โ
Many people lose the small joys in the hope for the big happiness.
โ
โ
Pearl S. Buck
โ
Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena.
โ
โ
Suzanne Collins (Mockingjay (The Hunger Games, #3))
โ
To love or have loved, that is enough. Ask nothing further. There is no other pearl to be found in the dark folds of life.
โ
โ
Victor Hugo (Les Misรฉrables)
โ
All art is autobiographical; the pearl is the oyster's autobiography.
โ
โ
Federico Fellini
โ
After all," Anne had said to Marilla once, "I believe the nicest and sweetest days are not those on which anything very splendid or wonderful or exciting happens but just those that bring simple little pleasures, following one another softly, like pearls slipping off a string.
โ
โ
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
โ
The heart of man is very much like the sea, it has its storms, it has its tides and in its depths it has its pearls too
โ
โ
Vincent van Gogh (The Letters of Vincent van Gogh)
โ
You cannot make yourself feel something you do not feel, but you can make yourself do right in spite of your feelings.
โ
โ
Pearl S. Buck
โ
I wish I was a woman of about thirty-six dressed in black satin with a string of pearls.
โ
โ
Daphne du Maurier (Rebecca)
โ
cause it's a hard life, with love in the world. and i'm a hard girl, loving me is like chewing on pearls.
โ
โ
Lady Gaga (Lady Gaga - The Fame)
โ
To eat bread without hope is still slowly to starve to death.
โ
โ
Pearl S. Buck (To My Daughters, With Love)
โ
The pearls weren't really white, they were a warm oyster beige, with little knots in between so if they broke, you only lost one. I wished my life could be like that, knotted up so that even if something broke, the whole thing wouldn't come apart.
โ
โ
Janet Fitch (White Oleander)
โ
My mother was an oyster,โ he said with a wink. โAnd Iโm the pearl.
โ
โ
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
โ
Love cannot be forced, love cannot be coaxed and teased. It comes out of heaven, unasked and unsought.
โ
โ
Pearl S. Buck
โ
When you ask God for a gift,
Be thankful if he sends,
Not diamonds, pearls or riches,
but the love of real true friends.
โ
โ
Helen Steiner Rice
โ
That same night, I wrote my first short story. It took me thirty minutes. It was a dark little tale about a man who found a magic cup and learned that if he wept into the cup, his tears turned into pearls. But even though he had always been poor, he was a happy man and rarely shed a tear. So he found ways to make himself sad so that his tears could make him rich. As the pearls piled up, so did his greed grow. The story ended with the man sitting on a mountain of pearls, knife in hand, weeping helplessly into the cup with his beloved wife's slain body in his arms.
โ
โ
Khaled Hosseini (The Kite Runner)
โ
Sweet dreams and thin walls... Mother of Pearl. He'd heard me.
โ
โ
Alice Clayton (Wallbanger (Cocktail, #1))
โ
On, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human life is a beautiful mess.
โ
โ
Gabrielle Zevin (Elsewhere)
โ
I am an extremely sincere individual. I am sincere, to a fault. One of the many things that I have come to realize, to learn, is that sincerity must be reserved and given only to those who deserve it. And one must save one's emotions, channeling them only to the people who are worthy of it. One must not throw one's pearls to the pigs.
โ
โ
C. JoyBell C.
โ
There are many ways of breaking a heart. Stories were full of hearts broken by love, but what really broke a heart was taking away its dream -- whatever that dream might be.
โ
โ
Pearl S. Buck
โ
If we never experience the chill of a dark winter, it is very unlikely that we will ever cherish the warmth of a bright summerโs day. Nothing stimulates our appetite for the simple joys of life more than the starvation caused by sadness or desperation. In order to complete our amazing life journey successfully, it is vital that we turn each and every dark tear into a pearl of wisdom, and find the blessing in every curse.
โ
โ
Anthon St. Maarten (Divine Living: The Essential Guide To Your True Destiny)
โ
It is the hour of pearlโthe interval between day and night when time stops and examines itself.
โ
โ
John Steinbeck (Cannery Row (Cannery Row, #1))
โ
Have you ever met someone for the first time, but in your heart you feel as if youโve met them before?
โ
โ
JoAnne Kenrick (When A Mullo Loves A Woman (Pearl Kizzy, #1))
โ
The person who tries to live alone will not succeed as a human being. His heart withers if it does not answer another heart. His mind shrinks away if he hears only the echoes of his own thoughts and finds no other inspiration.
โ
โ
Pearl S. Buck
โ
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell: Ding-dong
Hark! now I hear them,โDing-dong, bell.
โ
โ
William Shakespeare (The Tempest)
โ
...no woman can love a weak man hard enough to make him strong.
โ
โ
Pearl Cleage (Just Wanna Testify (West End, #5))
โ
You are my pearl without a price."
-Ren, Tiger's Curse
โ
โ
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
โ
The moon in her chariot of pearl
โ
โ
Oscar Wilde (The Nightingale and the Rose)
โ
See? Injustice. Here we are, risking our lives to rescue Kai and this whole planet, and Adri and Pearl get to go to the royal wedding. Iโm disgusted. I hope they spill soy sauce on their fancy dresses.โ
Jacinโs concern turned fast to annoyance. โYour ship has some messed-up priorities, you know that?โ
โIko. My name is Iko. If you donโt stop calling me the โship,โ I am going to make sure you never have hot water during your showers again, do you understand me?โ
โYeah, hold that thought while I go disable the speaker system.โ
โWhat? You canโt mute me. Cinder!
โ
โ
Marissa Meyer (Cress (The Lunar Chronicles, #3))
โ
To serve is beautiful, but only if it is done with joy and a whole heart and a free mind.
โ
โ
Pearl S. Buck
โ
The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly sensitive. To him... a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create, create, create -- so that
without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating.
โ
โ
Pearl S. Buck
โ
Waiting for the fish to bite or waiting for wind to fly a kite. Or waiting around for Friday night or waiting perhaps for their Uncle Jake or a pot to boil or a better break or a string of pearls or a pair of pants or a wig with curls or another chance. Everyone is just waiting.
โ
โ
Dr. Seuss
โ
You know, lieutenant, you wear your weapon the way other women wear pearls."
"It's not a fashion accessory.
โ
โ
J.D. Robb (Naked in Death (In Death, #1))
โ
Men have to have heroes, but no man can ever be as big as the need, and so a legend grows around a grain of truth, like a pearl.
โ
โ
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
โ
He saw things in a way that others did not, so that a city I had lived in all my life seemed a different place, so that a woman became beautiful with the light on her face.
โ
โ
Tracy Chevalier (Girl with a Pearl Earring)
โ
But don't worry; as I've been saying - and this has been very clever of me, I'm sure you'll agree - if you put enough pressure on coal, it'll turn to pearls!
โ
โ
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
โ
I feel no need for any other faith than my faith in the kindness of human beings. I am so absorbed in the wonder of earth and the life upon it that I cannot think of heaven and angels.
โ
โ
Pearl S. Buck
โ
We danced too wild, and we sang too long, and we hugged too hard, and we kissed too sweet, and howled just as loud as we wanted to howl, because by now we were all old enough to know that what looks like crazy on an ordinary day looks a lot like love if you catch it in the moonlight.
โ
โ
Pearl Cleage
โ
A good marriage is one which allows for change and growth in the individuals and in the way they express their love.
โ
โ
Pearl S. Buck
โ
Listen, O drop, give yourself up without regret,
and in exchange gain the Ocean.
Listen, O drop, bestow upon yourself this honor,
and in the arms of the Sea be secure.
Who indeed should be so fortunate?
An Ocean wooing a drop!
In God's name, in God's name, sell and buy at once!
Give a drop, and take this Sea full of pearls.
โ
โ
Jalal ad-Din Muhammad ar-Rumi
โ
Love isn't the work of the tender and the gentle;
Love is the work of wrestlers.
The one who becomes a servant of lovers
is really a fortunate sovereign.
Don't ask anyone about Love; ask Love about Love.
Love is a cloud that scatters pearls.
