their words onto ours; from the very start, we’re doomed to fail. But in the attempt, Rex said, in trying to drag something across the river from the murk of history into our time, into our language: that was, he said, the best kind of fool’s errand. Zeno sharpens his pencil and tries again.

A man is a fool not to put everything he has, at any given moment, into what he is creating. You're there now doing the thing on paper. You're not killing the goose, you're just producing an egg. So I don't worry about inspiration, or anything like that. It's a matter of just sitting down and working. I have never had the problem of a writing block. I've heard about it. I've felt reluctant to write on some days, for whole weeks, or sometimes even longer. I'd much rather go fishing, for example, or go sharpen pencils, or go swimming, or what not. But, later, coming back and reading what I have produced, I am unable to detect the difference between what came easily and when I had to sit down and say, "Well, now it's writing time and now I'll write." There's no difference on paper between the two.

With the help of the janitor he screwed on to the side of the desk a pencil sharpener - that highly satisfying, highly philosophical implement that goes ticonderoga-ticonderoga, feeding on the yellow finish and sweet wood, and ends up in a kind of soundlessly spinning ethereal void as we all must.

Paper: Some inexpensive plain bond paper A pad of Strathmore Drawing Paper, 80 lb., 11" × 14" Pencils: A #2 ordinary yellow writing pencil with an eraser at the top A #4 drawing pencil—Faber-Castell, Prismacolor Turquoise, or other brand Marking pens: Sharpie (or other brand) fine point non-permanent black A second marker, fine point permanent black Graphite stick: #4 General’s is a good brand, or other brand Pencil sharpener: A small handheld sharpener is fine Erasers: A Pink Pearl eraser A Staedtler Mars white plastic eraser A kneaded eraser—Lyra, Design, or other brand Masking tape: 3M Scotch Low Tack Artist Tape Clips: Two 1-inch-wide black clips Drawing board: A firm surface large enough to hold your 11" × 14" drawing paper—about 15" × 18" is a good size. This can be improvised from a kitchen cutting board, a piece of foam board, a piece of Masonite, or thick cardboard. Picture plane: This too can be improvised using an 8" × 10" piece of glass (you will need to tape the edges), or an 8" × 10" piece of clear plastic, about 1⁄16" thick. Viewfinders: You will make these from black paper—“construction” paper is a good thickness, or you could use thin black cardboard. You will find instructions for making the viewfinders here A small mirror: About 5" × 7" that can be taped to a wall, or any available wall mirror.

life is like a pencil,whenever it breaks you sharpen it again,that's how life is.

Write the story of your life. Sharpen your pencil, freshen the ink & get to it. You are the author, the world your pages. The hero or the villain. You decide

Once you use a toothbrush to clean a pencil sharpener, you should no longer use it to clean your teeth.

The man doesn't look like he belongs in a world of parking tickets and potted begonias and pencil sharpeners. But he can learn, the way you have.

Darkness just loosens the mask. Sharpens the mind's eye. Makes the color of a remembered pencil, or a tick of waxy red on a cracked plaster wall, as vivid as that taillight a few feet away.

In the human body, each of approximately a trillion cells holds within its nucleus a complete and identical sequence of DNA. That is about 1.5 gigabytes of genetic information, and it would fill two CD-ROMs, yet the DNA sequence itself would fit on the point of a well-sharpened pencil.

Totto-chan regretted it with all her heart. Yes, that was it. What on earth made her beat the boy she liked so much? She Sharpened his pencils every day! But it was too late. She could never be his bride now. "I'm going to go on sharpening his pencils all the same," Totto-chan decided. "After all, I love him.

Too Busy I've folded all my laundry and put it in the drawer. I've changed my linen, made my bed, and swept my bedroom floor. I've emptied out the garbage and fixed tomorrow's lunch. I've baked some cookies for dessert and given dad a munch. I've searched the house for pencils and sharpened every one. There are so many things to do when homework must be done.

Mailer famously labeled writing the spooky art. He was right. There's a lot of frontal lobe blather, a lot of pencil-sharpening and knuckle-cracking and drafting and chat, but the big decisions are made in the locked subconscious, decisions not just on the writing but on the conditions for writing: I resolve on the one story I've never told and lo! Here I sit, holed up in a house that means nothing to me, bone-certain no other places will do. Art, even the humble autobiographer's, invokes occult necessities.

