Peel Back The Layers Quotes

Whenever she thought she could not feel more alone, the universe peeled back another layer of darkness.

Self-awareness is like an onion. There are multiple layers to it, and the more you peel them back, the more likely you're going to start crying at an inappropriate time.

Ocean had given me hope. He’d made me believe in people again. His sincerity had rubbed me raw, had peeled back the stubborn layers of anger I’d lived in for so long. Ocean made me want to give the world a second chance.

Sometimes I feel like growing up is slowly peeling back these layers of lies.

Personally I think that grammar is a way to attain Beauty. When you speak, or read, or write, you can tell if you've spoken or read or written a fine sentence. You can recognise a well-tuned phrase or an elegant style. But when you are applying the rules of grammar skilfully, you ascend to another level of the beauty of language. When you use grammar you peel back the layers, to see how it is all put together, to see it quite naked, in a way.

Day in, day out, you peel the layers back for me. Smart mouth, funny, sweet, wild in bed. Chattin' with bikers like they were insurance brokers. Holdin' my girl's hand, givin' her strength when her Mom's bein' a bitch. Keepin' your chin up when your people show in the middle of a full blown drama. But so fuckin' vulnerable, you're scared shitless of livin' life." "You don't know me, Tack." His head came up and his eyes pierced mine. "I know you, Tyra." "You don't." "Life's a roller coaster. Best damn ride in the park. You don't close your eyes, hold on and wait for it to be over, babe. You keep your eyes open, lift your hands straight up in the air and enjoy the ride for as long as it lasts.

Guys can smell desperation. It triggers an instinct in them to run far and fast so they aren't around when a woman starts peeling apart her heart. They know she'll ask for help in putting it back together the right way - intact and beating correctly - and they dread the thought of puzzling over layers that they can't understand, let alone rebuild. They'd rather just not get blood on their hands. But sharks are different. They smell the blood of desperation and circle in. They whisper into a girl's ear, "I'll make it better. I'll make you forget all about your pain." Sharks do this by eating your heart, but they never mention this beforehand. That is the thing about sharks.

Little did she know then, a stolen moment, a sweatshirt, many bottle caps, and few layers peeled back later, her life would never be the same.

My own good hated me, fought me, argued with me, but I didn’t care, because I watched her slowly come out of her shell, peeling back one layer at a time, and it was stunning.

Down on my knees / I peel back the layers of the world.

Most people who are in the process of excavating the reasons they do what they do are met at some point with resistance. “You’re blaming the past.” “Your past is not an excuse.” This is true. Your past is not an excuse. But it is an explanation—offering insight into the questions so many of us ask ourselves: Why do I behave the way I behave? Why do I feel the way I do? For me, there is no doubt that our strengths, vulnerabilities, and unique responses are an expression of what happened to us. Very often, “what happened” takes years to reveal itself. It takes courage to confront our actions, peel back the layers of trauma in our lives, and expose the raw truth of our past. But this is where healing begins.

It was as if - this something I thought of only later, of course - she was gently peeling back one layer after another that covered a person's heart, a very sensual feeling.

Did my mother ever get to see a cicada molting? Did she wish that she could do exact that? Shed her skin and be someone new? There were days when she seemed to transform into something quieter, darker. Her colors deeper but also muted. Both her truer self, and not. Or maybe it wasn't a transformation. Maybe it was a momentary reveal. A peeling back of the protective layers. A sharpening of a pencil, bringing the tip to its most focused point.

The supernatural world was like an onion. You peel back the layers, only to find more layers, on and on, hopelessly trying to reach the mysterious core. Then you start crying.

When white Americans frankly peel back the layers of our commingled pasts, we are all marked by it. Whether a company or an individual, we are marred either by our connections to the specific crimes and injuries of our fathers and their fathers. Or we are tainted by the failures of our fathers to fulfill our national credos when their courage was most needed. We are formed in molds twisted by the gifts we received at the expense of others. It is not our “fault.” But it is undeniably our inheritance.

You need to fear me, not hate me." I did. I feared him. But I think I hated him more. No, I knew I hated him more. For what he'd done. For what he was doing. For the betrayal. Most of all, for tarnishing something so beautiful and making it ugly. I trusted him. I gave myself to him, and he took me, peeled back layers of my soul until he saw it all. Then he took me.

Write your life. No matter how young or old, even if you feel like you're not interesting enough, do it. Believe me, you are. Your life is in fact twisted, and beautiful. And you'll find that as you peel back the layers, the unexpected side effect is that it feels wonderful to beknown, even if it's just by you.

And eventually the dark peeled back layer by layer, and with imperceptible gradations the sky feathered to a delicate pale blue.

Writing is an act of discovery in which you peel back the layers of the story as you write it down.

im like a onion. peel back the layers and u'll see that deep down inside im just a smaller, mor afraid onion.

