Pebble In The Sky Quotes

Any planet is 'Earth' to those that live on it.

They won't listen. Do you know why? Because they have certain fixed notions about the past. Any change would be blasphemy in their eyes, even if it were the truth. They don't want the truth; they want their traditions.

Once upon a time, there was a boy. He lived in a village that no longer exists, in a house that no longer exists, on the edge of a field that no longer exists, where everything was discovered, and everything was possible. A stick could be a sword, a pebble could be a diamond, a tree, a castle. Once upon a time, there was a boy who lived in a house across the field, from a girl who no longer exists. They made up a thousand games. She was queen and he was king. In the autumn light her hair shone like a crown. They collected the world in small handfuls, and when the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.

There never can be a man so lost as one who is lost in the vast and intricate corridors of his own lonely mind, where none may reach and none may save.

Of course there are worlds. Millions of them! Every star you see has worlds, and most of those you don't see.

It was obvious that bigotry was never a one-way operation, that hatred bred hatred!

Old men tend to forget what thought was like in their youth; they forget the quickness of the mental jump, the daring of the youthful intuition, the agility of the fresh insight. They become accustomed to the more plodding varieties of reason, and because this is more than made up by the accumulation of experience, old men think themselves wiser than the young.

One might accept death reasoningly, with every aspect of the conscious mind, but the body was a brute beast that knew nothing of reason.

Do not forget that a traitor within our ranks, known to us, can do more harm to the enemy than a loyal man can do good to us.

On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances. They build their houses with sand, and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds. They know not how to swim, they know not how to cast nets. Pearl-fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. They seek not for hidden treasures, they know not how to cast nets. The sea surges up with laughter, and pale gleams the smile of the sea-beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby’s cradle. The sea plays with children, and pale gleams the smile of the sea-beach. On the seashore of endless worlds children meet. Tempest roams in the pathless sky, ships are wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.

Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.

You see, proteins, as I probably needn't tell you, are immensely complicated groupings of amino acids and certain other specialized compounds, arranged in intricate three-dimensional patterns that are as unstable as sunbeams on a cloudy day. It is this instability that is life, since it is forever changing its position in an effort to maintain its identity--in the manner of a long rod balanced on an acrobat's nose.

Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle. Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?

Maybe nothing ever happens once and is finished. Maybe happen is never once but like ripples maybe on water after the pebble sinks, the ripples moving on, spreading, the pool attached by a narrow umbilical water-cord to the next pool which the first pool feeds, has fed, did feed, let this second pool contain a different temperature of water, a different molecularity of having seen, felt, remembered, reflect in a different tone the infinite unchanging sky, it doesn’t matter: that pebble’s watery echo whose fall it did not even see moves across its surface too at the original ripple-space, to the old ineradicable rhythm

...the City is what they want it to be: thriftless, warm, scary and full of amiable strangers. No wonder they forget pebbly creeks and when they do not forget the sky completely think of it as a tiny piece of information about the time of day or night.

Give us but the chance and a new generation of Earthmen would grow to maturity, lacking insularity and believing wholeheartedly in the oneness of Man.

Do not miss me, because I will always be with you. In every drop of rain that touches your tongue, in every breath of air you inhale. In the tips of the leaves that you brush with your fingertips as you pass by. I will be there, in every moment. I am not gone, I am only altered, from this state of matter to another. For a moment, for too brief a moment, I was the man that loved you, but now that I am changed, I am the air, the moon, the stars. For we are all made of stars, my beloved. You and I, and all of life, we were all born out of the death of a star, millions of billions of years ago. A star that lived long and then, before its death, burned at its brightest, its fiercest - an enflaming supernova. But when it died, it did not cease to exist; instead everything it was made of became part of the universe once again, and everything that is part of the universe will once more become part of us. So do not miss me, because I do not die; I transform - into the wind in the tops of the trees, the wave on the ocean, the pebbles under your foot, the dust on your bookshelves, the midnight sky. Wherever you look, I will be there.

Maybe nothing ever happens once and is finished. Maybe happen is never once but like ripples maybe on water after the pebble sinks, the ripples moving on, spreading, the pool attached by a narrow umbilical water-cord to the next pool which the first pool feeds, has fed, did feed, let this second pool contain a different temperature of water, a different molecularity of having seen, felt, remembered, reflect in a different tone the infinite unchanging sky, it doesn’t matter: that pebble’s watery echo whose fall it did not even see moves across its surface too at the original ripple-space, to the old ineradicable rhythm…

Nothing like love to put blood back in the language, the difference between the beach and its discrete rocks and shards, a hard cuneiform, and the tender cursive of waves; bone and liquid fishegg, desert and saltmarsh, a green push out of death. The vowels plump again like lips or soaked fingers, and the fingers themselves move around these softening pebbles as around skin. The sky's not vacant and over there but close against your eyes, molten, so near you can taste it. It tastes of salt. What touches you is what you touch.

Earthmen may even rule at Trantor for a generation, but their children will become Trantorians, and in their turn will look down upon the remnant on Earth.

Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars.

STARS AND DANDELIONS Deep in the blue sky, like pebbles at the bottom of the sea, lie the stars unseen in daylight until night comes. You can't see them, but they are there. Unseen things are still there. The withered, seedless dandelions hidden in the cracks of the roof tile wait silently for spring, their strong roots unseen. You can't see them, but they are there. Unseen things are still there.

Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things.

She used to sit long hours upon the beach, gazing intently on the waves as they chafed with perpetual motion against the pebbly shore,—or she looked out upon the more distant heave, and sparkle against the sky, and heard, without being conscious of hearing, the eternal psalm, which went up continually.

An extraordinary dream by lord charles wellesley. (Charlotte Bronte) 'In this slumber i thought i was walking on the banks of a river... Which murmered over small pebbles at the bottom, gleaming like crystals through the silver stream' 'and the green buds of the wild rose trees around were unopened' 'and a mild warmth were shed from the sun... Then at its height in the blue sky

All right, Schwartz, tackle my mind now. Go as deep as you want. I was born on Baronn in the Sirius Sector. I lived my life in an atmosphere of anti-Terrestrialism in the formative years, so I can't help what flaws and follies lie at the roots of my subconscious. But look on the surface and tell me if, in my adult years, I have not fought bigotry in myself. Not in others; that would be easy. But in myself, and as hard as I could.

January 1950, Doubleday published my first book, the science-fiction novel Pebble in the Sky, and I was hard at work on a second novel.

They ride over pebbles and patches of dusk-colored sunlight, underneath the spread arms of the live oaks and the promise of their green leaves, past houses full of people and rules and prayers and magic. Hannah looks at Baker, and Baker extends her hand outward into the space between them, holding it palm-up for Hannah to take, right there in the heart of the garden.

Listen to the night wind in the trees, Listen to the summer grass singing; Listen to the time that’s tripping by, And the dawn dew falling. Listen to the moon as it climbs the sky, Listen to the pebbles humming; Listen to the mist in the trembling leaves, And the silence calling.

We call it a grain of sand, but it calls itself neither grain nor sand. It does just fine, without a name, whether general, particular, permanent, passing, incorrect, or apt. Our glance, our touch means nothing to it. It doesn’t feel itself seen and touched. And that it fell on the windowsill is only our experience, not its. For it, it is not different from falling on anything else with no assurance that it has finished falling or that it is falling still. The window has a wonderful view of a lake, but the view doesn’t view itself. It exists in this world colorless, shapeless, soundless, odorless, and painless. The lake’s floor exists floorlessly, and its shore exists shorelessly. The water feels itself neither wet nor dry and its waves to themselves are neither singular nor plural. They splash deaf to their own noise on pebbles neither large nor small. And all this beheath a sky by nature skyless in which the sun sets without setting at all and hides without hiding behind an unminding cloud. The wind ruffles it, its only reason being that it blows. A second passes. A second second. A third. But they’re three seconds only for us. Time has passed like courier with urgent news. But that’s just our simile. The character is inverted, his hasts is make believe, his news inhuman.

Where there are no bees there is no honey. Where there are no flowers there is no perfume. Where there are no clouds there is no rain. Where there are no stars there is no light. Where there are no roses there are no thorns. Where there are no skies there are no stars. Where there are no storms there are no rainbows. Where there are no animals there are no forests. Where there are no plants there are no jungles. Where there are no seeds there are no harvests. Where there are no spiders there are no webs. Where there are no ants there are no colonies. Where there are no worms there are no fish. Where there are no mice there are no serpents. Where there are no carcasses there are no vultures. Where there are no stones there are no pebbles. Where there are no rocks there are no mountains. Where there are no deserts there are no oases. Where there are no stars there are no galaxies. Where there are no worlds there are no universes.

Yet he had expended much of an inquisitive nature upon random reading. By the sheer force of indiscriminate voracity, he had gleaned a smattering of practically everything, and by means of a trick memory had managed to keep it all straight.

Time is but the stream I go a-fishing in. I drink at it; but while I drink, I see the sandy bottom and detect how shallow it is. It's thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars.

The elderly man, flushed with pleasure, was recounting in voluble fashion his experiences and impressions. His wife joined in periodically, with meticulous corrections involving completely unimportant points; these being given and taken in the best of humor.

Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps. That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.

It had grown darker now; it was full night already, with the swiftness of the mountainous latitudes. The square of sky over the patio was soft and dark as indigo velour, with magnificent stars like many-legged silver spiders festooned on its underside. Below them the white roses gleamed phosphorescently in the starlight, with a magnesium-like glow. There was a tiny splash from the depths of the well as a pebble or grain of dislodged earth fell in. ("The Moon Of Montezuma")

We are talking about a cloak that really and truly renders the wearer completely invisible, and endures eternally, giving constant and impenetrable concealment, no matter what spells are cast at it. How many cloaks have you ever seen like that, Miss Granger?” Hermione opened her mouth to answer, then closed it again, looking more confused than ever. She, Harry, and Ron glanced at one another, and Harry knew that they were all thinking the same thing. It so happened that a cloak exactly like the one Xenophilius had just described was in the room with them at that very moment. “Exactly,” said Xenophilius, as if he had defeated them all in reasoned argument. “None of you have ever seen such a thing. The possessor would be immeasurably rich, would he not?” He glanced out of the window again. The sky was now tinged with the faintest trace of pink. “All right,” said Hermione, disconcerted. “Say the Cloak existed…what about the stone, Mr. Lovegood? The thing you call the Resurrection Stone?” “What of it?” “Well, how can that be real?” “Prove that it is not,” said Xenophilius. Hermoine looked outraged. “But that’s--I’m sorry, but that’s completely ridiculous! How can I possibly prove it doesn’t exist? Do you expect me to get hold of--of all the pebbles in the world and test them? I mean, you could claim that anything’s real if the only basis for believing in it is that nobody’s proved it doesn’t exist!” “Yes, you could,” said Xenophilius. “I am glad to see that you are opening your mind a little.” “So the Elder Wand,” said Harry quickly, before Hermione could retort, “you think that exists too?

