Pencil Funny Quotes

It's not because I want to make out with her." Hold on." He grabbed a pencil and scrawled excitedly at the paper as if he'd just made a mathematical breakthrough and then looked back up at me. "I just did some calculations, and I've been able to determine that you're full of shit

Miss Vida" Liam said "has anyone never told you that you are positively the whipped cream on the sundae of life?" She glared at him."Anyone ever told you your head is shaped like a pencil?" "That is physically impossible," Chubs groused."He'd be__" "Actually Liam began, "Cole once did try to__ What?" "Oh,I'm sorry," Chubs said, "apparently the middle of my sentence interrupted the beginning of yours. Do continue.

Something about this made Reynie uneasy. Had he done so badly? Was this meant to test his courage? He did as he was told, closing his eyes and bracing himself as best he could. "Why are you flinching?" the pencil woman asked. "I don't know. I thought maybe you were going to slap me." "Don't be ridiculous. I could slap you perfectly well with your eyes open. I'm only going to blindfold you.

You were with Margo Roth Spiegelman last night? At THREE A.M.? I nodded. Alone? I nodded. Oh my God, if you hooked up with her, you have to tell me every single thing that happened. You have to write me a term paper on the look and feel of Margo Roth Spiegelman's breasts. Thrity pages, minimum! I want you to do a photo-realistic pencil drawing. A sculpture would also be acceptable. I was wondering if it would be possible for you to write a sestina about Margo Roth Spiegelman's breasts? Your six words are: pink, round, firmness, succulent, supple, and pillowy. Personally, I think at least one of the words should be buhbuhbuhbuh.

Chomsky is a pencil-and-paper theoretician who wouldn't know Jabba the Hutt from the Cookie Monster,

You’ve never seemed to really need anyone, Clary. You’ve always been so… contained. All you’ve ever needed is your pencils and your imaginary worlds. So many times I’ve had to say things six, seven times before you’d even respond, you were so far away. And the you’d turn to me and smile that funny smile, and I’d know you’d forgotten all about me and just remembered— but I was never mad at you. Half of your attention is better than all of anyone else’s.

IT'S MORNING, TIME to get up, so get up, Arturo, and look for a job. Get out there and look for what you'll never find. You're a thief and you're a crab-killer and a lover of women in clothes closets. You'll never find a job! Every morning I got up feeling like that. Now I've got to find a job, damn it to hell. I ate breakfast, put a book under my arm, pencils in my pocket, and started out. Down the stairs I went, down the street, sometimes hot and sometimes cold, sometimes foggy and sometimes clear. It never mattered, with a book under my arm, looking for a job. What job, Arturo? Ho ho! A job for you? Think of what you are, my boy! A crab-killer. A thief. You look at naked women in clothes closets. And you expect to get a job! How funny! But there he goes, the idiot, with a big book. Where the devil are you going, Arturo? Why do you go up this street and not that? Why go east - why not go west? Answer me, you thief! Who'll give you a job, you swine - who? But there's a park across town, Arturo. It's called Banning Park. There are a lot of beautiful eucalyptus trees in it, and green lawns. What a place to read! Go there, Arturo. Read Nietzsche. Read Schopenhauer. Get into the company of the mighty. A job? fooey! Go sit under a eucalyptus tree reading a book looking for a job.

Creation at this time, peopled as it was by primal deities whose whole energy and purpose seems to have been directed towards reproduction, was endowed with an astonishing fertility. The soil was blessed with such a fecund richness that one could almost believe that if you planted a pencil it would burst into flower.

The bartender put a notepad and a pencil before me. Breathing hard, the pencil trembling, I wrote: Dear Sinclair Lewis: You were once a god, but now you are a swine. I once reverenced you, admired you, and now you are nothing. I came to shake your hand in adoration, you, Lewis, a giant among American writers, and you rejected it. I swear I shall never read another line of yours again. You are an ill-mannered boor. You have betrayed me. I shall tell H. L. Muller about you, and how you have shamed me. I shall tell the world. Arturo Bandini P.S. I hope you choke on your steak.

