Pebble Beach Quotes

Here’s a memory, which like most memories is imperfect and subjective—collected long ago like a beach pebble and slipped into the pocket of my mind.

So many pebbles on that beach—millions—all of them worn smooth by the sea’s relentless grinding, but not this one. This one had stayed sharp.

On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances. They build their houses with sand, and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds. They know not how to swim, they know not how to cast nets. Pearl-fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. They seek not for hidden treasures, they know not how to cast nets. The sea surges up with laughter, and pale gleams the smile of the sea-beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby’s cradle. The sea plays with children, and pale gleams the smile of the sea-beach. On the seashore of endless worlds children meet. Tempest roams in the pathless sky, ships are wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.

There isn't a pebble on the beach of my inner history that she has left unturned. She knows where to find everything in me and I know where all her stuff is too. She is, in short, my best friend.

No matter what anyone says, suicide takes guts. It's for heroes and martyrs, truly vainglorious men. Archie was none of these. He was a man whose significance in the Greater Scheme of Things could be figured along familiar ratios: Pebble : Beach Raindrop : Ocean Needle : Haystack

Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.

When he did appear his eyes were as brown as I remembered, pupils flecked with gold like beach pebbles.

I am convinced that the greatest legacy we can leave our children are happy memories: those precious moments so much like pebbles on the beach that are plucked from the white sand and placed in tiny boxes that lay undisturbed on tall shelves until one day they spill out and time repeats itself, with joy and sweet sadness, in the child now an adult.

To a person who expects every desert to be barren sand dunes, the Sonoran must come as a surprise. Not only are there no dunes, there's no sand. At least not the sort of sand you find at the beach. The ground does have a sandy color to it, or gray, but your feet won't sink in. It's hard, as if it's been tamped. And pebbly. And glinting with -- what else -- mica.

I used to imagine that if I got up early enough in the morning and went to Pebbly Beach, I'd find my special someone walking along the shore front, waiting. But she was never there.

Nothing like love to put blood back in the language, the difference between the beach and its discrete rocks and shards, a hard cuneiform, and the tender cursive of waves; bone and liquid fishegg, desert and saltmarsh, a green push out of death. The vowels plump again like lips or soaked fingers, and the fingers themselves move around these softening pebbles as around skin. The sky's not vacant and over there but close against your eyes, molten, so near you can taste it. It tastes of salt. What touches you is what you touch.

Survival was its own quest: we needed to choose to survive over and over again. We had to wash up on shore, and we had to choose to keep washing up every single day. We had to let the survival accrue, pebble after pebble, building a beach from a million tiny moments until suddenly we stopped, looked around, and thought, on a Saturday in Maine, I'm glad we're here.

A pebble tossed from a beach can become a tsunami on the other side of the world. You are that pebble and I’m standing on a beach on the other side of time, waiting for the tidal wave to crash.

She used to sit long hours upon the beach, gazing intently on the waves as they chafed with perpetual motion against the pebbly shore,—or she looked out upon the more distant heave, and sparkle against the sky, and heard, without being conscious of hearing, the eternal psalm, which went up continually.

A little way away, where the riverbank became a sort of pebble beach, her brother, Wentworth, was messing around with a stick, and almost certainly making himself sticky. Anything could make Wentworth sticky. Washed and dried and left in the middle of a clean floor for five minutes, Wentworth would be sticky. It didn’t seem to come from anywhere. He just got sticky. But he was an easy child to mind, provided you stopped him from eating frogs.

and when we spoke / we spoke / the sounds of our voices fell / into the air single and / solid and rounded and really / there / and then dulled, and then like sounds / gone, a fistful of gathered / pebbles there was no point / in taking home, dropped on a beachful / of other coloured pebbles

I imagined him rising from the sea like Neptune, half draped in bladderwrack, his neck studded with barnacles, a crab hanging from his hair; he'd remove the creature and fling it aside as he shrugged off the waves. He'd make his way noiselessly up the beach towards me, despite the pebbles, and would take me in his arms and carry me back to wherever it was he'd come from.

Translate into words for me the sighings of the wind through the forest and the withdrawal of the sea down the pebbly beach and the string of sunlight playing on the hyacinth-strewn grass. You cannot! Then you know why the apostle described his experiences in Paradise as unspeakable.

Where does a wise man hide a pebble?" And the tall man answered in a low voice: "On the beach." The small man nodded, and after a short silence said: "Where does a wise man hide a leaf?" And the other answered: "In the forest.

The Prophets, too, among us come to teach, Are one with those who from the pulpit preach; They pray, and slay, and pass away, and yet Our ills are as the pebbles on the beach. Mohammed or Messiah! Hear thou me, The truth entire nor here nor there can be; How should our God who made the sun and the moon Give all his light to One, I cannot see.

There is no such thing as a perfect match. There are only somewhat good and somewhat bad matches. A couple are like two pebbles that are next to each other on a beach. They will have rough edges and rub each other the wrong way initially. But as they spend time together and the waves pound them, the edges rub off and they will seem made for each other.

I thought I could avoid continually crashing, but as it turns out, it's unavoidable. Even on the calmest day, the ocean still rolls into the beach and pulls pebbles out to sea.

At the Concours d’Elegance, the annual auto show and zillionaire fest at Pebble Beach, I introduce myself to a woman in her early fifties whom I’ll call Sally.

Among rocks, I am the loose one, among arrows, I am the heart, among daughters, I am the recluse, among sons, the one who dies young. Among answers, I am the question, between lovers, I am the sword, among scars, I am the fresh wound, among confetti, the black flag. Among shoes, I am the one with the pebble, among days, the one that never comes, among the bones you find on the beach the one that sings was mine

Notwithstanding all that has been discovered since Newton’s time, his saying that we are little children picking up pretty pebbles on the beach while the whole ocean lies before us unexplored remains substantially as true as ever, and will do so though we shovel up the pebbles by steam shovels and carry them off in carloads.