If you have ever peeled an onion, then you know that the first thin, papery layer reveals another thin, papery layer, and that layer reveals another, and another, and before you know it you have hundreds of layers all over the kitchen table and thousands of tears in your eyes, sorry that you ever started peeling in the first place and wishing that you had left the onion alone to wither away on the shelf of the pantry while you went on with your life, even if that meant never again enjoying the complicated and overwhelming taste of this strange and bitter vegetable. In this way, the story of the Baudelaire orphans is like an onion, and if you insist on reading each and every thin, papery layer in A Series of Unfortunate Events, your only reward will be 170 chapters of misery in your library and countless tears in your eyes. Even if you have read the first twelve volumes of the Baudelaires' story, it is not too late to stop peeling away the layers, and to put this book back on the shelf to wither away while you read something less complicated and overwhelming. The end of this unhappy chronicle is like its bad beginning, as each misfortune only reveals another, and another, and another, and only those with the stomach for this strange and bitter tale should venture any farther into the Baudelaire onion. I'm sorry to tell you this, but that is how the story goes.

With these words I have healed deep wounds and feelings of inadequacy within myself. If you get this far... if you're still reading this: Write your life. No matter how young or old. Even if you feel like you're not interesting enough. Do it. Believe me you are. Your life is in fact twisted and beautiful and you'll find that as you peel back the layers, the unexpected side effect is that it feels wonderful to be know. Even if it's just by you.

HONEY: (Apologetically, holding up her brandy bottle) I peel labels. GEORGE: We all peel labels, sweetie; and when you get through the skin, all three layers, through the muscle, slosh aside the organs (An aside to NICK) them which is still sloshable--(Back to HONEY) and get down to bone...you know what you do then? HONEY: (Terribly interested) No! GEORGE: When you get down to bone, you haven't got all the way, yet. There's something inside the bone...the marrow...and that's what you gotta get at. (A strange smile at MARTHA)

Courage is your natural setting. You do not need to become courageous, but rather peel back the layers of self-protective, limiting beliefs that keep you small.

Humanity is a very interesting phenomenon. If you peel back the layers, if you're brave enough, you realize it's something that's not for the faint of heart-" Angel M.B. Chadwick

To write poetry, like sincere poetry, it is like performing heart surgery on yourself without anesthesia…in public…You are peeling back layers. You are dissecting yourself…You do not know what they [the audience] is going to do when you reach into yourself and rip out your organs to be displayed

When you take a moment to peel back the layers of time and space in your current state of perception, you soon begin to realize the true nature of the self and it's reality. Increasing your self-awareness naturally fosters compassion and integrity in all actions and attitudes towards oneself and others

There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-

Self-awareness is like an onion. There are multiple layers to it, and the more you peel them back, the more likely you’re going to start crying at inappropriate times. Let’s

We are all ruined in some way, bruised and scarred. But those are the parts I love the most in others, so I want her to see mine too. Love isn’t conditional. The broken pieces of us should be where we start, not what we inevitably dig up after years of peeling back layers, only to be tired and skeptical.

Rivers course through my dreams, rivers cold and fast, rivers well-known and rivers nameless, rivers that seem like ribbons of blue water twisting through wide valleys, narrow rivers folded in layers of darkening shadow, rivers that have eroded down deep in a mountain's belly, sculpted the land, peeled back the planet's history exposing he texture of time itself.

He blinks; he has to swallow back tears. The parlor looks the same as it always has: two cribs beneath two Latin crosses, dust floating in the open mouth of the stove, a dozen layers of paint peeling off the baseboards. A needlepoint of Frau Elena’s snowy Alsatian village above the sink. Yet now there is music. As if, inside Werner’s head, an infinitesimal orchestra has stirred to life.

Sometimes life has its way with you. It peels back the layers of your existence like the skin of an onion until the real you glows underneath, raw and painful to the touch.

Self-awareness is like an onion. There are multiple layers to it, and the more you peel them back, the more likely you're going to start crying at inappropriate times.

Seoul is a city of layers and Jesse peels them back with his penetrating gaze, taking in the glitzy Western bars, the alleys sloping upward into cramped housing developments, the doorways leading to dark hallways that lead to offices and noodle shops the casual observer would never even know existed.

Yes, world history is indeed such an onion! But that peeling back of the onion’s layers is fascinating, challenging—and of overwhelming importance to us today, as we seek to grasp our past’s lessons for our future.

You’re covered in all these broken promises from people who said they would never leave. Sometimes afraid of your own skin and the scars that run deep in your veins. Are you ready Are you ready for someone who could turn you inside out? No one dares to peel back all the layers of your skin All this damage, you’re a mess. Are you ready Are you ready Because I want your damaged skin.

Write your life. No matter how young or old, even if you feel like you're not interesting enough, do it. Believe me, you are. Your life is in fact twisted, and beautiful. And you'll find that as you peel back the layers, the unexpected side effect is that it feels wonderful to be known, even if it's just by you.

But I do, little one. Your kisses last night told me everything, I needed to know. In every way that matters, no man has peeled back the many layers that make up the flower that is you, Laura, and dipped his tongue into the centre of you mouth, as I did last night.

North Star: Hooray if you're ready, however overdue it may seem, to peel back the layers. If you're not, remind yourself that inside you, along with all the pieces you're afraid to look at, are big chunks of courage and resiliency you rely on without even realizing that you do so. They're so fundamental that they've steered you capably through most of life.

It was as if - this something I thought of only later, of course - she were gently peeling back one layer after another that covered a person's heart, a very sensual feeling.

Maybe that’s how Samson’s layers are peeled back—by peeling my own layers back first.

There is a veneer to this world we live in. A kind of covering, like a mask. If you start to peel back the layers, you will see things that you may not want to see…

To begin a transformation you must peel back the layers and go to your core.