Oh, the meadows were gold and the sky so blue, I traveled down that pebble path I so well knew. The sun shined on down through trees so green And I picked white flowers for which I was so keen. Oh sweet lilies of mine, the beauty you shine, Over hilltops and streams below, You bend in the breeze and bloom with ease, In the morning as the dew starts to glow…

And as long as it is so believed, Procurator, and as long as we of Earth are treated as pariahs, you are going to find in us the characteristics to which you object.

Grow old along with me! The best is yet to be, The last of life, for which the first was made ...

He felt that dull, heart-choking pain that feeds on itself, the pain of a wife no longer by his side at waking, of a familiar world lost…

The Stones This is the city where men are mended. I lie on a great anvil. The flat blue sky-circle Flew off like the hat of a doll When I fell out of the light. I entered The stomach of indifference, the wordless cupboard. The mother of pestles diminished me. I became a still pebble. The stones of the belly were peaceable, The head-stone quiet, jostled by nothing.

Beyond that was a small orchard, its trees appearing to hold the first signs of apples. Cherry blossoms bloomed in the May warmth, forming neat columns of shady pathways. The manicured grass, so unlike the wild fields of the farm, was intersected by meandering pebbled walkways, where her ladies must tread when receiving finely dressed visitors. Birdsong pierced the blue sky, as did the aroma of fresh-petaled flowers.

The girl is so beautiful she seems almost to glow, more colorful than the landscape in which she sits. The dingy gray of the concrete overpass, the pebble brown of the tracks and the earth, the faded blue of her baggy jeans, the dirty white of her oversized T-shirt, the bleached arc of the sky, it all recedes behind her. Her presence is a vivd throb of color that deflates everything else around her. An accident of biology. A living miracle of splendor. It's a real problem.

She looked up into the sky, watching sparks falling up and winking out. It was oddly like looking into a deep pond, seeing pebbles fall away into the dark water. Up and down, sky and water…life and death…all the same. “It’s a nice night,” she said.

Time is but the stream I go a-fishing in. I drink at it, but while I drink, I see the sandy bottom and detect how shallow it is. Its current slides away, but eternity remains. I would drink deeper, fish in the sky, whose bottom is pebbly with stars.

Your hair would be so very, very under these exhibition lights! Oh, T-Rex, if you see her, won’t you hook your incisor into the eyelet of her corset and tug skeleton tight? Dita, we’ll eat peaches on hoodoos, pink under the Alberta sky, and roll the pits and pebbles on our tongues

Sometimes, when there's been an accident and reality is too sudden and strange to comprehend, the surreal will take over. Action slows to a dreamlike glide, frame by frame; the motion of a hand, a sentence spoken, fills an eternity. Little things—a cricket on a stem, the veined branches on a leaf—are magnified, brought from the background in achingly clear focus. And that was what happened then, walking over the meadow to the house. It was like a painting too vivid to be real—every pebble, every blade of grass sharply defined, the sky so blue it hurt me to look at it.

Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

One bee does not make a swarm. One wasp does not make a nest. One wolf does not make a pack. One bull does not make a herd. One dog does not make a litter. One sheep does not make a flock. One lion does not make a pride. One branch does not make a tree. One pebble does not make a hill. One rock does not make a mountain. One dune does not make a desert. One spark does not make a flame. One finger does not make a hand. One color does not make a rainbow. One leaf does not make a plant. One flower does not make a garden. One seed does not make a forest. One drop does not make an ocean. One cloud does not make a sky. One star does not make a galaxy. One world does not make a universe.

A small boat made its way back to the shore, a black shadow weaving quietly along rivulets of molten sky, disappearing as mud and stone blended together in the low rays of the last reflected light. A mist began to lift as the air turned silver and night blue, the reeds becoming dark silhouettes against the line of the pebble bank and the dimming sky.

Is it odd to picnic at one's mother's grave? To sit up on the cliff and trickle pebbles over the ledge and listen to them bounce until they disappear? To eat an apple, to feel the sun, and to remember her, she who gave so much that it will never diminish? Is it odd to live with ehr in you, to continue to share your days and thoughts with the presence of her loving spirit?

Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born.

Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born.

Hidden under wild ferns on Howth. Below us bay sleeping sky. No sound. The sky. The bay purple by the Lion's head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you'll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweet and sour with spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft, warm, sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her; eyes, her lips, her stretched neck, beating, woman's breasts full in her blouse of nun's veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me. Me. And me now. Stuck, the flies buzzed.