When I was a boy, playing at the beach, I remember a game I loved, which was an omen of my future life. I would dig a channel with high sides in the sand for the sea to fill. But when the water flooded the path I created for it with such violence that it destroyed everything in its way: my castles made of pebbles, my dikes of sand. It swept away everything, destroying it all, then disappeared, leaving me with a heavy heart, yet not daring to ask for pity, since the sea had only responded to my call. It's the same with love. You call out for it, you plan its course. The wave crashes into your heart, but it's so different from how you imagined it, so bitter and icy.

Beautiful girls in fairy stories are as common as pebbles on the beach. Magnolia-skinned milkmaids rub shoulders with starry-eyed princesses and, in fact, counting two eyes in each bright-eyed damsel would result in a whole galaxy of twinkling stars.

On one side, across the channel, stretched the silvery sand shore of the bar; on the other extended a long, curving beach of red cliffs, rising steeply from the pebbled coves. It was a shore that knew the magic and mystery of storm and star. There is a great solitude about such a shore. The woods are never solitary-they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery-We may only wander, awed and spell-bound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only-a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is in the company of the archangels.

For a second, I thought about the lifetime of that sand. I envisioned it from its rocky beginnings as a boulder somewhere far away and long ago, to its breakdown in cobbles, to its further breakdown into pebbles, then to its further breakdown into coarse sand, then to its further break

I walked along the pebbly beach. Plastic buoys. A sea coconut, shaped like a woman’s loins. Junk, washed up with the driftwood. Cans, bottles, rubber gloves, detergent containers. I heard grunts and squeals from under a peeling boat, never to float again. In the distance a shadow lit a fire.

Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ... The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human shells. He halted. I have passed the way to aunt Sara's. Am I not going there? Seems not.

The sand squeaked underfoot as she toed it. She looked more closely: dark grains of basalt, mixed with minute seashell fragments, and a variety of colorful pebbles, some of them no doubt brecciated fragments of the Hellas impact itself. She lifted her eyes to the hills west of the sea, black under the sun. The bones of things stuck out everywhere. Waves broke in swift lines on the beach, and she walked over the sand toward her friends, in the wind, on Mars, on Mars, on Mars, on Mars, on Mars.

The islands looked all the same to me--high cliffs bleached white, pebbled beaches that scratched the underside of our ships with their chalky fingernails.

a memory, which like most memories is imperfect and subjective—collected long ago like a beach pebble and slipped into the pocket of my mind.

Maybe I could have done fifty things to avoid the accident. Left the car in the garage that day. Hurried through a yellow light that I'd stopped at. Gone to the beach instead of mini-golf. Been alone, not talking to friends. But I did all those things, and Celine hadn't done the many things she could have to avoid the accident, either. All the things get done and you regret them and then you accept them because there's nothing else to do. Regret doesn't budge things; it seems crazy that the force of all that human want can't amend a moment, can't even stir a pebble.

And even as this old guide-book boasts of the, to us, insignificant Liverpool of fifty years ago, the New York guidebooks are now vaunting of the magnitude of a town, whose future inhabitants, multitudinous as the pebbles on the beach, and girdled in with high walls and towers, flanking endless avenues of opulence and taste, will regard all our Broadways and Bowerys as but the paltry nucleus to their Nineveh. From far up the Hudson, beyond Harlem River where the young saplings are now growing, that will overarch their lordly mansions with broad boughs, centuries old; they may send forth explorers to penetrate into the then obscure and smoky alleys of the Fifth Avenue and Fourteenth Street; and going still farther south, may exhume the present Doric Custom-house, and quote it as a proof that their high and mighty metropolis enjoyed a Hellenic antiquity.

But that evening, I didn’t hear anything, just the lady typing, which sounded like raindrops or starlings or pebbles being washed up on the beach by the waves. It was a nice sound, soothing, and pretty soon I just dozed off.

Talking was difficult. Instead we gathered coloured pebbles from the places on the beach where they occurred. They were sea-smoothed, sea-completed. They enclosed what they intended to mean in shapes as random and necessary as the shapes of words

Let’s walk to the beach Let’s cast the net in the water And catch freshness from water Let’s pick up a pebble from the ground Feel the weight of existence Let’s not abuse moonshine if we suffer from fever (Occasionally I have observed the moon descending during fever And reaching the hand of the roof of heaven I have noticed the goldfinch singing better Sometimes the wound beneath my foot Has taught the ups and downs of earth Sometimes in my sickbed the dimension of the rose has multiplied And the diameter of orange has increased, the radius of lantern too)

It’s not about over-the-top gestures to me,” he finally says almost shyly. “It’s all the tiny moments that go to make a real love story. The funny things that go wrong like when one of you forgets your anniversary or does something silly. They all become part of your story. And you add to it with every argument or slammed door that you have. Every birthday or Christmas that you mould into a thing that only the two of you recognise. It’s taking care of each other when you’re throwing up or have a cold, it’s huddling under the duvet together laughing so hard your ribs hurt. It’s holding the other one when they’re frightened, knowing you will do anything to make them feel better again. It’s like being two pebbles on a beach. You start off individual shapes and then the weather and proximity means you rub the rough spots off so in the end you’re smooth with a patina that only echoes one other person.

...our individual freedoms, our rights to the very thoughts in our own heads, for pity's sake, they are being taken from us one by one, as the pebbles can be taken from a beach. In this way the loss at first goes unnoticed, until it is too late, and all that remains is the shifting sand beneath what once was.