Even so, my spirits heightened whenever I felt in my pocket the key to this apartment; with all its gloom, it still was a place of my own, the first, and my books were there, and jars of pencils to sharpen, everything I needed, so I felt, to become the writer I wanted to be.

You won't get extra marks for being teacher's pet. You won't go to the top of the class. There is no class. There is no teacher. Or if there is then you have to understand that he or she doesn't actually like you. You are not being marked out of ten for how neatly you sharpen your pencil and how lovely your handwriting is. You are not going to get a gold star. You are not the fucking flower monitor and no one cares what you do.

It’s easy. Pretend to know what you don’t, and pretend not to know when you do. Hear what you don’t understand and don’t hear what you do. Promise what you cannot deliver, what you have no intention of delivering. Make a great secret of hiding what isn’t there. Plead you’re busy as you spend your time sharpening pencils. Speak profoundly to cover up your emptiness, encourage spies, reward traitors, tamper with seals, intercept letters, hide the ineptitude of your goals by speaking of them glowingly—that’s all there is to politics, I swear. —Beaumarchais, The Marriage of Figaro

One of the first expedients of the professional writer that Isabella had learned from me was the art of procrastination. Every veteran in the trade knows that any activity, from sharpening a pencil to cataloging daydreams, takes precedence over sitting down at one’s desk and squeezing one’s brain.

Doc bought a package of yellow pads and two dozen pencils. He laid them out on his desk, the pencils sharpened to needle points and lined up like yellow soldiers. At the top of a page he printed: OBSERVATIONS AND SPECULATIONS. His pencil point broke. He took up another and drew lace around the O and the B, made a block letter of the S and put fish hooks on each end. His ankle itched. He rolled down his sock and scratched, and that made his ear itch. “Someone’s talking about me,” he said and looked at the yellow pad. He wondered whether he had fed the cotton rats. It is easy to forget when you’re thinking.

It contained a long, narrow desk with a glass top, and on that…three ceramic beer mugs. They were stuffed with all sorts of things—pencils, rulers, drafting pens. On a tray were erasers, a paperweight, ink remover, old receipts, adhesive tape, paper clips of many colors…a pencil sharpener and postage stamps.

I'd rather put on a lifejacket lined with razor blades and jump into a pool of rubbing alcohol," she said. "But--" "I'd rather jab sharpened pencils into my eyes." "But --" "Id' rather eat three-day-old road kill." "I get it," Mason grumbled.. "You're not trading places." Bran grinned. "What was your first clue?

All procrastinators put off things they have to do. Structured procrastination is the art of making this negative trait work for you. The key idea is that procrastinating does not mean doing absolutely nothing. Procrastinators seldom do absolutely nothing; they do marginally useful things, such as gardening or sharpening pencils or making a diagram of how they will reorganize their files when they get around to it. Why does the procrastinator do these things? Because they are a way of not doing something more important. If all the procrastinator had left to do was to sharpen some pencils, no force on earth could get him to do it. The procrastinator can be motivated to do difficult, timely, and important tasks, however, as long as these tasks are a way of not doing something more important.

On the way here, I stopped in the office of a block captain who wanted to tell me about an inmate who was caught with two boxes of staples, a pencil sharpener, sharpener blades, and three jumbo binder rings in his rectum. He became known as “OD,” for Office Depot. They never found out what he intended to do with the stuff.

bear-portraits demand a heavy line so as to capture the burly ferocity of their subjects.

their points sharpened like giant pencils, completely

I am like the pencil I constantly sharpen with a knife; I am just a dull nub of the person I was.

I swear you sighed as you shut that door. He’s barely left, and you already miss him. It’s time to sharpen that pencil and write your romances, my friend.

And he said... ...never sharpen your tongue, only your pencil.

As a teenager, he made screaming noises at night in his room, like a deranged person. He threw his electrical pencil sharpener at the walls. His mother was downstairs in bed, crying a little, mostly asleep. Brian, in his room, felt as if he might explode, might already—in a slow and minuscule and lingering way—be exploding. He needed to explode. He lay there motionless, but he also lay there exploding. He smooshed his head into his mattress, making sounds like, 'aaaghh,' and 'ngggg,' and then went downstairs. He stood in the doorway of his mother’s bedroom. He started yelling things. His mother woke, warm and puffy from sleep, and—after Brian finished yelling—whispered that she was sorry for being a bad mother. Her face, ensconced in hair and pillow, was dramatic and friendless as something cocooning. She looked like a little girl, and Brian stood there, taking this in—trying to get at the meaning of things, to fit at once into his mind all the false and watery moments of his life. He stood there, and he looked. He looked some more. And then he went back to his room. He wrote down on paper: 'Don’t hurt any­one again.