But in good times his family saw little of him, for then he roamed, fished, hunted, searched for roots, lay in the grass or crouched in trees, sniffed, listened, imitated the voices of animals, kindled little fires and compared the shapes of the smoke clouds with the clouds in the sky, drenched his skin and hair with fog, rain, air, sun, or moonlight, and incidentally gathered, as his Master and predecessor Turu had done in his lifetime, objects whose inner character and outward form seemed to belong to different realms, in which the wisdom or whimsicality of nature seemed to reveal some fragment of her rules and secrets of creation, objects which seemed to unite symbolically widely disparate ideas: gnarled branches with the faces of men or animals, water-polished pebbles grained like wood, petrified animals of the primordial world, misshapen or twinned fruit pits, stones shaped like kidneys or hearts.

Just the right rock calls to me. I crouch and finger the worn, smooth spots on its oblong surface. Its weight rests in my hand for a few seconds, before I hurl the cold, blue stone into the lake and turn and walk towards home. My feet catch in the scrubby border of the pebbly shore. Evening approaches over Lake Nipigon, and the sky, the color of a beaver’s tooth, burns at the edge of the horizon in the last rays of the sun. Why did she not want me? The question shadows every other thought in my mind and wounds my soul.

Stephen began to dream again. This time he dreamt that hills walked and the sky wept. Trees came and spoke to him and told him their secrets and also whether or not he might regard them as friends or enemies. Important destinies were hidden inside pebbles and crumpled leaves. He dreamt that everything in the world – stones and rivers, leaves and fire – had a purpose which it was determined to carry out with the utmost rigour, but he also understood that it was possible sometimes to persuade things to a different purpose.

Sometimes, when there’s been an accident and reality is too sudden and strange to comprehend, the surreal will take over. Action slows to a dreamlike glide, frame by frame; the motion of a hand, a sentence spoken, fills an eternity. Little things—a cricket on a stem, the veined branches on a leaf—are magnified, brought from the background in achingly clear focus. And that was what happened then, walking over the meadow to the house. It was like a painting too vivid to be real—every pebble, every blade of grass sharply defined, the sky so blue it hurt me to look at it.

On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.

Odin and his brothers made the soil from Ymir’s flesh. Ymir’s bones they piled up into mountains and cliffs. Our rocks and pebbles, the sand and gravel you see: these were Ymir’s teeth, and the fragments of bones that were broken and crushed by Odin and Vili and Ve in their battle with Ymir. The seas that girdle the worlds: these were Ymir’s blood and his sweat. Look up into the sky: you are looking at the inside of Ymir’s skull. The stars you see at night, the planets, all the comets and the shooting stars, these are the sparks that flew from the fires of Muspell. And the clouds you see by day? These were once Ymir’s brains, and who knows what thoughts they are thinking, even now.

Stuck on the pane two flies buzzed, stuck. Glowing wine on his palate lingered swallowed. Crushing in the winepress grapes of Burgundy. Sun’s heat it is. Seems to a secret touch telling me memory. Touched his sense moistened remembered. Hidden under wild ferns on Howth below us bay sleeping: sky. No sound. The sky. The bay purple by the Lion’s head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you’ll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips full open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft warm sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her: eyes, her lips, her stretched neck beating, woman’s breasts full in her blouse of nun’s veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me. Me. And me now. Stuck, the flies buzzed.

There is no number so unlucky as thirteen. Once, in Valhalla, there was a feast for twelve gods, but Loki, the trickster god, went uninvited and he played his evil games, persuading Hod the Blind to throw a sprig of mistletoe at his brother, Baldur. Baldur was the favorite god, the good one, but he could be killed by mistletoe and so his blind brother threw the sprig and Baldur died and Loki laughed, and ever since we have known that thirteen is the evil number. Thirteen birds in the sky are an omen of disaster, thirteen pebbles in a cooking pot will poison any food placed in the pot, while thirteen at a meal is an invitation to death. Thirteen spears against a fortress could only mean defeat. Even the Christians know thirteen is unlucky. Father Beocca told me that was because there were thirteen men at Christ’s last meal, and the thirteenth was Judas.

Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining-rod and thin rising vapors I judge; and here I will begin to mine.

Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.

When You're Not Here and When You Are" Waking early, alone, I crave the ripening hay in your field, the smell of weeds tangled in brine, and along the inland road, honeysuckle, sharp as juice sucked from raw crabs by the cove. Oh, the fine wet inside of your flowers in your field after rain. The acrostic of sifting earth with moist fingers, separating essence from essence, a pebble rolling in soil. I could lie around all day wanting the brush of your lips. Between your lips, the dark field meets a night sky. I am inside each ragged breath and the pause between. Your legs— a bridge to the twilight where, overhead, stars pulse. On such cold nights you take me as if I were spice in your coffee, stir me, your beautiful strong arms, your unbearable aching. I rely on the warmth of your voice to illuminate the dark. Like a forest that parts and cinches a road. A clasp undone. The cat purrs. A rustling as the leaves stir. In the yielding light, a pale sky warms. There. The grassy rise is splashed with rain.

The Highest Octaves of Light Sands, in wild winds of surging waves Over the desert dunes, sing with the tones Of tiny pebbles moving all together, a shifting Of dust grains humming and moaning Over the growing and diminishing dunes. His body in the mirror is the color Of sands. The song he sings in the voice Of light shining like waves of wind Passing over his body inside the glass. The mirror sings with the color of sand In the highest octaves of light. Have you ever listened to sands sing With gold light as they fall in threads Through the needle-eye opening At the center of a hour-glass globe? Why not arrange such globes in rows Before a window of sun, each globe A different width, a different height Of refined or rudimentary glass, clear Amber rose, a tinted blue of noon sky, And listen to the chorus? And then why not turn the globes Upside down and over again to hear Sands sing one more time? The desert dunes are singing, wind-risen Voices from a primeval earth, haunting, Pacific, pining and irate. we listen For the repeating message we remember. The songs are only tumbling pebble grains; Their words are only notes of swirling dust, Sings the eternal light, Emanuel.