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

I walked home with a lighter step, for that night had knocked something loose in me, something long overdue to be knocked. At long last, I saw that group for what they were, with a few exceptions - a queer assortment of layabouts and late risers, most overdrawn at the bank or at least cutting into principal, only interested in who's going in the drawer at the Maidstone Club or their wedge on the fifteenth hole at Pebble Beach or dressing down the staff about a bit of shell in the lobster while shoveling canapés in. Jinx had done me a favor, freed me of any lingering allegiances to New York Society, snipped my fear of being on their bad side.

For a moment I felt a vicious hatred for him and his quiet ways, his mundane stroll through the summer, his ordinariness, the banality of everything he had become. He should have been a hero or a seer. He should have told me some incredible story that I could carry with me forever. After all, he had been the one who had run along the beach parallel to a porpoise, who filled his pockets full of pebbles, who could lift the stray orange cat in his fingers.

PRAXIS DUVEEN, AT THE age of five, sitting on the beach at Brighton, made a pretty picture for the photographer. Round angel face, yellow curls, puffed sleeves, white socks and little white shoes—one on, one off, while she tried to take a pebble from between her tiny pink toes—delightful! The photographer had hoped to include her elder sister Hypatia in the picture, but that sullen, sallow little girl had refused to appear on the same piece of card as her ill-shod sister.

And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of fatidic prefiguration: the radial span of a spider’s web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving—to pluck a leaf from a bush or stroke a rock wall in passing—light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves.

Hanging from every corner, above every window, standing on every shelf and tabletop, were dozens of handmade birdcages. Nomi had crafted them all, mostly out of old fishing twine, scraps of nets, and chicken wire. Woven in between the bars of the cages were bits of seashells, crab shells, pebbles, and driftwood she had scavenged along the beach. In a pinch she had made a few out of old clothes hangers she had scissored apart and woven together with strips of a negligee or shirt. Each one was personal, each one was unique, each one was a story

I stared at the little white agates in my hand, delicate as moon drops. The mystery of God's love as I understand it is that God loves the man who was being mean to his dog just as much as he loves babies; God loves Susan Smith, who drowned her two sons, as much as he loves Desmond Tutu. And he loved her just as much when she was releasing the handbrake of her car that sent her boys into the river as he did when she first nursed them. So of course, he loves old ordinary me, even or especially at my most scared and petty and mean and obsessive. Loves me; chooses me. Remembering this helped, but here is what in fact saved me: Sam came over to see what I held in my palm, glared contemptuously at my small white pebbles, and then without missing a beat slapped the bottom of my hand so that the agates scattered. He ran off down the beach, laughing with glee. It surprised me so, this small meanness, that it made me catch my breath. Boy, I thought, is he going to be hard to place. When I was young I would have felt, What’s the point of trying to be good if the people who aren’t even trying get to be equally loved? Now I just picked up my pace and tried to catch up with that rotten Sam, because I don’t know much of anything for sure. Only that I am loved – as is

I shall continue to reshuffle, as well as reject and replace tomes from my own library as my memories of reading reconstitute themselves and settle down into the rhythms of constant re-classification which my life prescribes – like pebbles on a beach being shaped by the surge and pull of the tide. As time permeates and accrues through all the thoughts and feelings which I’ve derived from (or invested in) all those many pages which have so quietly accumulated in my left hand, so too my library is both the mirror of me and the world I have travelled. Indeed, this is why – for me at least – a life without books would be no life at all.

The Four Winds light was built on a spur of red sand-stone cliff jutting out into the gulf. On one side, across the channel, stretched the silvery sand shore of the bar; on the other, extended a long, curving beach of red cliffs, rising steeply from the pebbled coves. It was a shore that knew the magic and mystery of storm and star. There is a great solitude about such a shore. The woods are never solitary—they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery—we may only wander, awed and spellbound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only—a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels.

(Romance is) not about over-the-top gestures to me,” he finally says almost shyly. “It’s all the tiny moments that go to make a real love story. The funny things that go wrong like when one of you forgets your anniversary or does something silly. They all become part of your story. And you add to it with every argument or slammed door that you have. Every birthday or Christmas that you mould into a thing that only the two of you recognise. It’s taking care of each other when you’re throwing up or have a cold, it’s huddling under the duvet together laughing so hard your ribs hurt. It’s holding the other one when they’re frightened, knowing you will do anything to make them feel better again. It’s like being two pebbles on a beach. You start off individual shapes and then the weather and proximity means you rub the rough spots off so in the end you’re smooth with a patina that only echoes one other person.

Though I could guess which doorknob was for Wendell's kingdom, I could not resist trying the loveliest first: the tiny turquoise sea. Hardly daring to breathe, I turned the doorknob, and the door swung open with a gentle sigh. Salt wind spilled into the faerie's house. Before me stretched a dry, rocky coastline punctuated by groves of yellowish trees. The turquoise sea was endless and far too bright, broken only by an ellipsis of rugged islands. Just beyond the door was a spindly olive tree and a cairn of white pebbles. Largely to see if I could, I reached through and took one--- the sun beat down upon my arm, a most curious sensation, while the rest of me felt only the cozier warmth of the faerie's alpine home. I closed the door. "Greece," I murmured. "I think. It looks to be situated either in the mortal world or a place of overlap, like Poe's door. I had no idea the nexus led there--- they have no stories of tree fauns in Greece. Perhaps they do not use it much?