โ
โ
Jalal ad-Din Muhammad ar-Rumi
โ
The world is your oyster. It's up to you to find the pearls.
โ
โ
Chris Gardner (The Pursuit of Happyness)
โ
Blessed are the weird people:
poets, misfits, writers
mystics, painters, troubadours
for they teach us to see the world through different eyes.
โ
โ
Jacob Nordby (Pearls of Wisdom: 30 Inspirational Ideas to live your best life now)
โ
I must be besotted,โ he said evenly. โI have the imbecilic idea that youโre the prettiest girl Iโve ever seen. Except for your coiffure,โ he added, with a disgusted glance at the coils and plumes and pearls. โThat is ghastly.โ
She scowled. โYour romantic effusions leave me breathless.
โ
โ
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
โ
Yet you could feel a vibration in the air, a sense of hastening. It had started with the moon, inaccessible poem that it was. Now men had walked upon it, rubber treads on a pearl of the gods. Perhaps it was an awareness of time passing, the last summer of the decade. Sometimes I just wanted to raise my hands and stop. But stop what? Maybe just growing up.
โ
โ
Patti Smith (Just Kids)
โ
For it is said that humans are never satisfied, that you give them one thing and they want something more. And this is said in disparagement, whereas it is one of the greatest talents the species has and one that has made it superior to animals that are satisfied with what they have.
โ
โ
John Steinbeck (The Pearl)
โ
Love looks through spectacles that make copper look like gold, poverty like riches, and tears like pearls.
โ
โ
Coco Mellors (Cleopatra and Frankenstein)
โ
Loneliness is black coffee and late-night television; solitude is herb tea and soft music. Solitude, quality solitude, is an assertion of self-worth, because only in the stillness can we hear the truth of our own unique voices.
โ
โ
Pearl Cleage (Deals With the Devil: And Other Reasons to Riot)
โ
She held each sorrow like a chafing grain and grew her grudges like pearls.
โ
โ
Leigh Bardugo (The Language of Thorns: Midnight Tales and Dangerous Magic (Grishaverse, #0.5, 2.5, 2.6))
โ
It's only now that he's been corrupted that I can fully appreciate the real Peeta. Even more than I would've if he'd died. The kindness, the steadiness, the warmth that had an unexpected heat behind it. Outside of Prim, my mother and Gale, how many people in the world love me unconditionally? I think in my case, the answer may be none.
Sometimes, when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena. To make myself put a name to the thing I've lost. But what's the use? It's gone. He's gone. Whatever existed between us is gone. All that's left is my promise to kill Snow. I tell myself this ten times a day.
โ
โ
Suzanne Collins (Mockingjay (The Hunger Games, #3))
โ
You're so calm and quiet, you never say. But there are things inside you. I see them sometimes, hiding in your eyes.
โ
โ
Tracy Chevalier (Girl with a Pearl Earring)
โ
You are the trip I did not take, you are the pearls I could not buy,
you are my blue Italian lake, you are my piece of foreign sky.
You are my Honolulu moon, you are the book I did not write,
you are my heart's unuttered tune, you are a candle in my night.
You are the flower beneath the snow, in my dark sky a bit of blue,
answering disappointment's blow with "I am happy! I have you!
โ
โ
Anne Campbell
โ
Inside myself is a place where I live all alone and that's where you renew your springs that never dry up.
โ
โ
Pearl S. Buck
โ
But what happens when her beauty is torn from her like a cover from a book? Will he care to read her then, although her pages speak of nothing but love for him?
โ
โ
Pearl S. Buck
โ
Errors, like straws, upon the surface flow;
He who would search for pearls, must dive below.
โ
โ
John Dryden (All for Love)
โ
Hold thy peace, dear little Pearl!" whispered her mother. "We must not always talk in the market-place of what happens to us in the forest.
โ
โ
Nathaniel Hawthorne (The Scarlet Letter)
โ
Mine was the unbearable jealousy a cultured pearl must feel toward a genuine one. Or can there be such a thing in this world as a man who is jealous of the woman who loves him, precisely because of her love?
โ
โ
Yukio Mishima (Confessions of a Mask)
โ
I have always, essentially, been waiting. Waiting to become something else, waiting to be that person I always thought I was on the verge of becoming, waiting for that life I thought I would have. In my head, I was always one step away. In high school, I was biding my time until I could become the college version of myself, the one my mind could see so clearly. In college, the post-college โadultโ person was always looming in front of me, smarter, stronger, more organized. Then the married person, then the person Iโd become when we have kids. For twenty years, literally, I have waited to become the thin version of myself, because thatโs when life will really begin.
And through all that waiting, here I am. My life is passing, day by day, and I am waiting for it to start. I am waiting for that time, that person, that event when my life will finally begin.
I love movies about โThe Big Momentโ โ the game or the performance or the wedding day or the record deal, the stories that split time with that key event, and everything is reframed, before it and after it, because it has changed everything. I have always wanted this movie-worthy event, something that will change everything and grab me out of this waiting game into the whirlwind in front of me. I cry and cry at these movies, because I am still waiting for my own big moment. I had visions of life as an adventure, a thing to be celebrated and experienced, but all I was doing was going to work and coming home, and that wasnโt what it looked like in the movies.
John Lennon once said, โLife is what happens when youโre busy making other plans.โ For me, life is what was happening while I was busy waiting for my big moment. I was ready for it and believed that the rest of my life would fade into the background, and that my big moment would carry me through life like a lifeboat.
The Big Moment, unfortunately, is an urban myth. Some people have them, in a sense, when they win the Heisman or become the next American Idol. But even that football player or that singer is living a life made up of more than that one moment. Life is a collection of a million, billion moments, tiny little moments and choices, like a handful of luminous, glowing pearl. It takes so much time, and so much work, and those beads and moments are so small, and so much less fabulous and dramatic than the movies.
But this is what Iโm finding, in glimpses and flashes: this is it. This is it, in the best possible way. That thing Iโm waiting for, that adventure, that move-score-worthy experience unfolding gracefully. This is it. Normal, daily life ticking by on our streets and sidewalks, in our houses and apartments, in our beds and at our dinner tables, in our dreams and prayers and fights and secrets โ this pedestrian life is the most precious thing any of use will ever experience.
โ
โ
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
โ
Now, five years is nothing in a man's life except when he is very young and very old...
- Wang Lung
โ
โ
Pearl S. Buck (The Good Earth (House of Earth, #1))
โ
If a king owned a pearl without price, a gem he cherished above all. Would he hide it away, bury it from sight afraid others would take it? Or would he display it proudly, set it in a ring or crown, so that all the world could behold its beauty and see what richness it brings to his life? You are my pearl without price.
โ
โ
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
โ
I thought by masking the depression with silence, the feelings might disappear.
โ
โ
Sharon E. Rainey (Making a Pearl from the Grit of Life)
โ
Lebedevaโs eyes shone. โMasha, listen to me. Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy, and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied.
โ
โ
Catherynne M. Valente (Deathless)
โ
I don't wait for moods. You accomplish nothing if you do that. Your mind must know it has got to get down to work.
โ
โ
Pearl S. Buck
โ
The beauty of You delights me. The sight of You amazes me. For the Pearl does this... and the Ocean does that.
โ
โ
null
โ
Luck, you see, brings bitter friends.
โ
โ
John Steinbeck (The Pearl)
โ
The test of a civilization is in the way that it cares for its helpless members
โ
โ
Pearl S. Buck (My Several Worlds)
โ
At the edge of madness you howl diamonds and pearls.
โ
โ
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
โ
It is not good to want a thing too much. It sometimes drives the luck away. You must want it just enough, and you must be very tactful with Gods or the gods.
โ
โ
John Steinbeck (The Pearl)
โ
In your hands winter
is a book with cloud pages
that snow pearls of love.
โ
โ
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
โ
The truth is always exciting. Speak it, then. Life is dull without it.
โ
โ
Pearl S. Buck
โ
If you're 50 years old or younger, give every book about 50 pages before you decide to commit yourself to reading it, or give it up.