When employees are unable to slack off using the Internet, they find other ways to mentally escape. They “waste” time making cups of tea, sharpening pencils, or popping into coworkers’ offices to say hello.

There are two people in the waiting room. One is an extremely thin old man, a retired teacher of French who still gives tuition by correspondence, and who whilst waiting his turn is correcting a pile of scripts with a pencil sharpened to a fine point. On the script he is about to examine, the essay title can be read: In Hell, Raskolnikov meets Meursault (“The Outsider”). Imagine a dialogue between them using material from both novels.

Now and then, I have to stop writing and use a sharpener. That makes the pencil suffer a little, but afterwards, he's much sharper. So you, too must learn to bear certain pains and sorrows, because the will make you a better person.

Then Mustafa moved away from the table, put on his glasses, and carefully sharpened the small pencil with a knife, and, sitting down at his desk, he opened the black book and wrote: Name—My beautiful boy. Cause of death—This broken world.

I remember when all of my dreams were in rainbow. Now, everything I do I have to Technicolor because it's all become so black and white... so subtle hues, no longer Prismacolor me and you. I sharpen those pencils, but they still come up dull. I shade and shade and shade, but it all comes up a shady review. I miss the rainbow when my dreams were caught all throughout the day; and not just late at night, when I couldn't sleep because everything was dark, and too steep to climb, and only in rhyme because I have not become THAT gray poet.

but no matter how far I forgot myself, I never quite lost my sense of being watched over, and when I got particularly lost, it was the gaze of the cat that seemed to reach into my muddle and light my way back to my room, my notes, my pencils and my pencil sharpener. He even slept with me on my bed some nights, and I took to leaving my curtains open so that if he woke he could sit on my windowsill seeing things move in the dark that were invisible to the human eye. And that is all. Apart from these things there was nothing else. Only the eternal twilight and the story.

Also I’ve got a dozen pencils, all sharpened and laid out in a row. They’re brand-new. I just bought them at the stationery store—especially for writing to you (not that I’m trying to make you feel grateful or anything: just-sharpened, brand-new pencils are really nice, don’t you think?).

In children's art class we sat in a ring of kindergarten chairs and drew three daffodils that had just been picked out of the yard; and while I was drawing, my sharpened yellow pencil and the cup of the yellow daffodil gave off wiffs just alike. That the pencil doing the drawing should give off the same smell of the flower it drew seemed part of the art lesson - as shouldn't it be? Children, like animals use all their sense to discover the world. Then artists come along and discover it the same way, all over again. Here and there, it's the same world. Or now and then we'll hear from an artist who's never lost it.

Work!" she scoffed. "Oh, you sad bird! You bluffer! Work—that means a great arranging of the desk and the lights, a great sharpening of pencils, and 'Gloria, don't sing!' and 'Please keep that damn Tana away from me,' and 'Let me read you my opening sentence,' and 'I won't be through for a long time, Gloria, so don't stay up for me,' and a tremendous consumption of tea or coffee. And that's all. In just about an hour I hear the old pencil stop scratching and look over. You've got out a book and you're 'looking up' something. Then you're reading. Then yawns—then bed and a great tossing about because you're all full of caffeine and can't sleep.

Can you sharpen this for me, please?” Logan leaned across the table and took the pencil from him. “You want me to play with your pencil, Tate?” “Hilarious. The sharpener is right by you. You just have to pick it up and slide it in.” As soon as the words left his mouth and Logan’s quirked into an arrogant line, Tate bit his tongue. “Really? Did you really just say that to me?” Feeling more comfortable than ever with Logan and this group, Tate shrugged and nodded. Time to give it to Logan as good as he gives. “Yeah. Is there a problem? You just line it up...and slide it in.” “You know, Tate—” “Don't do it.” Tate cut him off as he moved his foot, the one he’d had sitting between Logan’s feet all night, so his shin bumped Logan’s calf. “Do what?” “Say something dirty. I know you're dying to, but just sharpen the pencil.” Logan picked up the sharpener and made a big show of inserting the tip in the hole. “Jesus,” Shelly muttered from beside Logan. “I thought Rachel and Cole were bad.