He opened her door, grabbed a quilt from the back of the truck, and pulled her toward the beach. When he found a spot covered with thick sand, he stopped and spread out the blanket. “It’s a little early for sunbathing,” she said. “I don’t remember you being so grumpy in the morning,” he teased. “I didn’t have time for coffee.” He lowered himself to the blanket and pulled her down in front of him. She settled against his chest, his warmth driving away the chill in the air. “Madam . . .” He handed her a thermos she hadn’t noticed before. “Oh, bless you.” She poured the hot brew into the lid, took a sip, and shared with him. Much better. The smell of the brew mingled with the tangy scent of sea air. The cool breeze fanned her skin, pushing her hair from her face, and the water lapped the pebbled shore. The clouds on the horizon were beginning to brighten, the black fading to dark hues of blue. A couple months ago she’d mentioned that she’d never watched a sunrise. He seemed intent on being there for all her firsts. The first time she rented a house. The first time she opened her own bank account. The first time she swam in the ocean. She embraced her freedom, and Beau was there, supporting her however he could.

And I thought, I am riding through the Valley of the Shadow of Death, as it says in the Psalm; and I attempted to fear no evil, but it was very hard, for there was evil in the wagon with me, like a sort of mist. So I tried to think about something else. And I looked up at the sky, which did not have a cloud in it, and was filled with stars; and it seemed so close I could touch it, and so delicate I could put my hand right through it, like a spiderweb spangled with dewdrops. But then as I looked, a part of it began to wrinkle up, like the skin on scalding milk; but harder and more brittle, and pebbled, like a dark beach, or like black silk crêpe; and then the sky was only a thin surface, like paper, and it was being singed away. And behind it was a cold blackness; and it was not Heaven or even Hell that I was looking at, but only emptiness. This was more frightening than anything I could think of, and I prayed silently to God to forgive my sins; but what if there was no God to forgive me? And then I reflected that perhaps it was the outer darkness, with the wailing and the gnashing of teeth, where God was not. And as soon as I had this thought, the sky closed over again, like water after you have thrown a stone; and was again smooth and unbroken, and filled with stars.

The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)

In the second week, more people appeared. Esme met a missionary couple returning to a place called Wells-next-the-Sea. ‘It’s next to the sea,’ the lady said, and Esme smiled and thought she must remember that, to tell Kitty later. She saw them both glance at the black band round her arm, then look away. They told her about the huge beach that stretched out below the town and how Norfolk was full of houses made of pebbles. They had never been to Scotland, they said, but they had heard it was very beautiful. They bought her some lemonade and sat with her on deck-chairs while she drank it. ‘My baby brother,’ Esme found herself saying, as she swirled the ice in the bottom of the glass, ‘died of typhoid.’ The lady put her hand to her throat, then rested it on Esme’s arm. She said she was very sorry. Esme didn’t mention that her ayah had also died, or that they had buried Hugo in the churchyard in the village and that this bothered her, that he was being left behind in India while they all went to Scotland, or that her mother hadn’t spoken to her or looked at her since. ‘I didn’t die,’ Esme said, because this still puzzled her, still kept her awake in her narrow bunk. ‘Even though I was there.’ The man cleared his throat. He gazed out to the lumped, greenish line of what he’d told Esme was the coast of Africa. ‘You will have been spared,’ he said, ‘for a purpose. A special purpose.’ Esme looked up from her empty glass and studied his face in wonder. A purpose. She had a special purpose ahead of her. His dog-collar was startling white against the brown of his neck, his mouth set in a serious downturn. He said he would pray for her.

I don’t know what it was about menopause, specifically, that caused me all of a sudden to become a gatherer of “found objects.” But now, wherever I went in this bleakly untamed and often inhospitable landscape in the wild western extremes of Ireland, I seemed to hear things calling out to me. I was rooting for something — I didn’t know what. For fragments of myself, perhaps; my life, my loves. For fragments which reflected something of myself back at me — whatever I might be becoming now, at this turbulent, shapeshifting time of my life. And all the fragments I seemed to need came from this new place, from the ancient, uncompromising earth around me: that land which I walked compulsively, day after day after day. I would come home from the woods reverently carrying strangely shaped sticks, from the lough with pebbles and water-bird feathers, from the beach with seashells and mermaid’s purses — as if I were reassembling myself from elements of the land itself. After the deep dissolutions of menopause, I was refashioning myself from those calcinated ashes; I was growing new bones. It’s something we all have to do at this time in our lives; somehow, with whatever tools are available to us, we have to begin to curate the vision of the elder we will become. It’s an act of bricolage. And so now I had become like the bright-eyed, cackling magpies which regularly ransacked our garden: a collector — though not of trinkets, but of clues. I was gathering them together in the safety of my new nest. The clues were there in the pieces; those clues are threaded through this book. Scattered in shadowy corners and brightly lit windows, these objects I’ve selected are so much more than random gatherings of whatever it was that I happened to come across in my wanderings. They’re so much more than mere clutter. They are active choices, carefully selected objects that mirror my sense of myself as a shapeshifting, storied creature. Because the clues to our re-memberings are in the stories, and the stories are always born from the land.

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

The Altamont Correctional Facility had originally been built as a hospital for the criminally insane, a hundred and fifty years ago. The Altamont Lunatic Asylum, as it was then called, was a grand Victorian Gothic complex of spires and crenellated towers. Its forbidding red-brick walls were stained dark with soot from a century of internal-combustion engines. Some forty years ago the mental hospital was shut down and converted into a medium-security prison, but it still looked like the sort of place a homicidal maniac escapes from, then terrorizes the nearby summer camp. It also reminded me a little of the high school I’d gone to in Malden. They’d done some renovation since the days of straitjackets and lobotomies. There was a concrete perimeter wall thirty feet high, topped with coils of razor wire, watchtowers, and banks of high-mast lights. Inside the walls, the old Gothic prison complex was surrounded by a luxuriant green lawn that wouldn’t have been out of place at Pebble Beach.