If you're over 50, which is when time gets shorter, subtract your age from 100 - the result is the number of pages you should read before deciding whether or not to quit. If you're 100 or over you get to judge the book by its cover, despite the dangers in doing so.
โ
โ
Nancy Pearl
โ
...the moon that hung over the garden like some great priceless pearl, flawed and blemished with grey shadowy ridges as only a very great beauty can risk being.
โ
โ
Anita Desai
โ
And Caroline? Speaking fo thin walls?" he said, as he opened his door and looked back at me. He leaned in his own doorway, thumping his fist on the wall.
"Yes?" I asked a little too dreamily for my own good.
His smirk reappeared and he said, "Sweet dreams".
He thumped the wall one more time, winked, and went inside.
Huh. Sweet dreams and thin walls. Sweet dreams and thin walls...
Mother of pearl. He'd heard me...
โ
โ
Alice Clayton (Wallbanger (Cocktail, #1))
โ
A new word. Bright with possibilities. A flawless pearl to turn over and over in my hand, then put away for safekeeping.
โ
โ
Jennifer Donnelly (A Northern Light)
โ
Love can crystallize things. When love is in the air, distressing rain can become a wonderful avalanche of shimmering diamonds. Raindrops are transformed into a flood of sparkling crystal pearls. The power of love can convert rain into a multitude of glittering prisms. The mental seduction of love and a boundless illusion, inflamed by a profound uprising emotion, can change any ordinary incident into a radiant, luminous voyage. ( "Crystallization under an umbrella" )
โ
โ
Erik Pevernagie
โ
During the Depression of the 1930s everyone suffered, even the rich. It was hard times for all and people helped each other if they could. Americans coming through that together meant something. Now they were being asked to struggle again. But because so many servicemen were killed at Pearl Harbor, Americans had a cause that they all shared โ fight the Fascists and keep the threat and the war from coming home. Yet, now the grim reality, the depths of the sacrifices, and the grief of their losses was devastating.
โ
โ
A.G. Russo (The Cases Nobody Wanted (O'Shaughnessy Investigations Inc. Mystery Series Book 1))
โ
There will be other lives.
There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands.
And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions.
And there will be other lives for fathers walking daughters down aisles.
And there will be other lives for sweet babies with skin like milk.
And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything.
Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.
โ
โ
Gabrielle Zevin (Elsewhere)
โ
You will find joy, frustration and sorrow in your quest. Never forget that friendship and loyalty are more precious than riches...Happiness can be brief, but it knows no time in the land of dreams.
โ
โ
Brian Jacques (Pearls of Lutra (Redwall, #9))
โ
Ankh-Morpork! Pearl of cities! This is not a completely accurate description, of course โ it was not round and shiny โ but even its worst enemies would agree that if you had to liken Ankh-Morpork to anything, then it might as well be a piece of rubbish covered with the diseased secretions of a dying mollusc.
โ
โ
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
โ
Everyone is so afraid of death, but the real sufis just laugh: nothing tyrannizes their hearts. What strikes the oyster shell does not damage the pearl
โ
โ
Jalal ad-Din Muhammad ar-Rumi
โ
It's a good thing you and your pills weren't around a few hundred years ago or there never would have been a Vermeer or a Caravaggio. You'd have drugged "Girl with a Pearl Earring" and "The Taking of Christ" right the hell out of them.
โ
โ
Jennifer Donnelly (Revolution)
โ
We long for things that harm us and run from the things that grow and heal us. We think good is bad and bad is good.
โ
โ
Tessa Afshar (Pearl in the Sand)
โ
As coal pressured into pearls by our weighty existence. Beauty that arose out of pain.
โ
โ
Suzanne Collins (Catching Fire (The Hunger Games, #2))
โ
They had to call and call
And pick the worms off me like sticky pearls.
--From the poem "Lady Lazarus", written 23-29 October 1962
โ
โ
Sylvia Plath (Ariel)
โ
Peeta rinses the pearl off in the water and hands it to me. โFor you.โ I hold it out on my palm and examine its iridescent surface in the sunlight. Yes, I will keep it. For the few remaining hours of my life I will keep it close. This last gift from Peeta. The only one I can really accept. Perhaps it will give me strength in the final moments.
โ
โ
Suzanne Collins (Catching Fire (The Hunger Games, #2))
โ
Endless moons, an opaque universe, thunder, tornadoes, the quaking earth. Rare moments of peace; forehead up against my knees, arms around my head, I thought, I listened, I longed not to exist. But life was there, a transparent pearl, a star revolving slowly on its own axis.
โ
โ
Shan Sa (Empress)
โ
The young do not know enough to be prudent, and therefore they attempt the impossible -- and achieve it, generation after generation.
โ
โ
Pearl S. Buck
โ
I would love to be erased from our association with Pearl Jam or the Nymphs and other first time offenders.
โ
โ
Kurt Cobain (Journals)
โ
Oh Jerusalem, the city of sorrow
A big tear wandering in the eye
Who will halt the aggression?
On you, the pearl of religions?
Who will wash your bloody walls?
Who will safeguard the Bible?
Who will rescue the Quran?
Who will save Christ,
From those who have killed Christ?
Who will save man?
ูุง ูุฏุณูุ ูุง ู
ุฏููุฉู ุงูุฃุญุฒุงู
ูุง ุฏู
ุนุฉู ูุจูุฑุฉู ุชุฌููู ูู ุงูุฃุฌูุงู
ู
ู ููููู ุงูุนุฏูุงูุ
ุนููููุ ูุง ูุคูุคุฉู ุงูุฃุฏูุงู
ู
ู ูุบุณู ุงูุฏู
ุงุกู ุนู ุญุฌุงุฑุฉู ุงูุฌุฏุฑุงูุ
ู
ู ูููุฐู ุงูุฅูุฌููุ
ู
ู ูููุฐู ุงููุฑุขูุ
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ู ูููุฐู ุงูู
ุณูุญู ู
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ู ูุชููุง ุงูู
ุณูุญุ
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ู ูููุฐู ุงูุฅูุณุงูุ
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ูุฒุงุฑ ูุจุงูู
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AUTUMNAL
Pale amber sunlight falls across
The reddening October trees,
That hardly sway before a breeze
As soft as summer: summer's loss
Seems little, dear! on days like these.
Let misty autumn be our part!
The twilight of the year is sweet:
Where shadow and the darkness meet
Our love, a twilight of the heart
Eludes a little time's deceit.
Are we not better and at home
In dreamful Autumn, we who deem
No harvest joy is worth a dream?
A little while and night shall come,
A little while, then, let us dream.
Beyond the pearled horizons lie
Winter and night: awaiting these
We garner this poor hour of ease,
Until love turn from us and die
Beneath the drear November trees.
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Ernest Dowson (The Poems and Prose of Ernest Dowson)
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I asked him for it.
For the blood, for the rust,
for the sin.
I didnโt want the pearls other girls talked about,
or the fine marble of palaces,
or even the roses in the mouth of servants.
I wanted pomegranatesโ
I wanted darkness,
I wanted him.
So I grabbed my king and ran away
to a land of death,
where I reigned and people whispered
that Iโd been dragged.
Iโll tell you Iโve changed. Iโll tell you,
the red on my lips isnโt wine.
I hope youโve heard of horns,
but that isnโt half of it. Out of an entire kingdom
he kneels only to me,
calls me Queen, calls me Mercy.
Mama, Mama, I hope you get this.
Know the bed is warm and our hearts are cold,
know never have I been better
than when I am here.
Do not send flowers,
weโll throw them in the river.
โFlowers are for the deadโ, โleast thatโs what
the mortals say.
Iโll come back when he bores me,
but Mama,
not today.
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Daniella Michalleni
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Take a moment for yourself," Harriet said, "Every day."
"A Moment."
"A moment where YOU are your own priority. Just you. Not your baby, not your work, not your dead Mr. Evans, not your filthy house, not anything. Just you. Elizabeth Zott. Whatever you need, whatever you want, whatever you seek, reconnect with it in that moment." She gave a sharp tug to her fake pearls. "Then recommit.