She made me realize that sometimes you have to peel back the layers to discover who someone really is. Otherwise, you may miss a remarkable person.

Meaning that when you peel back all the layers of yours and Joey’s relationship, taking the flirting, raging hormones, and the physical aspect out of the equation, there’s a rock-solid foundation underneath,” she told me. “One that’s based on friendship, and respect, and

Love is an onion, my boy. Leave it too long and the heart of it will rot. So you’ve got to carefully peel back the layers until you find beneath something so beautiful it brings you to tears.

Personally I think that grammar is a way to attain Beauty. When you speak, or read, or write, you can tell if you’ve said or read or written a fine sentence. You can recognize a well-turned phrase or an elegant style. But when you are applying the rules of grammar skillfully, you ascend to another level of the beauty of language. When you use grammar you peel back the layers, to see how it is all put together, see it quite naked, in a way. And that’s where it becomes wonderful, because you say to yourself, 'Look how well made this is, how well constructed it is!' 'How solid and ingenious, rich and subtle!' I get completely carried away just knowing there are words of all different natures, and that you have to know them in order to be able to infer their potential usage and compatibility. I find there is nothing more beautiful, for example, than the very basic components of language, nouns and verbs. When you've grasped this, you've grasped the core of any statement. It's magnificent, don't you think? Nouns, verbs...

Very often, “what happened” takes years to reveal itself. It takes courage to confront our actions, peel back the layers of trauma in our lives, and expose the raw truth of our past. But this is where healing begins.

When you are ready, guidance will come. Rely on the people who are in your life now; face your dark energies as honestly as you can; respect your boundaries and those of everyone around you. As you peel back each layer of the onion, the teacher who can lead you on will show up, almost miraculously matching the very moment when guidance is needed.

Confessing my feelings through that song was a risk. But that’s what she does to me. She strips me down, peels back the layers, and leaves me completely dependent. Weakened for that breath of time where I wait for her to let me know she feels the same.

Dusty was my first everything, but not in just a first love way. He was my first real friend. He was the first person who cared enough to get to know me, who peeled back the layers I had drawn around myself and liked what they saw. He made me want to like myself, too.

When you’re a kid, they lie and say you did a great job in a game even if you sucked. Then you grow up a bit and your mom and dad lie to you about how strong their relationship is and how much they love each other after they have a big fight. Then you grow up a bit more and they tell you the lie that life is as simple as studying hard, getting into a good college, and finding a decent job. Sometimes I feel like growing up is slowly peeling back these layers of lies.

You think you know me, I've barely peeled back one layer.

Self-awareness is like an onion. There are multiple layers to it, and the more you peel them back, the more likely you’re going to start crying at inappropriate times.

The better solution to many problems that across all industries is to keep peeling back the layers to find the root cause.

A diet of rations etched his figure, and the sea air and sun peeled back a layer of his essence...It's as if he's passed through some cloud of aether, and he's come back to us with the outer reaches of the universe still clinging to him.

Think of body shame like the layers of an onion. For decades in our own lives and for centuries in civilization, we have been taught to judge and shame our bodies and to consequently judge and shame others. Getting to our inherent state of radical self-love means peeling away those ancient, toxic messages about bodies. It is like returning the world’s ugliest shame sweater back to the store where it was purchased and coming out wearing nothing but a birthday suit of radical self-love.

What I feel? Like how I want to take your pain away and yet throttle you at the same moment? How your stupid dimples are infuriating, look for them every time you smile because I know that's a real smile. I don't know why I look forward to arguing with you, but I do. You're clever, and you are kinder than even you realise- even though I know you have earned the title of the Dark One. You are a puzzle I want to figure out, but at the same time, don't. And when I realised You have so many masks- so many layers, I kept wanting to peel them back, even though I fear it will only hurt more in the end.' I shook my head as I curled my fingers around the collar of my tunic. 'I don't understand any of this. Like how do I want to stab you and kiss you at the same time? And I know you said that I deserve to be with someone who didn't kidnap me, or someone I don't want to stab-' 'Forget I said that,' he said, closer to me when I looked up. 'I have no idea what I was talking about. Maybe I didn't even say that.' My lips twitched. 'You totally said that.' 'You're right. I did. Forget it.

I read not with any particular object in mind, nor really with the intention of retaining any information about the subjects that I chose, but rather because the act of reading was a habit, and because it was soothing and, perhaps, from a lifetime's inculcated faith in the explanatory power of books, the half-held belief that somewhere in those hectares upon hectares of printed pages I might find that fact which would make sense of my growing unhappiness, allowing me to peel back the obscurant layers of myself and lay bare at last the solid structure underneath.

sprint, woodwinds fluttering behind. More instruments join in. Flutes? Harps? The song races, seems to loop back over itself. “Werner?” Jutta whispers. He blinks; he has to swallow back tears. The parlor looks the same as it always has: two cribs beneath two Latin crosses, dust floating in the open mouth of the stove, a dozen layers of paint peeling off the baseboards. A needlepoint of Frau Elena’s snowy Alsatian village above the sink. Yet now there is music. As if, inside Werner’s head, an infinitesimal orchestra has stirred to life. The room seems to fall into a slow spin. His sister says his name more urgently, and he presses the earphone to her ear. “Music,” she says. He holds the pin as stock-still as he can. The signal is weak enough that, though the earphone is six inches away, he can’t hear any trace of the song. But he watches his sister’s face, motionless except for her eyelids, and in the kitchen Frau Elena holds her flour-whitened hands in the air and cocks her head, studying Werner, and two older boys rush in and stop, sensing some change in the air, and the little radio with its four terminals and trailing aerial sits motionless on the floor between them all like a miracle.