In a famous passage of his book The Sciences of the Artificial, AI pioneer and Nobel laureate Herbert Simon asked us to consider an ant laboriously making its way home across a beach. The ant’s path is complex, not because the ant itself is complex but because the environment is full of dunelets to climb and pebbles to get around. If we tried to model the ant by programming in every possible path, we’d be doomed. Similarly, in machine learning the complexity is in the data; all the Master Algorithm has to do is assimilate it, so we shouldn’t be surprised if it turns out to be simple. The human hand is simple—four fingers, one opposable thumb—and yet it can make and use an infinite variety of tools. The Master Algorithm is to algorithms what the hand is to pens, swords, screwdrivers, and forks.

When a penguin falls in love with another penguin, he searches the entire beach to find the most perfect pebble. It has to be just right, like the perfect engagement ring.

The handwriting in the letter was as even as waves along the beach, row on row of neat curls and dots, perfect pebbles and shells on an ordered shore.

Shoals of light-tipped rocks are topped with crowding gulls and oystercatchers, watched over by a wary old heron. An island splits the wide river apart, one stream looping towards us and round in a ragged, frothy curve. The other part is hidden by the grassy island, its rocky end stuck with stunted trees. Further downstream, the bank on our side dips down to become a broad beach of pebbles, behind which the river curves back in a powerful sweep, to continue its journey into the sun.

Masa gave him a tour of his mansion, which had a $3 million driving range that could simulate a Pacific Ocean fog rolling over Pebble Beach as a light drizzle fell from the ceiling.

What’s Your Foreign Policy? Investing in foreign stocks may not be mandatory for the intelligent investor, but it is definitely advisable. Why? Let’s try a little thought experiment. It’s the end of 1989, and you’re Japanese. Here are the facts: Over the past 10 years, your stock market has gained an annual average of 21.2%, well ahead of the 17.5% annual gains in the United States. Japanese companies are buying up everything in the United States from the Pebble Beach golf course to Rockefeller Center; meanwhile, American firms like Drexel Burnham Lambert, Financial Corp. of America, and Texaco are going bankrupt. The U.S. high-tech industry is dying. Japan’s is booming. In 1989, in the land of the rising sun, you can only conclude that investing outside of Japan is the dumbest idea since sushi vending machines. Naturally, you put all your money in Japanese stocks. The result? Over the next decade, you lose roughly two-thirds of your money. The lesson? It’s not that you should never invest in foreign markets like Japan; it’s that the Japanese should never have kept all their money at home. And neither should you. If you live in the United States, work in the United States, and get paid in U.S. dollars, you are already making a multilayered bet on the U.S. economy. To be prudent, you should put some of your investment portfolio elsewhere—simply because no one, anywhere, can ever know what the future will bring at home or abroad. Putting up to a third of your stock money in mutual funds that hold foreign stocks (including those in emerging markets) helps insure against the risk that our own backyard may not always be the best place in the world to invest.

The Answer by Maisie Aletha Smikle What's the question They ain’t got none What's the answer There is but one The answer is quick The answer is fast The answer is the remedy The answer is the solution for the unask question What's the answer Tax it What's the answer Tax it There goes a ghost Is it walking? Yes Tax it There is a stone Formed from limestone Cost it and ahh... ahh.. Tax it Cost all rocks, stones and pebbles From North to South From East to West Not a grain of pebble must be left Rain snow or hail Any buyers Yes Tax it We want more We must store We must take Even the dirt Ocean front Ocean back Ocean side All sides Lake front Lake back Lake side Every side Beach side Beach back Beach front Beach rear we don't care Water back Water front Water side River side Gully side Any side Cost it We must tax it Oh look. .the desert The forest What's the cost For us it's nil For them it's a mil Tax on nil is a nil But a mil We shan't be still Ours is nil Theirs' is a mil It's a thrill Tax the ant on the mill So we can get our mil For we shan't get rich taxing nil The cost of land must never fall It must grow tree tall Or else We shan't be able to have a Ball Rocky smooth soggy or muddy If only we could tax the sea and ocean too Ahh...ahh.. .who owns it For us it's nil for them it's a mil We shall tax the animals and fishes too All that are kept in the zoo When the zoo is full Our pockets are full Enact a fee just to look at the zoo The circus cinema or fair To hunt or fish Whether you caught or miss Add a fee for every flush Number one or number two For every act you do We must make a buck or two Anyone who protests And put our pockets to the test We shall arrest For unlawful unrest We go to the moon but . What we really want is heaven To cost it And tax it Then we'd go Sailing on cloud nine Skiing on cloud ten Golfing on cloud eleven Foreclose on cloud twelve For the owner we can't find Aha Parachute off cloud thirteen Practice Yoga and Ballet on cloud fourteen On cloud fifteen we’d parade Impromptu Balls We’ll call a piece of land a Park So we can tax the trees and tax the plants We’ll tax all creation visible and invisible and call it a Tax Revolution