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Bonnie Garmus (Lessons in Chemistry)
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All things are possible until they are proven impossible.
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Pearl S. Buck
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100 years ago, buying something you could make was considered wasteful; now making something you could buy is considered wasteful. I am not convinced this is a step in the right direction.
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Stephanie Pearl-McPhee (All Wound Up: The Yarn Harlot Writes for a Spin)
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If you don't annoy your big sister for no good reason from time to time, she thinks you don't love her anymore.
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Pearl Cleage (What Looks Like Crazy on an Ordinary Day (Idlewild, #1))
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Let woman out of the home, let man into it, should be the aim of education. The home needs man, and the world outside needs woman.
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Pearl S. Buck
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SABLE- A common knitting acronym that stands for Stash Acquisition Beyond Life Expectancy.
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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The rich are always afraid.
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Pearl S. Buck (The Good Earth (House of Earth, #1))
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You must reach inside yourselves where I live like a story, not old, not young laughing at my own sorrow, weeping pearls at weddings, wielding a torch to melt sand into something clear and bright.
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Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
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One faces the future with one's past.
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Pearl S. Buck
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He said, "I am a man," and that meant certain things to Juana. It meant that he was half insane and half god.
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John Steinbeck (The Pearl)
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He felt like home.
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JoAnne Kenrick (When A Mullo Loves A Woman (Pearl Kizzy, #1))
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I had a question. 'Why does the name Pearl Harbor sound so familiar?'
The lieutenant colonel's eyes narrowed. 'Pearl Harbor is the most famous U.S. military base in the world,' he said crisply. 'It's the only place on U.S. soil that has been attacked in a wars, since the Revolutionary War.'
None of this was ringing a bell, but you already know I'm totally uneducated.
Gazzy leaned over to whisper, 'It was a movie with Ben Affleck.'
Ah. Now I remembered.
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James Patterson (Max (Maximum Ride, #5))
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Surely Love is a wonderful thing. It is more precious than emeralds, and dearer than fine opals. Pearls and pomegranates cannot buy it, nor is it set forth in the marketplace. It may not be purchased of the merchants, for can it be weighed out in the balance for gold.
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Oscar Wilde (The Happy Prince)
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I will continue to freak out my children by knitting in public. It's good for them.
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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Perhaps one has to be very old before one learns to be amused rather than shocked.
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Pearl S. Buck
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When good people in any country cease their vigilance and struggle, then evil men prevail.
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Pearl S. Buck
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But pearls are for tears, the old legend says," Gilbert had objected.
"I'm not afraid of that. And tears can be happy as well as sad. My very happiest moments have been when I had tears in my eyesโwhen Marilla told me I might stay at Green Gablesโwhen Matthew gave me the first pretty dress I ever hadโwhen I heard that you were going to recover from the fever. So give me pearls for our troth ring, Gilbert, and I'll willingly accept the sorrow of life with its joy.
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L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
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Ben Adaephon Delat," Pearl said plaintively, "see the last who comes. You send me to my death."
"I know," Quick Ben whispered.
"Flee, then. I will hold them enough to ensure your escape no more."
Quick Ben sank down past the roof.
Before he passed from sight Pearl spoke again. "Ben Adaephon Delat, do you pity me?"
"Yes" he replied softly, then pivoted and dropped down into darkness.
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Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
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LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
-- written 23-29 October 1962
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Sylvia Plath (Ariel)
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I did the only thing I knew how to do: I built my own walls of silence to disguise my desperation and what later came to be recognized and diagnosed as depression.
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Sharon E. Rainey (Making a Pearl from the Grit of Life)
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In the nineteeth century, knitting was prescribed to women as a cure for nervousness and hysteria. Many new knitters find this sort of hard to believe because, until you get good at it, knitting seems to cause those ailments.
The twitch above my right eye will disappear with knitting practice.
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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There is a curious thing that happens with the passage of time: a calcification of character... Change isn't always for the worst; the shell that forms around a piece of sand looks to some people like an irritation, and to others, like a pearl.
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Jodi Picoult (My Sister's Keeper)
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Yes, well, life is a folly. If you live long enough, nothing is surprising.
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Tracy Chevalier (Girl with a Pearl Earring)
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Sorrow fully accepted brings its own gifts. For there is alchemy in sorrow. It can be transmitted into wisdom, which, if it does not bring joy, can yet bring happiness.
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Pearl S. Buck (The Child Who Never Grew)
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The end of love looks like the beginning of war
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Bangambiki Habyarimana (The Great Pearl of Wisdom)
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Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; sheโd worn Pearl in a sling because whenever sheโd set her down, Pearl would cry. Thereโd scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her motherโs leg, then her waist, then her hand, as if there was something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Miaโs in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Miaโs arm pinned beneath Pearlโs head, or Pearlโs legs thrown across Miaโs belly. Now, as a teenager, Pearlโs caresses had become rareโa peck on the cheek, a one-armed, half-hearted hugโand all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.
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Celeste Ng (Little Fires Everywhere)
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Did I tell you I finally found the perfect page-cutter? It's a pearl-handled fruit knife. My mother left me a dozen of them, I keep one in the pencil cup on my desk. Maybe I go with the wrong kind of people but i'm just not likely to have twelve guests all sitting around simultaneously eating fruit.
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Helene Hanff (84, Charing Cross Road)
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Success in life is not for those who run fast, but for those who keep running and always on the move.
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Bangambiki Habyarimana (Pearls Of Eternity)
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Cheap grace means grace sold on the market like cheapjacks' wares. The sacraments, the forgiveness of sin, and the consolations of religion are thrown away at cut prices. Grace is represented as the Church's inexhaustible treasury, from which she showers blessings with generous hands, without asking questions or fixing limits. Grace without price; grace without cost! The essence of grace, we suppose, is that the account has been paid in advance; and, because it has been paid, everything can be had for nothing. Since the cost was infinite, the possibilities of using and spending it are infinite. What would grace be if it were not cheap?...
Cheap grace is the preaching of forgiveness without requiring repentance, baptism without church discipline, Communion without confession, absolution without personal confession. Cheap grace is grace without discipleship, grace without the cross, grace without Jesus Christ, living and incarnate.
Costly grace is the treasure hidden in the field; for the sake of it a man will go and sell all that he has. It is the pearl of great price to buy which the merchant will sell all his goods. It is the kingly rule of Christ, for whose sake a man will pluck out the eye which causes him to stumble; it is the call of Jesus Christ at which the disciple leaves his nets and follows him.
Costly grace is the gospel which must be sought again and again, the gift which must be asked for, the door at which a man must knock.
Such grace is costly because it calls us to follow, and it is grace because it calls us to follow Jesus Christ. It is costly because it costs a man his life, and it is grace because it gives a man the only true life. It is costly because it condemns sin, and grace because it justifies the sinner. Above all, it is costly because it cost God the life of his Son: "ye were bought at a price," and what has cost God much cannot be cheap for us. Above all, it is grace because God did not reckon his Son too dear a price to pay for our life, but delivered him up for us. Costly grace is the Incarnation of God.
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Dietrich Bonhoeffer (The Cost of Discipleship)
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I saw old Autumn in the misty morn
Stand shadowless like silence, listening
To silence, for no lonely bird would sing
Into his hollow ear from woods forlorn,
Nor lowly hedge nor solitary thorn; --
Shaking his languid locks all dewy bright
With tangled gossamer that fell by night,
Pearling his coronet of golden corn.
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Thomas Hood
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A plan is a real thing, and things projected are experienced. A plan once made and visualized becomes reality along with other realitiesโnever to be destroyed but easily to be attacked.
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John Steinbeck (The Pearl)
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I donโt know anything about art so I canโt tell you that itโs watercolor or acrylic or that itโs on canvas or anything art related at all. I can tell you that itโs a painting of a hand, my hand, turned up and opened to the world and that it reaches into my body and rips out everything thatโs left. Because in the palm, right in the center, is the pearl button I never reached.
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Katja Millay (The Sea of Tranquility)
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People would rather live in a community with unreasonable claims, than face loneliness with their truth
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Bangambiki Habyarimana (Pearls Of Eternity)
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Look deeply into your soul. You have enough grace and strength to overcome any struggle.