What if you didn't have time to draw them on one day? Or what if it rained and your eyebrows started dripping off? Hopefully her eye pencil is waterproof.

If number two pencils are so popular, why are they still number two?

One foot in Austria, the other in Italy, it’s funny how man defines borders. An imaginary line is all that is needed to split continents apart, to separate men and cultures, to spark wars and injustices—a line in pencil, drawn on some agreement or a peace treaty ages ago.

Can you sharpen this for me, please?” Logan leaned across the table and took the pencil from him. “You want me to play with your pencil, Tate?” “Hilarious. The sharpener is right by you. You just have to pick it up and slide it in.” As soon as the words left his mouth and Logan’s quirked into an arrogant line, Tate bit his tongue. “Really? Did you really just say that to me?” Feeling more comfortable than ever with Logan and this group, Tate shrugged and nodded. Time to give it to Logan as good as he gives. “Yeah. Is there a problem? You just line it up...and slide it in.” “You know, Tate—” “Don't do it.” Tate cut him off as he moved his foot, the one he’d had sitting between Logan’s feet all night, so his shin bumped Logan’s calf. “Do what?” “Say something dirty. I know you're dying to, but just sharpen the pencil.” Logan picked up the sharpener and made a big show of inserting the tip in the hole. “Jesus,” Shelly muttered from beside Logan. “I thought Rachel and Cole were bad.

I'm sorry, I don't understand. Could you tell me more about this 'profanity'?" Mrs. Miller nodded at my dictionary. "I'll assume you don't need a definition. Perhaps you'd prefer an example?" "That would be so helpful, thank you very much." Without missing a beat, Mrs. Miller rattled off a stream of obscenities so fully and completely unexpected that I fell off my chair. Mothers were defiled, their male and female children, as well as any and all offspring who just happened to be born out of wedlock. AS for the sacred union that produced these innocent babes, the pertinent bodily appendages were catalogued by a list of names so profoundly scurrilous that a grizzled marine, conceived in a brothel and dying of a disease he contracted in one, would've wished he'd been born as smooth as a Ken doll. The act itself was invoked with such a verity of incestuous, scatological, bestial, and just plain bizarre variations that that same marine would've given up on the Ken doll fantasy, and wished instead that all life had been confined to a single-cell stage, forever free of taint of mitosis, let alone procreation. Somewhere during the course of all this I noticed I'd snapped my pencil in half, and now I used the two ends to gouge out my brain. "Guhhhhhh guhhhhh guhhhhhh guhhhhh guhhhhh," I said, by which I meant: "You have shattered whatever tattered remnants of pedagogical propriety I still possessed, and my tender young mind has broken beneath the strain." Nervously, I climbed back into my chair, the two halves of my pencil sticking out of ears like an arrow that had shot clean through my head. Mrs. Miller allowed herself a small self-congratulatory smile.

Shirogane: "This is a brand-new show called 'Naze? Naze? Neeze!' " I'm Shirogane, the teacher of course.♥" " We're covering Arithmethic!" "Here we have Akira-kun and Kengo-kun, who will tackle the questions with us!" Kengo: "Hello there!" ^_^ Akira: "I'm a high school student, by the way!" "Why do I have to do arithmethic?!" Shirogane: "And here's my assistant, kokuchi!" Kokuchi: "HISS!" Akira: "HEY! I don't get why a kokuchi is here...Besides, does it even remotely understand our language." Shirogane:"Here's the first question" "Akira-kun, what's three times four?" Akira: "Twelve..." Shirogane: "CORRECT!!!" "Wonderful Akira-kun! Fantastic Job!" "You're so smart. Can I call you genius from now on?" Akira: "Only if you want a pencil shoved in your eye!" "Stop making fun of me right now!" Shirogane: "Let's move on to the next question.♥ (Shirogane spinning) Akira: "Why are you so hyper today?" "You're acting like a different person!" Shirogane: "Kengo-kun what is 23 minus 15?" Kengo: "Twe--" Shirogane: "WRONG." " If you can't solve a simple problem like this, you don't even deserve to be considered human. You'd be better off dead. SO JUST DIE." Kengo: "I made a small mistake! No need to walk all over me like that!!" Shirogane: "Let me explain this problem so that stupid Kengo-kun can understand." Kengo: "I...I am not stupid!" Shirogane: "First, you have 23 kokuchi..." "...You take 15 from the 23..." "...AND KILL THEM" (Shirogane killing the Kokuchi) Kengo: "OMG, Akira! Can you stop him?!" Akira: "Well...Why should I? I don't really care...I'm tired." Kengo: "AKIRA!!" (Shirogane covered in Kokuchi blood) Shirogane: Now then! How many kokuchi do we have left now, Kengo-kun." (Kokuchi shivers) Kengo: "SO GROSS! EI--EIGHT! THE ANSWER IS EIGHT!" Shirogane: "Yes you are correct! Well, the dumb boy finally understood the problem, and it's time for us to say goodbye!" "Take care and see you next week!" (Akira sleeping) Kengo: Not likely..." Shirogane: "GOODBYE!