Silent morning Quiet nature in dim light It is almost peaceless of the chirping of birds Waiting for the sunrise Feeling satisfied with pure breath Busy life- in pursuit of livelihood, running people In the intensity of the wood-burning sun, astray finch Sometimes the advent of north-wester I’m scared The calamitous heartache of the falling Caesalpinia pulcherrima! Listen to get ears Surprisingly I saw the unadulterated green weald Vernal, yellow and crimson colors are the glorious beauty of the unique nature An amazing reflection of Bengal The housewife’s fringe of azure color sari fly in the gentle breeze The cashew forest on the bank of flowing rivers white egret couple peep-bo The kite crookedly flies get lost in the far unknown The footstep of blustery childhood on the zigzag path Standing on a head-high hill touches the fog Beckoning with the hand of the magical horizon The liveliness of a rainy-soaked juvenile Momentary fascinated visibility of Ethnic group’s pineapple, tea, banana and jhum cultivation at the foot of the hill Trailer- shrub, algae and pebble-stone come back to life in the cleanly stream of the fountain Bumble bee is rudderless in the drunken smell of mountain wild flower The heart of the most beloved is touched by pure love In the distant sea water, pearl glow in the sunlight Rarely, the howl of a hungry tiger float in the air from a deep forest The needy fisherman’s ​​hope and aspiration are mortgaged to the infinite sea The waves come rushing on the beach delete the footprint to the beat of the dancing The white cotton cloud is invisible in the bluey The mew flies at impetuous speed to an unknown destination A slice of happy smile at the bend of the wave The western sky covered with the crimson glow of twilight Irritated by the cricket’s endless acrid sound The evening lamp is lit to flickering light of the firefly The red crabs tittup wildly on the beach Steadfast seeing Sunset A beautiful dream Next sunrise.

From the Bridge” by Captain Hank Bracker Pebbles, Rocks & Mountains Rocks can be formed in many different ways and are found in just about every corner of our planet, the Moon, up in space and who knows where else. Now pebbles are the mini-me’s of rocks and generally are about one to three inches in size. Geologists will tell you that they are about 5 millimeters in diameter, but who’s counting? In fact there are two beaches that are made up entirely of pebbles such as the Shingle Beach in Somerset, England. Generally pebbles are found along rivers, streams and creeks whereas mountains are usually a part of a chain that was created along geothermal fault lines. The process of Mountain formation is associated with movements of the earth's crust, which is referred to as plate tectonics. See; now that I looked it up, I know these things! What I’m about to say has absolutely nothing to do with geology and everything to do about human nature. In the course of events we never trip over mountains and seldom over rocks, but tripping over pebbles is another thing. Marilyn French, a writer and feminist scholar is credited with saying, “Men (she should have included Women) stumble over pebbles, never over mountains.” She was the lady (I should have said woman) whose provocative 1977 novel, “The Women's Room” captured the frustration and fury of a generation of women fed up with society's traditional conceptions of their roles (and this is true). However, this has nothing to do with the feminist movement and is simply a metaphor. Of course we’re not going to trip over mountains, not unless we are bigger than the “Jolly Green Giant!” and so it’s usually the little things that trip us up and cause us problems. What comes to mind is found on page 466 of The Exciting Story of Cuba. This is a book that won two awards by the “Florida Authors & Publishers Association” and yet there are small mistakes. They weren’t even caused by me or my team and yet there they are, getting bigger and bigger every time I look at them. Now I’m not about to tell you what they are, since that would take the fun out of it, but if you look hard enough in the book, you’ll succeed in discovering them! I will however tell you that one of these mistakes was caused by a computer program called “Word.” It’s wonderful that this program has a spell check and can even correct my grammar, but it can’t read my mind. In its infernal wisdom, the program was so insistent that it was right and that I was wrong that it changed the spelling of, in this case, the name of a person in the middle of the night. It happened while I was sleeping! I would have seen it if it had been as big as a mountain, however being just a little pebble it escaped my review and even escaped the eagle eyes of Lucy who still remains the best proof reader and copy editor that I know. When you discover what I missed please refrain from emailing me, although, normally, I would really enjoy hearing from you! I unfortunately already know most of the errors in the book, for which I take full responsibility. The truth of it is that my mistakes leave me feeling stupid and frustrated. Now, you may disagree with me however I don’t think that I am really all that stupid, but when you write hundreds of thousands of words, a few of them might just slip between the cracks. None of us are infallible and we all make mistakes. I sometimes like to say that “I once thought that I had made a mistake, but then found out that I was mistaken.” And so it is; if you think about it, it’s the pebbles that create most of our problems, not the rocks and certainly not the mountains. I’ll let you know as soon as my other books, Suppressed I Rise – Revised Edition; Seawater One…. And Words of Wisdom, “From the Bridge” are available. It’s Seawater One that has the naughty bits in it… but that just spices it up. Now with that book you can really tell me what you think….

If you knew there was a beach where you could pick up gold nuggets like pebble stones, would you not go there? Go there.

But in a free enterprise economy, increased production increases the number of jobs. It might be said that one job creates another, which is true as far as it goes, but open to misinterpretation; for only productive employment does that. If a man were paid to pick up pebbles on the beach and throw them into the ocean, it would be just the same as if he were in a "government job," or on the dole; the producers have to supply his subsistence with no return, thus preventing the normal increase of jobs.

under oath he revealed the course was designed by taking holes from the courses he found on a PlayStation-era Tiger Woods video game. This resulted in Loudoun County being sued by Pebble Beach, Cog Hill and St. Andrews, not only for stealing from their courses, but for doing it so poorly that it damaged the original courses’ reputations.

like being two pebbles on a beach. You start off individual shapes and then the weather and proximity means you rub the rough spots off so in the end you’re smooth with a patina that only echoes one other person.