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Lailah Gifty Akita (Pearls of Wisdom: Great mind)
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Dismissed like a dog. Damon groped for his jacket behind him, found it, and wished that his groping for his sense of humor could be as successful. The faces around him were all the same. They could have been carved in stone.
But not stone as hard as that that was coming together again around his soul. That rock was remarkably quick to mendโand an extra layer was added, like the layering of a pearl, but not covering anything nearly so pretty.
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L.J. Smith
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If you want to understand today, you have to search yesterday.
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Pearl S. Buck
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There is practically no activity that cannot be enhanced or replaced by knitting, if you really want to get obsessive about it.
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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Up then, fair phoenix bride, frustrate the sun;
Thyself from thine affection
Takest warmth enough, and from thine eye
All lesser birds will take their jollity.
Up, up, fair bride, and call
Thy stars from out their several boxes, take
Thy rubies, pearls, and diamonds forth, and make
Thyself a constellation of them all;
And by their blazing signify
That a great princess falls, but doth not die.
Be thou a new star, that to us portends
Ends of much wonder; and be thou those ends.
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John Donne (The Complete English Poems)
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She knew she could help him best by being silent and by being near.
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John Steinbeck (The Pearl)
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The best reason for a knitter to marry is that you can't teach the cat to be impressed when you finish a lace scarf.
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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All things are possible until they are proved impossible and even the impossible may only be so, as of now.
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Pearl S. Buck
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There is some kiss we want with
our whole lives, the touch of
spirit on the body. Seawater
begs the pearl to break its shell.
and the lily, how passionately
it needs some wild darling! At
night, I open the window and ask
the moon to come and press its
face against mine. Breathe into
me. Close the language door and
open the lovers window. The moon
wonโt use the door, only the window.
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Jalal ad-Din Muhammad ar-Rumi
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...the number one reason knitters knit is because they are so smart that they need knitting to make boring things interesting. Knitters are so compellingly clever that they simply can't tolerate boredom. It takes more to engage and entertain this kind of human, and they need an outlet or they get into trouble.
"...knitters just can't watch TV without doing something else. Knitters just can't wait in line, knitters just can't sit waiting at the doctor's office. Knitters need knitting to add a layer of interest in other, less constructive ways.
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Stephanie Pearl-McPhee
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The secret of joy in work is contained in one word-excellence. To know how to do something well is to enjoy it.
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Pearl S. Buck
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When confronted with a birthday in a week I will remember that a book can be a really good present, too.
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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A writer who is afraid to overreach himself is as useless as a general who is afraid to be wrong.
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Raymond Chandler (Pearls are a Nuisance)
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Every mistake has a halfway moment, a split second when it can be recalled and perhaps remedied.
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Pearl S. Buck
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During the Fireside Chats, half the country tuned in on their radios, and it was said that on hot summer nights when people had their windows open, one could walk through the residential downtown of a large city and hardly miss a word.
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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The people say that the two seemed to be removed from human experience; that they had gone through pain and had come out on the other side.
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John Steinbeck (The Pearl)
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What about you? Full name?โ
I sighed. โThere was some debate over middle names, so itโs Eadlyn Helena Margarete Schreave.โ
โThatโs a mouthful,โ he teased.
โItโs pretentious, too. My name literally means โprincess shining pearl.โโ
He tried to hide his smile. โYour parents named you Princess?โ
โYes. Yes, I am Queen Princess Schreave, thank you.โ
โI shouldnโt laugh.โ
โAnd yet you do.
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Kiera Cass (The Crown (The Selection, #5))
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I will always buy extra yarn. I will not try to tempt fate.
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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Any time your life is at stake and you can't find even one woman to come forward and say, 'This is a good man,' your problem isn't what kind of woman THEY are. Your problem is what kind of men YOU are.
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Pearl Cleage (Just Wanna Testify (West End, #5))
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He snorted and hit me in the solar plexus. I bent over and took hold of the room with both hands and spun it. When I had it nicely spinning I gave it a full swing and hit myself on the back of the head with the floor.
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Raymond Chandler (Pearls are a Nuisance)
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I love people. I love my family, my children . . . but inside myself is a place where I live all alone and that's where you renew your springs that never dry up.
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Pearl S. Buck
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I am a person who works well under pressure. In fact, I work so well under pressure that at times, I will procrastinate in order to create this pressure.
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Stephanie Pearl-McPhee
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It's not about who you sleep with, or whether you know about sports or tools or have a pearl-wearing wife or whether commercials make you cry. [...] it's about whether you step up. When something hard comes along. A man steps up. He doesn't dodge it or run away from it or try to push it onto someone else. He steps up. Even if it isn't his responsibility. And that's why there are so many guys and so few men. Because stepping up is hard.
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Ben Monopoli (The Painting of Porcupine City (Mateo, #1))
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Ol' man Simon, planted a diamond. Grew hisself a garden the likes of none. Sprouts all growin' comin' up glowin' Fruit of jewels all shinin' in the sun. Colors of the rainbow. See the sun and the rain grow sapphires and rubies on ivory vines, Grapes of jade, just ripenin' in the shade, just ready for the squeezin' into green jade wine. Pure gold corn there, Blowin' in the warm air. Ol' crow nibblin' on the amnythyst seeds. In between the diamonds, Ol' man Simon crawls about pullin' out platinum weeds. Pink pearl berries, all you can carry, put 'em in a bushel and haul 'em into town. Up in the tree there's opal nuts and gold pears- Hurry quick, grab a stick and shake some down. Take a silver tater, emerald tomater, fresh plump coral melons. Hangin' in reach. Ol' man Simon, diggin' in his diamonds, stops and rests and dreams about one... real... peach.
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Shel Silverstein (Where the Sidewalk Ends)
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I am always glad when any of my books can be put into an inexpensive edition, because I like to think that any people who might wish to read them can do so. Surely books ought to be within reach of everybody.
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Pearl S. Buck (The Good Earth (House of Earth, #1))
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I had walked along that street all my life, but had never been so aware that my back was to my home
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Tracy Chevalier (Girl with a Pearl Earring)
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This is the day you will always remember as the day you almost caught Captain Jack Sparrow
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Captain Jack Sparrow
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TF-16 returned to Pearl Harbor on May 26 in good order, with one huge exception: Admiral Halsey, the sixty-year-old commander, arrived back completely exhausted and ill. After six months of intense underway operations, culminating in the fruitless 7000-mile mission across the Pacific to the Coral Sea and back, Halsey had lost twenty pounds and had contracted a serious case of dermatitis. Nimitz took one look at him and sent him straight to the Pearl Harbor hospital. The Navyโs most experienced and highly regarded carrier force commander would sit out the Battle of Midway. The ultimate sea warrior, Halsey would watch from his hospital window as the two task forces departed Pearl Harbor for Midway.
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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It is a peculiarity of knitters that they chronically underestimate the amount of time it takes to knit something. Birthday on Saturday? No problem. Socks are small. Never mind that the average sock knit out of sock-weight yarn contains about 17,000 stitches. Never mind that you need two of them. (That's 34,000 stitches, for anybody keeping track.)
Socks are only physically small. By stitch count, they are immense.
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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There are stories that are true, in which each individual's tale is unique and tragic, and the worst of the tragedy is that we have heard it before, and we cannot allow ourselves to feel it to deeply. We build a shell around it like an oyster dealing with a painful particle of grit, coating it with smooth pearl layers in order to cope. This is how we walk and talk and function, day in, day out, immune to others' pain and loss. If it were to touch us it would cripple us or make saints of us; but, for the most part, it does not touch us. We cannot allow it to.
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Neil Gaiman (American Gods (American Gods, #1))
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Ithaka
As you set out for Ithaka
hope the voyage is a long one,
full of adventure, full of discovery.
Laistrygonians and Cyclops,
angry Poseidonโdonโt be afraid of them:
youโll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians and Cyclops,
wild Poseidonโyou wonโt encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.
Hope the voyage is a long one.