Melissa popped open the clattery little Rotring tin. Pencils, putty rubber, scalpel. She sharpened a 3B, letting the curly shavings fall into the wicker bin, then paused for a few seconds, finding a little place of stillness before starting to draw the flowers. Art didn't count at school because it didn't get you into law or banking or medicine. It was just a fluffy thing stuck to the side of Design and Technology, a free A level for kids who could do it, like a second language, but she loved charcoal and really good gouache, she loved rolling sticky black ink on to a lino plate and heaving on the big black arm of the Cope press, the quiet and those big white walls.

I am always drawn back to places where I have lived, the houses and their neighborhoods. For instance,there is a brownstone in the East Seventies where, during the early years of the war, I had my first apartment. It was one room crowded with attic furniture, a sofa and fat chairs, upholstered in that itchy particular red velvet that one associates with hot days on a tram. The walls were stucco, and a color rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman ruins, freckled brown with age. The single window looked out on a fire escape. Even so, my spirits heightened whenever I felt in my pocket the key to this apartment; with all its gloom, it was still a place of my own, the first, and my books were there, and jars of pencils to sharpen, everything I needed, so I felt, to become the writer I wanted to be. It never occurred to me in those days to write about Holly Golightly, and probably it would not now except for a conversation with Joe Bell that set the whole memory of her in motion again.

Let me explain a little: Certain things are bad so far as they go, such as pain, and no one, not even a lunatic, calls a tooth-ache good in itself; but a knife which cuts clumsily and with difficulty is called a bad knife, which it certainly is not. It is only not so good as other knives to which men have grown accustomed. A knife is never bad except on such rare occasions as that in which it is neatly and scientifically planted in the middle of one's back. The coarsest and bluntest knife which ever broke a pencil into pieces instead of sharpening it is a good thing in so far as it is a knife. It would have appeared a miracle in the Stone Age. What we call a bad knife is a good knife not good enough for us; what we call a bad hat is a good hat not good enough for us; what we call bad cookery is good cookery not good enough for us; what we call a bad civilization is a good civilization not good enough for us. We choose to call the great mass of the history of mankind bad, not because it is bad, but because we are better. This is palpably an unfair principle. Ivory may not be so white as snow, but the whole Arctic continent does not make ivory black.

Harry would take off his coat, remove his cravat, roll up his shirt-sleeves, give his curly hair the right touch before the glass, get out his book on engineering, his boxes of instruments, his drawing paper, his profile paper, open the book of logarithms, mix his India ink, sharpen his pencils, light a cigar, and sit down at the table to "lay out a line," with the most grave notion that he was mastering the details of engineering.

The cleverest women hide it and create an aura of wit and charm instead. Those who can’t wait a moment to prove how much smarter than men they are--Dios, what bores! A man might as well invite a bearded professor to lunch than a female with all her mental pencils sharpened; instead of being an amusing companion she sits for an examination, gobbling food and words and waving her hands about like a merchant in a bazaar. It is probably the Spaniard in me that dislikes the type!

For this boy destined to be the world’s greatest heir, money was so omnipresent as to be invisible—something “there, like air or food or any other element,” he later said—yet it was never easily attainable.11 As if he were a poor, rural boy, he earned pocket change by mending vases and broken fountain pens or by sharpening pencils. Aware of the rich children spoiled by their parents, Senior seized every opportunity to teach his son the value of money. Once, while Rockefeller was being shaved at Forest Hill, Junior entered with a plan to give away his Sunday-school money in one lump sum, for a fixed period, and be done with it. “Let’s figure it out first,” Rockefeller advised and made Junior run through calculations that showed he would lose eleven cents interest while the Sunday school gained nothing in return. Afterward, Rockefeller told his barber, “I don’t care about the boy giving his money in that way. I want him to give it. But I also want him to learn the lesson of being careful of the little things.