They had spent the morning picking up pebbles on the beach and placed it on Izzy’s grave. She loved the ocean.

possibly even food, to drift onto the pebbly beach,

«DEMOSTRACIÓN INTERPOLATIVA DEL HECHO DE QUE NO EXISTE UN LENGUAJE PRIVADO A veces resulta tentador imaginar que puede existir un lenguaje privado. Muchos de nosotros tenemos tendencia a filosofar, sin ser expertos en la materia, sobre la extraña privacidad de nuestros estados mentales, por ejemplo. Y a partir del hecho que cuando me duele la rodilla yo soy el único que lo siente es tentador sacar la conclusión de que para mí la palabra «dolor» tiene un significado interno subjetivo que solamente puedo entender yo. Esta línea de pensamiento se parece al terror que siente el fumador adolescente de marihuana a que su experiencia interior sea al mismo tiempo privada y no verificable, un síndrome que se conoce técnicamente como Solipsismo Cannábico. Mientras come galletas Chips Ahoy! y sigue con mucha atención un campeonato de golf por la tele, al fumador adolescente de marihuana se le ocurre la posibilidad aterradora de que, p. ej., lo que él percibe como el color verde y lo que el resto de la gente llama «color verde» puedan de hecho no ser la misma experiencia de color en absoluto: el hecho de que tanto él como otra persona digan que son verdes los carriles del campo de golf de Pebble Beach y la luz verde de un semáforo parece garantizar únicamente que existe una consistencia semejante en sus experiencias de los colores de los carriles de los campos de golf y de las luces verdes de los semáforos, no que la cualidad subjetiva real de esas experiencias de color sea la misma. Podría ser que lo que el fumador de marihuana experimenta como verde lo experimenten todos los demás como azul, y que lo que «queremos decir» con la palabra «azul» a lo que «quiere decir» él cuando dice «verde», etcétera, etcétera, hasta que da la línea de pensamiento se vuelve tan controvertida y agotadora que termina repantingado bajo un manto de migas de galleta y paralizado en su sillón. Lo que quiero decir con esto es que la idea de un lenguaje privado, igual que la idea de los colores privados y todas las demás presunciones solipsistas que este mismo reseñista ha sufrido en varias ocasiones, es al mismo tiempo producto de una ilusión y demostrablemente falsa.»

Based upon my detailed betting records and additional records provided by the sources, here is a snapshot of Phil’s gambling habit between 2010 and 2014: He bet $110,000 to win $100,000 a total of 1,115 times. On 858 occasions, he bet $220,000 to win $200,000. (The sum of those 1,973 gross wagers came to more than $311 million.) In 2011 alone, he made 3,154 bets—an average of nearly nine per day. On one day in 2011 (June 22), he made forty-three bets on major-league baseball games, resulting in $143,500 in losses. He made a staggering 7,065 wagers on football, basketball, and baseball. Phil didn’t let his playing in PGA tournaments get in the way of betting. Indeed, according to the 2010–2014 betting records, he made 1,734 wagers on games during twenty-nine events. This included seventy separate bets on baseball and preseason pro football during The Barclays tournament in August 2011 where he shot 8-under and tied for 43rd (he won $415,000 in bets that weekend). On February 11, 2012, a busy college basketball Saturday, Phil blew himself up by running his betting losses to nearly $4 million, according to the gambling sources familiar with Phil’s other bets. Even so, he displayed an incredible ability to compartmentalize. He shot 64 the following day to win the AT&T Pro-Am at Pebble Beach while playing with, and demolishing, Tiger Woods, by eleven strokes.

But I was stuck for a long time by myself at Abraham Lincoln's portrait, standing in the middle of the huge hall as people moved all around me with mostly children. I felt as if time had stopped as I watched Lincoln, facing him, while watching the woman’s back as she was looking out the window. I felt wronged, so much like Truman from the movie, standing there in the middle of the museum alone. I was wondering what would Abraham Lincoln do if he realized he was the slave in his own cotton fields, being robbed by evil thieves, nazis. I had taken numerous photos of Martina from behind, as well as silhouettes of her shadow. I remember standing there, watching as she stood in front of the window; it was almost as if she was admiring the view of the mountains from our new home, as I did take such pictures of her, with a very similar composition to that of the female depicted in the iconic Lincoln portrait looking outwards from the window. I hadn't realized how many photographs I snapped of Martina with her back turned towards me while we travelled to picturesque places. Fernanda and I walked side-by-side in utter silence, admiring painting after painting of Dali's, without exchanging a single word. Meanwhile, Luis and Martina had got lost somewhere in the museum. When I finally found her, she was taking pictures outside of the Rainy Cadillac. We both felt something was amiss without having to say it, as Fernanda knew things I didn't and vice versa. We couldn't bring ourselves to discuss it though, not because we lacked any legal authority between me and Martina, but because neither Fernanda or myself had much parental authority over the young lady. It felt like when our marriages and divorces had dissolved, it was almost as if our parenting didn't matter anymore. It was as if I were unwittingly part of a secret screenplay, like Jim Carrey's character in The Truman Show, living in a fabricated reality made solely for him. I was beginning to feel a strange nauseous feeling, as if someone was trying to force something surreal down my throat, as if I were living something not of this world, making me want to vomit onto the painted canvas of the personalised image crafted just for me. I couldn't help but wonder if Fernanda felt the same way, if she was aware of the magnitude of what was happening, or if, just like me, she was completely oblivious, occasionally getting flashes of truth or reality for a moment or two. I took some amazing photographs of her in Port Lligat in Dali's yard in the port, and in Cap Creus, but I'd rather not even try to describe them—they were almost like Dali's paintings which make all sense now. As if all the pieces are coming together. She was walking by the water and I was walking a bit further up on the same beach on pebbles, parallel to each other as we walked away from Dali's house in the port. I looked towards her and there were two boats flipped over on the two sides of my view. I told her: “Run, Bunny! Run!