May there be many a summer morning when,
with what pleasure, what joy,
you come into harbors seen for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kindโ
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to gather stores of knowledge from their scholars.
Keep Ithaka always in your mind.
Arriving there is what you are destined for.
But do not hurry the journey at all.
Better if it lasts for years,
so you are old by the time you reach the island,
wealthy with all you have gained on the way,
not expecting Ithaka to make you rich.
Ithaka gave you the marvelous journey.
Without her you would not have set out.
She has nothing left to give you now.
And if you find her poor, Ithaka wonโt have fooled you.
Wise as you will have become, so full of experience,
you will have understood by then what these Ithakas mean.
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Constantinos P. Cavafy (C.P. Cavafy: Collected Poems)
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I saw a spider-I didn't scream 'cause I can belch the alphabet-Just double dog dare me! And I chose guitar over ballet and I take these suckers down 'cause they just get in my way. Then you look at me kinda like a little sister-You high five your goodbyes and it leaves me nothing but blisters- I don't want to be one of the boys, one of your guys-Just give me a chance to prove to you tonight that I just wanna be one of the girls, pretty in pearls and not one of the boys...
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Katy Perry
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I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught - in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too - in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well - or ill?
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John Steinbeck (East of Eden)
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I dream a world where man
No other man will scorn,
Where love will bless the earth
And peace its paths adorn
I dream a world where all
Will know sweet freedom's way,
Where greed no longer saps the soul
Nor avarice blights our day.
A world I dream where black or white,
Whatever race you be,
Will share the bounties of the earth
And every man is free,
Where wretchedness will hang its head
And joy, like a pearl,
Attends the needs of all mankind-
Of such I dream, my world!
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Langston Hughes
โ
An intelligent, energetic, educated woman cannot be kept in four walls โ even satin-lined, diamond-studded walls โ without discovering sooner or later that they are still a prison cell."
(America's Medieval Women, Harper's Magazine, August 1938)
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Pearl S. Buck
โ
The truly creative mind in any field is no more than this:
A human creature born abnormally, inhumanly sensitive.
To him... a touch is a blow,
a sound is a noise,
a misfortune is a tragedy,
a joy is an ecstasy,
a friend is a lover,
a lover is a god,
and failure is death.
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Pearl S. Buck
โ
Hey, look at this!" He holds up a glistening, perfect pearl about the size of a pea. "You know, if you put enough pressure on coal it turns to pearls," he says earnestly to Finnick.
"No, it doesn't," says Finnick dismissively. But I crack up, remembering that's how a clueless Effie Trinket presented us to the people of the Capitol last year, before anyone knew us. As coal pressured into pearls by our weighty existence. Beauty that arose out of pain.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I have for a long time felt that our society is becoming more and more fractured and divisive and that you could go a whole day without really talking to another person. If you give people a good book to talk about, you can build a community out of a diverse group. A common language grows out of it.
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Nancy Pearl
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I believe the defining moment was when certain persons, who shall remain nameless, objected to my fuchsia silk striped waistcoat. I loved that waistcoat. I put my foot down, right then and there; I do not mind telling you!" To punctuate his deeply offended feelings, he stamped one silver-and-pearl-decorated high heel firmly. "No one tells me what I can and cannot wear!" He snapped up a lace fan from where it lay on a hall table and fanned himself vigorously with it for emphasis.
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Gail Carriger (Soulless (Parasol Protectorate, #1))
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When I Was One-And-Twenty
When I was one-and-twenty
I heard a wise man say,
โGive crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free.โ
But I was one-and-twenty,
No use to talk to me.
When I was one-and-twenty
I heard him say again,
โThe heart out of the bosom
Was never given in vain;
โTis paid with sighs a plenty
And sold for endless rue.โ
And I am two-and-twenty,
And oh, โtis true, โtis true.
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A.E. Housman (A Shropshire Lad)
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Tara. I'm a vampire," Pearl said.
"Yeah, whatever, and I'm queen of the sea."
"Your Marine Majesty, I'm a vampire," Pearl said.
Concentrating, she slid her fangs out. "Tara. Tara!" She curled back her lips to expose the points. "See"
Tara screamed.
"I won't hurt you," Pearl said. Calm down. Sheesh."
Tara continued to scream.
Pearl considered biting her merely to shut her up. Regrettably that would be counter productive. Studying her nails, she waited for Tara to quit screaming. She noticed that Tara didn't try to exit the car, which was an interesting choice.
"You aren't running away," Pearl said.
"Duh, it's raining outside," Tara said.
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Sarah Beth Durst (Drink, Slay, Love)
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Yamamoto sensed a feeling of culmination about the huge success of the first strike, and the same incisive intuition that guided his brilliant moves at the gaming tables told him what the next move on the bridge ofย Akagiย would be. In (Vice Admiral) Nagumo he knew his man. Nagumo had never been committed to the Pearl Harbor mission. He had not been Yamamotoโs choice to command the Striking Force; his assignment was the decision of the Navy Ministry in Tokyo, based on seniority. While the exultation of the officers and sailors on his staff swirled around him, Yamamoto sat quietly. Finally, he fixed a steely gaze on his chief of staff, and in a low, intense voice: โAdmiral Nagumo is going to withdraw.
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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When asked why I am single, my reply is simply; I consider myself a black pearl rare in my authenticity, adding a mysterious beauty to the select few who can recognize & even fewer who appreciate my worth. So instead of dating, I throw myself into working in the field. If my Boaz recognizes me amongst the black rocks...great! If not, the magnificence of my rarity will simply radiate onto those working the fields as well in the form of teaching, which is what I do.
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Sanjo Jendayi
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Roosevelt was a genius at mass communications, and his speechwriters deferred to his reviews of their drafts, not so much because he was the president, but because when a text required the perfect word, the exquisite or incisive phrase, or exactly the right tone, he was the best. And when it came to delivery, he had no peer.
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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It was like being born in Germany after World War II, being from Japan after Pearl Harbour, or America after Hiroshima. History was a bitch sometimes. You couldn't change where you were from. But still, you didn't have to stay there. You didn't have to stay stuck in the past, like the ladies in the DAR, or the Gatlin Historical Society, or the Sisters. And you didn't have to accept that things had to be the way they were, like Lena. Ethan Carte Wate hadn't, and I couldn't either.
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Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
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One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motor cars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung. I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning. I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry.
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Virginia Woolf (Mrs. Dalloway)
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Prime numbers are divisible only by 1 and by themselves. They hold their place in the infinite series of natural numbers, squashed, like all numbers, between two others, but one step further than the rest. They are suspicious, solitary numbers, which is why Mattia thought they were wonderful. Sometimes he thought that they had ended up in that sequence by mistake, that they'd been trapped, like pearls strung on a necklace. Other times he suspected that they too would have preferred to be like all others, just ordinary numbers, but for some reason they couldn't do it. This second thought struck him mostly at night, in the chaotic interweaving of images that comes before sleep, when the mind is too weak to tell itself lies.
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Paolo Giordano (The Solitude of Prime Numbers)
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Sometimes, people come up to me when I am knitting and they say things like, "Oh, I wish I could knit, but I'm just not the kind of person who can sit and waste time like that." How can knitting be wasting time? First, I never just knit; I knit and think, knit and listen, knit and watch. Second, you aren't wasting time if you get a useful or beautiful object at the end of it.
I will remember that not everyone understands. I will resist the urge to ask others what they do when they watch TV.
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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You still waste time with those things, Lenu? We are flying over a ball of fire. The part that has cooled floats on the lava. On that part we construct the buildings, the bridges, and the streets, and every so often the lava comes out of Vesuvius or causes an earthquake that destroys everything. There are microbes everywhere that make us sick and die. There are wars. There is a poverty that makes us all cruel. Every second something might happen that will cause you such suffering that you'll never have enough tears. And what are you doing? A theology course in which you struggle to understand what the Holy Spirit is? Forget it, it was the Devil who invented the world, not the Father, the Son, and the Holy Spirit. Do you want to see the string of pearls that Stefano gave me?