The next minute he realized what had happened to him, but not before she’d caught him staring. For a decade, I was fixated by her beauty. I wrote an entire article on the evolutionary significance of beauty as a rebuke to myself, that I, who understood the concepts so well, nevertheless could not escape the magnetic pull of one particular woman’s beauty. She knew. With surgical precision, she had peeled back his layers of defenses, until his heart lay bare before her, all its shame and yearning exposed. He could have lived with this if only he’d kept his secret whole and buried. But she knew. She knew.

And this is one of my favorite things about Lachlan. I can look at him and that one glance tells me everything that words can’t. It shows truths that are locked away, about how hard it is to love. How much it hurts to let go of the armor we wear, to peel it back and show the most damaged layers of ourselves, to bear all our wounds.

There was, and still is, a divine pleasure in having someone peel back all the layers and scoop out all the muck in order to get a good look at you. As egotistical as it is, I admit, I wanted to hear about myself, from someone who was always watching, always studying, always storing that information. Tell me more about me, I wanted to say. Go on.

No,her mother was made for the life. Patient,with a rod of steel beneath the fragile skin. Shelby wouldn't choose it, nor would she let it choose her. She'd love no one who could leave her again so horribly. Letting the conversation flow around her, Shelby tilted back her glass. Her eyes met Alan's. It was there-that quietly brooding patience that promised to last a lifetime.She could almost feel him calmly peeling off layer after layer of whatever bits and pieces made up her personality to get to the tiny core she kept private. You bastard.She nearly said it out loud. Certainly it reflected in her eys for he smiled at her in simple acknowledgement.The siege was definitely under way. She only hoped she had enough provisions to outlast him.

Simon puts the book down. He does not wait for her to say anything. He cannot wait, he is too afraid that she will vanish again and never reappear. He closes the distance between them as quickly as he can and then he kisses her desperately, hungrily, and after a moment she kisses him back in equal measure. Kissing, Eleanor thinks, is not done any justice in books. They peel off each other’s clothes in layers. He curses at the strange clasps and fasteners on her garments while she laughs at the sheer number of buttons on his. He leaves her bunny ears on. It is easier to be in love in a room with closed doors. To have the whole world in one room. In one person. The universe condensed and intensified and burning, bright and alive and electric. But doors cannot stay closed forever.

I don’t want to see any part of Annie change. Not a single thing. I’ve never met anyone like her before—and it would be a damn shame for her to morph into some popular social construct of what a woman should be like on dates. I hate it. If some jackass doesn’t take the time to peel back her layers of nervousness to find out who she really is, he doesn’t deserve to have her when she’s at her most comfortable.

It's heartbreaking to see how some people go through their entire lives held captive by debilitating fears. When you peel back all the layers of self-protection that cover up these destructive fears, you'll often find one or two significant events at the core. These events may not even seem all that terrifying to the casual observer, but they were just scary enough to start tripping the dominoes, causing the person to erect walls of avoidance.

There is all this fear around being hurt. Hurt by feelings, by loving — knowing that love could be unanswered or worse, given and then taken away. But why? Is it not pain that we credit for our strength? Is it not hurt that peels back the layers to reveal our true self? Is it not in our weakest moments that we discover just how much we can endure? I am not afraid of love, or the scars it may leave behind. Those scars are proof that I have lived. Scars — K

What Maddy has come to believe is that certain life circumstances make for people who walk with a psychic limp for all of their days. Never mind the progress they seem to make, peel back a few delicate layers and there it is: a stubborn doubting of worth; an inability to stand with conviction behind anything without wondering if they should be standing there at all; a sense that if they move in this direction, it’s wrong; and if they move in that direction, that’s wrong, too.

My own good was stuck on a pirate ship, with an aura like a beacon that flared across the Barrens,’ he grits out, a thick spun voice meant to tie knots around me. ‘My own good was cowering before men who were nothing – fucking nothing – in comparison to her.’ All of my ability to breathe is gone as I stare at him in shock. ‘My own good hated me, fought me, argued with me, but I didn’t care, because I watched her slowly come out of her shell, peeling back one layer at a time, and it was stunning.’ He raises the finger in front of my face. ‘I got one touch. One taste, and if it was an act of selfishness, then you should know, it certainly wasn’t one-sided, Auren.’ I can’t blink. I can’t think. ‘What…what are you saying?’ My chest heaves with the breathless question, like undulating waves in an uncertain sea. I might drown in the depths of his bottomless eyes. His teeth snap together, as if my uncertainty sets him on edge. ‘I’m saying that you are my own good. And for you, I gave you a choice, but you chose him.

