Pear Sayings Quotes

[The Old Astronomer to His Pupil] Reach me down my Tycho Brahe, I would know him when we meet, When I share my later science, sitting humbly at his feet; He may know the law of all things, yet be ignorant of how We are working to completion, working on from then to now. Pray remember that I leave you all my theory complete, Lacking only certain data for your adding, as is meet, And remember men will scorn it, 'tis original and true, And the obloquy of newness may fall bitterly on you. But, my pupil, as my pupil you have learned the worth of scorn, You have laughed with me at pity, we have joyed to be forlorn, What for us are all distractions of men's fellowship and smiles; What for us the Goddess Pleasure with her meretricious smiles. You may tell that German College that their honor comes too late, But they must not waste repentance on the grizzly savant's fate. Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. What, my boy, you are not weeping? You should save your eyes for sight; You will need them, mine observer, yet for many another night. I leave none but you, my pupil, unto whom my plans are known. You 'have none but me,' you murmur, and I 'leave you quite alone'? Well then, kiss me, -- since my mother left her blessing on my brow, There has been a something wanting in my nature until now; I can dimly comprehend it, -- that I might have been more kind, Might have cherished you more wisely, as the one I leave behind. I 'have never failed in kindness'? No, we lived too high for strife,-- Calmest coldness was the error which has crept into our life; But your spirit is untainted, I can dedicate you still To the service of our science: you will further it? you will! There are certain calculations I should like to make with you, To be sure that your deductions will be logical and true; And remember, 'Patience, Patience,' is the watchword of a sage, Not to-day nor yet to-morrow can complete a perfect age. I have sown, like Tycho Brahe, that a greater man may reap; But if none should do my reaping, 'twill disturb me in my sleep So be careful and be faithful, though, like me, you leave no name; See, my boy, that nothing turn you to the mere pursuit of fame. I must say Good-bye, my pupil, for I cannot longer speak; Draw the curtain back for Venus, ere my vision grows too weak: It is strange the pearly planet should look red as fiery Mars,-- God will mercifully guide me on my way amongst the stars.

Do you know, the only people I can have a conversation with are the Jews? At least when they quote scripture at you they are not merely repeating something some priest has babbled in their ear. They have the great merit of disagreeing with nearly everything I say. In fact, they disagree with almost everything they say themselves. And most importantly, they don't think that shouting strengthens their argument.

Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.” Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees. Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.” Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota. Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —” Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.” Voicemail #20: “I wish you’d answer.

James Lipton: If Heaven exists, what would you like God to say when you arrive at the pearly gates? Cory Monteith: Sorry I haven't been around. There's a good explanation.

Flurries early, pristine and pearly. Winter's come calling! Can we endure so premature a falling? Some may find this trend distressing- others bend to say a blessing over sage and onion dressing.

...the average Frenchman would shrug, as if to say: "These notions of yours are all very fascinating, no doubt, but we make a decent living. Nobody has ulcers. I have time to work on my monograph about Balzac, and my foreman enjoys his espaliered pear trees. I think as a matter of fact, we do not wish to make the changes that you suggest.

I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!

They laughed at him, but they didn't know, they didn't know about all the nice things he had. No one knew. No one. Only someday he'd see somebody different, somebody to give his things to, somebody who would give him all their things. Yes. He'd like that. He'd know her when he saw her. He'd know just what to say.

To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!

Ain't I been trying to tell you that you can't be holding grudges against people? Didn't you hear me say that? What do you think Jesus is gonna say if we come walking up to those pearly gates carrying a whole sackful of grievances and grudges on our backs? Jesus is gonna ask, What's that you toting on your back? Do you want to be opening that sack and showing Him all those ugly thing? He's dressed all in white and shining like the sun, and you're coming in with a load a hate in your your arms? Umm hmm. I can't imagine doing that.

Janie had spent most of the day under a blossoming pear tree in the back-yard. She had been spending every minute that she could steal from her chores under that tree for the last three days. That was to say, ever since the first tiny bloom had opened. It had called her to come and gaze on a mystery. From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom. It stirred her tremendously. How? Why? It was like a flute song forgotten in another existence and remembered again. What? How? Why? This singing she heard that had nothing to do with her ears.

Standing now, apparently transfixed, by the pear tree, impressions poured in upon her of those two men, and to follow her thought was like following a voice which speaks too quickly to be taken down by one's pencil, and the voice was her own voice saying without prompting undeniable, everlasting, contradictory things, so that even the fissures and humps on the bark of the pear tree were irrevocably fixed there for eternity.

I wanted to describe to him how the emotional intimacy growing between us was shattering my heart in the most life-affirming ways, but I didn’t have the right words, except to say that I loved him, which wasn’t nearly enough. We spent that night, and every night together after, in a closeness I had never known, or even thought possible with another person. I was happy. Truly content. Drifting to sleep in Bilal’s arms, I thought about the hills beyond the terrace. Soon wild plum, peach, pear, fig, medlar, mulberry, date, and almond trees would bloom.

Videotape When I’m at the pearly gates This will be on my videotape, my videotape Mephistopheles is just beneath and he’s reaching up to grab me This is one for the good days and i have it all here In red, blue, green Red, blue, green You are my center When I spin away Out of control on videotape On videotape On videotape On videotape This is my way of saying goodbye Because I can’t do it face to face I’m talking to you before No matter what happens now You shouldn’t be afraid Because I know today has been the most perfect day I’ve ever seen.

Ingenious philosophers tell you, perhaps, that the great work of the steam-engine is to create leisure for mankind. Do not believe them: it only creates a vacuum for eager thought to rush in. Even idleness is eager now—eager for amusement; prone to excursion-trains, art museums, periodical literature, and exciting novels; prone even to scientific theorizing and cursory peeps through microscopes. Old Leisure was quite a different personage. He only read one newspaper, innocent of leaders, and was free from that periodicity of sensations which we call post-time. He was a contemplative, rather stout gentleman, of excellent digestion; of quiet perceptions, undiseased by hypothesis; happy in his inability to know the causes of things, preferring the things themselves. He lived chiefly in the country, among pleasant seats and homesteads, and was fond of sauntering by the fruit-tree wall and scenting the apricots when they were warmed by the morning sunshine, or of sheltering himself under the orchard boughs at noon, when the summer pears were falling. He knew nothing of weekday services, and thought none the worse of the Sunday sermon if it allowed him to sleep from the text to the blessing; liking the afternoon service best, because the prayers were the shortest, and not ashamed to say so; for he had an easy, jolly conscience, broad-backed like himself, and able to carry a great deal of beer or port-wine, not being made squeamish by doubts and qualms and lofty aspirations.

Hang the boy, can't I never learn anything? Ain't he played tricks on me enough like that for me to be looking out for him by this time? But old fools is the biggest fools there is. Can;t learn an old dog new tricks, as the saying is. But my goodness, he never plays them alike, two days, and how is a body to know what's coming? He 'pears to know just how long he can torment me before I get my dander up and he knows if he can make out to put me off for a minute or make me laugh, it's all down again and I can't hit him a lick. I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows. Spare the rod and spile the child, as the Good Book says. I'm a-laying up sin and suffering for the both of us, I know. He's full of the Old Scratch, but laws-a-me! he's my own dead sister's boy, poor thing, and I ain't got the heart to lash him, somehow. Every time I let him off, my conscience does hurt me so, and every time I hit him my old heart almost breaks. Well-a-well, man that is born of woman is of few days and full of trouble, as the Scripture says, and I reckon it's so. He'll play hooky this evening, and I'll just be obleeged to make him work tomorrow, to punish him. It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and I've got to do some of my duty by him, or I'll be the ruination of the child.

This is a perfectly good picture. And if I didn't know you, I would be impressed and charmed. But I do know you." He thought some more, wondering whether he dared say precisely what he felt, for he knew he could never explain exactly why the idea came to him. "It's the painting of a dutiful daughter," he said eventually, looking at her cautiously to see her reaction. "You want to please. You are always aware of what the person looking at this picture will think of it. Because of that you've missed something important. Does that make sense?" She thought, then nodded. "All right," she said grudgingly and with just a touch of despair in her voice. "You win." Julien grunted. "Have another go, then. I shall come back and come back until you figure it out." "And you'll know?" "You'll know. I will merely get the benefit of it.

James Brown went to the pearly gates and met St. Peter who took him to a room where Jerry Garcia was playing and Jimi Hendricks and Jim Morrison and Janis Joplin. James Brown says, “I was worried maybe I was going to hell, but I guess not.” Jerry Garcia says “You think this is heaven?” Just then Lawrence Welk walked in and says “All right, one more time. ‘The Anniversary Waltz.’ And a one and a two and a one, two, three…

a sinner is pleading to Saint Peter at the Pearly Gates: “Wait, those weren’t lies,” the sinner says. “That was spin!

What if you get stranded in the town where pears and winter are variants for one another? Can you eat winter? No. Can you live six months inside a frozen pear? No. But there is a place, I know the place, where you will stand and see pear and winter side by side as walls stand by in silence. Can you punctuate yourself as silence? You will see the edges cut away from you, back into a world, of another kind-- back into real emptiness, some would say. Well, we are objects in a wind that stopped, is my view.

No, Charles Tansley would put them both right in a second about books, but it was all so mixed up with, Am I saying the right thing? Am I making a good impression? that, after all, one knew more about him than about Tolstoi, whereas, what Paul said was about the thing, simply, not himself, nothing else. Like all stupid people, he had a kind of modesty too, a consideration for what you were feeling, which, once in a way at least, she found attractive. Now he was thinking, not about himself, or about Tolstoi, but whether she was cold, whether she felt a draught, whether she would like a pear.

Liza Hempstock, who had been Bod's friend for the last six years, was different in another way; she was less likely to be there for him when Bod went down to the nettle patch to see her, and on the rare occasions when she was, she would be short-tempered, argumentative and often downright rude. Bod talked to Mr Owens about this, and after a few moments' reflection, his father said, "It's just women, I reckon. She liked you as a boy, probably isn't sure who you are now you're a young man. I used to play with one little girl down by the duck pond every day until she turned about your age, and then she threw an apple at my head and did not say another word to me until I was seventeen." Mrs Owens stiffened. "It was a pear I threw," she said, tartly, "and I was talking to you again soon enough, for we danced a measure at your cousin Ned's wedding, and that was but two days after your sixteenth birthday." Mr Owens said, "Of course you are right, my dear." He winked at Bod, to tell him that it was none of it serious. And then mouthed "Seventeen" to show that, really, it was.

July" The figs we ate wrapped in bacon. The gelato we consumed greedily: coconut milk, clove, fresh pear. How we’d dump hot espresso on it just to watch it melt, licking our spoons clean. The potatoes fried in duck fat, the salt we’d suck off our fingers, the eggs we’d watch get beaten ’til they were a dizzying bright yellow, how their edges crisped in the pan. The pink salt blossom of prosciutto we pulled apart with our hands, melted on our eager tongues. The green herbs with goat cheese, the aged brie paired with a small pot of strawberry jam, the final sour cherry we kept politely pushing onto each other’s plate, saying, No, you. But it’s so good. No, it’s yours. How I finally put an end to it, plucked it from the plate, and stuck it in my mouth. How good it tasted: so sweet and so tart. How good it felt: to want something and pretend you don’t, and to get it anyway.

After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?” Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.” As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!” “Oy,” says Peter, “another one - wait here.” He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten. “What is it, my son?” he asks. The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?” “Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ” Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?” “No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?” The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.

Can you speed it up a little?” he asks. “No. Shut up and eat your pears,” I say.

Do you need someone else to tell you it's okay just to say, FUCK THIS SHIT?

Trust me. Killing things is much easier than this,” I said. “Although for all I know, I am killing you.” “Can you speed it up a little?” he asks. “No. Shut up and eat your pears,” I say.

God says it is a righteous act to regard (or care for) the life of our animals. Logic tells us that this means we should treat them well, care for their needs, and protect and provide for them.

I’ve found that a well-fitting padded bra can transform me from a pear-shaped woman to an hourglass-shaped woman. Okay, maybe not hourglass-shaped, but definitely, say, an egg-timer-shaped woman.

Pristine white, pearly, and translucent, it almost glows from within, giving off its own light. “It’s selenite,” Yuki says. “My mother gave it to me. It’s supposed to bring you luck and protection.

There is an old anecdote in which a mystic, an evangelical pastor and a fundamentalist preacher die on the same day and awake to find themselves by the pearly gates. Upon reaching the gates they are promptly greeted by Peter, who informs them that before entering heaven they must be interviewed by Jesus concerning the state of their doctrine. The first to be called forward is the mystic, who is quietly ushered into a room. Five hours later the mystic reappears with a smile, saying, ‘I thought I had got it all wrong.’ Then Peter signals to the evangelical pastor, who stands up and enters the room. After a full day has passed the pastor reappears with a frown and says to himself, ‘How could I have been so foolish!’ Finally Peter asks the fundamentalist to follow him. The fundamentalist picks up his well-worn Bible and walks into the room. A few days pass with no sign of the preacher, then finally the door swings open and Jesus himself appears, exclaiming, ‘How could I have got it all so wrong!

How do you hunt?” he asks. “Trust me. Killing things is much easier than this,” I said. “Although for all I know, I am killing you.” “Can you speed it up a little?” he asks. “No. Shut up and eat your pears,” I say.

squirrel is in a pine tree, when all of a sudden, it starts shaking. He looks down, and sees an elephant climbing the tree. ‘What are you doing? Why are you climbing my tree?’ the squirrel calls down to the elephant. ‘I’m coming up there to eat some pears!’ the elephant responds. ‘You fool! This is a pine tree! There aren’t any pears up here!’ The elephant looks perplexed for a moment, and then says, ‘Well, I brought my own pears.