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Elena Ferrante (My Brilliant Friend (Neapolitan Novels, #1))
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On the seashore of endless worlds children meet.
The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances.
They build their houses with sand, and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds.
They know not how to swim, they know not how to cast nets. Pearl-fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. They seek not for hidden treasures, they know not how to cast nets.
The sea surges up with laughter, and pale gleams the smile of the sea-beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her babyโs cradle. The sea plays with children, and pale gleams the smile of the sea-beach.
On the seashore of endless worlds children meet. Tempest roams in the pathless sky, ships are wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.
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Rabindranath Tagore (Gitanjali (Volume 0))
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In 1941, as the United States faced the threat of another horrific war, President Franklin D. Roosevelt was leading the nation from a wheelchair. Struck down by polio at age thirty-nine, he rehabilitated and marshaled himself, despite severe pain, to press on with his career in politics. Eleven years later, delivering his message of confidence and optimism, he was elected President of the United States.ย
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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This life is difficult. We lose fathers, brothers, mothers, songbirds and pieces of ourselves. Whips strike the innocent, honors go to the guilty, and there is too much loneliness. I would be a fool to pray for my children to escape all of that. Ask for too much and it might actually turn out worse. But I can pray for small things, like fertile fields, a motherโs love, a childโs smileโa life thatโs less bitter than sweet.
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Nadia Hashimi (The Pearl that Broke Its Shell)
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Then must you speak
Of one that loved not wisely but too well,
Of one not easily jealous but, being wrought,
Perplexed in the extreme; of one whose hand,
Like the base Indian, threw a pearl away
Richer than all his tribe; of one whose subdued eyes,
Albeit unused to the melting mood,
Drop tears as fast as the Arabian trees
Their medicinable gum. Set you down this,
And say besides that in Aleppo once,
Where a malignant and a turbaned Turk
Beat a Venetian and traduced the state,
I took by th' throat the circumcised dog
And smote him thus.
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William Shakespeare (Othello)
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As night fell, Yamamoto, aboard the huge battleship Yamato, steamed eastward at full speed into the night. Far ahead the destroyers went to flank speed to search for the US carriers. Lookouts, with the best night-vision binoculars in the world, swept the night horizon where the very dark sky meets the black ocean. The faintest shape, the tiniest pinprick of light, would show there was something out there, like the superstructure of a ship over the horizon. There was nothing.
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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She heard footsteps thumping from the crew quarters and Jacin appeared in the cargo bay, eyes wide. โWhat happened? Why is the ship screaming?โ
โNothing. Everythingโs fine,โ Cinder stammered.
โNo, everything is not fine,โ said Iko. โHow can they be invited? Iโve never seen a bigger injustice in all my programmed life, and believe me, I have seen some big injustices.โ
Jacin raised an eyebrow at Cinder.
โWe just learned that my former guardian received an invitation to the wedding.โ She opened the tab beside her stepmotherโs name, thinking maybe it was a mistake.
But of course not.
Linh Adri had been awarded 80,000 univs and an official invitation to the royal wedding as an act of gratitude for her assistance in the ongoing manhunt for her adopted and estranged daughter, Linh Cinder.
โBecause she sold me out,โ she said, sneering. โFigures.โ
โSee? Injustice. Here we are, risking our lives to rescue Kai and this whole planet, and Adri and Pearl get to go to the royal wedding. Iโm disgusted. I hope they spill soy sauce on their fancy dresses.โ
Jacinโs concern turned fast to annoyance. โYour ship has some messed-up priorities, you know that?โ
โIko. My name is Iko. If you donโt stop calling me the โship,โ I am going to make sure you never have hot water during your showers again, do you understand me?โ
โYeah, hold that thought while I go disable the speaker system.โ
โWhat? You canโt mute me. Cinder!
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Marissa Meyer (Cress (The Lunar Chronicles, #3))
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Back in Washington, alone in the late afternoon of December 7, a chastened Franklin Roosevelt considered the situation. ย He may have wondered how things had gone so terribly wrong. ย But what might have been was now hindsightโthe United States was at war and was in it to win. He spoke quietly to his secretary, Grace Tully. โSit down, Grace. Iโm going before Congress tomorrow. Iโd like to dictate my message. It will be short.โย
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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The bed we loved in was a spinning world
of forests, castles, torchlight, clifftops, seas
where we would dive for pearls. My loverโs words
were shooting stars which fell to earth as kisses
on these lips; my body now a softer rhyme
to his, now echo, assonance; his touch
a verb dancing in the centre of a noun.
Some nights, I dreamed heโd written me, the bed
a page beneath his writerโs hands. Romance
and drama played by touch, by scent, by taste.
In the other bed, the best, our guests dozed on,
dribbling their prose. My living laughing love -
I hold him in the casket of my widowโs head
as he held me upon that next best bed.
- Anne Hathaway
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Carol Ann Duffy (The World's Wife)
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Advice for New Knitters
When choosing a pattern, look for ones that have words such as "simple", "basic", and "easy". If you see the words "intriguing", "challenging", or "intricate", look elsewhere.
If you happen across a pattern that says "heirloom", slowly put down the pattern and back away.
"Heirloom" is knitting code for "This pattern is so difficult that you would consider death a relief".
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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Nagumo was suddenly on his own. At this crucial time, the cost of his failure to learn the complicated factors that played into carrier operations suddenly exploded. Now, when every minute counted, it was too late to learn the complexities involved in loading different munitions on different types of planes on the hangar deck, too late to learn how the planes were organized and spotted on the flight decks, too late to learn the flight capabilities of his different types of planes, and far too late to know how to integrate all those factors into a fast-moving and efficient operation with the planes and ordnance available at that moment. Commander Genda, his brilliant operations officer, couldnโt make the decisions for him now. It was all up to Nagumo. At 0730 on June 4, 1942, years of shipbuilding, training, and strategic planning had all come to this moment. Teams of highly trained pilots, flight deck personnel, mechanics, and hundreds of other sailors were ready and awaiting his command. The entire course of the battle, of the Combined Fleet, and even perhaps of Japan were going to bear the results of his decisions, then and there.
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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Yamamoto was considered, both in Japan and the United States, as intelligent, capable, aggressive, and dangerous. Motivated by his skill as a poker player and casino gambler, he was continually calculating odds on an endless variety of options. He played bridge and chess better than most good players. Like most powerful leaders he was articulate and persuasive, and once in a position of power he pushed his agenda relentlessly. Whether he would push his odds successfully in the Pacific remained to be seen.
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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His lyrical whistle beckoned me to adventure and forgetting. But I didn't want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over.
The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these-- razor clams, fairy boats, weedy mussels, the oyster's pocked gray lace (there was never a pearl) and tiny white "ice cream cones." You could always tell where the best shells were-- at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.
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Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
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Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sexโthe clown of love. They donโt know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like thatโsoftly, without props. But the world is such a showpiece, maybe thatโs why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other peopleโs graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but theyโre not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they canโt be caught one at a time. Poor swimmers head for shore while strong ones wait for lightningโs silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the womenโs shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: โGet moving!
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Toni Morrison (Love)
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Jerusalem! My Love,My Town
I wept until my tears were dry
I prayed until the candles flickered
I knelt until the floor creaked
I asked about Mohammed and Christ
Oh Jerusalem, the fragrance of prophets
The shortest path between earth and sky
Oh Jerusalem, the citadel of laws
A beautiful child with fingers charred
and downcast eyes
You are the shady oasis passed by the Prophet
Your streets are melancholy
Your minarets are mourning
You, the young maiden dressed in black
Who rings the bells at the Nativity Church,
On sunday morning?
Who brings toys for the children
On Christmas eve?
Oh Jerusalem, the city of sorrow
A big tear wandering in the eye
Who will halt the aggression
On you, the pearl of religions?
Who will wash your bloody walls?
Who will safeguard the Bible?
Who will rescue the Quran?
Who will save Christ, From those who have killed Christ?
Who will save man?