We sat on the floor, newspaper- wrapped presents in our laps, imagining all the wonderful things inside. We opened them carefully, peeling back layers of newsprint until we reached the boxes, sliced the Scotch tape with our fingernails, lifted the flaps, and each of us found . . . One MRE (Meal, Ready to Eat— turkey, stuffing, and cranberry sauce, in foil pouches); one Hershey bar; and a handful of bullet casings, because this is what my men are getting today. And one more thing: a scrap of paper with a hand-scrawled I love you, Dad.

This enigmatic bunker was Hawaii’s codebreaking unit, charged with peeling back the layers of encryption that cloaked Japanese radio communications. Although no sign was posted outside the door, it was formally called the Combat Intelligence Unit, or CIU. Among the staff it was nicknamed “the dungeon.” After a reorganization later in the war it was renamed Fleet Radio Unit, Pacific, abbreviated as FRUPAC. Most commonly (then and in the historical literature) it was known as “Station Hypo”—phonetic code for the letter H, designating the Hawaiian intercept station.

To assess Franklin properly, we must view him, instead, in all his complexity. He was not a frivolous man, nor a shallow one, nor a simple one. There are many layers to peel back as he stands before us so coyly disguised, both to history and to himself, as a plain character unadorned by wigs and other pretensions. Let’s begin with the surface layer, the Franklin who serves as a lightning rod for the Jovian bolts from those who disdain middle-class values. There is something to be said—and Franklin said it well and often—for the personal virtues of diligence, honesty, industry, and temperance, especially

No one could see her out here, no one could judge her. She looked at herself in the mirror and saw the animal that she was trapped inside, that grew and fed and wanted. She wished above all else to look ordinary so that people’s eyes just slid over her. Because Mum was wrong. It wasn’t about believing this or that, it wasn’t about good and evil and right and wrong, it was about finding the strength to bear the discomfort that came with being in the world. Clouds scrolled high up. She couldn’t get Melissa out of her head. Something magnetic about her, the possibility of a softness inside, the challenge of peeling back those layers.

I think this will please you.” The smile in his eyes made Summer’s heart lurch. “What is it?” “Open and see.” She peeled back the layers of rag. “My teacup!” He touched the delicate rim of the cup with one rough finger. “Surprised I was to find it all in one piece. The saucer was broken in two, but not even a chip does the cup have.” He pushed his hands into his pockets. “I save the pieces from the plate, and I will glue them for you.” Tears filled her eyes. There were so many things this man had put back together for her. She looked up at him and found him watching her with a secretive smile on his lips, visible behind the bushiness of his beard.

So many of his proposals looked crazy at first glance, but once you peeled back the first layer, you realized that underneath there existed a core of irrefutable logic. Take the new punishment laws, those really set me off. Putting people in stocks? Whipping them in town squares!?! What was this, Old Salem, the Taliban’s Afghanistan? It sounded barbaric, un-American, until you really thought about the options. What were you going to do with thieves and looters, put them in prison? Who would that help? Who could afford to divert able-bodied citizens to feed, clothe, and guard other able-bodied citizens? More importantly, why remove the punished from society when they could serve as such a valuable deterrent? Yes, there was the fear of pain—the lash, the cane—but all of that paled when compared to public humiliation. People were terrified of having their crimes exposed. At a time when everyone was pulling together, helping each other out, working to protect and take care of one another, the worst thing you could do to someone was to march them up into the public square with a giant poster reading “I Stole My Neighbor’s Firewood.” Shame’s a powerful weapon, but it depended on everyone else doing the right thing. No one is above the law, and seeing a senator given fifteen lashes for his involvement in war profiteering did more to curb crime than a cop on every street corner.

Thank you to Steve Iwanski and Turnrow Books for this fantastic review of THE RESURRECTION OF JOAN ASHBY!! Cherise Wolas' debut novel is a narrative tour-de-force. Never mind the admirable boldness of kicking it off with excerpts from (fictional) Joan Ashby's Pulitzer and National Book Award-winning story collections -- Wolas proceeds to delicately peel back the onion layers on Ashby's decades of retreat from the public eye. Like Lauren Groff in FATES AND FURIES, Wolas triumphs in depicting the mounting humiliations of domestic life like a psychological thriller. You know we're headed for the inevitable rug pull - and yet when it comes it still leaves you reeling. Forget about Joan Ashby; it's Cherise Wolas who will leave us waiting breathlessly for the next masterpiece. —Steve Iwanski from Turnrow Books, Greenwood, MS

Don’t jump to conclusions over first impressions. They’re often dead wrong. When I first met Mark, I thought he was spoiled. When I met Shirley, I assumed she was tough as nails. But getting to know them both as a member of their family, I saw how wrong I was. Shirley is a teddy bear, a caring, loving person who would do anything for me. And Mark? I think of him as a brother, in every sense of the word. I’ve learned to make a special effort to get to know the people who put up walls and seem cold or tough. It’s like an onion; you have to peel back the layers. I’m sure some of my DWTS partners made an assumption about who I was the first time they worked with me. They probably thought I was a tough taskmaster and cursed me out for putting them through this! But anyone who truly knows me will tell you, I’m harder on myself than I am on anyone else. And I’m a softie who loves to goof around. But to see that side of me, you need to move past the first impression. What’s the lesson here? Dig a little deeper. Get to know people and what makes them tick. Don’t make an assumption till you know someone a lot better. Think of all the people you might have dismissed who could have been great friends, mentors, or allies, if you’d only given them the chance. Perfect example: dancing with Lil’ Kim on DWTS. She had recently spent time in jail and I remember thinking, Oh my gosh, I’m afraid I’m going to get shanked in the middle of the dance! Then I realized I was judging her without knowing her, something that I have hated people doing to me in the past. It took only a few minutes to see the sweet, loving person she truly was. Had I not given us the chance to get to know each other better, I never would have learned that.