Orange Nya Nya Style.... Orange Nya Nya Style.... I am an orange, people think that I'm annoying Say what you want 'cuz I'm certainly not boring I hang out in the stables with a bunch of unicorns and i ride them into outspace - honking unihorns! I hangout with pear In the kitchen every we really like it here We do? We're having fun times even squash is here ..... Marshmallow is really happy with his teddy bear - his evil teddy bear

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

His brown eyes would roam around the various sentimental and artistic bric-a-brac present, and his own banal toiles (the conventionally primitive eyes, sliced guitars, blue nipples and geometrical designs of the day), and with a vague gesture toward a painted wooden bowl or veined vase, he would say "Prenez donc une des ces poires. La bonne dame d'en face m'en offre plus que je n'en peux savourer." Or: "Mississe Taille Lore vient de me donner ces dahlias, belles fleurs que j'exècre.

I had never before spent a night with a woman, had someone lying by my side in the quietness of the dark, hearing her breath and feeling her warmth beside me. It is a sin, and it is a crime. I say it frankly, for I have been taught so all my life, and only madmen have said otherwise. The Bible says it, the fathers of the church have said it, the prelates now repeat it without end, and all the statues of the land prescribe punishment for what we did that night. Abstain from fleshly lusts, which war against the soul. It must be so, for the Bible speaks only God’s truth. I sinned against the law, against God’s word reported, I abused my family and exposed them even more to risk of public shame, I again risked permanent exclusion from those rooms and books which were my delight and my whole occupation; yet in all the years that have passed since I have regretted only one thing: that it was but a passing moment, never repeated, for I have never been closer to God, nor felt His love and goodness more.

Mellas continued to look at the wallet, saying nothing. Hawke, who had been watching Mellas through the steam that rose from his pear-can coffee mug, handed Mellas the cup. Mellas gave a brief smile and took a drink. His hand was shaking. Hawke said in a calm voice, 'Something happened. You want to talk about it?' Mellas didn't answer right away. Then he said, 'I think I know where the gooks are.' He pulled out his map and pointed to the spot, his hand still trembling. 'How do you know that, Mel?' Hawke asked. 'From the direction he crawled after he was shot.' Mellas tossed the wallet down at Fitch. Then he dug into his pocket and pulled out the soldier's unit and rank patches. he looked at them, then at Fitch and Hawke, who were no longer eating. 'I let him crawl toward home with his guts hanging out.' He started sobbing. 'I just left him there.' Snot was streaming from his nose. 'I'm so sorry. I'm so fucking sorry.' His hands were now shaking with his body as he clenched the two pieces of cloth to his eyes.

When American experts began making "helpful" suggestions about how the French could "increase productivity and profits" the average Frenchman would shrug, as if to say: "These notions of yours are all very fascinating, no doubt, but we have a nice little business here just as it is. Everybody makes a decent living. Nobody has ulcers. I have time to work on my monograph about Balzac, and my foreman enjoys his espaliered pear trees. I think as a matter of fact, we do not wish to make the changes that you suggest.

Ain't I been trying to tell you that you can't be holding grudges against people? Didn't you hear me say that? What do you think Jesus is gonna say if we come walking up to those pearly gates carrying a whole sackful of grievances and grudges on our backs? Jesus is gonna ask, What's that you toting on your back? Do you want to be opening that sack and showing Him all those ugly thing? He's dressed all in white and shining like the sun, and you're coming in with a load a hate in your your arms? Umm hmm. I can't imagine doing that.

New Rule: Death isn’t always sad. This week, the Reverend Jerry Falwell died, and millions of Americans asked, “Why? Why, God? Why…didn’t you take Pat Robertson with him?” I don’t want to say Jerry was disliked by the gay community, but tonight in New York City, at exactly eight o’clock, Broadway theaters along the Great White Way turned their lights up for two minutes. I know you’re not supposed to speak ill of the dead, but I think we can make an exception, because speaking ill of the dead was kind of Jerry Falwell’s hobby. He’s the guy who said AIDS was God’s punishment for homosexuality and that 9/11 was brought on by pagans, abortionists, feminists, gays, and the ACLU—or, as I like to call them, my studio audience. It was surreal watching people on the news praise Falwell, followed by a clip package of what he actually said—things like: "Homosexuals are part of a vile and satanic system that will be utterly annihilated." "If you’re not a born-again Christian, you’re a failure as a human being." "Feminists just need a man in the house." "There is no separation of church and state." And, of course, everyone’s favorite: "The purple Teletubby is gay." Jerry Falwell found out you could launder your hate through the cover of “God’s will”—he didn’t hate gays, God does. All Falwell’s power came from name-dropping God, and gay people should steal that trick. Don’t say you want something because it’s your right as a human being—say you want it because it’s your religion. Gay men have been going at things backward. Forget civil right, and just make gayness a religion. I mean, you’re kneeling anyway. And it’s easy to start a religion. Watch, I’ll do it for you. I had a vision last night. The Blessed Virgin Mary came to me—I don’t know how she got past the guards—and she told me it’s time to take the high ground from the Seventh-day Adventists and give it to the twenty-four-hour party people. And that what happens in the confessional stays in the confessional. Gay men, don’t say you’re life partners. Say you’re a nunnery of two. “We weren’t having sex,officer. I was performing a very private mass.Here in my car. I was letting my rod and my staff comfort him.” One can only hope that as Jerry Falwell now approaches the pearly gates, he is met there by God Himself, wearing a Fire Island muscle shirt and nut-hugger shorts, saying to Jerry in a mighty lisp, “I’m not talking to you.

Would you like to dance?" I knew I had frosting on my nose. Alex leaned over and wuped it off with his thumb. "Well?" I could only nod. I had a full mouth, too. I stood up, swallowed, and accepted the napkin he was holding. "You're here." "I'm here," he agreed, like it hadn't been a ridiculous thing to say. "I am crashing your sister's wedding. Hope she won't mind." "She won't mind." He was wearing a tux. A real tux, complete with bow tie and silk lapels. I stroked one. "I'm guessing this isn't a rental." He squirmed a little. "No, it's mine. Nice dress." I looked down at the snug purple monstrosity my sister had chosen. At least it had a mandarin collar and some sleeves. "It's a cheongsam," she'd announced proudly. "It's Eggplant Ho Lee Mess" was Frankie's take. My pear-shaped cousin Vanessa got strapless. Now she looked like an eggplant. "You look beautiful," Alex said, but the corner of his mouth was twitching. "Well,you look like...like..." I sighed. "Okay, you look really really good." Then, again, "You're here." "I'm here." "Why?" "I missed you," he said simply. "It's only been four days." "A very,very long four days. But your e-mail helped." He reached for my hand. "Now,are we dancing or not?" We did, and it wasn't as complicated as I'd thought it might be. I stood on my toes, he bent down a little, and we fit together pretty well. The song ended way too soon. "So," Alex said. "So." "We can stay here if you want to...or if you have to. But I have another suggestion. Let's go watch the sun rise." It sounded like a good idea to me. Except... "It's ten o'clock. And it's freezing out there." "Trust me," he said. "okay.

But how should I know whether they were boys or girls?” “Goodness sakes, mars Clay, don’t de Good Book say? ‘Sides, don’t it call ‘em de HE-brew chil’en? If dey was gals wouldn’t dey be de SHE-brew chil’en? Some people dat kin read don’t ‘pear to take no notice when dey do read.

As long as there are beginning-English students and a lake and I can see a mountain, I will be perfectly happy,” she said, reminding me of how my grandfather used to say he was a simple man with simple tastes: “All I need is a little milk from a goat that has been fed for a month on wild green pears.

I was drawn on. Conscious now that something needed doing, I moved ever higher on the land. Here entering an orchard of immense and archaic beauty. I say orchard: The trees were dense in one place, scattered in another, as though planted by random throw, but all were heavy trunked and capaciously limbed, and they were fruit trees, every one of them. Apples, gold-skinned apricots, immaculate pears. The leaves about them were thick and cool and stirred at my approach; touched with a finger, they imparted a palpable rhythm. It took a long while to traverse the orchard. I began to feel hungry but didn't pause; though all this fruit appeared perfectly available, I felt prodded to appear before the master. The place had a master! Realizing this, I know he was already aware of me - comforting and fearful knowledge. Still I wanted to see him. The farther I went the more I seemed to know or remember abut him - the way he'd planted this orchard, walking over the hills, casting seed from his hand. I kept moving.

Katniss?” Peeta says. I meet his eyes, knowing my face must be some shade of green. He mouths the words. “How about that kiss?” I burst out laughing because the whole thing is so revolting I can’t stand it. “Something wrong?” he asks a little too innocently. “I . . . I’m no good at this. I’m not my mother. I’ve no idea what I’m doing and I hate pus,” I say. “Euh!” I allow myself to let out a groan as I rinse away the first round of leaves and apply the second. “Euuuh!” “How do you hunt?” he asks. “Trust me. Killing things is much easier than this,” I said. “Although for all I know, I am killing you.” “Can you speed it up a little?” he asks. “No. Shut up and eat your pears,” I say.

When I was little, I didn’t understand that you could change a few sounds in a name or a phrase and have it mean something entirely different. When I told teachers my name was Benna and they said, “Donna who?” I would say, “Donna Gilbert.” I thought close was good enough, that sloppiness was generally built into the language. I thought Bing Crosby and Bill Crosby were the same person. That Buddy Holly and Billie Holiday were the same person. That Leon Trotsky and Leo Tolstoy were the same person. It was a shock for me quite late in life to discover that Jean Cocteau and Jacques Cousteau were not even related. Meaning, if it existed at all, was unstable and could not survive the slightest reshuffling of letters. One gust of wind and Santa became Satan. A slip of the pen and pears turned into pearls. A little interior decorating and the world became her twold, an ungrammatical and unkind assessment of an aging aunt in a singles bar. Add a d to poor, you got droop. It was that way in biology, too. Add a chromosome, get a criminal. Subtract one, get an idiot or a chipmunk. That was the way with things.

Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.

A flood comes in and completely covers a woman’s home. She sittin’ on the roof and cries out to God, ‘Please help me.’ Then an hour later, a boat comes by, and a man calls out, ‘You need help?’ And she answers, ‘No, I’m waiting on God to save me.’ Another hour goes by, the floodwaters are even higher now, and she cries out to God, ‘Please help me.’ Another boat comes, and the driver calls out, ‘You need help?’ And she says, ‘No, I’m waiting on God to save me.’ Another hour, and more water. It’s up to her chin now. She’s not gonna make it. Same story, she denies rescue, and of course she dies. When she goes through the pearly gates, she meets Peter, and she tells him how sad she is that God never answered her prayer. He looks at her and says, ‘You idiot, he sent you three boats.

She was the first close friend who I felt like I’d re­ally cho­sen. We weren’t in each other’s lives be­cause of any obli­ga­tion to the past or con­ve­nience of the present. We had no shared his­tory and we had no rea­son to spend all our time to­ gether. But we did. Our friend­ship in­ten­si­fied as all our friends had chil­dren – she, like me, was un­con­vinced about hav­ing kids. And she, like me, found her­self in a re­la­tion­ship in her early thir­ties where they weren’t specif­i­cally work­ing to­wards start­ing a fam­ily. By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Ev­ery time there was an­other preg­nancy an­nounce­ment from a friend, I’d just text the words ‘And an­other one!’ and she’d know what I meant. She be­came the per­son I spent most of my free time with other than Andy, be­cause she was the only friend who had any free time. She could meet me for a drink with­out plan­ning it a month in ad­vance. Our friend­ship made me feel lib­er­ated as well as safe. I looked at her life choices with no sym­pa­thy or con­cern for her. If I could ad­mire her de­ci­sion to re­main child-free, I felt en­cour­aged to ad­mire my own. She made me feel nor­mal. As long as I had our friend­ship, I wasn’t alone and I had rea­son to be­lieve I was on the right track. We ar­ranged to meet for din­ner in Soho af­ter work on a Fri­day. The waiter took our drinks or­der and I asked for our usual – two Dirty Vodka Mar­ti­nis. ‘Er, not for me,’ she said. ‘A sparkling wa­ter, thank you.’ I was ready to make a joke about her un­char­ac­ter­is­tic ab­sti­nence, which she sensed, so as soon as the waiter left she said: ‘I’m preg­nant.’ I didn’t know what to say. I can’t imag­ine the ex­pres­sion on my face was par­tic­u­larly en­thu­si­as­tic, but I couldn’t help it – I was shocked and felt an un­war­ranted but in­tense sense of be­trayal. In a de­layed re­ac­tion, I stood up and went to her side of the ta­ble to hug her, un­able to find words of con­grat­u­la­tions. I asked what had made her change her mind and she spoke in va­garies about it ‘just be­ing the right time’ and wouldn’t elab­o­rate any fur­ther and give me an an­swer. And I needed an an­swer. I needed an an­swer more than any­thing that night. I needed to know whether she’d had a re­al­iza­tion that I hadn’t and, if so, I wanted to know how to get it. When I woke up the next day, I re­al­ized the feel­ing I was ex­pe­ri­enc­ing was not anger or jeal­ousy or bit­ter­ness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t re­ally gone, they were still my friends and I still loved them. But huge parts of them had dis­ap­peared and there was noth­ing they could do to change that. Un­less I joined them in their spa­ces, on their sched­ules, with their fam­i­lies, I would barely see them. And I started dream­ing of an­other life, one com­pletely re­moved from all of it. No more chil­dren’s birth­day par­ties, no more chris­ten­ings, no more bar­be­cues in the sub­urbs. A life I hadn’t ever se­ri­ously con­tem­plated be­fore. I started dream­ing of what it would be like to start all over again. Be­cause as long as I was here in the only Lon­don I knew – mid­dle-class Lon­don, cor­po­rate Lon­don, mid-thir­ties Lon­don, mar­ried Lon­don – I was in their world. And I knew there was a whole other world out there.