But what he liked above all was to cycle in the dusk along a certain path skirting meadows. There, he would sit on a fence looking at the wispy salmon-pink clouds turning to a dull copper in the pale evening sky and think about things. What things? That cockney girl with her soft hair still in plaits whom he once followed across the common, and accosted and kissed, and never saw again? The form of a particular cloud? Some misty sunset beyond a Black Russian fir-wood (o, how much I would give for such a memory coming to him!)? The inner meaning of grass-blade and star? The unknown language of silence? The terrific weight of a dew-drop? The heartbreaking beauty of a pebble among millions and millions of pebbles, all making sense, but what sense? The old, old question of Who are you? To one’s own self grown strangely evasive in the gloaming, and to God’s world around to which one has never been really introduced. Or perhaps, we shall be nearer the truth in supposing that while Sebastian sat on that fence, his mind was a turmoil of words and fancies, incomplete fancies and insufficient words, but already he knew that this and only this was the reality of his life, and that his destiny lay beyond that ghostly battlefield which he would cross in due time.

And I thought, I am riding through the Valley of the Shadow of Death, as it says in the Psalm; and I attempted to fear no evil, but it was very hard, for there was evil in the wagon with me, like a sort of mist. So I tried to think about something else. And I looked up at the sky, which did not have a cloud in it, and was filled with stars; and it seemed so close I could touch it, and so delicate I could put my hand right through it, like a spiderweb spangled with dewdrops. But then as I looked, a part of it began to wrinkle up, like the skin on scalding milk; but harder and more brittle, and pebbled, like a dark beach, or like black silk crêpe; and then the sky was only a thin surface, like paper, and it was being singed away. And behind it was a cold blackness; and it was not Heaven or even Hell that I was looking at, but only emptiness. This was more frightening than anything I could think of, and I prayed silently to God to forgive my sins; but what if there was no God to forgive me? And then I reflected that perhaps it was the outer darkness, with the wailing and the gnashing of teeth, where God was not. And as soon as I had this thought, the sky closed over again, like water after you have thrown a stone; and was again smooth and unbroken, and filled with stars.

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

When we got to Mom’s casket in that small, wood-paneled room filled with caskets at 10,000 feet in elevation, I saw her surrounded by pioneer ghosts sitting on their haunches, too exhausted to look up from under their bonnets, dead babies in their arms. I heard the swishing of pebbles in hopeful mining pans –Leadville, the home of gold hunters. The mountains made of stone and money.

The two weary but still talkative wizards sat in a pair of fan-backed chairs and pitched pebbles at the drunken satyr in the fountain. They talked about wars, enchantments, and obscure facts until the sky above the forest began to be fringed with pale blue.

In his dreams now, the sky is deep blue with just a twinge of light. He stares from the water up at the cliff far above him. He can see the silhouette of someone peering down at him from the top … can see the way the person leans far over the edge to stare—farther than any human could, yet keeps leaning at a more severe angle, pebbles dislodged and peppering the water around him. While he lies in wait, there, at the bottom of the cliff, swimming vast and unknowable among the other monsters. Waiting in the darkness for the soundless fall, without splash or ripple.

Here was light, and flowers, and colours in profusion. There was a loom in the corner, and baskets of fine, thin thread in bright, bright hues. The woven coverlet on the bed, and the drapings on the open windows were unlike anything I had ever seen, woven in geometric patterns that somehow suggested fields of flowers beneath a blue sky. A wide pottery bowl held floating flowers and a slim silver fingerling swam about the stems and above the bright pebbles that floored it. I tried to imagine the pale cynical Fool in the midst of all this colour and art. I took a step further into the room, and saw something that moved my heart aside in my chest. A baby. That was what I took it for at first, and without thinking, I took the next two steps and knelt beside the basket that cradled it. But it was not a living child, but a doll, crafted with such incredible art that almost I expected to see the small chest move with breath. I reached a hand to the pale, delicate face, but dared not touch it. The curve of the brow, the closed eyelids, the faint rose that suffused the tiny cheeks, even the small hand that rested on top of the coverlets were more perfect that I supposed a made thing could be. Of what delicate clay it had been crafted, I could not guess, nor what hand had inked the tiny eyelashes that curled on the infant’s cheek. The tiny coverlet was embroidered all over with pansies, and the pillow was of satin. I don’t know how long I knelt there, as silent as if it were truly a sleeping babe. But eventually I rose, and backed out of the Fool’s room, and then drew the door silently closed behind me.” - Robin Hobb | Farseer Trilogy Book 1 | Assassin’s Apprentice Chapter Nineteen | Journey