I have one priority in life and it’s not making millions as it once was. I have all the money I could ever want, too much, India claims. I’m business driven but it’s my girl who is the most important part of my life. My whole life. It’s that very reason I’m reluctant to bring any shift in our happy bubble. We both work hard. We play hard together. That woman is my equal in every aspect of life. She thrills me, and intrigues me. I’ve loved peeling back India’s layers. She’s vulnerable is my mean girl and I love the place we’ve gotten to where she trusts me with all her sad, unsure moments. She will grieve for her brother for the rest of her life. She’ll always worry about her mom becoming manic depressive again. She’ll forever be a woman who puts everyone else before her own needs. But what’s different in India’s life is she now has me who makes sure she’s first. In everything. It’s going to kill me to see the happiness drop from her eyes. She’ll go into fix it mode and when she can’t, she’ll get angry and stressed.

ASPARAGUS WITH ROASTED GARLIC AND OLIVE OIL Asparagus packs a lot of health benefits into a little package. The little bit of extra effort required to roast the garlic will be more than worth it to liven up a batch. Makes 2 servings 1 head garlic Extra-virgin olive oil ½ pound asparagus, trimmed and cut into 2-inch pieces 1 tablespoon ground pecans or almonds ½ teaspoon onion powder Preheat the oven to 400°F. Peel off the papery layers from the garlic head, then slice off the top ¼ inch to expose the garlic cloves. Place in the center of a square of foil and drizzle with olive oil. Seal the garlic in the foil and place in a shallow pan. Bake for 30 minutes. Remove from the foil and let cool. Heat 1 tablespoon of oil in a large skillet over medium heat. Add the asparagus and cook, stirring, until bright green, 3 to 4 minutes. Sprinkle with the ground pecans or almonds and then the onion powder. Squeeze the roasted garlic out of the skins into the pan. Continue to cook the asparagus, stirring, until the asparagus is crisp-tender, 1 to 2

It is well known that the term ‘Pakistan’, an acronym, was originally thought up in England by a group of Muslim intellectuals. P for the Punjabis, A for the Afghans, K for the Kashmiris, S for Sind and the ‘tan’, they say, for Baluchistan. (No mention of the East Wing, you notice; Bangladesh never got its name in the tide, and so, eventually, it took the hint and seceded from the secessionists. Imagine what such a double secession does to people!) – So it was a word born in exile which then went East, was borne-across or translated, and imposed itself on history; a returning migrant, settling down on partitioned land, forming a palimpsest on the past. A palimpsest obscures what lies beneath. To build Pakistan it was necessary to cover up Indian history, to deny that Indian centuries lay just beneath the surface of Pakistani Standard Time. The past was rewritten; there was nothing else to be done. Who commandeered the job of rewriting history? – The immigrants, the mohajirs. In what languages? – Urdu and English, both imported tongues, although one travelled less distance than the other. It is possible to see the subsequent history of Pakistan as a duel between two layers of time, the obscured world forcing its way back through what-had-been-imposed. It is the true desire of every artist to impose his or her vision on the world; and Pakistan, the peeling, fragmenting palimpsest, increasingly at war with itself, may be described as a failure of the dreaming mind. Perhaps the pigments used were the wrong ones, impermanent, like Leonardo’s; or perhaps the place was just insufficiently imagined, a picture full of irreconcilable elements, midriffbaring immigrant saris versus demure, indigenous Sindhi shalwar-kurtas, Urdu versus Punjabi, now versus then: a miracle that went wrong.

The cuisine of Northern Iran, overlooked and underrated, is unlike most Persian food in that it's unfussy and lighthearted as the people from that region. The fertile seaside villages of Mazandaran and Rasht, where Soli grew up before moving to the congested capital, were lush with orchards and rice fields. His father had cultivated citrus trees and the family was raised on the fruits and grains they harvested. Alone in the kitchen, without Zod's supervision, he found himself turning to the wholesome food of his childhood, not only for the comfort the simple compositions offered, but because it was what he knew so well as he set about preparing a homecoming feast for Zod's only son. He pulled two kilos of fava beans from the freezer. Gathered last May, shucked and peeled on a quiet afternoon, they defrosted in a colander for a layered frittata his mother used to make with fistfuls of dill and sprinkled with sea salt. One flat of pale green figs and a bushel of new harvest walnuts were tied to the back of his scooter, along with two crates of pomegranates- half to squeeze for fresh morning juice and the other to split and seed for rice-and-meatball soup. Three fat chickens pecked in the yard, unaware of their destiny as he sharpened his cleaver. Tomorrow they would braise in a rich, tangy stew with sour red plums, their hearts and livers skewered and grilled, then wrapped in sheets of lavash with bouquets of tarragon and mint. Basmati rice soaked in salted water to be steamed with green garlic and mounds of finely chopped parsley and cilantro, then served with a whole roasted, eight kilo white fish stuffed with barberries, pistachios, and lime. On the farthest burner, whole bitter oranges bobbed in blossom syrup, to accompany rice pudding, next to a simmering pot of figs studded with cardamom pods for preserves.