What do you think Jesus is gonna say if we come walking up to those pearly gates carrying a whole sackful of grievances and grudges on our backs? Jesus is gonna ask, What’s that you toting there on your back? Do you want to be opening that sack and showing Him all those ugly things? He’s dressed all in white and shining like the sun, and you’re coming in with a load of hate in your arms? Umm hmm. I can’t imagine doing that.

Suppose you are advertising lemonade, or not to be invidious, we will say perry. If you say 'Our perry is made from fresh-plucked pears only,' then it's got to be made from pears only, or the statement is actionable; if you just say it is made 'from pears', without the 'only' the betting is that it is probably made chiefly of pears; but if you say, 'made with pears', you generally mean that you use a peck of pears to a ton of turnips, and the law cannot touch you - such are the niceties of our English tongue.

Years later, I would discover that constantly behaving in a way that makes you feel shameful means you simply will not be able to take yourself seriously and your self-esteem will plummet lower and lower. Ironically, my teenage one-woman mission to be a grown-up through excessive drinking left me feeling more like a child than any other of my actions in my life. For years of my twenties, I wandered around feeling like I was about to be accused of something terrible, like someone could very easily march up to me and say, “YOU’RE the dick who drank Jo Malone Pear and Freesia bath oil in a pint glass at my house party for a dare—you owe me £42!”; or “OI! TOSS POT! I still can’t believe you got off with my boyfriend outside the Mornington Crescent Sainbury’s!”—and I would have to nod reverently and say, “Yes, I can’t recall that specifically, but I shall take your word for it and I’m sorry.” Imagine walking around in a world where you think someone is ALWAYS about to tell you you’re an arsehole, and you’re ready to agree with them wholeheartedly. What sort of fun is that?

For the weekend before, we had had a blowout of tarts, a tart bender, tart madness- even, I dare say, a Tart-a-pa-looza, if you will forgive one final usage of the construction before we at last bury that cruelly beaten dead pop-culture horse. Tarte aux Pêches, Tarte aux Limettes, Tarte aux Poires, Tarte aux Cerises. Tarte aux Fromage Frais, both with and without Pruneaux. Tarte aux Citron et aux Amandes, Tarte aux Poires à la Bourdalue, and Tarte aux Fraises, which is not "Tart with Freshes," as the name of the Tarte aux Fromage Frais ("Tart with Fresh Cheese," of course) might suggest, but rather Tart with Strawberries, which was a fine little French lesson. (Why are strawberries, in particular, named for freshness? Why not blackberries? Or say, river trout? I love playing amateur- not to say totally ignorant- etymologist....) I made two kinds of pastry in a kitchen so hot that, even with the aid of a food processor, the butter started melting before I could get it incorporated into the dough. Which work resulted in eight tart crusts, perhaps not paragons of the form, but good enough. I made eight fillings for my eight tart crusts. I creamed butter and broke eggs and beat batter until it formed "the ribbon." I poached pears and cherries and plums in red wine.

It is a machine which I invented, designed and built. It is a way of gaining access to a variety of realities. As I say, at the moment it leads to a world created from Henry’s imagination.’ ‘Does he know?’ ‘No, and I’d prefer it if you didn’t tell him. He might be offended.’ ‘What do you mean by variety of realities?’ ‘It means that for any given state of the universe, there are an infinite number of other possibilities. For example, we came to this restaurant and you ordered chicken. You could have ordered fish. A universe where you did order fish is a viable alternative to this one. One where you ordered roast Brontosaurus is more distant and more difficult to access.’ Rosie’s

Juicy apple, pear, and banana, Gooseberry ... They all speak of Death and life in the mouth ... I have a presentiment ... Read it from a child’s expression If she savours them. It comes from far, from far ... Aren’t you slowly becoming aware of something inexpressible in your mouth? Where a moment ago were words, a flowing discovery Is released, startling, from the fruit’s flesh. Venture to say what your apple is called. This sweetness, which originally condensed itself, Spreading out, slowly in being tasted rose up To achieve a clarity, awake and of transparency, Resonant of opposites, sunny, earthy, of the here and now -: Oh the experience of it, the feeling, the joy -, immense!

As in most obituaries, the author said little about the man; they rarely do. But the reticence here was greater than usual. It mentioned that Ravenscliff left a wife, but did not say when they married. It said nothing at all about his life, nor where he lived. There were not even any of the usual phrases to give a slight hint: ‘a natural raconteur’ (loved the sound of his own voice); ‘Noted for his generosity to friends’ (profligate); ‘a formidable enemy . . .’ (a brute); ‘a severe but fair employer . . .’ (a slave-driver); ‘devoted to the turf’ (never read a book in his life); ‘a life-long bachelor’ (vice); ‘a collector of flowers’ (this meant a great womaniser. Why it came to mean such a thing I do not know.) More browsing

We moved all around, and I was very worried I would not get a chance to show her what I had planned. Here was the children's home, here was the library, here was a furniture factory of the  kibbutz. I tried to squeeze a few words in about everything we saw, as someone who makes himself known and unversed in the ways of the  kibbutz. The highlight was when I gave her a tour, on the tractor, to the pear groves where I worked. I drove the tractor and she sat beside me, in a very unsafe way, standing on the shaft as she rested on one of the wheel's wings of the tractor. The groves were just a few minutes away from the  kibbutz, on a dirt road that led south towards Acre. I kept explaining to her about new life on the  kibbutz the entire time.

It’s nice when grown people whisper to each other under the covers. Their ecstasy is more leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavor would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher’s palm asking for witnesses in His name’s sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don’t have to look at themselves anymore; there is no stud’s eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers. But there is another part, not so secret. The part that touches fingers when one passes the cup and saucer to the other. The part that closes her neckline snap while waiting for the trolley; and brushes lint from his blue serge suit when they come out of the movie house into the sunlight. I envy them their public love. I myself have only known it in secret, shared it in secret and longed, aw longed to show it—to be able to say out loud what they have no need to say at all: That I have loved only you, surrendered my whole self reckless to you and nobody else. That I want you to love me back and show it to me. That I love the way you hold me, how close you let me be to you. I like your fingers on and on, lifting, turning. I have watched your face for a long time now, and missed your eyes when you went away from me. Talking to you and hearing you answer —that’s the kick. But I can’t say that aloud; I can’t tell anyone that I have been waiting for this all my life and that being chosen to wait is the reason I can. If I were able I’d say it. Say make me, remake me. You are free to do it and I am free to let you because look, look. Look where your hands are. Now.

Sunday Morning V She says, "But in contentment I still feel The need of some imperishable bliss." Death is the mother of beauty; hence from her, Alone, shall come fulfilment to our dreams And our desires. Although she strews the leaves Of sure obliteration on our paths, The path sick sorrow took, the many paths Where triumph rang its brassy phrase, or love Whispered a little out of tenderness, She makes the willow shiver in the sun For maidens who were wont to sit and gaze Upon the grass, relinquished to their feet. She causes boys to pile new plums and pears On disregarded plate. The maidens taste And stray impassioned in the littering leaves. VI Is there no change of death in paradise? Does ripe fruit never fall? Or do the boughs Hang always heavy in that perfect sky, Unchanging, yet so like our perishing earth, With rivers like our own that seek for seas They never find, the same receding shores That never touch with inarticulate pang? Why set the pear upon those river-banks Or spice the shores with odors of the plum? Alas, that they should wear our colors there, The silken weavings of our afternoons, And pick the strings of our insipid lutes! Death is the mother of beauty, mystical, Within whose burning bosom we devise Our earthly mothers waiting, sleeplessly. VII Supple and turbulent, a ring of men Shall chant in orgy on a summer morn Their boisterous devotion to the sun, Not as a god, but as a god might be, Naked among them, like a savage source. Their chant shall be a chant of paradise, Out of their blood, returning to the sky; And in their chant shall enter, voice by voice, The windy lake wherein their lord delights, The trees, like serafin, and echoing hills, That choir among themselves long afterward. They shall know well the heavenly fellowship Of men that perish and of summer morn. And whence they came and whither they shall go The dew upon their feet shall manifest. VIII She hears, upon that water without sound, A voice that cries, "The tomb in Palestine Is not the porch of spirits lingering. It is the grave of Jesus, where he lay." We live in an old chaos of the sun, Or old dependency of day and night, Or island solitude, unsponsored, free, Of that wide water, inescapable. Deer walk upon our mountains, and the quail Whistle about us their spontaneous cries; Sweet berries ripen in the wilderness; And, in the isolation of the sky, At evening, casual flocks of pigeons make Ambiguous undulations as they sink, Downward to darkness, on extended wings

People make the mistake of assuming far too many things about armies,’ Lefevre told me one evening. ‘They assume, for a start, that generals know what they are doing and know what is going on. They assume that orders pass down from top to bottom in a smooth and regulated fashion. And above all they assume that wars start only when people decide to start them.’ ‘You are going to tell me that is not the case?’ ‘Wars begin when they are ready, when humanity needs a bloodletting. Kings and politicians and generals have little say in it. You can feel it in the air when one is brewing. There is a tension and nervousness on the face of the least soldier. They can smell it coming in a way politicians cannot. The desire to hurt and destroy spreads over a region and over the troops. And then the generals can only hope to have the vaguest notion of what they are doing.

The pressure is on. They've teased me all week, because I've avoided anything that requires ordering. I've made excuses (I'm allergic to beef," "Nothing tastes better than bread," Ravioli is overrated"), but I can't avoid it forever.Monsieur Boutin is working the counter again. I grab a tray and take a deep breath. "Bonjour, uh...soup? Sopa? S'il vous plait?" "Hello" and "please." I've learned the polite words first, in hopes that the French will forgive me for butchering the remainder of their beautiful language. I point to the vat of orangey-red soup. Butternut squash, I think. The smell is extraordinary, like sage and autumn. It's early September, and the weather is still warm. When does fall come to Paris? "Ah! soupe.I mean,oui. Oui!" My cheeks burn. "And,um, the uh-chicken-salad-green-bean thingy?" Monsieur Boutin laughs. It's a jolly, bowl-full-of-jelly, Santa Claus laugh. "Chicken and haricots verts, oui. You know,you may speek Ingleesh to me. I understand eet vairy well." My blush deepends. Of course he'd speak English in an American school. And I've been living on stupid pears and baquettes for five days. He hands me a bowl of soup and a small plate of chicken salad, and my stomach rumbles at the sight of hot food. "Merci," I say. "De rien.You're welcome. And I 'ope you don't skeep meals to avoid me anymore!" He places his hand on his chest, as if brokenhearted. I smile and shake my head no. I can do this. I can do this. I can- "NOW THAT WASN'T SO TERRIBLE, WAS IT, ANNA?" St. Clair hollers from the other side of the cafeteria. I spin around and give him the finger down low, hoping Monsieur Boutin can't see. St. Clair responds by grinning and giving me the British version, the V-sign with his first two fingers. Monsieur Boutin tuts behind me with good nature. I pay for my meal and take the seat next to St. Clair. "Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time." "My pleasure. Always happy to educate." He's wearing the same clothing as yesterday, jeans and a ratty T-shirt with Napolean's silhouette on it.When I asked him about it,he said Napolean was his hero. "Not because he was a decent bloke, mind you.He was an arse. But he was a short arse,like meself." I wonder if he slept at Ellie's. That's probably why he hasn't changed his clothes. He rides the metro to her college every night, and they hang out there. Rashmi and Mer have been worked up, like maybe Ellie thinks she's too good for them now. "You know,Anna," Rashmi says, "most Parisians understand English. You don't have to be so shy." Yeah.Thanks for pointing that out now.

She woke to find dawn light, pearly silver tinged with pink, washing into the room. For a moment, she wondered what had woken her, then she glanced at Breckenridge-into his hazel eyes. "You're awake!" She only just managed not to squeal. The joy leaping through her was near impossible to contain. He smiled weakly. His lids drooped, fell. "I've been awake for some time, but didn't want to wake you." His voice was little more than a whisper. She realized it was the faint pressure of his fingers on hers that had drawn her rom sleep. Those fingers, his hand, were no longer over-warm. Reaching out, she laid her fingers on his forehead. "Your temperature's normal-the fever's broken. Thank God." Retrieving her hand, refocusing on his face, she felt relief crash through her in a disorienting, almost overpowering wave. "You have to rest." That was imperative; she felt driven by flustered urgency to ensure he understood. "You're mending nicely. Now the crisis has passed, you'll get better day by day. Catriona says that with time you'll be as good as new." Algaria had warned her to assure him of that. He swallowed; eyes closed, he shifted his head in what she took to be a nod. "I'll rest in a minute. But first...did you mean what you said out there by the bull pen? That you truly want a future with me?" "Yes." She clutched his hand more tightly between hers. "I meant every word." His lips curved a fraction, then he sighed. Eyes still closed-she sensed he found his lids too heavy to lift-he murmured, "Good. Because I meant every word, too." She smiled through sudden tears. "Even about our daughters being allowed to look like Cordelia?" His smile grew more definite. "Said that aloud, did I? Yes, I meant that, but for pity's sake don't tell her--she'll never let me hear the end of it, and Constance will have my head to boot." His words were starting to slur again; he was slipping back into healing sleep. Catriona's words, her warning, rang in Heather's head. She remembered her vow. Rising, she leaned over him; his hand still clasped between hers, and kissed him gently. "Go to sleep and get well, but before you do, I need to tell you this. I love you. I will until the end of my days. I don't expect you to love me back, but that doesn't matter anymore. You have my love regardless, and always will." She kissed him again, sensed he'd heard, but that he was stunned, surprised. He didn't respond. She drew back. "And now you need to put your mind to getting better. We have a wedding to attend, after all." She knew he heard that-his features softened, eased. As he slid into sleep, he was, very gently, smiling.