The crystal blue water sparkled invitingly, a million diamonds strewn on its surface, the horizon a blurred navy line in the shimmer of the noonday heat. The Cornish coastline was renowned for its treachery, with shipwrecks a common occurrence, but Elizabeth knew this tiny inlet well. Ladylove Cove, better known as Lady Luck Cove. She had spent much of her childhood scrambling over its rocks, pausing only to marvel at the tiny, tenacious plants that clung to its cliffside. The way down to the pebbled beach was steep, but stairs had been cut into the rocks--- by long-dead contraband merchants, so the legend had it--- and, happily, the going was dry.

We know the names of all our grandparents and our childhood toys and we know the exact words that, when put in a certain order, will makes each other laugh or cry or shout. There isn’t a pebble on the beach of my history that she has left unturned. She knows where to find everything in me and I know where all her stuff is too. She is, in short, my best friend.

Get over yourself - You're not the only pebble on the beach.' 'Understand that life itself (and emotions) are impermanent.

We are not the tree but one of its leaves; not the beach but one of its pebbles, not the sea but one of its waves. “It is no longer I that lives but life that lives in me.

Whether it is a speck of sand on the beach, a pebble, a rock, or a boulder, each contributes equally to the beach, for they make up a part of the beach in their own way. Each participates in the world in its own way.

Darren spreads out the beach mats and drops his backpack on top of one. As soon as he crosses his arms and grips the hem of his shirt with both hands, I know what’s going to happen. I should look away but I can’t. Abs reveal themselves. One. At. A time. His chest isn’t exactly lacking for hair, but given the amount on his face and head, I expected that. Not that I actively thought of what his chest might look like. Not often, anyway. As he wads up his shirt to stow under his backpack, he glances at me, but I cast my gaze down, suddenly finding the sand-to-pebble ratio of the beach fascinating.

Pebble Beach. Jeff and

Public "facts" are not like pebbles on the beach, lying in the sun and waiting to be seen. They must instead be picked, polished, shaped and packaged. Finally ready for display they the bear the marks of their shapers.

They picked up shells and sea glass, pebbles smooth and white. The wind blew and the surf hissed warm over their toes, sucked the sand from under their soles. The rhythm, the pulse of the sea soothed and electrified.

The shimmering tarmac of the deserted basketball court, a line of industrial-sized garbage cans, and beyond the electrified perimeter fence a vista that twangs a country and western chord of self-pity in me. For a brief moment, when I first arrived, I thought of putting a photo of Alex - Laughing Alpha Male at Roulette Wheel - next to my computer, alongside my family collection: Late Mother Squinting Into Sun on Pebbled Beach, Brother Pierre with Postpartum Wife and Male Twins, and Compos Mentis Father Fighting Daily Telegraph Crossword. But I stopped myself. Why give myself a daily reminder of what I have in every other way laid to rest? Besides, there would be curiosity from colleagues, and my responses to their questions would seem either morbid or tasteless or brutal depending on the pitch and role of my mood. Memories of my past existence, and the future that came with it, can start as benign, Vaselined nostalgia vignettes. But they’ll quickly ghost train into Malevolent noir shorts backlit by that great worst enemy of all victims of circumstance, hindsight. So for the sake of my own sanity, I apologize silently to Alex before burying him in the desk alongside my emergency bottle of Lauphroaig and a little homemade flower press given to me by a former patient who hanged himself with a clothesline. The happy drawer.

into his jeans and button-down shirt. He dropped off the RAF overalls in the trunk of the car, and then looked around him. The car park was empty. He walked to the side of the parking lot. The fence was low there and he vaulted across it to the low ground that led to the pebble beach. He cut straight across, heading to the port, walking quickly across the shrub and grassland. A line of low trees near the port fence gave him cover. He studied the wire fence. It was about ten feet tall, with regularly spaced posts, and he couldn’t see any signs of electricity. There wasn’t any barbed wire at the top, which made his life a lot easier. He grabbed the wire mesh and shook it. It was firm and would take his weight. He wrapped his legs around a post and pulled himself up with both hands, using it like a fast rope. He crouched over the top and jumped down. The brick wall of a building lay in front of him. He could hear an engine wheezing and what sounded like train railway

It started about ten years ago, and now it’s a real middle-class retreat. Shit pubs. Shit atmosphere. They think that if they go there they’ll all live in harmony away from the moths. It’s such a Victorian idea. You can’t hide like that. It’s the Guardian’s version of The Prisoner. They’re so middle class they put pebbles on the beach so they don’t get any sand between their toes. No wonder nothing comes out of it. It’s not a patch on Blackpool. That’s the real seaside town.

After they departed the river, the beach, and the raised lip of land, it all readjusted under the towering awareness of the trees. The pebbles lost the stain of human warmth. The water shook off its taste of sweat and the flattened grasses slowly clicked back into their vertical semblance of the rest of the forest. The breeze cleared the air and the birds changed their tune of alarm and disgust into a softer conversation about being here, there, and now. The ants and the clustering insects stopped waiting for the bodies to be still and foraged elsewhere, and the omnipresent mosquitoes reassessed their menu. In one hour all traces of the intrusion were lost and decent time settled back, oblivious to the rubbed-out moment of blight.

I am the father whose feet you danced on, I am a million broken stars at your fingertips, I am the night sky's discarded brother, I am a blanket made of rain. I am the conscience searching for your footsteps; I am the Harmattan wind whispering secrets that will fall into the foamy hem of the sea and wash up on the beaches of other countries as rough pebbles and hollow seashells. I am beating. I am I-

he was a man whose significance in the greater scheme of things could be figured along familiar ratios: pebble: beach raindrop: ocean needle: haystack

He was a man whose significance in the Greater Scheme of Things could be figured along familiar ratios: Pebble: Beach. Raindrop: Ocean. Needle: Haystack.