Once I reached the door, I paused with my hand near the sensor, listening. At first, all I heard were heavy breaths that turned into sobs. Then Akos screamed, and there was a loud crash, followed by another one. He screamed again, and I pressed my ear to the door to listen, my lower lip trapped between my teeth. I bit down so hard I tasted blood when Akos’s screams turned to sobs. I touched the sensor, opening the door. He was sitting on the floor in the bathroom. There were pieces of shattered mirror all around him. He had ripped the shower curtain from the ceiling and the towel rack from the wall. He didn’t look up at me when I came in, or even when I walked carefully across the fragments of glass to reach him. I knelt among the shards, and reached over his shoulder to turn the shower on. I waited until the water warmed up, then tugged him by his arm toward the spray. I stood in the shower with him, fully clothed. His breaths came in sharp bursts against my cheek. I put my hand on the back of his neck and pulled his face toward the water. He closed his eyes and let it hit his cheeks. His trembling fingers sought mine, and he clutched my hand against his chest, against his armor. We stood together for a long time, until his tears subsided. Then I turned the water off, and led him into the kitchen, scattering mirror pieces with my toes as I walked. He was staring into middle distance. I wasn’t sure that he knew where he was, or what was happening to him. I undid the straps of his armor and guided it over his head; I pinched the hem of his shirt and peeled the wet fabric away from his body; I unbuttoned his pants and let them drop to the floor in a soaking-wet heap. I had daydreamed about seeing him this way, and even about one day undressing him, taking away some of the layers that separated us, but this was not a daydream. He was in pain. I wanted to help him.

When Kai calls me beautiful, I know he's talking about more than my appearance. Because he dosen't just see y outside layer, the way the rest of the world does. He peels back all my layers. He knows me, truly and deeply. He loved the little girl I was, who still lives on inside me , at my core. He knows all of me- all my flaws and insecurities and vulnerabilities- and he thinks I am beautiful.

In the second part, we will peel back a layer and enter “the mind.” We will explore the workings of the conscious and subconscious, learning how powerful conditioning from our parent-figures shaped our worlds, creating thought and behavior patterns that persist today.

Recovery was a process, like peeling back layers of tracing paper.

I want to spend the rest of my life peeling back your layers, getting to know every facet until I know what you’re thinking before you do. I may not have the answers for everything yet… But I know that I will never stop loving you.

The storm relented on the morning of the eleventh. The winds dropped to about thirty knots. Stuart Hutchison and three Sherpas went in search of Yasuko and me. They found us lying next to each other, largely buried in snow and ice. First to Yasuko. Hutchison reached down and pulled her up by her coat. She had a three-inch-thick layer of ice across her face, a mask that he peeled back. Her skin was porcelain. Her eyes were dilated. But she was still breathing. He moved to me, pulled me up, and cleaned the ice out of my eyes and off my beard so he could look into my face. I, like Yasuko, was barely clinging to life. Hutchison would later say he had never seen a human being so close to death and still breathing. Coming from a cardiologist, I’ll accept that at face value. What do you do? The superstitious Sherpas, uneasy around the dead and dying, were hesitant to approach us. But Hutchison didn’t really need a second opinion here. The answer was, you leave them. Every mountaineer knows that once you go into hypothermic coma in the high mountains, you never, ever wake up. Yasuko and I were going to die anyway. It would only endanger more lives to bring us back. I don’t begrudge that decision for my own sake. But how much strain would be entailed in carrying Yasuko back? She was so tiny. At least she could have died in the tent, surrounded by people, and not alone on that ice. Hutchison and the Sherpas got back to camp and told everyone that we were dead. They called down to Base Camp, which notified Rob’s office in Christchurch, which relayed the news to Dallas. On a warm, sunny Saturday morning the phone rang in our house. Peach answered and was told by Madeleine David, office manager for Hall’s company, Adventure Consultants, that I had been killed descending from the summit ridge. “Is there any hope?” Peach asked. “No,” David replied. “There’s been a positive body identification. I’m sorry.

Once you start peeling back the layers of your well-being, you realize just how deep you can go.

Walking through challenges is hard. Nothing about it is easy. Yet, there is freedom on the other side for those willing to do the hard work. What scares you the most about walking through your challenges? If you peel back the layers, what is the real answer?

Modern Western society teaches me to prioritize discovering my authentic self, peeling back the onion layers of my identity and living out of what I find there at all costs. But from a Christian perspective, who I am in relation to God is my authentic self. I find myself not in the depths of my psychology but in the depths of his heart. And when he calls you or me "child," "beloved," "friend," that's who we are, and any other identity--male, female, father, mother, child, friend-- flows out of that.

feel like she’s peeling back my layers, one by one. She’s looking into crevices where nobody should see. I’ve kept myself closed off from everyone for ten years.

Peel back the layers of illusion, and discover the radiant truth of existence beyond the veils of self.