The Proposal The diamond industry has pulled a fast one over on us. It has convinced us that there is no way to make public a lifetime commitment to another person without a very large, sparkly rock on a very slim band. This is, of course, nonsense. Often wedding books have engagement chapters that read like diamond-buying guides. But the truth is, the way to get engaged is for the two of you to decide that you want to get married. So the next time someone tries to imply that you are not engaged because you don’t have a dramatic enough engagement story or a ring, firmly say, “You know, I like to think of my partner as my rock,” and slowly raise your eyebrow. The modern wedding industry—along with a fair share of romantic comedies—has set a pretty high bar for proposals. We think they need to be elaborate and surprising. But they don’t. A proposal should be: • A decision to get married • Romantic (because you decide to spend the rest of your lives together, not necessarily because of its elaborate nature) • Possibly mutual • Possibly discussed in advance • Possibly instigated by you • Not used to judge the state of your relationship • An event that may be followed by the not-at-all-romantic kind of sobbing, because you realize your life is changing forever It’s exciting to decide to get married. And scary. But the moment of proposal is just that: a moment. It moves you to the next step of the process; it’s not the be-all, end-all. So maybe you have a fancy candlelight dinner followed by parachutists delivering you a pear-shaped, seven-carat diamond. Or maybe you decide to get married one Sunday morning over the newspaper and a cup of coffee. Either way is fine. The point is that you decided to spend your life with someone you love.

The Hunter then looked about him, saying, 'If only I had something to eat! I am so hungry, and it will go badly with me in the future, for I see here not an apple or pear or fruit of any kind—nothing but vegetables everywhere.' At last he thought, 'At a pinch I can eat a salad; it does not taste particularly nice, but it will refresh me.' So he looked about for a good head and ate it, but no sooner had he swallowed a couple of mouthfuls than he felt very strange, and found himself wonderfully changed. Four legs began to grow on him, a thick head, and two long ears, and he saw with horror that he had changed into a donkey. But as he was still very hungry and this juicy salad tasted very good to his present nature, he went on eating with a still greater appetite. At last he got hold of another kind of cabbage, but scarcely had swallowed it when he felt another change, and he once more regained his human form.

earnestly. Drab to Desirable? What am I? A chuffing living room? Sonja reaches from underneath the desk and hands me a starchy white gown. It looks like a hospital nightie, a fact that doesn’t exactly fill me with confidence. I’m not really an expert on beauty salons, having only been to one three times in my life, but I’m pretty sure there is supposed to be champagne. And why is there no soothing music playing in the background? Where’s the friendly lady who will chat to me about her children while doing my nails in pretty pearly pink? ‘I don’t know if I can afford all this,’ I whisper to Dionne, as Sonja types my details into an expensive-looking computer. ‘Oh, no worries. Bull knows someone. It’s on the house.’ ‘Oh.’ A gangster salon! ‘We are ready!’ Sonja says brightly, clapping her hands. ‘Natalie, if you could leave your belongings right here, I vill put them in the safe.’ I hand over my coat and handbag. ‘Now, if

In short I tried to think. I failed. My attention veered inexorably back to the specific, to the tangible, to what was generally considered, by everyone I knew then and for that matter have known since, the peripheral. I would try to contemplate the Hegelian dialectic and would find myself concentrating instead on a flowering pear tree outside my window and the particular way the petals fell on my floor. I would try to read linguistic theory and would find myself wondering instead if the lights were on in the bevatron up the hill. When I say that I was wondering if the lights were on in the bevatron you might immediately suspect, if you deal in ideas at all, that I was registering the bevatron as a political symbol, thinking in shorthand about the military-industrial complex and its role in the university community, but you would be wrong. I was only wondering if the lights were on in the bevatron, and how they looked. A physical fact.

Yes, love is just something that you can feel. Like the rain on a warm spring day. Like the blossoms from the pear trees landing on your shoulders, as I walk, you’re walking down the path to the bridge, similar to the haze from the golden fields; it all reminds me of when I got everything I ever wanted. I remember Lily as she was to me, I believed at the time that- ‘The spaces between our fingers were created so that we could fill them in as we held hands; She was just the right size for me in every way.’ I still love her, even though she is still with me it is not the same, yet I love my new life also, yet why could I have it all, in my life? Yes, I feel that I have walked in the center of the valley of death, and she has comforted me. I would say that she is looking over me; she comforts me as much as she can. But- then it is not having her here, in her earthly body. It can be hard having faith in something that cannot be expressed in words. But- that is what remembering life is about, having faith that there is a plan for everything.

Lying," he said out loud, hoping no one would hear. "I need to lie. Teach me, quickly." I wouldn't if I were you, came the response. For a start, it's a variable concept here. You are in a culture where ambiguity has been raised to a high level. Let me give an example: depending on phrasing, circumstance, expression, body movement, intonation and context, the statement "I love you" can mean I love you; I don't love you; I hate you; I want to have sex with you; I do, in fact, love your sister; I don't love you any more; leave me alone, I'm tired, or I'm sorry I forgot your birthday. The person being talked to would instantly understand the meaning but might choose to attribute an entirely different meaning to the statement. Lying is a social act and the nature and import of the lie depends in effect on an unspoken agreement between the parties concerned. Please note that this description does not even begin to explore the concept of deep lies, in which the speaker simultaneously says something he knows to be untrue and genuinely believes it nonetheless: politicians are particularly adept at this.

How to describe the woman? Silky hair, velvety lips. No, it won’t do, I’m using fabrics, constructing a doll. How about coppery hair, or golden locks of hair, or platinum blonde? No, now I’m doing some kind of industrial metallurgy with precious metals; in addition to everything else, the woman sounds like a commodity. And what’s “locks of hair” supposed to mean? Lock, some kind of bondage? No, strike it out. Ruby lips, pearly white teeth, brilliant smile. No, now I’m making the woman out of precious stones, and out of clichés. Almond-shaped eyes, hazel-colored eyes, pear-shaped waist, apple-red cheeks, lips like the bud of a moist flower, peachy fuzz on her upper lip. Now I’m making up a woman out of fruits, plants. She strode like a gazelle. Her snaky waist coiled and uncoiled. Now I’m demeaning the woman, making her into an animal. On the other hand, you can call a woman a goddess. Aphrodite, Venus, or at least a demi-god, angelic beauty. But these terms were all invariably overused, clichés. In addition, if you call a woman Aphrodite, it might seem like an oblique way of saying that the woman is overweight.

My mother had a passion for all fruit except oranges, which she refused to allow in the house. She named each one of us, on a seeming whim, after a fruit and a recipe- Cassis, for her thick black-currant cake. Framboise, her raspberry liqueur, and Reinette after the reine-claude greengages that grew against the south wall of the house, thick as grapes, syrupy with wasps in midsummer. At one time we had over a hundred trees (apples, pears, plums, gages, cherries, quinces), not to mention the raspberry canes and the fields of strawberries, gooseberries, currants- the fruits of which were dried, stored, made into jams and liqueurs and wonderful cartwheel tarts on pâte brisée and crème pâtissière and almond paste. My memories are flavored with their scents, their colors, their names. My mother tended them as if they were her favorite children. Smudge pots against the frost, which we base every spring. And in summer, to keep the birds away, we would tie shapes cut out of silver paper onto the ends of the branches that would shiver and flick-flack in the wind, moose blowers of string drawn tightly across empty tin cans to make eerie bird-frightening sounds, windmills of colored paper that would spin wildly, so that the orchard was a carnival of baubles and shining ribbons and shrieking wires, like a Christmas party in midsummer. And the trees all had names. Belle Yvonne, my mother would say as she passed a gnarled pear tree. Rose d'Aquitane. Beurre du Roe Henry. Her voice at these times was soft, almost monotone. I could not tell whether she was speaking to me or to herself. Conference. Williams. Ghislane de Penthièvre. This sweetness.

Circulation of Song after Rumi Once again I'm climbing the mountain Circle on circle like a winding rose Below me the mountains fall away like rose-petals I wish to be at the centre of the mystic rose Where I shall meet Him He shall greet me: Beloved! So long in coming -- He shall be the lonely pine tree On the flattened promontory And I, the spider clinging to Him by a mere thread, against the sun and the wind Each dawn the sunrise tinting gold the burnt Sienna houses Each dusk the alpine rosy glow on the mountain Each afternoon such darkness in the glen Fold on fold in a foliage all the shades of green: They have crept into my dream He is the air I breathe Purest mountain-air: I'm cleaned He is the lark's descant And in the evening, the nightingale He is the star's ascent and the moon's cloud-hiding He is all the circles and in this circulation of song: I read you / you read me circulating In my blood from head to heel He is the fruit of my unfulfilled life The peach pooped with juice And running with the Argentine waters, the pear In the Chinese nectarine flecked like a child's cheek with red And in the sour loquat and the sweet cherry In the fragrance of the jasmine of India And the Shiraz rose that makes the bee mad for them In the grape that becomes wine to suffuse my cheek In the olive that becomes a lamp to shine through my cupped hands In these and not only in these does He circulate Pouring from the sun at 5' o'clock as if at noon Dancing on the lake, pure honey And all the chatter over tea! But in the quiet you find me out You find me out Plucking myself from Me So that I become you The breath in my nape-nerve Sweetly saying: I bow to the God in you

On account of their puny size and disappointing taste, in France wild pears are known as "poires d'angoisse" or pears of anguish. In Versailles, though, in the kitchen garden, pears are bred for pleasure. Of the five hundred pear trees, the best usually fruit in January--- the royal favorite, a type called "Bon Chrétien d'Hiver," or "Good Christian of Winter." Each pear is very large--- the blossom end engorged, the eye deeply sunk--- whilst the skin is a finely grained pale yellow, with a red blush on the side that has been touched by the sunlight. It is known for its brittle, lightly scented, almost translucent flesh that drips with a sugary juice; that soaks your mouth when your teeth sink into it. The gardener here, Jean-Baptiste de La Quintinie, says that when a pear is ripe its neck yields to the touch and smells slightly of wet roses. This winter they have not ripened, though, but have frozen to solid gold. Murders of crows sit on the branches of the pear trees, pecking at the rime of them. They have become fairy fruit; those dangling impossibilities. What would you give to taste one? Spring always comes, though. Is it not magic? The world's deep magic. March brings the vast respite of thaw, that huge unburdening, that gentling--- all winter's knives and jaws turning soft and blunt; little chunks of ice riding off on their own giddy melt; everything dripping and plipping and making little streams and rivulets; tender pellucid fingers feeling their way towards the sea; all the tiny busywork. And with the returning sun, too, sex. Tulips, first found as wild flowers in Central Asia--- named for the Persian word "tulipan," for turban--- thrust and bow in the warm soil of Versailles, their variegated "broken" petals licked with carmine flames. The early worm-catchers begin their chorus, skylarks and song thrushes courting at dawn. Catkins dangle like soft, tiny pairs of elven stockings. Fairy-sized wigs appear on the pussy willows. Hawthorn and sloe put on their powder and patches, to catch a bee's eye.

You know those statistics people are always spouting off, about teenage boys thinking about sex every seven seconds? Is that really true?” “Nope. And I just want to point out that you’re the one who keeps bringing up sex. I think teenage girls might be more obsessed than boys.” “Maybe,” I say, and his eyes widen, all excited. Hastily I add, “I mean, I’m definitely curious about it. It’s definitely a thought. But I don’t see myself doing it anytime soon. With anybody. Including you.” I can tell Peter is embarrassed, the way he rushes to say, “Okay, okay, I got it. Let’s just change the subject.” Under his breath he mutters, “I didn’t even want to talk about it in the first place.” It’s sweet that he’s embarrassed. I didn’t think he would be, with all his experience. I tug on his sweater sleeve. “At some point, when I’m ready, if I’m ready, I’ll let you know.” And then I pull him toward me and press my lips against his softly. His mouth opens, and so does mine, and I think, I could kiss this boy for hours. Mid-kiss, he says, “Wait, so we’re never having sex? Like ever?” “I didn’t say never. But not now. I mean, not until I’m really, really sure. Okay?” He lets out a laugh. “Sure. You’re the one driving this bus. You have been from the start. I’m still catching up.” He snuggles closer and sniffs my hair. “What’s this new shampoo you’re wearing?” “I stole it from Margot. It’s juicy pear. Nice, right?” “It’s all right, I guess. But can you go back to the one you used to wear? The coconut one? I love the smell of that one.” A dreamy look crosses his face, like evening fog settling over a city. “If I feel like it,” I say, which makes him pout. I’m already thinking I should buy a bottle of the coconut hair mask, too, but I like to keep him on his toes. Like he said, “I’m the one driving this bus. Peter pulls me against him so he’s curved around my back like shelter. I let my head rest on his shoulder, rest my arms on his kneecaps. This is nice. This is cozy. Just me and him, just for a while, apart from the rest of the world.