I take a seat behind my new desk for the first time since I’ve returned home. “Shera doesn’t really know my taste in decor as well as I’d hoped she would,” I say as I look around, taking in my underwhelming office. Isiah glares at the door when someone knocks. “I’ve been trying to speak to you all day. You need to adjust the beta rankings on paper, because Shera was left in charge by the outdated documentation, regardless of your wishes for me to take control until your return.” “I heard you did quite well, even without the adequate authority,” I state dismissively, peering into one of the drawers full of pencils. “Now why would I need a bunch of sharpened pencils?” Shera walks in, shutting the door behind her when she grows tired of waiting for an invitation. “It was fun sharpening all of them, and that drawer looked empty.” When I open the next drawer, I find it also full of sharpened pencils. I give her a wry look. She shrugs unapologetically. “It was empty too.” “So you got me a desk full of pencils,” I say with a roll of my eyes.

Outside the study hall the next fall, the fall of our senior year, the Nabisco plant baked sweet white bread twice a week. If I sharpened a pencil at the back of the room I could smell the baking bread and the cedar shavings from the pencil.... Pretty soon all twenty of us - our class - would be leaving. A core of my classmates had been together since kindergarten. I'd been there eight years. We twenty knew by bored heart the very weave of each other's socks.... The poems I loved were in French, or translated from the Chinese, Portuguese, Arabic, Sanskrit, Greek. I murmured their heartbreaking sylllables. I knew almost nothing of the diverse and energetic city I lived in. The poems whispered in my ear the password phrase, and I memorized it behind enemy lines: There is a world. There is another world. I knew already that I would go to Hollins College in Virginia; our headmistress sent all her problems there, to her alma mater. "For the English department," she told me.... But, "To smooth off her rough edges," she had told my parents. They repeated the phrase to me, vividly. I had hopes for my rough edges. I wanted to use them as a can opener, to cut myself a hole in the world's surface, and exit through it. Would I be ground, instead, to a nub? Would they send me home, an ornament to my breed, in a jewelry bag?

Perhaps, if I had a new fountain pen instead of this wreck, or a fresh bouquet of, say, twenty beautifully sharpened pencils in a slim vase, and a ream of ivory smooth paper instead of these, let me see, thirteen, fourteen more or less frumpled sheets . . . I might start writing the unknown thing I want to write; unknown, except for a vague shoe-shaped outline, the infusorial quiver of which I feel in my restless bones, a feeling of shchekotiki . . . half-tingle, half-tickles, when you are trying to remember something or understand something or find something, and probably your bladder is full, and your nerves are on edge, but the combination is on the whole not unpleasant ( if not protracted) and produces a minor orgasm or 'petit éternuement intérieur' when at last you find the picture-puzzle piece which exactly fits the gap.

If I spend weeks and months avoiding my typewriter—and I do, sharpening pencils, trying to avoid going where I know I’ve got to go—then one has got to use this to learn humility. After all, there is a kind of saving egotism too, a cruel and dangerous but also saving egotism, about the artist’s condition, which is this: I know that if I survive it, when the tears have stopped flowing or when the blood has dried, when the storm has settled, I do have a typewriter which is my torment but is also my work. If I can survive it, I can always go back there, and if I’ve not turned into a total liar, then I can use it and prepare myself in this way for the next inevitable and possibly fatal disaster. But if I find that hard to do—and I have a weapon which most people don’t have—then one must understand how hard it is for almost anybody else to do it at all.

A stylus was a metal-tipped drawing instrument widely used by artists before the invention of the pencil (graphite was not discovered until in 1504, and the wooden-cased graphite pencil appeared only in the second half of the seventeenth century). For drawing with a stylus, artists used paper specially coated with a ground made from, among other things, powdered bone. One fifteenth-century recipe recommended incinerated table scraps, such as chicken wings, whose ground-up ashes were sprinkled thinly on the paper or parchment and then brushed off with a hare’s foot.44 With the paper thus prepared, the artist went to work on its granular surface with his stylus, which was usually made from silver and sharpened to a point, and which, as it was drawn across the surface, left particles behind; these traces quickly oxidized, producing delicate lines of silvery gray.

It can indeed be upsetting to think of ourselves as glorified gears and springs. Machines are insensate, built to be used, and disposable; humans are sentient, possessing of dignity and rights, and infinitely precious. A machine has some workaday purpose, such as grinding grain or sharpening pencils; a human being has higher purposes, such as love, worship, good works, and the creation of knowledge and beauty. The behavior of machines is determined by the ineluctable laws of physics and chemistry; the behavior of people is freely chosen. With choice comes freedom, and therefore optimism about our possibilities for the future. With choice also comes responsibility, which allows us to hold people accountable for their actions. And of course if the mind is separate from the body, it can continue to exist when the body breaks down, and our thoughts and pleasures will not someday be snuffed out forever.