At nights, he craved that list, sometimes more than he craved her; he could picture it in his mind, the funny up-and-down capitalizations she inserted into a single word, the mechanical pencil she always used, the yellow legal pads, left over from her years as a lawyer, on which she made her notes. Sometimes the letters solidified into words, and in the dream life he'd feel triumphant; ah, he'd think, of course! Of course that's what I need! Of course Ana would know! But in the mornings, he could never remember what those things were. In those moments he wished, perversely, that he had never met her, that it was surely worse to have had her for so brief a period than to never have had her at all.

The cardboard that he stopped at had been written on in February, 1938. The handwriting, in blue-lead pencil, was his brother Seymour's: My twenty-first birthday. Presents, presents, presents. Zooey and the baby, as usual, shopped lower Broadway. They gave me a fine supply of itching powder and a box of three stink bombs. I'm to drop the bombs in the elevator at Columbia or ‘someplace very crowded’ as soon as I get a good chance. Several acts of vaudeville tonight for my entertainment. Les and Bessie did a lovely soft-shoe on sand swiped by Boo Boo from the urn in the lobby. When they were finished, B. and Boo Boo did a pretty funny imitation of them. Les nearly in tears. The baby sang ‘Abdul Abulbul Amir.’ Z. did the Will Mahoney exit Les taught him, ran smack into the bookcase, and was furious. The twins did B.'s and my old Buck & Bubbles imitation. But to perfection. Marvellous. In the middle of it, the doorman called up on the housephone and asked if anybody was dancing up there. A Mr. Seligman, on the fourth—

I think you should consider your alternatives." "What alternatives?" "Me." She tilted her head down to hide her smile. "You aren't on the list." "I don't care about the damn list, and I don't care about the game. I want you, Layla. And if I have to leave the office-" "I don't want you to leave the office," she said softly. "I like sharing the space with you. I like being with you. I like that you're caring and protective. I like that you line up your pencils, and color-code your files, and that your shoes are always polished, and your ties are perfectly knotted. I like that you are funny and sarcastic, and some of the best times I've had have been interviewing people with you. I like how loyal you are, even though you support the wrong baseball team. I like that you pretend not to know any movies but you can list almost every horror film ever made. And I like the way you kiss." His face softened and he gave a satisfied smile. "You like my kisses?" "Very much." "What else do you like?" Layla licked her lips. "Take me to your place and I'll show you.

You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?