That’s right, isn’t it?” Harry urged him. “You died, but I’m talking to you. . . . You can walk around Hogwarts and everything, can’t you?” “Yes,” said Nearly Headless Nick quietly, “I walk and talk, yes.” “So you came back, didn’t you?” said Harry urgently. “People can come back, right? As ghosts. They don’t have to disappear completely. Well?” he added impatiently, when Nick continued to say nothing. Nearly Headless Nick hesitated, then said, “Not everyone can come back as a ghost.” “What d’you mean?” said Harry quickly. “Only . . . only wizards.” “Oh,” said Harry, and he almost laughed with relief. “Well, that’s okay then, the person I’m asking about is a wizard. So he can come back, right?” Nick turned away from the window and looked mournfully at Harry. “He won’t come back.” “Who?” “Sirius Black.” said Nick. “But you did!” said Harry angrily. “You came back — you’re dead and you didn’t disappear —” “Wizards can leave an imprint of themselves upon the earth, to walk palely where their living selves once trod,” said Nick miserably. “But very few wizards choose that path.” “Why not?” said Harry. “Anyway — it doesn’t matter — Sirius won’t care if it’s unusual, he’ll come back, I know he will!” And so strong was his belief that Harry actually turned his head to check the door, sure, for a split second, that he was going to see Sirius, pearly white and transparent but beaming, walking through it toward him. “He will not come back,” repeated Nick quietly. “He will have . . . gone on.” “What d’you mean, ‘gone on’?” said Harry quickly. “Gone on where? Listen — what happens when you die, anyway? Where do you go? Why doesn’t everyone come back? Why isn’t this place full of ghosts? Why — ?” “I cannot answer,” said Nick. “You’re dead, aren’t you?” said Harry exasperatedly. “Who can answer better than you?” “I was afraid of death,” said Nick. “I chose to remain behind. I sometimes wonder whether I oughtn’t to have . . . Well, that is neither here nor there. . . . In fact, I am neither here nor there. . . .” He gave a small sad chuckle. “I know nothing of the secrets of death, Harry, for I choose my feeble imitation of life instead. I believe learned wizards study the matter in the Department of Mysteries —” “Don’t talk to me about that place!” said Harry fiercely. “I am sorry not to have been more help,” said Nick gently. “Well . . . well, do excuse me . . . the feast, you know . . .” And he left the room, leaving Harry there alone, gazing blankly at the wall through which Nick had disappeared. Harry felt almost as though he had lost his godfather all over again in losing the hope that he might be able to see or speak to him once more. He walked slowly and miserably back up through the empty castle, wondering whether he would ever feel cheerful again.

Mazel Amsel- I have the obsession of destroying Nevaeh, she is so perfect, I cannot stand it! My girls have to be on top, and I am never going to let her be anything, I will make sure of it! That is what I have been doing for years. Nevaeh that no good little pussy licker; even if she knows it is me, she will not be able to ‘Prove it.’ I am just that well-liked by everyone, I am so powerful that no one will ever defeat me. I am the master manipulator, Nevaeh- yes, she is the tower! She is about for a hundred pounds, unnatural blond hair, lime green glowing eyes, and a voice that bellows! To me, she looks like a bulldog in the face, yet evil wicked witch-like also, yet to everyone else she blends in, to the others she looks as they do, just a normal mom, with normal kids. Yet I think she is crumbling, I think some people are seeing through her veil, because of what happened recently. Mazel- I have everyone wrapped around my little finger. Likewise, if they do not bow down to me, I will make their life a living hell. That is the way; I have to have it, all the time for Nevaeh! I have to know what she is doing at all times. I have to hack into her social networking and get her pears to think she is a ‘Creep’ and ‘Stocker’ to young girls. So, she has no friends at all. So, my girls can be the supreme of this area, so that they can do as they please, without anyone stopping them from being the best, no matter what, and from getting what they want, and what I want for them. Besides, foremost I wanted to make sure that she would never date anyone. So, I came up with the story of telling everyone that she was into girls and that she is just plain crazy. I should know my eyes are on her always. I did not want to see her go to proms; I did not want to see her succeed. I did not want her to be loved. I would like to see her die, and not walk away from it. I have dreamed of ways to kill her repeatedly. Like this one, I would like to see her be impaled on a sharp wooden stick, starting through her butt hole, and then slowly have gravity have it go up into her delicious miniature body until it hits her brain, and she screams out my girl’s names, as we get what we need. I would love to see a Nevaeh- kabob! I would love to see her stoned out in the open with rocks! I would love to see my girls bite their nipples off with their teeth! I want to see my girl claw her up to head to toe. I hunger to see them scratch her sweet blue eyes that are so heavenly right out of her face! I want to see her gush that cobalt blood like a waterfall from her naked sliced-up body. Yes, I want us to torture her any way we can until she says yes to us. We are going to get at anything of hers we can until she comes with us! As we would, all dance around her, as we would light her up, cheerfully for the last time. How I would love to bleach and fry that perfect hair with chemicals. I and we all in our family want to fuck her up and down anyways we can! Mwah Ha, ha! Yes, Beforehand, we all would kiss, touch, lick, and stick her, and do what we want to get the life from her by sucking away. We would eat her soul away as it would come down from the heavens then through her body, and into ours, as we would drink it out, the way we do. Yes, yes, hell- yes, I can see it now! Yes, I want her soul! Besides, anything or everything I can get out of her to add to my shrine. We even have a voodoo doll of her with pins in it. I have a few things of hers like her hymen-damaged red blood tarnished pink polka-dotted gym underwear, and her indigo pantiliner she had on. That my girl ripped off of her in school, the more things we have the more we can control her mind, but I want more!

A man strolled up to their table, dressed in the garb of a waiter. His blond hair was long and shiny, showing that he obviously took great care of it, probably more so than a man had any right to care for their hair. Light blue eyes were hidden beneath several strands of shimmering gold, and his pearly white teeth gleamed as he smiled. Kevin nearly groaned. Great. This was just what they needed. A bishie. “Good evening ma’am, madam… sir.” For reasons beyond Kevin, he felt like this man only added him at the last second as an afterthought. “Would either of you care for a refill?” he asked the two ladies at the table, though his eyes focused on Lilian. Kevin felt his blood boil. “No thanks. I’m good here.” Lilian dismissed the man without even looking at him. Vindication rushed through his veins when Kevin saw the pretty boy’s right eye twitch. He apparently wasn’t used to women ignoring him. “I see.” Kevin had to give the man credit. He kept his annoyance in check well. “And what about you, madam?” he addressed Kotohime. “Is the wine to your satisfaction?” He gave her his best smile. “It’s all right, I suppose.” Kotohime took a sip of the wine that he spoke of, managing to hide her grimace. “Though I do wish that you were in possession of some sake instead.” Another twitch. “I apologize that we could not accommodate you.” He bowed. “I have, of course, already suggested that we begin working towards importing sake, however, these things do take time. It will probably be at least a year before we see anything done.” “A shame,” Kotohime said, “I know that Kiara was most looking forward to trying some.” At the mention of Kiara, the man gripped the water pitcher in his hand hard enough that Kevin thought the handle would shatter. Did this man have a grudge against Kiara? He didn’t think so, but then, who could say for sure. For all Kevin knew, this man could have asked Kiara out on a date, thinking his bishounen good looks would make her swoon over him—and had then been disappointed when she told him that wimpy maggots who sparkled didn’t do it for her. Kevin could totally see that happening. “Yes, well, I am terribly sorry to disappoint a woman of her… esteemed position, but I am not in charge of imports, I’m afraid. I merely wait tables.” “Indeed.” “If you’ll excuse me.” “Hold it.” The man turned around. Kevin almost smiled when the man aimed an evil glare at him. He raised his glass. “I’d like a refill of water, please.” A twitch. “Of course, sir.” The man refilled his glass. Kevin leaned in. “If I ever see you stripping my girlfriend with your eyes again, I will rip your arms off and shove them so far up your ass that you’ll need to have surgery done if you ever want to use the restroom again,” he said, his tone and manner nonchalant. “I have no idea what you’re talking about,” the man said, his smile fixed. “I am merely doing my job as your host.” “Yes.” Kevin snorted. “I’m sure you are.

The only absolute truth in the world of humans is love – there is nothing higher, there is nothing greater.

Miss Alston cut a pear into smaller and smaller segments until it practically vanished. Uncle Felix bit into his napkin instead of his bacon, and seemed not to even notice. Lord Hastings only picked at his kedgeree, looking grey, and shifted about in his chair as though he were sitting on a spider. Chapman was behaving oddly too. He kept glancing at Lord Hastings, and then looking away again, as though desperate to say something but unable to get it out.

That is the ultimate alternative: is the opposition between Loveand Law to be reduced to its “truth,” the opposition, internal to theLaw itself, between the determinate positive Law and the excessivesuperego injunction, the Law beyond every measure—that is to say,is the excess of Love with regard to the Law the form of appearanceof a superego Law, of a Law beyond any determinate law; or is theexcessive superego Law the way the dimension beyond the Law ap-pears withinthe domain of the Law, so that the crucial step to be ac-complished is the step (comparable to Nietzsche’s “High Noon”)from the excessive Law to Love, from the way Love appears withinthe domain of the Law to Love beyond the Law? Lacan himselfstruggled continuously with this same deeply Pauline problem: isthere love beyond Law? Paradoxically (in view of the fact that thenotion as unsurpassable Law is usually perceived as Jewish), in thevery last page of Four Fundamental Concepts,he identifies this stance oflove beyond Law as that of Spinoza, opposing it to the Kantian no-tion of moral Law as the ultimate horizon of our experience. InEthics of Psychoanalysis,Lacan deals extensively with the Pauline di-alectic of the Law and its transgression13—perhaps what we shoulddo, therefore, is read this Pauline dialectic together with its corol-lary, Saint Paul’s other paradigmatic passage, the one on love from 1Corinthians 13. Crucial here is the clearly paradoxical place of Love with regard to All(to the completed series of knowledge or prophecies): first, SaintPaul claims that love is here even if we possess all of knowledge—then, in the second quoted paragraph, he claims that love is hereonly for incomplete beings, that is, beings who possess incompleteknowledge.When I “know fully . . . as I have been fully known,” willthere still be love? Although, in contrast to knowledge, “love neverends,” it is clearly only “now” (while I am still incomplete) that“faith, hope, and love abide.” The only way out of this deadlock isto read the two inconsistent claims according to Lacan’s feminineformulas of sexuation:14even when it is “all” (complete, with no ex-ception), the field of knowledge remains, in a way, non-all, incom-plete—love is not an exception to the All of knowledge, but preciselythat “nothing” which makes incomplete even the complete series/field of knowledge. In other words, the point of the claim that, evenif I were to possess all knowledge, without love, I would be nothing,is not simply that withlove, I am “something”—in love, I am also noth-ing,but, as it were, a Nothing humbly aware of itself, a Nothing par-adoxically made rich through the very awareness of its lack.Only a lacking, vulnerable being is capable of love: the ultimatemystery of love, therefore, is that incompleteness is, in a way, higherthan completion. On the one hand, only an imperfect, lacking beingloves: we love because we do notknow all. On the other hand, evenif we were to know everything, love would, inexplicably, still behigher than completed knowledge. Perhaps the true achievement ofChristian is to elevate a loving (imperfect) Being to the place ofGod, that is, of ultimate perfection. That is the kernel of the Chris-tian experience. In the previous pagan attitude, imperfect earthlyphenomena can serve as signs of the unattainable divine perfection.In Christianity, on the contrary, it is physical (or mental) perfectionitself that is the sign of the imperfection (finitude, vulnerability, un-certainty) of you as the absolute person. becomes a sign of this spiritual dimension—not the sign of your“higher” spiritual perfection, but the sign of youas a finite, vulner-able person. Only in this way do we really break out of idolatry. Forthis reason, the properly Christian relationship between sex and loveis not the one between body and soul, but almost the opposite...

And no amount of “deconstruction” helps here: the ultimate formof idolatry is the deconstructive purifying of this Other, so that all thatremains of the Other is its place, the pure form of Otherness as theMessianic Promise. It is here that we encounter the limit of decon-struction: as Derrida himself has realized in the last two decades, themore radical a deconstruction is, the more it has to rely on its inher-ent undeconstructible condition of deconstruction, the messianicpromise of Justice.This promise is the true Derridean object of belief,and Derrida’s ultimate ethical axiom is that this belief is irreducible,“undeconstructible.” Thus Derrida can indulge in all kinds of para-doxes, claiming, among other things, that it is only atheists who trulypray—precisely by refusing to address God as a positive entity, theysilently address the pure Messianic Otherness. Here one should em-phasize the gap which separates Derrida from the Hegelian tradition:It would be too easy to show that, measured by the failure to establishliberal democracy, the gap between fact and ideal essence does notshow up only in . . . so-called primitive forms of government, theoc-racy and military dictatorship....But this failure and this gap alsocharacterize,a prioriand by definition,all democracies, including theoldest and most stable of so-called Western democracies. At stake hereis the very concept of democracy as concept of a promise that can onlyarise in such a diastema(failure, inadequation, disjunction, disadjust-ment, being “out of joint”).That is why we always propose to speak ofa democracy to come,not of a futuredemocracy in the future present, noteven of a regulating idea, in the Kantian sense, or of a utopia—at leastto the extent that their inaccessibility would still retain the temporalform of a future present,of a future modality of the living present.15Here we have the difference between Hegel and Derrida at its purest:Derrida accepts Hegel’s fundamental lesson that one cannot assert theinnocent ideal against its distorted realization.This holds not only fordemocracy, but also for religion—the gap which separates the idealconcept from its actualization is already inherent to the concept itself:just as Derrida claims that “God already contradicts Himself,” that anypositive conceptual determination of the divine as a pure messianicpromise already betrays it, one should also say that “democracy already139 contradicts itself.” It is also against this background that Derrida elab-orates the mutual implication of religion and radical evil:16radical evil(politically: “totalitarianism”) emerges when religious faith or reason(or democracy itself) is posited in the mode of future present. Against Hegel, however, Derrida insists on the irreducible excess inthe ideal concept which cannot be reduced to the dialectic betweenthe ideal and its actualization: the messianic structure of “to come,”the excess of an abyss which can never be actualized in its determinatecontent. Hegel’s own position here is more intricate than it may ap-pear: his point is not that, through gradual dialectical progress, onecan master the gap between the concept and its actualization, andachieve the concept’s full self-transparency (“Absolute Knowing”).Rather, to put it in speculative terms, his point is to assert a “pure”contradiction which is no longer the contradiction between theundeconstructible pure Otherness and its failed actualizations/determinations, but the thoroughly immanent “contradiction” whichprecedes any Otherness.

righteous man who has been pious all of his life is on the roof of his house during the mother of all floods. The water just keeps rising. A motorboat drives by and stops in front of his house. “Hop in,” says the man in the boat. The righteous man shakes his head and says, ‘Don’t worry about me. God will save me.’ A few hours later, with the water now just a few feet from his level on the roof, another boat passes. ‘Quick, jump in,’ a woman on the boat says. The righteous man smiles serenely. ‘Thanks, but the Lord will save me. I’m sure of it.’ Finally the water has reached his waist and a helicopter overhead lowers a rope ladder down to him. He ignores it and says a prayer to the Lord, whom he knows will reward a true believer.” Van Hutten paused for effect. “Five minutes later he drowns.”               The physicist seemed delighted by the confused expression on Kira’s face. “So the spirit of this righteous man floats to the pearly gates,” continued van Hutten, “and he sees God. ‘Lord,’ he says. ‘I’ve been a righteous, pious man my entire life. I’m just curious as to why you didn’t save me from the flood. I thought surely you would.’” In reply, God shakes his mighty head and says, ‘Are you kidding? I sent you two boats and a helicopter. What more do you want from me?