The unhappy priest was breathing hard; sincere horror at the foreseen dispersal of Church property was linked with regret at his having lost control of himself again, with fear of offending the Prince, whom he genuinely liked and whose blustering rages as well as disinterested kindness he knew well. So he sat down warily, glancing every now and again at Don Fabrizio, who had taken up a little brush and was cleaning the knobs of a telescope, apparently absorbed. A little later he got up and cleaned his hands thoroughly with a rag; his face was quite expressionless, his light eyes seemed intent only on finding any remaining stain of oil in the cuticles of his nails. Down below, around the villa, all was luminous and grandiose silence, emphasised rather than disturbed by the distant barking of Bendicò baiting the gardener’s dog at the far end of the lemon-grove, and by the dull rhythmic beat from the kitchen of a cook’s knife chopping meat for the approaching meal. The sun had absorbed the turbulence of men as well as the harshness of earth. The Prince moved towards the priest’s table, sat down and began drawing pointed little Bourbon lilies with a carefully sharpened pencil which the Jesuit had left behind in his anger. He looked serious but so serene that Father Pirrone no longer felt on tenterhooks. “We’re not blind, my dear Father, we’re just human beings. We live in a changing reality to which we try to adapt ourselves like seaweed bending under the pressure of water. Holy Church has been granted an explicit promise of immortality; we, as a social class, have not. Any palliative which may give us another hundred years of life is like eternity to us. We may worry about our children and perhaps our grandchildren; but beyond what we can hope to stroke with these hands of ours we have no obligations. I cannot worry myself about what will happen to any possible descendants in the year 1960. The Church, yes, She must worry for She is destined not to die. Solace is implicit in Her desperation. Don’t you think that if now or in the future She could save herself by sacrificing us She wouldn’t do so? Of course She would, and rightly.

Convinced that struggle was the crucible of character, Rockefeller faced a delicate task in raising his children. He wanted to accumulate wealth while inculcating in them the values of his threadbare boyhood. The first step in saving them from extravagance was keeping them ignorant of their father’s affluence. Until they were adults, Rockefeller’s children never visited his office or refineries, and even then they were accompanied by company officials, never Father. At home, Rockefeller created a make-believe market economy, calling Cettie the “general manager” and requiring the children to keep careful account books.16They earned pocket money by performing chores and received two cents for killing flies, ten cents for sharpening pencils, five cents per hour for practicing their musical instruments, and a dollar for repairing vases. They were given two cents per day for abstaining from candy and a dime bonus for each consecutive day of abstinence. Each toiled in a separate patch of the vegetable garden, earning a penny for every ten weeds they pulled up. John Jr. got fifteen cents an hour for chopping wood and ten cents per day for superintending paths. Rockefeller took pride in training his children as miniature household workers. Years later, riding on a train with his thirteen-year-old daughter, he told a traveling companion, “This little girl is earning money already. You never could imagine how she does it. I have learned what my gas bills should average when the gas is managed with care, and I have told her that she can have for pin money all that she will save every month on this amount, so she goes around every night and keeps the gas turned down where it is not needed.”17 Rockefeller never tired of preaching economy and whenever a package arrived at home, he made a point of saving the paper and string. Cettie was equally vigilant. When the children clamored for bicycles, John suggested buying one for each child. “No,” said Cettie, “we will buy just one for all of them.” “But, my dear,” John protested, “tricycles do not cost much.” “That is true,” she replied. “It is not the cost. But if they have just one they will learn to give up to one another.”18 So the children shared a single bicycle. Amazingly enough, the four children probably grew up with a level of creature comforts not that far above what Rockefeller had known as a boy.

The thoughts came fast, and I caught them, stopping only once to sharpen my pencil with a penknife. I thought of Nell’s euphoria and nearly laughed out loud. This little rush of words was the closest

I have to stop writing and use a sharpener. That makes the pencil suffer a

The good news was that merchandise had done extremely well the previous year, with Kenner making around $100 million. Of course, Black Falcon collected its percentage from the toymaker and other myriad licensees. There was a cuddly Chewbacca; a remote-controlled R2-D2; Darth Vader piggy banks and pencil sharpeners; do-it-yourself construction kits, molding kits, painting kits, play kits, poster kits, and jigsaw puzzles; a projector for showing slides from the movie; rulers, pens, digital watches, erasers, jewelry, and more.