In chem, Peter sits a row in front of me. I write him a note. Why would you tell Josh that we’re-- I hesitate and then finish with a thing? I kick the back of his chair, and he turns around and I hand him the note. He slouches in his seat to read it; then I watch as he scribbles something. He tips back in his chair and drops the note on my desk without looking at me. A thing? Haha. I press down so hard my pencil tip chips off. Please answer the question. We’ll talk later. I let out a frustrated sigh and Matt, my lab partner, gives me a funny look. After class Peter is swept away with all his friends; they leave in a big group. I’m packing up my backpack when he returns, alone. He hops up on the table. “So let’s talk,” he says, super casual. I clear my throat and try to gather my bearings. “Why did you tell Josh we were--” I almost say “a thing” again, but then change it to “together?” “I don’t get what you’re so upset about. I did you a favor. I could have just as easily blown up your spot.” I pause. He’s right. He could have. “So why didn’t you?” “You’ve sure got a funny way of saying thank you. You’re welcome, by the way.” Automatically I say, “Thank you.” Wait. Why am I thanking him? “I appreciate you letting me kiss you, but--” “You’re welcome,” he says again. Ugh! He’s so insufferable. Just for that I’m going to toss a little dig his way. “That was…really generous of you. To let me do that. But I’ve already explained to Josh that it’s not going to work out with us because Genevieve has you whipped, so it’s all good. You can stop pretending now.” Peter glares at me. “I’m not whipped.” “But aren’t you, though? I mean, you guys have been together since the seventh grade. You’re basically her property.” “You don’t know what you’re talking about,” Peter scoffs. “There was a rumor last year that she made you get a tattoo of her initials on your butt for her birthday.” I pause. “So did you?” I reach around him and fake try to lift up the back of his shirt. He yelps and jumps away from me, and I collapse in a fit of giggles. “So you do have a tattoo!” “I don’t have a tattoo!” he yells. “And we’re not even together anymore, so can you stop with this shit? We broke up. We’re over. I’m done with her.” “Wait, didn’t she break up with you?” I ask. Peter shoots me a dirty look. “It was mutual.

Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.

You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me? “I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.” “But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.” Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…” “Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door. Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business. Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier. “I think I wore this to the J-bar that night…,” I said. “Do you remember?” “Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it. We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.

Are you still running that bar?” Maureen’s voice dropped to a shocked whisper on the last word and Hope rolled her eyes, working the pick through Maureen’s thick hair. “The Cue Club? Yes, ma’am, I am.” Angel leaned forward with her best devilish wink. “But I’m thinking of changing the name to the Den of Iniquity and getting some exotic dancers. You know, strippers.” Miss Maureen’s eyes widened, pencil-thin brows nearly reaching the salt and pepper curls falling onto her forehead.

February 12: Nunnally Johnson completes a new draft of Something’s Got to Give. Marilyn later writes on the script, “We’ve got a dog here.” She pencils in several suggestions and rejects some lines as “not funny.

What do ghosts like to eat in a hot afternoon? I Scream. Where do sheep go on vacation? The Baaa-hamas. What did the paper say to the pencil?

I wrote an article two days ago trying to explain insanity in simple language, in fact, that was indeed the title: Insanity Explained In Simple Language. I received a letter yesterday asking me for more information on the subject. I do so enjoy interacting with the general public, especially ones who ask complicated questions. This person a lady, whose name shall remain anonymous, asked– “If sanity is the simple state of mind one feels whilst one’s life is suspended in an insane space as you purport, how can one tell if the space one finds oneself in is insane or not? Yours faithfully, One, In Disguise. I wrote this as my explanation——- The only way to tell if the space you’re in is insane or not is to test your own sanity. It is my belief you will need four things to test for any debilitating state of affairs in your surroundings. Firstly, you will need; you. Next, someone who is definitely insane. Of course, then comes someone who is sane, and finally, a pencil and paper. That’s five things I know but who’s splitting hairs over a pencil and paper? Not me. I haven’t enough paper to split. I will stop digressing. I suggest I am the one you invite to fill the third category, the being sane one, but only if you’re testing for sanity on a day with the letter N in it. If the day of your choice has not the letter ’N,’ then I cannot help but feel sorry for you. However, in that case my intuitive nature compels me to propose I fill the second category for your cause, leaving you to find someone who is sane. Good luck with that last one and God Save The King. That’s if he has any time left on the throne. DK. © 2022, Daniel Kemp. All rights reserved.

Where were pencils invented? Pencil-vania!