Here was light, and flowers, and colours in profusion. There was a loom in the corner, and baskets of fine, thin thread in bright, bright hues. The woven coverlet on the bed, and the drapings on the open windows were unlike anything I had ever seen, woven in geometric patterns that somehow suggested fields of flowers beneath a blue sky. A wide pottery bowl held floating flowers and a slim silver fingerling swam about the stems and above the bright pebbles that floored it. I tried to imagine the pale cynical Fool in the midst of all this colour and art. I took a step further into the room, and saw something that moved my heart aside in my chest. A baby. That was what I took it for at first, and without thinking, I took the next two steps and knelt beside the basket that cradled it. But it was not a living child, but a doll, crafted with such incredible art that almost I expected to see the small chest move with breath. I reached a hand to the pale, delicate face, but dared not touch it. The curve of the brow, the closed eyelids, the faint rose that suffused the tiny cheeks, even the small hand that rested on top of the coverlets were more perfect that I supposed a made thing could be. Of what delicate clay it had been crafted, I could not guess, nor what hand had inked the tiny eyelashes that curled on the infant’s cheek. The tiny coverlet was embroidered all over with pansies, and the pillow was of satin. I don’t know how long I knelt there, as silent as if it were truly a sleeping babe. But eventually I rose, and backed out of the Fool’s room, and then drew the door silently closed behind me.” - Robin Hobb | Farseer Trilogy Book 1 | Assassin’s Apprentice Chapter Nineteen | Journey

Maybe nothing ever happens once and is finished. Maybe happen is never once but like ripples maybe on water after the pebble sinks, the ripples moving on, spreading, the pool attached by a narrow umbilical water-cord to the next pool which the first feeds, has fed, did feed, let this second pool contain a different temperature of water, a different molecularity of having seen, felt, remembered, reflect in a different tone the infinite unchanging sky, it doesn't matter: that pebble's watery echo whose fall it did not even see moves across its surface too at the original ripple-space, to the old ineradicable rhythm

Beyond these, illuminated by past summers, one summer remained that stayed the sun long into the night after you had watched the others; others with their fathers knee-deep, belly-button unconcerned, roly-poly mothers stretching out of the sea. Whiter than starch hands on bat and ball, you failed to catch. Tents, buckets, spades; others that went on digging barricades. You castle-bound, spying on princesses, honey-gold, singing against the blue, if touched surely their skin would ooze? Aware of own smell, skin-texture, sun in eyes, lips, toes, the softness underneath, in between, wondering what miracle made you, the sky, the sea. Conscious of sound, gulls hovering, crying, or silent at rarer intervals, their swift turns before being swallowed by the waves. Then no sound, all suddenly would be soundless, treading softly, dividing rocks with fins, and sword-fish fingers plucking away clothes, that were left with your anatomy, huddled like ruffled birds waiting. A chrysalis heart formed on the water’s surface, away from the hard-polished pebbles, sand-blowing and elongated shadows. Away, faster than air itself, dragon-whirled. Be given to, the sliding of water, to forget, be forgotten; premature thoughts—predetermined action. In a moment fixed between one wave and the next, the outline of what might be ahead. On your back, staring into space, becoming part of the sky, a speckled bird’s breast that opened up at the slightest notion on your part. But the hands, remember the hands that pulled your legs, that doubled you up, and dragged you down? Surprised at non-resistance. Voices that called, creating confusion. Cells tighter than shells, you spinning into spirals, quick-silver, thrashing the water, making stars scatter. Narcissus above, staring at a shadow-bat spreading out, finally disappearing into the very centre of the ocean. They were always there waiting by the edge, behind them the cliffs extended. Your head disembodied, bouncing above the separate force of arms and legs, rhythmical, the glorious sensation of weightlessness, moon-controlled, and far below your heart went on exploring, no matter how many years came between, nor how many people were thrust into focus. That had surely been the beginning, the separating of yourself from the world that no longer revolved round you, the awareness of becoming part of, merging into something else, no longer dependent upon anyone, a freedom that found its own reality, half of you the constant guardian, watching your actions, your responses, what you accepted, what you might reject.

Time is but the stream I go a-fishing in. I drink at it; but while I drink, I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. THOREAU, Walden

One particular member of the group stood out to me, and I stiffened as I recognised Vard. The oily Cyclops hadn’t had the mop of long hair back then or even the scar on his face, but my heart thrashed harder as I took in the sight of him so close to my family. “Rain!” one of the cloaked women in his group suddenly cried and a few moments later rain began to pebble the windows. “I could have told you that a week ago,” my mother laughed, glancing up at her new husband with love in her eyes as his attention was drawn to the robed people. “We haven’t had any great Seers emerge in our kingdom since my father’s man Narbord died eight years ago,” Hail said, his eyes sweeping over the group with slight distaste. “So I was forced to create a group of individuals who had enough of The Sight to be relevant, hoping that the minds of the many would amount to the mind of one.” “And do they?” Merissa teased, a knowing glint in her eyes. “There isn’t one among them who can even sit in the Royal Seer’s chair,” he muttered irritably. “Though perhaps that was because it had been waiting for you, just as I was.

There’s a passage in Thoreau: “Time is but the stream I go a-fishing in. I drink at it, but while I drink, I see the sandy bottom and detect how shallow it is. Its current slides away, but eternity remains. I would drink deeper, fish in the sky, whose bottom is pebbly with stars.

Beside them the river flows, fast and furious, rolling its pebbles like dice.