The number one tip I can give to any new teacher is to establish procedures from day one and stick them. Create procedures for everything. Throwing away trash, getting tissues, sharpening pencils, going to the bathroom, lining up, walking in the hallway, handing out paperwork, getting ready at the end of the day, settling before class, and anything else you can come up with. It might seem ridiculous to you, but after a couple times you suddenly realize that they are waiting to be told how to do something in a specific situation. This also significantly helps you with classroom management. Depending on your grade level, consider creating posters with important procedures so the students can reference them.” – Twenty two years, Illinois

He reminded me of a kid in my first-grade class, Mikey. Mikey used to talk about his pencil at Show’n’Tell. It was a fat green pencil with the school’s name and district number stenciled on it. Every kid in the class had an identical pencil. But that didn’t stop Mikey. He would hold it up for us to see, read the stenciled name and number to us, tell us it was a gift from his grandma, or his dad, or his uncle, tell us how green it was, and how fat, tell us how we must be sure to turn the dial on the pencil sharpener to the very biggest hole before attempting to sharpen such a pencil, point out to those who’d just joined us that yes it was a pencil, and yes wasn’t it a fat one, and wasn’t it green, and he’d show it and tell it and tell it and show it till children of frailer constitution started passing out from ennui and the teacher would have to carry him by his belt, telling all the way, to his desk.

How well you do know your own mind? This is, no doubt, a sobering question. Yet it must be answered before proceeding. The utility of any tool is defined, in part, by consistency in deployment and predictability of outcome—the absence of unforeseen surprises once it is in use. A pencil sharpener whose blade engages erratically is no asset and should be culled from your tool kit. So, too, is a mind whose unseen contours hide jarring or potentially compromising impulses, memories, panics, prejudices, weaknesses, and the like.

a freshly sharpened pencil is about starting over, and never ceasing to hope for—and work for—the perfect point. While that perfection may never be attained, it is cowardly not to try.

At home, Rockefeller created a make-believe market economy, calling Cettie the “general manager” and requiring the children to keep careful account books.16They earned pocket money by performing chores and received two cents for killing flies, ten cents for sharpening pencils, five cents per hour for practicing their musical instruments, and a dollar for repairing vases. They were given two cents per day for abstaining from candy and a dime bonus for each consecutive day of abstinence. Each toiled in a separate patch of the vegetable garden, earning a penny for every ten weeds they pulled up. John Jr. got fifteen cents an hour for chopping wood and ten cents per day for superintending paths. Rockefeller took pride in training his children as miniature household workers. Years later, riding on a train with his thirteen-year-old daughter, he told a traveling companion, “This little girl is earning money already. You never could imagine how she does it. I have learned what my gas bills should average when the gas is managed with care, and I have told her that she can have for pin money all that she will save every month on this amount, so she goes around every night and keeps the gas turned down where it is not needed.

time spent sharpening a pencil is never wasted”,

Through repeated use I have discovered that a pencil has two ends. One draws lines. The other erases them. And in a culture that’s becoming increasingly divided, maybe we need to commit to using the latter and stop sharpening the former.

All we’ve been drinking is coffee, working our way through one massive sack of arabica beans. Cortez rigged up a manual pencil sharpener into a grinder; we measure out cups from the barrels of spring water we took with us from Massachusetts; we boil up the coffee in an old carafe over a camp stove, strain it through a mesh spatula into a hot/cold thermos. It takes forever. It tastes terrible. “Can you make coffee?” I ask Cortez. “Oh, yeah,” he says. “Great idea.

there were a lot of people out there who had no right to be carrying even a sharpened pencil, never mind a loaded weapon.

please stay in your seat and keep working. Math time is almost over.” He held up his pencil. “Gotta sharpen this.

I remember that feeling—the growing momentousness of every whimsy that occurs to you, the way each object your eye touches has a glimmer of potential symbolism and insistent uncanny import. I remember sitting in my room in Mrs. Dowty’s rooming house and filling notebooks with pages and pages of rushed writing and drawings, sharpening and resharpening my pencil until it was just a nub. The sudden burst of molecules exploding inside you so that you had to abruptly leap up and dance wildly in your stocking feet, tears running down your face, crying with happiness and grief all at once. The world was terrible and beautiful to behold. Sometimes you could stop it with dancing. Sometimes you couldn’t.