Did I say hover, Nel? Sit on my goddam face.

There was a bustle of people in the street as I made my way to La Bonbonnière, which is, quite simply, the most beautiful candy store in the world. The best thing about La Bonbonnière is that it's all windows. Before I even walk through the door I am greeted by a fuzzy three-foot-high statue of a polar bear trying to dip his paws into a copper cauldron filled with marrons glacés--- whole candied chestnuts. Each one was meticulously wrapped in gold foil, a miniature gift in and of itself. If nothing else, Christmas in Provence reminds you of a time when sugar was a luxury as fine and rare as silk. Back to my assignment: I needed two kinds of nougat: white soft nougat made with honey, almonds, and fluffy egg whites (the angel's part) and hard dark nougat--- more like honey almond brittle--- for the devil. Where are the calissons d'Aix? There they are, hiding behind the cash register, small ovals of almond paste covered with fondant icing. Traditional calissons are flavored with essence of bitter almond, but I couldn't resist some of the more exotic variations: rose, lemon verbena, and génépi, an astringent mountain herb. Though I love the tender chew of nougat and the pliant sweetness of marzipan, my favorite of the Provençal Christmas treats is the mendiant--- a small disk of dark or milk chocolate topped with dried fruit and nuts representing four religious orders: raisins for the Dominicans, hazelnuts for the Augustinians, dried figs for the Franciscans, and almonds for the Carmelites. When Alexandre is a bit older, I think we'll make these together. They seem like an ideal family project--- essentially puddles of melted chocolate with fruit and nut toppings. See, as soon as you say "puddles of melted chocolate," everyone's on board. Though fruits confits--- candied fruit--- are not, strictly speaking, part of les trieze desserts, I can't resist. I think of them as the crown jewels of French confiserie, and Apt is the world capital of production. Dipped in sugar syrup, the fruits become almost translucent; whole pears, apricots, and strawberries glow from within like the gems in a pirate's treasure chest. Slices of kiwi, melon, and angelica catch the light like the panes of a stained-glass window. All the dazzling tastes of a Provençal summer, frozen in time.

I used to say our elections went on far too long, but you know what? No. Americans are dumb; they need the extra time. I used to think we should do it like the British, where an election takes five weeks, or France, where the official length of the campaign is two weeks. I’ve been to France; it takes that long to get a waiter to notice you. And these are people who will spend three days shopping for a cheese that goes with pears. Their idea of fast food is a snail. When they cooked Joan of Arc, she was still pink in the middle.

I followed them in every foreign land where they work hard, and suffer, where they sigh and if in trenches they as soldiers stand. Once they have met me they can’t say goodbye. Because the way I talk, they like to swear, brings smells of home: pistachio nuts, a hint of shelled, dry almonds, rows of prickly pears, of orange blossoms and of calamint; of our green sea where tuna boats stand ready, of relatives, of lovers, and of wives, Mount Etna, the Red Mountain, Mumpileri, and our night sky when it is clear and bright... I bring them all the passions, so they say, Sicilians harbor in their fiery hearts, those hearts that seem incapable of joy because they constantly torment themselves. For someone like myself, to the wheel tied, mean mother, is it not enough, I say, that I roam round the world without a guide and earn without much art your weekly pay? The Author Forgive me, dear Centona, I apologize! My senses were impaired when I began; What you keep giving me is a great prize I value more than some relationships with man.

In the thousands of years before European colonists landed in the West, the area that would come to be occupied by the United States and Canada produced only a handful of lasting foods---strawberries, pecans, blueberries, and some squashes---that had the durability to survive millennia. Mexico and South America had a respectable collection, including corn, peppers, beans, tomatoes, potatoes, pineapples, and peanuts. But the list is quaint when compared to what the other side of the world was up to. Early civilizations in Asia and Africa yielded an incalculable bounty: rice, sugar, apples, soy, onions, bananas, wheat, citrus, coconuts, mangoes, and thousands more that endure today. If domesticating crops was an earth-changing advance, figuring out how to reproduce them came a close second. Edible plants tend to reproduce sexually. A seed produces a plant. The plant produces flowers. The flowers find some form of sperm (i.e., pollen) from other plants. This is nature beautifully at work. But it was inconvenient for long-ago humans who wanted to replicate a specific food they liked. The stroke of genius from early farmers was to realize they could bypass the sexual dance and produce plants vegetatively instead, which is to say, without seeds. Take a small cutting from a mature apple tree, graft it onto mature rootstock, and it'll produce perfectly identical apples. Millenia before humans learned how to clone a sheep, they discovered how to clone plants, and every Granny Smith apple, Bartlett pear, and Cavendish banana you've ever eaten leaves you further indebted to the people who figured that out. Still, even on the same planet, there were two worlds for almost all of human time. People are believed to have dug the first roots of agriculture in the Middle East, in the so-called Fertile Crescent, which had all the qualities of a farmer's dream: warm climate; rich, airy soil; and two flowing rivers, the Tigris and Euphrates. Around ten thousand years before Jesus walked the earth, humans taught themselves how to grow grains like barley and wheat, and soon after, dates, figs, and pomegranates.

Henry Greene’s hobby was his constant exercise. He did quarter squats—he couldn’t squat down any farther in the confined space—and he jogged in place and he did what he called resistance training, pressing his palms against the opposite sides of our tube and tensing every muscle in his torso. His exercise had a frenetic quality, as if he were trying to distract himself from the fundamental truths. For all his sarcasm and his disparagement and his cruel smile and his burly posturing, he was fragile. I could sense it as if my nerves had grown directly into his skin. Sometimes he would fly into insanity. He’d shriek with a strangled, pear-gargling sound. He’d thump his head against the wall—and if anyone had the physical strength to knock out his brains it was our Henry. The cracking sound of skull on cement was sickening. We’d grab him and Rose would wrap her thin strong tentacle arms around his head. He’d fight us, screaming and staggering, and we all three would get our share of bruises. He was much stronger than me. After a while he’d stop surging under us and calm down. Or give up. Well, he’d say after a long pause, in resignation and also in apology, it is what it is.

Ow!” I say in surprise, but he just laughs. It makes me laugh, too. He’s kind of a weird kid, maybe because he’s a faerie or maybe because all kids, human or inhuman, are equally weird. “Do you want me to tell you a story about a little boy who bit a stone and lost all his pearly white teeth?” I ask him in what I hope is a menacing fashion, sticking my fingers under his armpits to tickle him.

And for the record, you might be in heaven, but I’m going straight to hell.” “Why do you say that?” “Those pearly gates won’t open for someone with my level of bad deeds.

Well, as long as we’re on the subject of chickens… the word ‘heaven’ is like saying ‘chicken parts’—stirs up too many questions. Chicken parts gets people thinking beaks and gizzards and turning green. You say ‘heaven’ and you get people thinking pearly gates and streets paved in gold or whatever they were brought up on. It all gets in the way of the truth,” Nana explained.

CREAMY PUMPKIN PIE SMOOTHIE › BANANA, PEAR, PUMPKIN PUREE, GINGER SERVES 4 ► PER SERVING 110 CALORIES | 1.5 G FAT | 2 G PROTEIN | 23 G CARBOHYDRATES | 5 G FIBER | 13 G SUGAR | 80% DV VITAMIN A | 10% DV VITAMIN D | 20% DV VITAMIN E 1½ cups unsweetened almond milk 2 frozen bananas 1 Bartlett pear, cored ½ cup pumpkin puree 1 tablespoon grated ginger ¼ teaspoon pumpkin spice 1 cup ice Add ingredients into a blender and blend until smooth. Pumpkin pie in a glass? Yum! With vitamins A, B3, B5, B6, and C; potassium; and fiber, how can you say no to all of these bennies with each sip? Drink to your

Paw, paw, paw. On his shirt. “Fucking hell.” He gave in and rubbed that black belly. “And no, I don’t need anything.” The purring got so loud, he had to lean in to the butler. “What did you say?” “I’m happy to oblige whatever you require.” “Yeah. I know. But I’m going to take care of my brother. No one else. Are we clear.” The cat was now rubbing its head into his pec. Then stretching up into the itching. Oh, God, this was awful—especially as the butler’s already droopy face sagged down to what were no doubt knobby knees. “Ah, shit, Fritz—” “Is he ill?” iAm closed his eyes briefly as the female voice registered. Fantastic. Another party heard from. “He’s fine,” iAm said without looking at the Chosen Selena. Leaving the kibitzers in the dust, he went into the pantry with the freeloading cat and . . . Right. How was he going to get the load of post-migraine recovery rations down from the shelves with his arms full of— What was its name? Fine. It was G*dd*mn Cat, then. Looking down into those wide, contented eyes, iAm thinned his lips as he rubbed under its chin. Behind an ear. “Okay, enough with this.” He played with one of the paws. “I gotta put you down now.” Assuming control, he took the cat out of its recline and went to put it down on the— Somehow the thing managed to claw its way into the very fibers of his fleece and hang off the front of him like a tie. “Are you kidding me.” More purring. A blink of those luminous eyes. An expression of self-possession that iAm took to mean this interaction was going to go the cat’s way—and no one else’s. “Mayhap I shall help?” Selena asked softly. iAm bit out a curse and glared at the cat. Then at the Chosen. But short of taking off his pullover? G*dd*mn Cat was sticking with him. “I need some of those Milanos up there?” The Chosen reached up and took a bag from the Pepperidge Farm munchie department. “And he’s going to need some of those tortilla chips.” “Plain or the lime flavor?” “Plain.” iAm gave up the ghost and resumed servicing G*dd*mn—and the cat immediately went into full La-Z-Boy again. “He’s going to want one of the Entenmann’s pound cakes. And we’re going to bring him three ice-cold Cokes, two big Poland Springs, room temperature, and a partridge in a pear tree.” -Boo, iAm, Fritz, & Selena

One of the pluses of chemotherapy, she tells the volunteers, is that all her facial and body hair has gone. It’s like a permanent Brazilian for free, she says. One of the minuses of chemotherapy is that all the stuff on top of her head has gone too. (“What is a Brazilian?” Sister Lucy asked the other day. Finty gulped and looked for help, but the Pearly King was studying a parcel and Barbara had lost one of her glass eyes again in her lap. “It’s a sort of haircut,” said Finty. “Quite short.”)

Fruits of peace studies Eva passes Adam a pear he curses her you dumb cow it's supposed to be an apple he says Eva doubles over laughing and Adam threatens her with a banana he says if you don't stop laughing he will bonk her on the pear with his banana this was the first marital spat between those joined by God afterwards they took a footbath together in the river and plucked one another berries straight from the bush into the mouth right where they sat looking into the heavens contentedly at peace and bicker-weary Adam passes Eva a handful of applesauce the day after he made this just for her he says and she rubs the applesauce all over her body Adam's eyeballs grow large Adam's applesauce strolls over Eva's body wanders its way right inside Eva's body and she senses the first wandering song coming on while she sings, Adam strolls his way around on her body and so they both come and so they go

Look, maybe it’s none of those things or a combination of them. All I know for sure is if you don’t talk to him you’ll never know. Call him.” “I can’t—he hasn’t called me.” “So?” “So, I don’t want to be the one to call first—it’s too desperate,” I protested. “Will you listen to yourself? You’re a strong, independent woman—a supernatural creature with almost unlimited physical strength and immense magical capabilities and you’re acting like you’re back in high school,” she scoffed. “Excuse me,” I snapped. “I know it must seem stupid to you but this is complicated. I don’t want to chase after him if he doesn’t want me.” “Of course he wants you. He came after you even though he knew he was walking into a trap. Even though he was pretty sure he was going to die—he still came. And you…” Addison pointed at me with her white plastic spoon. “You came back from the freaking dead for him.” I frowned. “I don’t actually remember a whole lot of that.” “Well, Gwendolyn does. She said you were all set to go into the light—and by the way, you ought to tell your bigoted parents that because apparently vampires can go to Heaven. Anyway, you were almost past the pearly gates and she got you to come back by saying Victor’s name.” “She did?” I asked. I had vague, blurry images of a vast black pit filled with writhing things and the horror of falling… and then waking up in my own body. But that was as far as my memory went. Addison nodded. “You weren’t even going to come back for me, roomie—but you came for him. You came back for Victor.” She pushed her spoon back into the upside down banana split. “I can’t eat any more of this. I’m going to be sick.” “I didn’t know I was that far gone,” I said quietly. “I mean, I had some vague memories but I thought they were just dreams… nightmares.” “They were real,” Addison said shortly. “I didn’t want to talk to you about it because I didn’t want to think about how close… how close I came to losing you.” She sniffed dabbed at her eyes with another paper napkin. “Addison…” She cleared her throat, obviously trying to get control of her emotions. “I don’t know for sure but I got the impression that Gwendolyn risked a lot to bring you back—apparently, it’s kind of a big no-no to snatch someone from death’s door like that. But she wouldn’t have been able to do it if you weren’t willing to come. And the only reason you were willing was—” “Victor,” I finished for her, in a whisper. “Right.” She nodded decisively.