The chronological order of the books, in terms of future history (and not of publication date), is as follows: The Complete Robot (1982). This is a collection of thirty-one robot short stories published between 1940 and 1976 and includes every story in my earlier collection I, Robot (1950). Only one robot short story has been written since this collection appeared. That is “Robot Dreams,” which has not yet appeared in any Doubleday collection. The Caves of Steel (1954). This is the first of my robot novels. The Naked Sun (1957). The second robot novel. The Robots of Dawn (1983). The third robot novel. Robots and Empire (1985). The fourth robot novel. The Currents of Space (1952). This is the first of my Empire novels. The Stars, Like Dust—(1951). The second Empire novel. Pebble in the Sky (1950). The third Empire novel. Prelude to Foundation (1988). This is the first Foundation novel (although it is the latest written, so far). Foundation (1951). The second Foundation novel. Actually, it is a collection of four stories, originally published between 1942 and 1944, plus an introductory section written for the book in 1949. Foundation and Empire (1952). The third Foundation novel, made up of two stories, originally published in 1945. Second Foundation (1953). The fourth Foundation novel, made up of two stories, originally published in 1948 and 1949. Foundation’s Edge (1982). The fifth Foundation novel. Foundation and Earth (1983). The sixth Foundation novel.

I was on a beach before our greed-colored failures Were all washed away by the ocean of time. I just want to sleep a bit longer. You were there, too, in the arms of the sun, Stripped bare of green paper and metallic tongues. No one could remember the anxiety of clinking coins. Imagine the world afloat on an unbottled sea, Where rat races do not wear us threadbare, Uncarved by need and the cost of being born. The earth beneath our feet, not a prize to be seized, But a friend to know. Unfettered, unburdened, We were young again. The lemons of capitalism lost their rinds, Peeled away into nothingness. A world free. In the absence of profit, houses stood As homes, not investments. We looked up As the sky stopped billing us for its blue, And the stars for guiding us home. Do you remember? We were children once, Tossing pebbles in streams, bartering them For amusement instead of survival.

As we continued walking, the pebbles by the bank made a pleasant crunching sound under our feet. Their edges were polished to perfection by the continual friction of the water – revealing their innermost colours like polished diamonds. A particular stone caught my attention. It was shining among a sea of smooth grey ones. Picking it up, I gaped at it. This one was grey in colour like all the others except it had bands of iridescent blue running across its width. The bands were the same magnifi cent hue of blue as the skies above. Did it break and fall from the skies and soak up the grey from its common companions? Was this some kind of fall from grace, because it really didn’t seem to belong where I found it. I smiled at the treasure I had chanced upon and popped it in the bag on my shoulder. This was going back with me. A forever memory of this day.

Hollypaw scanned the heather-swathed slope that rose up to the high moorland. No sign of any patrols. Tail trembling, she padded across the scent line. Rain was beginning to fall from the dove-gray sky. It’ll help cover my scent, she thought, relieved as the drops began to soak her fur. She padded through the heather, heading downhill toward the lake, and scrambled down from the peaty earth onto the pebbly shore. Keeping low, she scooted to the water’s edge. Just to be on the safe side, she waded through the shallows. The

Ive had become interested in the rise of credit cards and meditated on the disconnect between the cheap plastic material and the amount of money people spent with a swipe. He also puzzled over how a merchant could track a purchase instantly, even though a card user had to wait for a mailed paper statement. He imagined a world in which people carried circular medallions the size of a pebble that they would place on a minicomputer at checkout. The glossy black medallion would charge on a device the size of a pocket calculator that displayed transaction information. “He brought a preciousness and a watchmaker’s delicacy to it,” said John Elliott, a Newcastle professor. When Apple released a contactless payment system called Apple Pay decades later, Elliott remembered Ive’s “blue sky” project. “He was twenty years ahead of the game,” he said.

I have spied that secret place from time to time, usually as through a glass darkly, but now and again with blazing clarity. One time it glowed from a red carnation, incandescent in a florist's window. One it shimmered in drifting pollen , once in a sky needled with ice. I have seen it wound in a scarf of dust around a whirling pony. I have seen it glinting from a pebble on the slate bed of a creek. I have slipped into that secret place while watching hawks, while staring down the throat of a lily, while brushing my wife;s hair. Metaphors are inexact. The experience is not a glimpsing of realm's beyond nor of becoming someone new, but of acknowledging briefly and utterly, who I am

Clouds had moved over the moon. Not even the bright sword in his hand could be seen as he moved it out into what had been moonlight. And then it came. A light more brilliant than the sun’s – a light like razors. It not only showed to the least minutiae the anatomy of masonry, pillars and towers, trees, grass-blades and pebbles, it conjured these things, it constructed them from nothing. They were not there before – only the void, the abactinal absences of all things – and then a creation reigned in a blinding and ghastly glory as a torrent of electric fire coursed across heaven. To Flay it seemed an eternity of nakedness; but the hot black eyelid of the entire sky closed down again and the stifling atmosphere rocked uncontrollably to such a yell of thunder as lifted the hairs on his neck. From the belly of a mammoth it broke and regurgitated, dying finally with a long-drawn growl of spleen. And then the enormous midnight gave up all control, opening out her cumulous body from horizon to horizon, so that the air became solid with so great a weight of falling water that Flay could hear the limbs of trees breaking through a roar of foam.