Oh Jerusalem my town
Oh Jerusalem my love
Tomorrow the lemon trees will blossom
And the olive trees will rejoice
Your eyes will dance
The migrant pigeons will return
To your sacred roofs
And your children will play again
And fathers and sons will meet
On your rosy hills
My town
The town of peace and olives
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ูุฒุงุฑ ูุจุงูู
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The greatest hunger in life is not for food, money, success, status, security, sex, or even love from the opposite sex. Time and again people have achieved all these things and wound up still feeling dissatisfied- indeed, often more dissatisfied than when they began. The deepest hunger in life is a secret that is revealed only when a person is willing to unlock a hidden part of the self. In the ancient traditions of wisdom, this quest has been likened to diving for the most precious pearl in existence, a poetic way of saying that you have to swim far out beyond shallow waters, plunge deep into yourself, and search patiently until the pearl beyond price is found. The pearl is also called essence, the breath of god, the water of lifeโฆlabels for what we, in our more prosaic scientific age, would simply call TRANSFORMATION.
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Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
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The isolationists argued that if the US had stayed out of the Great War - or, as it later became known, World War I - there never would have been a World War II. By 1917 the warring protagonists - Britain, France, Germany, Austria, and others - had suffered millions of casualties and were exhausted. The German populace was starving. The isolationists believed that a resolution was inevitable without the US involvement that resulted in 116,000 dead fathers, brothers and sons. ย They argued that if the United States had stayed out of the Great War, no one would ever have heard of Adolf Hitler.
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch.
The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on.
Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water.
Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
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William Golding (Lord of the Flies)
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He had said, "I am a man," and that meant certain things to Juana. It meant that he was half insane and half god. It meant that Kino would drive his strength against a mountain and plunge his strength against the sea. Juana, in her woman's soul, knew that the mountain would stand while the man broke himself; that the sea would surge while the man drowned in it. And yet it was this thing that made him a man, half insane and half god, and Juana had need of a man; she could not live without a man.
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John Steinbeck (The Pearl)
โ
Before the first streaks of light at dawn on December 7, 275 miles north of Oahu, the six (Japanese) carriers of the Striking Force turned into the southeast wind. Pounding into heavy swells at high speed, the carriers pitched severely with thunderous impact. The wind, surging seas, and roar of warming aircraft engines made communications possible only by hand signals and handheld signal lamps. Salt spray reached the high flight decks, and Commander Fuchida, the group leader, was very concerned about the conditions for launching planes. If this had been a training exercise the launch might have been delayed until conditions improved. However, this was not an exercise, and there would be no delay.
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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Dandelion, staring into the dying embers, sat much longer, alone, quietly strumming his lute. It began with a few bars, from which an elegant, soothing melody emerged. The lyric suited the melody, and came into being simultaneously with it, the words bending into the music, becoming set in it like insects in translucent, golden lumps of amber.
The ballad told of a certain witcher and a certain poet. About how the witcher and the poet met on the seashore, among the crying of seagulls, and how they fell in love at first sight. About how beautiful and powerful was their love. About how nothing - not even death - was able to destroy that love and part them.
Dandelion knew that few would believe the story told by the ballad, but he was not concerned. He knew ballads were not written to be believed, but to move their audience.
Several years later, Dandelion could have changed the contents of the ballad and written about what had really occurred. He did not. For the true story would not have move anyone. Who would have wanted to hear that the Witcher and Little Eye parted and never, ever, saw each other again? About how four years later Little Eye died of the smallpox during an epidemic raging in Vizima? About how he, Dandelion, had carried her out in his arms between corpses being cremated on funeral pyres and buried her far from the city, in the forest, alone and peaceful, and, as she had asked, buried two things with her: her lute and her sky blue pearl. The pearl from which she was never parted.
No, Dandelion stuck with his first version. And he never sang it. Never. To no one.
Right before the dawn, while it was still dark, a hungry, vicious werewolf crept up to their camp, but saw that it was Dandelion, so he listened for a moment and then went on his way.
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Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedลบminie, #0.7))
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We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-"
She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean.
She felt him inhale. "Tess," he said. "Tess, look at me."
She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one.
This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his.
"Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down.
"No," he said. "Let me touch you first. I have wanted...
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Cassandra Clare
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There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame.
The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love.
The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love.
The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.
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Mervyn Peake (Titus Groan (Gormenghast, #1))
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Unfortunately, much of the important information Ambassador Grew sent to Washington was largely overlooked or ignored, and dialogue between Washington and Tokyo was strained. This state of affairs is indicated by Grewโs cable on July 10, 1941, in which he pointed out that he had to go to the British ambassador in Tokyo, Sir Robert Craigie, to find out about discussions between the State Department and the Japanese ambassador in Washington.ย This occurred because the State Department kept the British ambassador in Washington abreast of events, who promptly informed the foreign secretary in London, who in turn informed their ambassador in Tokyo. Sir Robert then kindly passed the information to Ambassador Grew.
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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Former corporal Hitler, decorated for his service on the front lines of the Great War, may have believed he knew more about waging war than the Prussian generals. His successes as an infantryman, terrorist, diplomatic bully, and military victor in early 1940 had made him supremely confident. But, in reality, he was out of his depth. He already had failed to easily capture the British Expeditionary Force at Dunkirk in May, 1940 and failed again a few months later in the Battle of Britain despite superior air power. Understanding the enormous potential of a comprehensive geopolitical strategy, such as the Quadripartite Entente, was beyond his capabilities and destroyed by his hatreds. While Germany was still powerful, the misjudgments in 1940 and the failure to conquer Russia in 1941 were taking a toll. Largely unrecognized at the time, the odds were beginning to shift away from Hitler.ย
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Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
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Despite what we knitters know to be true, the non-knitting world somehow persists in thinking that a "knitter" looks a certain way. Most likely, this picture is one of an elderly woman, grandmotherly and polite, sitting in her rocking chair surrounded by homemade cookies and accompanied by a certain number of cats.
In reality, a knitter today is just as likely to be young, hip, male, and sitting at a "Stitch and Bitch" in a local bar. Several of today's best knitting designers are men, and a knitter is as likely to have body piercings as homemade cookies.
Despite our diversity, the tendency to be accompanied by a cat is an oddity among knitters that cannot be explained.
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Stephanie Pearl-McPhee (At Knit's End: Meditations for Women Who Knit Too Much)
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It was in fact the ordinary nature of everything preceding the event that prevented me from truly believing it had happened, absorbing it, incorporating it, getting past it. I recognize now that there was nothing unusual in this: confronted with sudden disaster we all focus on how unremarkable the circumstances were in which the unthinkable occurred, the clear blue sky from which the plane fell, the routine errand that ended on the shoulder with the car in flames, the swings where the children were playing as usual when the rattlesnake struck from the ivy. "He was on his way home from work โ happy, successful, healthy โ and then, gone," I read in the account of a psychiatric nurse whose husband was killed in a highway accident. In 1966 I happened to interview many people who had been living in Honolulu on the morning of December 7, 1941; without exception, these people began their accounts of Pearl Harbor by telling me what an "ordinary Sunday morning" it had been. "It was just an ordinary beautiful September day," people still say when asked to describe the morning in New York when American Airlines 11 and United Airlines 175 got flown into the World Trade towers. Even the report of the 9/11 Commission opened on this insistently premonitory and yet still dumbstruck narrative note: "Tuesday, September 11, 2001, dawned temperate and nearly cloudless in the eastern United States.
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Joan Didion (The Year of Magical Thinking)
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There was nothing left for me to do, but go.
Though the things of the world were strong with me still.
Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off oneโs clinging shirt post-June rain.
Pearls, rags, buttons, rug-tuft, beer-froth.
Someoneโs kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.
A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse.
Geese above, clover below, the sound of oneโs own breath when winded.
The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing oneโs belovedโs name upon a frosted window with a gloved finger.
Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
Goodbye, I must now say goodbye to all of it.
Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day.
Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left.
Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac.
None of it was real; nothing was real.
Everything was real; inconceivably real, infinitely dear.
These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth.
And now we must lose them.
I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant.
Goodbye goodbye good-
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George Saunders (Lincoln in the Bardo)
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Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.
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Nikolai Gogol (Dead Souls)