But Stanley persisted in the kitchen, performing the small yet demanding apprentice's tasks she set for him- removing the skin from piles of almonds, grating snowy hills of lemon zest, the nightly sweeping of the kitchen floor and sponging of metal shelves. He didn't seem to mind: every day after school, he'd lean over the counter, watching her experiment with combinations- shifting flavors like the beads in a kaleidoscope- burnt sugar, hibiscus, rum, espresso, pear: dessert as a metaphor for something unresolvable. It was nothing like the slapdashery of cooking. Baking, to Avis, was no less precise than chemistry: an exquisite transfiguration. Every night, she lingered in the kitchen, analyzing her work, jotting notes, describing the way ingredients nestled: a slim layer of black chocolate hidden at the bottom of a praline tart, the essence of lavender stirred into a bowl of preserved wild blueberries. Stanley listened to his mother think out loud: he asked her questions and made suggestions- like mounding lemon meringue between layers of crisp pecan wafers- such a success that her corporate customers ordered it for banquets and company retreats. On the day Avis is thinking of, she sat in the den where they watched TV, letting her hand swim over the silk of her daughter's hair, imagining a dessert pistou of blackberry, creme fraiche, and nutmeg, in which floated tiny vanilla croutons. Felice was her audience, Avis's picky eater- difficult to please. Her "favorites" changed capriciously and at times, it seemed, deliberately, so that after Avis set out what once had been, in Felice's words, "the best ever"- say, a miniature roulade Pavlova with billows of cream and fresh kumquat- Felice would announce that she was now "tired" of kumquats.

David?” I almost looked around to see who she was talking to and then remembered my own name. It sounded different on her lips. “Yeah?” “You’re so nice. I didn’t expect you to be so nice.” “Why?” “Because all the girls at the bar are either in love with you, and they want to sleep with you, or they hate you, and they still want to sleep with you. I thought you were one of those bad-boy types.” “Oh, I’m plenty bad. I just try not to be an asshole to people who don’t deserve it. I guess you could say I’m a nice bad guy.” “I don’t think it works that way,” she said softly. “Trust me. It does. I’m good with people. But don’t cross me. And don’t cross the people I care about. Or you’ll see my bad side.” “I’ll remember that,” Amelie said seriously, nodding as if she had been contemplating crossing me only seconds before. The thought of the dainty, blind brunette with the pearly skin and the sweet smile screwing me over was comical. “You plotting something?” I asked, trying not to laugh. “I was. But I thought better of it.” She shivered dramatically. “Don’t want to see bad Tag.” “Bad Tag and Silly Millie.” “Millie?” “Doesn’t anyone ever call you Millie for short?” “No,” she answered frankly. “Henry and Amelie aren’t names you hear every day. They sound kind of old-fashioned.” “That’s because we were actually born in the late 1800s, when our names were more popular. We vampires don’t age, you know. And my blindness is just a ruse to make people feel safe.” Her lips twisted in a smirk. “Is that right?” I drawled, “Well, I’ll be damned. So you and Henry are forever gonna be, what, thirteen and twenty-two?” “Fifteen. Henry’s fifteen.” “But you’re actually one hundred and twenty-two?” “That’s right. We’ll still look this good in another hundred years.” That was a sad thought for Henry, but for Amelie, not so much

Full round apple, peach, pear, blackberry. Each speaks life and death into the mouth. Look at the face of a child eating them. The tastes come from afar and slowly grow nameless on the tongue. Where there were words, discoveries flow, released from within the fruit. What we call apple—dare to say what it is, this sweetness which first condensed itself so that, in the tasting, it may burst forth and be known in all its meanings of sun and earth and here. How immense, the act and the pleasure of it.

I don't think I like her very much. She is very good looking, but I sometimes think she is like one of those beautiful pears one gets-they have a rosy flush and a rather waxen appearance-" He shook his head. "And they're bad inside?" said Lydia. "How funny you should say that, Alfred!" "Why funny?" She answered: "Because-usually-you are such a gentle soul. You hardly ever say an unkind thing about anyone. I get annoyed with you sometimes because yo're not sufficiently, oh, what shall I say?-sufficiently suspicious-not worldly enough!

Mr. Milton set out in his great poem to justify the ways of God to men, as he says. He has not considered one question, however: perhaps God has forbidden men to know His ways, for if they did know the full extent of His goodness, and the magnitude of our rejection of it, they would be so disheartened they would abandon all hope of redemption, and die of grief. I

If you had the chance to visit paradise or heaven, would you? Are you thinking you'll get another chance later? What if you reach the Pearly Gates, and Saint Peter says, 'Hey, you had plenty of opportunities to spend time in heavenly places down there. Sorry.

Methuselah swung the pear-shaped mace down toward the skull of his adversary, a fifteen-year old girl named Edna. She raised her shield and blocked it effectively, then parried with her own mace. He barked, “Excellent, runt!” Methuselah was a strapping twenty-year old handsome young man. His unusual blue eyes often drew the teasing of his companions, saying that he was a Bene ha Elohim, or more likely a product of their union with the daughters of men. It was not true, but he played along with it because he liked standing out from the crowd. He was a fiery lad with a passion for arguing, not the best of traits for an apkallu in training, since their order was marked by restraint and listening. But Methuselah hungered for knowledge, and loved to study and learn about everything.

The Gandhian idea of basic education is to observe the child, to help like a gardener helps the acorn, or the seed, an apple seed, or a tomato seed, or a potato seed, or whatever seed it is. A gardener does not tell an oak to be an ash. A gardener does not tell an apple to be a pear. A gardener says, “Apple if you are an apple seed, be an apple, and I will help you: I will water you, I will put some stakes so that you are not blown away in the wind.

Sunrise is the time to feel that you will be able to find out how to help somebody close to you who you think needs help even if he doesn’t think so. At sunrise everything is luminous but not clear. Then about twelve miles before Wolf Creek the road drops into the Little Prickly Pear Canyon, where dawn is long in coming. In the suddenly returning semidarkness, I watched the road carefully, saying to myself, hell, my brother is not like anybody else. He’s not my gal’s uncle or a brother of my aunts. He is my brother and an artist and when a four-and-a-half-ounce rod is in his hand he is a major artist. He doesn’t piddle around with a paint brush or take lessons to improve his short game and he won’t take money even when he must need it and he won’t run anywhere from anyone, least of all to the Arctic Circle. It is a shame I do not understand him. Yet even in the loneliness of the canyon I knew there were others like me who had brothers they did not understand but wanted to help. We are probably those referred to as “our brothers’ keepers,” possessed of one of the oldest and possibly one of the most futile and certainly one of the most haunting of instincts. It will not let us go.

Riverstone: Viscount of tine stony grave Alive and well attended to; Deliverance beyond this day: I bid thee well along and thru. Despite the case at hand to see Before my eyes against me say: To rid me of my misery, A desperate call to riverine stay. The cult which led me to that place- A devil hooked on just romance-; My sister bled with solemn grace: A flower sti I I and yet to dance. Whatever for we shan't oblige For mystic chanting let alone The daemons and their just demise The daylight break to Riverstone. And well adhered to firm belief The dudgeon of a higher man Amidst my song of pear and leaf To take thee to a brighter land. A season of the greater arts A life of wealth, and will to bring The pristine health of desperate hearts- The kindness of a Druid king- And let alone the blessed face My own two eyes remember this Alone, beyond the steady race, To dance about the cold abyss. A presence well enchanted in The ways of light yet to demand My sister in the hands of sin A daughter of the ocean-brand. To sea she runs with ample stride The wave alone to render sti I I To peer along her way with pride My darling heart she kindly fills. And like the darling buds of May She dances from around and to Deliverance beyond this day: I bid thee well along and thru

Breakfast in the shed of the pear groves  was an experience, made by Mizrahi. I remember his unique and diverse Shakshuka. I remember the side dishes and refreshing coffee. Nothing resembled that stolen sandwich, I used to eat in Kinneret under the shade of the banana trees. No one here was in a rush and no one urged you to finish. There was no stressful work atmosphere. I could not help but make the comparison of the working conditions here, to my  father's in the banana plantations of Kinneret.

The only absolute truth is the world humans is love – there is nothing higher, there is nothing greater.

I was born and raised in a communist country where all religion's were forbitten. when I immigrated to the USA I told my husband now,. I want to get married in church because I don't want my children to grow up with out faith like I did! We went to Albanian church and got married but 1st we had to be baptized so on December 8, 1991 I converted to Christianity and got married, that very the same nigh I see God & Jesus on my dream! I see my self I was dropped on the side of the cross road of my childhood neighborhood ( Rusi Katolik) Shkoder, Albania! I'm standingh up on the and look around me it was raining and poring and the rain splashing down on ground, and catching on fire. I see people runging and hear them skreaming but around me was s sunshine spotlight. I hear a very firm voice come from up saying "My child tell your people in your languages stop screaming, and start praying" I tried to resist His order, and God said "DO AS YOU BEEN TOLD MY CHILD" with an very firm voice, and orderly voice. I can hear my self telling people "Moss bertit por lutu, mos bertit por lutu" (Don't scream, and start praying, don't scream start praying). I can hear people praying. The rain stopped and a bright sun come out. I hear God telling me "Well done my child" as I'm leaving going west Jesus showed up on the sky with his arms wide open. He have an light olive skin, light brawn shine waive hair , coming down to his both side of his chest. he have crystal watery blue eyes color, and pinkish lips, he smile at me and I see his pearly bright teeth. I wake up went to balcony to see if that was real or dream because it felt so real! since then I never felt the same, I felt a big burden was lifted out of my chest!

The Aztecs located the Templo Mayor and surrounding sacred precinct – by far the grandest and most powerful nepantla-middled ritual time-place stretched out and put in place by human beings – at tlallinepantla (“in the middle of the earth”).159 Tlallinepantla coincided with the center of the earth (tlalli olloco),160 the navel of the earth (tlalxicco), the crossroads of the horizontal forces of the Fifth Sun-Earth Ordering, the confluence of vertical malinalli-twisting-spinning forces that ascend from below and descend from above the earth, and the axis mundi. Here is the meeting point of the four roads created by the four sons of Tonacatecuhtli~Tonacacihuatl (each associated with one of four intercardinal directions).161 In so doing, they arranged the earth into four quadrants and a center. Here, too, is the time-place defined by the crossing of two springs, red and blue (or yellow), on a small island in the middle of Lake Texcoco. Mendieta describes their crossing as formada a manera de una aspa de san Andrés (“shaped like a Saint Andrew’s cross”).162 Hernando Alvarado Tezozomoc likewise describes a spot defined by two springs intersecting one another. Van Zantwjik, Berdan and Anawalt, and Heyden read Tezozomoc as claiming the two springs are Tleatl-Atlatlayan (“Fire Water, Place of Burning Water”) and Matlalatl-Toxpalatl (“Dark Blue Water, Yellow Water”). The former ran from east to west, the latter, from north to south, and so they crossed one another.163 López Austin and López Lujan, however, read Tezozomoc as identifying the two intersecting springs as Matlalatl (“Dark Blue Water) and Toxpalatl (“Yellow Water”).164 Either way, their intersecting divides the island into four quadrants and forms the St. Andrew’s cross depicted in Codex Mendoza, fol. 2r. Dúran says the Aztecs found the sight of yellow and blue streams “espanto” (“frightening, terrifying, astonishing, awesome”).165 Next to this spot was where an eagle perched upon a prickly pear cactus. Lastly, here, too, the Aztecs constructed their Huey Tocalli. After building their first temple at the site, the Aztecs ordered the surrounding area divided into four quarters, with the Huey Teocalli at their intersection. The roads of Tepeyac, Itztapalapa, and Tlacopan, which arranged the city into four quadrants and served as communication routes between the island and the surrounding lake shores, intersected at the Huey Teocalli, forming a grand human-constructed crossroads with the Huey Tecocalli at its center.166 All of these crossings and intersectings coincided with one another as well as with the center of the earth, the navel of the earth, and the axis mundi. Codex Mendoza (fol. 2r) depicts the founding of Tenochtitlan at this nepantla-middled, nepantla-intersecting time-place (see Figure 4.10).

When American experts began making “helpful” suggestions about how the French could “increase productivity and profits,” the average Frenchman would shrug, as if to say: “These notions of yours are all very fascinating, no doubt, but we have a nice little business here just as it is. Everybody makes a decent living. Nobody has ulcers. I have time to work on my monograph about Balzac, and my foreman enjoys his espaliered pear trees. I think, as a matter of fact, we do not wish to make these changes that you suggest.