On the shores of the Mediterranean, I saw humanity drenched in salt, Face down, Dead, Eyes gouged, Hands up to the sky, praying, Or trembling in fear. I could not tell. The sea, harsher than the heart of an Arab, Dances, Soaked with blood. Only the pebbles wept. Only the pebbles. “All the perfumes of Arabia will not” grace the rot Israel breeds.

fresh ointment on it tomorrow,” he mewed. “Thanks.” Tall Shadow stopped beside Clear Sky. “What do you want?” Clear Sky hardly heard her. He was gazing across the snowy clearing. Jagged Peak nuzzled Eagle Feather near the edge. Pebble Heart followed Owl Eyes across the grass. Sparrow Fur called to them from the broom. “Shelter

Grew told him of variations of chess. There was four-handed chess, in which each player had a board, touching each other at the corners, with a fifth board filling the hollow in the center as a common No Man’s Land. There were three-dimensional chess games in which eight transparent boards were placed one over the other and in which each piece moved in three dimensions as they formerly moved in two, and in which the number of pieces and pawns were doubled, the win coming only when a simultaneous check of both enemy kings occurred. There were even the popular varieties, in which the original position of the chessmen were decided by throws of the dice, or where certain squares conferred advantages or disadvantages to the pieces upon them, or where new pieces with strange properties were introduced.

The slime was warm and sticky. At first they walked erect, waist-deep in the slime. Luckily the bottom was rocky and rather even. But soon Redrick heard the familiar rumble from both sides. There was nothing on the left hill except the intense sunlight, but on the right slope, in the shade, pale purple lights were fluttering. "Bend low!" he whispered and bent over himself. "Lower, stupid!" Arthur bent over in fright, and a clap of thunder shattered the air. Right over their heads an intricate lightning bolt danced furiously, barely visible against the bright sky. Arthur sat down, shoulder deep in the slime. Redrick, ears clogged by the noise, turned and saw a bright red spot quickly melting in the shade among the pebbles and rocks, and there was another thunderclap.

I went to the middle of the lot and looked up at the sky, feeling like a pebble rolling around a vast, open plain. But that was only a metaphor. Even I can’t imagine a pebble’s emotional state.

Silent morning Quiet nature in dim light It is almost peaceless of the chirping of birds Waiting for the sunrise Feeling satisfied with pure breath Busy life- in pursuit of livelihood, running people In the intensity of the wood-burning sun, astray finch Sometimes the advent of north-wester I’m scared The calamitous heartache of the falling Caesalpinia pulcherrima! Listen to get ears Surprisingly I saw the unadulterated green weald Vernal, yellow and crimson colors are the glorious beauty of the unique nature An amazing reflection of Bengal The housewife’s fringe of azure color sari fly in the gentle breeze The cashew forest on the bank of flowing rivers white egret couple peep-bo The kite crookedly flies get lost in the far unknown The footstep of blustery childhood on the zigzag path Standing on a head-high hill touches the fog Beckoning with the hand of the magical horizon The liveliness of a rainy-soaked juvenile Momentary fascinated visibility of Ethnic group’s pineapple, tea, banana and jhum cultivation at the foot of the hill Trailer- shrub, algae and pebble-stone come back to life in the cleanly stream of the fountain Bumble bee is rudderless in the drunken smell of mountain wild flower The heart of the most beloved is touched by pure love In the distant sea water, pearl glow in the sunlight Rarely, the howl of a hungry tiger float in the air from a deep forest The needy fisherman’s ​​hope and aspiration are mortgaged to the infinite sea The waves come rushing on the beach delete the footprint to the beat of the dancing The white cotton cloud is invisible in the bluey The mew flies at impetuous speed to an unknown destination A slice of happy smile at the bend of the wave The western sky covered with the crimson glow of twilight Irritated by the cricket’s endless acrid sound The evening lamp is lit to flickering light of the firefly The red crabs tittup wildly on the beach Steadfast seeing Sunset A beautiful dream Next sunrise.

brightly in a cloudless sky with a whispering wind. The sea itself was a calm mirror, the waves gently lapping upon the pebbles and ruins.

Politeness on Earth is like dryness in the ocean

An Earthman will give you anything as long as it costs nothing and is worth less

When he had eaten he went into the cave, where a great flat block of stone, lying on some large pebbles, had served from time immemorial as a resting-place for travellers. On this Bjartur lay down to sleep, using his bundle as a pillow. He was practically the only traveller who paid a regular yearly visit to the cave at this season, and as he had acquired the art of sleeping on the block without ill effect in any weather, he was very fond of the place. When he had slept for a good while, he woke up shivering. This shiver was a characteristic of the lodging, but it was unnecessary to lose one’s temper over it if one only knew the trick of getting rid of it. This trick consisted in getting up, gripping the block with both arms, and turning it round till one was warm again. According to ancient custom it had to be turned around eighteen times, thrice a night. It would have been considered a most formidable task in any other lodging, for the block weighed not less than a quarter of a ton, but Bjartur thought nothing more natural than to revolve it fifty-four times a night, for he enjoyed trying his strength on large stones. Each time that he had given the block eighteen turns, he felt warm enough to lie down again and go to sleep with his bundle under his head. But when he woke up the fourth time, he was well rested, and, indeed, dawn was in the sky. He set out at once up the mountain slopes and looked in several gullies. When he had warmed himself with walking, he sat down on a stone and ate some black pudding. After threading a pass in the mountains, he came about midday into the district of Reykjadalir.

Grow old along with me! The best is yet to be, The last of life, for which the first was made…