Chapter 2: The Blinders of the Senses: Awakening from the Sensory Dream Close your eyes and imagine standing in a garden. The air is fragrant with the scent of flowers, and the sun's warmth kisses your skin. You hear the rustle of leaves, the chirping of birds, and the distant hum of life. This sensory symphony envelops you, defining your experience of the world around you. But what if I told you that this symphony is both a blessing and a limitation? Welcome to the chapter where we pull back the curtain on the senses—the windows through which we perceive reality. These senses are our gateways to the world, allowing us to touch, taste, hear, see, and smell. They are our connection to the external, the bridge that links us to the physical universe. However, in their splendor lies a trap—a trap that keeps us tethered to the surface of existence. Picture this: you're in a theater, engrossed in a captivating movie. The screen and the story before you are so compelling that you forget you're sitting in a theater, watching a mere projection. In the same way, our senses project a vivid reality that captivates us, making us forget that they're just a means of perception, not the ultimate truth. Our senses act as both guides and misguides. They offer us a glimpse into the world, but they also distort reality. They're like a paintbrush in the hands of an artist, creating a beautiful but partial picture. We become so focused on this picture that we overlook the canvas on which it's painted—the canvas of consciousness. Consider the blind spots in your eyes. These are spots where you literally cannot see, yet your brain fills in the gaps seamlessly, creating a complete image. Similarly, our senses have "blind spots" when it comes to the inner world of thoughts, emotions, and consciousness. They excel at perceiving the external, but they struggle to illuminate the internal. Herein lies the paradox: while our senses are our windows to the world, they can also be our blinders, keeping us from seeing the whole picture. Just as a map provides information about the terrain but not the essence of a place, our senses provide data about the world but not the essence of our being. So, how do we escape this sensory dream and peer beyond the blinders? The answer lies in a shift of focus. We must turn our attention inwards, away from the dazzling spectacle of the external world. It's here, in the quietude of introspection, that we can begin to untangle the threads of our consciousness from the threads of sensation. In the coming pages, we'll delve into the paradox of perception and introspection. We'll journey through the ways our senses illuminate the external and yet leave us in the dark about the internal. And most importantly, we'll explore the profound power of looking beyond the surface, awakening to a reality that transcends the sensory landscape. So, get ready to peel back the layers of perception, to unveil the subtle dance between our senses and our consciousness. As we journey through this chapter, remember: just as a photograph captures a moment in time, our senses capture a moment in reality. But to grasp the essence of existence, we must go beyond the snapshot and embrace the living, breathing symphony of

Very often, “what happened” takes years to reveal itself. It takes courage to confront our actions, peel back the layers of trauma in our lives, and expose the raw truth of our past. But this is where healing begins. —

The first big problem is that even with the combat model, there's more to difficult conversations than a power imbalance, and we know it. When we peel back the superficial layer of power rules (if you think you can't win, don't engage. If you're one down, make yourself a small target. If you're one up, you win), we find a different incompatible rule: I am a good guy, and I am in the right, so if my counterpart resists me, the wrong is on his side. And the worse the conversation gets, the more likely it is that one side or the other will turn to it. We are still battling, but the rules just changed from might to right. How does that happen? How does right come into a scene that used to be determined by might? It happens when at some point, the conversation crosses a line, something new appears to be at risk, something more fundamentally important than a power position: our self respect. We are people involved in these conversations, not just entities and respective power positions.

Personally I think that grammar is a way to attain beauty. When you speak, or read, or write, you can tell if you’ve said or read or written a fine sentence. You can recognize a well-turned phrase or an elegant style. But when you are applying the rules of grammar skillfully, you ascend to another level of the beauty of language. When you use grammar you peel back the layers, to see how it is all put together, see it quite naked, in a way. And that’s where it becomes wonderful, because you say to yourself, “Look how well-made this is, how well-constructed it is! How solid and ingenious, rich and subtle!” I get completely carried away just knowing there are words of all different natures, and that you have to know them in order to be able to infer their potential usage and compatibility. I find there is nothing more beautiful, for example, than the very basic components of language, nouns and verbs. When you’ve grasped this, you’ve grasped the core of any statement. It’s magnificent, don’t you think? Nouns, verbs . . .

Intimacy is mutual self-revelation. It is two people constantly discovering and rediscovering each other. It is an endless process because our personalities have an endless number of layers. Conversation, shared experiences, and simply spending time together peel back these layers and reveal new and different aspects of our personalities. Intimacy is also a constant rediscovering because our preferences change, our hopes and dreams change, and as a result so does the way we want to spend our days and weeks. Intimacy takes time.

In a medium bowl, whisk together the cocoa, sugar, salt, flour, and baking soda, then sift into a large bowl. In a medium bowl, stir the vanilla and oil together. Bring the water to a boil or brew the coffee. Add it to the oil-vanilla mixture. Make a well in the center of the dry ingredients and gradually whisk in the water-oil mixture until incorporated. Gradually whisk in the eggs and stir until smooth. The batter will be thin. Divide the batter evenly between the prepared pans. Drop the pan onto the counter from a height of 3 inches a couple of times to release any air bubbles that may have formed. Bake in the upper third of the oven for 25 to 30 minutes, until the cakes spring back from the touch and just pull away from the edges of the pan. An inserted toothpick should come out clean. Cool the cakes completely on a wire rack before unmolding them from the pan and peeling off the parchment paper. To serve, place one layer down on a cake plate. Spread 1 cup Vanilla Cream in the center of the cake and gently place the second layer atop it. Spread