Reminds me of the story of the oilman who went to Heaven,” said Claude. “He shows up at the Pearly Gates and Saint Peter says, ‘I have some good news and some bad news. The good news is, you’ve got into Heaven.’ “‘Fantastic,’ says the oilman. ‘But what’s the bad news?’ “‘I’m afraid the part of Heaven reserved for oilmen is full.’ “‘Well, I know how to solve that,’ says the oilman. ‘Take me to them.’ “When Saint Peter does, the oilman calls for their attention and announces, ‘Exciting news. They’ve struck oil in Hell.’ “And with that, the place empties out. “Saint Peter turns to the oilman and says, ‘That was amazing. You can go in now.’ “‘Are you kidding?’ says the oilman. ‘I’m going to Hell. I hear they’ve struck oil there.

Halyard yawned and was annoyed to think that Lynn, who had just read "order out of chaos" as "order out of koze," made three times as much money as he did. Lynn, or, as Halyard preferred to think of him, Planck, hadn't even finished high school, and Halyard had known smarter Irish setters. Yet, here the son-of-a-bitch was, elected to more than a hundred thousand bucks a year!" "You mean to say that this man governs without respect to the people's spiritual destinies?" whispered Khashdrahr. "He has no religious duties, except very general ones, token ones," said Halyard, and then he started wondering just what the hell Lynn did do. EPICAC XIV and the National Industrial, Commercial, Communications, Foodstuffs, and Resources Board did all the planning, did all the heavy thinking. And the personnel machines saw to it that all governmental jobs of any consequence were filled by top-notch civil servants. The more Halyard thought about Lynn's fat pay check, the madder he got, because all the gorgeous dummy had to do was read whatever was handed to him on state occasions: to be suitably awed and reverent, as he said, for all the ordinary, stupid people who'd elected him to office, to run wisdom from somewhere else through that resonant voicebox and between those even, pearly choppers. And Halyard suddenly realized that, just as religion and government had been split into disparate entities centuries before, now, thanks to the machines, politics and government lived side by side, but touched almost nowhere. He stared at President Jonathan Lynn and imagined with horror what the country must have been like when, as today, any damn fool little American boy might grow up to be President, but when the President had had to actually run the country!

What I’m trying to say, Ruben, is that meeting this horrible man and his horrible wife, it made me realize something. It made me realize I don’t believe in anything anymore and not just that, but I don’t care. I have no beliefs and I’m OK with it; I’m more than OK, I’m glad . . . I’m glad I’m getting older without convictions . . .” “What’s Judy always saying, and her friends? ‘It’s copacetic’?” “It’s copacetic.” She retook my arm and we walked on, a pair of sweethearts in the snow. Our block was totally socked in. Hedgerows of snow. The pearly humps of cars. We shuffled up the steps to our door, where the snow was soft and powdery and, even at the topmost step, under the overhang, calf-high. I think of it as a blessing: may you never lock your door . . . may you never have to lock your door . . . I opened the door and—resisting the impulse to sweep her up like a bride—held it open for Edith. She stepped inside. She crunched onto the mat and bent down to untie her laces but stopped and turned and clung to me. I looked over her shoulder, through the lens fog, and saw our new television cabinet tipped over face-first, its screen shattered, and the youngest Netanyahu boy curled fetal atop a mound of gingerbread house scraps and glass.

If you want to come to a compromise over something, you must “cut the pear in two” (couper la poire en deux). Picking one’s brain might be expressed as “squeezing one’s lemon” (presser le citron). If you want to convey a sense of “eh” or “so-so” when asked for an opinion on something, you might say it’s “half fig, half grape” (mi-figue, mi-raisin).

What do you think Jesus is gonna say if we come walking up to those pearly gates carrying a whole sackful of grievances and grudges on our backs?

Mama Pearly saying, “Seize your happiness.

I’m just saying, sissy, love the life God gave you. Stop trying to create a different one.

If we're asked how to improve the police, we will muster the courage and imagination it takes to say, no police at all.

Have you inspected Mrs. Pimber's fruit cellar, Matthew? I expect you'll find him there, heels up, in a stone jar—preserved. Oh yes. Positively Egyptian. Or perhaps she put him up in parts, year after year, as pieces broke off. Who knows how many of each? Easy—mind now—take it easy. Don't misunderstand. We've had enough of that. But it's important that you see them: quarts of feet and fingers over there-a new batch, the caps are clean and shiny—then jams of liver and kidney jellies, brains and lungs like cauliflowers floating halfway up their jars, eyebuds bleached like little onions or, if bloodshot, like baby beets—oh no, I hold my hands up to you—you've got to take the tour, why, it's instructive—brains, did I say?—well such a store: glands and tongues and teeth like white corn, pearly ear lobes and lips in soft pink sauce, crocks of pickled pricks- So, Matthew, now it's your turn to flinch.

An apple never bares a pear.

Browsing among the stalls, the sisters feasted on hand-sized pork pies, leek pasties, apples and pears, and to the girls’ delight, “gingerbread husbands.” The gingerbread had been pressed into wooden man-shaped molds, baked and gilded. The baker at the stall assured them that every unmarried maiden must eat a gingerbread husband for luck, if she wanted to catch the real thing someday. A laughing mock argument sprang up between Amelia and the baker as she flatly refused one for herself, saying she had no wish to marry. “But of course you do!” the baker declared with a sly grin. “It’s what every woman hopes for.” Amelia smiled and passed the gingerbread men to her sisters. “How much for three, sir?” “A farthing each.” He attempted to hand her a fourth. “And this for no charge. It would be a sad waste for a lovely blue-eyed lady to go without a husband.” “Oh, I couldn’t,” Amelia protested. “Thank you, but I don’t—” A new voice came from behind her. “She’ll take it.” Discomfiture and pleasure seethed low in her body, and Amelia saw a dark masculine hand reaching out, dropping a silver piece into the baker’s upturned palm. Hearing her sisters’ giggling exclamations, Amelia turned and looked up into a pair of bright hazel eyes. “You need the luck,” Cam Rohan said, pushing the gingerbread husband into her reluctant hands. “Have some.” She obeyed, deliberately biting off the head, and he laughed.

In short I tried to think. I failed. My attention veered inexorably back to the specific, to the tangible, to what was generally considered, by everyone I knew then and for that matter have known since, the peripheral. I would try to contemplate the Hegelian dialectic and would find myself concentrating instead on a flowering pear tree outside my window and the particular way the petals fell on my floor. I would try to read linguistic theory and would find myself wondering instead if the lights were on in the bevatron up the hill. When I say that I was wondering if the lights were on in the bevatron you might immediately suspect, if you deal in ideas at all, that I was registering the bevatron as a political symbol, thinking in shorthand about the military-industrial complex and its role in the university community, but you would be wrong. I was only wondering if the lights were on in the bevatron, and how they looked. A physical fact.

A righteous man who has been pious all of his life is on the roof of his house during the mother of all floods. The water just keeps rising. A motorboat drives by and stops in front of his house. “Hop in,” says the man in the boat. The righteous man shakes his head and says, ‘Don’t worry about me. God will save me.’ A few hours later, with the water now just a few feet from his level on the roof, another boat passes. ‘Quick, jump in,’ a woman on the boat says. The righteous man smiles serenely. ‘Thanks, but the Lord will save me. I’m sure of it.’ Finally the water has reached his waist and a helicopter overhead lowers a rope ladder down to him. He ignores it and says a prayer to the Lord, whom he knows will reward a true believer.” Van Hutten paused for effect. “Five minutes later he drowns.”          The physicist seemed delighted by the confused expression on Kira’s face. “So the spirit of this righteous man floats to the pearly gates,” continued van Hutten, “and he sees God. ‘Lord,’ he says. ‘I’ve been a righteous, pious man my entire life. I’m just curious as to why you didn’t save me from the flood. I thought surely you would.’” In reply, God shakes his mighty head and says, ‘Are you kidding? I sent you two boats and a helicopter. What more do you want from me?

Anesthesiologist,” I tell him. “Sì.” He smiles at me. It’s a goofy, toothy grin. His nose is large and his ears stick out, but I like how his thick black hair gets in his eyes when he tilts his head to bite into the pear. He runs a hand through it to push it back, but it doesn’t help. There is a snap as he bites through the pear’s skin, into the flesh, peeling it with his teeth. I watch his throat work as he eats. A bit of juice disappears beneath the collar of his shirt. His mother huffs, pretending exasperation, and gets him a napkin. This is Paul and Hannah’s apartment—Donato and his parents live one building over—but I can tell by how he stretches across the living room couch, how his mother directs my brother-in-law in the kitchen, that they might as well live here too. “Marie’s teaching me how to make a proper cacio e pepe,” Paul calls to me from the stove. The pot of boiling water is making the room muggy. Marie goes to prop open the front door. “You have not seen Hannah since her mamma’s funeral?” Donato asks, watching me from the couch. He has very light brown eyes, fringed with thick lashes and full, almost feminine lips that are slick and shiny from the pear juice. I can feel him assessing me. Taking in the box-dye job, the blunt haircut I managed to fit in between visits to the nursing home and my red-eye flight. It’s shorter than I wanted and feels uneven. It looks exactly the same, Guy assured me before dropping me off at the airport. “Over a year now,” I say, trying not to fidget. He raises an eyebrow, still enjoying that pear. I refuse to feel guilty. Paul had left for Italy soon after the funeral, taking Hannah with him. And I had my mother to think of, her grief was insurmountable. It affected everything. She did not want to go outside, she did not want to eat.

I may say,Trust is like a breakable pendant,made of pearly beads,Oh! when it breaks,the Angel face it turns a shame,the heart in drying vain,and forever the lips may detached,to never kiss you Deep?

Like many who have little to say, he said too much, interrupting without courtsey and favoring with the benefit of his wisdom those who did not desire it.

Thoughts provide important information, but they are not fundamentally different from or more important than, say, the taste of a pear or hearing a Mozart symphony.

When you just get to thinking about it, it shore seems kind of funny the things these big ones do. They got blacklists. Our fingerprints is made when we get our auto license if we don’t say no. They got guns and clubs and tear gas and vomit gas and them vigilantes paid to fire the guns. It shore seems kind of funny them acting like that before a man even has a chance to make a living. ‘Pears they could use the money they spend for gangsters and guns to raise our wages. It’d be a power more right,” Hightower drawled.

A bus full of Nuns falls of a cliff and they all die. They arrive at the gates of heaven and meet St. Peter. St. Peter says to them "Sisters, welcome to Heaven. In a moment I will let you all though the pearly gates, but before I may do that, I must ask each of you a single question. Please form a single-file line." And they do so. St. Peter turns to the first Nun in the line and asks her "Sister, have you ever touched a penis?" The Sister Responds "Well... there was this one time... that I kinda sorta... touched one with the tip of my pinky finger..." St. Peter says "Alright Sister, now dip the tip of your pinky finger in the Holy Water, and you may be admitted." and she did so. St. Peter now turns to the second nun and says "Sister, have you ever touched a penis?" "Well.... There was this one time... that I held one for a moment..." "Alright Sister, now just wash your hands in the Holy Water, and you may be admitted" and she does so. Now at this, there is a noise, a jostling in the line. It seems that one nun is trying to cut in front of another! St. Peter sees this and asks the Nun "Sister Susan, what is this? There is no rush!" Sister Susan responds "Well if I'm going to have to gargle this stuff, I'd rather do it before Sister Mary sticks her ass in it!

They say there is only one half-hour when a pear is at its best for eating. There is one time in your life when you can do a thing best for yourself and everyone else. If you don't do it then, you don't do it at all, or you do it with loss and damage! Hilary had always said that the difference between an actor and an amateur actor was in the timing.

Love is a pear,’ Jaskier tells him and Geralt snorts. ‘How would you describe the shape of a pear? There’s nothing else like it, it’s pear-shaped. You know when you see it, it’s sweet, and can be sour, it has its own texture unlike anything else. It doesn’t taste like an apple. Or a cherry. And even when you consume it, there’s seeds that can be planted, and you’d never forget it. You can grow more, and there’s flowers, and offshoots, and when someone says ‘pear’ to you, you can still taste it. You can remember the juice breaking over your chin, and the smell of it as you bite into the skin…the odd texture of it, sort of grainy, but it’s a beautiful contrast to the fruit inside…

In a ready crust of crushed walnuts, flour, and butter, D'Ours lays the pear slices in a pinwheel design. Because they've soaked up the red wine, their edges are etched in burgundy while their centers are white, giving them a candy cane appearance. A perfect Christmas dessert. Next, he crumbles the Roquefort over the pears, noting the irony of fruit desserts. Pairing fruit with sweet ingredients such as honey or sugar brings out the fruit's tartness while tangy cheese can make the fruit seem sweeter. Which might explain why my grandfather salted his grapefruit. "Roquefort has an intriguing history," he says while tapping a traditional flan filling of cream, sugar, and eggs. "You might be surprised to learn..." I stick up my hand and before D'Ours can object, I explain how Roquefort, like most blue cheeses, attributes its blue veins to penicillin mold and that in the past, Roquefort makers (there are only, like, nine in the world), used to put wrapped cheese next to humongous moldy rye bread in caves and let the spores from the rye bread seep into the cheese.

She gives me a look as she bends down to open up the fruit drawer in the fridge. “Meddy, how can you say that? Your aunties coming over, so late at night, coming to help us get rid of body, and we don’t even offer them any food? How can? Oh, we have dragon fruit, good, good. Big Aunt’s favorite. Wah, got pear too. Very good. Help me peel, don’t be so rude to your aunties, you will bring shame.

I first visited in Leipzig in 1994, nearly five years after the Wall fell in November 1989. East Germany still felt like a secret walled-in garden, a place lost in time. It wouldn't have surprised me if things had tasted different here - apples like pears, say, or wine like blood.