He was convinced he had lead poisoning the other day from chewing a pencil. Pencils don’t even have lead anymore.” “He like a hundred years old. He worry.” “He went to the hospital, Sasha. He didn’t even have symptoms.” “So? Mind your own business.” “Um, excuse me, it very much was my business because all his drama always happens in the middle of a big project.” Sasha ignored him. Jason shook his head sadly. “I can’t believe you’re on his side.” “There is no side. You make side. Shut up and help me choose.” “Maybe we should get him a lead-detection kit.” “I said shut up.” “You said to help!” “Yes. You not helping, you shut up.” “This is harassment.” “You are harassment.

Where do pencils come from? Pencil-vania.

Don't open the door or talk to strangers," "Unless they're selling something.Then allow them to disclose what they are selling and see if its something which might be useful. First say a 'No' upfront, that's taking charge of the situation from beginning. Make them explain, do not react at all till they finish, but listen carefully. Now pretend that hypothetically you might like it but not sure if it can be beneficial to you in this life. Without delay, even the sound of interest in another life work as a charge-up for salespeople, they will continue product explanation with enhanced passion. Even so, don't open-up your cards, just restart the game, ask about the first thing they explained than the second. Steer them around in circles by submitting the similar question in altered manner. Its always good to exhaust your opponent, make them so tired mentally that they wont be able to hide any fact or benefit. Once you see them fatigued start bargaining about the cost, remember instantly they either want to run away or slap you hard, but...Its a big but...The targets on their head will not allow them that option so they will listen to every demand, call their boss and offer you the second most reasonable price... Do not say yes yet...Tell them you will buy it but still need some time to think...They are at present in a flightless state, so they will promptly offer you the most competitive price possible and secure the deal. Although you can still ask for a corporate goody like a calendar, diary, pen T-shirt or a cap for me, now they might or might not possess anything big, but even a free pencil is a bonus. Our standards aren't that high when it comes to a gift.

Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school.

Drainage tubes ran out of his belly and side, and there was a catheter the size of a pencil coming out his penis. Nothing particularly hurt, so he had to assume he was on pretty nearly all the narcotics there were.

I remember McPhee's notes, penciled in the margins: "If humor is tragedy plus time, this needs more time." It wasn't the first occasion I was forced to think about the line between funny and mean, between punching down, not up, to figure out how to write about the things that made me angry in a way that was powerful, not didactic or unhinged.

For me, writing any piece of advertising is unnerving. You sit down with your partner and put your feet up. You read the strategist's brief, draw a square on a pad of paper, and you both stare at the damned thing. You stare at each other's shoes. You look at the square. You give up and go to lunch. You come back. The empty square is still there. Is the square gonna be a poster? Will it be a branded sitcom, a radio spot, a website? You don't know. All you know is the square's still empty. So you both go through the brand stories you find online, on the client's website, what people are saying in the Amazon reviews. You go through the reams of material the account team left in your office. You discover the bourbon you're working on is manufactured in a little town with a funny name. You point this out to your partner. Your partner keeps staring out the window at some speck in the distance. (Or is that a speck on the glass? Can't be sure.) He says, “Oh.” Down the hallway, a phone rings. Paging through an industry magazine, your partner points out that every few months the distillers rotate the aging barrels a quarter turn. You go, “Hmm.” On some blog, you read how moss on trees happens to grow faster on the sides that face a distillery's aging house. Now that's interesting. You feel the shapeless form of an idea begin to bubble up from the depths. You poise your pencil over the page…and it all comes out in a flash of creativity. (Whoa. Someone call 911. Report a fire on my drawing pad 'cause I am SMOKIN' hot.) You put your pencil down, smile, and read what you've written. It's complete rubbish. You call it a day and slink out to see a movie. This process continues for several days, even weeks, and then one day, completely without warning, an idea just shows up at your door, all nattied up like a Jehovah's Witness. You don't know where it comes from. It just shows up. That's how you come up with ideas. Sorry, there's no big secret. That's basically the drill.

Woman: Doctor, Doctor my son has swallowed my pen, what should I do? Doctor: Use a pencil till I get there!